Weddings And Funerals Quotes

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White for Shadowhunters is the color of funerals," Luke explained. “ But for mundanes, Jace, it’ s the color of weddings. Brides wear white to symbolize their purity.” “I thought Jocelyn said her dress wasn’t white,” Simon said. “Well,” said Jace, “I suppose that ship has sailed.” Luke choked on his coffee.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Life is the tragedy,' she said bitterly. 'You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. So we're all living tragedies, because we all end the same way, and it isn't with a goddamn wedding.
Robyn Schneider (The Beginning of Everything)
But I too hate long books: the better, the worse. If they're bad they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch.
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
You are thirty minutes late." "Yes." "Would you be thirty minutes late to a wedding or a funeral?" "No." "Why not, pray tell?" "Well, if the funeral was mine I'd have to be on time. If the wedding was mine it would be my funeral.
Charles Bukowski (Ham on Rye)
It’s so much more romantic to end a story up with a funeral than a wedding.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
An Irish wedding is a tame thing to an Irish funeral.
Mary Deasy (The Hour of Spring (The Irish-Americans))
On the night of our secret wedding when he held me in his mouth like a promise until his tongue grew tired and fell asleep, I lay awake to keep the memory alive. In the morning I begged him back to bed. Running late, he kissed my ankles and left. I stayed like a secret in his bed for days until his mother found me. I showed her my gold ring, I stood in front of her naked, waved my hands in her face. She sank to the floor and cried. At his funeral, no one knew my name. I sat behind his aunts, they sucked on dates soaked in oil. The last thing he tasted was me.
Warsan Shire
Music is not a fucking soda. It is not a fucking insurance rate. It is not a fucking T-shirt. It is the only real religion that is worth devoting your soul to. It is the last remnant of the primal scream, the funeral dirge, and the wedding march. It is the light that keeps me out of the shadows, and it is the reason my immortal soul is not in dire straits.
Corey Taylor
We live in a world where the funeral matters more than the dead, the wedding more than love and the physical rather than the intellect. We live in the container culture, which despises the content.
Eduardo Galeano
My parents would frisk me before family events. Before weddings, funerals, bar mitzvahs, and what have you. Because if they didn't, then the book would be hidden inside some pocket or other and as soon as whatever it was got under way I'd be found in a corner. That was who I was...that was what I did. I was the kid with the book.
Neil Gaiman
And a funeral, I found out, is like a wedding in reverse, with less time to plan.
J. Lincoln Fenn (Poe)
Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw— actually saw— a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Damn right! The time of your life! Gotta wrap up all those life events, all those parties, into one - birthdays, wedding, funeral." THen he turns to their father. "Very efficient, right, Dad?".... "Here's to my brother, Lev," Marcus says. "And to our parents! Who have always done the right thing. The appropriate thing. Who have always given generously to charity. Who have always given 10 percent of everything to our church. Hey, Mom - we're lucky you had ten kids instead of five, otherwise we'd end up having to cut Lev off at the waist!
Neal Shusterman (Unwind (Unwind, #1))
Do you think God truly meant for us to keep Him locked in the church? Is He our Sunday pocket watch we only pull out for weddings and funerals and church services? He wishes for us to think about Him wherever we are. And a voice singing His praises at a ball is far less irreverent than a stone-cold heart sitting in a pew on Sunday morning.
Hayden Wand (Hidden Pearls)
Give me a funeral over a wedding any day,.' said Uncle Montague with a sigh. 'The conversation is almost always superior.
Chris Priestley (Uncle Montague's Tales of Terror (Tales of Terror, #1))
My father (Theodore Roosevelt) always wanted to be the corpse at every funeral, the bride at every wedding and the baby at every christening.
Alice Roosevelt Longworth
Jace looked around uneasily at the walls hung with veils, fans, tiaras, and seed-pearl-encrusted trains. “Everything is .. .so white.” “Of course it’s white,” said Simon. “It’s a wedding.” “White for Shadowhunters is the color of funerals,” Luke explained. “But for mundanes, Jace, it’s the color of weddings. Brides wear white to symbolize their purity.” “I thought Jocelyn said her dress wasn’t white,” Simon said. “Well,” said Jace, “I suppose that ship has sailed.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
She said she found religious occasions, like funerals or weddings, ‘comforting in a kind of sedative way’. They’re communal, she said. There’s something nice about that for the neurotic individualist.
Sally Rooney (Conversations with Friends)
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
Weddings were joyous occasions, sure, but they were also low-key funerals, because after saying their vows people tended to disappear.
Prince Harry (Spare)
A wedding left the church and, meeting a funeral, walked three steps with the dead.
Jamie O'Neill (At Swim, Two Boys)
But in her web she still delights To weave the mirror’s magic sights, For often thro’ the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; “I am half-sick of shadows,” said The Lady of Shalott.
Alfred Tennyson
I never go to weddings. Waste of time. Person can get married a dozen times. Lots of folks do. Family like ours, know everybody in the state of Texas and around outside, why, you could spend your life going to weddings. But a funeral, that's different. You only die once.
Edna Ferber (Giant)
As the years go by those relationships are tested, and only then do you realize their true nature. Only after they've been tested through weddings, moves, funerals, divorces, births and other stages in life are you able to judge them. Until then, 'best friend', 'good guy', etc are only labels. In the end, it's interesting; often surprising to see the results.
Benjamin J. Carey (Barefoot in November)
The ceremonies that persist—birthdays, weddings, funerals— focus only on ourselves, marking rites of personal transition. […] We know how to carry out this rite for each other and we do it well. But imagine standing by the river, flooded with those same feelings as the Salmon march into the auditorium of their estuary. Rise in their honor, thank them for all the ways they have enriched our lives, sing to honor their hard work and accomplishments against all odds, tell them they are our hope for the future, encourage them to go off into the world to grow, and pray that they will come home. Then the feasting begins. Can we extend our bonds of celebration and support from our own species to the others who need us? Many indigenous traditions still recognize the place of ceremony and often focus their celebrations on other species and events in the cycle of the seasons. In a colonist society the ceremonies that endure are not about land; they’re about family and culture, values that are transportable from the old country. Ceremonies for the land no doubt existed there, but it seems they did not survive emigration in any substantial way. I think there is wisdom in regenerating them here, as a means to form bonds with this land.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
I remember your parents' funeral, JJ. It was the hardest one I'd ever done in my career... I didn't think I was going to make it through the service, but I looked out and saw you, JJ, standing there in the pew. Your eyes were dry. Your chin was up. I saw such strength. I wondered what your parents did that made you so strong at such a young age. But then I noticed you were holding Phillip's hand tightly, just like you are now, and I knew where all that strength came from. It's from each other. You get strength from each other. Whatever you face in life, I hope you face it like you are now. Han in hand. United. If you do that, you'll make it. You'll have a wonderful marriage.
Jillian Dodd (That Wedding (That Boy, #2))
Everything is ... so white." "Of course it's white," said Simon. "It's a wedding." "White for Shadowhunters is the color of funerals," Luke explained. "But for mundanes, Jace, it's the color of weddings. Brides wear white to symbolize their purity." "I thought Jocelyn said her dress wasn't white," Simon said. "Well," said Jace, "I suppose that ship has sailed." Luke choked on his coffe.
Cassandra Clare
Well, if the funeral was mine I’d have to be on time. If the wedding was mine it would be my funeral.” I was always quick with the mouth. I would never learn.
Charles Bukowski (Ham on Rye)
According to the Talmud, if a funeral procession and a wedding procession cross paths, the wedding party goes first. Life is more important than death.
Anita Diamant (The Boston Girl)
We'd gotten him wrong. He wasn't a dunce. He was an artist. According to these pages, he'd seen us all a good deal clearer than we'd ever seen him.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
The most momentous events in life—baptisms, weddings, and funerals—don’t seem to take much time, but the effects of them bind up the whole of your existence.
Sharyn McCrumb (The Unquiet Grave (Ballad #12))
The problem with having a family made up of friends is that once they decided to leave, you didn’t run into them at weddings and funerals. Once they left, you never saw them again.
Lara Lillibridge (Girlish: Growing Up in a Lesbian Home)
Theodore Rex. Roosevelt was driven by ambition, idealism and vanity. As his daughter famously remarked: “My father always wanted to be the corpse at every funeral, the bride at every wedding, and the baby at every christening.
Margaret MacMillan (The War That Ended Peace: The Road to 1914)
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Atmosphere" is a massive song. A lot of people say it's their favorite Joy Division song, but it's not mine; it reminds me too much of Ian, like it's his death march or something, and it figures that it's one of the most popular songs to play at funerals: Robbie Williams has got "Angels" for weddings and we've got "Atmosphere" for funerals.
Peter Hook (Unknown Pleasures: Inside Joy Division)
All things that we ordained festival, Turn from their office to black funeral; Our instruments to melancholy bells, Our wedding cheer to a sad burial feast, Our solemn hymns to sullen dirges change, Our bridal flowers serve for a buried corse, And all things change them to the contrary.
William Shakespeare (Romeo and Juliet)
We went there for everything we needed. We went there when thirsty, of course, and when hungry, and when dead tired. We went there when happy, to celebrate, and when sad, to sulk. We went there after weddings and funerals, for something to settle our nerves, and always for a shot of courage just before. We went there when we didn't know what we needed, hoping someone might tell us. We went there when looking for love, or sex, or trouble, or for someone who had gone missing, because sooner or later everyone turned up there. Most of all we went there when we needed to be found.
J.R. Moehringer (The Tender Bar: A Memoir)
if you go and dance at a lot of weddings, youll cry at a lot of funerals. if you were at the beginning of many moments, youll be there when they end. if you have a lot of friends, youll experience that many break ups. if you think that the loss you feel is great, its because youve attempted that many things in your life. if you made a lot of mistakes, its better than having lived without doing anything at all. it is not unhappiness to be unable to reach a star, unhappiness is that you don't have a star that you cannot reach.
Elisabeth Kübler-Ross (Life Lessons: Two Experts on Death and Dying Teach Us about the Mysteries of Life and Living)
Funerals and weddings often take place in the same location. Some would also argue that they sometimes happen at the same time too.
Jarod Kintz (This Book is Not for Sale)
I don't do weddings, funerals or Tupperware parties.
Pamela Kay Walker (Moving Over the Edge: Artists with Disabilities Take the Leap)
A funeral accompanied with tears brings a family closer than a wedding accompanied with happiness.
Tomas Veres
I swear, you are the only girl I know who spends more time fantasizing about her funeral than her wedding.
Linda Budzinski (The Funeral Singer)
You have your wonderful memories,” people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
It is in Jesus’ name that desperate people pray, grateful people worship, and angry people swear. From christenings to weddings to sickrooms to funerals, it is in Jesus’ name that people are hatched, matched, patched, and dispatched.
John Ortberg (Who Is This Man?: The Unpredictable Impact of the Inescapable Jesus)
Experienced professionals? They have dragged out their life in stupor and semi-sleep, they have married hastily, out of impatience, they have made children at random. They have met other men in cafés, at weddings and funerals. Sometimes, caught in the tide, they have struggled against it without understanding what was happening to them. All that has happened around them has eluded them; long, obscure shapes, events from afar, brushed by them rapidly and when they turned to look all had vanished. And then, around forty, they christen their small obstinacies and a few proverbs with the name of experience, they begin to simulate slot machines: put a coin in the left hand slot and you get tales wrapped in silver paper, put a coin in the slot on the right and you get precious bits of advice that stick to your teeth like caramels.
Jean-Paul Sartre (Nausea)
But for an individual human being, moments are the thing. Moments are what we remember and what we cherish. Certainly we might celebrate achieving a goal, such as completing a marathon or landing a significant client—but the achievement is embedded in a moment. Every culture has its prescribed set of big moments: birthdays and weddings and graduations, of course, but also holiday celebrations and funeral rites and political traditions. They seem “natural” to us. But notice that every last one of them was invented, dreamed up by anonymous authors who wanted to give shape to time. This is what we mean by “thinking in moments”: to recognize where the prose of life needs punctuation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
The funerals without families, Weddings in waiting, The births in isolation. Let no one again Have to begin, love, or end, alone.
Amanda Gorman (Call Us What We Carry: Poems)
In the church I felt really angry when all the people came to shake our hands. This was the morning before the day of the funeral. We were sitting in the front row. We’d never seen these people when she was alive. I was angry they hadn’t helped us. Or her. I didn’t know who half of them were. And the ones I knew made me feel angrier. They’d known. Not the details. But they’d known. And they hadn’t done a thing, but came now to shake our hands and tell us how sorry they were for our loss. I was tempted to ask, Which loss in particular? We’ve more chance of actually raising our mother from the dead some Easter Sunday than ever getting back what we really lost. Which is ourselves, years before now.
Sinéad O'Connor (Rememberings)
Weddings are quite similar to funerals in that, apart from the main players, when it's all over, people are never quite sure what they should be doing next, which is why they see if there is any wine left.
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
Some people will each start investing more of their salary on ‘their’ house and spending less of it on ‘their’ car or cars only when they start being able to take ‘their’ house to work, funerals, weddings, etc.
Mokokoma Mokhonoana
Of course they were surprised. Hmmm, let’s see…She had all but disappeared from society. She and the groom skipped out on their own wedding—on their wedding day. Father had died, and she hadn’t attended the funeral.
Amy Quinton (What the Marquess Sees (Agents of Change Book 2))
This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.
Gabrielle Donnelly (The Little Women Letters)
That which interests most people leaves me without any interest at all. This includes a list of things such as: social dancing, riding roller coasters, going to zoos, picnics, movies, planetariums, watching tv, baseball games; going to funerals, weddings, parties, basketball games, auto races, poetry readings, museums, rallies, demonstrations, protests, children’s plays, adult plays … I am not interested in beaches, swimming, skiing, Christmas, New Year’s, the 4th of July, rock music, world history, space exploration, pet dogs, soccer, cathedrals and great works of Art. How can a man who is interested in almost nothing write about anything? Well, I do. I write and I write about what’s left over: a stray dog walking down the street, a wife murdering her husband, the thoughts and feelings of a rapist as he bites into a hamburger sandwich; life in the factory, life in the streets and rooms of the poor and mutilated and the insane, crap like that, I write a lot of crap like that
Charles Bukowski (Shakespeare Never Did This)
even if Noam Chomsky were right about everything, the Islamic doctrines related to martyrdom, jihad, blasphemy, apostasy, the rights of women and homosexuals, etc. would still present huge problems for the emergence of a global civil society (and these are problems quite unlike those presented by similar tenets in other faiths, for reasons that I have explained at length elsewhere and touch on only briefly here). And any way in which I might be biased or blinded by “the religion of the state,” or any other form of cultural indoctrination, has absolutely no relevance to the plight of Shiites who have their mosques, weddings, and funerals bombed by Sunni extremists, or to victims of rape who are beaten, imprisoned, or even killed as “adulteresses” throughout the Muslim world. I hope it goes without saying that the Afghan girls who even now are risking their lives by merely learning to read would not be best compensated for their struggles by being handed copies of Chomsky’s books enumerating the sins of the West
Sam Harris
Bethany Winston once told me that time was like a closet. No matter what you do or how good your intentions are, you will always fill your time and closets with things that don’t matter. “That’s why funerals are so important,” she’d said. “They force you to clean out closets and reevaluate how you spend your time. Without death, we’d never have empty closets.
Penny Reid (Dr. Strange Beard (Winston Brothers, #5))
Such diplomacy is not to be sneezed at, for the suit is a window to the soul: lightweight cotton when cash is tight, Italian cashmere when an inheritance lands; waistlines drawn in during illness or anxiety, and let out at times of excess. Weddings, funerals, christenings, and court appearances—all of life's landmarks are sanctified, quietly and confidentially, by one's tailor.
Ben Schott (Jeeves and the King of Clubs)
Simonides of Amorgos says, “Women are the greatest evil God ever created: if they sometimes seem useful, they soon change into trouble for their masters.” For Hipponax: “There are but two days in life when your wife brings you joy: her wedding day and her funeral.
Simone de Beauvoir (The Second Sex)
Reuben says in many cultures, the wedding ceremony and all of it's rituals are much the same as a funeral: a transition into another phase of life. It is like dying and being reborn, if you believe in the afterlife. If you don't believe in an afterlife, then you are toast
Suzanne Finnamore (Otherwise Engaged)
While I was at the funeral home, seeing my father for the final time, one of Darby’s daughters gave me a box my dad left for me. When I opened it, it contained a silver bracelet, presumably a gift he’d gotten me for the wedding. Inscribed on the front were my initials, and as I looked at the back of the bracelet, I started crying even harder. My dad had inscribed, “To the man that you’ve become, and the son you’ll always be.
Daniel Bryan (Yes: My Improbable Journey to the Main Event of WrestleMania)
A grin broke across Heath's hansome face. "The last time I saw such a collection of Boscastles in church was at Father's funeral. Who invited the mistresses?" "I think I did, "Grayson said, suppressing a yawn."God knows I've been sitting here so long my brain's gone stiff." "You invited them to a wedding?" "It's not my wedding thank God." "Well, it is your chapel." "Ergo I invite whom I please." "Someone might have thought to invite the groom.
Jillian Hunter (The Seduction of an English Scoundrel (Boscastle, #1))
Show Pleasant Riderhood a Wedding in the street, and she only saw two people taking out a regular license to quarrel and fight. Show her a Christening, and she saw a little heathen personage having a quite superfluous name bestowed upon it, inasmuch as it would be commonly addressed by some abusive epithet; which little personage was not in the least wanted by anybody, and would be shoved and banged out of everybody's way, until it should grow big enough to shove and bang. Show her a Funeral, and she saw an unremunerative ceremony in the nature of a black masquerade, conferring a temporary gentility on the performers, at an immense expense, and representing the only formal party ever given by the deceased. Show her a live father, and she saw but a duplicate of her own father, who from her infancy had been taken with fits and starts of discharging his duty to her, which duty was always incorporated in the form of a fist or a leathern strap, and being discharged hurt her. All things considered, therefore, Pleasant Riderhood was not so very, very bad.
Charles Dickens (Our Mutual Friend)
The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders. ("The Candy Skull")
Ray Bradbury
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
I see a cathedral, for instance, one that’s stood for centuries and I marvel and I wonder... How many people passed through the doors? What did they pray for? How many wars did they wish to see ended? How many christenings, weddings, and funerals? Same thing with a record, I guess. Who bought it? Did they ever make love while it was playing? How many times did they read the notes in the cover? Did a song on the album change their life? I suppose it's odd to think about things like that.
Benjamin R. Smith (Atlas)
Is that a fact, Miss Georgia Cracker? Maybe a gentleman does, but not a cowboy. The only time a real cowboy removes his hat is for a funeral, a wedding, or church. A cowboy likes to keep his hat close by in case he needs to get out in a real hurry. That thing you call a hat on your head is big enough for two barnyard owls to roost in.
Maggie Brendan (No Place for a Lady (Heart of the West, #1))
Even nowadays, children are often left at home during funerals, like dogs. Why should children be excluded from funerals when they’re so welcome at christenings and weddings? Not only can their presence be therapeutic for other adults and useful reminders that life, whatever death may do, goes on; not only is it unlikely that very young children will be upset, simply because they have only a vague idea of the concept of death. But not attending the funeral of someone close can be tremendously damaging for some people in later life. Middle-aged people who were not allowed to attend the funerals of grandparents or even parents, can still feel full of rage and sorrow.
Virginia Ironside (Youll Get Over It: The Rage Of Bereavement)
The Hermit I’d gladly climb the highest steeple To escape those middle minded people Jet Set Wedding I wake up screaming clutching my wedding band The garnet ring is still a constant companion on my finger But what happened to the marriage? Fruitland Ave He taught her not to love nor hate And he my friend was double gate The Closing (On Death and Acceptance) When he died the funeral took place at her bank And sadly enough she’s down to her very last frank The Misogynist He sits on his throne a hilltop alone For women’s neurosis cause men’s psychosis Home Sweet Home The neurotic builds the dreamhouse The psychotic becomes his spouse Monogamy I’d rather be someone’s concubine, smell the honeysuckle Taste the wine, than end up being a clinging vine The Gour Maid I like champagne, and french brie, and camembert And men that don’t get in my hair
Elissa Eaton (Too Old to be a Hooker, Too Young to be a Madam)
Father [Teddy] always wanted to be the bride at every wedding, the corpse at every funeral, and the baby at every christening.
Alice Roosevelt Longworth
the bride at every wedding and the corpse at every funeral,
Greg King (The Assassination of the Archduke: Sarajevo 1914 and the Romance That Changed the World)
In death, Franz at last belonged to his wife. He belonged to her as he had never belonged to her before. Marie-Claude took care of everything: she saw to the funeral, sent out announcements, bought the wreaths, and had a black dress made - a wedding dress, in reality. Yes, a husband's funeral is a wife's true wedding! The climax of her life's work! The reward of her sufferings!
Milan Kundera (The Unbearable Lightness of Being)
We looked as if we’d been cobbled together in Photoshop, the three of us, walking to my husband’s funeral. One white middle-class mother, one skinny black refugee girl, and one small Dark Knight from Gotham City.
Chris Cleave (Little Bee)
News of the disaster at Little Bighorn reached the Eastern Seaboard shortly after July 4, and not just any ordinary July 4 but the grand celebration of the hundredth anniversary of the founding of the Republic. A country feeling its oats, flexing its muscles, vigorous and rich, cocksure and confident, has seen the impossible happen, the unthinkable become fact. Sitting Bull has spoiled their glorious Centennial, pissed on Custer's golden head, the head of a genuine Civil War hero, the head of someone who has recently been touted as a future President of the United States. Somehow a wedding and a funeral got booked for the same hour in the same church.
Guy Vanderhaeghe (A Good Man)
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
And it struck Obinze that, a few years ago, they were attending weddings, now it was christenings and soon it would be funerals. They would die. They would all die after trudging through lives in which they were neither happy nor unhappy.
Chimamanda Ngozi Adichie (Americanah)
Later, Kennedy would realize how often her mother used money to avoid discussing her past, as if poverty were so unthinkable to Kennedy that it could explain everything: why her mother owned no family photographs, why no friends from high school ever called, why they’d never been invited to a single wedding or funeral or reunion. ‘We were poor,’ her mother would snap if she asked too many questions, that poverty spreading to every aspect of her life. Her whole past, a barren pantry shelf.
Brit Bennett (The Vanishing Half)
That's why you look down on me, because you know I lie. At wakes, at funerals, at weddings - yes, I lie. I lie at wakes and funerals to relieve pain. 'Cause reading, writing, and 'rithmetic is not enough. You think that's all the sent you to school for? They send you to school to relieve pain, to relieve hurt - and if you have to lie to do it, then you lie. You lie and you lie and you lie. When you tell yourself you feeling good when you sick, you lying. When you tell other people you feeling well when you feeling sick, you lying. You tell them that 'cause they have pain too, and you don't want to add yours - and you lie. She been lying every day of her life, your aunt in there. That's how you got through that university - cheating herself here, cheating herself there, but always telling you she's all right. I've seen her hands bleed from picking cotton. I've seen the blisters from the hoe and the cane knife. At that church, crying on her knees. You ever looked at the scabs on her knees, boy? Course you never. 'Cause she never wanted you to see it. And that's the difference between me and you, boy; that make me the educated one, and you the gump. I know my people. I know what they gone through. I know they done cheated themself, lied to themself - hoping that one they all love and trust can come back and help relieve the pain.
Ernest J. Gaines (A Lesson Before Dying)
Someone should sing, Silver thinks, and then someone does-a low, somewhat hoarse man's voice singing "Amazing Grace" quietly but with great sincerity. Ruben's eyes grow wide, and almost in the same instant that it occurs to Silver that "Amazing Grace" is not sung at Jewish funerals, he recognizes the singing voice as his own. But Mrs. Zeiring is looking at him, not with anger or surprise, but a strange half-smile, and he decides that the only thing worse than spontaneously breaking into a Christian hymn at a Jewish funeral while dressed for a wedding would be to not finish it. So he does...
Jonathan Tropper (One Last Thing Before I Go)
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
S.E. Hinton (The Outsiders)
Hester, meanwhile, says we should live all of life back to front. We should be born old and age younger. Our baptism should be a ritual of our funeral. We should die as infants, content in our mothers' arms, having lost all our learning and all sense of disappointment. If only we could die, she says, not knowing we'd ever grieved.
Timothy Schaffert (The Swan Gondola)
Why do you butcher your carabao and feed a throng because your son is getting a wife?" Father always blustered to them who come asking for loans. But always, in the end, the tenants got the money--what they needed for a "decent" funeral, a baptism, a wedding. And as their debts piled up, they promised, "Next harvest will be good...
F. Sionil José (Tree (Rosales Saga, #2))
Violence; violence, and power, in the context of yet somebody else walking up to the groaning boards of fantasy’s eternal wedding feast, still laden with the cold meats from Tolkien’s funeral, and cheekily joining everyone who’s trying to send the whole thing smashing to the ground just to hear the noise all that crockery will make. —But! Also: genderfuck, hearts broken cleanly and otherwise, the City of Portland, Spenser, those moments in pop songs when the bass and all of the drums except maybe a handclap suddenly drop out of the bridge leaving you hanging from a slender aching thread of melody waiting almost dreading the moment when the beat comes back, and the occasional bit of swordplay.
Kip Manley
... I wondered what my husband was doing right then and I wondered what he'd ever do now that we'd both have to do things in this new kind of without, the kind of without that was final, the kind that meant there would be no apologies, no forgiveness, and now we'd each have to go about the slug of waking, bathing, eating, without the other as a witness, this person we'd split so much of our lives with, a person who housed entire armies of information about the other and who, I wondered, who would we thumb over our pasts with and who would notice how golden my husband's pale skin became in the lamplight in his office so late at night when his mind would move chalk sticks across, across, across, creating problems and solutions and problems and solutions and if there was no one to notice these things about my husband would my husband even exist anymore? And where would all the me that he had housed in himself go if I wasn't there to be with him and see what he kept of me in him, and did the versions of each of us that we had crafted so exactly and precisely for the other person, did those versions just evaporate, just die, just disappear, just fall out of a building somewhere in each of our brains and if they did then why didn't we get to have funerals for them? I loved the he that he was to me. I loved him and he is dead and I want a black moment for that man. Give me a black moment for that.
Catherine Lacey (Nobody Is Ever Missing)
Parts of rural China are seeing a burgeoning market for female corpses, the result of the reappearance of a strange custom called "ghost marriages." Chinese tradition demands that husbands and wives always share a grave. Sometimes, when a man died unmarried, his parents would procure the body of a woman, hold a "wedding," and bury the couple together... A black market has sprung up to supply corpse brides. Marriage brokers—usually respectable folk who find brides for village men—account for most of the middlemen. At the bottom of the supply chain come hospital mortuaries, funeral parlors, body snatchers—and now murderers. —"China's Corpse Brides: Wet Goods and Dry Goods" The Economist, July 26, 2007
Danica Novgorodoff (The Undertaking of Lily Chen)
Oh, there had been divorced Presidents, even, late in the twentieth century, one who had survived a White House divorce to the extent of being re-elected. Of course old Gus Time hadn't made any mistake in the marital department. Sixty years of wedded bliss. The grin came and went. Old fox! They said when he was in his early twenties and so new in Washington he still smacked of the boondocks, he had cast his eyes around all the Washington wives: he picked Senator Black's wife Olive for her beauty, her brains, her organizational genius and her relish of public life, then simply stole her from the Senator. It worked, though she was thirteen years older than he. She was the greatest First Lady the country had ever known. But behind the scenes - Oh man, what a tartar! Not that he had ever heard old Gus complain. The public lion was perfectly content to be a private mouse. Gus do this, Gus don't do that - and he was so lost when she died that he abandoned Washington the moment her funeral was over, went to live in his home state of Iowa and died himself not two months later.
Colleen McCullough (A Creed for the Third Millennium)
A funeral march isn't exactly cheerful, Erik's voice resumed, whereas a wedding march . . . It's magnificent! You must make up your mind and know what you want! As for me, I can't go on living like this, underground, in a hole, like a mole! Don Juan Triumphant is finished, and now I want to live like everyone else. I want to have a wife like everyone else and go out walking with her on Sundays. . . You'll be the happiest of women. And we'll sing for ourselves alone, we'll sing till we're ready to die from pleasure. . . . You're crying! You're afraid of me! But I'm really not a bad man. Love me and you'll see! To be good, all I ever needed was to be loved. If you loved me, I'd be as gentle as a lamb and you could do whatever you pleased with me.
Gaston Leroux (The Phantom of the Opera)
We are supposed to consume alcohol and enjoy it, but we're not supposed to become alcoholics. Imagine if this were the same with cocaine. Imagine we grew up watching our parents snort lines at dinner, celebrations, sporting events, brunches, and funerals. We'd sometimes (or often) see our parents coked out of our minds the way we sometimes (or often) see them drunk. We'd witness them coming down after a cocaine binge the way we see them recovering from a hangover. Kiosks at Disneyland would see it so our parents could make it through a day of fun, our mom's book club would be one big blow-fest and instead of "mommy juice" it would be called "mommy powder" There'd be coke-tasting parties in Napa and cocaine cellars in fancy people's homes, and everyone we know (including our pastors, nurses, teachers, coaches, bosses) would snort it. The message we'd pick up as kids could be Cocaine is great, and one day you'll get to try it, too! Just don't become addicted to it or take it too far. Try it; use it responsibly. Don't become a cocaine-oholic though. Now, I'm sure you're thinking. That's insane, everyone knows cocaine is far more addicting than alcohol and far more dangerous. Except, it's not...The point is not that alcohol is worse than cocaine. The point is that we have a really clear understanding that cocaine is toxic and addictive. We know there's no safe amount of it, no such thing as "moderate" cocaine use; we know it can hook us and rob us of everything we care about...We know we are better off not tangling with it at all.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
I still get more wedding invitations, but I find I enjoy the memorials more.’ ‘Because you don’t have to bring a present?’ ‘Well, that helps a great deal, but mainly because one gets a better crowd when someone really distinguished dies.’ ‘Unless all his friends have died before him.’ ‘That, of course, is intolerable,’ said Nicholas categorically. ‘Ruins the party.’ ‘Absolutely.’ ‘I’m afraid I don’t approve of memorial services,’ said David, taking another puff on his cigar. ‘Not merely because I cannot imagine anything in most men’s lives that deserves to be celebrated, but also because the delay between the funeral and the memorial service is usually so long that, far from rekindling the spirit of a lost friend, it only shows how easily one can live without him.’ David
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
I like to see the long line we each leave behind, and I sometimes imagine my whole life that way, as though each step was a stitch, as though I was a needle leaving a trail of thread that sewed together the world as I went by, crisscrossing others' paths, quilting it all together in some way that matters even though it can hardly be traced. A meandering line sutures together the world in some new way, as though walking was sewing and sewing was telling a story and that story was your life. A thread now most often means a line of conversation via e-mail or other electronic means, but thread must have been an even more compelling metaphor when most people witnessed or did the women's work that is spinning. It is a mesmerizing art, the spindle revolving below the strong thread that the fingers twist out of the mass of fiber held on an arm or a distaff. The gesture turns the cloudy mass of fiber into lines with which the world can be tied together. Likewise the spinning wheel turns, cyclical time revolving to draw out the linear time of a thread. The verb to spin first meant just this act of making, then evolved to mean anything turning rapidly, and then it came to mean telling a tale. Strands a few inches long twine together into a thread or yarn that can go forever, like words becoming stories. The fairy-tale heroines spin cobwebs, straw, nettles into whatever is necessary to survive. Scheherazade forestalls her death by telling a story that is like a thread that cannot be cut; she keeps spinning and spinning, incorporating new fragments, characters, incidents, into her unbroken, unbreakable narrative thread. Penelope at the other end of the treasury of stories prevents her wedding to any one of her suitors by unweaving at night what she weaves by day on her father-in-law's funeral garment. By spinning, weaving, and unraveling, these women master time itself, and though master is a masculine word, this mastery is feminine.
Rebecca Solnit
That Easter Monday evening, Mrs Miggs, in her ninety-sixth year, rolled up her crochet, and took in her chair, at the end of the afternoon, and closed her door and went to bed, early, as she always did, in the room that used to be the parlour, for she had not been able to climb the stairs since breaking her hip five years before, and in the night, in her sleep, died. And so there was a funeral service at the church to follow the farrier’s wedding, and people in Barley felt saddened, for Mrs Miggs was so well-known and liked, such a familiar figure, she had seemed immortal, and another link with the old days, the old village life, was severed. Sad too, we said, that she did not reach her hundredth year, to which she was looking forward. There would have been a party for her and the children would have made posies and taken them, and sung to her outside her window in the early morning. But a good funeral service, at the peaceful end of a long life, is not altogether an occasion for mourning. This one felt fitting, and things were in their proper order.
Susan Hill (The Magic Apple Tree: A Country Year)
President Grant sent a note to Golden. The note read that there was a member of the stake presidency from Coalville, who had passed away. His wife had requested Golden speak at the funeral. Golden didn’t get the note until he returned from a Church assignment in Southern California. By then the funeral was in an hour, and Coalville was almost two hours away He hopped in his Model T and drove as fast as he could. When he arrived, the funeral was almost over. The bishop saw Golden walk in. "Brother Kimball, come forward. We’d like to hear from you." He went up and said, "I’m very happy to be here. I’m sorry I’m late. I want to tell you what a wonderful person this man was. I knew him, I’ve stayed in his home. He was an inspiration to me. He was a good father, he was a good husband. He goes to a great reward." As he started to hit his stride, he looked out in the audience. About the eighth row back, there sat the man he thought was dead! So he looked down in the casket. He did not recognize the man lying there. Confused, he turned and said, "Say Bishop, who the hell’s dead around here anyway?
James Kimball
The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower...'Habitualization,' a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, 'devours works, clothes, furniture, one's wife, and the fear of war.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
My mouth went paper-dry as Alis fluffed out the sparkling train of my gown in the shadow of the garden doors. Silk and gossamer rustled and sighed, and I gripped the pale bouquet in my gloved hands, nearly snapping the stems. Elbow-length silk gloves- to hide the marking. Ianthe had delivered them herself this morning in a velvet-lined box. 'Don't be nervous,' Alis chuckled, her tree-bark skin rich and flushed in the honey gold evening light. 'I'm not,' I rasped. 'You're fidgeting like my youngest nephew during a haircut.' She finished fussing over my dress, shooing away some servants who'd come to spy on me before the ceremony. I pretended I didn't see them or the glittering, sunset-gilded crowd seated in the courtyard ahead, and toyed with some invisible fleck on my skirts. 'You look beautiful,' Alis said quietly. I was fairly certain her thoughts on the dress were the same as my own, but I believed her. 'Thank you.' 'And you sound like you're going to your funeral.' I plastered a grin on my face. Alis rolled her eyes. But she nudged me toward the doors as they opened on some immortal wind, lilting music streaming in. 'It's be over faster than you can blink,' she promised, and gently nudged me into the last of the sunlight.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
And once we get hold of it, how do you destroy a Horcrux?” asked Ron. “Well,” said Hermione, “I’ve been researching that.” “How?” asked Harry. “I didn’t think there were any books on Horcruxes in the library?” “There weren’t,” said Hermione, who had turned pink. “Dumbledore removed them all, but he--he didn’t destroy them.” Ron sat up straight, wide-eyed. “How in the name of Merlin’s pants have you managed to get your hands on those Horcrux books?” “It--it wasn’t stealing!” said Hermione, looking from Harry to Ron with a kind of desperation. “They were still library books, even if Dumbledore had taken them off the shelves. Anyway, if he really didn’t want anyone to get at them, I’m sure he would have made it much harder to--” “Get to the point!” said Ron. “Well…it was easy,” said Hermione in a small voice. “I just did a Summoning Charm. You know--Accio. And--they zoomed out of Dumbledore’s study window right into the girls’ dormitory.” “But when did you do this?” Harry asked, regarding Hermione with a mixture of admiration and incredulity. “Just after his--Dumbledore’s--funeral,” said Hermione in an even smaller voice. “Right after we agreed we’d leave school and go and look for the Horcruxes. When I went back upstairs to get my things it--it just occurred to me that the more we knew about them, the better it would be…and I was alone in there…so I tried…and it worked. They flew straight in through the open window and I--I packed them.” She swallowed and then said imploringly, “I can’t believe Dumbledore would have been angry, it’s not as though we’re going to use the information to make a Horcrux, is it?” “Can you hear us complaining?” said Ron.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn’t say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure.
Tobias Wade (The First Man: An Enlightened Journey (Shell Seven Book 1))
It is the very ones who accuse the Bible of corruption who are the true corruptors. You will see that they took select portions of Scripture and after they twisted it and laced it with deadly cyanide, they concocted a whole new Bible that they call the Qur’an and claim it is the final Word of God. Like their god, the accuser, the corruptors accuse the virtuous of corruption, the murderers accuse the innocent of murder, the haters accuse the righteous of hate, the warmongers accuse the peaceful of war, the lovers of death accuse those who love life with cowardice, while cowards who promote instant death are given the title of the brave. Murderers are martyrs, their funerals are weddings, and their victims are criminals unworthy of even a funeral. Their heaven is debauchery and their earth is a hell devoid of even the most innocent music or wedding dance. Everything is turned upside down.
Walid Shoebat (God's War on Terror: Islam, Prophecy and the Bible)
Even if we do not suffer from religious mania, unrequited love, loneliness or jealousy, most readers can identify with Burton’s account of information overload over three centuries before the invention of the internet, an extraordinary broadside which is worth quoting in full: I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken cities besieged in France, Germany, Turkey, Persia, Poland &c. daily musters and preparations, and such like, which these tempestuous times afford, battles fought, so many men slain, monomachies, shipwrecks, piracies, and sea-fights, peace, leagues, stratagems, and fresh alarms. A vast confusion of vows, wishes, actions, edicts, petitions, lawsuits, pleas, laws, proclamations, complaints, grievances, are daily brought to our ears. New books every day, pamphlets, currantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion &c. Now come tidings of weddings, maskings, mummeries, entertainments, jubilees, embassies, tilts and tournaments, trophies, triumphs, revels, sports, plays; then again, as in a new shifted scene, treasons, cheating tricks, robberies, enormous villanies in all kinds, funerals, burials, deaths of Princes, new discoveries, expeditions; now comical then tragical matters. To-day we hear of new Lords and officers created, to-morrow of some great men deposed, and then again of fresh honours conferred; one is let loose, another imprisoned; one purchaseth, another breaketh; he thrives, his neighbour turns bankrupt; now plenty, then again dearth and famine; one runs, another rides, wrangles, laughs, weeps &c. Thus I daily hear, and such like, both private and public news.37 And that way, Burton reminds us, that way madness lies…
Catharine Arnold (Bedlam: London and Its Mad)