Wee We We Quotes

We've searched our database for all the quotes and captions related to Wee We We. Here they are! All 100 of them:

We did it, we bashed them wee Potter's the one, and Voldy's gone moldy, so now let's have fun!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I can see we're going to get along like a house on fire," said Miss Tick. "There may be no survivors.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Witches are naturally nosy,” said Miss Tick, standing up. “Well, I must go. I hope we shall meet again. I will give you some free advice, though.” “Will it cost me anything?” “What? I just said it was free!” said Miss Tick. “Yes, but my father said that free advice often turns out to be expensive,” said Tiffany. Miss Tick sniffed. “You could say this advice is priceless,” she said, “Are you listening?” “Yes,” said Tiffany. “Good. Now...if you trust in yourself...” “Yes?” “...and believe in your dreams...” “Yes?” “...and follow your star...” Miss Tick went on. “Yes?” “...you’ll still be beaten by people who spent their time working hard and learning things and weren’t so lazy. Goodbye.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Whut's the plan, Rob?" said one of them. "Okay, lads, this is what we'll do. As soon as we see somethin', we'll attack it. Right?" This caused a cheer. "Ach, 'tis a good plan," said Daft Wullie.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
We want you gone. Your presence is obviously upsetting for her." "Oh, aye, the poor, wee lass -- who tossed me like a skipping stone.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Nac Mac Feegle! The Wee Free Men! Nae king! Nae quin! Nae laird! Nae master! We willna' be fooled again!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
We sleepwalk through our lives, because how could we live if we were always this awake?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
I'll never be like this again . . . I'll never again feel as tall as the sky and as old as the hills and as strong as the sea. I've been given something for a while, and the price of it is that I have to give it back. And the reward is giving it back, too. No human could live like this. You could spend a day looking at a flower to see how wonderful it is, and that wouldn't get the milking done. No wonder we dream our way through our lives. To be awake, and see it all as it really is...no one could stand that for long.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
That, lad," he said proudly, "was some of the worst poetry I have heard for a long time. It was offensive to the ear and a torrrture to the soul....We'll make a gonnagle out of ye yet!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
one of my favorites: Robby gave her a skeptical look. "Ye're an angel of death. No offense, but I would call that a wee bit of harm." "We're called Deliverers, actually. And we're not supposed to take someone before their time." "How does that work?" Gregori lifted his camera, focusing on her. "I mean do you just go down a line, saying, 'Eenie meenie mynie moe, sorry, dude you gotta go'?
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
We are as gods to beasts of the field. We order the time of their birth and the time of their death. Between times, we have a duty.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Itt iss Eevill…" "What is going to happen?" "Wee wwill cconnttinnue tto ffightt!"… "And we’re not alone, you know, children," came Mrs.Whatsit, the comforter. "…some of the best fighters have come from your own planet…" "Who have our fighters been?" Calvin asked. "Oh, you must know them, dear," Mrs.Whatsit said. Mrs.Who’s spectacles shone out at them triumphantly. "And the light shineth in the darkness; and the darkness comprehended it not.
Madeleine L'Engle (A Wrinkle in Time: With Related Readings (A Wrinkle in Time Quintet #1))
Ye ken, we've been robbin' and running aroound on all kinds o' worlds for a lang time, and I'll tell ye this: The universe is a lot more comp-li-cated than it looks from the ooutside.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
And what do you really do?" asked Tiffany. The thin witch hesitated for a moment, and then: "We look to ... the edges," said Mistress Weatherwax. "There's a lot of edges, more than people know. Between life and death, this world and the next, night and day, right and wrong ... an' they need watchin'. We watch 'em, we guard the sum of things. And we never ask for any reward. That's important.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
 “Well, Mr. George, I’d say that’s a long way up for us to be worried about a wee 30 feet from away down here?... I say we grant the man his error. The sky will not be scratched, and I assure you, pigeons won’t roost that high! These are things that happen...
Tom Baldwin (Macom Farm)
We cannae just rush in, ye ken." "Point o' order, Big Man. Ye can just rush in. We always just rush in." "Aye, Big Yan, point well made. But ye gotta know where ye're just gonna rush in. Ye cannae just rush in anywhere. It looks bad, havin' to rush oout again straight awa'.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Not only was Miss Cribbe bearded, and always trying to get chummy with us like we we're her real children or something, but she had a disgusting incontinent springer spaniel called Misty, who was constantly sneaking in to the dorms and weeing on our duvets
Tyne O'Connell (Pulling Princes (Calypso Chronicles, #1))
Johnny wis a junky as well as a dealer. Ye hud tae go a wee bit further up the ladder before ye found a dealer whae didnae use. We called Johnny ‘Mother Superior’ because ay the length ay time he’d hud his habit.
Irvine Welsh (Trainspotting (Mark Renton #2))
Now I know that without mirrors we are different, we're not really the same...Maybe they had noticed us looking worriedly at other people's faces, as if we wee trying to see in them what we had become
J.M.G. Le Clézio
Ma best mate is possibly Tommy. Cares aboot things, aboot people; maybe just a wee bit too much for the kind ay world we're compelled tae live in.
Irvine Welsh (Skagboys (Mark Renton, #1))
We always ken where we are! It’s just sometimes mebbe we aren’t sure where everything else is, but it’s no’ our fault if everything else gets lost! The Nac Mac Feegle are never lost!
Terry Pratchett (The Wee Free Men (Discworld, #30))
Highway: Just because we're holding hands doesn't mean we'll be taking warm showers together until the wee hours of the morning." Sgt Gunnery Highway to Stitch Jones in Heartbreak Ridge
Clint Eastwood (Heartbreak Ridge)
[M]ost people go through life a wee bit disappointed in themselves. I think we all keep a memory of a moment when we missed someone or something, when we could have gone down another path, a happier or better or just a different path. Just because they're in the past doesn't mean you can't treasure the possibilities ... maybe we put down a marker for another time. And now's the time. Now we can do whatever we want to do.
James Robertson (And the Land Lay Still)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
We're both looking at the same moon, in the same world. We'e connected to reality by the same line. All I have to do is quietly draw it toward me.
Haruki Murakami (Sputnik Sweetheart)
Nick let loose an evil laugh. "It ended early. Stone cracked the coach's wee-belows with a badly thrown ball. I'm sure we'll all be running laps for hours tomorrow. But today... Coach had to go ice himself." Bubba and Mark sucked their breaths in sharply. "That'll ruin his weekend." "Yeah, and then some," Caleb added.
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation...
Betty Smith (Joy in the Morning)
I notice he doesn't have his meteorite bag and see out the window it's probably going to pour any minute, but wee need to et out of here. Immediately. "We're going to search for meteorites," I say, like that's what most people do on winter mornings. I never really told either of them too much about last summer, which is reflected in both of their flummoxed faces. But who freaking cares? Not us. In a flash, we're through the door, across the street and into the woods, running for no reason and laughing for no reason and totally out of breath and out of our minds when Brian catches me by my shirt, whips me around, and with one strong hand flat against my chest, he pushes me against a tree and kisses me so hard I go blind.
Jandy Nelson (I'll Give You the Sun)
Tell the wee hag who we are, lads,” said the helmet twiddler. There was the scrape of many small swords being drawn and thrust into the air. “Nac Mac Feegle! The Wee Free Men! Nae king! Nae quin! Nae laird! Nae master! We willna be fooled again!
Terry Pratchett (The Wee Free Men (Discworld, #30))
You're a model? Never would have guessed," Jonah said in a lazy, teasing voice that caused Hamilton's head to swivel. He'd never seen Jonah flirt before. The girl tilted her head. The glossy hair spilled down one bare shoulder. "Un moment...you look familiar." Jonah grinned. "Yeah?" "'Ave we met? Are you an 'airdresser?" "A hairdresser?" Jonah choked out. "Guys, we'd better get going," Hamilton said. "The name is Jonah," Jonah said, pronuncing his name carefully. He waited for a sign of recognition. "Nicole." "Jonah Wizard." Nicole squinted at him. "You are a wee-zhard? Like the Harry Potter, non?" "I'm Hamilton," Hamilton said, even though nobody asked.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
_I_ boil it." Joseph entered last, closing the door behind them. "Last time, you burnt it." Connor glared at Joseph. "We were attacked! What would you have me tell the Abenaki? 'I cannae fight just now. I'm makin' candy. Would you like a wee taste?
Pamela Clare (Defiant (MacKinnon's Rangers, #3))
Or, if you want to go just a wee bit deeper, we could talk about the nature of freedom itself. Does freedom mean that you are allowed to do whatever you want to do? Or we could talk about all the limiting influences in your life that actively work against your freedom. Your family genetic heritage, your specific DNA, your metabolic uniqueness, the quantum stuff that is going on at a subatomic level where only I am the always-present observer. Or the intrusion of your soul's sickness that inhibits and binds you, or the social influences around you, or the habits that have created synaptic bonds and pathways in your brain. And then there's advertising, propaganda, and paradigms. Inside that confluences of multifaceted inhibitors," she sighed, "what is freedom really?
William Paul Young (The Shack)
Come and let us live my Deare, Let us love and never feare, What the sowrest Fathers say: Brightest Sol that dies to day Lives againe as blithe to morrow, But if we darke sons of sorrow Set; o then, how long a Night Shuts the Eyes of our short light! Then let amorous kisses dwell On our lips, begin and tell A Thousand, and a Hundred, score An Hundred, and a Thousand more, Till another Thousand smother That, and that wipe of another. Thus at last when we have numbred Many a Thousand, many a Hundred; Wee’l confound the reckoning quite, And lose our selves in wild delight: While our joyes so multiply, As shall mocke the envious eye.
Richard Crashaw
We moesten geduld hebben, hield ik mezelf voor. We moesten geduld hebben en doorstaan wat op ons afkwam. Het had geen zin om weg te lopen voor de pijn, we konden nergens heen. En als het ons te veel werd, moesten we onzichtbaar zijn.
Murat Isik (Wees onzichtbaar)
Healing occurs in the present, not the past.  We're not held back by the love we didn't receive in the past, but by the love we'e not giving in the present.  There's a lot of talk today about people growing up in dysfunctional homes, but who didn't grow up in a dysfunctional home?  This world is a dysfunction.  However, there's nothing we've been through or seen or done that cannot be used to make our lives more valuable now.  We can grow from any experience, and we can transcend any experience.
Marianne Williamson (A Return to Love: Reflections on the Principles of "A Course in Miracles")
I know it's to hang out, talking into the wee hours, being "just friends," but ladies, ladies; we just don't work that way. We bond through words. For the female mind, these late night are like verbal make-out sessions.
Amy E. Spiegel (Letting Go of Perfect: Women, Expectations, and Authenticity)
So what are you two doing here this early anyway?" Bubba asked, changing the subject. "Don't you have football practise?" Nick let loose an evil laugh. "It ended early. Stone cracked the coach's wee-belows with a badly thrown ball. I'm sure we'll all be running laps for hours tomorrow. But today... Coach had to go ice himself." Bubba and Mark sucked their breaths in sharply. "That'll ruin his weekend." "Yeah, and then some," Caleb added.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Crivens!’ ‘Oh no, not them,’ said the Queen, throwing up her hands. It wasn’t just the Nac Mac Feegles, but also Wentworth, a strong smell of seaweed, a lot of water and a dead shark. They appeared in mid-air and landed in a heap between Tiffany and the Queen. But a pictsie was always ready for a fight, and they bounced, rolled and came up drawing their swords and shaking sea water out of their hair. ‘Oh, ‘tis you, izzut?’ said Rob Anybody, glaring up at the Queen. ‘Face to face wi’ ye at last, ye bloustie ol’ callyack that ye are! Ye canna’ come here, unnerstand? Be off wi’ ye! Are ye goin’ to go quietly?’ The Queen stamped heavily on him. When she took her foot away, only the top of his head was visible above the turf. ‘Well, are ye?’ he said, pulling himself out as if nothing had happened. ‘I don’t wantae havtae lose my temper wi’ ye! An’ it’s no good sendin’ your pets against us, ‘cos you ken we can take ‘em tae the cleaners!’ He turned to Tiffany, who hadn’t moved. ‘You just leave this tae us, Kelda. Us an’ the Quin, we go way back!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Aren’t you afraid, Renuka?’ he asked in the wee hours of the morning looking deep into her eyes. ‘Afraid of what?’ ‘Afraid of ghosts? Afraid of death?’ ‘Death is a certainty that will come to all of us one day. So why to be afraid of something that we cannot avoid? We do not remember our birth, so we won’t remember our death as well. I am, instead, scared of more real threats, real people, and their real feelings.
Debajani Mohanty (The Curse of Damini)
Her head was full of thoughts. She managed to walk a little way and then sat down, hugging her knees. Imagine getting stuck like this, she thought. You'd have to wear earplugs and noseplugs and a big black hood over your head, and still you'd see and hear too much... She closed her eyes, and closed her eyes again. She felt it all draining away. It was like falling asleep, sliding from that strange wide-awakeness into just normal, everyday... well, being awake. It felt as if everything was blurred and muffled. This is how we always feel. she thought. We sleepwalk through our lives, because how could we live if we were always this awake?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
It was just a coat, I know, but I held onto it for so long. I’m not even sure why I kept it. It was with me every day. It kept me warm and dry, and billowed behind me as I rode my bike across the lot in the wee hours of the night. I can’t help feeling a little sad it’s gone. [But], the coat has served its purpose. The sun is blazing, and I don’t need it to keep me warm anymore. Rather than mourn the loss of my jacket, I will be thankful for the time we had together. I thank it for all it did for me, and then I let it go.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
Mister Rob Anybody and sundry others?" said one of the figures in a dreadful voice. "There's naebody here o' that name!" shouted Rob Anybody. "We dinna know anythin'!" "We have here a list of criminal and civil charges totaling nineteen thousand, seven hundred and sixty-three separate offenses-" "We wasna there!" yelled Rob Anybody desperately. "Isn't that right, lads?" "-including more than two thousand cases of Making an Affray, Causing a Public Nuisance, Being Found Drunk, Being Found Very Drunk, Using Offensive Language (taking into account ninety-seven cases of Using Language That Was Probably Offensive If Anyone Else Could Understand It), Committing a Breach of the Peace, Malicious Lingering-" "It's mistaken identity!" shouted Rob Anybody. "It's no' oour fault! We wuz only standing there an' someone else did it and ran awa'!" "-Grand Theft, Petty Theft, Burglary, Housebreaking, Loitering with Intent to Commit a Felony-" "We wuz misunderstood when we was wee bairns!" yelled Rob Anybody. "Ye're only picking on us 'cause we're blue! We always get blamed for everythin'! The polis hate us! We wasna even in the country!
Terry Pratchett
Here comes Mamma Vauquerr, fair as a starrr; and strung up like a bunch of carrots. Aren't we suffocating ourselves a wee bit?' he asked, placing a hand on the top of her corset. 'A bit of a crush in the vestibule, here, Mamma! If we start crying, there'll be an explosion. Never mind, I'll be there to collect the bits--just like an antiquary.' 'Now, there's the language of true French gallantry,' murmured Madame Vauquer in an aside to Madame Couture.
Honoré de Balzac (Père Goriot)
A long time ago, when you were a wee thing, you learned something, some way to cope, something that, if you did it, would help you survive. It wasn't the healthiest thing, it wasn't gonna get you free, but it was gonna keep you alive. You learned it, at five or six, and it worked, it *did* help you survive. You carried it with you all your life, used it whenever you needed it. It got you out--out of your assbackwards town, away from an abuser, out of range of your mother's un-love. Or whatever. It worked for you. You're still here now partly because of this thing that you learned. The thing is, though, at some point you stopped needing it. At some point, you got far enough away, surrounded yourself with people who love you. You survived. And because you survived, you now had a shot at more than just staying alive. You had a shot now at getting free. But that thing that you learned when you were five was not then and is not now designed to help you be free. It is designed only to help you survive. And, in fact, it keeps you from being free. You need to figure out what this thing is and work your ass off to un-learn it. Because the things we learn to do to survive at all costs are not the things that will help us get FREE. Getting free is a whole different journey altogether.
Mia McKenzie (The Summer We Got Free)
We’re not dictated by the calendar, nor does the calendar sweep the obstructions from our lives when the second hand reaches midnight in the wee and fleeting hours of December. We can choose to move toward something new at any time.
Craig D. Lounsbrough
TEACHER Next. I am afraid -- STUDENT I em afred -- TEACHER We are out -- STUDENT Wee are out -- TEACHER Of badgers. STUDENT Of badjurs. TEACHER Would you accept -- STUDENT Wud you accept -- TEACHER A wolverine -- STUDENT A wolver-eene -- TEACHER In its place?
Michael O'Donoghue
When we are young we cannot know what it is like to bigger grow but why do grown-ups great and tall so soon forget they once were small.
Marta Moran Bishop (Wee Three: A Mother's Love in Verse)
How do you think the world popped into existence? - I'd say wee we are at least five Albert Einsteins away from answering this question.
Martin Amis
When did your childhood end? How badly did you get hurt, when you did, when you were this little wee little hurtable thing, nothing but big eyes, a heart, a few hundred words? Isn’t it wonderful how we never recover? Injuries and wounds, ladies and gents. Slights and abuses, oh, what a paradise. Living in fear, suiting the hurt to our need. What a happy life. What a good game. Who can stand the most, the most life, and still smile, still grin into the coming night and say more, more, encore, encore, you fuckers, you fates, just give me more of the bloody bloody same.
Will Eno (Thom Pain (based on nothing))
The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy.
J.D. Salinger (The Catcher in the Rye)
Internal bleeding?" "Indeed," she said, gesturing to a bag of light red fluid. "You pee blood as we speak." I felt down to my nether regions and blushed. There was a tube in my wee-wee. Rei smiled gleefully.
B. Justin Shier (Zero Sight (Zero Sight, #1))
Have ye no good points?” said Wee Mad Arthur desperately. Rob Anybody looked puzzled. “We kind of thought them is our good points, but if you want to get picky, we never steal from them as has nae money, we has hearts of gold, although maybe—okay, mostly—somebody else’s gold, and we did invent the deep-fried stoat. That must count for something.” “How is that a good point?” said Arthur. “Weel, it saves some other poor devil having tae do it. It’s what ye might call a taste explosion; ye take a mouthful, taste it, and then there is an explosion.” Despite himself, Wee Mad Arthur was grinning. “Have you boys got no shame?” Rob Anybody matched him grin for grin. “I couldna say,” he replied, “but if we have, it probably belonged tae somebody else.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38))
The English make bonny speeches, but they run to an awful wee man. And the Kerrs . . . there’s something unchancy about a left-handed race.’ ‘I’m right-handed,’ offered Will Scott. ‘Aye.’ ‘And six foot three in my hose.’ ‘Uh-huh. I didna say I wanted to run up a beanpole. Nor have I heard hide nor hair of a speech, bonny or otherwise.’ ‘I’m saving it,’ he said austerely, ‘till I’ve the theme for it.’ ‘Oh!’ said Grizel Beaton (Younger) of Buccleuch, with a squeal of delight. ‘Will Scott! Are we having our first married set-to?
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
We did it, we bashed them, wee Potter’s the one, And Voldy’s gone moldy, so now let’s have fun! “Really gives a feeling for the scope and tragedy of the thing, doesn’t it?” said Ron, pushing open a door to let Harry and Hermione through.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
You could read the Nac Mac Feegle like a book. And it would be a big, simple book with pictures of Spot the Dog and a Big Red Ball and one or two short sentences on each page. What they were thinking turned up right there on their faces, and now they were all wearing a look that said: Crivens, I hope she disna ask us the question we dinna want tae answer. . . .
Terry Pratchett (The Wee Free Men (Discworld, #30))
I do have old-fashioned, inflexible ideas about gender roles. But trust me when I say that they’re all to your benefit. Now, will you let me open the door to the bloody bookshop for you, or will your wee feminist ego insist we arm wrestle over it?
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
Uh-oh," Moni sang, and nodded her head in Chantal's direction. "I think someone's a wee bit upset with us." She turned and walked a few steps backward. "Careful," I said. "We're not out of range." "Have no fear, Super Brain is here." Moni whipped out her calculator, holding it up like a shield. "What are you going to do, daze her with denominators?" "Maybe. But first I'm going to pummel her with my Pythagorean theorem.
Charity Tahmaseb (The Geek Girl's Guide to Cheerleading)
Existence is basically a kind of dancing or music--an immensely complex energy pattern which needs no explanation other than itself--just as wee do not ask what is the meaning of fugues by Bach or sonatas by Mozart. We do not dance to reach a certain point on the floor, but simply to dance. Energy itself, as William Blake said, is eternal delight--and all life is to be lived in the spirit of rapt absorption in an arabesque of rhythms.
Alan Watts
The danger of growing old is growing comfortable and complacent at the same time. We should seek out the new and strange and applaud it and throw wild fecking parties whenever it walks into our lives. We should be building roads in and out of our own wee heads rather than erecting walls around them.
Kevin Hearne (Scourged (The Iron Druid Chronicles, #10))
When we are working with intention, we toil away endlessly—often through the wee hours of the morning—on projects we care about deeply. Whether it’s building an intricate model of an ancient ship, writing a song, or mapping out an idea for your first business, you do it out of genuine interest and love.
Jocelyn K. Glei (Maximize Your Potential: Grow Your Expertise, Take Bold Risks & Build an Incredible Career (99U Book 2))
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
We should be building roads in and out of our own wee heads rather than erecting walls around them.
Kevin Hearne (Scourged (The Iron Druid Chronicles, #10))
Those there English gerrrrunts are trampling o’er ma God-gi’en rrraights! Theeve used me an’ ma pals morst direly an’ we’re inneed of a wee assistance
David Mitchell (Cloud Atlas)
You’re not a tagalong,” she says. “You’re a we-girl.” “Like a wee lass?” I ask. “No, like, We love that restaurant
Emily Henry (Funny Story)
All right. We’ll find you something,” Gage says, finally relenting. “Any preferences? War hammer? Battle axe?” “Be serious.” He laughs. “Wee little dagger it is.
Shari L. Tapscott (Forest of Firelight (The Riven Kingdoms, #1))
You’re going to turn into somebody like Miss Tick, said her Second Thoughts. Do you really want that? “Yes,” said a voice, and Tiffany realized that it was hers again. The anger rose up, joyfully. “Yes! I’m me! I am careful and logical and I look up things I don’t understand! When I hear people use the wrong words, I get edgy! I am good with cheese. I read books fast! I think! And I always have a piece of string! That’s the kind of person I am!” She stopped. Even Wentworth was staring at her now. He blinked. “Big water cow gone,” he suggested meekly. “That’s right! Good boy!” said Tiffany. “When we get home, you can have one sweet!” She
Terry Pratchett (The Wee Free Men (Discworld, #30))
Ah have been lonely fur years now. Lonely long afore ma wife died. Don't get us wrong. She was a guid wummin, a guid wummin just like our Colleen, but we were jist stuck in our wee routine. When ye think about it, ah've been under the ground most of ma life. There wasn't much in me for sharing at the end of a day. After twenty years, what do you talk about? But she was a guid wummin. She used to make me these big hot dinners, with meat and gravy, the plate scalding hot cos she'd warm it up all day in the oven. We ate big hot dinners because we had nothing left to say. Nothing worthwhile anyway. Ah'm forty-three. That's four years older than when ma father died, so I should've been done. I should've been retiring from the pits, living the rest of ma days out with her and with nothing to say. When I saw ye I wasn't looking. I didn't know of you then, hadn't heard our Colleen lift your name. That's wummin's stuff, isn't it? They don't talk to the men about that. Gossip. Telling tales. Chapel. That's their club. All I know is when I saw you sat behind that glass, I saw someone lonely too, and I hoped we might have something to say to each other. I realised then. Ah don't want to be done.
Douglas Stuart (Shuggie Bain)
wee carry with us the wonders we seeke without us: There is all Africa and her prodigies in us; we are that bold and adventurous piece of nature, which he that studies wisely learnes in a compendium, what others labour at in a divided piece and endlesse volume.
Thomas Browne (The Prose of Sir Thomas Browne)
We want strangeness in our stories, but we want familiarity, too. We want a new novel to be not quite like anything we've read before. At the same time, wee look for it to be sufficiently like other things we've read so that we can use those to make sense of it.
Thomas C. Foster (How to Read Literature Like a Professor)
And consequently, when wee Believe that the Scriptures are the word of God, having no immediate revelation from God himselfe, our Beleefe, Faith, and Trust is in the Chruch; whose word we take, and acquiesce therein. ... If Livy say the Gods made once a cow speak, and we believe it not; wee distrust not God therein, but Livey. So that it is evident, that whatever we believe, upon no other reason, then what is drawn from authority of men onely, and their writings; whether they be sent from God or not, is Faith in men onely.
Thomas Hobbes
You wish to take me on a tour?” Katie didn’t mean to become attached to the place, but finding a few reasons to like the town would be nice. “A small tour,” Tavish said. “And maybe a wee bit of gazing into each other’s eyes and whispering sweet nothings.” She skewered him with a look of scolding rebuke, one he couldn’t possibly mistake for encouragement. “Absolutely not.” He didn’t look the least surprised. Indeed, he looked even more amused than before. “Perhaps we’ll just keep to the tour for now,” he said. “What say you?
Sarah M. Eden (Longing for Home)
This is Glesca.... Any time you're confused, take a wee minute to remind yourself of that inescapable fact: this is Glesca. We don't do subtle, we don't do nuanced, we don't do conspiracy. We do pish-heid bampot bludgeoning his girlfriend to death in a fit of paranoid rage induced by forty-eight hours straight on the batter. We do coked-up neds jumping on a guy's heid outside a nightclub because he looked at them funny. We do drug-dealing gangster rockets shooting other drug-dealing gangster rockets as comeback for something almost identical a fortnight ago. We do bam-on-bam. We do tit-for-tat, score-settling, feuds, jealousy, petty revenge. We do straightforward. We do obvious. We do cannaemisswhodunit. When you hear hoofbeats on Sauchiehall Street, it's gaunny be a horse, no' a zebra...'.
Christopher Brookmyre (Where the Bodies Are Buried (Jasmine Sharp and Catherine McLeod, #1))
How're we gonna bring the big hag round?" said Big Yan. "I heard where ye has to put someone's heid between their legs," said Rob doubtfully. Daft Wullie sighed and drew his sword. "Sounds a wee bit drastic tae me," he said, "but if someone will help me hold her steady-
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Op een dag - ik was een jaar of negen - werd het mij allemaal duidelijk. 'Ik had nooit kinderen moeten nemen,' zei mijn vader terwijl hij naar het tafelblad staarde alsof het pas op dat moment tot hem doordrong, en we medelijden met hem moesten hebben. 'Harun, niet waar de kinderen bij zijn,' zei mijn moeder. 'Ze mogen het weten,' zei hij. 'Ze moeten weten dat ik anders ben.' Hij zweeg even en keek toen ineens trots op: 'Ik ben geen klassieke vader, ik ben een communist!' Ik keek hem onbewogen aan. En ik herinner me goed dat ik me niet gekwetst voelde. Voor het eerst voelde ik me niet gekwetst, want ik dacht: je hebt gelijk. Je hebt helemaal gelijk, baba. Dit zegt een vader niet tegen zijn kinderen. En alles daarom al had je geen kinderen moeten nemen. Alleen daarom al had je geen vader mogen worden. Alleen daarom al had je mijn vader niet mogen zijn.
Murat Isik (Wees onzichtbaar)
All flesh is grasse, is not onely metaphorically, but literally true, for all those creatures which we behold, are but the hearbs of the field, digested into flesh in them, or more remotely carnified in our selves. Nay further, we are what we all abhorre, Antropophagi and Cannibals, devourers not onely of men, but of our selves; and that not in an allegory, but a positive truth; for all this masse of flesh which wee behold, came in at our mouths: this frame wee look upon, hath beene upon our trenchers; In briefe, we have devoured our selves and yet do live and remaine our selves.
Thomas Browne (Urne Burial)
Some dreams are terrifying, but those are likely to fade with time. It is the sweetest dreams that stay with us, that make us long for things that perhaps we can never really achieve. For places we can never go, and for people—people we love that are now gone.” I shivered because it was true, because there were dreams I had cried over, dreams that had inevitably met their ends even though I wasn’t finished with them. Dreams like a tooth being torn from my gums, a raw, empty spot that I poked with my tongue, sore to the touch. Dreams I had wanted to turn inside out so that they were real and my reality only a dream.
Alyssa Wees (Nocturne)
Son of Heav'n and Earth, Attend: That thou art happy, owe to God, That thou continu'st such, owe to thyself, That is, to thy obedience; therein stand. This was that caution giv'n thee; be advis'd. God made thee perfect, not immutable; And good he made thee, but to persevere He left it in thy power, ordain'd thy will By nature free, not overrul'd by Fate Inextricable, or strict necessity; Our voluntary service he requires, Not our necessitated, such with him Finds no acceptance, nor can find, for how Can hearts, not free, be tri'd whether they serve Willing or no, who will but what they must By Destiny, and can no other choose? Myself and all th'Angelic Host that stand In sight of God enthron'd, our happy state Hold, as you yours, while our obedience holds; On other surety none; freely we serve, Because wee freely love, as in our will To love or not; in this we stand or fall: And some are fall'n, to disobedience fall'n, And so from Heav'n to deepest Hell; O fall From what high state of bliss into what woe! --Archangel Raphael to Adam, Paradise Lost Book V
John Milton (Paradise Lost and Paradise Regained)
Everywhere he looked he saw families reunited, and finally, he saw the two whose company he craved most. “It’s me,” he muttered, crouching down between them. “Will you come with me?” They stood up at once, and together he, Ron, and Hermione left the Great Hall. Great chunks were missing from the marble staircase, part of the balustrade gone, and rubble and bloodstains occurred every few steps as they climbed. Somewhere in the distance they could hear Peeves zooming through the corridors singing a victory song of his own composition: We did it, we bashed them, wee Potter’s the one, And Voldy’s gone moldy, so now let’s have fun! “Really gives a feeling for the scope and tragedy of the thing, doesn’t it?” said Ron, pushing open a door to let Harry and Hermione through.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
We were watching this procession. It was fucking terrible and the crucifix was about 20 feet high coming around the corner. And my wee grandson says, 'who's that?' I say, 'that's Jesus'. He says, 'BABY JESUS?!' I say, 'yeah, that's him'. He says, 'SOMEBODY KILLED BABY JESUS!' It was the most sincere religious cry. If Christians did that, I would believe them. 'WHAT? THE BASTARDS KILLED JESUS!
Billy Connolly
Let's worry like mad. Shall we start on a worldwide basis and work down to ourselves, or start with ourselves and spread?" "I'm going to do me-and-Peter and that dead man." "All right. I'm just going to do a wee one about Bunny and then I'll join you. Always creeping around telling tales and stealing people's tights! How can anyone be that scrofulous and live? Now if somebody bumped him off, that would make sense.
Pamela Branch (The Wooden Overcoat)
After my knighthood was announced, a woman from the BBC came to Glasgow to interview me. We sat down in a lovely hotel in a nice part of town, and she hit me with her first question: ‘This must mean a lot to you, with you coming from nothing?’ I looked at her, and I laughed. ‘I didnae come from nothing,’ I told her. ‘I come from something.’ I mean, I have never hidden that I come from humble stock. I grew up in the tenements of post-war Glasgow. In fact, I used to specify exactly where, onstage: it was on a kitchen floor, ‘on the linoleum, three floors up’. The early years of my life were spent in grinding poverty … but it wasn’t nothing. It was something – something very important. There is this viewpoint that if you have come from the working class you have come from nothing, whereas the middle and upper classes are something,
Billy Connolly (Made in Scotland: My Grand Adventures in a Wee Country)
It wasn’t until I got to the law firm that things started hitting me. First, the people around me seemed pretty unhappy. You can go to any corporate law firm and see dozens of people whose satisfaction with their jobs is below average. The work was entirely uninspiring. We were for the most part grease on a wheel, helping shepherd transactions along; it was detail-intensive and often quite dull. Only years later did I realize what our economic purpose was: if a transaction was large enough, you had to pay a team of people to pore over documents into the wee hours to make sure nothing went wrong. I had zero attachment to my clients—not unusual, given that I was the last rung down on the ladder, and most of the time I only had a faint idea of who my clients were. Someone above me at the firm would give me a task, and I’d do it. I also kind of thought that being a corporate lawyer would help me with the ladies. Not so much, just so you know. It was true that I was getting paid a lot for a twenty-four-year-old with almost no experience. I made more than my father, who has a PhD in physics and had generated dozens of patents for IBM over the years. It seemed kind of ridiculous to me; what the heck had I done to deserve that kind of money? As you can tell, not a whole lot. That didn’t keep my colleagues from pitching a fit if the lawyers across the street were making one dollar more than we were. Most worrisome of all, my brain started to rewire itself after only the first few months. I was adapting. I started spotting issues in offering memoranda. My ten-thousand-yard unblinking document review stare got better and better. Holy cow, I thought—if I don’t leave soon, I’m going to become good at this and wind up doing it for a long time. My experience is a tiny data point in a much bigger problem.
Andrew Yang (Smart People Should Build Things: How to Restore Our Culture of Achievement, Build a Path for Entrepreneurs, and Create New Jobs in America)
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
Occasionally she’d stay over at my apartment after we’d talked until the wee hours, but there was never even the slightest hint of romance. Come 2:00 or 3:00 a.m. and she’d yawn, crawl into bed, sink her face into my pillow, and fall fast asleep. I’d spread out some bedding on the floor and lie down, but I wouldn’t be able to sleep, my mind full of fantasies, confused thoughts, self-loathing. Sometimes the inevitable physical reactions would cause me grief, and I’d lie awake in misery until dawn. It
Haruki Murakami (Sputnik Sweetheart)
Therefore, since we have been justified through faith, wec have peace with God through our Lord Jesus Christ, 2 through whom we have gained access by faith into this grace in which we now stand. And wed boast in the hope of the glory of God. 3 Not only so, but wee also glory in our sufferings, because we know that suffering produces perseverance; 4 perseverance, character; and character, hope. 5 And hope does not put us to shame, because God’s love has been poured out into our hearts through the Holy Spirit, who has been given to us.
Anonymous (The One Year Bible NIV)
Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop— Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.” Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—” “My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!” Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.” Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles. For god’s sake. I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—” “Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.” Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?” Derrick bursts into laughter. “Arse! Aileana. He said arse.” “Hell,” I mutter. “Will you excuse me for a moment?” I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—” “No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.” “I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight. “Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—” “Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?” He grins. “I would have been perfect in the theater, wouldn’t you say?” “Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
As regards the prohibition on the utterance of the fairy name by mortals, either that of the species as a whole, or of individuals, it his undoubtedly issued from sources exceedingly ancient. It is implicit in animistic belief that the name of a man or spirit is a vital part of the individual. In some remoter areas of the world a person's name is still regarded as being equally vital or important with his spirit or soul, and to know it and pronounce it presumes power over the person or spirit to whom it belongs. Supernatural beings in general are indeed exceedingly touchy upon the subject of their names being freely bandied about, and to this rule fairies are no exception. It is for this reason that the fays have bestowed upon them such alternative titles or sobriquets as 'the good neighbours,' or 'the wee folk.' 'We find,' says Wentz, 'that taboos of a religious and social character are as common in the living fairy-faith as exorcisms. The chief one is against naming the fairies.' 'Gin ye ca' me fairy / I'll wark ye muck Ie tarrie [trouble],' says an old Scottish rhyme which popular belief put into the mouths of the elves. 'The fairies,' remarks Robert Chambers, 'are said to have been exceedingly sensitive upon the subject of their popular appellations. They considered the term 'fairy' disreputable.
Lewis Spence (British Fairy Origins)
The Nurse's Song This mighty man of whom I sing, The greatest of them all, Was once a teeny little thing, Just eighteen inches tall. I knew him as a tiny tot, I nursed him on my knee. I used to sit him on the pot And wait for him to wee. I always washed between his toes, And cut his little nails. I brushed his hair and wiped his nose And weighed him on the scales. Through happy childhood days he strayed, As all nice children should. I smacked him when he disobeyed, And stopped when he was good. It soon began to dawn on me He wasn't very bright, Because when he was twenty-three He couldn't read or write. "What shall we do?" his parents sob. "The boy has got the vapors! He couldn't even get a job Delivering the papers!" "Ah-ha," I said, "this little clot Could be a politician." "Nanny," he cried, "Oh Nanny, what A super proposition!" "Okay," I said, "let's learn and note The art of politics. Let's teach you how to miss the boat And how to drop some bricks, And how to win the people's vote And lots of other tricks. Let's learn to make a speech a day Upon the T.V. screen, In which you never never say Exactly what you mean. And most important, by the way, In not to let your teeth decay, And keep your fingers clean." And now that I am eighty nine, It's too late to repent. The fault was mine the little swine Became the President.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
We dinna hear 'at the Saviour himsel' ever sae muckle as smiled," said he. "Weel, that wad hae been little wonner, wi' what he had upo' 'm. But I'm nae sure that he didna, for a' that. Fowk disna aye tell whan a body lauchs. I'm thinkin' gin ane o' the bairnies that he took upo' 's knee,-- an' he was ill-pleased wi' them 'at wad hae sheued them awa'-- gin ane o' them had hauden up his wee timmer horsie, wi' a broken leg, he wadna hae wrocht a miracle maybe, I daursay, but he wad hae smilet, or maybe lauchen a wee, and he wad hae men't the leg some gait or ither to please the bairnie. And gin 't had been me, I wad raither hae had the men'in o' 's twa han's, wi' a knife to help them maybe, nor twenty miracles upo' 't.
George MacDonald (Alec Forbes of Howglen by George Macdonald (World Cultural Heritage Library))
Adam took Ellie’s hand and brought it to his lips, his eyes closing as he pressed his mouth to her skin. When he opened them I saw tears shimmering there, and felt my throat close up. I watched Ellie’s breath catch as he tugged on her hand and pulled her into the kitchen with him to face Braden. All of sudden Adam looked a little sick. “I need to tell you something.” Braden crossed his arms over his chest, frowning as he took in the two of them standing close together. “Go on.” Adam closed his eyes briefly and then when he opened them I saw determination that I admired in the face of his bulldozer of a friend. “You’re like a brother. I would never do anything to hurt you. And I know I haven’t been what a brother would consider good material for his wee sister, but I love Ellie, Braden. I have for a long time now and I can’t not be with her. I’ve wasted too much time as it is.” Ellie and I held our breaths as the two best friends faced off. Braden’s eyes went to Ellie, his expression not giving anything away. God, he could be an intimidating a-hole when he wanted to be. “Do you love him?” Adam looked back at her and she squeezed his arm. With a small smile she turned to her brother. “Yes.” Braden shrugged and reached casually over to the kettle to turn it on. “About bloody time. You two were giving me a headache.” My mouth fell open along with Adam and Ellie’s. Not once the entire time we’d been dating did Braden let on that he knew what was going on with Adam and Ellie. That sneaky bastard.
Samantha Young (On Dublin Street (On Dublin Street, #1))
In the blackness of the midnight sleep world, immunized from the harsh glare of daytime reality, the active imagination of the soul dances in the mind of a dream weaver. Safely shrouded in the all-encompassing blanket of darkness supplied by nighttime sleep, our secret wishes speak to us by channeling the collective mythology of the primordial mind. During the wee hours of night, right before first light, we summon our personal muse to tell us in operatic fashion what it means to be human. If we listen carefully, our muse’s heart songs shares with us what it means to experience both the tragedy and comedy of life, and encourages us to unreservedly embrace in a moral manner the banality, brutality, beauty, and splendor of nature that occurs eternally in the cosmic world that swaddles us.
Kilroy J. Oldster (Dead Toad Scrolls)
One headline read: ‘West Ham supporters set light to a yacht.’ Now, if that boat was a yacht, then it probably only needed two paddles to row it. But if the headlines were exaggerated, the events of that night weren’t. Some nasty things happened that night. It was inevitable when you had a thousand young men down for a football match with nowhere to stay and nowhere open. [...] It was well into the wee hours before we at last found somewhere to crash out. We met a bird and bloke who were local, and for some unknown reason they offered us the use of their flat on the seafront. Needless to say, we showed our appreciation of their generosity by guzzling the spirits cabinet dry and trashing the flat. The bloke was so pissed he was half joining in while the bird, who we all thought was a bit odd, was going mental. In fact, she was like a fucking animal. - Jimmy Smith
Cass Pennant (Congratulations, You Have Just Met the I.C.F.)
Open All Night" (originally by Bruce Springsteen) I had the carburetor cleaned and checked With her line blown out, she's hummin' like a turbojet Propped her up in the backyard on concrete blocks For a new clutch plate and a new set of shocks Took her down to the carwash, check the plugs and points I'm goin' out tonight, I'm gonna rock that joint Early north Jersey industrial skyline I'm a all-set cobra jet creepin' through the nighttime Gotta find a gas station, gotta find a payphone This turnpike sure is spooky at night when you're all alone Gotta hit the gas, baby, I'm runnin' late This New Jersey in the mornin' like a lunar landscape The boss don't dig me, so he put me on the nightshift It takes me two hours to get back to where my baby lives In the wee wee hours, your mind gets hazy Radio relay towers, won't you lead me to my baby? Underneath the overpass, trooper hits his party light switch Goodnight, good luck, one two powershift I met Wanda when she was employed Behind the counter at the Route 60 Bob's Big Boy Fried chicken on the front seat, she's sittin' in my lap We're wipin' our fingers on a Texaco roadmap I remember Wanda up on scrap metal hill With them big brown eyes that make your heart stand still 5 A.M., oil pressure's sinkin' fast I make a pit stop, wipe the windshield, check the gas Gotta call my baby on the telephone Let her know that her daddy's comin' on home Sit tight, little mama, I'm comin' round I got three more hours, but I'm coverin' ground Your eyes get itchy in the wee wee hours Sun's just a red ball risin' over them refinery towers Radio's jammed up with gospel stations Lost souls callin' long distance salvation Hey Mr. DJ, won't you hear my last prayer? Hey ho rock 'n' roll, deliver me from nowhere Ryan Adams, Nebraska (2022)
Ryan Adams
Gods do not reckon time as men do." I believed that he believed what he was saying, but I also thought he was rationalizing. He'd have kicked the Spaniards' butts five hundred years ago if he'd been able to do it. Maybe it showed on my face because he said, "I was a new god then, and I did not have the strength to defeat our enemies, so the Quetzalcoatl brought me here to wait until I grew strong enough for our purpose. I am ready to lead my army forward now." "So you're saying that it took five hundred years for you to go from being a wee little god to a big bad god, the way soup needs to simmer for a really long time before it's soup?" He laughed. "You think very strangely. I am sad that you will be dead soon. I would make you the first of my concubines, and the mother of gods, for children born of you would be great sorcerers, but sadly, I have need of your life." We were back to killing me, and I didn't want to be there.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Raising both of her glowing palms, she beckoned him with wiggling fingers. “Come on, then. I’ll go another round. Though by now even an amoeba would’ve learned not to fuck with me.” Everyone grew still, silent. Then Cade started back down for her, redoubling his speed. “No, Cade, I’ve got this,” she said evenly, never looking away from Bowe. Meanwhile, Bowe had subtly pulled his head back, feeling as if he’d just been presented with a species of creature he had never seen. Then he caught Rydstrom’s look of amusement—the demon was obviously loving this—and he found himself . . . grinning. “Kitten’s quick to bear those claws, is she no’?” Rydstrom ruefully shook his head at Bowe, as if sorry for his unavoidable and imminent demise, then got everyone, including a reluctant Cade, moving again. As Bowe passed Mariketa, he leaned in close. Not bothering to hide his surprise, he murmured to her, “And damn if she does no’ have them sunk into me.” Her gray-eyed gaze was wary. He noted that she kept her palms fired up for some time after they continued on. Even after her blatant show of magick, he felt so proud she’d held her ground that he wanted to stand tall and point her out as his female. That’s my lass. Mine. But his heart was also thundering because he realized that in the heart of the full moon, when he was completely turned, she might not run from him. He still intended to get her away from him before this full moon, but for the future . . . Excitement burned within him, and he found himself closing in on her and saying, “You’re bonny when you’re about to strike.” “You would know.” “Come, then, sheath your claws, kitten. And we’ll be friends once more.” “We weren’t friends to begin with!” “You’re warming to me. I can tell.” “True. I only throw guys I dig. And don’t you dare call me kitten again!” “You look like one with your wee, pointed ears.” “Are you done?” “Canna say.” He was silent for a moment, then added, “Think you’re the bravest lass I’ve ever seen. Though I doona care for your using magick against me so readily. Do you enjoy it?” She seemed to mull this for a moment, then raised her brows. “I do. Besides, I think you need someone to threaten you now and again. To remind the great and powerful Lykae that you’re not so unbeatable.” “Aye, I do.” He clasped her hand in his. “Sign on.” She pulled out of his grasp. “I don’t do temp jobs. And that’s all you’re offering.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Here as a boy, prone on the grass, I observed the peaceful beauty of nature as its constituents gradually appeared. Silver fish lit up the shallow water, great swallowtail butterflies flitted decoratively from ragged robin to wild flower; small cotton tufts revealed the newly hatched cocoon; each wee spider was a thrill as it set out on its great adventure. I heard the moorhen call and hurry her fluffy offspring past my observation post as a bittern boomed in the distance. At every turn of the eye the simplest form of nature is found to be full of excitement and fresh beauty to the quiet, respectful observer. As we look more closely, the treasure-house opens fresh doors of wonder until we become absorbed in the perfection of simplicity and the magnificence of the ordinary. I have continued to do this so often during my life that the intrusion in these marshes during the past several years of foreign bodies in smelly motorboats is equivalent to disease attacking the peacefulness of natural beauty. The thought of these disturbers brings resentment; they are not interesting. They upset the natural order, and are unheedful of the beauty around them. In all observation of a natural state, the more concentrated and penetrating it becomes, so much the more is found to observe, to understand, and over which to marvel. Many people think the Norfolk marshes dull. They abhor the silence, so they bring radios and tape recorders and regale the voices of nature with ragtime. These are the same people who love to be on the Jungfraujoch with me and count the roars of avalanches and say, “Stupendous!” while I say, “Dead ends falling off dead beginnings.
Grantly Dick-Read (Childbirth Without Fear: The Principles and Practice of Natural Childbirth)
Ye are stirring up a lot of trouble, arenae ye?” “Me? I just came to explore this building. She is the one stirring up trouble. She wants Cathal, I think.” “She does, e’en though his Outsider blood sickens her. Edmee would like to be the lady of Cambrun. She has ne’er been able to convince Cathal of that, however. It doesnae help her cause that she makes her contempt of his mother so verra clear. Cathal has ne’er intended to wed with a MacNachton, either. He wants bairns.” Bridget frowned at him. “There is a wee bit more to me than a womb, ye ken.” “Och, aye, a wee bit.” He laughed when she softly hissed in annoyance, then grew serious. “O’er the last few days ’tis evident neither of ye will suffer in the making of a bairn.” He only briefly smiled at her blushes. “Tis a blessing, that. And where is the insult in a mon thinking a woman a good choice as mother to his bairns?” None, she supposed, but she was not about to admit it. “There should be more.” “Ah, poor lass, so unsure of yourself.” He nimbly danced out of her reach when she tried to hit him. “The only thing I will say is that, compared to the rest of us, Cathal is nearly a monk. He isnae one to be caught in embraces with a lass round every corner. And, aye, mayhap he thinks too much on a bairn, but ’tisnae just an heir he seeks, is it? Tis the salvation of his people. Tis no small thing that. So, do ye cease teasing the fool and say aye?” Bridget sighed. “Tisnae an easy thing to decide. Tisnae just my fate, but that of my children I must consider and ye ask me to do it in but a week.” “We are but a wee bit different.” “Och, aye, ye are that.” “But, that shouldnae trouble a Callan, I think.” He sighed when she did not respond to that remark. “We arenae what ye think we are, lass. Nay exactly. I dinnae believe the soulless dead breed bairns.” He smiled gently at the look of consternation that briefly crossed her face. “We are but different. Cursed in some ways, blessed in others, but ’tis Cathal who must tell ye the tale.
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))