“
Thank you. What is it?"
"Our weekend special, " Atlas says. "It's called why are you avoiding me pasta.
”
”
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
“
What is a week-end? Maggie Smith in Downton Abbey.
”
”
Julian Fellowes
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
..there is always soma, delicious soma, half a gramme for a half-holiday, a gramme for a week-end, two grammes for a trip to the gorgeous East, three for a dark eternity on the moon...
”
”
Aldous Huxley (Brave New World)
“
But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin.
”
”
Zoë Heller (What Was She Thinking? Notes on a Scandal)
“
We can say without exaggeration that the present national ambition of the United States is unemployment. People live for quitting time, for weekends, for vacations, and for retirement; moreover, this ambition seems to be classless, as true in the executive suites as on the assembly lines. One works not because the work is necessary, valuable, useful to a desirable end, or because one loves to do it, but only to be able to quit - a condition that a saner time would regard as infernal, a condemnation.
”
”
Wendell Berry (Bringing it to the Table: On Farming and Food)
“
Amanda: This weekend was wonderful, but it isn't real life. It was more like a honeymoon, and after a while the excitement will wear off. We can tell ourselves it won't happen, we can make all the promises we want, but it's inevitable, and after that you'll never look at me the way you do now. I won't be the woman you dream about, or the girl you used to love. And you won't be my long-lost love, my one true thing anymore, either. You'll be someone my kids despise because you ruined the family, and you'll see me for who I really am. In a few years, I'll simply be a woman pushing fifty with three kids who might or might not hate her, and who might end up hating herself because of all this. And in the end, you'll end up hating her, too.
Dawson: That's not true.
Amanda: But it is. Honeymoons always come to an end.
Dawson: Being together isn't about a honeymoon. It's about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren't just someone I loved back then. You were my best friend, my best self, and I can't imagine giving that up again. You might not understand, but I gave you the best of me, and after you left, nothing was ever the same. I know you're afraid, and I'm afraid, too. But if we let this go, if we pretend none of this ever happened, then I'm not sure we'll ever get another chance. We're still young. We still have time to make this right.
Amanda: We're not that young anymore-
Dawson: But we are. We still have the rest of our lives.
Amanda: I know. That's why I need you to do something for me.
Dawson: Anything.
Amanda: Please...don't ask me to go with you, because if you do, I'll go. Please don't ask me to tell Frank about us, because I'll do that, too. Please don't ask me to give up my responsibilities or break up my family. I love you, and if you love me, too, then you just can't ask me to do these things. Because I don't trust myself enough to say no.
”
”
Nicholas Sparks (The Best of Me)
“
When You Have Forgotten Sunday: The Love Story
-- And when you have forgotten the bright bedclothes on a Wednesday and a Saturday,
And most especially when you have forgotten Sunday --
When you have forgotten Sunday halves in bed,
Or me sitting on the front-room radiator in the limping afternoon
Looking off down the long street
To nowhere,
Hugged by my plain old wrapper of no-expectation
And nothing-I-have-to-do and I’m-happy-why?
And if-Monday-never-had-to-come—
When you have forgotten that, I say,
And how you swore, if somebody beeped the bell,
And how my heart played hopscotch if the telephone rang;
And how we finally went in to Sunday dinner,
That is to say, went across the front room floor to the ink-spotted table in the southwest corner
To Sunday dinner, which was always chicken and noodles
Or chicken and rice
And salad and rye bread and tea
And chocolate chip cookies --
I say, when you have forgotten that,
When you have forgotten my little presentiment
That the war would be over before they got to you;
And how we finally undressed and whipped out the light and flowed into bed,
And lay loose-limbed for a moment in the week-end
Bright bedclothes,
Then gently folded into each other—
When you have, I say, forgotten all that,
Then you may tell,
Then I may believe
You have forgotten me well.
”
”
Gwendolyn Brooks (The Essential Gwendolyn Brooks: (American Poets Project #19))
“
want to ask you a question.” He nodded. “Take me to the dance next weekend.” He tilted his head to the side and frowned. “Lilly, that was not in the form of a question. A question is a request that ends with a question mark. What you just said was a statement.
”
”
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
“
She’d make for a jazzy week-end, but she’d be wearing for a steady diet.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
If I had known I’d have a hot architect balls deep inside of me before the end of the weekend, I’d have made time for a pedicure.
”
”
Kate Canterbary (Underneath It All (The Walshes, #1))
“
For Entrepreneurs, weekend neither starts nor ends.
”
”
Mohith Agadi
“
Don’t waste your entire life always waiting for the end of the day, for the weekend, for summer, for things to
change, for something better. Enjoy as much of the present as you can. Now is happening. Now is good. Now belongs to you.
”
”
Emm Roy (The First Step)
“
Some days felt longer than other days. Some days felt like two whole days. Unfortunately those days were never weekend days. Our Saturdays and Sundays passed in half the time of a normal workday. In other words, some weeks it felt like we worked ten straight days and had only one day off.
”
”
Joshua Ferris (Then We Came to the End)
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
Remember, brunch is only served once a week — on the weekends. Buzzword here, 'Brunch Menu'. Translation? 'Old, nasty odds and ends, and 12 dollars for two eggs with a free Bloody Mary'.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
The problem with “everything” is that it ends up looking an awful lot like nothing: just one long haze of frantic activity, with all the meaning sheared away. Time has passed so quickly while I have been raising a child and writing books, and working a full-time job that often sprawls into my weekends, that I can’t quite account for it. The preceding years are not a blank exactly, but they’re certainly a blur, and one that’s strangely devoid of meaning, except for a clawing sense of survival.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Nick let loose an evil laugh. "It ended early. Stone cracked the coach's wee-belows with a badly thrown ball. I'm sure we'll all be running laps for hours tomorrow. But today... Coach had to go ice himself."
Bubba and Mark sucked their breaths in sharply. "That'll ruin his weekend."
"Yeah, and then some," Caleb added.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
You are the epitome of perfect. I just want to make sure that by the end of this weekend you feel I am worth taking a chance on.
”
”
M.J. Fields (Jase (Men of Steel, #1))
“
Freedom begins where work ends- the realm of freedom is after hours, on the weekend, on vacation, and not at work.
”
”
Peter Frase
“
Our weekend special,” Atlas says. “It’s called why are you avoiding me pasta.
”
”
Colleen Hoover (It Starts with Us (It Ends with Us #2))
“
That is a generation’s difference these days,” Ferdinand continued. “A lifetime’s difference. A thousand years’ difference. What do you children understand of existence? You’re afraid even of your own feelings. You don’t write letters—you telephone; you don’t dream—you go for week-end excursions; you are rational in love and irrational in politics—a pitiable race.
”
”
Erich Maria Remarque (Three Comrades)
“
No weekends for the gods now. Wars
flicker, earth licks its open sores,
fresh breakage, fresh promotions, chance
assassinations, no advance.
Only man thinning out his own kind
sounds through the Sabbath noon, the blind
swipe of the pruner and his knife
busy about the tree of life...
Pity the planet, all joy gone
from this sweet volcanic cone;
peace to our children when they fall
in small war on the heels of small
war - until the end of time
to police th eearth, a ghost
orbiting forever lost
in our monotonous sublime.
”
”
Robert Lowell
“
There was so much unpleasantness in the workaday world. The last thing you ever wanted to do at night was go home and do the dishes. And just the idea that part of the weekend had to be dedicated to getting the oil changed and doing the laundry was enough to make those of us still full from lunch want to lie down in the hallway and force anyone dumb enough to remain committed to walk around us. It might not be so bad. They could drop food down to us, or if that was not possible, crumbs from their PowerBars and bags of microwave popcorn surely would end up within an arm's length sooner or later. The cleaning crews, needing to vacuum, would inevitably turn us on our sides, preventing bedsores, and we would make little toys out of runs in the carpet, which, in moments of extreme regression, we might suck on for comfort.
”
”
Joshua Ferris (Then We Came to the End)
“
So what are you two doing here this early anyway?" Bubba asked, changing the subject. "Don't you have football practise?"
Nick let loose an evil laugh. "It ended early. Stone cracked the coach's wee-belows with a badly thrown ball. I'm sure we'll all be running laps for hours tomorrow. But today... Coach had to go ice himself."
Bubba and Mark sucked their breaths in sharply. "That'll ruin his weekend."
"Yeah, and then some," Caleb added.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
If all the cars in the United States were placed end to end, it would probably be Labor Day Weekend
”
”
Doug Larson
“
I think that I’m running from something I heard on the radio That everybody’s working for the weekend When does the weekend start? What comes at the end of the week? The end? Picture a tired dog chasing its tail
”
”
Henry Rollins (The First Five: "High Adventure in the Great Outdoors", "Pissing in the Gene Pool", "Art to Choke Hearts", "Bang!", "One from None" (Henry Rollins))
“
For in those days love was ruled by a different convention to ours. In those days it was chivalrous, adult, long, religious, almost platonic. It was not a matter about which you could make accusations lightly. It was not, as we take it to be nowadays, begun and ended in a long week-end.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-4))
“
And I am going to have another opportunity. I am going to have a week-end with him at his home in Easton, a week-end with Wells at home, with just his family. That alone is worth the entire trip from Los Angeles to Europe.
”
”
Charlie Chaplin
“
We had one of those Friday dates that turned into an entire weekend, and by the end of it, I loved him so much my larynx ached. Vulnerable love, incorrigible love. Love in which he was both the nausea and the sodium bicarbonate.
”
”
Kathleen Rooney (Lillian Boxfish Takes a Walk)
“
She hugged me tight, and I hugged her back. I was going to miss her—I knew it. But somehow, I had the feeling that we were going to be okay. I didn’t know what would happen with us. Maybe we’d find a way to attend the same college and be roommates and have the most amazingly decorated dorm room ever. Maybe we’d end up being pen pals, sending lists back and forth. Or we’d just stick to talking twice a week, or we’d video chat, or else just spend all our money traveling to hang out with each other on weekends. I somehow knew that the particulars didn’t matter. She was my heart, she was half of me, and nothing, certainly not a few measly hundred miles, was ever going to change that.
”
”
Morgan Matson (Since You've Been Gone)
“
You shall no longer take things at second or third hand....
nor look through the eyes of the dead....
nor feed on
the spectres in books.
I tramp a perpetual journey
All goes onward and outward.... and nothing collapses,
And to die is different from what any one supposed, and luckier.
If no other in the world be aware I sit content,
And if each and all be aware I sit content.
The final three stanzas of 'Song of Myself" were also highlighted.
I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your bootsoles.
You will hardly know who I am or what I mean,
But I shall be good health to your nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one places search another,
I stop some where waiting for you
It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kepr thinking about them anyway, becase I didn't want to disappoint her. She wanted me to play out with the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.
”
”
John Green (Paper Towns)
“
Weekends, End of the month, your birthday and Valentines day will remind you how single and how lonely you are.
”
”
D.J. Kyos
“
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
”
”
Dolly Alderton (Everything I Know About Love: A Memoir)
“
Also, mania usually feels better than being medicated, at least for a while. It’s a bit like surfing, knowing it has to end with the inevitable wipeout, but loving the balancing act required to keep it going.
”
”
Julie Holland (Weekends at Bellevue: Nine Years on the Night Shift at the Psych E.R.)
“
As the black of night transformed into the distinct deep blue of morning twilight, Trevor traded the well-worn accoutrements of a humble adult life for the highly specialized gear of a weekend warrior, giddily exchanging the daily grind for the enthrallment of the almighty Saturday. Almost enough to make a grown man weep in gratitude.
”
”
Justine Avery (The End: A Novelette of Haunting Omens & Harrowing Discovery)
“
One weekend in the vacation, I was invited to meet her family. They lived in Kent, out on the Orpington line, in one of those suburbs which had stopped concreting over nature at the very last minute, and ever since smugly claimed rural status.
”
”
Julian Barnes (The Sense of an Ending)
“
At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.
”
”
Geoff Dyer (But Beautiful: A Book About Jazz)
“
Here had lived an elder race, to which we look back with disquietude. The country which we visit at week-ends was really a home to it, and the graver sides of life, the deaths, the partings, the yearnings for love, have their deepest expression in the heart of the fields.
”
”
E.M. Forster (Howards End)
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Now, don't sigh for envy at my week-end; I am sure it is to be dull, my dear, and you know my horrible shyness and how I loathe such things. If only I had your vivacity and beauty! Alas, what we love in others does not always suit ourselves. I shall get through the weekend by wishing you in my place.
”
”
Lauren Groff (The Monsters of Templeton)
“
I don’t believe in endings, happy or sad, so my relationships with you continue to this day. They are the kind of relationships you have with a pair of skis you know you’ll never have to strap to yourself again. Maybe you never really liked skiing, but enjoyed being a person who could say, “Looks like I’ll be hitting the slopes this weekend!” So you kept on even though it cost too much to get down a hill. Gave you windburn. I see nothing weird about keeping those skis in the basement. They offer a little nostalgia for crappier times. More importantly, they serve as a reminder that I no longer have to ski. Wake
”
”
Mary-Louise Parker (Dear Mr. You)
“
Where do we go from here? I started off this crazy weekend by trying to make sense of these moments—these moments that you know you’re going to remember—but like anything else, nothing exists without its opposite. So maybe it makes a certain kind of sense that I ended up thinking about the moments you know you’ll forget. Or, more accurately, try to remember incorrectly. How do we all learn how to do that? Relive something again and again in our heads until it takes on a slightly different light, a less truthful tone, until the memory can’t injure us as directly, until it joins the ranks of the more manageable.
”
”
Laura Dave (London is the Best City in America)
“
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts.
I’ll go if you want me to, he said.
I smiled, I was so fucking happy to see him.
You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said.
He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him.
She’d come later.
It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it.
I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
”
”
Sarah Winman (Tin Man)
“
his back to her. “Vic, how long’s it been?” “How’d you end up down here, Sid?” I asked. “I thought you knew better than to put yourself in the crosshairs.” “Nobody asks me to go out on the street anymore and I got me a weekend place down near Schererville.” He winked, meaning, I suppose, that he was actually living down in Indiana—a no-no for someone on Chicago’s payroll. Sid had been one of my dad’s last partners, after Tony had been redeemed from cop hell: my dad had been sent to West Englewood
”
”
Sara Paretsky (Brush Back (V.I. Warshawski #17))
“
All things being equal, workflows that minimize this never-ending stream of urgent communication are superior to those that instead amplify it. When you’re at home at night, or relaxing over the weekend, or on vacation, you shouldn’t feel like each moment away from work is a moment in which you’re accumulating deeper communication debt.
”
”
Cal Newport (A World Without Email: Reimagining Work in an Age of Communication Overload)
“
We hated not knowing something. We hated not knowing who was going to walk Spanish down the hall. How would our bills get paid? And where would we find new work? We knew the power of the credit card companies and the collection agencies and the consequences of bankruptcy. Those institutions were without appeal. They put your name into a system, and from that point forward, vital parts of the American dream were foreclosed upon. A backyard swimming pool. A long weekend in Vegas. A low-end BMW. These were not Jeffersonian ideals, perhaps, on par with life and liberty, but at this advanced stage, with the West won and the Cold War over, they, too, seemed among our inalienable rights.
”
”
Joshua Ferris (Then We Came to the End)
“
I think all of us felt,” I said, “at least once in our lives, when we were young, we could go over there, after reading the bull stuff in the Spanish stories, that we could go over there and fight. Or at least jog ahead of the running of the bulls, in the early morning, with a good drink waiting at the other end of the run, and your best girl with you there for the long weekend.” I stopped. I laughed quietly. For my voice had, without knowing, fallen into the rhythm of his way of saying, either out of his mouth, or from his hand.
”
”
Ray Bradbury (I Sing the Body Electric! and Other Stories)
“
The Difference between Writers and Editors.
Writers are creative using one end of a pencil.
Editors are more adept using the opposite end.
”
”
Roy A. Higgins (Weekend in Amsterdam)
“
Our work and educational institutions reinforce this preference for later over now throughout our lives. In school we focus on the ends — passing the semester, making the grade, or otherwise getting it all behind us — rather than the present-moment experience of actually learning. As employees, we want the work to be over as soon as it begins. Work culture is driven by quotas, billable hours, budgets, and Gantt charts — bottom lines of any sort. The value is always somewhere ahead of you, rather than here right now, in the room with you. We’re perpetually looking ahead to a payday or a weekend or some other kind of finish line. Virtually every day of our lives, we’re trained to lean towards something we don’t have, which essentially trains us to be dissatisfied with where we already are.
”
”
David Cain (You Are Here)
“
He found something grisly in the inevitability of the pattern of each affair. The conventional parabola – sentiment, the touch of the hand, the kiss, the passionate kiss, the feel of the body, the climax in the bed, then more bed, then less bed, then the boredom, the tears and the final bitterness – was to him shameful and hypocritical. Even more he shunned the ‘mise-en-scène’ for each of these acts in the play – the meeting at a party, the restaurant, the taxi, his flat, her flat, then the week-end by the sea, then the flats again, then the furtive alibis and the final angry farewell on some doorstep in the rain.
”
”
Ian Fleming (Casino Royale (James Bond, #1))
“
I didn’t exactly start praying that weekend after the book launch, but I did look up online how to meditate. It mainly involved closing my eyes and breathing, while also calmly letting go of passing thoughts. I focused on my breathing, you were allowed to do that. You could even count the breaths. And then at the end you could just think about anything, anything you wanted, but after five minutes of counting my breath, I didn’t want to think. My mind felt empty, like the inside of a glass jar. I was appropriating my fear of total disappearance as a spiritual practice. I was inhabiting disappearance as something that could reveal and inform, rather than totalize and annihilate.
”
”
Sally Rooney (Conversations with Friends)
“
Someday we might look back with a curious nostalgia at the days when profligate homeowners wastefully sprayed their lawns with liquid gold to make the grass grow, just so they could then burn black gold to cut it down on the weekends.
”
”
Alok Jha (50 Ways the World Is Going to End: The Biggest Threats to the Planet)
“
Jason closed his eye and winced. “Why is this weekend not ending?” “Because the universe hates you, and you agreed to marry a bloodsucking wannabe Real Housewife of New York, who would have used her nails as a way to kill you so we’d all end up on Dateline—crying.
”
”
Rachel Van Dyken (The Consequence of Loving Colton (Consequence, #1))
“
On est tous seuls, ici, à Paris, ou ailleurs. On peut essayer de fuir la solitude, déménagé, faire tout pour rencontrer des gens, cela ne change rien. A la fin de la journée, chacun rentre chez soi. Ceux qui vivent en couple ne se rendent pas compte de leur chance. Ils ont oublié les soirées devant un plateau-repas, l’angoisse du week-end qui arrive, le dimanche à espérer que le téléphone sonne. Nous sommes des millions comme ça dans toutes les capitales du monde. La seule bonne nouvelle c’est qu’il n’y a pas de quoi se sentir si différents des autres.
”
”
Marc Levy (Mes amis, mes amours)
“
If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.
”
”
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
“
MURRAY (with a cynical laugh). Interesting? On a small town rag? A month of it, perhaps, when you're a kid and new to the game. But ten years. Think of it! With only a raise of a couple of dollars every blue moon or so, and a weekly spree on Saturday night to vary the monotony. (He laughs again.) Interesting, eh? Getting the dope on the Social of the Queen Esther Circle in the basement of the Methodist Episcopal Church, unable to sleep through a meeting of the Common Council on account of the noisy oratory caused by John Smith's application for a permit to build a house; making a note that a tugboat towed two barges loaded with coal up the river, that Mrs. Perkins spent a week-end with relatives in Hickville, that John Jones Oh help! Why go on? Ten years of it! I'm a broken man. God, how I used to pray that our Congressman would commit suicide, or the Mayor murder his wife just to be able to write a real story!
”
”
Eugene O'Neill (Plays by Eugene O'Neill)
“
At the end of the day or week or month what really matters is that you & your loved ones are safe & well, you have done your best & are grateful for being who you are & touching the world with your presence.
I wish to repeat that your ability to think & behave in a normal manner, your sound health, your safety, your feeling great, your family & the ability to start anew matters most in life.
Darling listen – at the end, also remind yourself that it doesn’t matter what you’ve done so far, what you choose to do from here will matter most to you & your world in times to come.
Keep Smiling, Keep Doing Something Meaningful & Stay Blessed!
”
”
Rajesh Goyal
“
A man described by authorities as one evolutionary step above a banana slug has recently admitted to having been locked in the Sacajawea Junior High biology lab over a long weekend nearly sixteen years ago when he fell asleep and was mistaken as a cadaver. Though the man is incapable of human speech, he was able, over a period of weeks, to chisel out his story in hieroglyphics on the bathroom wall of the insane asylum where he now resides. He claims that toward the end of the second day of his accidental captivity, he got downright lonely and sought companionship at his own intellectual level. He found that companionship in a petri dish.
”
”
Chris Crutcher (Staying Fat for Sarah Byrnes)
“
Spending time with Jennie is like a Sunday you don’t want to ever end. Every moment leading up to it is perfect, a weekend that goes by way too fast. Sunday comes sooner than you want it to, and you hold on to every fleeting moment, every single minute, not ready to put it down, to say good-bye. You think if you just don’t close your eyes, you won’t have to.
”
”
Becka Mack (Play With Me (Playing for Keeps, #2))
“
For the most part in the course of our daily lives we abide the abundant evidence that no such universal justices exists. Like a cart horse, we plod along the cobblestones dragging our master's wares with our heads down and our blinders in place, waiting patiently for the next cube of sugar. But there are certain times when chance suddenly provides the justice that Agatha Christie promises. We look around at the characters cat in our own lives - our heiresses and gardeners, our vicars and nannies, our late-arriving guests who are not exactly what they seem - and discover before the end of the weekend all assembled will get their just deserts.
But when we do so, we rarely remember to count ourselves among their company.
”
”
Amor Towles (Rules of Civility)
“
Nothing in my life had prepared me for this.Not one single thing.I feel like a lad rat stuck in some horrible experiment meant to measure how I adapt to brutal forms of social segregation and weirdness.And the sad news is,I'm producing way below average results.
I stand to the side of the lunchroom or cafeteria,or whatever they call it.The vegetarian lunch Paloma packed with great love and care tightly clutched in my fist,though I've no clue as to where I'm supposed to go eat it.
Having already committed the most heinous crime of all by sitting at the wrong table, I'm not sure I'm up for trying again.I'm still shaken by the way those girls acted-so self-righteous and territorial,so burdened by my presence at the end of their bench.
It's the seniors' table, I was told. I have no right to sit there. Ever. And that includes holidays and weekends.
"Duly noted," I replied, grabbing my lunch and standing before them. "I'll do my best to steer clear of it on Christmas.Easter as well.Though Valentine's Day is a wild card I just can't commit to." And though it felt good at the time,I've no doubt it was a reckless act that only made things worse.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
It became a weekend of reading, of trying to see her in the fragments of the poem she'd left for me. I could never get anywhere with the lines, but I kept thinking about them anyway, because I didn't want to disappoint her. She wanted me to play out the string, to find the place where she had stopped and was waiting for me, to follow the bread crumb trail until it dead-ended into her.
”
”
John Green (Paper Towns)
“
In a colorful part of the paper, he presented a fictional scenario in which he posed questions to the machine. He imagined the machine’s activity: “Over the week-end it retrieved over 10,000 documents, scanned them all for sections rich in relevant material, analyzed all the rich sections into statements in a high-order predicate calculus, and entered the statements into the data base.
”
”
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
“
The moment I met her she struck me dumb, deaf, and stupid. At only eighteen, she’d had everything— brains, beauty, class. And she’d known it too. In the eight years since, I’ve watched her toy with one man after another, sometimes for a weekend, sometimes for a couple of months. But the affairs always ended the same. With her handing him his hat and a don’t-slam-the-door-on-your-way-out.
”
”
Magda Alexander (Storm Conquered (Storm Damages, #4))
“
Margo Brinker always thought summer would never end. It always felt like an annual celebration that thankfully stayed alive long day after long day, and warm night after warm night. And DC was the best place for it. Every year, spring would vanish with an explosion of cherry blossoms that let forth the confetti of silky little pink petals, giving way to the joys of summer.
Farmer's markets popped up on every roadside. Vendors sold fresh, shining fruits, vegetables and herbs, wine from family vineyards, and handed over warm loaves of bread. Anyone with enough money and enough to do on a Sunday morning would peruse the tents, trying slices of crisp peaches and bites of juicy smoked sausage, and fill their fisherman net bags with weekly wares.
Of all the summer months, Margo liked June the best. The sun-drunk beginning, when the days were long, long, long with the promise that summer would last forever. Sleeping late, waking only to catch the best tanning hours. It was the time when the last school year felt like a lifetime ago, and there were ages to go until the next one. Weekend cookouts smelled like the backyard- basil, tomatoes on the vine, and freshly cut grass. That familiar backyard scent was then smoked by the rich addition of burgers, hot dogs, and buttered buns sizzling over charcoal.
”
”
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
“
The house fostered an easier and more candid exchange of ideas and opinions, encouraged by the simple fact that everyone had left their offices behind and by a wealth of novel opportunities for conversation—climbs up Beacon and Coombe Hills, walks in the rose garden, rounds of croquet, and hands of bezique, further leavened by free-flowing champagne, whiskey, and brandy. The talk typically ranged well past midnight. At Chequers, visitors knew they could speak more freely than in London, and with absolute confidentiality. After one weekend, Churchill’s new commander in chief of Home Forces, Alan Brooke, wrote to thank him for periodically inviting him to Chequers, and “giving me an opportunity of discussing the problems of the defense of this country with you, and of putting some of my difficulties before you. These informal talks are of the very greatest help to me, & I do hope you realize how grateful I am to you for your kindness.” Churchill, too, felt more at ease at Chequers, and understood that here he could behave as he wished, secure in the knowledge that whatever happened within would be kept secret (possibly a misplaced trust, given the memoirs and diaries that emerged after the war, like desert flowers after a first rain). This was, he said, a “cercle sacré.” A sacred circle. General Brooke recalled one night when Churchill, at two-fifteen A.M., suggested that everyone present retire to the great hall for sandwiches, which Brooke, exhausted, hoped was a signal that soon the night would end and he could get to bed. “But, no!” he wrote. What followed was one of those moments often to occur at Chequers that would remain lodged in visitors’ minds forever after. “He had the gramophone turned on,” wrote Brooke, “and, in the many-colored dressing-gown, with a sandwich in one hand and water-cress in the other, he trotted round and round the hall, giving occasional little skips to the tune of the gramophone.” At intervals as he rounded the room he would stop “to release some priceless quotation or thought.” During one such pause, Churchill likened a man’s life to a walk down a passage lined with closed windows. “As you reach each window, an unknown hand opens it and the light it lets in only increases by contrast the darkness of the end of the passage.” He danced on. —
”
”
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
“
Oh . . . I'd been getting pretty sick of the office. It made me feel dead inside. Finally, the week-ends weren't long enough to get it out of my system. I couldn't read poetry or listen to music. It was like being constipated. Well, I got a holiday and went to Kent for a week's hiking. And for the first two days I felt nothing at all, just a sort of deadness inside. And one day I went into a pub in a place called Marden and had a couple of pints. And as I came out, a sort of bubble seemed to burst inside me, and I started feeling things again. And I suddenly felt an overwhelming hatred for cities and offices and people and everything that calls itself civilisation . . . .
"Then I got an idea. I sat down at the side of the road and thought about it. I'd read somewhere that the Manichees thought the world was created by evil. Well, it suddenly seemed to me that the forces behind the world weren't either good or evil, but something quite incomprehensible to human beings. And the only thing they want is movement, everlasting movement. That's the way I saw it suddenly. Human beings want peace, and they build their civilisations and make their laws to get peace. But the forces behind the world don't want peace. So they send down ertain men whose business is to keep the world in a turmoil - the Napoleons, Hitlers, Genghis Khans. And I called these men the Enemies, with a capital E. And I thought I belong among the Enemies - that's why I detest this bloody civilisation. And I suddenly began to feel better . . . .
”
”
Colin Wilson (Ritual in the Dark (Visions))
“
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.”
“Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression.
But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.”
Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin.
Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes.
It did sound fun, and Violet did love the snow. And the woods. And Jay.
She could at least ask.
Like Chelsea said, No harm, no foul.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The Court usually begins to issue opinions in November and proceeds to hand down opinions throughout the term. But naturally, the least controversial cases, those that produce unanimous or near-unanimous decisions, get decided first. Complicated cases or those that, for one reason or another, produce numerous concurring and dissenting opinions take longer, perhaps much longer, and only the pressure of an impending July 4 weekend may spur the justices to make the last-minute compromises necessary to bring a decision out by the end of June.
”
”
Linda Greenhouse (The U.S. Supreme Court: A Very Short Introduction (Very Short Introductions))
“
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?”
Violet almost rolled her eyes.
“I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?”
Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed.
“I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?”
Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it.
Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.”
Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away.
“So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway.
“The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.”
“Then, why?”
“I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.”
Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference.
Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business.
He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait.
He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third.
When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.
”
”
Hanya Yanagihara (A Little Life)
“
What the hell is all this I read in the papers?"
"Narrow it down for me," Alan suggested.
"I suppose it might have been a misprint," Daniel considered, frowning at the tip of his cigar before he tapped it in the ashtray he kept secreted in the bottom drawer of his desk. "I think I know my own flesh and blood well enough."
"Narrow it just a bit further," Alan requested, though he'd already gotten the drift.It was simply too good to end it too soon.
"When I read that my own son-my heir, as things are-is spending time fraternizing with a Campbell, I know it's a simple matter of misspelling. What's the girl's name?"
Along with a surge of affection, Alan felt a tug of pure and simple mischief. "Which girl is that?"
"Dammit,boy! The girl you're seeing who looks like a pixie.Fetching young thing from the picture I saw.Good bones; holds herself well."
"Shelby," Alan said, then waited a beat. "Shelby Campbell."
Dead silence.Leaning back in his chair, Alan wondered how long it would be before his father remembered to take a breath. It was a pity, he mused, a real pity that he couldn't see the old pirate's face.
"Campbell!" The word erupted. "A thieving, murdering Campbell!"
"Yes,she's fond of MacGregor's as well."
"No son of mine gives the time of day to one of the clan Campbell!" Daniel bellowed. "I'll take a strap to you, Alan Duncan MacGregor!" The threat was as empty now as it had been when Alan had been eight, but delivered in the same full-pitched roar. "I'll wear the hide off you."
"You'll have the chance to try this weekend when you meet Shelby."
"A Campbell in my house! Hah!"
"A Campbell in your house," Alan repeated mildly. "And a Campbell in your family before the end of the year if I have my way."
"You-" Emotions warred in him. A Campbell versus his firmest aspiration: to see each of his children married and settled, and himself laden with grandchildren. "You're thinking of marriage to a Campbell?"
"I've already asked her.She won't have me...yet," he added.
"Won't have you!" Paternal pride dominated all else. "What kind of a nitwit is she? Typical Campbell," he muttered. "Mindless pagans." Daniel suspected they'd had some sorcerers sprinkled among them. "Probably bewitched the boy," he mumbled, scowling into space. "Always had good sense before this.Aye, you bring your Campbell to me," he ordered roundly. "I'll get to the bottom of it."
Alan smothered a laugh, forgetting the poor mood that had plagued him only minutes earlier. "I'll ask her."
"Ask? Hah! You bring the girl, that daughter of a Campbell, here."
Picturing Shelby, Alan decided he wouldn't iss the meeting for two-thirds the popular vote. "I'll see you Friday, Dad.Give Mom my love."
"Friday," Daniel muttered, puffing avidly on his cigar. "Aye,aye, Friday."
As he hung up Alan could all but see his father rubbing his huge hands togther in anticipation. It should be an interesting weekened.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Similarly, some people have a four-lane highway for constant achievement, a striving talent we call achiever. They may not have to win, but they do feel a burning need to achieve something tangible every single day. And these people mean every single day. For them, every day — workday, weekend, vacation — starts at zero. They have to rack up some numbers by the end of the day to feel good about themselves. This burning flame may dwindle as evening comes, but the next morning, it rekindles itself, spurring its host to look for new items to cross off his list. These people are the fabled “self-starters.
”
”
Gallup Press (First, Break All the Rules: What the World's Greatest Managers Do Differently)
“
We find, therefore, Lowell and Mailer ostensibly locked in converse. In fact, out of the thousand separate enclaves of their very separate personalities, they sensed quickly that they now shared one enclave to the hilt: their secret detestation of liberal academic parties to accompany worthy causes. Yes, their snobbery was on this mountainous face close to identical—each had a delight in exactly the other kind of party, a posh evil social affair, they even supported a similar vein of vanity (Lowell with considerably more justice) that if they were doomed to be revolutionaries, rebels, dissenters, anarchists, protesters, and general champions of one Left cause or another, they were also, in private, grands conservateurs, and if the truth be told, poor damn émigré princes. They were willing if necessary (probably) to die for the cause—one could hope the cause might finally at the end have an unexpected hint of wit, a touch of the Lord’s last grace—but wit or no, grace or grace failing, it was bitter rue to have to root up one’s occupations of the day, the week, and the weekend and trot down to Washington for idiot mass manifestations which could only drench one in the most ineradicable kind of mucked-up publicity and have for compensation nothing at this party which might be representative of some of the Devil’s better creations. So Robert Lowell and Norman Mailer feigned deep conversation. They turned their heads to one another at the empty table, ignoring the potentially acolytic drinkers at either elbow, they projected their elbows out in fact like flying buttresses or old Republicans, they exuded waves of Interruption Repellent from the posture of their backs, and concentrated on their conversation, for indeed they were the only two men of remotely similar status in the room. (Explanations about the position of Paul Goodman will follow later.)
”
”
Norman Mailer (The Armies of the Night: History as a Novel, the Novel as History)
“
We didn’t know what he did on the weekends. What sort of person showed up on Monday and had no interest in sharing what transpired during the two days of the week when one’s real life took place? His weekends were long dark shadows of mystery. In all likelihood, he spent his days off in the office, cultivating his master plan. Mondays we’d come in refreshed and unsuspecting and he would already be there, ready to spring something on us. Maybe he never left. Certainly he never came around with a coffee mug to palaver with us on a Monday morning. We didn’t judge him for that, so long as he didn’t judge us for our custom of easing into a new workweek.
”
”
Joshua Ferris (Then We Came to the End)
“
In this current environment of precarity, this so-called gig economy, it is difficult not to romanticize a job that ends, just like many romanticize being a writer so as to not have a job, to have one’s hours to one’s self after a certain time, to have weekends, to not have capitalism suck up all available energy and possible time, not having to work constantly, including often for free, in this nebulous and borderless realm of publicizing one’s self and one’s work, in order to continue, not even to succeed, but just to continue. Although both possibilities are most likely fictions. Maybe the only way to truly luxuriate in thinking and time was to be independently wealthy.
”
”
Kate Zambreno (To Write as if Already Dead (Rereadings))
“
OLIVER DAVENANT did not merely read books. He snuffed them up, took breaths of them into his lungs, filled his eyes with the sight of the print and his head with the sound of words. Some emanation from the book itself poured into his bones, as if he were absorbing steady sunshine. The pages had personality. He was of the kind who cannot have a horrifying book in the room at night. He would, in fine weather, lay it upon an outside sill and close the window. Often Julia would see a book lying on his doormat.
As well as this, his reading led him in and out of love. At first, it was the picture of Alice going up on tiptoe to shake hands with Humpty Dumpty; then the little Fatima in his Arthur Rackham book, her sweet dusky face, the coins hanging on her brow, the billowing trousers and embroidered coat. Her childish face was alive with excitement as she put the key to the lock. “Don’t!” he had once cried to her in loud agony.
In London, he would go every Saturday morning to the Public Library to look at a picture of Lorna Doone. Some Saturdays it was not there, and he would go home again, wondering who had borrowed her, in what kind of house she found herself that week-end. On his last Saturday, he went to say good-bye and the book was not there, so he sat down at a table to await its return. Just before the library was to be shut for lunch-time, he went to the shelf and kissed the two books which would lie on either side of his Lorna when she was returned and, having left this message of farewell, made his way home, late for lunch and empty of heart.
If this passion is to be called reading, then the matrons with their circulating libraries and the clergymen with their detective tales are merely flirting and passing time. To discover how Oliver’s life was lived, it was necessary, as in reading The Waste Land, to have an extensive knowledge of literature. With impartiality, he studied comic papers and encyclopaedia, Eleanor’s pamphlets on whatever interested her at the moment, the labels on breakfast cereals and cod liver oil, Conan Doyle and Charlotte Brontë.
”
”
Elizabeth Taylor (At Mrs Lippincote's)
“
Our inner lives must be lent a structure and our best thoughts reinforced to counter the continuous pull of distraction and disintegration. Religions have been wise enough to establish elaborate calendars and schedules. How free secular society leaves us by contrast. Secular life is not, of course, unacquainted with calendars and schedules. We know them well in relation to work, and accept the virtues of reminders of lunch meetings, cash-flow projections and tax deadlines. But it expects that we will spontaneously find our way to the ideas that matter to us and gives us weekends off for consumption and recreation. It privileges discovery, presenting us with an incessant stream of new information – and therefore it prompts us to forget everything. We are enticed to go to the cinema to see a newly released film, which ends up moving us to an exquisite pitch of sensitivity, sorrow and excitement. We leave the theatre vowing to reconsider our entire existence in light of the values shown on screen, and to purge ourselves of our decadence and haste. And yet by the following evening, after a day of meetings and aggravations, our cinematic experience is well on its way towards obliteration. We honour the power of culture but rarely admit with what scandalous ease we forget its individual monuments. We somehow feel, however, that it would be a violation of our spontaneity to be presented with rotas for rereading Walt Whitman.
”
”
Alain de Botton (Religion for Atheists: A Non-Believer's Guide to the Uses of Religion)
“
For the most part, in the course of our daily lives we abide the abundant evidence that no such universal justice exists. Like a cart horse, we plod along the cobblestones dragging our masters' wares with our heads down and our blinders in place, waiting patiently for the next cube of sugar. But there are certain times when chance suddenly provides the justice that Agatha Christies promise. We look around at the characters cast in our own lives - our heiresses and gardeners, our vicars and nannies, our late-arriving guests who are not exactly what they seem - and discover that before the end of the weekend all assembled will get there just desserts. But when we do so, we rarely remember to count ourselves among their company.
”
”
Amor Towles
“
Liberals: Liberty-loving liberals founded our country and enshrined its freedoms. Dedicated, fair-minded liberals ended slavery and brought women the vote. Hardworking liberals fought the goon squads and won workers’ rights: the eight-hour day, the weekend, health plans, and pensions. Courageous liberals risked their lives to win civil rights. Caring liberals have made the vulnerable elderly secure with Social Security and healthy with Medicare. Forward-looking liberals have extended education to everyone. Liberals who love the land have been preserving our environment so you can enjoy it. Nobody loves liberty and life more than a liberal. When conservatives say you’re on your own, we liberals know we’re all in this together. “Liberal
”
”
George Lakoff (Thinking Points: Communicating Our American Values and Vision)
“
I told the Icelandic prime minister that it appeared that large sums of money had been taken out of the UK from the Kaupthing branches, which was a serious breach of FSA regulations. The FSA had to find out by the end of the afternoon whether or not that breach had taken place. If it had, they would close the bank. He asked whether the money was needed today and how much it was. I said it was about £600 million, small beer for us but a huge amount for him. It was urgent, I said, that he look into it immediately. His response rang alarm bells. He asked if there was any chance that the amount could be negotiated down. I said there was no chance and that the money had to be returned before the end of the weekend. I suspected we would end up having to close the banks the following week.
”
”
Alistair Darling (Back from the Brink: 1000 Days at Number 11)
“
Come inside."
Shelby tilted her head just enough to rest it briefly on his shoulder as they walked to the door. "I'm relying on your word that I'll walk out again in one piece at the end of the weekend."
He only grinned. "I told you my stand on playing the mediator."
"Thanks a lot." She glanced up at the door, noting the heavy brass crest that served as a door knocker. The MacGregor lion stared coolly at her with its Gaelic motto over its crowned head. "Your father isn't one to hide his light under a bushel,is he?"
"Let's just say he has a strong sense of family pride." Alan lifted the knocker, then let it fall heavily against the thick door. Shelby imagined the sound would vibrate into every nook and cranny in the house. "The Clan MacGregor," Alan began in a low rolling burr, "is one of the few permitted to use the crown in their crest.Good blood. Strong stock.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Like many others who have gone into prisons and jails with us, Chuck and Carol Middlekauff demonstrate what our ministry is all about. We train Christian ‘teammates’ to share the good news and love of Christ with ‘the least of these’ so they can continue to do it with others they encounter as they go along. In this book, Carol has written the stories of some of those encounters so you can appreciate how easy it is to tell people about Jesus. It happens when you realize God does all the work, and all you have to do is show up. I hope you will be encouraged by reading the book and then join us soon for a Weekend of Champions to find out for yourself.”
Bill Glass, retired NFL all-pro defensive end, evangelist, founder of Bill Glass Champions for Life prison ministries, and author of numerous books, including The Healing Power of a Father’s Blessing and Blitzed by Blessings
”
”
Bill Glass
“
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
I think she did really try her hardest to get over him. You would, wouldn't you, if someone had hurt you like that? You'd make all kinds of promises to yourself not to let them do something like that again. But wouldn't a small part of you always be wondering "what if" Wouldn't some part of you - a part that you might not want to exist - still be holding out for that happy ending? It's how we're built isn't it? No matter how many times you get slapped in the face you have to believe that the next time would be different. And then in comes the guy who hurt you all those years ago, and he wants to make things better and to prove he's not all talk- this time it will be different. How could she not fall for that? How could she not think that if she chose him it would finally lift the shadow that he'd cast over her life? All that hurt, all that suffering wouldn't have been for nothing then, would it? If he'd come back to you like that, would you have taken him back?
”
”
Mike Gayle (The Stag and Hen Weekend)
“
All 250 + episodes to date can be found at tim.blog/ podcast and itunes.com/ timferriss Jamie Foxx on Workout Routines, Success Habits, and Untold Hollywood Stories (# 124)—tim.blog/ jamie The Scariest Navy SEAL I’ve Ever Met . . . and What He Taught Me (# 107)—tim.blog/ jocko Arnold Schwarzenegger on Psychological Warfare (and Much More) (# 60)—tim.blog/ arnold Dom D’Agostino on Fasting, Ketosis, and the End of Cancer (# 117)—tim.blog/ dom2 Tony Robbins on Morning Routines, Peak Performance, and Mastering Money (# 37)—tim.blog/ tony How to Design a Life—Debbie Millman (# 214)—tim.blog/ debbie Tony Robbins—On Achievement Versus Fulfillment (# 178)—tim.blog/ tony2 Kevin Rose (# 1)—tim.blog/ kevinrose [If you want to hear how bad a first episode can be, this delivers. Drunkenness didn’t help matters.] Charles Poliquin on Strength Training, Shredding Body Fat, and Increasing Testosterone and Sex Drive (# 91)—tim.blog/ charles Mr. Money Mustache—Living Beautifully on $ 25–27K Per Year (# 221)—tim.blog/ mustache Lessons from Warren Buffett, Bobby Fischer, and Other Outliers (# 219)—tim.blog/ buffett Exploring Smart Drugs, Fasting, and Fat Loss—Dr. Rhonda Patrick (# 237)—tim.blog/ rhonda 5 Morning Rituals That Help Me Win the Day (# 105)—tim.blog/ rituals David Heinemeier Hansson: The Power of Being Outspoken (# 195)—tim.blog/ dhh Lessons from Geniuses, Billionaires, and Tinkerers (# 173)—tim.blog/ chrisyoung The Secrets of Gymnastic Strength Training (# 158)—tim.blog/ gst Becoming the Best Version of You (# 210)—tim.blog/ best The Science of Strength and Simplicity with Pavel Tsatsouline (# 55)—tim.blog/ pavel Tony Robbins (Part 2) on Morning Routines, Peak Performance, and Mastering Money (# 38)—tim.blog/ tony How Seth Godin Manages His Life—Rules, Principles, and Obsessions (# 138)—tim.blog/ seth The Relationship Episode: Sex, Love, Polyamory, Marriage, and More (with Esther Perel) (# 241)—tim.blog/ esther The Quiet Master of Cryptocurrency—Nick Szabo (# 244)—tim.blog/ crypto Joshua Waitzkin (# 2)—tim.blog/ josh The Benevolent Dictator of the Internet, Matt Mullenweg (# 61)—tim.blog/ matt Ricardo Semler—The Seven-Day Weekend and How to Break the Rules (# 229)—tim.blog/ ricardo
”
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Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
“
Avant le chariot du supermarché, le qu'est-ce qu'on va manger ce soir, les économies pour s'acheter un canapé, une chaîne hi-fi, un appart. Avant les couches, le petit seau et la pelle sur la plage, les hommes que je ne vois plus, les revues de consommateurs pour ne pas se faire entuber, le gigot qu'il aime par-dessus tout et le calcul réciproque des libertés perdues. Une période où l'on peut dîner d'un yaourt, faire sa valise en une demi-heure pour un week-end impromptu, parler toute une nuit. Lire un dimanche entier sous les couvertures. S'amollir dans un café, regarder les gens entrer et sortir, se sentir flotter entre ces existences anonymes. Faire la fête sans scrupule quand on a le cafard. Une période où les conversations des adultes installés paraissent venir d'un univers futile, presque ridicule, on se fiche des embouteillages, des morts de la Pentecôte, du prix du bifteck et de la météo. Personne ne vous colle aux semelles encore. Toutes les filles l'ont connue, cette période, plus ou moins longue, plus ou moins intense, mais défendu de s'en souvenir avec nostalgie. Quelle honte ! Oser regretter ce temps égoïste, où l'on n'était responsable que de soi, douteux, infantile. La vie de jeune fille, ça ne s'enterre pas, ni chanson ni folklore là-dessus, ça n'existe pas. Une période inutile.
”
”
Annie Ernaux (A Frozen Woman)
“
When was the last time you made something that someone wasn’t paying you for, and looking over your shoulder to make sure you got it right?” When I ask creatives this question, the answer that comes back all too often is, “I can’t remember.” It’s so easy for creativity to become a means to a very practical end—earning a paycheck and pleasing your client or manager. But that type of work only uses a small spectrum of your abilities. To truly excel, you must also continue to create for the most important audience of all: yourself. In her book The Artist’s Way, Julia Cameron discusses a now well-known practice that she calls “morning pages.” She suggests writing three pages of free-flowing thought first thing in the morning as a way to explore latent ideas, break through the voice of the censor in your head, and get your creative juices flowing. While there is nothing immediately practical or efficient about the exercise, Cameron argues that it’s been the key to unlocking brilliant insights for the many people who have adopted it as a ritual. I’ve seen similar benefits of this kind of “Unnecessary Creation” in the lives of creative professionals across the board. From gardening to painting with watercolors to chipping away at the next great American novel on your weekends, something about engaging in the creative act on our own terms seems to unleash latent passions and insights. I believe Unnecessary Creation is essential for anyone who works with his or her mind.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
One of our best dates was actually a weekend when we went to the wedding of a friend from the Teams. The couple married in Wimberley, Texas, a small town maybe forty miles south of Austin and a few hours’ drive from where we lived. We were having such a pleasant day, we didn’t want it to end.
“It doesn’t have to end,” suggested Chris as we headed for the car. “The kids are at my parents’ for the weekend. Where do you want to go?”
We googled for hotels and found a place in San Antonio, a little farther south. Located around the corner from the Alamo, the hotel seemed tailor-made for Chris. There was history in every floorboard. He loved the authentic Texan and Old West touches, from the lobby to the rooms. He read every framed article on the walls and admired each artifact. We walked through halls where famous lawmen-and maybe an outlaw or two-had trod a hundred years before. In the evening, we relaxed with coffee out on the balcony of our room-something we’d never managed to do when we actually owned one. It was one of those perfect days you dream of, completely unplanned.
I have a great picture of Chris sitting out there in his cowboy boots, feet propped up, a big smile on his face. It’s still one of my favorites.
People ask about Chris’s love of the Old West. It was something he was born with, really. It had to be in his genes. He grew up watching old westerns with his family, and for a time became a bronco-bustin’ cowboy and ranch hand.
More than that, I think the clear sense of right and wrong, of frontier justice and strong values, appealed to him.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
The Magic of Goulash “The trip down the aisle [on a bus or train, during his travels] was where all the stakes were. Because as I’m going down that aisle, I’ve got to look for an empty seat next to somebody who seems interesting. Somebody I can trust, somebody who might be able to trust me. The stakes are high because I know that at the end of that ride, wherever it was going, that person had to invite me to their home. Because I had no money to spend night after night in a hotel.” The clincher question Cal used to get free room and board around Europe as a poor traveler was: “Can you tell me: How do you make the perfect goulash?” He would purposefully sit down next to grandmas, who would then pour out their souls. After a few minutes of passionate pantomiming, people would come from around the train to help translate, no matter the country. Cal never had to worry about where he was spending the night. “During [one dinner party a grandma threw in Hungary to feed me goulash,] one of the neighbors says, ‘Have you ever tasted apricot brandy? Because nobody makes apricot brandy like my father. He lives a half an hour away. You’ve got to come to taste the apricot brandy.’ That weekend, we’re tasting apricot brandy, having a great time. Another party starts, another neighbor comes over to me. ‘Have you ever been to Kiskunhalas, the paprika capital of the world? You cannot leave Hungary without visiting Kiskunhalas.’ Now we’re off to Kiskunhalas. I’m telling you, a single question about goulash could get me 6 weeks of lodging and meals, and that’s how I got passed around the world. 10 years. 10 years.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
The girl circled in my arm was clean and fresh, and her sleeping breath was humid against the base of my throat. Something stirred in me in response to her helplessness, and yet at the same time I resented her. I had seen too damn many of these brisk and shining girls, so lovely, so gracious, and so inflexibly ambitious. They had counted their stock in trade and burnished it and spread it right out there on the counter. It was all yours for the asking. All you had to do was give her all the rest of your life, and come through with the backyard pool, cookouts, Eames chairs, mortgage, picture windows, two cars, and all the rest of the setting they required for themselves. These gorgeous girls, with steel behind their eyes, were the highest paid whores in the history of the world. All they offered was their poised, half-educated selves, one hundred and twenty pounds of healthy, unblemished, arrogant meat, in return for the eventual occupational ulcer, the suburban coronary. Nor did they bother to sweeten the bargain with their virginity. Before you could, in your hypnoid state, slip the ring on her imperious finger, that old-fashioned prize was long gone, and even its departure celebrated many times, on house parties and ski weekends, in becalmed sailboats and on cruise ships. This acknowledged and excused promiscuity was, in fact, to her advantage. Having learned her way through the jungly province of sex, she was less likely to be bedazzled by body hunger to the extent that she might make a bad match with an unpromising young man. Her decks were efficiently cleared, guns rolled out, fuses alight, cannonballs stacked, all sails set. She stood on the bridge, braced and ready, scanning the horizon with eyes as cold as winter pebbles. One
”
”
John D. MacDonald (The End of the Night (Murder Room Book 629))
“
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull.
Violet admired that about her.
And, in this instance, Chelsea had proven to be nothing less than formidable.
So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread.
And, somehow, Chelsea managed to unravel it all.
She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike.
Except Mike would never see it coming.
By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell.
She started with Andrew Lauthner. Poor Andrew didn’t know what hit him.
“Hey, Andy, did you hear?”
From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead.
“What?” His huge frozen grin looked like it had been plastered there and dried overnight.
Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout.
“But I thought…” He seemed confused.
So was Violet.
“…didn’t we just make the plans at lunch?” he asked.
“I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.”
Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her?
“What about everyone else?” Andrew asked, still clinging to hope.
Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?”
Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there.
"Oh," he finally said. And then, "Well, maybe next time."
"Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene.
"Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool."
Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww."
The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless.
By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes.
How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord.
Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.
I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.
Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
”
”
Hallgrímur Helgason
“
On my next weekend without the kids I went to Nashville to visit her. We had a great weekend. On Monday morning she kissed me goodbye and left for work. I would drive home while she was at work. Only I didn’t go straight home. I went and paid her recruiting officer a little visit. I walked in wearing shorts and a T-shirt so my injuries were fully visible. The two recruiters couldn’t hide the surprise on their faces. I clearly looked like an injured veteran. Not their typical visitor.
“I’m here about Jamie Boyd,” I said.
One of the recruiters stood up and said, “Yes, I’m working with Jamie Boyd. How can I help you?”
I walked to the center of the room between him and the female recruiter who was still seated at her desk and said, “Jamie Boyd is not going to be active duty. She is not going to be a truck driver. She wants to change her MOS and you’re not going to treat her like some high school student. She has a degree. She is a young professional and you will treat her as such.”
“Yes, sir, yes, sir. We hold ourselves to a higher standard. We’ll do better. I’m sorry,” he stammered.
“You convinced her she can’t change anything. That’s a lie. It’s paperwork. Make it happen.”
“Yes, sir, yes, sir.”
That afternoon Jamie had an appointment at the recruitment center anyway for more paperwork. Afterward, she called me, and as soon as I answered, without even a hello, she said, “What have you done?”
“How were they acting?” I asked, sounding really pleased with myself.
“Like I can have whatever I want,” she answered.
“You’re welcome. Find a better job.” She wasn’t mad about it. She just laughed and said, “You’re crazy.”
“I will always protect you. You were getting screwed over. And I’m sorry you didn’t know about it, but you wouldn’t have let me go if I had told you ahead of time.”
“You’re right, but I’m glad you did.”
Jamie ended up choosing MP, military police, as her MOS because they offered her a huge signing bonus. We made our reunion official and she quit her job in Nashville to move back to Birmingham. She had a while before basic training, so she moved back in with me. We were both very happy, and as it turned out, some very big changes were about to happen beyond basic training.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Why should he treat Elizabeth as if he harbored any feelings for her, including anger?
Elizabeth sensed that he was wavering a little, and she pressed home her advantage, using calm reason: “Surely nothing that happened between us should make us behave badly to each other now. I mean, when you think on it, it was noting to us but a harmless weekend flirtation, wasn’t it?”
“Obviously.”
“Neither of us was hurt, were we?”
“No.”
“Well then, there’s no reason why we should not be cordial to each other now, is there?” she demanded with a bright, beguiling smile. “Good heavens, if every flirtation ended in enmity, no one in the ton would be speaking to anyone else!”
She had neatly managed to put him in the position of either agreeing with her or else, by disagreeing, admitting that she had been something more to him than a flirtation, and Ian realized it. He’d guessed where her calm arguments were leading, but even so, he was reluctantly impressed with how skillfully she was maneuvering him into having to agree with her. “Flirtations,” he reminded her smoothly, “don’t normally end in duels.”
“I know, and I am sorry my brother shot you.”
Ian was simply not proof against the appeal in those huge green eyes of hers. “Forget it,” he said with an irritated sigh, capitulating to all she was asking. “Stay the seven days.”
Suppressing the urge to twirl around with relief, she smiled into his eyes. “Then could we have a truce for the time I’m here?”
“That depends.”
“On what?”
His brows lifted in mocking challenge. “On whether or not you can make a decent breakfast.”
“Let’s go in the house and see what we have.”
With Ian standing beside her Elizabeth surveyed the eggs and cheese and bread, and then the stove. “I shall fix something right up,” she promised with a smile that concealed her uncertainty.
“Are you sure you’re up to the challenge?” Ian asked, but she seemed so eager, and her smile was so disarming, that he almost believed she knew how to cook.
“I shall prevail, you’ll see,” she told him brightly, reaching for a wide cloth and tying it around her narrow waist.
Her glance was so jaunty that Ian turned around to keep himself from grinning at her. She was obviously determined to attack the project with vigor and determination, and he was equally determined not to discourage her efforts. “You do that,” he said, and he left her alone at the stove.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Between 2003 and 2008, Iceland’s three main banks, Glitnir, Kaupthing and Landsbanki, borrowed over $140 billion, a figure equal to ten times the country’s GDP, dwarfing its central bank’s $2.5 billion reserves. A handful of entrepreneurs, egged on by their then government, embarked on an unprecedented international spending binge, buying everything from Danish department stores to West Ham Football Club, while a sizeable proportion of the rest of the adult population enthusiastically embraced the kind of cockamamie financial strategies usually only mooted in Nigerian spam emails – taking out loans in Japanese Yen, for example, or mortgaging their houses in Swiss francs. One minute the Icelanders were up to their waists in fish guts, the next they they were weighing up the options lists on their new Porsche Cayennes. The tales of un-Nordic excess are legion: Elton John was flown in to sing one song at a birthday party; private jets were booked like they were taxis; people thought nothing of spending £5,000 on bottles of single malt whisky, or £100,000 on hunting weekends in the English countryside. The chief executive of the London arm of Kaupthing hired the Natural History Museum for a party, with Tom Jones providing the entertainment, and, by all accounts, Reykjavik’s actual snow was augmented by a blizzard of the Colombian variety. The collapse of Lehman Brothers in late 2008 exposed Iceland’s debts which, at one point, were said to be around 850 per cent of GDP (compared with the US’s 350 per cent), and set off a chain reaction which resulted in the krona plummeting to almost half its value. By this stage Iceland’s banks were lending money to their own shareholders so that they could buy shares in . . . those very same Icelandic banks. I am no Paul Krugman, but even I can see that this was hardly a sustainable business model. The government didn’t have the money to cover its banks’ debts. It was forced to withdraw the krona from currency markets and accept loans totalling £4 billion from the IMF, and from other countries. Even the little Faroe Islands forked out £33 million, which must have been especially humiliating for the Icelanders. Interest rates peaked at 18 per cent. The stock market dropped 77 per cent; inflation hit 20 per cent; and the krona dropped 80 per cent. Depending who you listen to, the country’s total debt ended up somewhere between £13 billion and £63 billion, or, to put it another way, anything from £38,000 to £210,000 for each and every Icelander.
”
”
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
“
Ti scrivo mentre tu sei da qualche parte a comprare la Coca-Cola. È la prima volta in vita mia che scrivo una lettera a qualcuno seduto accanto a me su una panchina. Ma se non facessi così dubito che riuscirei a farti arrivare quello che ti voglio dire. Perché tu non ascolti niente di quello che dico, prova a dire che non è vero. “Se può interessarti, oggi tu hai fatto una cosa molto grave nei miei confronti. Non ti sei neanche accorto che ho cambiato pettinatura. Piano piano, con sacrificio, avevo aspettato che mi crescessero i capelli e lo scorso week-end finalmente mi sono fatta fare un taglio femminile. Ma tu non ci hai fatto neanche caso. Ero così sicura di essere carina nella mia nuova pettinatura che non vedevo l'ora di farti una sorpresa, tanto più che era la prima volta che ci vedevamo da tanto tempo. E tu non te ne sei nemmeno accorto! Ti rendi conto di che vuoi dire? Figuriamoci, se è per questo probabilmente non sapresti dire neanche com'ero vestita. Ma guarda che io sono una donna. Per quanti pensieri tu possa avere, potresti almeno degnarmi di uno sguardo. Sarebbe bastato poco. Se solo mi avessi detto, non dico tanto, qualcosa tipo “Carina, questa pettinatura‟, ti avrei lasciato fare come volevi, immergerti nei tuoi pensieri quanto volevi. “Perciò sto per dirti una bugia. Ti dirò che ho un appuntamento a Ginza con mia sorella. Non è vero. Pensando di restare stanotte a dormire da te mi ero portata perfino il pigiama. Sì, se lo vuoi sapere nella mia borsa ci sono pigiama e spazzolino da denti. Mi viene da ridere, se penso a quanto sono cretina. A te l'idea di invitarmi a casa tua non ti ha sfiorato nemmeno. Ma non importa. Visto che ci tieni tanto a startene da solo fregandotene altamente di me, rimani pure da solo e pensa a tutti i tuoi problemi quanto vuoi senza nessuna interferenza da parte mia. “Il guaio è che non riesco nemmeno ad avercela con te. Mi sento soprattutto sola. In fondo sei sempre stato gentile con me mentre io per te non ho fatto niente. Tu sei sempre chiuso nel tuo mondo e ogni volta che io provo a bussare e a chiamarti tu mi lanci al massimo un'occhiata e subito ti richiudi in te stesso. “Eccoti che torni con la Coca-Cola. Vieni verso di me tutto sprofondato nei tuoi pensieri. Quanto vorrei che inciampassi! Ma non inciampi, ti siedi accanto a me come prima e bevi la tua Coca. Avevo un residuo di speranza che tornando notassi qualcosa e dicessi: “Di' un po‟, ma hai cambiato pettinatura?‟ Invece niente. Se te ne fossi accorto anche in ritardo avrei strappato questa lettera e ti avrei detto: “Dai, andiamo a casa tua. Ti cucinerò una cena favolosa e poi andremo a letto felici e contenti‟. Ma tu sei ottuso come un pezzo di legno. Sayonara.
P.S. La prossima volta che ci vediamo a lezione evita di rivolgermi la parola.
”
”
Haruki Murakami (Norwegian Wood)
“
The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong.
But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects.
But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood.
Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal.
This stuff generates wealth for those who practice it. It enriches the country and improves our lives.
And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist.
The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile.
What country do you want to live in?
”
”
Cory Doctorow (Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future)