“
How dare you touch my cookies, you bastard!” Jason said in utter disgust before popping the cookie into his mouth and heading back to his house.
“Damn those looked good, too,” Brad grumbled.
Haley sighed. “Don’t worry I have a second plate on my counter.” The words were barely out of her mouth when Jason abruptly changed course and headed towards her house.
“Well, there was,” she said, watching Jason walk into her house like he owned it. A minute later he walked out of her house, carrying both plates and the gallon of milk she had in her fridge. He headed back to his house, but not before he glared at Brad. “You cookie thieving bastard,” they heard him mutter.
Brad rolled his eyes, chuckling. “And people wonder how I lost weight rooming with him in college.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
The brain may take advice, but not the heart, and love, having no geography, knows no boundaries: weight and sink it deep, no matter, it will rise and find the surface: and why not? any love is natural and beautiful that lies within a person's nature; only hypocrites would hold a man responsible for what he loves, emotional illiterates and those of righteous envy, who, in their agitated concern, mistake so frequently the arrow pointing to heaven for the one that leads to hell.
”
”
Truman Capote (Other Voices, Other Rooms)
“
He loved mountains, or he had loved the thought of them marching on the edge of stories brought from far away; but now he was borne down by the insupportable weight of Middle-earth. He longed to shut out the immensity in a quiet room by a fire.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
I'd still thought that everything I thought about that night-the shame, the fear-would fade in time. But that hadn't happened. Instead, the things that I remembered, these little details, seemed to grow stronger, to the point where I could feel their weight in my chest. Nothing, however stuck with me more than the memory of stepping into that dark room and what I found there, and how the light then took that nightmare and made it real.
”
”
Sarah Dessen (Just Listen)
“
Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
I’m heavy,” she mutters as my arms scoop under her legs and around her waist. We leave Brady and Shithead behind us as I start the walk toward the locker rooms, where the first aid room is. “Shut up, Anastasia. You’re not even half my warm-up weight.
”
”
Hannah Grace (Icebreaker (UCMH, #1))
“
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol.
'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed.
Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
”
”
R.D. Ronald (The Elephant Tree)
“
Butch : Two words for you. CYNDI.LAUPER
Vishous : Clearly, the paste you ate has gone to your head. Did Marissa like all that lace you glued on ? Oh... and I'm talking to your body, not that ridiculous card you made her.
Butch : How does that song go ?
*sings song about true colors*
Vishous : I have no idea what you are talking about.
Butch : Oh.Really. So you deny that shit was playing in the weight room yesterday ?
Vishous : Please. Like I listen to crap like that ?
Butch : So you deny that song was also playing in the Escalade last night ?
Vishous : Don't act the fool.
Butch : So you deny that song was ALSO coming out of your shower early this morning.
”
”
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
“
I want you to tell me about every person you've ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn't think you’d live through. Tell me what the word “home” means to you and tell me in a way that I’ll know your mothers name just by the way you describe your bed room when you were 8. See, I wanna know the first time you felt the weight of hate and if that day still trembles beneath your bones. Do you kiss your friends on the cheek? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name. And if you often lie awake at night and imagine your mothers joy when she spoke it for the very first time. I want you tell me all the ways you've been unkind. Tell me all the ways you've been cruel.Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me, how would you explain the miracle of my life to me? And for all the times you've knelt before the temple of yourself, have the prayers you've asked come true? And if they didn't did you feel denied? And if you felt denied, denied by who[m]? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see in the mirror on a day a day you’re feeling bad. I wanna know the first person who ever taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment, will you remember how to laugh? Have you ever been a song? See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving. And if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes through other people’s wounds. And if you dream sometimes that this life is just a balloon that if you wanted to you could pop—but you never would because you’d never want it to stop.
”
”
Andrea Gibson
“
listen to me as one listens to the rain,
the years go by, the moments return,
do you hear the footsteps in the next room?
not here, not there: you hear them
in another time that is now,
listen to the footsteps of time,
inventor of places with no weight, nowhere,
listen to the rain running over the terrace,
the night is now more night in the grove,
lightning has nestled among the leaves,
a restless garden adrift-go in,
your shadow covers this page.
”
”
Octavio Paz
“
Maybe I couldn’t make it. Maybe I don’t have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I don’t know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe I’m sick of the masquerade. I’m sick of pretending eternal youth. I’m sick of belying my own intelligence, my own will, my own sex. I’m sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; I’m sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. I’m sick of the Powder Room. I’m sick of pretending that some fatuous male’s self-important pronouncements are the objects of my undivided attention, I’m sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.
”
”
Germaine Greer (The Female Eunuch)
“
It was better to tell such stories close to the river than in a drawing room. Words accumulate indoors, trapped by walls and ceilings. The weight of what has been said can lie heavily on what might yet be said and suffocate it. By the river the air carries the story on a journey: one sentence drifts away and makes way for the next.
”
”
Diane Setterfield (Once Upon a River)
“
Thinking is like exercise, it requires consistency and rigor. Like barbells in a weightlifting room, the classics force us to either put them down or exert our minds. They require us to think.
”
”
Oliver DeMille (A Thomas Jefferson Education: Teaching a Generation of Leaders for the Twenty-first Century)
“
The trouble with friends was that you couldn’t get rid of them. There was no way to take back a friendship in the wake of betrayal or disappointment. The friendship, and everything that went with it, stayed. It just became unreliable, like an abandoned house; you still knew where all the rooms were, and which stairs creaked underfoot, but you had to check every floorboard for rot before trusting your weight to it.
”
”
Chris Moriarty (Spin State (Spin Trilogy, #1))
“
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him.
He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her.
"Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend."
She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy."
She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
And that is enough to raise your thoughts to what may happen when the redeemed soul, beyond all hope and nearly beyond belief, learns at last that she has pleased Him whom she was created to please. There will be no room for vanity then. She will be free from the miserable illusion that it is her doing. With no taint of what we should now call self-approval she will most innocently rejoice in the thing that God has made her to be, and the moment which heals her old inferiority complex forever will also drown her pride… Perfect humility dispenses with modesty.
”
”
C.S. Lewis (The Weight of Glory)
“
We cry in our own rooms, remembering a man who will never be here again.The house creaks. Maybe it feels the weight of our grief, maybe the floorboards are buckling because the burden is too heavy.
”
”
Rochelle Maya Callen (Ashes and Ice (Ashes and Ice, #1))
“
You're a freak. But I really can't accept these-'
Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.'
Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.'
Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?'
Blay blushed. 'Come on-'
Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.'
Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.'
Agasp sounds better.'
Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind.
Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance.
Touché.'
Blay laughed. 'That's en garde, you damn fool.'
Qhuinn shot a look over his shoulder. 'ça va, Brutus?'
Et tu?'
That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.'
Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.'
Try sanitarium.'
No, thanks, I had a big lunch.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
But it's a whole lot easier to keep[secrets] when you've got someone else who knows breathing in the same room. Carrying them alone is like having a huge spiky weight digging into your shoulders and chest, a weight you can't shift even while you're sleeping.
”
”
Lilith Saintcrow (Betrayals (Strange Angels, #2))
“
Please,” I gasped out.
He just brushed his lips against my jaw, my neck, my mouth.
“Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke.
For a moment, I was nothing, no one.
Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again.
I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength.
For a while, only the rasp of our breathing filled the room.
I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Life’s the sum total of all our small mistakes, little tragedies, bad choices. Addition on top of addition. They pile up and pile up until the cost of keeping up appearances is too high and the weight is just too much. Then: collapse.
”
”
Lauren Oliver (Rooms)
“
A woman gasped. Through the open door I could see a sliver of carolers, some faces peering inside at the scattered tatters of money, some faces turned to the sky and the snow, now beginning to fall. And there, in front of them, in the room with us, stood the family, their outlines barely visible within the weight of the rooms light. It was a light that shone over our faces, our wounds and scars. It was a light so brilliant and white it could have been beamed from heaven, and Brian and I could have been angels basking in it. But it wasn’t and we weren’t.
”
”
Scott Heim
“
He would die in this room, buried alive by the weight of his life.
”
”
Christine Fonseca (Transcend)
“
He kissed her a little more deeply and was happy to hear her gasp of pleasure. The sound brought his erection back to life, and he brushed his fingertips over her collarbone.
"How 'bout you hop on up here with me?"
"I don't think you're quite ready for that yet."
"Wanna bet?" He took her hand and put it under the hospital sheets.
The throathy laugh as she gripped him gently was yet another marvel. Just like her constant presence in his room, her fierce protection of him, her love, her strength.
She was everything to him. His whole world. He'd gone from being blasé about his death to being desperate to live. For her. For them. For their future.
"What do you say we give it another day?" she said.
"An hour."
"Until you can sit up on your own."
"Deal."
Thank God he was a fast healer.
(..............)
Wrath struggled on the bed, trying to force himself upright so that he bore the weight of his upper body on his hips.
Beth watched him the whole time, refusing to help.
When he was steady, he rubbed his hands together in anticipation. He could feel her skin already.
"Wrath," she said with warning as he beamed at her.
"Come up here, leelan, A deal's a deal.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Ashryver eyes met her own, and she touched the face that was the other side of her fair coin.
"For Terrasen," she said to him
"For our family."
"For Marion."
"For us."
Slowly Aedion drew his blade and knelt, his head bowed as he lifted the Sword of Orynth. "Ten years of shadows, but no longer. Light up the darkness, Majesty."
She did not have room in her heart for tears, would not allow or yield to them.
Aelin took her father's sword from him, its weight a steady, solid reassurance.
Aedion rose, returning to his place beside Rowan.
She looked at them, at the three males who meant everything—more than everything.
Then she smiled with every last shred of courage, of desperation, of hope for the glimmer of that glorious future. "Let's go rattle the stars.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
A good book is never exhausted. It goes on whispering to you from the wall. Books perfume and give weight to a room. A bookcase is as good as a view, as the sight of a city or a river. There are dawns and sunsets in books - storms, fogs, zephyrs.
I read about a family whose apartment consists of a series of spaces so strictly planned that they are obliged to give away their books as soon as they've read them. I think they have misunderstood the way books work.
Reading a book is only the first step in the relationship. After you've finished it, the book enters on its real career. It stand there as a badge, a blackmailer, a monument, a scar. It's both a flaw in the room, like a crack in the plaster, and a decoration. The contents of someone's bookcase are part of his history, like an ancestral portrait.
- in "About books; recoiling, rereading, retelling", The New York Times, February 22, 1987
”
”
Anatole Broyard
“
You consider me for a moment, perhaps balancing the weight of your fear against the loneliness you will later feel in your room if you do not speak now
”
”
Guy Mankowski (Letters From Yelena)
“
I WANT YOU TO TELL ME ABOUT EVERY PERSON YOU’VE EVER BEEN IN LOVE WITH. TELL ME WHY YOU LOVED THEM, THEN TELL ME WHY THEY LOVED YOU. TELL ME ABOUT A DAY IN YOUR LIFE YOU DIDN’T THINK YOU’D LIVE THROUGH. TELL ME WHAT THE WORD “HOME” MEANS TO YOU AND TELL ME IN A WAY THAT I’LL KNOW YOUR MOTHER’S NAME JUST BY THE WAY YOU DESCRIBE YOUR BED ROOM WHEN YOU WERE 8. SEE, I WANNA KNOW THE FIRST TIME YOU FELT THE WEIGHT OF HATE AND IF THAT DAY STILL TREMBLES BENEATH YOUR BONES. DO YOU PREFER TO PLAY IN PUDDLES OF RAIN OR BOUNCE IN THE BELLIES OF SNOW? AND IF YOU WERE TO BUILD A SNOWMAN, WOULD YOU RIP TWO BRANCHES FROM A TREE TO BUILD YOUR SNOWMAN ARMS? OR WOULD YOU LEAVE THE SNOWMAN ARMLESS FOR THE SAKE OF BEING HARMLESS TO THE TREE? AND IF YOU WOULD, WOULD YOU NOTICE HOW THAT TREE WEEPS FOR YOU BECAUSE YOUR SNOWMAN HAS NO ARMS TO HUG YOU EVERY TIME YOU KISS HIM ON THE CHEEK? DO YOU KISS YOUR FRIENDS ON THE CHEEK? DO YOU SLEEP BESIDE THEM WHEN THEY’RE SAD, EVEN IF IT MAKES YOUR LOVER MAD? DO YOU THINK THAT ANGER IS A SINCERE EMOTION OR JUST THE TIMID MOTION OF A FRAGILE HEART TRYING TO BEAT AWAY ITS PAIN? SEE, I WANNA KNOW WHAT YOU THINK OF YOUR FIRST NAME. AND IF YOU OFTEN LIE AWAKE AT NIGHT AND IMAGINE YOUR MOTHER’S JOY WHEN SHE SPOKE IT FOR THE VERY FIRST TIME. I WANT YOU TELL ME ALL THE WAYS YOU’VE BEEN UNKIND. TELL ME ALL THE WAYS YOU’VE BEEN CRUEL. SEE, I WANNA KNOW MORE THAN WHAT YOU DO FOR A LIVING. I WANNA KNOW HOW MUCH OF YOUR LIFE YOU SPEND JUST GIVING. AND IF YOU LOVE YOURSELF ENOUGH TO ALSO RECEIVE SOMETIMES. I WANNA KNOW IF YOU BLEED SOMETIMES THROUGH OTHER PEOPLE’S WOUNDS.
”
”
Andrea Gibson
“
I suddenly missed the curious shelving patterns of my room, those old planks from the barn groaning under the weight of the notebooks. Shelving is an intimate thing, like the fingerprint of a room.
”
”
Reif Larsen (The Selected Works of T.S. Spivet)
“
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, “Where’s Susie?”
They were silent. Samuel looked at Lindsey.
“Buckley,” my father called from the adjoining room, “come play Monopoly with me.”
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
“See this shoe?” my father said.
Buckley nodded his head.
“I want you to listen to everything I say about it, okay?”
“Susie?” my brother asked, somehow connecting the two.
“Yes, I’m going to tell you where Susie is.”
I began to cry up in heaven. What else was there for me to do?
“This shoe was the piece Susie played Monopoly with,” he said. “I play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.”
“Is that a dog?”
“Yes, that’s a Scottie.”
“Mine!”
“Okay,” my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckley’s small body on his knee-the very human, very warm, very alive weight of it. It comforted him. “The Scottie will be your piece from now on. Which piece is Susie’s again?”
“The shoe?” Buckley asked.
“Right, and I’m the car, your sister’s the iron, and your mother is the cannon.”
My brother concentrated very hard.
“Now let’s put all the pieces on the board, okay? You go ahead and do it for me.”
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
“Let’s say the other pieces are our friends?”
“Like Nate?”
“Right, we’ll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?”
“They can’t play anymore?”
“Right.”
“Why?” Buckley asked.
He looked up at my father; my father flinched.
“Why?” my brother asked again.
My father did not want to say “because life is unfair” or “because that’s how it is”. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckley’s back.
“Susie is dead,” he said now, unable to make it fit in the rules of any game. “Do you know what that means?”
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You won’t see Susie anymore, honey. None of us will.” My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
”
”
Alice Sebold (The Lovely Bones)
“
Last night he spent an hour and a half lying on the floor of his room, because he was too tired to complete the journey from his en suite back to his bed. There was the en suite, behind him, and there was the bed, in front of him, both well within view, but somehow it was impossible to move either forward or backward, only downward, onto the floor, until his body was arranged motionless on the carpet. Well, here I am on the floor, he thought. Is life so much worse here than it would be on the bed, or even in a totally different location? No, life is exactly the same. Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet into my lungs, gradually feeling my right arm go numb under the weight of my body, because it’s essentially the same as every other possible experience.
”
”
Sally Rooney (Normal People)
“
The morning weighs on my shoulders with the dreadful weight of hope and I take the blue envelope which Jacques has sent me and tear it slowly into many pieces, watching them dance in the wind, watching the wind carry them away. Yet, as I turn and begin walking toward the waiting people, the wind blows some of them back on me.
”
”
James Baldwin (Giovanni’s Room)
“
But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight — matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one’s own time. A wall of books is a wall of windows.
”
”
Leon Wieseltier
“
I think I am an impostor. Twenty-seven years ago I was a baby. Before that I was a clump of cells. Before that I didn’t exist. How could I be a bookstore clerk, or a Catholic, or a woman, or a person at all? I’m a life force contained in the deformed body of a baby. Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces.
”
”
Theodore Roethke (The Lost Son & Other Poems)
“
When I heard the apartment door open everything felt lethargic, like we were moving underwater, struggling slowly against the weight. The sitting room door opened and Braden walked in, his face so pale and eyes so glazed, that I knew before I even looked at tear-streaked Ellie. I knew what fear felt like when it was pulsing from a person, I knew how grief could thicken the air, how it could slam into your chest and cause pain through your whole body. Your eyes, your head, your arms, your legs, even your gums.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
There’s a weight in the room now, a remembrance of childhood. It sinks like a stone, or a heart, or my weight on a good day.
”
”
Kris Kidd (Split Lips: Stories About Love & Sex)
“
The room hovered around me with great gentleness, as if the chairs and the tables and the walls were withholding their weight out of sympathy for my sudden frailty.
”
”
Sylvia Plath (The Bell Jar)
“
There’s much more. There’s all that goes beyond—all that is Elsewhere—and all that goes back, and back, and back. I received all of those, when I was selected. And here in this room, all alone, I re-experience them again and again. It is how wisdom comes. And how we shape our future.” He rested for a moment, breathing deeply. “I am so weighted with them,” he said.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
The year is done. I spread the past three hundred sixty-five days before me on the living room carpet. Here is the month I decided to shed everything not deeply committed to my dreams. The day I refused to be a victim to the self-pity. Here is the week I slept in the garden. The spring I wrung the self-doubt by its neck. Hung your kindness up. Took down the calendar. The week I danced so hard my heart learned to float above water again. The summer I unscrewed all the mirrors from their walls. No longer needed to see myself to feel seen. Combed the weight out of my hair. I fold the good days up and place them in my back pocket for safekeeping. Draw the match. Cremate the unnecessary. The light of the fire warms my toes. I pour myself a glass of warm water to cleanse myself for january. Here I go. Stronger and wiser into the new.
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Jack kissed him so carefully that August thought he would fall to pieces. Kissed him with the weight of knowing the price of risk. Then he gazed back at August like his heart was already breaking.
It was the same face that Jack had made on the roof, in the middle of the night, when they rolled in the grass, when he sat back with August’s blood and ink on his hands, when his face was lit orange with flames, when he’d opened the door to Rina’s room, when he stared across the gym at the homecoming dance, when he pulled him from the river and breathed him back to life.
Jack had been waiting. He’d been trying. He was scared. There were tears in his eyes and it took August’s breath away.
”
”
K. Ancrum (The Wicker King (The Wicker King, #1))
“
Having no room of my own to "take care of things" had begun to weigh on me. I wondered if storing up semen would have a health impact on me, positive or negative, like shinier hair or weight gain.
”
”
Bill Konigsberg (Openly Straight (Openly Straight, #1))
“
The brain may take advice, but not the heart, and love, having no geography, knows no boundaries: weight and sink it deep, no matter, it will rise and find the surface: and why not? any love is natural and beautiful that lies within a person's nature; only hypocrites would hold a man responsible for what he loves, emotional illiterates and those of righteous envy, who, in their agitated concern, mistake so frequently the arrow pointing to heaven for the one that leads to hell.
”
”
Truman Capote (Other Voices, Other Rooms)
“
Gandalf and Pippin came to Merry's room, and there they found Aragorn standing by the bed. 'Poor old Merry!' cried Pippin, and he ran to the bedside, for it seemed to him that his friend looked worse and a greyness in his face, as if a weight of years and sorrow lay upon him; and suddenly a fear seized Pippin that Merry would die.
'Do not be afraid,' Aragorn said, 'I came in time, and I have called him back. He is weary now, and grieved, and he has taken a hurt like the lady Eowyn, daring to smite that deadly thing. But these evils can be amended, so strong and gay a spirit is in him. His grief he will not forget; but it will not darken his heart, it will teach him wisdom.'
Then Aragorn laid his hand on Merry's head, and passing his hand gently through the brown curls , he touched the eyelids, and called him by name. And when the fragrance of athelas stole through the room, like the scent of orchards, and of heather in the sunshine full of bees, suddenly Merry awoke, and he said:
'I am hungry. What is the time?'
'Past supper-time now,' said Pippin; 'though I daresay I could bring you something, if they will let me.'
'They will indeed," said Gandalf, . 'And anything else that this Rider of Rohan may desire, if it can be found in Minas Tirith, where his name is in honour."
'Good!' said Merry. 'Then I would like supper first, and after that a pipe.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
There are some stories, some memories, that if you tell them after dark, they seem to gain weight, substance, as if there are things listening, waiting to hear themselves spoken of again. Words have power. But even thinking about them is sometimes enough to make the air in a room heavy.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
-We live in Rome, he says, turning his face to the room again,
-Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world...
”
”
William Gaddis (The Recognitions)
“
I want you to promise
we’ll see each other again,
you’ll send a letter.
Promise we’ll be lost together
in our forest, pale birches of our legs.
I hear your voice now—I know,
everyone knows promises come from fear.
People don’t live past each other,
you’re always here with me. Sometimes
I pretend you’re in the other room
until it rains… and then
this is the letter I always write...
”
”
Anne Michaels (Poems: The Weight of Oranges, Miner's Pond, Skin Divers)
“
For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good.
Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm.
Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive.
And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal.
That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest.
And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.
”
”
Sunyi Dean (The Book Eaters)
“
How heavy my mind is,
filled with the past.
Is there enough room
for the world to penetrate?
It must go somewhere,
it cannot simply sit on the surface--
Stars gleaming over the water.
The leaves piled, waiting to be lit.
Insight, my sister said.
Now it is here.
But hard to see in the darkness.
You must find your footing
before you put your weight on it.
”
”
Louise Glück (Winter Recipes from the Collective)
“
I've never had a boy in here," Martin said in a serious voice. "I've never touched another man, as a matter of fact. . . .except for my father. That was my duty."
Blomkvist's temples were pounding. He could not put his weight on his feet without being strangled. He tried to use his fingers to get a grip on the concrete wall behind him, but there was nothing to hold onto.
"It's time," Martin Vanger said.
He put a hand on the strap and pulled down. Blomkvist instantly felt the noose cut into his neck.
"I've always wondered how a man tastes."
He increased the pressure on the noose and leaned forward to kiss Blomkvist on the lips at the same time that a cold voice cut through the room.
"Hey you fucking creep, in this shithole I've got a monopoly on that one.
”
”
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
“
How most people carry on is a mystery. What they talk about at supper. How they can stand to sit in front of a TV from eight until Leno every night. How they can think bowling is fun. How they choose their neckties. How they bear the weight of everyday life without screaming. How a person can go through a whole life and never once contemplate suicide, like people who have never once wanted to be a movie star. How one young man can be handsome and strong and marry and heiress and work at Debevoise and Plimpton and retire to Nantucket to await the visits of his grandchildren, how they can be sailing in the bay while another young man, exactly like the first, can end up in a glass room in Lexington, Kentucky, on Haldol and Thorazine, without hope, without a girlfriend, without a future, and how easily the one can become the other. How one woman can take Gatorade to every one of her son's lacrosse games and another can lie in bed all day weeping, popping generic drugs, watching Oprah as though waiting for the Second Coming, and piling her dirty dishes in the laundry room. How life goes in bad directions when your heart is asleep. It's a mystery and there is no answer. (95)
”
”
Robert Goolrick (The End of the World as We Know It: Scenes from a Life)
“
Hey, ass-hats!”
We bolt to our feet when Coach Jensen’s commanding voice snaps toward the bleachers. Our fearless leader—the only Briar faculty member who can get away with calling students “ass-hats”—glares at us from the ice.
“Is there a reason your lazy asses are up in those seats when you should all be in the weight room?” he booms. “Quit stalking my practice!” Then he turns to scowl at the trio of freshmen who are snickering behind their gloves. “What’re you ladies laughing at? Hustle!”
The players speed forward as if the ice behind them is cracking to pieces.
Up in the stands, the guys and I hustle just as fast.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
And just as I begin to believe that all is well, there is some subtle change in the light. The room takes its true shape. I fight to go back to that blissful ignorance, but it is too late. The dull pain of truth weights my soul, pulling it under. I am left hopelessly awake.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
That evil wasn’t glamorous, but just the result of ordinary half-assed badness, high school badness, given enough room, however that might happen, to become its bigger self. Bigger, with more horrible results, but never more than the cumulative weight of ordinary human baseness.
”
”
William Gibson (The Peripheral (Jackpot #1))
“
The little room was filled with American records and a phonograph. Izzy would let me stay back there and listen to them. I listened to as many as I could, even thumbed through a lot of his antediluvian folk scrolls. The madly complicated modern world was something I took little interest in. It had no relevancy, no weight. I wasn't seduced by it.
”
”
Bob Dylan (Chronicles, Volume One)
“
You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?’ Tric shrugged, befuddled at the strange turn in conversation. ‘You imagine an oaf, don’t you?’ Mia continued. ‘Someone so full of wank there’s no room for wits. A slow-minded bastard who struts about full of spunk and piss, completely ignorant of how he looks to others.’ An exhalation of clove-sweet grey into the air between them. ‘Cock is just another word for “fool”. But you call someone a cunt, well …’ The girl smiled. ‘You’re implying a sense of malice there. An intent. Malevolent and self-aware. Don’t think I name Consul Scaeva a cunt to gift him insult. Cunts have brains, Don Tric. Cunts have teeth. Someone calls you a cunt, you take it as a compliment. As a sign that folk believe you’re not to be lightly fucked with.’ A shrug. ‘I think they call that irony.’ Mia sniffed, staring at the wastes laid out below them. ‘Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms. Just like Duomo, Remus, and Scaeva will be.’ One last drag, long and deep, as if drawing the very life from her smoke. ‘But I’d still rather be called a cunt than a cock any turn.’ The girl sighed grey, crushed her cigarillo out with her boot heel. Spat into the wind. And just like that, young Tric was in love.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
“
No pain, no gain." You can hear the phrase in the world of physical exercise and conditioning. Muscles that feel no pain are probably getting neither stronger, nor more flexible. It presents an analogy for the exercise of the heart. Those who run the risk of genuine love alone must worry about emotional pain. The more friends; the more good-byes - and the more wakes to attend, the more graves to visit, the more deaths to share. Those who truly live life to the fullest will bear the full cup of suffering. Only those who are willing to pay the price in pain and anguish find life full to the brim. Happy people also suffer; they are no more lucky than the rest. They create their own happiness. That's the rule of thumb.
Some thumbs, however, don't seem to rule very well. Slogans and catch-words, for all their conventional wisdom, fail to carry the whole weight of truth; they leave too much room for false inferences. "No pain, no gain" may leave one with nothing but pain - an intolerable amount of it. There is simply no guarantee that pain will bring gain, that hardship will yield happiness, that suffering will make one a better person. It may; but it's not inevitable.
”
”
Robert Dykstra (She Never Said Good-Bye)
“
***A LATE-NIGHT EXCERPT***
I realized much later that I actually visited 33 Himmel Street in that period of time. It must have been one of the few moments when the girl was not there with him, for all I saw was a man in bed. I Knelt. I readied myself to insert my hands through the blankets. Then there was a resurgence - an immense struggle against my weight. I withdrew, and with so much work ahead of me, it was nice to be fought off in that dark little room. I even managed a short, close-eyed pause of serenity before I made my way out.
”
”
Markus Zusak (The Book Thief)
“
Take one Naive Girl. Bring to room temperature in the Big City. Add three cups Academia. If in one cup Encouragement. Fold in two drop Love. Sprinkle with one teaspoon Adoration. Mix thoroughly. Spoon carefully into greased Pan of Matrimony. Bake in Desert Heat for 25. Test doneness with Careless Toothpick. Let cool on Wire Rack of Inertia. Serve with generous dollops of Benign Neglect.
”
”
Elizabeth J. Church (The Atomic Weight of Love)
“
We become too embarrassed to meet up with the friend we haven’t seen in years because we might have gained weight. We sabotage relationships by thinking we’re unworthy of physical affection. We hide our face when we have breakouts. We opt out of the dance class because we’re worried we’ll look ridiculous. We miss out on sex positions because we’re afraid we’ll crush our partner with our weight. We dread family holidays because someone might say something about how we look. We don’t approach potential friends or lovers because we assume they will immediately judge our appearance negatively. We try to shrink when walking in public spaces in order to take up as little room as possible. We build our lives around the belief that we are undeserving of attention, love, and amazing opportunities, when in reality this couldn’t be further from the truth.
”
”
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
“
To be sure, I had, and have, spent the better part of my post-college life growing up in the public eye, with my shameful warts, big and ugly, looming there for the world to see; and it has been a mighty battle trying to be a man, a Black man, a human being, a responsible and consistent human being, as I have interfaced with my past and with my personal demons, with friends and lovers, with enemies and haters. As Tupac Shakur once famously said to me, “There is no placed called careful.” On the one hand, Tupac was right: There is not much room for error in America if you are a Black male in a society ostensibly bent on profiling your every move, eager to capitalize on your falling into this or that trap, particularly keen to swoop down on your self-inflicted mishaps. But by the same token, Tupac was wrong: There can be a place called careful, once one becomes aware of the world one lives in, its potential, its limitations, and if one is willing to struggle to create a new model, some new and alternative space outside and away from the larger universe, where one can be free enough to comprehend that even if the world seems aligned against you, you do not have to give the world the rope to hang you with.
”
”
Kevin Powell (Who's Gonna Take the Weight: Manhood, Race, and Power in America)
“
Weight Watchers holds as a descriptive axiom the transparently true fact that for each of us the universe is deeply and sharply and completely divided into for example in my case, me, on one side, and everything else, on the other. This for each of us exhaustively defines the whole universe... And then they hold by a prescriptive axiom the undoubtedly equally true and inarguable fact that we each ought to desire our own universe to be as full as possible, that the Great Horror consists in an empty, rattling personal universe, one where one finds oneself with Self, on one hand, and vastly empty lonely spaces before Others begin to enter the picture at all, on the other. A non-full universe... The emptier one’s universe is, the worse it is... Weight Watchers perceives the problem as one involving the need to have as much Other around as possible, so that the relation is one of minimum Self to maximum Other... We each need a full universe. Weight Watchers and their allies would have us systematically decrease the Self-component of the universe, so that the great Other-set will be physically attracted to the now more physically attractive Self, and rush in to fill the void caused by that diminution of Self. Certainly not incorrect, but just as certainly only half of the range of valid solutions to the full-universe problem... Is my drift getting palpable? Just as in genetic engineering... There is always more than one solution... An autonomously full universe... Rather than diminishing Self to entice Other to fill our universe, we may also of course obviously choose to fill the universe with Self... Yes. I plan to grow to infinite size... There will of course eventually cease to be room for anyone else in the universe at all.
”
”
David Foster Wallace (The Broom of the System)
“
It might have felt easier if she'd been able to say that she moved across the room to him in a trance, as if he were a vampire exerting some kind of mind control. That would have been a cop-out, though. Not to mention a lie. She was exquisitely aware of every movement she made as she uncurled her legs, rose from her chair and walked slowly and carefully around the end of the coffee table towards him. She felt the wide hem of her yoga pants sway around her ankles, felt the nap of the blue-and-green area rug and then the cool smoothness of the wooden floorboards beneath her feet. She felt the way the thick sofa cushions gave beneath her as she sat beside him and the pull of gravity when his heavier weight made a deeper depression that her body rolled naturally into...And then she felt everything.
”
”
Christine Warren (Born to Be Wild (The Others, #15))
“
Property is no longer about power, personality and
command. It's not about vulgar display or tasteful display. Because it no longer has weight or shape.
The only thing that matters is the price you pay. Yourself, Eric, think. What did you buy for your one
hundred and four million dollars? Not dozens of rooms, incomparable views, private elevators. Not the
rotating bedroom and computerized bed. Not the swimming pool or the shark. Was it air rights? The
regulating sensors and software? Not the mirrors that tell you how you feel when you look at yourself
in the morning. You paid the money for the number itself. One hundred and four million. This is what
you bought. And it's worth it. The number justifies itself.
”
”
Don DeLillo (Cosmopolis)
“
Once," Balinda begins softly, "when I was in the emergency room with my mother they brought in a murderer who had been shot and was dying, right there in front of us. I watched as the nurse touched his face and reassured him and I could not believe they were being so nice to him."
"What happened?" Jill asked.
"My mother rose up, took my arm, gripped it as if she was a weight lifter and said, 'he was a beautiful baby once and his mother loved him'.
”
”
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
“
The relevant question is not whether back then a few extraordinary individuals could overcome a system strongly weighted against them or whether today an admittedly far greater number requiring far less talent can succeed. The real question is whether it's harder for the people in this audience to succeed be they extraordinary, average, or below average. If it is, and I think it obvious that it is, then that's untenable in a country that purports to provide equal opportunity for all. Now of course you'll dispute my claim that it is more difficult to succeed for them. You say the battle's over. I say not only is it not over but you yourself are stationed on the frontline of the battle and have been all these years. This room and the criminal justice system as a whole is the frontline. This is where modern-day segregation lives on.
”
”
Sergio de la Pava (A Naked Singularity)
“
What do these forests make you feel? Their weight and density, their crowded orderliness. There is scarcely room for another tree and yet there is space around each. They are profoundly solemn yet upliftingly joyous; like the Bible, you can find strength in them that you look for. How absolutely full of truth they are, how full of reality. The juice and essence of life are in them; they teem with life, growth and expansion. They are a refuge for myriads of living things. As the breezes blow among them, they quiver, yet how still they stand developing with the universe. God is among them. He has breathed with them the breath of life, might and patience. They stand developing, springing from tiny seeds, pushing close to Mother Earth. Fluffy baby things first, sheltering beneath their parents, mounting higher, spreading brave braches, pushing with mighty strength not to be denied skywards. Tossing in the breezes, glowing in the sunshine, bathing in the showers, bending below the snow piled on their branches, drinking the dew, rejoicing in creation, bracing each other, sheltering the birds and beasts, the myriad insects.
”
”
Emily Carr (Opposite Contraries: The Unknown Journals of Emily Carr and Other Writings)
“
We will martyr ourselves, suffering under the weight of a non-reciprocal relationship until some part of us bursts in protest. Suddenly, we lose our mind, and allowing ourselves to heap all manner of nastiness, name calling, patronizing, death threats on the “deserving” jerk who has it coming after all we do for him/her! As the final insult rings across the room and we regain consciousness, we are horrified by what has come out of our mouth. After all, we LOVE these people, and we quickly move into anxious terror that this time we have gone too far . . . this time we crossed the line and they will leave us. So, we hunker back down and the martyrdom begins again. It’s a terrible cycle.
”
”
Mary Crocker Cook (Awakening Hope. A Developmental, Behavioral, Biological Approach to Codependency Treatment.)
“
There she was, lying on a single bed in a room so small that there wasn't even space for a chair, and the first thing that struck him was that she was beautiful. She had lost too much weight - her long legs were too thin in greasy jeans and her upper body looked as frail as a bird's under a greasy workman's shirt - but her pale and famished face, with its great blue eyes and delicate, thin-lipped mouth, made her look like the heartbreaking debutante her mother might always have wanted her to be.
”
”
Richard Yates (Young Hearts Crying)
“
I am overweight. But to me, it's fat. I don't have Body Dysmorphic Disorder. When I look in the mirror I don't plunge into a depression and stick my finger down my throat or carve FAT in my arm with a pickle fork. I can appreciate when I look good aside from the weight. Sometimes I might say, Oh, I'm having a good face day.And a few times, after checking my appearance in the mirror before a date, I'd say, Okay. I'd date me. And I know if I ever could get the extra tonnage off, I'd be the first one to parade around in my underwear, or have no qualms about getting naked with a hottie, while the lights were still on in the room.
”
”
Kelli Jae Baeli (Bettered by a Dead Crustacean)
“
I learned that female professors and departmental secretaries are the natural enemies of the academic world, as I was privileged to overhear discussions of my sexual orientation and probable childhood traumas from ten to ten-thirty each morning through the paper-thin walls of the break room located adjacent to my office. By these means I learned that although I was in desperate need of a girdle, I was better off than one of the other female professors, who would never lose all that baby weight by working all of the time. As
”
”
Hope Jahren (Lab Girl)
“
A weight grew in the air between Misty’s mother and her sisters, a weight that Misty couldn’t quite understand. So much of growing up was that way. A feeling in a room that she’d just walked into. A feeling hanging between two people that she loved. A sense of something gone slightly wrong, but when she asked, no one would tell her the truth. And that was where childhood lay, in the shadow of knowing that something was wrong but not knowing what it was or why it was or how to fix it, so she was left standing in front of her mother, her mother tired and bleeding, her mother with a ragged hole chewed through her chest, her mother saying, “It’s fine. Everything is fine.
”
”
Ashley Blooms (Every Bone a Prayer)
“
Gabriel? Are you implying Gabriel had something to with Thompson’s death?” Francesca sounded somewhere between outraged and amused. “You can’t be serious, Brice.”
“He crushed his hand, Francesca. Your Gabriel did that. Crushed his fist with one hand. I watched him do it and he wasn’t even straining. I never even saw him come into the room. He was just there. There’s something not quite right about him. His eyes. They aren’t human. He’s not human.”
Francesca stared at him wide-eyed. “Not human? As in what? A phantom? A ghost that flies through the air? A gorilla? What? Maybe he lifts weights. Maybe he’s strong because he lifts weights and his adrenaline was pumping. What are you saying?
”
”
Christine Feehan (Dark Legend (Dark, #7))
“
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next.
A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him.
Yes, those are the ones we worry about.
”
”
Brit Bennett (The Mothers)
“
Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you’re molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt’s supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared.
”
”
Bryan Charles (Grab On To Me Tightly As If I Knew The Way)
“
The constantly being beaten down so much makes you begin to feel that you’re wrong. Not that you did wrong, but you were wrong. It makes you so angry at your abuser, the one that you’re too afraid to confront, so you confront the easiest target. Those you can. Until your heart gets tired. No one ever, up until that point, talked to us, asked us what our dreams were, asked us how we were feeling. It was on us to figure it out. There is an emotional abandonment that comes with poverty and being Black. The weight of generational trauma and having to fight for your basic needs doesn’t leave room for anything else. You just believe you’re the leftovers.
”
”
Viola Davis (Finding Me)
“
I want you to know my name,” he said. “The name I was given, not the title I took for myself. Will you have it, Alina?”
I could feel the weight of Nikolai’s ring in my palm back at the Spinning Wheel. I didn’t have to stand here in the Darkling’s arms. I could vanish from his grip, slide back into consciousness and the safety of a stone room hidden in a mountaintop. But I didn’t want to go. Despite everything, I wanted this whispered confidence.
“Yes,” I breathed.
After a long moment, he said, “Aleksander.”
A little laugh escaped me. He arched a brow, a smile tugging at his lips. “What?”
“It’s just so … common.” Such an ordinary name, held by kings and peasants alike. I’d known two Aleksanders at Keramzin alone, three in the First Army. One of them had died on the Fold.
His smile deepened and he cocked his head to the side. It almost hurt to see him this way. “Will you say it?” he asked.
I hesitated, feeling danger crowd in on me.
“Aleksander,” I whispered.
His grin faded, and his gray eyes seemed to flicker.
“Again,” he said.
“Aleksander.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
It had been a long while since I’d watched any television, and things had only gotten weirder. Beauty pageants for infants; ruddy men in trucker caps fighting over abandoned storage lockers; public shamings of compulsive hoarders and pre-diabetics; affluent suburban women made up like transvestite hookers, competing with each other in feats of coarseness and cruelty; barely literate pregnant teens with tattoos, unfocused eyes, and futures like wrecked cars; apoplectic crypto-fascists spitting bile and paranoia; a carnival midway of weight loss devices, hair growth creams, erectile dysfunction potions, and pottery from which herbs grew like green hair. It was like the day room of a surrealist mental hospital, or any big city ER on a summer Saturday night.
”
”
Peter Spiegelman (Dr. Knox)
“
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.
“I’m cold,” Snowden had whimpered. “I’m cold.”
“There, there,” Yossarian had tried to comfort him. “There, there.”
They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
”
”
Joseph Heller (Catch-22)
“
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits.
Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered!
And within, besides, were, above all, certain photographs! ("Who Knows?")
”
”
Guy de Maupassant (Ghostly By Gaslight)
“
Andrea exploded out of the staircase, her eyes huge.
“Someone broke into Curran’s private quarters in the Keep and welded his weight bench together. They also melted the lock on the room where he entertains his women. Was it you?”
“He’s making a big deal about never expecting me to behave like a shapeshifter. So I did.”
“Are you out of your mind?”
It’s not polite to lie to your best friend. “It’s a possibility.”
“You challenged him. The whole Keep is talking about it. He’ll have to retaliate. He’s a cat, Kate, which means he’s weird, and he never courted anyone that way. There is no telling what he’ll do. He doesn’t operate in the same world you do. He might blow up your house because he thinks it’s funny.”
I waved my arm. “It doesn’t matter. He didn’t get it.”
Andrea shook her blond head. “Oh no. He got it.”
“How do you know?”
“Your office smells like him.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
Listening to the radio, I heard the story behind rocker David Lee Roth’s notorious insistence that Van Halen’s contracts with concert promoters contain a clause specifying that a bowl of M&M’s has to be provided backstage, but with every single brown candy removed, upon pain of forfeiture of the show, with full compensation to the band. And at least once, Van Halen followed through, peremptorily canceling a show in Colorado when Roth found some brown M&M’s in his dressing room. This turned out to be, however, not another example of the insane demands of power-mad celebrities but an ingenious ruse. As Roth explained in his memoir, Crazy from the Heat, “Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors—whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through. The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function.” So just as a little test, buried somewhere in the middle of the rider, would be article 126, the no-brown-M&M’s clause. “When I would walk backstage, if I saw a brown M&M in that bowl,” he wrote, “well, we’d line-check the entire production. Guaranteed you’re going to arrive at a technical error.… Guaranteed you’d run into a problem.” These weren’t trifles, the radio story pointed out. The mistakes could be life-threatening. In Colorado, the band found the local promoters had failed to read the weight requirements and the staging would have fallen through the arena floor.
”
”
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Lilichka! (Instead of a letter)"
Tobacco smoke eats the air away.
The room,--
a chapter from Kruchenykh's Inferno.
Recall,--
by the window,
that day,
I caressed you ecstatically, with fervor.
Here you sit now,
with your heart in iron armor.
In a day,
you'll scold me perhaps
and tell me to leave.
Frenzied, the trembling arm in the gloomy parlor
will hardly be able to fit the sleeve.
I'll rush out
and hurl my body into the street,--
distraught,
lashed by despair
and sadness.
There's no need for this,
my darling,
my sweet.
Let's part tonight and end this madness.
Either way,
my love is
an arduous weight,
hanging on you
wherever you flee.
Let me bellow out in the final complaint
all of my heartbroken misery.
A laboring bull, if he had enough,
will leave
and find cool water to lie in.
But for me,
there's no sea
except for your love,--
from which even tears won't earn me some quiet.
If an elephant wants to relax, he'll lie,
pompous, outside in the sun-baked dune,
Except for your love,
there's no sun
in the sky
and I don't even know where you are and with whom.
If you thus tormented another poet,
he
would trade in his love for money and fame.
But
nothing sounds as precious to me
as the ringing sound of your darling name.
I won't drink poison,
or jump to demise,
or pull the trigger to take my own life.
Except for your eyes,
no blade can control me,
no sharpened knife.
Tomorrow you'll forget
that it was I who crowned you,
who burned out the blossoming soul with love
and the days will form a whirling carnival
that will ruffle my manuscripts and lift them above...
Will the dry autumn leaves of my sentences
cause you to pause,
breathing hard?
Let me
pave a path with the final tenderness
for your footsteps as you depart.
(1916)
”
”
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
The Words of an Angel
As I sit in a world of darkness
I look around to see no one
The cold wind has filled my soul
The rivers have poured inside my body
And the weight of the waters holds me back from seeing the light of day
What should I do?
I feel helpless,
Paralyzed in my own fears
And lost with no directions or roads to take
Suddenly, a felt a laser of energy bolt though my body
I yelled, “I’m so tired of feeling this way, I need help”
Suddenly, gold light appeared
And a man stood before me
You foolish man,
You choose this path the moment you chose to give up and wallow in your sorrows
I cannot help you
You need to help yourself.
There are no rivers in your soul holding you back from light of the world
The strength lies within you
Look in my eyes and tell me what you see
The lost man looked into the angels eyes and said, I see a man who gets his strength from helping others
He does not waste time focusing on useless matters
If you dig deep enough my child
You will find precious gift inside yourself
Gifts you never knew you had
Learn from others
Then help yourself
Once you helped yourself
Go out and help the world around you
Because many people feel as you do
The angel suddenly disappeared
The lost man was no longer lost
He was determined to waste no time
He was going to use his time to help others
Just as the angel helped him
The man got up
He realized the only thing holding him down was himself
The room was no longer dark
The light of life had entered
Dig deep in yourself and lift yourself
The answer to your problems lies within
Use your gifts
For the greatest gift is the gift of giving.
”
”
Stacey Chillemi (Life's Missing Instruction Manual)
“
We head to that corner of the basement. Rev straddles the weight bench and sits down while Declan sits on a yoga ball and leans against the corner. They fall into these positions so easily that I wonder if this is their space, the way Rowan and I claim her room or the plush couch in my basement.
I’m not a violent person, but hitting something sounds really good.
I draw back a hand and swing, throwing my whole body into it.
Ow. Ow. The bag swings slightly, but shock reverberates down my arm. I think I’ve dislocated every joint of every finger, but I can feel it, and it’s the first thing I’ve truly felt in weeks. It feels fantastic. I need one of these in my basement.
I grit my teeth and pull back my arm to do it again.
“Whoa.” A hand catches my arm in midswing.
I’m standing there, gasping, and Declan has a hold of my elbow. His eyebrows are way up.
“So . . . yeah,” he says. “I don’t want to be sexist here, but after the way you talk about cars, I didn’t expect you to throw a punch like that.”
I draw back and straighten, feeling foolish. “Sorry.”
“What are you apologizing for?” He looks at me like I’m crazy. “I just don’t want to watch you break a wrist.”
“Here.” Rev half stands, holding out a pair of black padded gloves. He’s pushed back the hood of his sweatshirt, and I wonder if he’s grown more comfortable around me—or if he’s just warm. “If you really want to beat on it, put on gloves
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush.
Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow."
I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs.
I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life.
He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down.
After several moments of this, he breaks the silence. "Emma, calm down."
"Don't tell me what to do, Highness." I dare him with my eyes to call me "boo."
Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now.
Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg.
He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel.
I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs.
"I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked.
"Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors.
Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table.
“Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished.
I could feel the full weight of Tamlin’s undivided attention on me—on every breath and movement I took. I studied the candelabras atop the mantel beside the table. I had nothing to say that didn’t sound absurd—yet for some reason, my mouth decided to start moving.
“You’re so far away.” I gestured to the expanse of table between us. “It’s like you’re in another room.”
The quarters of the table vanished, leaving Tamlin not two feet away, sitting at an infinitely more intimate table. I yelped and almost tipped over in my chair. He laughed as I gaped at the small table that now stood between us. “Better?” he asked.
I ignored the metallic tang of magic as I said, “How … how did you do that? Where did it go?”
He cocked his head. “Between. Think of it as … a broom closet tucked between pockets of the world.” He flexed his hands and rolled his neck, as if shaking off some pain.
“Does it tax you?” Sweat seemed to gleam on the strong column of his neck.
He stopped flexing his hands and set them flat on the table. “Once, it was as easy as breathing. But now … it requires concentration.”
Because of the blight on Prythian and the toll it had taken on him. “You could have just taken a closer seat,” I said.
Tamlin gave me a lazy grin. “And miss a chance to show off to a beautiful woman? Never.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it.
"I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear.
"Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well."
Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes.
And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us."
But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair.
"Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
”
”
Richard Yates (Cold Spring Harbor)
“
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.”
My heart jerked in my chest, then began to pound. My mouth went dry.
“I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.”
The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..?
“I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.”
“Stop.” The word broke from my throat like slivers of glass.
“And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.”
“Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!”
He trembled visibly, but didn’t back down. “I had to tell you –“
His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!”
Tears lipped down his face. “I love you like my own. Always have.”
I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it.
“I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.”
I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?”
Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.”
Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.”
Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists.
He stopped before he left the room, facing me. “I’m glad you told Eva.”
“Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it.
He left.
The weight of the day crashed onto my shoulders, dropping me to my knees.
I broke.
”
”
Sylvia Day (Captivated by You (Crossfire, #4))
“
She asked, “Are you well?”
“Yes.” His voice was a deep rasp. “Are you?”
She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint.
He replied, “You’re soft.”
Good Lord. Who was this man? Where had he come from? And how was he still atop her?
“You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips.
“Ah. That’s nice.”
Her face blazed with heat. “Are you seeing double?”
“Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.”
She stared at him.
“Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.”
And before she could even catch her breath, he pressed his lips to hers.
A kiss. His mouth, touching hers. It was warm and firm, and then…it was over.
Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes.
“There, now,” he murmured. “All better.”
Better? Worse? The darkness behind her eyelids held no answers, so she opened them again.
Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different.
The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum.
Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her.
He rolled onto his side, giving her room to breathe. “Where did you come from?”
“I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?”
“Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.”
“Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way.
She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person.
Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Merry Christmas,Ja-"
To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?"
She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did.
So his derogatory answer didn't really add to her surprise. "The infant."
She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way.
The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut.
"Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again.
But what Anthony did to solve his dilemma produced Molly's second "Oh,dear."
When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders.
Reggie and Molly,alarmed by the noise, soon followed the men into the room.
Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked.
"Infants hiding behind infants, how apropos," James sneered.
"Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works."
James was not amused, and ordered, barked, actually. "Put my niece down."
"Wouldn't think of it, old man-least not until I find out why you want to murder me."
Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
”
”
Johanna Lindsey (The Holiday Present)
“
As the third evening approached, Gabriel looked up blearily as two people entered the room.
His parents.
The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside.
His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears.
"I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking.
Evie's gentle hands patted his back.
"I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion.
Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?"
"That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?"
"It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?"
Keeping his face pressed against her hair, Gabriel shook his head.
"Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me."
"Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery."
"You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement.
"I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover."
"I agree," Evie said firmly.
Letting out a shuddering sigh, Gabriel tightened his arms around her.
After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit."
"A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))