Weed Rhymes Quotes

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Thou still unravish’d bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring’d legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear’d, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy’d, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy’d, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead’st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e’er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say’st, “Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.
John Keats (Ode On A Grecian Urn And Other Poems)
Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
The mistake made by the more refined among them [among the modern historians of morality] is that they uncover and criticize the perhaps foolish opinions of a people about morality, or of humanity about all human morality—opinions about its origin, religious sanction, the superstition of free will, and things of that sort—and then suppose that they have criticized the morality itself. But the value of a command, “thou shalt” is still fundamentally different from and independent of such opinions about it and the weeds of error that may have overgrown it—just as certainly as the value of a medication for a sick person is completely independent of whether he thinks about medicine scientifically or the way old women do. Even if a morality has grown out of an error, the realization of this fact would not as much as touch the problem of its value.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
There is little to be learned from those historians of morality (especially Englishmen): The usual error in their premises is their insistence on a certain consensus among human beings, at least among civilised human beings, with regard to certain propositions of morality, from thence they conclude that these propositions are absolutely binding even upon you and me; or reversely, they come to the conclusion that no morality is binding, after the truth has dawned upon them that among different peoples moral valuations are necessarily different: both of which conclusions are equally childish follies. The error of the more subtle amongst them is that they discover and criticise the probably foolish opinions of a people about its own morality, or the opinions of mankind about human morality generally (they treat accordingly of its origin, its religious sanctions, the superstition of free will, and such matters), and they think that just by so doing they have criticised the morality itself. But the worth of a precept, "Thou shalt," is fundamentally different from and independent of such opinions about it, and must be distinguished from the weeds of error with which it has perhaps been overgrown: just as the worth of a medicine to a sick person is altogether independent of the question whether he has a scientific opinion about medicine, or merely thinks about it as an old wife would do.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
There is little to be learned from those historians of morality (especially Englishmen): The usual error in their premises is their insistence on a certain consensus among human beings, at least among civilised human beings, with regard to certain propositions of morality, from thence they conclude that these propositions are absolutely binding even upon you and me; or reversely, they come to the conclusion that no morality is binding, after the truth has dawned upon them that among different peoples moral valuations are necessarily different: both of which conclusions are equally childish follies. The error of the more subtle amongst them is that they discover and criticise the probably foolish opinions of a people about its own morality, or the opinions of mankind about human morality generally (they treat accordingly of its origin, its religious sanctions, the superstition of free will, and such matters), and they think that just by so doing they have criticised the morality itself. But the worth of a precept, "Thou shalt," is fundamentally different from and independent of such opinions about it, and must be distinguished from the weeds of error with which it has perhaps been overgrown: just as the worth of a medicine to a sick person is altogether independent of the question whether he has a scientific opinion about medicine, or merely thinks about it as an old wife would do. A morality could even have grown out of an error: but with this knowledge the problem of its worth would not even be touched. - Thus, no one hitherto has tested the value of that most celebrated of all medicines, called morality: for which purpose it is first of all necessary for one to call it in question. Well, that is just our work.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm. “Where are you going?” “Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.” Lillian stared. “I beg your pardon?” “This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.” “I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.” “Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?” “I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.” She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away. “Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors. He looked distracted. “Where’s Lillian?’ Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.” “Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!” “The good news is the grown-ups are distracted by politics,” said Kami. You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it. Kami grinned. “Why quibble when we have the results we want!” I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk. “See, the thing is, if I ran a business it would probably be called Risky Business,
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Children grow like weeds, but they're flowers all the while.
Shane Windham (Seven Weeks of Days: A Rhyming Haiku Cluster)
But I wouldn’t be here now,” said Mrs. Wiggins. “I’d rather be a cow. Oh, dear,” she said, “Every time I get a little excited the rhyming comes on again. I guess I’d better go lie down.
Walter Rollin Brooks (Freddy's Cousin Weedly (Freddy the Pig))
Wayne got weird.8 He grew out his dreads and covered his body with goonish tattoos. He smoked weed like it was his job and developed an addiction to codeine-based cough syrup. His voice became screwed up and froggy. His production turned psychedelic. In 2003, he’d been a skinny, unexceptional adolescent delivering basic-sounding rhymes over basic-sounding beats. By 2005, he had transformed himself into The Illustrated Man, and his auto-tuned music sounded like garbled transmissions from outer space.
Stephen Witt (How Music Got Free)