Vacation Sad Quotes

Standing here, in this quiet house where I can hear the birds chirping out back, I think I’m kind of getting the concept of closure. It’s no big dramatic before-after. It’s more like that melancholy feeling you get at the end of a really good vacation. Something special is ending, and you’re sad, but you can’t be that sad because, hey, it was good while it lasted, and there’ll be other vacations, other good times.

Americans have an inability to relax into sheer pleasure.Ours is an entertainment seeking-nation, but not necessarily a pleasure-seeking one....This is the cause of that great sad American stereotype- the overstressed executive who goes on vacation, but who cannot relax.

I enjoy melancholic music and art. They take me to places I don't normally get to go.

Something special is ending, and you're sad, but you can't be that said because, hey, it was good while it lasted, and there'll be other vacations, other good times.

Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that's not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But...we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don't really know how to do NOTHING. This is the cause of that great sad American stereotype-the overstressed executive who goes on vacation but who cannot relax.

You’re not a vacation, and you’re not the answer to my career crisis, but when I’m in a crisis or I’m sick or I’m sad, you’re the only thing I want. And when I’m happy, you make me so much happier. I still have a lot to figure out, but the one thing I know is, wherever you are, that’s where I belong. I’ll never belong anywhere like I belong with you. No matter what I’m feeling, I want you next to me. You’re home to me, Alex. And I think I’m that for you too.

But I want companionship, the security of knowing someone has my back, the ability to comfort and be comforted. Friendship. Vacations. Maybe even kids one day. Someone solid. Predictable. A person who doesn’t need passion and sparks to build a lasting relationship. I don’t know that I’ll ever find that individual—and that makes me extraordinarily sad.

I think I'm kind of getting the concept of closure. It's no big dramatic before-after. It's more like that melancholy feeling you get at the end of a really good vacation. Something special is ending, and you're sad, but you can't be that sad because, hey, it was good while it lasted, and there'll be other vacations, other good times. - Adam

Did A tell you your eyes remind me of blown glass? I can see your soul through those eyes, Amy. They get darker when you’re trying to be sexy and shine when you smile. And when you think you’re in trouble you blink double the amount that you usually do. And when your sad the corners of your eyes turn down. I miss your eyes. And I don’t want the sad ones to be my last memory of you.

It’s okay to be sad, Mummy.” Lucy promised on a know-it-all whisper. “But don’t be sad all day. He only went on vacation. He wouldn’t leave us forever. He loves us too much.

Getting responses on "Through the Milky Way" that it is creating an emotional investment by some of my readers. A gentleman I have know for awhile took the book on a vacation to the beach. While reading it, his wife came up to him and asked him why he was crying. He told her the book was sad and something he could relate to. Had others with the same response.

How are you? I'm shattered, thanks, how are you? I walk aimlessly through the rooms of my house, what have you been up to? I have woken up in the middle of the last 240 nights in a heart-pounding sweat, what's new with you? I sometimes wish I would never wake up, have you been on vacation this year? I ache for the arms of my sweetheart to hold me tight, how's your family? I feel barren and useless and creepy and mundane, seen any good movies lately? I'm terrified that I'll feel this way forever, I like that sweater you're wearing. I keep seeing his body on the hospital gurney, don't you love this weather. My broken heart is in my throat, let's do lunch. I'm so completely and utterly tired of being sad, thanks, how are you?

Fear, anger, sadness, disgust, shock, worry, and apathy are some of the major negative flavours in a human life. Imagine there is an Asurrah. It finds a person who is fearful. It will enter his body and savour fear. It will try to keep him fearful as long as possible, but when the fear is no longer there, it will abandon his body. It will then search for some other target. Suppose it found a sad person. It will enter her body and savour sadness and prolong it if possible. When she is no longer sad, it will vacate her body. It will proceed on to find new targets who are fearful, angry, sad, disgusted, shocked, worried, apathetic to others, etc.

Maya yearns for that time in her own life, not out of some need to escape reality—reality is fine—but simply because she was born that way. Born to yearn, as some people are, for more magical times. This is her fourth acid trip, so she knows about the sadness of coming down, the sense of God having vacated the garden.

In the distance, people were living lives, having fun, learning, making money, fighting and walking around and falling in and out of love. People were being born, growing up, dropping dead. Trevor was probably spending his Christmas vacation with some woman in Hawaii or Bali or Tulum. He was probably fingering her at that very moment, telling her he loved her. He might actually be happy. I shut the window and lowered all the blinds.

A sign that part of your spirit has vacated the premises of your body is when you feel constant boredom or sadness, or like something is missing from your life but you can’t figure out what it is. What is missing may be you!

My father told his acquaintances about that for years, even though both Hannah and I had given up on wormholes and the Child Genius series very soon afterward. That must have made my father sad, as it had made him sad when we stopped being excited about family vacations, when we stopped being open about our interests, and left home and pursued lives of our own. It was just regular growing up, of course, the kind everyone does, but it still made him sad, I know, like the memory I have of the time he dropped me off at the train station when I was going back to Chicago. I could see him through the window of the train, but he couldn't see me through the tinted glass. From up in the train, he looked so small. If he'd seen me, he would have smiled and waved, but he didn't know I could see him, and the sadness on his face was exposed to me then. He looked lost. He stood there on the platform a long time, even after my train started pulling away, still trying to catch a glimpse of me waving back.

The model for South America was Broadway actress Maxine Elliot. North America, a pretty blonde, was modeled on Maud Coleman Woods of Charlottesville, Virginia. (Sadly, she would die of typhoid fever that summer, ten days before McKinley arrived in Buffalo, thereby never living to see herself on a coaster, every southern belle’s dream.)

The sad truth is, John and I and the kids only took Route 66 once on our trips to Disneyland. Our family, like the rest of America, succumbed to the lure of faster highways, more direct routes, higher speed limits. We forgot about taking the slow way. It makes you wonder if something inside us knows that our lives are going to pass faster than we could ever realize. So we run around like chickens about to lose our heads. Which makes our little two- or three-week vacations with our families more important than ever... As for the time that elapsed between those vacations, that’s another thing altogether. It seems to have all passed breathlessly, like some extended whisper of days, months, years, decades. (pp.39-40)

The neighborhood of Gramercy Park, where Edwin used to live, was built to look like London, which is to say that its considerable beauty is skin deep while its heart beats with the ugliness of monarchy. And at its very center, inside the gates keeping out the riffraff that is all New York, stands the statue of the sad and fancy Edwin Booth, dressed as Hamlet, his signature role.

In 1965, a Senate subcommittee predicted that by the year 2000, Americans would work fourteen-hour weeks and take nearly two months of vacation time. Instead, the average American gets ten days of paid vacation and nearly one in four gets no paid holidays at all. Sadly, two things occurred that prevented a drop in working hours: a rise in consumerism and a steep rise in income inequality.

What women do with their bodies as long as they're around men with power and money actually seems to me very near to prostitution. I still don't catch the subtle difference between the sort of femininity sold in magazines and that of the whore. And although they might not state their price openly, I'm under the impression of having met a lot of whores since then. Lots of women who aren't interested in sex but know how to draw profit from it. Women who sleep with men who are old, ugly, boring, or depressingly stupid, but socially powerful. Women who marry them and fight to gain as much money as they can when they divorce. Who think it's normal to have their bills paid, to be taken on vacation, to be spoiled. Who even see this as an achievement. I find it sad listening to women talk about love as an implicit financial contract.

There’s a lot a vacation can do: help you unwind, see some different-looking squirrels, but it cannot fix deeper issues, like how you behave in group settings. We can take you on a hike. We cannot turn you into someone who likes hiking. Remember, you’re still gonna be you on vacation. If you are sad where you are, and then you get on a plane to Italy, the you in Italy will be the same sad you from before, just in a new place.

Going on vacation?” the conductor asked. “Something like that,” Linus said. “They’re certainly not kidnapping me,” David told the conductor. “Because I’m an adult who does adult things, like taxes and laundry and being sad for no reason.

The poet Jack Gilbert (no relation, sadly for me) wrote that marriage is what happens "between the memorable." He said that we often look back on our marriages years later, perhaps after one spouse has died, and all we can recall are "the vacations, and emergencies"--the high points and low points. The rest of it blends into a blurry sort of daily sameness. But it is that very blurred sameness, the poet argues, that comprises marriage. Marriage is those two thousand indistinguishable conversations, chatted over to thousand indistinguishable breakfasts, where intimacy turns like a slow wheel. How do you measure the worth of becoming that familiar to somebody--so utterly well knows and so thoroughly ever-present that you become an almost invisible necessity, like air?

OK,” he said. “I have a question. I hope this doesn’t sound rude, but if you don’t drink, smoke, or do drugs, what the hell do you do for fun?” “This,” I said. “This.” I understand this question more than i understand most questions about sobriety. I understand it because I know exactly where it comes from and exactly why people ask. And I understand why it seems so incomprehensible. I understand it because it was my question. How do you vacation in Mexico without tequila, eat dinner without wine, brunch without champagne, party without shots? How do you live without the distinct pleasure of being silly drunk? Prior to October 2012, if you would have asked me what sobriety looked like, I would have said something that sounded like a fart noise while pointing two thumbs down. A life without alcohol might as well have been a death sentence of boring. A life half lived, with half smiles, that smelled like Clorox bleach. What I have discovered on this side of the bar scene is the exact opposite. Instead of the boring life I had anticipated before quitting booze, my life without alcohol is where my actual living began. Nothing was as half lived, forced, sad, or redundant as an existence that required alcohol to have fun.

I’m kind of getting the concept of closure. It’s no big dramatic before-after. It’s more like that melancholy feeling you get at the end of a really good vacation. Something special is ending, and you’re sad, but you can’t be that sad because, hey, it was good while it lasted, and there’ll be other vacations, other good times.

Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But as Luca Spaghetti pointed out, we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don’t really know how to do nothing. This is the cause of that great sad American stereotype—the overstressed executive who goes on vacation, but who cannot relax.

In order to grasp these types of behavior, it’s important to review the nature of human emotions. E-motions are energy in motion. They are the energy that moves us—our human fuel. Our emotions are also like the red light oil gauge on our car signaling us about a need, a loss or a satiation. Our anger is our strength; our fear is our discernment; our sadness is our healing feeling; our guilt is our conscience former; our shame signals our essential limitation and is the source of our spirituality. When our emotions are shamed, they are repressed. Repression involves tensing muscles and shallow breathing. One set of muscles is mobilized to block the energy of the emotion we’re ashamed to feel. Sadness is commonly converted into a false smile (reactive formation). I have often smiled when I felt sad. Once the energy is blocked, we no longer feel it. However, it is still a form of energy. It is dynamic. I already gave you the example of how repressed anger intensifies. Our anger explodes because it cannot be repressed anymore. In reenactment, the emotional energy is “acted out” or “acted in.” The behavior that set up the shaming event is repeated with surrogates who reenact the original shaming scene, or a person shames himself in the way he was originally shamed. This can occur through destructive self-talk, or it can happen when a person cuts himself or drives himself mercilessly, refusing to take breaks, get proper rest or take legitimate vacations.

In the gravedigger scene in act V, Hamlet looks upon an anonymous skull and jokes that even Alexander the Great decomposed into dust that could have been used to plug a beer barrel. But when Hamlet is shown this skull of his old friend Yorick, the prince becomes unspeakably sentimental and sad because he knew him.

Some people think they are punishing me when they hit their head against a wall. If that's not insane, I wonder what is. ‘Yes’, they say to themselves, ‘I'm going to punish you for being my boyfriend, by insulting you and destroying our relationship; I'm going to punish you for taking me on vacations, by disappearing, even if you are the one with the house keys; I’m going to punish you for giving me books to read, by not reading them; I'm going to punish you for complaining about my behavior, by becoming a much worse person; and well, why not too, why not committing suicide to prove you that my life has no value and you are wrong in thinking it does?’ It is so sad when people are literally as stupid and dumb as they are insane.

was sitting with Sophie Koh, who is awesome and has been my one and only best friend since my original best friend, Meredith Timms, turned into a total Fembot and I had to take a vacation from not only being her best friend, but from even being her friend at all. Which is very sad and tragic, but is a whole

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

Many more Christians than we would imagine have attached their Christianity to their pursuit of the “American dream.” Whether they know it or not, they have bought into the cultural definition of success, and they are pursuing the culture’s portrait of the “good life”: career success, financial ease, the big house, the trendy wardrobe, the fancy food, and the extravagant vacations. And because they are, they spend most of their physical, emotional, and spiritual energy gaining, maintaining, keeping, and enjoying these things, rather than investing in the eternal treasures of the kingdom of God through the vehicle of their local church. Sadly, the cultural dream is their vocation, and their Christianity is relegated to a religious pastime.

I had never before been so tortured by the slowness of the Mexico City traffic; the irritability of the drivers; the savagery of the dilapidated trucks that ought to have been banned ages ago; the sadness of the begging mothers carrying children in their shawls and extending their calloused hands; the awfulness of the crippled and the blind asking for alms; the melancholy of the children in clown costumes trying to entertain with their painted faces and the little balls they juggled; the insolence and obscene bungling of the pot-bellied police officers leaning against their motorcycles at strategic highway entrances and exits to collect their bite-size bribes; the insolent pathways cleared for the powerful people in their bulletproof limousines; the desperate, self-absorbed, and absent gaze of old people unsteadily crossing side streets without looking where they were going, those white-haired, but-faced men and women resigned to die the same way as they lived; the giant billboards advertising an imaginary world of bras and underpants covering small swaths of perfect bodies with white skin and blonde hair, high-priced shops selling luxury and enchanted vacations in promised paradises.

It was a little sad to watch rom-coms alone while on vacation in Spain, even for me.

Eventually my father bought a vacation house for us in Port Saint Lucie, Florida. My dad's friend had died, so my father bought the house from his widow. We would go down there once a year, and my father believed that he had bought a good investment property. Twelve years later he would sell it at a loss. Almost immediately after the sale, Club Med built a resort there near where the New York Mets would set up their spring training camp soon after. I've tracked articles since then about how Port Saint Lucie has had the fastest growing home prices in the country. When I told my friends at Rye Country Day that we had bought a second home in Florida, they were unimpressed because it was not Palm Beach. When I told my friends in Tarrytown that we had bought a house in Florida, they were sad and asked me when my family was moving. Gosh, poor people can be really dumb sometimes.

RSL has more star-liners than any other company, and covers every commercial route in known space. Demeter is one of the biggest, carrying up to 4500 passengers and crew at any single point on its never-ending, circular cruise around the Terran Empire. And me? Where do I fit in? My name is Sean Lange, and you will probably have never heard of me. It’s sad somehow, I always wanted to leave some kind of a legacy in this life, and perhaps to be remembered. Instead, circumstances have arranged it so that this is probably the last time I will ever use that name.

Some people think they are punishing me when they hit their head against a wall. If that's not insane, I wonder what is. Yeah, I'm going to punish you for being my boyfriend, by insulting you and destroying our relationship. I'm going to punish you for taking me on vacations, by disappearing, even if you are the one with the house keys. I'm going to punish you for giving me books to read, by not reading them. I'm going to punish you for complaining about my behavior, by becoming a much worse person. And well, why not, I'm going to commit suicide to prove you my life has no value and you are wrong in thinking it does? It's so sad when people are literally as stupid and dumb as they are insane.

That man has ruined me for the rest of this vacation. If it’s not going to be him beating up my walls, then I guess I’m going out sad because my kitty is not purring for anyone else.

Raised in the city, with only vacation trips to Scottsbluff and Bayard, it was easy to be nostalgic for a vanishing way of life when I didn't ever have to suffer through its hardships. Still, passing back through town, past all of the shuttered storefronts and abandoned buildings, I lamented aloud how sad it was to see Bayard dying this slow death. "Is it?" Dad asked. He sounded somewhere between quizzical and professorial. "Maybe this town has served its purposed, and now it's time for it to fade into history.

As I look up at him, I see the sadness in his eyes. I see the pain that he still feels. Amelia was Jake’s high school sweetheart. Their senior year, while he and Blake were on vacation with their family, he got a call from a friend that her and her parents died in a house fire. I don’t remember much about Amelia, but I do remember how much they were in love. And what it did to him.

What I’m feeling now is more of an ache, a sadness. It’s worse than the blah-ness of not wanting anything much from life. It’s wanting something I can’t convince myself is even a possibility.

Her body is a vacated premises. It's like turning up to a house you know well, and finding it emptied and stripped to the fittings.

Letting go of friendships that aren’t working Moving Death of a loved one Teachers watching students graduate Retiring Coming home from vacation What all of the comments have in common is sadness about letting go of something, mixed with happiness and/or gratitude about what’s been experienced and/or what’s next.

Kevin Swift woke up to a series of unusual sounds. The first, not to mention easiest, for him to identify was crying—no, not just crying. Sobbing. It was the sound of someone sobbing manly tears, though they did not sound sad. The second sound was, strangely enough, a word: kawaii. Just what the heck someone was doing speaking Japanese was beyond him. It was the third sound, however, that caused him to open his eyes—namely because it was right next to his ear. “Nya.” Cracking a single eye open, Kevin first saw nothing but red. It was hair. Lilian’s hair. A million strands of silk that tickled his nose. The familiar scent of strawberries and vanilla lulled his mind into a sense of contentment. He must have buried his face in her hair sometime during the night. “Nya.” Something swatted at his ear, sharp and hard. It kind of hurt. Unburying his face and turning his head, Kevin met the large yellow orbs of a black cat. “Nya.” “Morning.” He yawned. “Nya.” “Did you sleep well?” “Nya.” “Good to know.” “Nya.” “… You don’t really say anything other than ‘nya’ do you? Shouldn’t you be ‘meowing’ instead? You know, like a cat should?” The cat tilted her head. “Nya?” “… Never mind.

Anger is just Sadness having a bad day. Jealousy is juts Sadness when she's being petty. Suicide is Sadness making her vacation plans.

Anger is just Sadness having a bad day. Jealousy is just Sadness when she's being petty. Suicide is sadness making her vacation plans. Depression is just sadness in her sexiest black bra.

My Seclusion Just like, I remember the- Fireflies at night, they all carry their- own light in flight. They fly higher and higher until they are out of sight. They are never in fear of the darkness because they carry their light. They constantly have hope, and it shines brightly. The firefly flies by, unlike me there are never shy. I am lying outside on the grounds a few feet from my home, yet I am still feeling all alone, listening to all the sounds of the night as they moan. I look at the full moon, knowing that I will be back in hell soon, seeing all the faces at lunch at noon. Wondering what is going to happen on my vacation in the upcoming summer in the months like in June. I lie on the cold hard ground outside looking up with the stars in the sky, remembering all the days flashing that have gone by, seeing all the faces that never even say hi, remembering the terror from the wandering eyes. (Right now) My head is pounding just like the thunder and lightning, the evil faces streaks crossed my face, with every bolt of lightning. This takes me back to when I was a little girl; I hope that the pink suspended feathers sweep them away in the white webs. So, I can have a sunny day on all these rainy days that seem to never end, I just do not have much to say. I am not safe anywhere… the voices haunt me as they do. However, I just have an overwhelming urge to cry, all night and watch movies by myself. Like, I have done, these last two years of my high school life. Is anything going to change? Why must I live like this? Why do I keep living? Why can I not just pass on? I look out my window, and sometimes it takes me back to when I was young. Some days I look out the window and the skies are scarlet, and that reminds me that I should be out doing things with people of my age. The summer has come and gone, and the school days have started with no one to see me, or even ask if I was alive. No one cares! Is the plan going to work? I have no idea at this point, yet I keep trying!

When I filed my stories on the ‘Children of the Tsunami’ I had thought there was no special eloquence needed to convey such visceral sadness and loss. Children dead in their thousands in one of the worst natural disasters the country had experienced—this was a story that told itself. But that night, after the telecast, I got a call from a friend who said, ‘Do we really have to watch this depressing stuff on television right now?’—as if life’s grim reality was an optional item on a movie menu in a hotel room and you could pick out only the cheery stuff to view. In several of my reports I actually began editorializing more than ever before, appealing directly to those vacationing in happier, sunnier spots to pause and at least think about these children. The callousness of the well-heeled was eye-opening. To be reminded that for a section of Indian society the deaths of the children of poor fisherfolk mattered not at all was both disconcerting and disturbing.

The happiness that follows sadness is never the same as that which came before it.

Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don’t really know how to do nothing. This is the cause of that great sad American stereotype—the overstressed executive who goes on vacation, but who cannot relax.

I was sitting with Sophie Koh, who is awesome and has been my one and only best friend since my original best friend, Meredith Timms, turned into a total Fembot and I had to take a vacation from not only being her best friend, but from even being her friend at all. Which is very sad and tragic, but is a whole other story.

Chris looked at the dog, who has finished feasting on her foot and now comes to sit at his feet, looking up at him as if she expects him to do something. She's leggier than most classic English bulldogs, mostly a dark fawn color, but with a large white patch over one eye. She has those droopy bulldog eyes that can look, by turns, sad and judgmental. But now she stands and cocks her head and wags her tail, and Chris finds himself smiling, begrudgingly, and patting the sofa cushion Beth just vacated. "All right, up you come." The dog hops up, and Chris begins scratching her behind one ear. "You going to put up with me?" he asks. She grunts and leans into his hand.

We buried Paolo with his sex bunny at the foot of a tree in the backyard, where they lie wrapped in an endless embrace in their Mexican serape. For weeks, Lucy looked like she was about to sob. Our home felt empty without that cat; we were palpably down a man. It was a wet, gray winter and it passed slowly with very little daylight. — PERIODICALLY, LUCY WOULD STILL seem drunk. I heard her entering the house while I was taking a shower one afternoon, and I came out wrapped in a yellow towel, excited to see her. But I took one look and saw that it wasn’t really her. There was a blurriness in her eyes, a vacated twist to her facial expression. I felt the floor turn to water under my feet. Lucy had vanished, and in her place someone furtive and messy was telling me things that didn’t add up. Sometimes her speech would be slurred, but usually it was subtle. Something would just be…off. Then a terrible queasiness would slither through me and come out of my mouth in different ways. Sometimes fearful, sad, pleading: “Honey, have you been drinking?” Sometimes unhinged, abject: “I can’t take this anymore.” Sometimes icy, condemning, ruthless: “You’re the worst,” I said once, and meant it. (To my best friend in the world. To the person I had slept next to on a thousand naked nights, I said, You’re the worst.)

Some of you don't know how to talk. That is why I don't read your WhatsApp or inbox messages, or answer your calls when I am on vacation or in a happy mood. Your messages or phone calls ruined a happy mood or vacation. You guys are brand ambassadors of sad, tragic, horrific, painful, sobbing stories, bad news, and negative things. You always play a victim when things don't go your way.

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