“
No more tubs for me." I jumped off the bed and pulled on a pair of Pack sweats. "They make me lose all sense."
Curran sprawled on the bed with a big self-satisfied smile. "Want to know a secret?"
"Sure."
"It's not the bathtub, baby."
Well, aren't we smug. I picked up the corner of the lowest mattress and made a show of looking under it.
"What are you looking for?"
"A pea Your Majesty."
"What?"
"You heard me."
I jumped back as he lunged and his fingers missed me by an inch.
"Getting slow in your old age."
"I thought you liked it slow."
A flashback to last night mugged me and my mind executed a full stop.
He laughed. "Ran out of snappy comebacks?"
"Hush. I'm trying to think of one.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
[...] Tess and I are a good match. She understands intimately where I came from. She can cheer me up on my darkest days. It's as if she came perfectly happy home instead of what Kaede just told me. I feel a relaxing warmth at the thought, realizing suddenly how much I'm anticipating meeting up with Tess again. Where she goes, I go, and vice versa. Peas in a pod.
Then there's June.
Even the thought of her name makes it hard for me to breathe. I'm almost embarrassed by my reaction. Are June and I a good match? No. It's the first word to pop into my mind.
And yet, still.
”
”
Marie Lu (Prodigy (Legend, #2))
“
Every single person is a fool, insane, a failure, or a bad person to at least ten people.
”
”
Mokokoma Mokhonoana
“
Would you mind doing this last thing for me? Pack my box with fivedozen liquor jugs?
”
”
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
“
Nothing rekindles my spirits, gives comfort to my heart and mind, more than a visit to Mississippi... and to be regaled as I often have been, with a platter of fried chicken, field peas, collard greens, fresh corn on the cob, sliced tomatoes with French dressing... and to top it all off with a wedge of freshly baked pecan pie.
”
”
Craig Claiborne
“
In my mind, she was Lebkuchen Spice—ironic, Germanic, sexy, and off beat. And, mein Gott, the girl could bake a damn fine cookie … to the point that I wanted to answer her What do you want for Christmas? with a simple More cookies, please!
But no. She warned me not to be a smart-ass, and while that answer was totally sincere, I was afraid she would think I was joking or,
worse, kissing up.
It was a hard question, especially if I had to batten down the sarcasm. I mean, there was the beauty pageant answer of world peace, although I’d probably have to render it in the beauty pageant spelling of world peas. I could play the boo-hoo orphan card and wish for my whole family to be together, but that was the last thing I wanted, especially at this late date.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Granma said that when your body died, the body-living mind died with it, and if that’s the way you had thought all your life there you was, stuck with a hickor’nut spirit, as the spirit mind was all that lived when everything else died. Then, Granma said, when you was born back—as you was bound to be—then, there you was, born with a hickor’nut spirit mind that had practical no understanding of anything. Then it might shrink up to the size of a pea and could disappear, if the body-living mind took over total. In such case, you lost your spirit complete. That’s how you become dead people. Granma said you could easy spot dead people. She said dead people when they looked at a woman saw nothing but dirty; when they looked at other people they saw nothing but bad; when they looked at a tree they saw nothing but lumber and profit; never beauty. Granma said they was dead people walking around. Granma
”
”
Forrest Carter (The Education of Little Tree)
“
There’ll be moments in life, sweet pea, that stand out in your memories like a photograph. Scenes captured perfectly in your mind, frozen in time with each detail as colorful as it was that first time you saw it. ‘Flashbulb memories,’ some people call them,” she’d told me, her eyes crinkling up and nearly disappearing in a face etched with too many laugh lines to count. “Most people don’t recognize those moments as they happen. They look back fifty years later, and realize that those were the most important parts of their entire life. But at the time, they’re so busy looking ahead to what’s coming down the line or worrying about their future, they don’t enjoy their present. Don’t be like them, sweet pea. Don’t get so caught up in chasing your dreams that you forget to live them.
”
”
Julie Johnson (Say the Word)
“
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
”
”
Beverly Cleary (Beezus and Ramona (Ramona, #1))
“
He drew the line at mice, but didn’t mind giving peas a chance.
”
”
Siddhartha Mukherjee (The Gene: An Intimate History)
“
basic Khamitic diet consisted of beans, lentils, peas, barley, millet, nuts, fruits (such as dates, melons, and pomegranates), vegetables (such as onions, cabbage, and peppers), and healing herbs such as gotu kola, nettle, aloe, garlic, and parsley. And when they were invaded by Asian nomadic shepherds, the Heq Shaasu (Hyksos), more flesh foods entered the diet, thus sowing the seeds of our ultimate deterioration.
”
”
Queen Afua (Sacred Woman: A Guide to Healing the Feminine Body, Mind, and Spirit)
“
Yes, and that puts me in mind of another thing I have to say to you! Why the devil don't you take better care of Nell? Did you get her out of a silly scrape? No, you didn't! I did! All you did was put it into her head you thought she had only married you for your fortune, when anyone but a gudgeon must have known she's too big a pea-goose to have enough sense to do anything of the kind!
”
”
Georgette Heyer (April Lady)
“
You have to be determined not to live in a state of worry and frustration. When you are in peace, you are in a position of power. But let me be clear: peace is not the absence of trouble. Peace is knowing God is right there with you in the midst of your misfortune.
”
”
Tony Warrick
“
You learned good, Uncle Fifty," Lou said, shoveling beans onto her plate. "You get an A-plus. Will you teach Mattie how to cook? She can only make mush and pancakes. And a pea soup that's so bad, it's more pee than soup."
Uncle Fifty roared. My sisters laughed. Especially Lou. Pa raised an eyebrow at her, but that didn't quiet her. She knew she was safe because our uncle was laughing.
"Don't mind them, Mattie," Abby said, petting me.
"You like my pea soup, don't you Ab?" I asked, hurt.
She looked at me with her kind eyes. "No, Mattie, I don't. It's awful.
”
”
Jennifer Donnelly (A Northern Light)
“
And no resident in their right mind would go over their heads to the mighty Housing Authority honchos in Manhattan, who did not like their afternoon naps disturbed with minor complaints about ants, toilets, murders, child molestation, rape, heatless apartments, and lead paint that shrunk children’s brains to the size of a full-grown pea in one of their Brooklyn locations, unless they wanted a new home sleeping on a bench at the Port Authority Bus Terminal.
”
”
James McBride (Deacon King Kong)
“
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer.
Rachel snorts. "If only you liked sweets."
"I can't wait to see you tonight. Wear that pink shirt I like."
Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?"
"Eight-thirty? That's so far away. Can't I meet you sooner?"
One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited.
"Do you need to be checked out of school, son? Are you feeling ill?"
Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you."
A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago.
"Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do."
"Right now, nothing. But I might change my mind about skipping. I really miss you."
Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?"
Galen hangs up. Why is Emma laughing again? Mark can't be that funny.
The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess."
"Speaking of all these girls, how did they get my phone number?"
She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Another phrase that adults use a lot with children is “I don’t agree,” as in, “I don’t agree with you pitching your peas on the floor.” Parents say this in a serious tone, while looking directly at the child. “I don’t agree” is also more than just “no.” It establishes the adult as another mind, which the child must consider. And it credits the child with having his own view about the peas, even if this view is being overruled. Pitching the peas is cast as something the child has rationally decided to do, so he can decide to do otherwise, too.
”
”
Pamela Druckerman (Bringing Up Bébé: One American Mother Discovers the Wisdom of French Parenting)
“
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.”
“Did you chase after the housemaids when you were a boy?”
“Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.”
Evie raised a cue stick as if to crown him with it.
He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?”
“You would be purely ornamental,” Evie replied, giggling.
“Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.”
“I wouldn’t mind.”
He gave her a quizzical smile. “What?”
“If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.”
Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.”
“No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…”
But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives.
“Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
The dinner itself might well have been planned by the same mind that had devised the décor: black bean soup, crab meat and slivers of crab shell done in cream, roasted crown of lamb with bone tips decently encased in little paper drawers, tiny hard potatoes, green peas ruined by chopped carrots, asparagus instead of salad, and the dessert called, perhaps a shade hysterically, Cherries Jubilee.
”
”
Dorothy Parker (Complete Stories (Penguin Classics))
“
What is the value of sensitives? Look around: we live in a ugly and stupid world which could have been prevented if sensitives had been present, and had the power to influence things.
That block-shaped, pressed concrete, ugly shopping mall? The princess would opine that no one could have any peace of mind with such hideous backgrounds, and demand something like a traditional building, with ornate spires and comfortable human spaces instead.
Grating, two-note music ranting about copulation and projected sexual desire? No princess would want this crass gibberish around her, nor would she recognize music which neglected the finer parts of composition, melody, harmony, rhythm, and narrative. She would hire Schubert instead.
Schools that treat students like livestock, jobs that are jails, marriages that are suicide pacts, and boring tract housing? Similarly, a princess would have no use for those, and perceive that these would be abusive to her so must be to others as well.
As children, we made fun of the sensitivity of the princess. A pea, under twenty mattresses, really? The point — in the visual-metaphorical language of fable, religion, literature, and conspiracy theory — tells us that sensitivity is in fact needed, and it needs power to save the rest of us from what we do not yet perceive.
In this story, the princess is simply a finer instrument. After twenty years, we might notice that we woke up tired in the mornings, and eventually investigate and find the pea, but she knew right away, intuitively and by the nature of her character. This is part of what makes an aristocrat.
”
”
Brett Stevens
“
When people ask me to pray for them or their loved ones, I explain that I’d be happy to hold HeartLight—sacred space—for them. The visualization I use is a sugar snap pea. In my mind’s eye, I unzip the pod, scoop out the peas, and place the person inside. Carefully, I rezip the pod and envision it as a ‘station,’ somewhat like an incubator, of vivid green, pulsing with vital energy that’s working for the person’s highest and best good—body, mind, and spirit.
”
”
Laurie Buchanan
“
Mother said that no parent in their right mind would display a portrait like that. Esme was not at all contrite. The chair was so uncomfortable, she said, there were two springs digging into my leg. She was funny like that, always so ridiculously oversensitive. She was like that princess in the story about the pea and all the mattresses. Is there a pea, I would say to her when she thrashed about in the bed at night, trying to get comfortable, and she would say, whole pods of them
”
”
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
“
Andrographis (Andrographis paniculata), an herb commonly used in traditional Indian medicine (Ayurveda), has been shown to reduce symptoms both alone and when combined with another herb, eleuthero (Eleutherococcus senticosus). Astragalus (Astragalus membranaceus), obtained from the root of a plant in the pea family, has been used for centuries in China to ward off respiratory infections. I recommend it preventively throughout cold and flu season, especially for people who tend to catch “everything going around.
”
”
Andrew Weil (Mind Over Meds: Know When Drugs Are Necessary, When Alternatives Are Better and When to Let Your Body Heal on Its Own)
“
Memories fill my mind, as though they are my own, of not just events from Gideon's life, but of various flavors and textures: breast milk running easily down into my stomach, chicken cooked with butter and parsley, split peas and runner beans and butter beans, and oranges and peaches, strawberries freshly picked from the plant; hot, strong coffees each morning; pasta and walnuts and bread and brie; then something sweet: a pan cotta, with rose and saffron, and a white wine: tannin, soil, stone fruits, white blossom; and---oh my god---ramen, soba, udon, topped with nori and sesame seeds; miso with tofu and spring onions, fugu and tuna sashimi dipped in soy sauce, onigiri with a soured plum stuffed in the middle; and then something I don't know, something unfamiliar but at the same time deeply familiar, something I didn't realize I craved: crispy ground lamb, thick, broken noodles, chili oil, fragrant rice cooked in coconut milk, tamarind... and then a bright green dessert---the sweet, floral flavor of pandan fills my mouth.
”
”
Claire Kohda (Woman, Eating)
“
She saw the different times at sea—calm blue days, raw pea-green ones, others when the skies turned black and thunderbolts blasted the masts, and the galloping waves. The ship then leaned this way, another way, seeming to want to throw herself right over and upside down. Had Art ever been frightened? Maybe only once. One of the earliest memories, this. Molly standing braced, holding Art, two or three years old, in her arms. ‘What a spectacle!’ cried Molly. ‘Look—how beautiful it is!’ And then, ‘Don’t ever be afraid of the sea. She’s the best friend out kind have got. Better than any land, however fair. Respect the sea, yes, but don’t ever think what the sea does is cruel or unjust. People are that. The sea is only herself. And this ship—she’s lucky. She’s friends with this sea. They know how to behave with each other.’ Exactly then, a great green salt wave swamped the decks. Canvas was being hauled in, Molly’s crew clutching and swinging like monkeys along the masts. Art and Molly, soaked, and Molly saying, ‘And even if we went down, don’t fear that either. Those that the sea keeps sleep among mermaids and pearls and sunken kingdoms. You wouldn’t mind that, would you, love?
”
”
Tanith Lee (Piratica I)
“
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.”
“What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked.
“Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?”
“Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.”
“Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?”
Jethro glanced at me. “I can’t believe you didn’t tell them yet.”
“Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.”
“I knew it!” Beau attacked Jethro, pulling him into a quick man-hug.
Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?”
Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.”
“You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested.
“And shit brown,” Duane added. “Don’t forget about the shit.”
“Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.”
“Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it.
“Don’t tell me, to catch the vomit and poop?”
“No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.”
“Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me.
You sound like Cletus.” Drew laughed, obviously catching on.
Duane slid his eyes to mine and gave me a small smile.
I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
The transition to agriculture began around 9500–8500 BC in the hill country of south-eastern Turkey, western Iran and the Levant. It began slowly and in a restricted geographical area. Wheat and goats were domesticated by approximately 9000 BC; peas and lentils around 8000 BC; olive trees by 5000 BC; horses by 4000 BC; and grapevines in 3500 BC. Some animals and plants, such as camels and cashew nuts, were domesticated even later, but by 3500 BC the main wave of domestication was over. Even today, with all our advanced technologies, more than 90 per cent of the calories that feed humanity come from the handful of plants that our ancestors domesticated between 9500 and 3500 BC – wheat, rice, maize (called ‘corn’ in the US), potatoes, millet and barley. No noteworthy plant or animal has been domesticated in the last 2,000 years. If our minds are those of hunter-gatherers, our cuisine is that of ancient farmers. Scholars
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
ADD seemed to explain many of my behavior patterns, thought processes, childish emotional reactions, my workaholism and other addictive tendencies, the sudden eruptions of bad temper and complete irrationality, the conflicts in my marriage and my Jekyll and Hyde ways of relating to my children. And, too, my humor, which can break from any odd angle and leave people laughing or leave them cold, my joke bouncing back at me, as the Hungarians say, like “peas thrown at a wall.” It also explained my propensity to bump into doorways, hit my head on shelves, drop objects and brush close to people before I notice they are there. No longer mysterious was my ineptness following directions or even remembering them, or my paralytic rage when confronted by a sheet of instructions telling me how to use even the simplest of appliances. Beyond everything, recognition revealed the reason for my lifelong sense of somehow never approaching my potential in terms of self-expression and self-definition—
”
”
Gabor Maté (Scattered Minds: The Origins and Healing of Attention Deficit Disorder)
“
Yes, in the very beginning of her life the girl-child is full of herself. Her days are meaningful and unfold according to a deep wisdom that resides within her. It faithfully orchestrates her movements from crawling to walking to running, her sounds from garbles to single words to sentences, and her knowing of the world through her sensual connection to it.
Her purpose is clear: to live fully in the abundance of her life. With courage, she explores her world. Her ordinary life is interesting enough. Every experience is filled with wonder and awe. It is enough to listen to the rain dance and count the peas on her plate. Ordinary life is her teacher, challenge, and delight.
She says a big YES to Life as it pulsates through her body. With excitement, she explores her body. She is unafraid of channeling strong feelings through her. She feels her joy, sadness, anger, and fear. She is pregnant with her own life. She is content to be alone. She touches the depths of her uniqueness. She loves her mind. She expresses her feelings. She likes herself when she looks in the mirror.
She trusts her vision of the world and expresses it. With wonder and delight, she paints a picture, creates a dance, and makes up a song. To give expression to what she sees is as natural as her breathing. And when challenged, she is not lost for words. She has a vocabulary to speak about her experience. She speaks from her heart. She voices her truth. She has no fear, no sense that to do it her way is wrong or dangerous.
She is a warrior. It takes no effort for her to summon up her courage, to arouse her spirit. With her courage, she solves problems. She is capable of carrying out any task that confronts her. She has everything she needs within the grasp of her mind and imagination. With her spirit, she changes what doesn’t work for her. She says “I don’t like that person” when she doesn’t, and “I like that person” when she does. She says no when she doesn’t want to be hugged. She takes care of herself.
”
”
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
“
A Girl's Garden"
A neighbor of mine in the village
Likes to tell how one spring
When she was a girl on the farm, she did
A childlike thing.
One day she asked her father
To give her a garden plot
To plant and tend and reap herself,
And he said, 'Why not?'
In casting about for a corner
He thought of an idle bit
Of walled-off ground where a shop had stood,
And he said, 'Just it.'
And he said, 'That ought to make you
An ideal one-girl farm,
And give you a chance to put some strength
On your slim-jim arm.'
It was not enough of a garden
Her father said, to plow;
So she had to work it all by hand,
But she don't mind now.
She wheeled the dung in a wheelbarrow
Along a stretch of road;
But she always ran away and left
Her not-nice load,
And hid from anyone passing.
And then she begged the seed.
She says she thinks she planted one
Of all things but weed.
A hill each of potatoes,
Radishes, lettuce, peas,
Tomatoes, beets, beans, pumpkins, corn,
And even fruit trees.
And yes, she has long mistrusted
That a cider-apple
In bearing there today is hers,
Or at least may be.
Her crop was a miscellany
When all was said and done,
A little bit of everything,
A great deal of none.
Now when she sees in the village
How village things go,
Just when it seems to come in right,
She says, 'I know!
'It's as when I was a farmer...'
Oh never by way of advice!
And she never sins by telling the tale
To the same person twice.
”
”
Robert Frost
“
Don’t do this,” he begged hoarsely against her temple, crumbling inside. Honor wasn’t the type to make empty threats or do something like this on a whim. No, she meant it and was prepared to go through with it. He had one last shot to change her mind, right now, before he lost her forever. So no, even he wasn’t above begging if that’s what it took to make her stay and work this out. “You said you still love me,” he whispered brokenly. He was holding onto that for all it was worth. It had to be enough. He squeezed her tighter. “I know you’re scared and I know you’re hurting but… Don’t do this. Don’t walk away. Please.” Don’t leave me. She’d never know how much it cost him to beg her this way, but he was so damn scared right now he didn’t care how pathetic it made him look. He’d do or say f-ing whatever it took to get her to listen to reason, make her change her mind. Anything except agreeing to live a lie and hide his true feelings for her from the rest of the world, no matter what the reason. A sob tore out of her. Honor stopped shoving at him. She wound her arms around his back and squeezed so hard he felt the muscles in her arms tremble. Liam closed his eyes and pressed his face against her hair, that painful bubble of hope surfacing again. He could feel her torment, her pain. If he could just calm her down long enough to get her to listen, really listen and then think this through… “Sweet pea, just listen to me,” he began softly.
“No, I can’t.” Honor tore away from him and grabbed the doorknob. Before he could recover enough to reach out and stop her, she’d slammed the door shut behind her. Gone.
”
”
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
“
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul
looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of
June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant;
it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come
to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself,
with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage
of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically
speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks,
investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances
about them for which it has neither time nor liberty in health.
”
”
Virginia Woolf (On Being Ill)
“
Take control of your mind and meditate.
”
”
Black Eyed Peas (Where Is the Love?)
“
In tofu, I saw the rifles and shotguns used to plug deer in soybean fields. In grains, I saw the birds, mice, and rabbits sliced and diced by combines. In cabbage, I saw caterpillars killed by insecticides, organic or not. In salad greens, I saw a whitetail cut open and dragged around the perimeter of a farm field, the scent of blood warning other deer not to eat the organic arugula and radicchio destined for upscale restaurants and grocery stores in San Francisco. In Joey’s kale and berries, I saw smoke-bombed burrows. Even in the vegetables from our garden—broccoli and green beans, lettuce and snap peas—I saw the wild grasses we uprooted, the earthworms we chopped with our shovels, the beetles I crushed between thumb and forefinger, the woodchucks I shot, and the dairy cows whose manure and carcasses fed the soil. In my own life and in the lives around me—heron and trout, hawk and hare, coyote and deer—I saw that the entire living, breathing, eating world was more beautiful and more terrible than I had imagined. Like Richard, I saw that sentient beings fed on sentient beings.
”
”
Tovar Cerulli (The Mindful Carnivore)
“
Grits know when enough is enough. Having good manners doesn’t mean you should allow others to push you around. A Southern girl knows where to draw the line. (For those of you who are still learning, that’s round about the third insult thrown your way by that neighbor who’s had one too many mint juleps.)
In short, having Southern manners means conducting yourself with class at all times. Keep in mind that Grits should always be more composed than their men. After all, we’re the ones who are going to have to keep a cool head to straighten out the messes they get themselves into, bless their pea-pickin’ hearts.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
He did take her to the movies. They saw Father of the Bride. Grace hated it. She hated girls like Elizabeth Taylor in that movie, she hated spoiled rich girls of whom nothing was ever asked but that they wheedle and demand. Maury said that it was only supposed to be a comedy, but she said that was not the point. She could not make clear what the point was. Anybody would think that it was because she worked as a waitress and was too poor to go to college, and that if she wanted anything like that kind of wedding she would have to spend years saving up to pay for it herself. (Maury did think this, and was stricken with respect for her, almost with reverence.) She could not explain or quite understand that it wasn’t altogether jealousy she felt, it was rage. And not because she couldn’t shop like that or dress like that. It was because that was what girls were supposed to be like. That was what men— people, everybody—thought they should be like. Beautiful, treasured, spoiled, selfish, pea-brained. That was what a girl should be, to be fallen in love with. Then she would become a mother and she’d be all mushily devoted to her babies. Not selfish anymore, but just as pea-brained. Forever. She was fuming about this while sitting beside a boy who had fallen in love with her because he had believed—instantly—in the integrity and uniqueness of her mind and soul, and had seen her poverty as a romantic gloss on that.
”
”
Alice Munro (Runaway)
“
Skaidon was a genius. At age six he took one of the old-style IQ tests and was rated at 180. After he was congratulated, it is reported that he said, ‘If you like I’ll do a test to 190, now I know how they work.’ Throughout his life Skaidon mocked those he called, ‘Hard-wired lead-asses.’ Should you wish to know more about this, I direct you to one of his numerous biographies. This book is about runcibles. Today we are aware of the dangers of directly interfacing a human mind with a computer (not to be confused with the less direct methods of auging or gridlinking). Skaidon was the first to do this and he died of it, leaving a legacy to humanity that is awesome. It took him twenty-three minutes. In those minutes, he and the Craystein computer became the most brilliant mind humankind has ever known. He gave us Skaidon technology, from which has come instantaneous travel, antigravity and much of our field technology. The Craystein computer, in its super-cooled vault under the city of London on Earth, contains the math and blueprints for the runcible (for reasons not adequately explained, Skaidon loved the nonsense poem by Edward Lear and used its wording in his formulae to stand for those particles and states of existence we until then had no words for, hence: runcible – the device; spoon – the five-dimensional field that breaks into nil-space; pea-green is a particle now tentatively identified as the tachyon) and to begin to understand some of this math let us first deal with that nil-space shibboleth wrongly described as quantum planing . . . An Introduction to Skaidon Formulae by Ashanta Gorian
”
”
Neal Asher (Gridlinked (Agent Cormac #1))
“
I’ll no longer be an unknown killer, a knife plunging out of the pea soup fog and darkness, slashing at whores’ throats, sagging udders and hungry bellies, and filthy flea-crawling cunts; now I have a name. Mothers will caution their kiddies: Jack the Ripper’s going to get you if you don’t watch out; Jack the Ripper’s going to get you if you don’t come inside right now; Jack the Ripper’s going to get you if you don’t eat all your vegetables, mind your manners, and say your prayers. They’ll never forget me; they’ll forget Michael’s jolly jack-tar, but they’ll never forget me! You can take all your sea chanteys, sentimental ballads, and humble hymns, Michael, and shove them up your arse along with Fred Weatherly’s prick. This name, taken with my medicine, will make me invincible. NOTHING can stop me now! I’m Jack, Jack the Ripper, my knife is my scepter, and I reign as the Red King over this Autumn of Terror. Long live King Jack; long may he hack!
”
”
Brandy Purdy (The Ripper's Wife)
“
4/20, CANNABIS DAY, APRIL 20 420 FARMERS’ MARKET RISOTTO Recipe from Chef Herb Celebrate the bounty of a new growing season with a dish that’s perfectly in season on April 20. Better known as 4/20, the once unremarkable date has slowly evolved into a new high holiday, set aside by stoners of all stripes to celebrate the herb among like-minded friends. The celebration’s origins are humble in nature: It was simply the time of day when four friends (dubbed “The Waldos”) met to share a joint each day in San Rafael, California. Little did they know that they were beginning a new ceremony that would unite potheads worldwide! Every day at 4:20 p.m., you can light up a joint in solidarity with other pot-lovers in your time zone. It’s a tradition that has caught on, and today, there are huge 4/20 parties and festivals in many cities, including famous gatherings of students in Boulder and Santa Cruz. An Italian rice stew, risotto is dense, rich, and intensely satisfying—perfect cannabis comfort cuisine. This risotto uses the freshest spring ingredients for a variation in texture and bright colors that stimulate the senses. Visit your local farmers’ market around April 20, when the bounty of tender new vegetables is beginning to be harvested after the long, dreary winter. As for tracking down the secret ingredient, you’ll have to find another kind of farmer entirely. STONES 4 4 tablespoons THC olive oil (see recipe) 1 medium leek, white part only, cleaned and finely chopped ½ cup sliced mushrooms 1 small carrot, grated ½ cup sugar snap peas, ends trimmed ½ cup asparagus spears, woody ends removed, cut into 1-inch-long pieces Freshly ground pepper 3½ cups low-sodium chicken broth ¼ cup California dry white wine Olive oil cooking spray 1 cup arborio rice 1 tablespoon minced fresh flat-leaf parsley ¼ cup freshly grated Parmesan cheese Salt 1. In a nonstick skillet, heat 2 tablespoons of the THC olive oil over medium-low heat. Add leek and sauté until wilted, about 5 minutes. Stir in mushrooms and continue to cook, stirring, for 2 minutes. Add carrot, sugar snap peas, and asparagus. Continue to cook, stirring, for another minute. Remove from heat, season with pepper, and set aside. 2. In a medium saucepan over high heat, bring broth and wine to a boil. Reduce heat and keep broth mixture at a slow simmer. 3. In a large pot that has been lightly coated with cooking spray, heat the remaining 2 tablespoons THC olive oil over medium heat. Add rice and stir well until all the grains of rice are coated. Pour in ½ cup of the hot broth and stir, using a wooden spoon, until all liquid is absorbed. Continue adding the broth ½ cup at a time, making sure the rice has absorbed the broth before adding more, reserving ¼ cup of broth for the vegetables. 4. Combine ¼ cup of the broth with the reserved vegetables. Once all broth has been added to the risotto and absorbed, add the vegetable mixture and continue to cook over low heat for 2 minutes. Rice should have a very creamy consistency. Remove from heat and stir in parsley, Parmesan, and salt to taste. Stir well to combine.
”
”
Elise McDonough (The Official High Times Cannabis Cookbook: More Than 50 Irresistible Recipes That Will Get You High)
“
This entire staff is a few peas short of a casserole. Leah must have read her mind, because she nudged Cara with her elbow and said, “Don’t worry, you don’t have to be crazy to work here. We’ll train you.
”
”
Anonymous
“
He put one of the platters in front of Liv, forcing her to get up-close and personal with his dinner creation. It looked even worse on her plate than it had from a distance. Liv was glad she had a strong stomach. She’d seen some fairly disgusting things during nursing school, especially during her surgery rotation and in the burn unit, but none of them were quite as nasty as Baird’s “pizza.” “Well, go ahead. I thought you were starving.” She looked up to see him watching her, black eyebrows raised in anticipation. Oh my God, I’m actually going to have to eat it! Her stomach rolled at the thought. “You, uh, gave me so much I don’t know where to begin,” she lied weakly. “Only one piece.” He frowned. “Is it too much?” “It’s just a little more than I’m used to. Uh, on Earth we cut a pizza into eight or ten wedges.” And we don’t top it with fruit cocktail! “I can cut it into smaller pieces if you want,” he offered. “No, no. That’s okay. I’ll make do.” There was no putting it off anymore. Taking a deep breath, Liv lifted the huge sloppy slice and forced herself to take a bite. “You like it?” Baird stared at her suspiciously. “Mmm, delicious,” Liv mumbled, fighting her gag reflex. Inside her mouth the flavors of canned salmon, lima beans, and fruit cocktail were fighting and she wondered how in the world she would swallow without throwing up. But the big warrior was still watching her carefully for her reaction and she didn’t want to insult him. With a monumental effort she choked down the mess and prayed it wouldn’t come back up. “So it’s good?” he asked again. “Unforgettable,” Liv assured him which for once was the absolute truth. “Glad you like it.” Baird lifted his own piece of pizza and, keeping his eyes on her the entire time, took a huge bite. But when he started to chew, his face turned a peculiar shade of red. “Gods!” Getting up from the table in a hurry, he ran to the sink and spat out the mouthful. Then he turned back to Liv. “That was fuckin’ horrible. Why didn’t you tell me?” Liv shrugged, not sure if she should laugh or feel sorry for him. “I didn’t want to hurt your feelings.” “I’d rather have my feelings hurt than eat that slop.” Baird frowned. “I don’t understand what you humans see in that dish anyway.” “Well…” Liv tried to think of a way to put it tactfully. “We don’t always make it exactly like that.” She nodded at the half a pizza she’d put back down on the metal serving tray. “But I did everything the clerk told me to,” Baird protested. “He said it was mistake proof. That anyone could do it.” “Anyone can do it. You just put a little too much on it, that’s all.” “Damn it to hell.” Baird sighed. “I’m sorry, Olivia. I wanted to make all your favorites—the things I saw you eating in my dreams. It was between this and that other stuff you like with the raw sea creatures rolled in the white grains. I thought this would be easier.” “Sushi?” Liv bit her lip to keep from laughing. “You were going to try and make me sushi?” As badly as he’d screwed up the pizza, she couldn’t imagine what his version of sushi would look like. Visions of a whole dead fish coated in sticky rice and rolled in peas and carrots instead of roe rose to mind. Ugh. Baird shrugged. “I wanted to. I wanted to make you something special every night. But I guess I’m not very good at cooking human food. Sorry.” He sounded so crestfallen and his broad shoulders slumped so sadly that Liv couldn’t help but feel sorry for him. She rose and went to put a hand lightly on his arm. “Hey, don’t worry about it. I’m sure if I tried to make Kindred cuisine I wouldn’t do any better.” Baird
”
”
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
“
My father raised me to always say what I feel. He would say, ‘Sweet pea, people can’t read your mind. In order for them to understand what you want, you have to tell them.’” She chuckles to herself. “Rodger took that part of me away. To him, women weren’t allowed to have opinions or wants.” She looks up at me. “I was afraid to tell you how I felt, but you weren’t. You were much stronger than I was. But if you just give me the chance, I will show that I can be just as strong as you.
”
”
Shantel Tessier (Dash)
“
Gregor wanted more knowledge than the village grammar school could provide. The next level of school was a half-day’s journey away. To attend, he would have to eat and sleep there. His parents scraped together every cent they could, but they could only afford to pay for books, a bed, and half of Gregor’s meals. Twelve-year-old Gregor went anyway. He chose to feed his mind and go without food to fill his grumbling belly. At school, he feasted on his lessons.
”
”
Cheryl Bardoe (Gregor Mendel: The Friar Who Grew Peas)
“
The next time you go to the supermarket, look closely at a can of peas. Think about all the work that went into it—the farmers, truckers, and supermarket employees, the miners and metalworkers who made the can—and think how miraculous it is that you can buy this can for under a dollar. At every step of the way, competition among suppliers rewarded those whose innovations shaved a penny off the cost of getting that can to you. If God is commonly thought to have created the world and then arranged it for our benefit, then the free market (and its invisible hand) is a pretty good candidate for being a god. You can begin to understand why libertarians sometimes have a quasi-religious faith in free markets. Now let’s do the devil’s work and spread chaos throughout the marketplace. Suppose that one day all prices are removed from all products in the supermarket. All labels too, beyond a simple description of the contents, so you can’t compare products from different companies. You just take whatever you want, as much as you want, and you bring it up to the register. The checkout clerk scans in your food insurance card and helps you fill out your itemized claim. You pay a flat fee of $10 and go home with your groceries. A month later you get a bill informing you that your food insurance company will pay the supermarket for most of the remaining cost, but you’ll have to send in a check for an additional $15. It might sound like a bargain to get a cartload of food for $25, but you’re really paying your grocery bill every month when you fork over $2,000 for your food insurance premium. Under such a system, there is little incentive for anyone to find innovative ways to reduce the cost of food or increase its quality. The supermarkets get paid by the insurers, and the insurers get their premiums from you. The cost of food insurance begins to rise as supermarkets stock only the foods that net them the highest insurance payments, not the foods that deliver value to you. As the cost of food insurance rises, many people can no longer afford it. Liberals (motivated by Care) push for a new government program to buy food insurance for the poor and the elderly. But once the government becomes the major purchaser of food, then success in the supermarket and food insurance industries depends primarily on maximizing yield from government payouts. Before you know it, that can of peas costs the government $30, and all of us are paying 25 percent of our paychecks in taxes just to cover the cost of buying groceries for each other at hugely inflated costs. That, says Goldhill, is what we’ve done to ourselves. As long as consumers are spared from taking price into account—that is, as long as someone else is always paying for your choices—things will get worse.
”
”
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
“
Perfidy. Pea. Perfidy. Pea. These were the words that pinwheeled through Despereaux’s mind as his body descended into the darkness. DESPEREAUX
”
”
Kate DiCamillo (The Tale of Despereaux)
“
Essential advice for the gardener: grow peas of mind, lettuce be thankful, squash selfishness, turnip to help thy neighbour and always make thyme for loved ones.’ Corny but very apt, I thought.
”
”
Catherine Ferguson (Green Beans and Summer Dreams)
“
Store-bought spices are often sprayed with preservatives to extend shelf life, and yet they lose potency over time. Purchase spices whole and grinds small amounts at a time. Preserve them in airtight glass jars to keep them fresh. Pantry Whole mung beans Split mung beans, also called yellow dal or moong dal Basmati rice Ghee, or grass-fed unsalted butter to make your own Extra-virgin olive oil Coconut oil Apple cider vinegar Tamari (a Japanese variety of soy sauce that is gluten-free and preservative-free) Almonds, cashews, pumpkin seeds, sunflower seeds Shredded coconut Cocoa powder Raw honey Maple syrup Jaggery or Sucanat Fresh produce Lemons, limes, citrus, in season Apples, berries, seasonal fruits Root vegetables, like carrots, sweet potatoes, turnips, according to season Leafy greens, in season Seasonal favorites like avocado, broccoli, pumpkin Fresh peas and green beans Fresh cilantro, parsley, other herbs Spices/herbs Spring: Ground ginger, cinnamon, turmeric, black pepper, cayenne, or red pepper flakes Summer: Ground coriander, turmeric, fennel seeds, mint, dill Autumn: Ground ginger, cinnamon, cardamom, whole nutmeg, fenugreek Winter: Ground ginger, cinnamon, cloves, turmeric, fenugreek General: Mustard seeds (brown), pink or sea salt, whole peppercorns Miscellaneous Whole-milk plain yogurt Dates
”
”
Tiffany Shelton (Ayurveda Cookbook: Healthy Everyday Recipes to Heal your Mind, Body, and Soul. Ayurvedic Cooking for Beginners)
“
The thinking mind can at times be severely fragmented. In fact, it almost always is. This is the nature of thought. But awareness, teased out of each moment with conscious intent, can help us to perceive that even in the midst of this fragmentation, our fundamental nature is already integrated and whole. Not only is it not limited by the potpourri of our thinking mind, awareness is the pot which cradles all the fragments, just as the soup pot holds all the chopped-up carrots, peas, onions, and the like and allows them to cook into one whole, the soup itself. But it is a magical pot, much like a sorcerer’s pot, because it cooks things without having to do anything, even put a fire underneath it. Awareness itself does the cooking, as long as it is sustained. You just let the fragments stir while you hold them in awareness. Whatever comes up in mind or body goes into the pot, becomes part of the soup. Meditation does not involve trying to change your thinking by thinking some more. It involves watching thought itself. The watching is the holding. By watching your thoughts without being drawn into them, you can learn something profoundly liberating about thinking itself, which may help you to be less of a prisoner of those thought patterns—often so strong in us—which are narrow, inaccurate, self-involved, habitual to the point of being imprisoning, and also just plain wrong.
”
”
Jon Kabat-Zinn (Wherever You Go, There You Are)
“
The best minds come from the most unexpected faces and places. There is no image for intelligence or genius. Genius is something that cannot be seen. It cannot be produced or manufactured. It is something that even the true genius thinks is unattainable. The genius recognizes he’s just a small pea in a sea of infinite atoms. Knowledge is as infinite as the universe. The man who claims to know all, only reveals to all that he really knows nothing.
”
”
Suzy Kassem
“
Pettus: endale truu vaid seal,
kus miski ei sega. Aga kohe, kui
uksed kas või natuke
- kiusatus! - avanevad,
tõstab mürk veres häält, ütleb,
kuhu nüüd minna. Irvitab,
nagu oleksin vang ja tema
minu sadistlik valvur,
kogu maailm mu kong, peale
kodu, mis luku taga.
Noh, naeran vastu, ütlen,
täna su trellid ei pea mind.
Olgu nii, viipab, eks mine.
Küllap näeme jälle. Nii lihtsalt
sa minust lahti ei saa.
”
”
Rein Raud (Unelindude rasked saapad)
“
She wants to tear her eyes from the carnage before her, but she can’t. From the recesses of her mind, Mug’s words return. Sweetheart, no one wants to fight, but sometimes you have to handle your business. Did she always know? Did a muted part of her psyche always know that her father was a monster? Or was she just a dumb kid living a fantasy life under the watchful eyes of her mother and Mug? “Pea,” her father says. His voice is husky but not with sadness or regret or any human emotion that Pea would understand in this moment. No, this is exhilaration and it makes her want to vomit. He steps closer. “My princess.” “Don’t.” Her voice squeaks out, clawing past the lump in her throat. “Stay away from me. Don’t come near me. Not ever again.
”
”
Lisa Regan (Local Girl Missing (Detective Josie Quinn, #15))
“
FORTY-EIGHT She is almost fifteen when her father shows his true colors. It is the garage again. This time she is looking for empty plastic soda bottles for a school project. The recycling bin will have plenty. It is mid-afternoon on a weekday. Her school dismissed early due to a bomb threat that turned out to be nothing more than rumors. All of her friends went out to lunch, but Pea is home. She hasn’t felt like doing much of anything since The Day Her World Shattered. Her father is up her ass about school on a daily basis though, so she decides to get an early start on her project. This time, it’s not a gaggle of men that she sees. Instead it is only her father. He stands over his handiwork, chest heaving, a look of bloodlust and absolute satiation on his face that sends Pea’s stomach plummeting. Before she can turn away, he sees her. He smiles. A voice in her mind tells her to run but where would she go? This is it. This is what she has in life. This is her life. She can run, but this man will always be her father. She hears something dripping, sees her father turn toward her, hands at his sides. He says, “I had to, Pea.
”
”
Lisa Regan (Local Girl Missing (Detective Josie Quinn, #15))