Wedding Witness Quotes

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And on the wedding contract, before me and my parents and the rabbi, and Wanda and Sergey for our witnesses, in silver ink he signed his name. But I won't ever tell you what it is.
Naomi Novik (Spinning Silver)
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one. Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.” Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking. Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—” Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair. The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes. “I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Satisfaction rang in MacPhee's voice."Before God an' these witnesses I declare ye to be married persons. Whom God hath joined let no man put asunder. That will be eighty-two pounds, three crowns, an' one shilling.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
1. Society needs laws. While anarchy can often turn a humdrum weekend into something unforgettable, eventually the mob must be kept from stealing the conch and killing Piggy. And while it would be nice if that "something" was simple human decency, anybody who has witnessed the "50% Off Wedding Dress Sale" at Filene's Basement knows we need a backup plan—preferably in writing. On the other hand, too many laws can result in outright tyranny, particularly if one of those laws is "Kneel before Zod." Somewhere between these two extremes lies the legislative sweet-spot that produces just the right amount of laws for a well-adjusted society—more than zero, less than fascism.
Jon Stewart (America (The Book): A Citizen's Guide to Democracy Inaction)
Mahler put the word schwer beside certain passages in his musical scores. Meaning “difficult.” “Heavy.” We were told this at some point by The Moth, as if it was a warning. He said we needed to prepare for such moments in order to deal with them efficiently, in case we suddenly had to take control of our wits. Those times exist for all of us, he kept saying. Just as no score relies on only one pitch or level of effort from musicians in the orchestra. Sometimes it relies on silence. It was a strange warning to be given, to accept that nothing was safe anymore. “ ‘Schwer,’ ” he’d say, with his fingers gesturing the inverted commas, and we’d mouth the word and then the translation, or simply nod in weary recognition. My sister and I got used to parroting the word back to each other—“schwer.
Michael Ondaatje (Warlight)
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I'm not sure I even believe in marriage," Hadley says and he looks surprised. "Aren't you on your way to a wedding?" "Yeah," she says with a nod. "But that's what I mean." He looks at her blankly. "It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?" Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage." "I'm not such a big fan of either at the moment." "I don't know," he says. "I think they're kind of nice." "They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something." "I think it does," Oliver says quietly. "It's a promise." "I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
I hope you don’t mind the intrusion,” she said. “I thought we’d air out your chambers while you were downstairs at breakfast.” “We?” he repeated ominously, wondering just how many witnesses there were going to be to her murder.
Teresa Medeiros (Yours Until Dawn)
I’m sure I’d remember if we’d met. It doesn’t happen every day to witness perfection on Earth.
Monica La Porta (Bound by Water: Pisces (The Immortals #11; Zodiac Shifters, #6))
Here, witnessed by our Saints and our friends,” Genya said, “I speak words of both love and duty. It is not a chore but an honor to swear faith to you, to promise love to you, to offer my hand and my heart to you in this life and the next.” They were the traditional Ravkan words, spoken at the weddings of nobleman and peasant alike. The Grisha vows were very different. “We are soldiers,” David recited, low and shaky. He was unused to speaking in front of a crowd. “I will march with you in times of war. I will rest with you in times of peace. I will forever be the weapon in your hand, the fighter at your side, the friend who awaits your return.” His voice grew stronger and louder with every word. “I have seen your face in the making at the heart of the world and there is no one more beloved, Genya Safin, brave and unbreakable.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
A church is a wonderful place for a wedding, surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made—and broken—at the altar. Dead now, every last one of them, including the man who invented the rule about not putting your elbows on the dinner table.
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
It was a very proper wedding. The bride was elegantly dressed---the two bridemaids were duly inferior---her father gave her away---her mother stood with salts in her hand expecting to be agitated---her aunt tried to cry--- and the service was impressively read by Dr. Grant.
Jane Austen (Mansfield Park)
I need to leave something behind. Something that will stay. This room should be a historical landmark, the site of the beginning and end of Colby and Bev. Several minutes have passed, and I know that if I wait too long there will be a knock on the door and I'll have to go, but I need to leave a mark. It has to be significant enough to last, but subtle enough that the maid won't notice and wash it away. As I'm looking around I realize that I never noticed the print above the bed. It's another in the family series - a faded wedding portrait. Groom in tux. Bride with pearls. It comes off the wall easily.I set the print on the bedspread and wit eht dust on the wall with the sleeve of my hood. I take out a Sharpie from my bag. The wall has yellowed to create a perfect rectangle where the photograph must have been hanging, unremoved, for years. I fill the whiter space with this: I never got to tell you how beautiful you are. And then I return the frame to its place on the wall and go back out into the night.
Nina LaCour (The Disenchantments)
Each night we watched the sun set no matter where we were, and we'd wake up early to witness it rising again. That was the thing about life: even when the days faded to black, you were always given another chance. A second moment to try again to rise from the ashes.
Brittainy C. Cherry (The Space in Between (The Space in Between, #1))
Over and over in our world, we have witnessed how today's riches can become tomorrow's scarcity. We'd do well to heed the lesson. In times of plenty, paucity sits by, licking its lips and awaiting its next grand appearance.
Cicely Tyson (Just as I Am)
why am i always running in circles between wanting you to want me and when you want me deciding it is too emotionally naked for me to live with why do i make loving me so difficult as if you should never have to witness the ghosts i have tucked under my breast i used to be more open when it came to matters like this my love - if only we’d met when i was that willing
Rupi Kaur (The Sun and Her Flowers: Rupi Kaur)
There's a long tradition that says women gossip, when in fact women are the memory of the world. We keep the family trees and the baby books. We manage the milk teeth. We keep the census of diseases, the records of divorces, battles and medals. We witness the wills. We wash the weddings our of the bedsheets. We know everything there is to know, and we keep it rolled into the newel posts, stuffed into the mattresses, smuggled inside our vaginas if it comes to that. Women's clothing is made without pockets, but we come into the world equipped
Maria Dahvana Headley (The Mere Wife)
My mother maintained the sort of parental mind-set that I now recognize as brilliant and nearly impossible to emulate - kind of unflappable Zen neutrality... She wasn't quick to judge and she wasn't quick to meddle. Instead, she monitored our moods and bore benevolent witness to whatever travails or triumphs a day might bring... When we'd done something great, we received just enough praise to know she was happy with us, but never so much that it became the reason we did what we did.
Michelle Obama (Becoming)
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Oh, well, that's not bad, I suppose. I mean, I'd prefer devastatingly sophisticated - but almost endearing is more than I could have hoped for under the circumstances.
Jane Costello (The Nearly-Weds)
Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands. After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn’t even get a proper date. I can’t even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let’s say, ‘incident’ I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn’t talk to anyone. I didn’t go outside. I just stayed inside and drew. I’d draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn’t really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that’s when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we’d do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfect woman ever. It’s like we share a wave-link or something. She just knows me without even knowing me, if you understand. And now, 2011, I have a beautiful baby girl, a caring wife and I get to perform for my adoring fans everyday. I am living proof that no matter how bad it gets, it gets better. I am Gerard Way, and I survived.
Gerard Way
Come down, luv. Don’t be shy. Every wedding ceremony needs witnesses. Why should mine and yours be any different?
A.G. Howard (Ensnared (Splintered, #3))
We did not talk any more of what we’d witnessed, he at the walls and I in the city. The things we’d seen and done now felt too big for words. Silence was a better language.
Robert Jackson Bennett (The Tainted Cup (Shadow of the Leviathan, #1))
She loves this man and he loves her, and that is the only thing that matters. Let them have their love, Jasper. Now, shut your pie hole. I have come to witness a wedding and I will not hear your voice again.
Kathryn Le Veque (Dark Destroyer (De Wolfe Pack, #11))
To be fair, when I was young, the elections could not have been less interesting; the mediocrity of the ‘political offerings’ was almost surprising. A centre-left candidate would be elected, serve either one or two terms, depending how charismatic he was, then for obscure reasons he would fail to complete a third. When people got tired of that candidate, and the centre-left in general, we’d witness the phenomenon of democratic change, and the voters would install a candidate of the centre-right, also for one or two terms, depending on his personal appeal. Western nations took a strange pride in this system, though it amounted to little more than a power-sharing deal between two rival gangs, and they would even go to war to impose it on nations that failed to share their enthusiasm.
Michel Houellebecq (Soumission)
Does it matter if they were from Kielce or Brno or Grodno or Brody or Lvov or Turin or Berlin? Or that the silverware or one linen tablecloth or the chipped enamel pot—the one with the red stripe, handed down by a mother to her daughter—were later used by a neighbour or someone they never knew? Or if one went first or last; or whether they were separated getting on the train or off the train; or whether they were taken from Athens or Amsterdam or Radom, from Paris or Bordeaux, Rome or Trieste, from Parczew or Bialystok or Salonika. Whether they were ripped from their dining-room tables or hospital beds or from the forest? Whether wedding rings were pried off their fingers or fillings from their mouths? None of that obsessed me; but—were they silent or did they speak? Were their eyes open or closed? I couldn't turn my anguish from the precise moment of death. I was focused on that historical split second: the tableau of the haunting trinity—perpetrator, victim, witness. But at what moment does wood become stone, peat become coal, limestone become marble? The gradual instant.
Anne Michaels (Fugitive Pieces)
During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamen’s empire in all its glory.)
Ernest Cline (Ready Player One (Ready Player One, #1))
She’d actually found herself missing him – his smile, his touch, his quick-witted banter that made her hot while also making her want to punch him.
Jennifer Snow (Tempting Kate (Wild Wedding Nights, 5))
Few understand that horses are never truly domesticated. Their instincts are always there and readily take over once they are free. They stay or return to us by their choice, not the compulsion forced upon them. Once realized you must also recognize only kindness will prevail to make a partner of an animal who'd prefer only the company of his kind and the freedom of wide open spaces. Any other relationship is based on the inadequacies of the tormentor on the tormented. One will lose. It's always the horse, for even if he wins his defensive battle the mark of rogue will remain. It's been witnessed how a mustang will give up his life if his freedom can't be regained when in the grip of adversity. There's so much for us to learn from this, if we'd only learn to listen to their message.
Judith-Victoria Douglas (Mass Extinction (Where the Horses Run, #1))
I walked into the kitchen and found Mad Rogan in it. He sat at the table, dressed in a blue Henley shirt and jeans, sipping coffee out of a mug with a little grey kitten on it. His dark hair was combed back from his face. His jaw was once again clean shaven. I am a polite, nonthreatening kind of dragon with excellent manners. Horns are hidden, tail is tucked away, fangs covered. I would never do anything cruel, like stab a man with a knife about ten times to get him to answer a question. Somehow this new, on-his-best-behavior version was scarier than witnessing him calmly breaking a man with his bare hands. After what we’d been through, I would’ve expected him to hole up somewhere dark, eating raw meat, chain-smoking, guzzling some sort of ridiculously tough drink, like whiskey or kerosene or something, and thinking grim thoughts about life and death. But no, here he was, charming and untroubled, sipping coffee. Mad Rogan saw me and smiled. And my mind went right into the gutter.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
We live in a culture of reductionism. Or better, we are living in the aftermath of a culture of reductionism, and I believe we have reduced the complexity and diversity of the Scriptures to systematic theologies that insist on ideological conformity, even when such conformity flattens the diversity of the Scriptural witness. We have reduced our conception of gospel to four simple steps that short-circuit biblical narratives and notions of the kingdom of God on earth as it is in heaven in favor of a simplified means of entrance to heaven. Our preaching is often wed to our materialistic, consumerist cultural assumptions, and sermons are subsequently reduced to delivering messages that reinforce the worst of what American culture produces: self-centered end users who believe that God is a resource that helps an individual secure what amounts to an anemic and culturally bound understanding of the 'abundant life.
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
How is Cassandra going to reach the chapel without being drenched?" Tom asked with a groan. "I'm going to tell Trenear and Ravenel to-" 'Let them take care of her for now," Winterborne counseled. "Soon enough she'll belong to you." He paused before adding slyly, "And then you'll be lighting your fire on a new hearth." Tom gave him a quizzical glance. "She'll be moving into my house." Winterborne grinned and shook his head. "I meant your wedding night, you spoony half-wit.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores;
David Mitchell (The Thousand Autumns of Jacob de Zoet)
With no small amount of trepidation, we walked alone past a colony of black-faced monkeys we’d been told were extremely dangerous. We avoided eye contact and certainly didn’t take pictures. And dearly wished our old Sherpa bag-carrying matey was nearby. We visited Gandhi’s tomb. We saw saris being printed and hand-knotted carpets being fabricated and negotiated a decent price for a small hand-crafted rug of Mughal design that, as long as we keep the certificate of authenticity safe, should appreciated in value. We witnessed poverty beyond poverty, with ‘untouchables’ so poor that they are actually outside the caste system, and who can’t even afford to live in the unsanitary slums described as 'unfit for human habitation.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
There are no words that can be said to justify the beauty of a bride walking down the aisle in anticipation of sharing the rest of her life with the man she esteems and loves the most, nor of the look on that man’s face, when he beholds the one who will be entrusting her life to him to protect and her heart for him to love. All that can be said is that all who witnessed it found themselves overwhelmed with the joy that comes with seeing that one moment when all feels and is as it should be.
Trix Wilkins (The Courtship of Jo March: A Variation of Louisa May Alcott's Little Women)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Strange to say, at that epoch, people still imagined that a wedding was a private and social festival, that a patriarchal banquet does not spoil a domestic solemnity, that gayety, even in excess, provided it be honest, and decent, does happiness no harm, and that, in short, it is a good and a venerable thing that the fusion of these two destinies whence a family is destined to spring, should begin at home, and that the household should thenceforth have its nuptial chamber as its witness. And
Victor Hugo (Les Misérables)
However, if the family unit were weakened, even believers would eventually crumble. Parents would fail to pass on their virtues and values to their offspring, or their offspring would rebel against the hypocrisy and/or legalism they witnessed in the home altogether. Thus, the ground would shrink beneath your feet with each passing generation. If the believers who possess the necessary spiritual foundation weren’t going to hold the line, there’s no way the unbelievers would be able to. Then we’d have you right where we wanted you.
Steve Deace (A Nefarious Plot)
There’s a long tradition that says women gossip, when in fact women are the memory of the world. We keep the family trees and the baby books. We manage the milk teeth. We keep the census of diseases, the records of divorces, battles, and medals. We witness the wills. We wash the weddings out of the bedsheets. We know everything there is to know, and we keep it rolled into the newel posts, stuffed into the mattresses, smuggled inside our vaginas if it comes to that. Women’s clothing is made without pockets, but we come into the world equipped.
Maria Dahvana Headley (The Mere Wife)
A rain of pebbles from overhead makes me glance up in time to see Ruthann step onto the lip of the cliff, another fifteen feet above me. Her body is wrapped tight in a pure white robe. "Ruthann!" I shout, my voice caroming off the rock walls, an obscenity. She looks down at me. Across the distance our eyes meet. "Ruthann, don't," I whisper, but she shakes her head. I'm sorry. In that half-second, I think about Wilma and Derek and me, all the people who do not want to beleft behind, who think we know what is best for her. I think about the doctors and the medicines Ruthann lied about taking. I think about how I could talk her down from that ledge like I have talked down a dozen potential suicide victims. Yet the right thing to do, here, is subjective. Ruthann's family, who wants her alive, will not be the one to lose hair from drugs, to have surgery to remove her breast, to die by degrees. It is easy to say that Ruthann should come down from that cliff, unless you are Ruthann. I know better than anyone what it feels like to have someone else make choices for you, when you deserve to be making them yourself. I look at Ruthann, and very slowly, I not. She smiles at me, and so I am her witness -- as she unwraps the wedding robe from her narrow shoulders and holds is across her back like the wide wings of a hawk. As she steps off the edge of the cliff and rises to the Spirit World. As the owls bear her body to the broken ground.
Jodi Picoult (Vanishing Acts)
firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores;
David Mitchell (The Thousand Autumns of Jacob de Zoet)
We are supposed to consume alcohol and enjoy it, but we're not supposed to become alcoholics. Imagine if this were the same with cocaine. Imagine we grew up watching our parents snort lines at dinner, celebrations, sporting events, brunches, and funerals. We'd sometimes (or often) see our parents coked out of our minds the way we sometimes (or often) see them drunk. We'd witness them coming down after a cocaine binge the way we see them recovering from a hangover. Kiosks at Disneyland would see it so our parents could make it through a day of fun, our mom's book club would be one big blow-fest and instead of "mommy juice" it would be called "mommy powder" There'd be coke-tasting parties in Napa and cocaine cellars in fancy people's homes, and everyone we know (including our pastors, nurses, teachers, coaches, bosses) would snort it. The message we'd pick up as kids could be Cocaine is great, and one day you'll get to try it, too! Just don't become addicted to it or take it too far. Try it; use it responsibly. Don't become a cocaine-oholic though. Now, I'm sure you're thinking. That's insane, everyone knows cocaine is far more addicting than alcohol and far more dangerous. Except, it's not...The point is not that alcohol is worse than cocaine. The point is that we have a really clear understanding that cocaine is toxic and addictive. We know there's no safe amount of it, no such thing as "moderate" cocaine use; we know it can hook us and rob us of everything we care about...We know we are better off not tangling with it at all.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
A chance for the adventure we’d read about. For the love we’d witnessed on the pages of books.” “And you never did? Never dreamed of that, I mean?” “No.” Another quick answer. “It was a fantasy. Something to be read on the page, as real for me as the dragons and elves in fantasy stories. Something I’d never see or feel in real life.
Vanessa Rasanen (On These Black Sands (Aisling Sea #1))
... I wondered what my husband was doing right then and I wondered what he'd ever do now that we'd both have to do things in this new kind of without, the kind of without that was final, the kind that meant there would be no apologies, no forgiveness, and now we'd each have to go about the slug of waking, bathing, eating, without the other as a witness, this person we'd split so much of our lives with, a person who housed entire armies of information about the other and who, I wondered, who would we thumb over our pasts with and who would notice how golden my husband's pale skin became in the lamplight in his office so late at night when his mind would move chalk sticks across, across, across, creating problems and solutions and problems and solutions and if there was no one to notice these things about my husband would my husband even exist anymore? And where would all the me that he had housed in himself go if I wasn't there to be with him and see what he kept of me in him, and did the versions of each of us that we had crafted so exactly and precisely for the other person, did those versions just evaporate, just die, just disappear, just fall out of a building somewhere in each of our brains and if they did then why didn't we get to have funerals for them? I loved the he that he was to me. I loved him and he is dead and I want a black moment for that man. Give me a black moment for that.
Catherine Lacey (Nobody Is Ever Missing)
This wasn’t because he liked me, I was sure. It had more to do with him banking on what we of wedding age had all become witnesses to—how during these wedding weekends, single women, feeling a little lonely, maybe, or just feeling a little too far from being the bride, found themselves loosening their own rules, opting to be more flexible, more quickly.
Laura Dave (London is the Best City in America)
Booze bags?” Fay lifts a brow. “How did you know?” Farrah asks, plugging her nose and throwing back the shot. “There are two types of hangovers when you girls come in. The first is just a regular hangover, where you look like death but still have your wits about you. Then there’s booze-bag drunk, where you both look like you slept in a dumpster and sucked on sugarcane the whole night.
Meghan Quinn (The Wedding Game)
I refuse the definitions of love ⁣ in dictionaries and philosophy,⁣ for today I know love.⁣ I had sought you for years, ⁣ but find that you were always the seeker⁣ and I the sought. ⁣ I suddenly appeared ⁣ reverent before you⁣ to bear witness to your beauty, ⁣ to dance in your silky attention,⁣ but you were always my wild destiny, ⁣ my heart’s pilgrimage—⁣ the meeting place of all my joy⁣ and self-forgetting.⁣ When I first loved you, ⁣ life for me had just begun.⁣ I look forward to so much with you—⁣ our togetherness in a world of wounds, ⁣ our children awaiting birth.⁣ I look forward to so much life with you, ⁣ and yet, I am perfectly content ⁣ with this moment here.⁣ It matters not to me if I die ⁣ before finishing this poem,⁣ for today I know love.⁣ For today,⁣ I am free.
Kamand Kojouri
I used to think that we can have almost anything we want from life, that it's just a question of organization. But now I'm beginning to think that we have to make a choice more often than we'd like. The important thing is to make sure that it's our choice, no one else's, and that we make it honestly. But one thing I'm sure of is that it's never a good thing to make a decision when you're not absolutely well.
P.D. James (Death of an Expert Witness (Adam Dalgliesh, #6))
This problem can be illustrated with a mock analogy. Imagine in your golden years you are accused of murdering a child many decades ago and put on trial for it. The prosecution claims you murdered a little girl in the middle of a public wedding in front of thousands of guests. But as evidence all they present is a religious tract written by ‘John’ which lays out a narrative in which the wedding guests watch you kill her. Who is this John? The prosecution confesses they don’t know. When did he write this narrative? Again, unknown. Probably thirty or forty years after the crime, maybe even sixty. Who told John this story? Again, no one knows. He doesn’t say. So why should this even be admissible as evidence? Because the narrative is filled with accurate historical details and reads like an eyewitness account. Is it an eyewitness account? Well, no, John is repeating a story told to him. Told to him by an eyewitness? Well . . . we really have no way of knowing how many people the story passed through before it came to John and he wrote it down. Although he does claim an eyewitness told him some of the details. Who is that witness? He doesn’t say. I see. So how can we even believe the story is in any way true if it comes from unknown sources through an unknown number of intermediaries? Because there is no way the eyewitnesses to the crime, all those people at the wedding, would have allowed John to lie or make anything up, even after thirty to sixty years, so there is no way the account can be fabricated. If that isn’t obviously an absurd argument to you, then you didn’t understand what has just been said and you need to read that paragraph again until you do. Because
Richard C. Carrier (On the Historicity of Jesus: Why We Might Have Reason for Doubt)
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
I like to see the long line we each leave behind, and I sometimes imagine my whole life that way, as though each step was a stitch, as though I was a needle leaving a trail of thread that sewed together the world as I went by, crisscrossing others' paths, quilting it all together in some way that matters even though it can hardly be traced. A meandering line sutures together the world in some new way, as though walking was sewing and sewing was telling a story and that story was your life. A thread now most often means a line of conversation via e-mail or other electronic means, but thread must have been an even more compelling metaphor when most people witnessed or did the women's work that is spinning. It is a mesmerizing art, the spindle revolving below the strong thread that the fingers twist out of the mass of fiber held on an arm or a distaff. The gesture turns the cloudy mass of fiber into lines with which the world can be tied together. Likewise the spinning wheel turns, cyclical time revolving to draw out the linear time of a thread. The verb to spin first meant just this act of making, then evolved to mean anything turning rapidly, and then it came to mean telling a tale. Strands a few inches long twine together into a thread or yarn that can go forever, like words becoming stories. The fairy-tale heroines spin cobwebs, straw, nettles into whatever is necessary to survive. Scheherazade forestalls her death by telling a story that is like a thread that cannot be cut; she keeps spinning and spinning, incorporating new fragments, characters, incidents, into her unbroken, unbreakable narrative thread. Penelope at the other end of the treasury of stories prevents her wedding to any one of her suitors by unweaving at night what she weaves by day on her father-in-law's funeral garment. By spinning, weaving, and unraveling, these women master time itself, and though master is a masculine word, this mastery is feminine.
Rebecca Solnit
I dreamed not long ago of that market with all its vivid textures. I walked through the stalls with a basket over my arms as always and went right to Edita for a bunch of fresh cilantro. We chatted and laughed and when I held out my coins she waved them off, patting my arm and sending me away. A gift, she said. Muchas gracias, señora, I replied. There was my favorite panadera, with clean cloths laid over the round loaves. I chose a few rolls, opened my purse, and this vendor too gestured away my money as if I were impolite to suggest paying. I looked around in bewilderment; this was my familiar market and yet everything had changed. It wasn't just for me—no shopper was paying. I floated through the market with a sense of euphoria. Gratitude was the only currency accepted here. It was all a gift. It was like picking strawberries in my field: the merchants were just the intermediaries passing on gifts from the earth. I looked in my basket: two zucchinis, an onion, tomatoes, bread, and a bunch of cilantro. It was still half empty, but it felt full. I had everything I needed. I glanced over at the cheese stall, thinking to get some, but knowing it would be given, not sold, I decided I could do without. It's funny: Had all the things in the market merely been a very low price, I probably would have scooped up as much as I could. But when everything became a gift, I felt self-restraint. I didn't want to take too much. And I began thinking of what small presents I might bring to the vendors tomorrow. The dream faded, of course, but the feelings of euphoria and then of self-restraint remain. I've thought of it often and recognize now that I was witness there to the conversion of a market economy to a gift economy, from private goods to common wealth. And in that transformation the relationships became as nourishing as the food I was getting. Across the market stalls and blankets, warmth and compassion were changing hands. There was a shared celebration of abundance for all we'd been given. And since every market basket contained a meal, there was justice.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
My testimony was incomplete because I’d blacked out. Philando couldn’t testify because he was dead, couldn’t even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?
Chanel Miller (Know My Name: A Memoir)
He’s wondering if I saw him wipe the remnants of her off his mouth. Off his neck. He’s wondering if I saw him adjust his tie. He’s wondering if I saw him press his head to the steering wheel in dread. Or regret. He doesn’t bring his eyes back to mine. Instead, he looks down. “What’s her name?” I somehow ask the question without it sounding spiteful. I ask it with the same tone I often use to ask him about his day. How was your day, dear? What’s your mistress’s name, dear? Despite my pleasant tone, Graham doesn’t answer me. He lifts his eyes until they meet mine, but he’s quiet in his denial. I feel my stomach turn like I might physically be sick. I’m shocked at how much his silence angers me. I’m shocked at how much more this hurts in reality than in my nightmares. I didn’t think it could get worse than the nightmares. I somehow stand up, still clenching my glass. I want to throw it. Not at him. I just need to throw it at something. I hate him with every part of my soul right now, but I don’t blame him enough to throw the glass at him. If I could throw it at myself, I would. But I can’t, so I throw it toward our wedding photo that hangs on the wall across the room. In repeat the words as my wineglass hits the picture, shattering, bleeding down the wall and all over the floor. “What’s her fucking name, Graham?!” My voice is no longer pleasant. Graham doesn’t even flinch. He doesn’t look at the wedding photo, he doesn’t look at the bleeding floor beneath it, he doesn’t look at the front door, he doesn’t look at his feet. He looks me right in the eye and he says, “Andrea.” As soon as her name has fallen from his lips completely, he looks away. He doesn’t want to witness what his brutal honesty does to me.
Colleen Hoover (All Your Perfects)
The fighting was horrendous. Bloodshed and death lie everywhere around us. It was not exciting, Vindhya. It is fearsome, and we were all scared out of our wits. There is no honour in battle but to protect you, my love. We have won the gates of Grilsom and lost the fortress of Loare...but we’ve gained allies from the Knights of Scrivehrim, and enemies of the dark elves of Scryire. There is no winning in War, my sweet...only loss. People die on every side. How can any battle be won with such consequence and loss? I do not understand war. It’s so unfair, so...unjustified. We take innocent lives, yet we gain medals of highest honour and divine, sacred blessings. What is the sense of it? And even much less do I understand Andsar’s concept of celibacy in soldiers, and that they choose to stay alone their entire lives. I might understand, were the reasoning that we would leave no one behind to suffer...but there is no reason for it. They tell us we are wrong to love one another, and so they justify our love by sending me to my assured death. If anyone were to find out about us, we’d both surely be killed. Love like this, though…I believe it is worth the cost of my life, if I could only be with you one moment.
Jennifer Megan Varnadore (An Angel's Misery (Tainted Moonlight))
When I was young, I used to think that if God was bearing witness to our lives, it was to record our names and the good and bad we'd done. But in that moment I had the feeling that if there was any book, it was a much bigger one, with all our stories, all the ones that I remembered and had forgotten, and not just what had transpired, but all the narratives there ever were, all the trajectories our lives could have taken, all our dreams come to fruition, all the bad decisions leading to good luck, all the sadness leading to a bursting open. Maybe a true friendship is being able to hold, equally, all of those pieces.
Diane Zinna (The All-Night Sun)
Junk is fragile. I ruined tons of stuff, never on purpose. The thought of antiques still makes me sick, but that was our bread and butter. The scrapings of time are sad. . . lousy, sickening. We sold the stuff over the customer's dead body. We'd wear him down. We'd drown his wits in floods of hokum. . . incredible bargains. . . we were merciless. . . He couldn't win. . . If he had any wits to begin with, we demolished them. . . He'd walk out stunned with the Louis XIII cup in his pocket, the openwork fan with cat and shepherdess wrapped in tissue paper. You can't imagine how they revolted me, grown-ups taking such crap home with them.
Louis-Ferdinand Céline (Death on the Installment Plan)
I wished Adam weren’t jumping in for his turn. Because watching Adam wakeboard was not relaxing. He wasn’t careful when wakeboarding. Or in general. He was the opposite of careful. His life was one big episode of Jackass. He would do anything on a dare, so the older boys dared him a lot. My role in this game was to run and tell their mom. If I’d been able to run faster when we were kids, I might have saved Adam from a broken arm, several cracked ribs, and a couple of snake bites. Knowing this, it might not make a lot of sense that Mr. Vader let us wakeboard for the marina. But we’d come to wakeboarding only gradually. When we first started out, it was more like, Look at the very young children on water skis! How adorable. One time the local newspaper ran a photo of me and Adam waterskiing double, each of us holding up an American flag. It’s okay for you to gag now. I can take it. But Mr. Vader was no fool. He understood things changed. After the second time Adam broke his collarbone, Mr. Vader put us under strict orders not to get hurt, because it was bad for business. Customers might not be so eager to buy a wakeboard and all the equipment if they witnessed our watery death. To enforce this rule, the punishment for bleeding in the boat was that we had to clean the boat. Adam cleaned the boat a lot last summer.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Catching my breath, I lean against the front of the car and focus on the individual blades of grass hedging my flip-flop, trying not to throw up or pass out or both. In the far distance, a vehicle approaches-the first one to witness the scene of our accident. A million explanations run through my mind, but I can’t imagine a single scenario that would solve all-or any-of our issues right now. None of us can risk going to the hospital. Mom technically doesn’t qualify as human, so I’m sure we’d get a pretty interesting diagnosis. Rachel is technically supposed to be deceased as of the last ten years or so, and while she probably has a plethora of fake IDs, she’s still antsy around cops, which will surely be called to the hospital in the event of a gunshot wound, even if it is just in the foot. And let’s not forget that Mom and Rachel are new handcuff buddies. There just isn’t an explanation for any of this. That’s when I decide I’m not the one who should do the talking. After all, I didn’t kidnap anyone. I didn’t shoot anyone. And I certainly didn’t handcuff myself to the person who shot me. Besides, both Mom and Rachel are obviously much more skilled at deception then I’ll ever be. “If someone pulls over to help us, one of you is explaining all this,” I inform them. “You’ll probably want to figure it out fast, because here comes a car.” But the car comes and goes without even slowing. In fact, a lot of cars come and go, and if the situation weren’t so strange and if I weren’t so thankful that they didn’t actually stop, I’d be forced to reexamine what the world is coming to, not helping strangers in an accident. Then it occurs to me that maybe the passerby don’t realize it’s the scene of an accident. Mom’s car is in the ditch, but the ditch might be steep enough to hide it. It’s possible that no one can even see Rachel and Mom from the side of the road. Still, I am standing at the front of Rachel’s car. An innocent-looking teenage girl just loitering for fun in the middle of nowhere and no one cares to stop? Seriously? Just as I decide that people suck, a vehicle coming from the opposite direction slows and pulls up a few feet behind us. It’s not a good Samaritan traveler pulling over to see what he or she can do to inadvertently complicate things. It’s not an ambulance. It’s not a state trooper. If only we could be so lucky. But, nope, it’s way worse. Because it’s Galen’s SUV. From where I stand, I can see him looking at me from behind the wheel. His face is stricken and tried and relieved and pained. I want to want to want to believe the look in his eyes right now. The look that clearly says he’s found what he’s looking for, in more ways than one.
Anna Banks (Of Triton (The Syrena Legacy, #2))
How can we use our sports fanaticism as a countercultural witness? I suppose we have to look at sports culture and act counter to that. Sports culture says rival fans are enemies. It says that we hate each other, and if Satan and his minions were playing our rival in an exhibition, we’d show up at the game carrying a pitchfork. That’s why I think the most countercultural thing we can do is partner with our rivals to bring glory to God. Join forces and feed the hungry, heal the sick, and comfort those in despair. And when someone asks why these hated rivals have joined forces, we can say because we love God more than we love our team, and we hate sin more than we hate our rival.
Chad Gibbs (Love Thy Rival: What Sports' Greatest Rivalries Teach Us About Loving Our Enemies)
Drone warfare is more sterile. It’s neat—no infantry involvement and thus fewer American casualties. Staring one’s victims in their eyes as they die is discomforting. Thinking about casualties is unsettling. Many people, with other pressing concerns, find it best to slip into denial. Capital punishment to make it more tolerable is a medical IV to put the criminal to “sleep.” No more public square hangings, firing squads, or guillotines. Certainly no one wants to witness collateral damage while “terrorists” defend their homeland from invaders from faraway places. Who wants to be tormented by seeing children and women die at funerals and weddings at our hands? Closing one’s eyes to the destruction is easier than dealing with the reality of “preemptive” war and its ugly consequences.
Ron Paul (Swords into Plowshares: A Life in Wartime and a Future of Peace and Prosperity)
I have this special license burning a hole in my pocket, so I was thinking we might go find a vicar and use it. Pinter and Freddy can be witnesses.” He looked anxiously at her. “What do you think?” “Don’t you want your family present when we marry? I thought you lordly sorts had to have grand weddings.” “Is that what you want?” In truth, she’d never been one to dream of her wedding day as a brilliant spectacle. Clandestine weddings were always what captured her imagination, complete with a dangerous, brooding fellow and mysterious goings-on. In this instance, she had both. He said, “Let me put it this way: we can spend an untold number of days sneaking around just to steal a kiss, being chaperoned every minute while my sisters and Gran plan the wedding of the century. Or we can marry today and share a bed at the inn tonight like a respectable husband and wife. I’m not keep on waiting, but then, I never am when it comes to you. So what is your opinion in the matter?” She couldn’t resist teasing him a little. “I think you just want to punish your grandmother for her sly tactics by depriving her of the weddings.” He smiled. “Perhaps a little. And God knows my friends are never going to let me live this down. I’m not looking forward to hours of their torment at a wedding breakfast.” He stopped in a little copse where they would be hidden from the street. “But if you want a big wedding, I can endure it.” His expression was solemn as he took her hands in his. “I can endure anything, as long as you marry me. And keep loving me for the rest of your life.” Staring into his earnest face, she felt something flip over in her chest. She stretched up to brush his mouth with hers, and he pulled her in for a long, ardent kiss. “Well?” he said huskily when he was done. “If I had any sense of decency, I would give you a chance to consult with a lawyer about settlements and such, especially since you’ll be coming into some money. But-“ “-you have no sense of decency, I know,” she teased. She tapped her finger against her chin. “Or was that morals you claimed not to have? I can’t remember.” “Watch it, minx,” he warned with a lift of his brow. “If you intend to taunt me for every foolish statement I’ve made in my life, you’ll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you.” “That sounds perfectly awful,” she said, gazing at the man she loved. “How soon can we start?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
How was I ever going to explain to him, or to myself, why I couldn’t go to his home and meet his family, though every part of me was dying to? Oliver wife. Oliver sons. Oliver pets. Oliver study, desk, books, world, life. What had I expected? A hug, a handshake, a perfunctory hail-fellow-well-met, and then the unavoidable Later! ? The very possibility of meeting his family suddenly alarmed me—too real, too sudden, too in-my-face, not rehearsed enough. Over the years I’d lodged him in the permanent past, my pluperfect lover, put him on ice, stuffed him with memories and mothballs like a hunted ornament confabulating with the ghost of all my evenings. I’d dust him off from time to time and then put him back on the mantelpiece. He no longer belonged to earth or to life. All I was likely to discover at this point wasn’t just how distant were the paths we’d taken, it was the measure of loss that was going to strike me—a loss I didn’t mind thinking about in abstract terms but which would hurt when stared at in the face, the way nostalgia hurts long after we’ve stopped thinking of things we’ve lost and may never have cared for. Or was it that I was jealous of his family, of the life he’d made for himself, of the things I never shared and couldn’t possibly have known about? Things he had longed for, loved, and lost, and whose loss had crushed him, but whose presence in his life, when he had them, I wasn’t there to witness and wouldn’t know the first thing about. I wasn’t there when he’d acquired them, wasn’t there when he’d given them up. Or was it much, much simpler? I had come to see if I felt something, if something was still alive. The trouble was I didn’t want anything to be alive either.
André Aciman (Call Me by Your Name)
And you approve of your future sister-in-law?” Cade asked. “Sure. Isabelle seems great.” Her sister, on the other hand . . . Huxley studied him as he slid on his boxer briefs. “What’s the ‘but’?” “No ‘but,’” Vaughn said. “I like Simon’s fiancée.” And, fortunately for him, she inherited all the good-natured genes in the family. Cade furrowed his brow. “There it is again—that look. Like you want to say more.” Vaughn scoffed at that as he pulled on his clothes. “There’s no look.” Cade pointed. “Huxley just put on his underwear. Not once, in the two years that you two have been partners, have you ever missed an opportunity to smirk at the fact that the man irons his boxer briefs.” “Hey. They fold neater that way. It saves space in the drawer,” Huxley said. Cade gave Vaughn a look. I rest my case. “So? What gives?” Vaughn took in the tenacious expression on his friend’s face and knew that any further denials would only bring on more questions. He sighed. “Fine.” He thought about where to begin. “Isabelle has a sister.” Huxley rolled his eyes. “Here we go.” “No, no. Not here we go. She and I are not going anywhere,” Vaughn said emphatically. “The woman’s a . . .” He paused, trying to think of the right word. He caught sight of another agent, Sam Wilkins, passing by their row of lockers. The man was a walking dictionary. “Hey, Wilkins—what’s that word you used the other day, to describe the female witness who kept arguing with you?” “Termagant,” Wilkins called over. “Means ‘quarrelsome woman.’” Vaughn nodded at Cade and Huxley in satisfaction, thinking that definition perfectly captured Sidney Sinclair. “There. She’s a termagant.” “It can also mean ‘vixen,’” Wilkins shouted from the next aisle over. “Thank you, Merriam-Webster,” Vaughn called back, with a half growl. “I think we’ve got it.” Cade raised an eyebrow teasingly. “So. Does the vixen have a name?” Yep, Vaughn had walked right into that one. “Sidney
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I felt as though the temple curtain had been drawn aside without warning and I, a goggle-eyed stranger somehow mistaken for an initiate, had been ushered into the sanctuary to witness the mystery of mysteries. I saw a phantasmagoria, a living tapestry of forms jeweled in minute detail. They danced together like guests at a rowdy wedding. They changed their shapes. Within themselves they juggled geometrical shards like the fragments in a kaleidoscope. They sent forth extensions of themselves like the flares of suns. Yet all their activity was obviously interrelated; each being's actions were in step with its neighbors'. They were like bees swarming: They obviously recognised each other and were communicating avidly, but it was impossible to know what they were saying. They enacted a pageant whose beauty awed me. As the lights came back on, the auditorium seemed dull and unreal.I'd been watching various kinds of ordinary cells going about their daily business, as seen through a microscope and recorded by the latest time-lapse movie techniques. The filmmaker frankly admitted that neither he nor anyone else knew just what the cells were doing, or how and why they were doing it. We biologists, especially during our formative years in school, spent most of our time dissecting dead animals and studying preparations of dead cells stained to make their structures more easily visible—"painted tombstones," as someone once called them. Of course, we all knew that life was more a process than a structure, but we tended to forget this, because a structure was so much easier to study. This film reminded me how far our static concepts still were from the actual business of living. As I thought how any one of those scintillating cells potentially could become a whole speckled frog or a person, I grew surer than ever that my work so far had disclosed only a few aspects of a process-control system as varied and widespread as life itself, of which we'd been ignorant until then.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
You’ve always been so agreeable,” he remarked with something of a rueful tone. “I don’t understand why you haven’t told me to sod off.” She couldn’t help but chuckle. “Other than the simple fact that I would never say those words to anyone?” He glanced at her, eyes sparkling. “Even so. I am humbled by your easy acceptance of me. I behaved abominably toward you years ago and yet you act as though nothing ever happened.” Rose twirled the handle of her parasol. “We cannot change the past, Mr. Maxwell. I reckon I would be a much happier woman if I could. No, all we can do is go forward.” His brow furrowed. “Does that mean you forgive me?” She laughed again. “Yes, it does. I understand why you had to abandon your courtship after my father’s misfortune and I do not blame you for it.” Kellan shook his head. “You are too good.” “No,” she insisted with a sharp shake of her head. “I am not.” Lord, if he but knew just how not good she could be! Of course, if they were married he’d realize that on their wedding night, wouldn’t he? Or could she deceive him and make him believe she was a virgin? It wouldn’t be right, but she would do it to spare his feelings, and keep her secrets. “But, I can be practical when the situation calls for it.” “Is that why you’re here with me now?” he asked with amusement. “Practicality?” Rose’s smile was coy in reply. “Perhaps. Or perhaps I like giving the gossips something to natter about.” Kellan laughed aloud. “I’ve missed your wit, Rose. You always knew how to make me laugh.” “Yes.” She twirled her parasol again. “You as well. I’m glad that we are friends again.” “Friends,” he repeated. “Is that what we are?” It had been a while since she’d flirted with a man without the benefit of a mask, but she thought she remembered how to do it. “For now.” They were smiling at each other as they passed beneath the thick shade of trees that lined the track, and Rose felt a stirring of hope in her breast. Her heart wasn’t totally under Grey’s control, and for that she was extraordinarily happy.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
For the mob is a congregation of compulsions. It does not matter who or what squats upon the altar: Robespierre, Beelzebub, Mussolini, Belial, any political or social savior with the sibilant speech and the slick tongue, hissing out every other word with its suffix -ism. The people will be saved not by the grace of God, not by any act of faith, hope, or charity. They will be saved because they belong to the right mob. They think they have pulled the lever of righteousness, but they are themselves the levers that are pulled. A mob is not a great cloud of witnesses. It is not a gathering of friends for a wedding feast. It is a herd of enemies who have fused their enmity with the cause, whereof they are the willing effects. Witness the goings-on when a politician dies. No one, in Life Under Compulsion, says to himself, “The fearful reckoning he meets may be mine, soon.” They turn the funeral into a political event. They must: they are marionettes and they will dance. They look over the shoulder to see who gets the prime time for the moist eye and the hitch in the voice.
Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
Charlie, I want to get married," she said. "Well, so do I, darling -" "No, you don't understand," she said. "I want to get married right now." Froggy knew from the desperate look in her eyes that Red was dead serious. "Sweetheart, are you sure now is a good time?" he said. "I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!" The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do. "Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains." A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?" Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony. "I suppose I'm available," she said. "Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!" Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding. "Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?" "I do," Froggy declared. "And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?" "I do," Red said. "Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!" Red and Froggy shared their first kiss as a married couple, and their friends cheered. "Beautiful ceremony, my dear," Merlin said. "Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
On July 6, 2016, a month after my statement was released, Philando Castile, a young black man, was driving home from the grocery store when a police officer pulled him over pulled him over for a broken taillight and shot him seven times. His fiancee in the passenger seat recorded him slumping over, his white shirt stained red like a Japanese flag, while a four-year old girl sat in the back. I thought, Evidence, this is it, the case that gets the verdict. It's right there, you can't turn away from it, can't reason your way out. But on June 16, 2018, the jury returned a not guilty verdict. In Oakland, people stormed the highways. Some called it chaos, but I saw reason. My testimony was incomplete because I'd blacked out. Philando couldn't testify because he was dead, couldn't even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?
Chanel Miller (Know My Name)
It was also a lot easier for online teachers to hold their students’ attention, because here in the OASIS, the classrooms were like holodecks. Teachers could take their students on a virtual field trip every day, without ever leaving the school grounds. During our World History lesson that morning, Mr. Avenovich loaded up a stand-alone simulation so that our class could witness the discovery of King Tut’s tomb by archaeologists in Egypt in AD 1922. (The day before, we’d visited the same spot in 1334 BC and had seen Tutankhamun’s empire in all its glory.) In my next class, Biology, we traveled through a human heart and watched it pumping from the inside, just like in that old movie Fantastic Voyage. In Art class we toured the Louvre while all of our avatars wore silly berets. In my Astronomy class we visited each of Jupiter’s moons. We stood on the volcanic surface of Io while our teacher explained how the moon had originally formed. As our teacher spoke to us, Jupiter loomed behind her, filling half the sky, its Great Red Spot churning slowly just over her left shoulder. Then she snapped her fingers and we were standing on Europa, discussing the possibility of extraterrestrial life beneath the moon’s icy crust.
Ernest Cline (Ready Player One (Ready Player One, #1))
Hunting parties spent weeks scouring the zone and shot all the abandoned family pets, which had begun to roam in packs. It was a necessary evil to avoid the spread of radioactivity, prevent decontamination workers from being attacked, and put the animals out of their misery. A quick death was better than slowly dying of starvation and radiation sickness. “The first time we came, the dogs were running around near their houses, guarding them, waiting for people to come back”, recounted Viktor Verzhikovskiy, Chairman of the Khoyniki Society of Volunteer Hunters and Fishermen. “They were happy to see us, they ran toward our voices. We shot them in the houses, and the barns, in the yards. We’d drag them out onto the street and load them onto the dump truck. It wasn’t very nice. They couldn’t understand: why are we killing them? They were easy to kill, they were household pets. They didn’t fear guns or people.220” They didn’t all die this way. At the beginning of June, Nikolai Goshchitsky, a visiting engineer from the Beloyarsk nuclear power station, witnessed some which had escaped the bullets. “[They] crawled, half alive, along the road, in terrible pain. Birds looked as if they had crawled out of water... unable to fly or walk... Cats with dirty fir, as if it had been burnt in places.221” Animals that had survived that long were now blind.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Oh, it's you, sir," she exclaimed. She drew the door right back. A look of highly pleasurable excitement spread over her face. "Come in, sir, if you please, sir." We entered the hall. From beneath the door on the left, loud snuffling sounds proceeded, interspersed with growls. Bob was endeavoring to "place" us correctly. "You can let him out", I suggested. "I will, sir. He's quite all right, really, but he makes such a noise and rushes at people so it frightens them. He's a splendid watchdog though." She opened the morning room door, and Bob shot through like a suddenly projected cannonball. "Who is it? Where are they? Oh, there you are. Dear me, don't I seem to remember -" sniff- sniff- sniff- prolonged snort. "Of course! We have met!" "Hullo, old man," I said. "How goes it?" Bob wagged his tail perfunctorily. "Nicely, thank you. Let me just see -" he resumed his researches. "Been talking to a spaniel lately, I smell. Foolish dogs, I think. What's this? A cat? That is interesting. Wish we had her here. We'd have rare sport. H'm - not a bad bull terrier." Having correctly diagnosed a visit I had paid recently to some doggy friends, he transferred his attention to Poirot, inhaled a noseful of benzine and walked away reproachfully. "Bob", I called. He threw me a look over his shoulder. "It's all right. I know what I am doing. I'll be back in a jiffy.
Agatha Christie (Dumb Witness (Hercule Poirot, #17))
It wasn’t that I was a fan of Stalin; I didn’t like his eyes, which were beady and shifty in the news photographs; and his hands looked too small for his body. More important, I knew that there were no freedoms in the Soviet Union (or Russia, as we all called it), and I was sure that if I lived there I’d have to be against the government, and that meant I’d end up in Siberia. But I thought there was something amazingly stupid about the Cold War; Stalin was now the devil incarnate, only four years after he had served on the side of the angels, namely us. Either we’d made a mistake during the war, or we were making a mistake now. And there was a larger problem, of which Stalin was part: Why were so many Americans so scared, all the time? We were the strongest country in the world. We won the war. We had the atom bomb. In May, Truman finally broke the Russian blockade of Berlin with a giant airlift. So why were these people shitting in their pants when they thought about communists? The communists won in China, but that didn’t mean they were about to land in Los Angeles. And why did so many people think that the communists might be behind anything that made sense: unions, health care, free education? Even in 1949, there were people saying that we shouldn’t have stopped in Berlin in 1945, we should’ve kept going all the way to Moscow. George Patton, he knew how to deal wit’ dese bastids. Oney thing they respect is force.
Pete Hamill (A Drinking Life: A Memoir)
It was a difficult time to be a Minister. The war went from bad to worse and the Government was universally detested. As each fresh catastrophe came to the public's notice some small share of blame might attach itself to this or that person, but in general everyone united in blaming the Ministers, and they, poor things, had no one to blame but each other - which they did more and more frequently. It was not that the Ministers were dull-witted -- upon the contrary there were some brilliant young men among them. Nor were they, upon the whole, bad men; several led quite blameless domestic lives and were remarkably fond of children, music, dogs, landscape painting. Yet so unpopular was the Government that had it not been for the careful speeches of the Foreign Secretary, it would have been almost impossible to get any piece of business through the House of Commons. The Foreign Secretary was quite peerless orator. No matter how low the Government stood in the estimation of everyone, when the Foreign Secretary stood up and spoke -- ah! how different everything seemed then! How quickly was every bad thing discovered to be the fault of the previous administration (an evil set of men who wedded general stupidity to wickedness of purpose). As for the present Ministry, the Foreign Secretary said that not since the days of Antiquity had the world seen gentlemen so virtuous, so misunderstood and so horrible misrepresented by their enemies.
Susanna Clarke (Jonathan Strange & Mr Norrell)
MT: The arrival of Christ disturbs the sacrificial order, the cycle of little false periods of temporary peace following sacrifices? RG: The story of the “demons of Gerasa” in the synoptic Gospels, and notably in Mark, shows this well. To free himself from the crowd that surrounds him, Christ gets on a boat, crosses Lake Tiberias, and comes to shore in non-Jewish territory, in the land of the Gerasenes. It's the only time the Gospels venture among a people who don't read the Bible or acknowledge Mosaic law. As Jesus is getting off the boat, a possessed man blocks his way, like the Sphinx blocking Oedipus. “The man lived in the tombs and no one could secure him anymore, even with a chain. All night and all day, among the tombs and in the mountains, he would howl and gash himself with stones.” Christ asks him his name, and he replies: “My name is Legion, for there are many of us.” The man then asks, or rather the demons who speak through him ask Christ not to send them out of the area—a telling detail—and to let them enter a herd of swine that happen to be passing by. And the swine hurl themselves off the edge of the cliff into the lake. It's not the victim who throws himself off the cliff, it's the crowd. The expulsion of the violent crowd is substituted for the expulsion of the single victim. The possessed man is healed and wants to follow Christ, but Christ tells him to stay put. And the Gerasenes come en masse to beg Jesus to leave immediately. They're pagans who function thanks to their expelled victims, and Christ is subverting their system, spreading confusion that recalls the unrest in today's world. They're basically telling him: “We'd rather continue with our exorcists, because you, you're obviously a true revolutionary. Instead of reorganizing the demoniac, rearranging it a bit, like a psychoanalyst, you do away with it entirely. If you stayed, you would deprive us of the sacrificial crutches that make it possible for us to get around.” That's when Jesus says to the man he's just liberated from his demons: “You're going to explain it to them.” It's actually quite a bit like the conversion of Paul. Who's to say that historical Christianity isn't a system that, for a long time, has tempered the message and made it possible to wait for two thousand years? Of course this text is dated because of its primitive demonological framework, but it contains the capital idea that, in the sacrificial universe that is the norm for mankind, Christ always comes too early. More precisely, Christ must come when it's time, and not before. In Cana he says: “My hour has not come yet.” This theme is linked to the sacrificial crisis: Christ intervenes at the moment the sacrificial system is complete. This possessed man who keeps gashing himself with stones, as Jean Starobinski has revealed, is a victim of “auto-lapidation.” It's the crowd's role to throw stones. So, it's the demons of the crowd that are in him. That's why he's called Legion—in a way he's the embodiment of the crowd. It's the crowd that comes out of him and goes and throws itself off of the cliff. We're witnessing the birth of an individual capable of escaping the fatal destiny of collective violence. MT
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
One day in the dojo (the martial-arts studio) before our karate class began, I witnessed the power of a concentrated focus unlike anything that I’d ever seen growing up in the heartland of northern Missouri. On that day, our instructor walked into the room and asked us to do something very different from the form and movement practices that were familiar to us. He explained that he would seat himself in the center of the thick mat where we honed our skills, close his eyes, and go into a meditation. During this exercise, he would stretch his arms out on either side of his body, with his palms open and facedown. He asked us to give him a couple of minutes to “anchor” himself in this T position and then invited us to do anything that we could to move him from his place. The men in our class outnumbered the women by about two to one, and there had always been a friendly competition between the sexes. On that day, however, there was no such division. Together, we all sat close to our instructor, silent and motionless. We watched as he simply walked to the center of the mat, sat down with his legs crossed, closed his eyes, held out his arms, and changed his breathing pattern. I remember that I was fascinated and observed closely as his chest swelled and shrank, slower and slower with each breath until it was hard to tell that he was breathing at all. With a nod of agreement, we moved closer and tried to move our instructor from his place. At first, we thought that this was going to be an easy exercise, and only a few of us tried. As we grabbed his arms and legs, we pushed and pulled in different directions with absolutely no success. Amazed, we changed our strategy and gathered on one side of him to use our combined weight to force him in the opposite direction. Still, we couldn’t even budge his arms or the fingers on his hands! After a few moments, he took a deep breath, opened his eyes, and with the gentle humor we’d come to respect, he asked, “What happened? How come I’m still sitting here?” After a big laugh that eased the tension and with a familiar gleam in his eyes, he explained what had just happened. “When I closed my eyes,” he said, “I had a vision that was like a dream, and that dream became my reality. I pictured two mountains, one on either side of my body, and myself on the ground between the peaks.” As he spoke, I immediately saw the image in my mind’s eye and felt that he was somehow imbuing us with a direct experience of his vision. “Attached to each of my arms,” he continued, “I saw a chain that bound me to the top of each mountain. As long as the chains were there, I was connected to the mountains in a way that nothing could change.” Our instructor looked around at the faces that were riveted on each word he was sharing. With a big grin, he concluded, “Not even a classroom full of my best students could change my dream.” Through a brief demonstration in a martial-arts classroom, this beautiful man had just given each of us a direct sense of the power to redefine our relationship to the world. The lesson was less about reacting to what the world was showing us and more about creating our own rules for what we choose to experience. The secret here is that our instructor was experiencing himself from the perspective that he was already fixed in one place on that mat. In those moments, he was living from the outcome of his meditation. Until he chose to break the chains in his imagination, nothing could move him. And that’s precisely what we found out.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people. The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God. I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head… Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live? “I will.” I breathed in. The scent of roses…the evening light coming through the stained-glass window. Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live? “I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
In life,” he said, “there are no essentially major or minor characters. To that extent, all fiction and biography, and most historiography, are a lie. Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius’s point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn’t think he was a minor character in anything, I daresay. Or suppose you’re an usher in a wedding. From the groom’s viewpoint he’s the major character; the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bridge and groom both are minor figures. What you’ve done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn’t a lie at all, but a true representation of the distortion that everyone makes of life. “Now, not only are we the heroes of our own life stories–we’re the ones who conceive the story, and give other people the essences of minor characters. But since no man’s life story as a rule is ever one story with a coherent plot, we’re always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are supposed to play. This is generally true. If any man displays almost the same character day in and day out, all day long, it’s either because he has no imagination, like an actor who can play only one role, or because he has an imagination so comprehensive that he sees each particular situation of his life as an episode in some grand over-all plot, and can so distort the situations that the same type of hero can deal with them all. But this is most unusual. “This kind of role-assigning is myth-making, and when it’s done consciously or unconsciously for the purpose of aggrandizing or protecting your ego–and it’s probably done for this purpose all the time–it becomes Mythotherapy. Here’s the point: an immobility such as you experienced that time in Penn Station is possible only to a person who for some reason or other has ceased to participate in Mythotherapy. At that time on the bench you were neither a major nor a minor character: you were no character at all. It’s because this has happened once that it’s necessary for me to explain to you something that comes quite naturally to everyone else. It’s like teaching a paralytic how to walk again.
John Barth
To wit, researchers recruited a large group of college students for a seven-day study. The participants were assigned to one of three experimental conditions. On day 1, all the participants learned a novel, artificial grammar, rather like learning a new computer coding language or a new form of algebra. It was just the type of memory task that REM sleep is known to promote. Everyone learned the new material to a high degree of proficiency on that first day—around 90 percent accuracy. Then, a week later, the participants were tested to see how much of that information had been solidified by the six nights of intervening sleep. What distinguished the three groups was the type of sleep they had. In the first group—the control condition—participants were allowed to sleep naturally and fully for all intervening nights. In the second group, the experimenters got the students a little drunk just before bed on the first night after daytime learning. They loaded up the participants with two to three shots of vodka mixed with orange juice, standardizing the specific blood alcohol amount on the basis of gender and body weight. In the third group, they allowed the participants to sleep naturally on the first and even the second night after learning, and then got them similarly drunk before bed on night 3. Note that all three groups learned the material on day 1 while sober, and were tested while sober on day 7. This way, any difference in memory among the three groups could not be explained by the direct effects of alcohol on memory formation or later recall, but must be due to the disruption of the memory facilitation that occurred in between. On day 7, participants in the control condition remembered everything they had originally learned, even showing an enhancement of abstraction and retention of knowledge relative to initial levels of learning, just as we’d expect from good sleep. In contrast, those who had their sleep laced with alcohol on the first night after learning suffered what can conservatively be described as partial amnesia seven days later, forgetting more than 50 percent of all that original knowledge. This fits well with evidence we discussed earlier: that of the brain’s non-negotiable requirement for sleep the first night after learning for the purposes of memory processing. The real surprise came in the results of the third group of participants. Despite getting two full nights of natural sleep after initial learning, having their sleep doused with alcohol on the third night still resulted in almost the same degree of amnesia—40 percent of the knowledge they had worked so hard to establish on day 1 was forgotten.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
Mary was stretched out on the lounge by the pool reading Agatha Christie’s new book, Dumb Witness, which a friend had sent her from England. I was reading Erich Maria Remarque’s sadly beautiful, Three Comrades. MGM had purchased it and were making a film adaptation starring Margaret Sullavan, who I happened to adore. We’d be here all week so I’d also brought Erle Stanley Gardner’s new Perry Mason novel, The Case of the Dangerous Dowager.
Bobby Underwood (No Holiday From Murder)
The stunning beauty of the waning day was a stark contrast to the horrors we'd just witnessed, as if nature itself wanted to wipe away the memory of those monstrosities.
L.D. Goffigan (The Beast of London (Mina Murray #1))
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Snowgoose exclaimed: ‘Thank goodness she’s better anyway! We must never mention it again! Even if Bao-yu were to marry another lady and I witnessed the wedding with my own eyes, I swear I wouldn’t breathe a word of it to anyone.
Cao Xueqin (The Story of the Stone: The Debt of Tears)
The evening before our wedding, January 23, 2009, I left the house to look for a strapless bustier for the wedding gown I had borrowed from my girlfriend, Nici.
Nani Birrell (Witness: One Woman’s Story from Human Trafficking to Freedom)
Even though we had no proof, we were both well aware that what we’d just witnessed was not simply an innocent interaction between a teacher and his student. That was a ridiculous explanation for finding the two of them in a remote storeroom on the far side of the school together. After what I’d seen in the past, it was just too coincidental.
Katrina Kahler (Julia Jones: The Teenage Years, Boxed Set #1-3)
There are nineteen such wedding chapels in Las Vegas, intensely competitive, each offering better, faster, and, by implication, more sincere services than the next: Our Photos Best Anywhere, Your Wedding on A Phonograph Record, Candlelight with Your Ceremony, Honeymoon Accommodations, Free Transportation from Your Motel to Courthouse to Chapel and Return to Motel, Religious or Civil Ceremonies, Dressing Rooms, Flowers, Rings, Announcements, Witnesses Available, and Ample Parking. All of these services, like most others in Las Vegas (sauna baths, payroll-check cashing, chinchilla coats for sale or rent) are offered twenty-four hours a day, seven days a week, presumably on the premise that marriage, like craps, is a game to be played when the table seems hot.
Joan Didion (Slouching Towards Bethlehem: Essays)
Sometimes I almost believe her soul looks out of the photograph, almost clears the sill Of the eyes & comes near; though it does not ever Move, it holds me while I look at it. But even today, I can’t conceive of a soul Without seeing a woman’s body. Specifically, Yours, undoing the straps of an evening dress In a convertible, & then lying back, your breasts Holding that hint of dusk mixed with mint And the emptiness of dusk. Someone put it Crudely: to fuck is to know. If that is true, There’s a corollary: the soul is a canary sent Into the mines. The convertible is white, & parked Beneath the black trees shading the river, Mile after mile. Your dress is off by now, And when you come, both above & below me, When you vanish into that one cry which means Your body is no longer quite your own And when your face looks like a face stricken From this world, a saint’s face, your eyes closing On some final city made entirely Of light, & only to be unmade by light Again—at that moment I’m still watching You—half out of reverence & half because The scene is distant, like a landscape, & has Nothing to do with me. Beneath the quiet Of those trees, & that sky, I imagine I’m simply a miner in a cave; I imagine the soul Is something lighter than a girl’s ribbon I witnessed, one afternoon, as it fell—blue, Tossed, withered somehow, & singular, at A friend’s wedding—& then into the river And swirled away. Do I chip away with my hammer? Do I, sometimes, sing or recite? Even though I have to know, in such a darkness, all The words by heart, I sing. And when I come, My eyes are closed fast. I smile, under The earth. They loved fast horses. And someone else Will have to watch them, grazing on short tufts Of spring grass beside the riverbank, When we are gone, when we are light, & grass. . — Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)
Larry Levis (Winter Stars)
We'd better get out of here fast," Nadia says, "before anyone notices." "Or before our conman friend wakes up," Autumn says. "I doubt Mr. John Smith will be overjoyed when he wakes up and I, for one, would rather not be around to witness it. I also lifted his mobile phone and his wallet," I tell them with a certain amount of pride. "Hopefully, it means that he won't be able to contact you again, Chantal." "Is his driver's license in his wallet?" I flick through the pockets until I found it. "Yes. His real name is Felix Levare." "Could be another alias." Chantal takes it from me. "But I'll keep that as a little extra insurance anyway," she says. There's a wad of cash in the wallet which I help myself to. "This can all go to a deserving charity," I say, then throw the wallet and the mobile phone into the lake after his car. They also splash satisfyingly and then sink without trace. I press the money into Autumn's hands. "Take it and buy some chocolate for your druggie kids." She takes the cash and pockets it. "Thanks.
Carole Matthews (The Chocolate Lovers' Club)
The wedding ring miracle was a once-in-a-lifetime experience. We will get to witness some of those, but most of our lives are made up of the small, everyday miracles. Answered prayers, yes, but also the miracle of a tomato that grows in our garden, the miracle of our kids laughing together, of a child learning a new concept, of connecting with our husbands; the miracle of feeling known through a conversation with a friend, of the comfort of a hug, the encouragement of a handwritten note, air-conditioning! If we choose to see life through the lens of faith and thankfulness, we will see the everyday miracles.
Alyssa Bethke (Satisfied: Finding Hope, Joy, and Contentment Right Where You Are)
At all these studies Ged was apt, and within a month was bettering lads who had been a year at Roke before him. Especially the tricks of illusion came to him so easily that it seemed he had been born knowing them and needed only to be reminded. The Master Hand was a gentle and lighthearted old man, who had endless delight in the wit and beauty of the crafts he taught; Ged soon felt no awe of him, but asked him for this spell and that spell, and always the Master smiled and showed him what he wanted. But one day, having it in mind to put Jasper to shame at last, Ged said to the Master Hand in the Court of Seeming, 'Sir, all these charms are much the same; knowing one, you know them all. And as soon as the spell-weaving ceases, the illusion vanishes. Now if I make a pebble into a diamond-' and he did so with a word and a flick of his wrist 'what must I do to make that diamond remain diamond? How is the changing-spell locked, and made to last?' The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, 'Tolk,' and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. 'This is a rock; tolk in the True Speech,' he said, looking mildly up at Ged now. 'A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond -or a flower or a fly or an eye or a flame-' The rock flickered from shape to shape as he named them, and returned to rock. 'But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow...' He looked down at the pebble again. 'A rock is a good thing, too, you know,' he said, speaking less gravely. 'If the Isles of Earthsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.' He smiled, but Ged left dissatisfied.
Ursula K. Le Guin (A Wizard Of Earthsea)