Wedge Shoes Quotes

We've searched our database for all the quotes and captions related to Wedge Shoes. Here they are! All 26 of them:

Well I ain't Dr. Phil, but I'm smart," she said. "And your shoes are cuter than his," I said, trying to sound at least semi-normal. "Yeah they remind me of Dorothy's ruby slippers, only mine are wedges 'cause I'm more fashion conscious than she was.
P.C. Cast (Hidden (House of Night, #10))
They may look grown-up,” she continued, “but it’s a disguise. It’s just the clay of time. Men and women are still children deep in their hearts. They still would like to jump and play, but that heavy clay won’t let them. They’d like to shake off every chain the world’s put on them, take off their watches and neckties and Sunday shoes and return naked to the swimming hole, if just for one day. They’d like to feel free, and know that there’s a momma and daddy at home who’ll take care of things and love them no matter what. Even behind the face of the meanest man in the world is a scared little boy trying to wedge himself into a corner where he can’t be hurt.
Robert McCammon (Boy's Life)
When I opened my case in the hotel, he gestured excitedly at my snakeskin sandals, turquoise suede wedges and silver-speckled jellies. “But you’ve loads of shoes,” he bellowed joyfully. I shook my head sadly. Men just don’t get it, do they? They’re definitely missing the shoe chromosome.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
Kicking off my shoes, I climed in beside him. I eased toward him. His body radiated heat in the bed. I relaxed, inching closer, burrowing the tip of my nose against his back, savoring the clean smell of his skin, fresh from the shower. His voice rumled through his back toward me. "Hey, your nose is cold." I grinned ahainst his skin. "How about my feet?" I wedged them between his calves. He hissed. "Get some socks on, woman.
Sophie Jordan (Foreplay (The Ivy Chronicles, #1))
No one ever grows up. They may look grown-up, but it's a disguise. It's just the clay of time. Men and women are still children deep in their hearts. They still would like to jump and play, but that heavy clay won't let them. They'd like to shake off every chain the world's put on them, take off their watches and neckties and Sunday shoes and return naked to the swimming hole, if just for one day. They'd like to feel free, and know that there's a momma and daddy at home who'll take care of things and love them no matter what. Even behind the face of the meanest man in the world is a scared little boy trying to wedge himself into a corner where he can't be hurt.
Robert McCammon (Boy's Life)
Find your bed, Martise. I’ll be up for some time. This is bandit country, and we’ll each take a watch. Put your blankets with mine. We’ll stay warmer that way. And keep your shoes on. I’ll join you soon.” She’d grown used to him curled against her in sleep. Even the light snores purred into her ear comforted her, and there was always the possibility that when he awakened, he’d want her beneath him. Or atop him. Martise blushed at the sensual images playing in her mind. She prepared their bed as he instructed, crawled under the blankets—with her shoes on—and fell asleep. She woke when Silhara slid beneath the blankets and spooned against her. He laid his arm across her waist and wedged his leg between hers through her heavy skirts. His sigh tickled her ear. “Far better if you were bare, but this will do.
Grace Draven (Master of Crows (Master of Crows, #1))
He also administered the school's corporal punishment known as The Wacks - which I was told, involved being hit with a big gym shoe made heftier by a kitchen weight wedged in the toe. The gym shoes name was Charlie. It is surely one of the world's greatest sadnesess that billions of shoes go about their benevolent businesses in aid of mankind, day after day, protecting feet providing warmth and support, unselfishly getting ducked in puddles, smeared in dog shit and yet remained unnamed. Whereas this nasty cunt of a show got lavished with affection like a pet.
David Mitchell
I began my life as I shall no doubt end it: among books. In my grandfather's study, they were everywhere; it was forbidden to dust them except once a year, before the October term. Even before I could read, I already revered these raised stones; upright or leaning, wedged together like bricks on the library shelves or nobly placed like avenues of dolmens, I felt that our family prosperity depended on them. They were all alike, and I was romping about in a tiny sanctuary, surrounded by squat, ancient monuments which had witnessed my birth, which would witness my death and whose permanence guaranteed me a future as calm as my past. I used to touch them in secret to honour my hands with their dust but I did not have much idea what to do with them and each day I was present at ceremonies whose meaning escaped me: my grandfather - so clumy, normally, that my grandmother buttoned his gloves for him - handled these cultural objects with the dexterity of an officiating priest. Hundreds of times I saw him get up absent-mindedly, walk round the table, cross the room in two strides, unhesitatingly pick out a volume without allowing himself time for choice, run through it as he went back to his armchair, with a combined movement of his thumb and right forefinger, and, almost before he sat down, open it with a flick "at the right page," making it creak like a shoe. I sometimes got close enough to observe these boxes which opened like oysters and I discovered the nakedness of their internal organs, pale, dank, slightly blistering pages, covered with small black veins, which drank ink and smelt of mildew.
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
After the chicken is fried and wrapped in wax paper, tucked gently into cardboard shoe boxes and tied with string... After the corn bread is cut into wedges, the peaches washed and dried... After the sweet tea is poured into mason jars twisted tight and the deviled eggs are scooped back inside their egg-white beds slipped into porcelain bowls that are my mother's now, a gift her mother sends with her on the journey...
Jacqueline Woodson (Brown Girl Dreaming)
The only items she approved of in my wardrobe were my shoes. In fact, she borrowed a pair of orange faux-crocodile leather wedge heals with a turquoise bow at the toe. I wore a zebra printed spiked heal; the rest of my outfit came from her closet. She said I owned the clothes of a radiologist and the shoes of an OBGYN; which is like the medical doctor equivalent of saying that I dressed like a librarian with a propensity for fuckmeboots.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
That week—the week of the rain—was one of my dad’s bad times. So I went out to the site a lot. One day, I was just picking around one of the foundations. It was all cinder block and pits; hardly any of the building had actually gotten done. And then I saw this little box. A shoe box.” She sucks in a breath, and even in the dark I see her tense. The rest of her story comes out in a rush: “Someone must have left it there, wedged in the space underneath a part of the foundation. Except the rain was so bad it had caused a miniature mudslide. The box had rolled out into the open. I don’t know why I decided to look inside. It was filthy. I thought I might find a pair of shoes, maybe some jewelry.” I know, now, where the story is going. I am walking toward the muddy box alongside her; I am lifting the water-warped cover. The horror and disgust is a mud too: It is rising, black and choking, inside of me. Raven’s voice drops to a whisper. “She was wrapped in a blanket. A blue blanket with yellow lambs on it. She wasn’t breathing. I—I thought she was dead. She was … she was blue. Her skin, her nails, her lips, her fingers. Her fingers were so small.” The mud is in my throat. I can’t breathe. “I don’t know what made me try to revive her. I think I must have gone a little crazy. I was working as a junior lifeguard that summer, so I’d been certified in CPR. I’d never had to do it, though. And she was so tiny—probably a week, maybe two weeks old. But it worked. I’ll never forget how I felt when she took a breath, and all that color came rushing into her skin. It was like the whole world had split open. And everything I’d felt was missing—all that feeling and color—all of it came to me with her first breath. I called her Blue so I would always remember that moment, and so I would never regret.
Lauren Oliver (Pandemonium (Delirium, #2))
Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
Five years from today. Where, exactly, do you want to be?" Her eyes lit up. Sadie loves that kind of question. "Ooh. Wow. Let me think. December, getting close to Christmas. I'll be twenty-one..." "Passed out under the tree with a fifth of Jack, half a 7-Eleven rotisserie chicken, and a cat who poops in your shoes." Frankie returned our startled glances with his lizard look. "Oh, wait. That's me. Sorry." I opted to ignore him. "Five years to the day,Sadie." She glanced quickly between Frankie and me. "Do we need a time-out here?" "Nope," I said. "Carry on." "Okay. Five years. I will be in New York visiting the pair of you because, while NYU is fab, I will be halfwau through my final year of classics at Cambridge, trying to decide whether I want to be a psychologist or a pastry chef. You," she said sternly to Frankie, "will be drinking appropriate amounds of champagne with your boyfriend, a six-three blond from Helsinki who happens to design for Tory Burch. Ah! Don't say anything. It's my future. You can choose a different designer when it's you go. I want the Tory freebies." She turned to me. "We will be sipping said champagne in the middle of the Gagosian Galley, because it is the opening night of your first solo exhibit. At which everything will sell." She punctuated the sentence by poking the air with a speared black olive. "I love you," I told her. Then, "But that wasn't really about you." "Oh,but it was," she disagreed, going back to her salad. "It's exactly where I want to be. Although" -she grinned over a tomato wedge- "I might have the next David Beckham in tow." "The next David Beckham is a five-foot-tall Welshman named Madog Cadwalader. He has extra teeth and bow legs." "Really?" Sadie asked. Frankie snorted. "No.Not really.
Melissa Jensen (The Fine Art of Truth or Dare)
Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
Finally, it was all finished. September was quite proud of herself, and we may be proud of her, too, for certainly I have never made a boat so quickly, and I daresay only one or two of you have ever pulled off such a trick. All she lacked was a sail. September thought for a good while, considering what Lye, the soap golem, had said: "Even if you've taken off every stitch of clothing, you will still have your secrets, your history, your true name. It's hard to be really naked. You have to work hard at it. Just getting into a bath isn't being naked, not really. It's just showing skin. And foxes and bears have skin, too, so I shan't be ashamed if they're not." 'Well, I shan't be! My dress, my sail!' cried September aloud, and wriggled out of her orange dress. She tied the sleeves to the top of the mast and the tips of the skirt to the bottom. The wind puffed it out obligingly. She took off the Marquess's dreadful shoes and wedged them between the sceptres. There she stood, her newly shorn hair flying in every direction, naked and fierce, with the tide coming in.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Isn't there something in Genesis about not looking back? A stupid glance over my shoulder showed her expression relaxing, glad I wasn't taking anything that couldn't be replaced and glad I didn't destroy anything that couldn't be repaired. "Do you care for me, Georgia?" I asked her. "Tell me you don't and I'm out of your life forever." She stood in the driveway with her arms wrapped around herself like she was freezing. "Andre is on his way." "I didn't ask you about no Andre." "He'll be here in a minute." My head hurt, but I pressed her. "It's a yes-or-no question." "Can we talk when Andre gets back? We can-" "Stop talking about him. I want to know if you love me." "Andre…" She said his name one time too many. For what happened next, she would have to take some of the blame. I asked her a simple question and she refused to give me a simple answer. I turned from her and made a sharp left turn, pounding across the yard, feeling the dry grass crunch under my shoes. Six long strides put me at the base of the massive tree. I touched the rough bark, an instant of reflection, to give Old Hickey the benefit of the doubt. But in reality, a hickory tree was a useless hunk of wood. Tall, and that's all. To break the shell of a hickory nut, you needed a hammer and an act of Congress, and even then you needed a screwdriver to get at the meat, which was about as tasty as a clod of limestone. Nobody would ever mourn a hickory tree except Celestial, and maybe Andre. When I was a boy, so little I couldn't manage much more than a George Washington hatcher, Big Roy taught me how to take down a tree. Bend your knees, swing hard and low, follow up with a straight chop. Celestial was crying like the baby we never had, yelping and mewing with every swing. Believe me when I say that I didn't slow my pace, even though my shoulders burned and my arms strained and quivered. With every blow, wedges of fresh wood flew from the wounded trunk peppering my face with hot bites. "Speak up, Georgia," I shouted, hacking at the thick grey bark, experiencing pleasure and power with each stroke. "I asked you if you loved me.
Tayari Jones (An American Marriage)
Annabelle Archer!” A shrill voice came from above us. “I spoke too soon.” Kate fumbled with her shoes as she tried to wedge her feet back in them. We all turned around to greet Mrs. Pierce as she barreled unsteadily down the stairs toward us, a mass of overly bouffant blond hair and turquoise chiffon. “Lord have mercy, she’s drunk as a skunk!
Laura Durham (Better Off Wed (Annabelle Archer, #1))
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Romantic retrospect aside, the night spent in the truck is distinctly unpleasant. We are cramped and cold. The much-vaunted heating of the truck is ineffectual. The wind prises through the cracks in the sides of the windows, and penetrates us to the bone. My feet are moist in my shoes, yet to take my socks off is to chill my feet even further. We take every warm item of clothing out of our bags and swaddle ourselves into immobility. The sheepskin on the seat cuts out a bit of the cold rising from below. We share a blanket and Sui, before he goes off to sleep, makes sure I get a generous part of this. He then drops off to sleep, and tugs it away. He jockeys for space, and I am forced to lean forward. He begins to snore. To make it all worse, both he and Gyanseng sleeptalk. They have told me before tat I do, too, but I've never noticed it. What I do notice, however, late at night, with my two territorially acquisitive companions wedging me forwards, is that I have started talking to myself: naming the constellations I can see move across the mud-stained windscreen, interviewing myself, reciting odd snatches of poetry. I also notice that I am hungry, which is curious, because during the day I was not; and itchy, which is to be expected after so much unwashed travel; and sleepy, though I cannot sleep for cold and headache and discomfort; and alas, bored out of my mind. When things get really bad, I imagine myself in a darkened room, up to my shoulders in a tub of hot water, with a glass of Grand Marnier beside me and the second movement of Mozart's Clarinet Quintet sounding gently in my ears. This voluptuous vision, rather than making my present condition seem even more insupportable, actually enables me to escape for a while from the complaints of my suffering body.
Vikram Seth (From Heaven Lake: Travels Through Sinkiang and Tibet)
troubled, Alfred Allsworth (Fred) Thorp, Sheriff of Okanogan County approached the Lute Morris Saloon in Conconully Monday morning, November 9, 1909. Inside, a hard-looking stranger of medium height, with black hair and a mustache, who gave his name as Frank LeRoy, was playing cards at a table. Sheriff Thorp intended to question LeRoy regarding a safe blown in the A.C. Gillespie & Son store in Brewster a few days earlier and two residential burglaries in Brewster. A mild mannered Iowa farmer, Thorp came to the Okanogan in 1900, carried mail between Chesaw and Loomis, ran for sheriff. Armed with a six-shooter, Thorp feared only that some day, he might have to kill someone, which would compel him to resign, and this might be the day. LeRoy sat very still, watching the frontier sheriff approach the card table. “I’ll have to take you in, partner.” said Thorp. There must have been an unearthly silence in the saloon as LeRoy rose. Thorp drew his revolver, “I’m going to search you.” LeRoy turned as if to throw off his coat, and then jerked a pistol from a shoulder holster. The two opened fire simultaneously LeRoy dancing about to present an elusive target. LeRoy got off four shots. Thorp emptied his revolver, striking LeRoy’s right hand, causing him to drop his gun, and hitting the suspect in the shoulder as he bolted out a rear door. LeRoy staggered a few yards up Salmon Creek before hiding in some brush. “Look out, he’s got another gun” someone yelled from across the creek. Having borrowed a second revolver, the sheriff pounced, kicking LeRoy’s gun from his hand. LeRoy was rolled onto a piece of barn board and carried into the Elliot Hotel. There his wounds, including a punctured lung were treated. In LeRoy’s hotel room Thorp found two more guns, wedges and drills, and a supply of nitroglycerine. Two days later, LeRoy broke out of the county jail. Wearing only his nightshirt, a blanket for trousers, shoes and an old mackinaw taken from an elderly trusty who served as jailer, the desperado flew through chilling weather to Okanogan. Three days later, Thorp caught up with him in a fleld of sagebrush below Malott. LeRoy came out with his hands up commenting mildly he wished he had a gun so the two could shoot it out again. In January, 1910, at Conconully LeRoy was convicted of burglarizing the William Plemmon’s home at Brewster. Since this was his third burglary conviction, he was sentenced to life imprisonment in the state penitentiary at Walla Walla as a habitual criminal. After serving nine years, LeRoy, in ill health, was released in 1919. He once met Fred Thorp on a street in Spokane. They chatted for a few minutes. While there were, in pioneer times, numerous other confrontations between armed men, the Thorp-LeRoy gun flght probably was the closest Okanogan County ever came to a HIGH NOON shootout.
Arnie Marchand (The Way I Heard It: A Three Nation Reading Vacation)
was running out of valuable athletic clichés. Would beach volleyball say much about proposals for federal health care reform? Could I use mumblety-peg comparisons to explain the North American Free Trade Agreement negotiations? Golf, however, is ideal for these purposes. “Christian fundamentalists put a wicked slice in the Republican party platform.” “Somebody should replace the divot on the back of Al Gore’s head.” “Let’s go hit Congress with a stick.” I also wanted a sport with a lot of equipment. All truly American sports are equipment intensive. Basketball was strictly for hoop-over-the-barn-door Hoosiers and Jersey City Y’s until two-hundred-dollar gym shoes were invented. And synchronized swimming will never make it to network prime time because how often do you need new nose plugs? I’m an altruistic guy, in my own Reaganomics way. Sports gear purchases are about all that’s keeping the fragile U.S. economy alive, and you’d have to get into America’s Cup yachting or cross-country airplane racing to find a sport that needs more gear than golf. I’ve bought the shoes, hats, socks, pants, shirts, umbrellas, windbreakers, and plus fours—all in colors that Nirvana fans wouldn’t dye their hair. Then there are the drivers, irons, putters, and the special clubs: parking-lot wedge, back-of-the-tree mashie, nearby highway niblick. MasterCard has installed a plaque on the wall of its headquarters to commemorate my taking up golf.
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
Fallon was a good three inches shorter than me, yet somehow I’d let her talk me into wearing her dress. Thankfully it was black, unlike the flaming red one she wore. At least my outfit wouldn’t draw attention. Well, as long as I didn’t bend over…or fall. Oh, please, dear God, don’t let me fall. The wedge shoes I’d worn laced up at my ankles, binding me to the inevitable cruelty that was gravity.
Renita Pizzitola (Just a Little Crush (Crush, #1))
The cheery woman was coming toward me from the adjoining yard as if she had been standing at the corner of the house there, waiting. She was maybe five-eight, and dark the way you’re dark when you spend a lot of time in the sun running and working out and playing sports. I made her for her early- to mid-thirties, but the lines around her eyes and mouth were deep. Probably from all the sun. She was wearing designer jeans like the black guy and Reebok court shoes and a loose linen top that she would probably cover with a linen sport coat if it weren’t so hot. Stylish and attractive, even with the Browning 9mm clipped to her right hip. She badged me with an LAPD detective shield as she approached, still cheery with the smile, and I recognized her just before she said, “Mr. Cole, my name is Angela Rossi. The detective in the gray suit would like to ask you a few questions.” She glanced at the guy in the bad suit and I followed her look just as she knew I would, and when I did she stepped close and threw an overhand with a black leather sap, trying for the side of my head. Sucker shot. I picked up her move and tried to twist out of the way, but she was good and fast and I caught most of the sap on my right cheek with a blossom of pain. The guy in the suit yelled, “Hey!” and the black guy grunted, “Shit!” like they were surprised, too. Rossi followed the sap with a hard knee, but it caught me in the thigh instead of the groin, and then the older guy was there, wedging himself between us, forcing her away and saying, “Dammit, Rossi, you want another beef in your file? Is that what you want?
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Parisiennes found ways of making-do, and the styles of the war years reflect that: elegant turbans hid dirty hair or greying roots; cork wedges were glued on to shoes when high heels wore down; legs were daubed with ersatz coffee grounds, and charcoal lines drawn up the back to create the illusion of stockings. In the face of ubiquitous Nazi propaganda, the women of Paris found their own ways of sending back a message to their occupiers: dressed in their home-made fashions, they held their heads high; they were not defeated.
Fiona Valpy (The Dressmaker's Gift)
years reflect that: elegant turbans hid dirty hair or greying roots; cork wedges were glued on to shoes when high heels wore down; legs were daubed with ersatz coffee grounds, and charcoal lines drawn up the back to create the illusion of stockings. In the face of ubiquitous Nazi propaganda, the women of Paris found their own ways of sending back a message to their occupiers: dressed in their home-made fashions, they held their heads high; they were not defeated.
Fiona Valpy (The Dressmaker's Gift)