Weekday Sayings Quotes

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When we are harassed and reach the limit of our own strength, many of us then turn in desperation to God-"There are no atheists in foxholes." But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons. When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: "Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective." At such times, I frequently drop into the first church that I find open. Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick's Cathedral on Fifth Avenue, and remind myself that I'll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
Best day of my life hasn't happened yet. But I know it. I see it every day. The best day of my life is the day I buy my mom a huge fucking house. And not just like out in the woods, but in the middle of Mountain Brook, with all the Weekday Warriors' parents. With all y'all's parents. And I'm not buying it with a mortgage either. I'm buying it with cash money, and I am driving my mom there, and I'm going to open her side of the car door and she'll get out and look at this house—this house is like picket fence and two stories and everything, you know—and I'm going to hand her the keys to her house and I'll say, 'Thanks.' Man, she helped fill out my application to this place. And she let me come here, and that's no easy thing when you come from where we do, to let your son go away to school. So that's the best day of my life.
John Green (Looking for Alaska)
Knulp was right in doing what his nature demanded and what few others could do, in speaking to strangers like a child and winning their hearts, in saying pleasant things to ladies of all ages, and making Sundays out of weekdays.
Hermann Hesse (Knulp: Three Tales from the Life of Knulp)
Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.
George Eliot (Adam Bede)
If a continental youth wants to declare his love to a girl, he kneels down, tells her that she is the sweetest, the most charming and ravishing person in the world, that she has something in her, something peculiar and individual which only a few hundred thousand other women have and that he would be unable to live one more minute without her. Often, to give a little more emphasis to the statement, he shoots himself on the spot. This is a normal, week-day declaration of love in the more temperamental continental countries. In England the boy pats his adored one on the back and says softly: ‘I don’t object to you, you know.’ If he is quite mad with passion, he may add: ‘I rather fancy you, in fact.
George Mikes (How to Be a Brit)
God creates out of nothing. Wonderful you say. Yes, to be sure, but he does what is still more wonderful: he makes saints out of sinners. — Søren Kierkegaard
Renovare (The Reservoir: A 15-Month Weekday Devotional for Individuals and Groups)
Chantelle has three older brothers. Their parents are divorced, so they spend the weekdays at their mother and stepfather’s house, and the weekends at their father’s house. She says that it’s fun to belong to two places. I know what she means.
Bilqees Mohammed (Juanita : A bilingual children's book set in Trinidad and Tobago)
A Christian has no right to separate his life into two realms... to say the Bible is good for Sunday, but this is a week-day question, or the Scriptures are right in matters of religion, but this is a matter of business or politics. God reigns over all, everywhere. His will is the supreme law. His inspired Word, loyally read will inform us of His will in every relation and act of life, secular as well as religious; and the man is a traitor who refuses to walk therein with scrupulous care. The kingdom of God includes all sides of human life, and it is a kingdom of absolute righteousness. You are wither a loyal subject, or a traitor. When the King comes, how will He find you doing?
Archibald Alexander Hodge
What I Should Have Said There's nothing that says you can't call. I spend the weekdays teaching and moving my children from breakfast to bedtime. What else, I feel like a traitor telling someone else things I can't tell to you. What is it that keeps us together? Fingertip to fingertip, from Santa Fe to Albuquerque? I feel bloated with what I should say and what I don't. We drift and drift, with few storms of heat inbetween the motions. I love you. The words confuse me. Maybe they have become a cushion keeping us in azure sky and in flight not there, not here. We are horses knocked out with tranquilizers sucked into a deep deep sleeping for the comfort and anesthesia death. We are caught between clouds and wet earth and there is no motion either way no life to speak of.
Joy Harjo (She Had Some Horses)
In October, she barged in while I was watching Working Girl. “This again?” she huffed and threw herself down in the armchair. “I’m fasting for Yom Kippur,” she sighed boastfully. This was not unusual. She’d been on some truly insane diets in the past. A gallon of salt water a day. Only prune juice and baking soda. “I can have as much sugar-free Jell-O as I want before eleven A.M.” Or “I’m fasting,” she’d say. “I’m fasting on weekends.” “I’m fasting every other weekday.
Ottessa Moshfegh (My Year of Rest and Relaxation)
In an industrial society that conflates work and productivity, the need to produce has always stood opposed to the desire to create. What spark of humanity, which is to say possible creativity, can remain alive in a being dragged from sleep at six every morning, jolted about in commuter trains, deafened by the racket of machinery, bleached and steamed by speed-up and meaningless gestures and production quotas, and tossed out at the end of the day into great railway-station halls—temples of arrival and departure for the hell of weekdays and the nugatory paradise of the weekend, where the masses commune in brutish weariness?
Raoul Vaneigem (The Revolution of Everyday Life)
What had prevented Nixon’s test261 of the madman theory from being carried out in 1969 was neither any leak of his threats and plans nor any North Vietnamese compliance with them. It was, as Nixon recounted in his memoirs, the fact that two million Americans took part on October 15 in the “Moratorium” (a general strike by another name), a nationwide weekday work- and school-stoppage protesting the war. Another demonstration, focused on Washington, was scheduled for two days in mid-November. As Nixon says, it was clear to him, given the scale of the first demonstration, that his ultimatum would fail. The North Vietnamese would not believe that he could continue such attacks in the face of this unprecedented popular resistance.
Daniel Ellsberg (The Doomsday Machine: Confessions of a Nuclear War Planner)
hear some o’ them preachers, you’d think as a man must be doing nothing all’s life but shutting’s eyes and looking what’s agoing on inside him. I know a man must have the love o’ God in his soul, and the Bible’s God’s word. But what does the Bible say? Why, it says as God put his sperrit into the workman as built the tabernacle, to make him do all the carved work and things as wanted a nice hand. And this is my way o’ looking at it: there’s the sperrit o’ God in all things and all times — weekday as well as Sunday — and i’ the great works and inventions, and i’ the figuring and the mechanics. And God helps us with our headpieces and our hands as well as with our souls; and if a man does bits o’ jobs out o’ working hours — builds a oven for ‘s wife to save her from going to the bakehouse, or scrats at his bit o’ garden and makes two potatoes grow istead o’ one, he’s doin’ more good, and he’s just as near to God, as if he was running after some preacher and a-praying and a-groaning.
George Eliot (Complete Works of George Eliot)
The Christian religion is true or it is not, and if it is true it offers the highest and purest objects of contemplation. And the poetical faculty, which expresses the highest moods of the mind, passes naturally to the highest objects. Who can separate these things? Did Dante? Did Tasso? Did Petrarch? Did Calderon? Did Chaucer? Did the poets of our best British days? Did any one of these shrink from speaking out Divine names when the occasion came? Chaucer, with all his jubilee of spirit and resounding laughter, had the name of Jesus Christ and God as frequently to familiarity on his lips as a child has its father’s name. You say ‘our religion is not vital — not week-day — enough.’ Forgive me, but that is a confession of a wrong, not an argument. And if a poet be a poet, it is his business to work for the elevation and purification of the public mind, rather than for his own popularity! while if he be not a poet, no sacrifice of self-respect will make amends for a defective faculty, nor ought to make amends.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)
We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right. It was a fifty-fifty call and he relented. Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness. We had found salvation, and I was beat. The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement. The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown. I felt so proud. In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind. As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why. First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block. There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive. Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.” We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.
Bear Grylls (Mud, Sweat and Tears)
You keep some secrets so long that saying them out loud breathes new life into old haunts.
Catherine Bybee (Married by Monday (The Weekday Brides, #2))
My father gets quite mad at me; my mother gets upset— when they catch me watching our new television set. My father yells, “Turn that thing off!” Mom says, “It’s time to study.” I’d rather watch my favorite TV show with my best buddy. I sneak down after homework and turn the set on low. But when she sees me watching it, my mother yells out, “No!” Dad says, “If you don’t turn it off, I’ll hang it from a tree!” I rather doubt he’ll do it, ‘cause he watches more than me. He watches sports all weekend, and weekday evenings too, while munching chips and pretzels—the room looks like a zoo. So if he ever got the nerve to hang it from a tree, he’d spend a lot of time up there— watching it with me.
Stephen Carpenter (Kids Pick The Funniest Poems: Poems That Make Kids Laugh (Giggle Poetry))
I’m sure it will work out.” Gwen was sure of no such thing…but if there was one thing she had learned after living in the States for nearly a year it was that Americans were wonderful at saying things they didn’t mean. To be fair, the British were, too.
Catherine Bybee (Fiancé by Friday (The Weekday Brides, #3))
Rachel . . .” He ran a nervous hand through his hair and paused for a second, as if trying to figure out what to say. “The school year is about to end and you’ll be going back to Cali over the summer. I feel like I’m about to miss any chance with you I may have. And I don’t want to. I know you liked me when we were growing up. But, Rach, you were way too young back then.” “I’m still five years younger; that hasn’t changed.” He smirked. “You and I both know a relationship between a thirteen-year-old and eighteen-year-old, and a twenty-one- and twenty-six-year-old are completely different.” So? That doesn’t help my argument right now. “Well, you and I have both changed over the last eight years. Feelings change—” “Yes.” He cut me off and his blue eyes darkened as he gave me a once-over. “They do.” I hated that my body was responding to his look. But honestly, I think it’d have been impossible for anyone not to respond to him. Like I said. Adonis. “Uh, Blake. Up here.” He smiled wryly, and dear Lord, that smile was way too perfect. “Look, honestly? I have an issue with the fact that you’re constantly surrounded by very eager and willing females. It’s not like I’d put some claim on you if we went on a couple dates, but you ask me out while these girls are touching you and drooling all over you. It’s insulting that you would ask me out while your next lay is already practically stripping for you.” His expression darkened and he tilted his head to the side. “You think I’m fucking them like everyone else?” Ah, frick. Um, yes? “If you are, then that’s your business. I shouldn’t have said that, I’m sorry. But whether you are or not, you don’t even attempt to push them away. Since you moved here, I’ve never seen you with less than two women touching you. You don’t find that weird?” Was I really the only person who found this odd? Suddenly pushing off the wall he’d been leaning against, he took the two steps toward me and I tried to mold myself to the door. A heart-stopping smile and bright blue eyes now replaced his darkened features as he completely invaded my personal space. If he weren’t so damn beautiful I’d have karate-chopped him and reminded him of personal bubbles. Or gone all Stuart from MADtv on him and told him he was a stranger and to stay away from my danger. Instead, I tried to control my breathing and swallow through the dryness in my mouth. “No, Rachel. What I find weird is that you don’t seem to realize that I don’t even notice those other women or what they’re doing because all I see is you. I look forward to seeing you every day. I don’t think you realize you are the best part of my weekdays. I moved here for this job before I even knew you and Candice were going to school here, and seeing you again for the first time in years—God, Rachel, you were so beautiful and I had no idea that it was you. You literally stopped me in my tracks and I couldn’t do anything but watch you. “And you have this way about you that draws people to you . . . always have. It has nothing to do with how devastatingly beautiful you are—though that doesn’t hurt . . .” He smirked and searched my face. “But you have this personality that is rare. And it bursts from you. You’re sweet and caring, you’re genuinely happy, and it makes people around you happy. And you have a smile and laugh that is contagious.” Only men like Blake West could get away with saying things like that and still have my heart racing instead of making me laugh in their faces. “You’re not like other women. Even though these are the years for it, you don’t seem like the type of girl to just have flings, and I can assure you, that’s not what I’m into, nor what I’m looking for with you. So I don’t see those other women; all I’m seeing is you. Do you understand that now?” Holy shit. He was serious? “Rachel?” I nodded and he smiled. “So, will you please let me take you out this weekend?” For
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
every weekday morning at that exact time, barring holidays, major illnesses, or snow over her boot tops. As far as anybody knew, she didn’t actually have a schedule written out, but were her day divided out on paper, that’s what it would say. Courthouse steps 8:59 a.m. Out of bed at 7:30, bran
A.H. Gabhart (Murder at the Courthouse (Hidden Springs Mysteries #1))
Sound. No matter how great a movie looks, if the audience can’t understand what the actors are saying, they’ll get frustrated and lose interest quickly. I know when I see a low-budget movie and the sound is crummy, I shut it off. The less money you have, the less you’ll probably budget for postproduction sound, so what you get during the shoot becomes even more important. Don’t scrimp here. If your production sound is good enough, you won’t need a lot of ADR (additional dialogue recording), which most of the time you need because there’s a flaw in the production sound, or an airplane was overhead and you couldn’t get a clean take. Your sound person should scout your locations. If you’re going to be shooting on a weekday and you visit on a weekend, make sure that there isn’t a noisy garage next door that’s only open Monday to Friday. Sometimes you do ADR because you want to change the performance. That’s fine, but I can usually tell when an actor has been looped, and I hate it, and so do many directors. Some actors are hopelessly bad at it—they’re never able to dub themselves in a convincing way. The best reason to use ADR is when you want to fill in a scene where lots of people are talking at once.
Christine Vachon (Shooting to Kill: How An Independent Producer Blasts Through the Barriers to Make Movies That Matter)
Besides, I’m not planning on being around much longer. Maybe a week. So this would just be a short period.” “Where are you going?” He ignores my question and rises, carries his cup to the trash, and pitches it in like a basketball player. When he returns I’ve made up my mind, but I still have a question. “You’re carrying around a lot of money,” I try, framing it as a statement. “Oh, that? Yeah. That’s my savings. It’s not that much, and it’s got to last me a while. I try not to spend any of it, but this seemed worth it,” he says with disarming frankness. I feel like a complete loser. He’s made enough to save. Mine’s gone as soon as it hits my guitar case. I’ll freely admit I’m lousy with money. Budgeting isn’t one of my strong points. “You didn’t have to buy me another coffee, Derek,” I start, but his smile stops me. “What?” He shakes his head. “Nothing.” “Really. What is it? What did I do?” “I like the way you say my name. That’s all.” Bam. Right cross to the jaw. With a hell of a follow-through. “How about giving it a try for a few hours, until lunchtime, and seeing how we do? If I’m wrong, I’ll make up the difference. What do you make by one on a weekday?” Damn him straight to hell for being so reasonable sounding. He could probably sell toasters to penguins. I calculate quickly. On a good day, maybe five dollars. Most of my money will come in the afternoon, maybe another whopping ten or fifteen bucks before it gets dark. “Usually?
R.E. Blake (Less Than Nothing (Less Than Nothing, #1))
Ugh. Here I am getting emotional on a weekday afternoon,” she says, a hint of disgust lacing her tone. “I usually try to save those feelings for Sunday nights.” “Sunday nights?” “Oh, just an old Viviette-ism. She used to believe a person should hold it together all week, then let it all out Sunday night, before the start of another week. Something about the build-up intensifying the release and going into the new week feeling lighter.
Minka Kent (The Silent Woman)
But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons. When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: “Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective.” At such times, I frequently drop into the first church that I find open. Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick’s Cathedral on Fifth Avenue, and remind myself that I’ll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
Dale Carnegie (How to Stop Worrying and Start Living)
would never, ever say it to their face—as mentioned, we are way above the Mommy Wars. But still. We think they have it easier. Every day while we are living our lives of servitude, they go to a place, in real clothes, where they are paid to sit comfortably among adults and think entire, complete, punctuated thoughts. Often this place has free coffee round the clock and cake on their birthdays. Yes, work is work, and no, not every day is a joyfest. But here is what I did not realize when I handed in my resignation at the community college and became a professional mom: if you work outside the home, for eight or so back-to-back hours every weekday, you wipe zero butts that do not belong to you. And to be clear, butt wiping is pretty much the easiest part of stay-at-home-mom work. I would gladly wipe ten more butts per day if it did away with even just the raisin-related tantrums. If it meant I didn’t have to stand outside in every kind of weather saying, “I see! I’m watching!” while one of a succession of toddlers does absolutely nothing of interest for the tenth time in a row. If you have a full-time job outside the home, that means that for eight solid hours every day, no one asks you to go down a wet slide or starts crying
Kelly Harms (The Seven Day Switch)
Was I really that obvious? “You don’t know if I’m like that or not—” “Coffee twenty minutes before you leave for the day, you’re always on time, no breakfast, color-coordinated weekdays—red, white, blue, green, black. Blue’s the best on you, and you should wear it more than one damn day a week. And your lights are normally out by ten. That schedule says a lot about you.
Shain Rose (Between Commitment and Betrayal (Hardy Billionaire Brothers, #1))
All of the money Pierre puts back into his business is deductible against his $200,000 of income. That would leave him with $100,000. Now let’s say that he has a home office and that his van is used primarily for business; that when he spent money on a vacation, he took his wife and children, who are all owners of the business with him and that they spent more than half of each weekday on business; and that whenever Pierre and his wife went to dinner during the year, they had a business discussion.
Tom Wheelwright (Tax-Free Wealth: How to Build Massive Wealth by Permanently Lowering Your Taxes)
A black man in the 1930s was on his way to pay a visit to a young woman he fancied, which occasioned him to go into the town square. There, some white men approached him and “forced him to procure overalls, saying he was ‘too dressed up for a weekday.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
She walked from the lowest step to his car and I saw that she had her red hair done up in a pouf with a big, sharp curl on each cheek pointing to her especial face like a finger saying I’ll Have That One, and I saw that she had a tiny waist with roundy hips, and pointed shoes whose heels had made a feminine click and clatter on the stairs for how many weeks now? Made them going up at suppertime and coming down late or the next morning but never at noon on a weekday. I began to think about those curls on her cheeks and for the fun of it I made myself a cardboard hand, one of those old-fashioned hands you used to see pointing, and I pinned it on my straw hat with a safety pin so that it was pointed down at me. Maybe it was God’s finger pointing, maybe it was God saying Look At This Woman. She’s Got A Soul Because I Gave It To Her. She’s Not Dead Yet Even If Some People Look Right Through Her As If She Was. She’s One Of My Living Souls.
Gina Berriault (Stolen Pleasures: Selected Stories of Gina Berriault)
Were the housing estates of boom-time Ireland lousy with Lexapro? In the quiet of a weekday morning, was there an underground sea of silent desperation? ‘Motherhood is the making of you,’ is how you are supposed to feel, but what if it turns out to be the breaking of you? How many women go without help, ashamed to say it? How many mothers stick a pill on their tongues every morning and hope for the best, like Martha?
Aidan Comerford (Corn Flakes For Dinner: A Heartbreaking Comedy About Family Life)
Saying good-bye to someone you loved always hurt.
Catherine Bybee (Single by Saturday (The Weekday Brides, #4))
Williams is the classic ballplayer of the game on a hot August weekday, before a small crowd, when the only thing at stake is the tissue-thin difference between a thing done well and a thing done ill. Baseball is a game of the long season, of relentless and gradual averaging-out. Irrelevance—since the reference point of most individual games is remote and statistical—always threatens its interest, which can be maintained not by the occasional heroics that sportswriters feed upon but by players who always care; who care, that is to say, about themselves and their art.
David Remnick (The Only Game in Town: Sportswriting from The New Yorker)
intricately patterned. There is nothing rustic here. Only when she looks at the paintings does Elizabeth remember the dark approach through the forest. These are outdoor paintings, trees and wild cliffs, huge sunsets. Elizabeth sits with Nina on a divan before a cluster of Bierstadts. Deep trees and cerebral winter skies. The museum is nearly empty this weekday morning. The elaborate gallery still. Elizabeth looks intently at the winter landscapes. And as she looks, she whispers to Nina, “It’s marvelous, just sitting here while the girls are at camp.” Nina looks at the floor. Renée is working as a junior counselor at the camp. It was Nina’s idea. She thought the job with the Lamkins would be good for her daughter, that it would teach her responsibility and how to care for children. But Renée made a fuss. Nina had to threaten and cajole and, in the end, force Renée to go. There were tears and threats up to the day she started. Even now, Renée is sulking about working there with the little children. “Renée doesn’t like the camp,” Nina says. “I think she’d rather waste her time wandering around, doing nothing, playing with that Arab girl. Andras doesn’t care. I hear the father owns a trucking business—he just drives trucks from New York to Montreal—” She breaks off, frustrated. “She’s a good child, really,” Elizabeth says. “But Andras spoils her,” says Nina. Then Elizabeth sees that Nina is really upset. There are tears in Nina’s eyes. It’s hard for her to speak. Elizabeth sees it, and doesn’t know what to do. They are close neighbors, but they are not intimate friends. Beautiful Nina in her crisp dress, downcast among all these paintings. “He’s very … indulgent of the children, both of them,” Nina says. “He used to take them to the warehouse and let them pick out any toys they liked.” “At least he’s not in the candy business,” Elizabeth says. “Toys won’t rot their teeth.” “He’s going to let Renée quit piano,” Nina says bitterly, utterly serious, “and she’ll regret it all her life.” Elizabeth tries to look sympathetic. She’s heard Renée play. “And now that Renée is working at the Lamkins’ camp, she wants to quit that too.” “He wouldn’t let her do that,” Elizabeth ventures. “I
Allegra Goodman (Kaaterskill Falls: A Novel)
In these moments during Christmas Mass when we breathe the air of liturgy, the true colors of Christmas come out. This is what liturgy is meant to do. These songs we are singing, these symbols all around us, these prayers we say, these believing people we are with, all express the heart of Christmas . . . That God would love us so, that God would want to be loved so by us (for who could not love this baby), that God would rescue us from our worst, or the worst that others have done to us . . .’ – Bishop Ken Untener
Ken Untener (Little Blue Book Advent and Christmas Seasons 2017-2018: Six-minute reflections on the Advent/Christmas season Weekday Gospel)
It’s vital to uncover the difference between our “professed” images of God—the things we say we believe about him—and our “default” pictures of God—the ideas we hold deep down, perhaps unaware, that are profoundly shaping us.
Renovare (The Reservoir: A 15-Month Weekday Devotional for Individuals and Groups)
FORTY-EIGHT She is almost fifteen when her father shows his true colors. It is the garage again. This time she is looking for empty plastic soda bottles for a school project. The recycling bin will have plenty. It is mid-afternoon on a weekday. Her school dismissed early due to a bomb threat that turned out to be nothing more than rumors. All of her friends went out to lunch, but Pea is home. She hasn’t felt like doing much of anything since The Day Her World Shattered. Her father is up her ass about school on a daily basis though, so she decides to get an early start on her project. This time, it’s not a gaggle of men that she sees. Instead it is only her father. He stands over his handiwork, chest heaving, a look of bloodlust and absolute satiation on his face that sends Pea’s stomach plummeting. Before she can turn away, he sees her. He smiles. A voice in her mind tells her to run but where would she go? This is it. This is what she has in life. This is her life. She can run, but this man will always be her father. She hears something dripping, sees her father turn toward her, hands at his sides. He says, “I had to, Pea.
Lisa Regan (Local Girl Missing (Detective Josie Quinn, #15))