Wedding Gathering Quotes

We've searched our database for all the quotes and captions related to Wedding Gathering. Here they are! All 100 of them:

Dear Lord,” began Randy, who paused for long enough that Tristan sneaked an eye open to look at him. His saw his mother’s cheek twitch with what he thought might be apprehension. “We are so grateful to be gathered here today with our family, and the family of our brother’s homosexual boyfriend, and our new little goth friend who has a gay dad, whatever the heck that is all about. We’d like to say we’re grateful this year for condoms, lube, and Ellen Degeneres, and for those guys on Queer Eye…” Randall Evan Phillips!” his mother shouted.
Z.A. Maxfield (Crossing Borders (Crossing Borders, #1))
Lovers must not, like usurers, live for themselves alone. They must finally turn from their gaze at one another back toward the community. If they had only themselves to consider, lovers would not need to marry, but they must think of others and of other things. They say their vows to the community as much as to one another, and the community gathers around them to hear and to wish them well, on their behalf and its own. It gathers around them because it understands how necessary, how joyful, and how fearful this joining is. These lovers, pledging themselves to one another "until death," are giving themselves away, and they are joined by this as no law or contract could join them. Lovers, then, "die" into their union with one another as a soul "dies" into its union with God. And so here, at the very heart of community life, we find not something to sell as in the public market but this momentous giving. If the community cannot protect this giving, it can protect nothing...
Wendell Berry (Sex, Economy, Freedom, and Community: Eight Essays)
If a couple has their picture taken at a wedding or other social gathering, and the woman looks hot, her guy could be blinking, chewing, or even mid-sneeze, and she’ll still display it on her desk at work.
Brian P. Cleary
When the sun begins to set, we do exactly as we did the night before. Caroline fusses over Dink. Jaxon ogles Harper. The boys gather desert debris for our beds. Guy watches me undress. I imagine our wedding.
Victoria Scott (Fire & Flood (Fire & Flood, #1))
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
Linda Grant (The Thoughtful Dresser)
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one. Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.” Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking. Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—” Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair. The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes. “I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
As I get older, the tyranny that football exerts over my life, and therefore over the lives of people around me, is less reasonable and less attractive. Family and friends know, after long years of wearying experience, that the fixture list always has the last word in any arrangement; they understand, or at least accept, that christenings or weddings or any gatherings, which in other families would take unquestioned precedence, can only be plotted after consultation. So football is regarded as a given disability that has to be worked around. If I were wheelchair-bound, nobody close to me would organise anything in a top-floor flat, so why would they plan anything for a winter Saturday afternoon.
Nick Hornby (Fever Pitch)
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity. Did I day that? he said sounding slightly startled. Yes. Weren't you listening? No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that. What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head. Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
She smelled romantic, if he could claim romance as a scent, like a melting, sweet Alabama summer evening. The fragrance gathered in the hollow place between his heart and ribs.
Rachel Hauck (A Brush with Love: A January Wedding Story (A Year of Weddings 2, #2))
Lorcan nodded, "It'ss a beautiful night," he said. "The stars have all come out for you, Darcy." He turned to go, then had a fresh thought. "Oh and Tempest, a word to the wise..." Grace was busily gathering up the edges of Darcy's train. "Yes?" she said, glancing up at Lorcan. "What is it Furey?" Lorcan grinned."Just so you know, I've put down good money on you catching the wedding bouquet. I trust you wouldn't let me down!" as he winked at her, Grace thought his eyes never looked so blue. They were eyes you could never tire from looking at- as deep and constant and infinite as the ocean itself.
Justin Somper (Immortal War (Vampirates, #6))
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography. You could wear, once more, your own life in all its stages, from whatever they wrapped you in when you emerged from the dark red naked warmth of the womb to your deathbed.
Linda Grant (The Thoughtful Dresser)
On my way to the living room, where my family was gathered, I stopped to look at the photo in the foyer. As always, my eyes were drawn to my own face first, then those of my sisters, and finally my mother, looking so small between us. But I saw it differently now. When that picture was taken, we were all gathered around my mother, sheltering her. But that was just one day, one shot. In the time since, we had arranged and rearranged ourselves so many times. We’d all gathered around Whitney, even when she didn’t want us to, and Kirsten and I had gotten closer when she pushed us both away. We were still in flux, as had been clear at the table that night as I watched my mother and sisters come together again. Then, I’d been convinced I was on the outside, but really, I’d always been within arm’s reach. All I had to do was ask, and I, too, would be easily brought back, surrounded and immersed, finding myself safe, somewhere in between.
Sarah Dessen (Just Listen)
It's the most annoying question and they just can't help asking you. You'll be asked it at family gatherings, weddings, and on first dates. And you'll ask yourself far too often. It's the question that has no good answer. It's the question that when people stop asking it, you'll feel even worse. - WHY ARE YOU SINGLE?
Liz Tuccillo
Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We’d like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends.
Michel Faber (Some Rain Must Fall and Other Stories)
I remember when I was probably about ten years old I had a pen pal, and writing letters back and forth with him was one of my favorite things to do. His name was Steve and he lived in one of those huge mansions that's so big it has a name. It was called the Louisiana State Penitentiary, and he told me it was even bigger than the mayor's mansion. We'd send letters back and forth and he'd ask me to send him my favorite books and small pieces of metal or wood that were lying around and all the money I could find in my house. And I'd gather them all up and put cute little stickers of cats on the packages and send them away. It was so fun. Eventually we stopped writing because I moved to another city and he moved out to live on his own. He called it "solitary confinement." I was always so impressed by his vocabulary.
Ellen DeGeneres (Seriously... I'm Kidding)
Dearly weird and motley beings, we're gathered here today for . . . yada, yada, yada. Seth say something profound and sweet to Lydia." Savitar "My Lydia is like a star rising to guide me through the darkest night." Seth "Look, kid, I can say the words for you, but I think she'd rather hear them from your lips. Ignore the assholes in the chairs. If one of them laughs, I'll gut him for you." Savitar Lydia laid her hand against his cheek and kissed his lips. "Hey, hey, hey!" Savitar snapped. "You're jumping ahead, woman. It's your turn to make a vow to him." "Love is paitent. Love is kind. It does not envy. It does not boast. It does not proud. It is not rude. It is not self seeking. It is not easily angered> It keeps no records of wrongs. Love does not delight in evil, but rejoices with the truth. It always protects, it always trusts, always hopes, always perseveres." Lydia "Yeah, okay,beings . . . now you ." Savitar "Alright then, to the handful here, let me present Mr. and Mrs. Demigod jackal beings." Savitar "You know this would be much easier if some of us had last names." Savitar to Seth and Lydia "Would you stop ruining this for them?" Ma'at "I'm not ruining it, Mennie, I'm making it memorable," Savitar
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
Dariya and I used to play French Revolution when we were little. We'd take turns being Marie Antoinette. Our grandmamma caught us once and had us whipped for revolutionary sentiments. We were six years old at the time and had no idea even what revolutionary sentiments were.
Robin Bridges (The Gathering Storm (Katerina, #1))
Like any great and good country, Japan has a culture of gathering- weddings, holidays, seasonal celebrations- with food at the core. In the fall, harvest celebrations mark the changing of the guard with roasted chestnuts, sweet potatoes, and skewers of grilled gingko nuts. As the cherry blossoms bloom, festive picnics called hanami usher in the spring with elaborate spreads of miso salmon, mountain vegetables, colorful bento, and fresh mochi turned pink with sakura petals.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
Édouard Levé (Suicide)
Outside theology and fantastic literature, few can doubt that the main features of our universe are its dearth of meaning and lack of discernible purpose. And yet, with bewildering optimism, we continue to assemble whatever scraps of information we can gather in scrolls and books and computer chips, on shelf after library shelf, whether material, virtual or otherwise, pathetically intent on lending the world a semblance of sense and order, while knowing perfectly well that, however much we'd like to believe the contrary, our pursuits are sadly doomed to failure.
Alberto Manguel (The Library at Night)
He looked so alone all the time, and tears lodged in my throat, because we’d all been changed forever. Michael had hated, because he couldn’t take being helpless. Kai had suffered, because his limits had been pushed, I’d gathered. And I had struggled to find out who I was and where I belonged for so long. We’d all been so alone and so lost, wandering aimlessly, because none of us could admit that—not only were we not alone, but we couldn’t be happy alone.
Penelope Douglas (Corrupt (Devil's Night, #1))
Dreary beloved, we are gathered here in the sight of God and in the fate of this complication, to join together this man, Saint Anthony’ –she tapped the top of his urn –‘and this woman, The Lady of the Flowers’ –gesturing towards the photograph with an upturned palm –‘in holy macaroni which is the honourable estate. Saint Anthony takes The Lady of the Flowers to be the lawful wedding wife, to have and to hold from this day forward, for better for worse, richer or poorer, to love and to perish with death now you start. And it still rhymes,’ she added proudly to herself. She paused again, long enough this time for it to be almost uncomfortable, but no doubt with the intention of underscoring the sanctity of the occasion. ‘Earth to earth, ashes to ashes, funky to punky. We know Major Tom’s a monkey. We can be heroes just for today.
Ruth Hogan (The Keeper of Lost Things)
How easy it was. How incredibly easy, even after all that we'd been through. Or maybe it was easy because of all we'd been through. They gathered us in. They emptied us out. They filled us up with hate and cunning and the spirit of vengeance. So they could send us out again. To kill what's left of the rest of us.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Because she looks like a cupcake. Dresses like a cupcake. Gives off a scent of baked lemony sugar. Pretty in a way that reminds you of frosting flourishes. Not the forest green and electric blue horrors in the supermarket, but the pastel kind that is used at weddings or tasteful Easter gatherings. She looks so much like a cupcake that when I first met her at orientation, I had a very real desire to eat her. Bite deeply into her white shoulder. Dig a fork in her cheek.
Mona Awad (Bunny)
Happiness, as it exists in the wild—as opposed to those artificially constructed moments like weddings and birthday parties, where it’s gathered into careful piles—is not smooth. Happiness in the real world is mostly just resilience and a willingness to arch oneself toward optimism. To believe that people are more good than bad. To believe that the waves carrying you are neither friendly nor malicious, and to know that you’re less likely to drown if you stop struggling against them.
Carolyn Parkhurst (Harmony)
And the cruel woman ordered that the Derevlian Kniaz's arms and legs be severed. For the rest of his life he was to stay under her table and gather the breadcrumbs with his tongue.
Leopold von Sacher-Masoch (Bloody Wedding in Kyiv: Two Tales of Olha, Kniahynia of Kyivan Rus)
The voice welling up out of this little man is terrific, Harry had noticed it at the house, but here, in the nearly empty church, echoing off the walnut knobs and memorial plaques and high arched rafters, beneath the tall central window of Jesus taking off into the sky with a pack of pastel apostles for a launching pad, the timbre is doubled, richer, with a rounded sorrowful something Rabbit hadn't noticed hitherto, gathering and pressing the straggle of guests into a congregation, subduing any fear that this ceremony might be a farce. Laugh at ministers all you want, they have the words we need to hear, the ones the dead have spoken.
John Updike (Rabbit Is Rich (Rabbit Angstrom, #3))
He became hyperalert at any gathering like this, saw all the tiny details of normal life humming right along. This was when the bombs came and ripped through crowds. At funerals and weddings and religious celebrations.
Hugh Howey (Out of No Man's Land (Sand, #2))
Sometimes you just slap your head and go, ‘Well why didn’t I think of that?’ If it was easily solved by people within the industry, it would have been solved by people within the industry,” Pegau said. “I think it happens more often than we’d love to admit, because we tend to view things with all the information we’ve gathered in our industry, and sometimes that puts us down a path that goes into a wall. It’s hard to back up and find another path.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Pandora, who walked down the aisle of the estate chapel on Devon's arm, was radiantly beautiful in a dress of white silk, the billowing skirts so intricately gathered and draped that no lace or ornamental trim had been necessary. She wore a coronet of fresh daisies and a veil of sheer tulle and carried a small bouquet of roses and daisies. If West had any remaining doubts about St. Vincent's true feelings for his bride, they were forever banished as he saw the man's expression. St. Vincent stared at Pandora as if she were a miracle, his cool composure disrupted by a faint flush of emotion. When Pandora reached him and the veil was pushed back, St. Vincent broke with etiquette by leaning down to press a tender kiss on her forehead. "That part isn't 'til later," Pandora whispered to him, but it was loud enough that the people around them overheard, and a rustle of laughter swept through the crowd.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Evie…” His whisper stirred the tiny wisps at her hairline. “I want to make love to you.” Her blood turned to boiling honey. Eventually she managed a stammering reply. “I-I thought y-you never called it that.” His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie’s breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, “I want to fill every part of you…breathe the air from your lungs…leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.” She was now trembling so violently that she could hardly stand. “Your w-wound—we have to be careful—” “You let me worry about that.” His mouth took hers in a soft, smoldering kiss. Releasing her hand, he gathered her body closer, applying explicit pressure against her shoulders, back, hips, until she was molded completely against him. Evie wanted him with a desperation that almost frightened her. She tried to catch his gently shifting mouth with her own, and pulled at his clothes with a fumbling urgency that made him laugh softly. “Slowly,” he murmured. “The night is just beginning…and I’m going to love you for a long time.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Dearly beloved, we are gathered God knows where today to celebrate the joining of these two wanted fugitives.” Mother Goose turned to face Jack. “Jack, do you take Goldilocks, a woman charged with countless burglaries, breaking and entering, and running from the law —” “Don’t forget attempted murder!” Red called toward the pulpit. “I wasn’t going to,” Mother Goose said. “And attempted murder, to be your outlawfully wedded wife, in sickness and in health, in arrest and in imprisonment, until death do you part?
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
suddenly remembered a beautiful verse by the great Lebanese philosopher Kahlil Gibran: “Mayhap a funeral among men is a wedding feast among the angels.” I imagined my mother at the side of her mother and father, with her own little ones gathered in her arms.
Jean Sasson (The Complete Princess Trilogy: Princess; Princess Sultana's Daughters; and Princess Sultana's Circle)
I wish I could have known Barbara Bodichon -- and her whole vibrant circle of smart, fearless women friends. I'd like to gather them all around the dinner table, along with a few smart, fearless friends of my own. We'd open a bottle of wine and sit back to to hear their stories -- marveling at all the things that have changed, and commiserating about all the things that haven't. And then we'd tell them thank you. We'd tell them that we never take for granted the rights they fought so hard for. And that we hope we, too, can make the world just a little better for the ones who follow after.
Terri Windling
Groups of children gathered around them and gave them flowers and placed colored ribbons at their feet. After they were blessed at the wedding, they had a merry celebration, but the false mother and false bride had to leave. And the lips are still warm on the last person who told this tale. -The Children Of The Two Kings
Jack D. Zipes (The Original Folk and Fairy Tales of the Brothers Grimm)
Death was more like what we went through in the park: two people walking side by side in the mist, rubbing against trees and bushes, and not a word between them. It was something emptier than the name itself and yet right and peaceful, dignified, if you like. It was not a continuation of life, but a leap in the dark and no possibility of ever coming back, not even as a grain of dust. And that was right and beautiful, I said to myself, because why would one want to come back. To taste it once is to taste it forever - life or death. Whichever way the coin flips is right, so long as you hold no stakes. Sure, it's tough to choke on your own spittle - it's disagreeable more than anything else. And besides, one doesn't always die choking to death. Sometimes one goes off in his sleep, peaceful and quiet as a lamb. The Lord comes and gathers you up into the fold, as they say. Anyway, you stop breathing. And why the hell should one want to go on breathing forever? Anything that would have to be done interminably would be torture. The poor human bastards that we are, we ought to be glad that somebody devised a way out. We don't quibble about going to sleep. A third of our lives we snore away like drunken rats. What about that? Is that tragic? Well then, say three-thirds of drunken rat-like sleep. Jesus, if we had any sense we'd be dancing with glee at the thought of it! We could all die in bed tomorrow, without pain, without suffering - if we had the sense to take advantage of our remedies. We don't want to die, that's the trouble with us. That's why God and the whole shooting match upstairs in our crazy dustbins.
Henry Miller (Tropic of Capricorn (Tropic, #2))
A marriage is a private bond between two people. But a wedding is a party for everyone, a celebration of life and love, a gathering of friends and relatives to rejoice in life’s good food, champagne, dancing, laughter, and a golden moment in the passage of life. A marriage lasts years, through the good times and bad, and all the banal, boring everyday goings-on of living. A wedding is a brief flash, a unique, exceptional festivity with singing and flowers and good will among men—and women. A marriage is real life. A wedding is a fairy tale. But a wedding is also a promise that we will hold dear the joys of the fairy tale close to our hearts as we go through the years of our marriage.
Nancy Thayer (A Nantucket Wedding)
We found time for less serious things that summer, such as long hours spent playing games like Monopoly, Parcheesi, and Yacht. Peter came honestly by his honorary title of GGP—abbreviation for Great Game Player, bestowed on him by my young brother and sister. My family thought it would look impressive on his church bulletin—thus, “Peter Marshall, DD, GGP.” The day of our wedding saw a cold rain falling, “an ideal day for staying home and playing games,” Peter said. It was indeed. During the morning, I put the finishing touches to my veil and wrestled with a new influx of wedding gifts swathed in tons of tissue paper and excelsior. I gathered the impression that Peter was rollicking through successive games of Yacht, Parcheesi, and Rummy with anyone who had sufficient leisure to indulge him. That was all right, but I thought he was carrying it a bit too far when, thirty minutes before the ceremony, he was so busy pushing his initial advantage in a game of Chinese Checkers with my little sister Em that he still had not dressed.
Catherine Marshall (A Man Called Peter)
In the beginning God did not make a church or cathedral, he made a family. In the beginning God did not appoint apostles, or prophets, or pastors etc, he appointed a husband and a wife in the covenant of marriage. In Genesis, the first mankind gathering was a wedding ceremony, and not a worship meeting. After God, the next thing that came was marriage.
Taka Sande (Little Tough Tips On Marriage)
How beautifully Plato put it. Whenever you want to talk about people, it’s best to take a bird’s-eye view and see everything all at once—of gatherings, armies, farms, weddings and divorces, births and deaths, noisy courtrooms or silent spaces, every foreign people, holidays, memorials, markets—all blended together and arranged in a pairing of opposites.
Marcus Aurelius
May the blessings which flow in all weddings be gathered, God, together in our wedding! The blessings of the Night of Power, the month of fasting the festival to break the fast the blessings of the meeting of Adam and Eve the blessings of the meeting of Joseph and Jacob the blessings of gazing on the paradise of all abodes and yet another blessing which cannot be put in words: the fruitful scattering of joy of the children of the Shayak and our eldest! In companionship and happiness may you be like milk and honey in union and fidelity, just like sugar and halva. May the blessings of those who toast and the one who pours the wine anoint the ones who said Amen and the one who said the prayer
Rumi (Jalal ad-Din Muhammad ar-Rumi)
How beautifully Plato put it. Whenever you want to talk about people, it’s best to take a bird’s-eye view and see everything all at once—of gatherings, armies, farms, weddings and divorces, births and deaths, noisy courtrooms or silent spaces, every foreign people, holidays, memorials, markets—all blended together and arranged in a pairing of opposites.” —MARCUS AURELIUS, MEDITATIONS, 7.48
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living: Featuring new translations of Seneca, Epictetus, and Marcus Aurelius)
Elegy for Smoking" It’s not the drug I miss but all those minutes we used to steal outside the library, under restaurant awnings, out on porches, by the quiet fields. And how kind it used to make us when we’d laugh and throw our heads back and watch the dragon’s breath float from our mouths, all ravenous and doomed. Which is why I quit, of course, like almost everyone, and stay inside these days staring at my phone, chewing toothpicks and figuring the bill, while out the window, the smokers gather in their same old constellations, like memories of ourselves. Or like the remnants of some decimated tribe, come down out of the hills to tell their stories in the lightly-falling rain— to be, for a moment, simply there and nowhere else, their faces glowing each time someone lifts, like a gift, the little flame.
Patrick Phillips (Elegy for a Broken Machine: Poems)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
Iam staring into the eyes of the one I call Cupcake. Because she looks like a cupcake. Dresses like a cupcake. Gives off a scent of baked lemony sugar. Pretty in a way that reminds you of frosting flourishes. Not the forest green and electric blue horrors in the supermarket, but the pastel kind that is used at weddings or tasteful Easter gatherings. She looks so much like a cupcake that when I first met her at orientation, I had a very real desire to eat her. Bite deeply into her white shoulder. Dig a fork in her cheek.
Mona Awad (Bunny)
No one was a stranger in that crowd. We had all heard FDR's "Fireside Chats" and Edward R. Murrow's "This is London," listened to H.V. Kaltenborn for the evening news, and watched the newsreels before the movies. We'd read Ernie Pyle's columns, planted victory gardens, written V mails, sent care packages, gathered phonograph records for the USO, given up nylon for parachutes, saved bacon grease for explosives, and turned in tin foil, saved from gum wrappers, for ammunition. Most of all, we'd prayed that our loved ones would be safe.
Marjorie Hart (Summer at Tiffany)
I was just leaving,” he said. “So I gathered.” Her gaze fell on the jacket he’d thrown casually over his shoulder and held with one hand. “You must’ve been roasting in that thing.” “Occupational hazard.” She looked confused. “I’m sorry?” “It’s considered poor form for an FBI agent to have his gun exposed in public,” he explained. “Oh.” Her eyes traveled down to his right hip, where he carried his Glock. “You must have to get creative when wearing a swimsuit.” With anyone else, Vaughn would’ve said that was a joke. But with Sidney, he couldn’t quite tell. 
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I’m so sorry to break up this cozy little gathering,” she said, her voice trembling. “I’m sure you all need your rest…but there are wedding presents stacked in my room that need sorting out and I was under the impression that you had agreed to help.” “Oh yes,” said Hermione, looking terrified as she leapt to her feet, sending books flying in every direction, “we will…we’re sorry…” With an anguished look at Harry and Ron, Hermione hurried out of the room after Mrs. Weasley. “It’s like being a house-elf,” complained Ron in an undertone, still massaging his head as he and Harry followed. “Except without the job satisfaction. The sooner this wedding’s over, the happier I’ll be.” “Yeah,” said Harry, “then we’ll have nothing to do except find Horcruxes…It’ll be like a holiday, won’t it?” Ron started to laugh, but at the sight of the enormous pile of wedding presents waiting for them in Mrs. Weasley’s room, stopped quite abruptly. The Delacours arrived the following morning at eleven o’clock. Harry, Ron, Hermione, and Ginny were feeling quite resentful toward Fleur’s family by this time, and it was with ill grace that Ron stumped back upstairs to put on matching socks, and Harry attempted to flatten his hair.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
—gathered the holly that afternoon in the Hermitage, with a kitchen knife. I wouldn’t do it, I was scared of the spines tearing at my skin (I’d been soaking my hands in warm water and lemon for weeks, of course, everybody did). But she pulled it from me and said, don’t be a goose, I’ll do it. You’ll tear your dress, I said, and Mother will be angry, but she didn’t care. Esme never cared. And she did, tear it, I mean, and Mother was vexed with us both when we got back. You are responsible even if Esme isn’t, she said to me, you are responsible because Esme isn’t, and we’d have to take it with us on our next visit to Mrs MacPherson.
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Google had a built-in disadvantage in the social networking sweepstakes. It was happy to gather information about the intricate web of personal and professional connections known as the “social graph” (a term favored by Facebook’s Mark Zuckerberg) and integrate that data as signals in its search engine. But the basic premise of social networking—that a personal recommendation from a friend was more valuable than all of human wisdom, as represented by Google Search—was viewed with horror at Google. Page and Brin had started Google on the premise that the algorithm would provide the only answer. Yet there was evidence to the contrary. One day a Googler, Joe Kraus, was looking for an anniversary gift for his wife. He typed “Sixth Wedding Anniversary Gift Ideas” into Google, but beyond learning that the traditional gift involved either candy or iron, he didn’t see anything creative or inspired. So he decided to change his status message on Google Talk, a line of text seen by his contacts who used Gmail, to “Need ideas for sixth anniversary gift—candy ideas anyone?” Within a few hours, he got several amazing suggestions, including one from a colleague in Europe who pointed him to an artist and baker whose medium was cake and candy. (It turned out that Marissa Mayer was an investor in the company.) It was a sobering revelation for Kraus that sometimes your friends could trump algorithmic search.
Steven Levy (In the Plex: How Google Thinks, Works, and Shapes Our Lives)
I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I was willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
He gestured at me. “Do you like the blanket?” I nodded. “It’s warm.” “I made it. Well, actually, I didn’t skin the animal, but I did kill it….after the others pinned it down. It’s werewolf skin.” My heart faltered; I gripped at a wad of black fur. “I slayed the beast for you, Catherine. I used your sword. It was your grandmother’s idea actually, a wedding present. You mentioned how chilly you get.” “You didn’t slay a werewolf,” I breathed before repeating the words louder. “You did not slay a werewolf, Thaddeus.” “Oh, but I did. I took a band of huntsman with me and we tracked one down. A smaller one, mind you, not far from the front gate…” “You did not!” I contended more strongly. Why would one wolf have separated from the pack? Why outside our walls? “Yes, Catherine, I did,” he insisted. I shook my head disbelieving. “You’re not capable—” “I am so.” I wanted to cry. I wanted to protest, but to do so meant giving away my knowledge of the truth. Without knowing what else to do or say I changed the subject. “The fire’s gone out.” Thaddeus turned his head to check. “You’re right. I’ll see to it.” He fed the barrel stove until a healthy blaze was roaring. Finding me no longer a decent conversationalist, Thaddeus left with a promise to return soon with food and water. Unobserved, I gathered up the fur hide of a lost soul and curled into a ball, hugging it close to my chest. I cried silent tears and mourned for this unknown werewolf for days.
Richelle E. Goodrich (The Tarishe Curse)
The word gochisō not only means "feast," but also... ... "to run" or "rush." The host rushes around to gather the ingredients, get them ready, and then cook the food. The vegetables and chicken were homegrown... ... and you must have sought out the halfbeak and quail yourself. Miyasato sensei expended a lot of time and effort to treat us to this meal. The dishes we had are all common ones so that we'd easily be able to compare them with versions we've eaten before. For the wakame and green onion with miso, you pulled the onions out of your own vegetable patch, and you also used fresh wakame and homemade miso. And that's why it tasted so much better than usual. The care you've put into getting all these dishes ready... ... is what made this a real gochisō.
Tetsu Kariya (Japanese Cuisine)
In fifteenth-century France, for example, one out of every four days of the year was an official holiday of some sort, usually dedicated to a mix of religious ceremonies and more or less unsanctioned carryings-on. Weddings, wakes, and other gatherings furnished additional opportunities for conviviality and carousing. Then there were the various local ceremonial occasions, such as the day honoring a village's patron saint or the anniversary of a church's founding ... So, despite the reputation of what are commonly called "the Middle Ages" as a time of misery and fear, the period from the thirteenth to the fifteenth century can be seen - at least in comparison to the puritanical times that followed - as one long outdoor party, punctuated by bouts of hard labor.
Barbara Ehrenreich
What did you get her for the wedding gift?” “Dude, I bought her a fucking Steinway.” “Are you kidding me?” “No, I had to. She saw it in a store and played it in the showroom. The entire staff gathered around to watch her. She kept her eyes closed and wept while she played “Isolde’s Love Death” from Tristan and Isolde. She played the whole fucking thing without any sheet music. The crowd clapped and whistled. I offered to buy it on the spot; I said we could write it off, but she said absolutely not. She wouldn’t let me.” “How much was it?” “A lot.” “Dude, tell me, how much?” “A hundred.” “A hundred what?” Tyler said in disbelief. “A hundred fucking shillings. A hundred thousand dollars, you moron.” “You bought her a hundred-thousand-dollar piano?” “Well, technically, Alchemy Sound Studios bought it for her, but yeah
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion. Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience." "He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it." "Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?" "It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to." "It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..." "It's got something to do with the temperature of the steel," Wolf said. "And with the folding. They fold more than we do, possibly hundreds of times." "Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-" Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours." Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush. She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall. Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh. "As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
The train scooted along the fried coast. We made solid headway into the Marston's. Mo was down a testicle since the spring. We'd called in at the Royal the night of his operation. We'd stopped at the Ship and Mitre on the way—they'd a handsome bitter from Clitheroe on guest tap. We needed the fortification: when Real Ale Club boys parade down hospital wards, we tend to draw worried glances from the whitecoats. We are shaped like those chaps in the warning illustrations on cardiac charts. We gathered around Mo and breathed a nice fog of bitter over the lad and we joshed him gently. “Sounding a little high-pitched, Mo?” “Other lad's going to be worked overtime.” “Diseased bugger you'll want in a glass jar, Mo. One for the mantelpiece.” Love is a strong word, but. We were family to Mo when he was up the Royal having the bollock out. We passed Flint Castle and Everett Bell piped up.
Kevin Barry (Beer Trip to Llandudno)
And how long, impossible question I know, but how long until we’re not capable of having this discussion? How many windows like this do we have left?’ Elizabeth can fool herself no more, can keep Stephen to herself no longer. The day she knew must arrive is here. She has been losing him a paragraph at a time, but the chapter is done. And the book is close to its end. Stephen, fully dressed and shaved, stands among his books. The urns and sculptures from his travels, things he found significant and beautiful, gathered over a lifetime. The awards, the photographs, old friends smiling on boats, boys at school dressed like men, Stephen on mountains, on desert digs, raising a glass in a far-off bar, kissing his wife on their wedding day. This room, this cocoon, every inch of it is his brain, his smile, his kindness, his friendships, his lovers, his jokes. His mind, fully on display. And he knows it is now lost.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
Don’t be upset,” he whispered. “I couldn’t stop it from happening,” she said in a plaintive voice. “You weren’t supposed to,” he said tenderly. “I was playing with you. Teasing you.” “But I wanted it to last longer. It’s our wedding night, and it’s already over.” Pausing, Beatrix added glumly, “At least my part of it is.” Christopher averted his face, but she could see that he was struggling to contain a laugh. When he had mastered himself, he looked down at her with a slight smile and smoothed her hair back from her face. “I can make you ready again.” Beatrix was quiet for a moment as she evaluated her spent nerves and limp body. “I don’t think so,” she said. “I feel like a wrung-out kitchen mop.” “I promise to make you ready again,” he said, his voice threaded with amusement. “It will take a long time,” Beatrix said, still frowning. Gathering her into his arms, Christopher crushed his mouth over hers. “I can only hope so.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Daniel.” Luce gripped his shoulder. “What about the library you took me to? Remember?” She closed her eyes. She wasn’t thinking so much as feeling her way through a memory buried shallowly in her brain. “We came to Vienna for the weekend…I don’t remember when, but we went to see Mozart conduct The Magic Flute…at the Theater an der Wien? You wanted to see this friend of yours who worked at some old library, his name was-“ She broke off, because when she opened her eyes, the others were staring at her, incredulous. No one, least of all Luce, had expected her to be the one to know where they would find the desideratum. Daniel recovered first. He flashed her a funny smile Luce knew was full of pride. But Arriane, Roland, and Annabelle continued to gape at her as if they’d suddenly learned she spoke Chinese. Which, come to think of it, she did. Arriane wiggled a finger around inside her ear. “Do I need to ease up on the psychedelics, did LP just recall one of her past lives unprompted at the most crucial juncture ever?” “You’re a genius,” Daniel said, leaning forward and kissing her deeply. Luce blushed and leaned in to extend the kiss a little longer, but then heard a cough. “Seriously, you two,” Annabelle said. “There will be time enough for snogs if we pull this off.” “I’d say ‘get a room’ but I’m afraid we’d never see you again,” Arriane added, which caused them all to laugh. When Luce opened her eyes, Daniel had spread his wings wide. The tips brushed away broken bits of plaster and blocked the Scale angels from view. Slung over his shoulder was the black leather satchel with the halo. The Outcasts gathered the scattered starshots back into their silver sheaths. “Wingspeed, Daniel Grigori.” “To you as well.” Daniel nodded at Phil. He spun Luce around so her back was pressed to his chest and his arms fit snugly around her waist. They clasped hands over her heart. “The Foundation Library,” Daniel said to the other angels. “Follow me, I know exactly where it is.
Lauren Kate (Rapture (Fallen, #4))
She had to think fast if she wanted to maintain the illusion that we were still hanging out in the forest on purpose. We didn’t want to find pine cones. We wanted to go home. But we didn’t really have a choice. Our leader wanted us to collect pine cones, so we obeyed, hoping that we could placate her as quickly as possible and move on. We had severely underestimated how difficult the task was going to be. We’d gather a bunch of pine cones, then trot over to our mother and ask her if we had found enough to be able to go home. “No. But maybe there are more on the other side of that hill,” she’d say. So we’d march over the hill to look for more. When we were on the other side of the hill, she’d say, “See where Murphy is on the far side of that meadow? I bet there are bigger pine cones over there. Let’s go find out!” Then she wanted browner pine cones. Then heavier pine cones. Several hours later, we had come no closer to meeting our mother’s ludicrous standards. We were beginning to lose hope.
Allie Brosh (Hyperbole and a Half)
So how does a woman know how to fight man to man?" another boy sniggered, loud enough so that he was heard. Shazad's eyebrows went up. I stepped back. ... "I'll tell you what," Shazad turned toward him. "Why don't you come and face me? Anyone who can land a blow can take over this training." A small audience was gathering by now. Everyone who'd ever seen Shazad fight knew exactly where this was going. The rebels were elbowing one another slyly as the boy stepped forward, looking all too confident. ... "Doesn't seem like a fair fight to me," the boy said, too lightly. The boy was at least twice Shazad's weight, broad where she was slim--slimmer still, after her time in Eremot. ... "It's not even close to a fair fight," Jin commented from the sidelines. We'd all formed a circle now, watching. ... "Oh, my friend," Sam clapped the boy on his back. "I'm sorry for your loss." "My loss?" The young idiot said. "Of your dignity." He gave him a rueful smile before stepping back to stand next to me.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
Calvin?” Elizabeth said, gathering the last of her things from the cafeteria table. “Are you listening? I said I’m going to a wedding tomorrow. Actually, I’m in the wedding if you can believe that.” She gave a nervous shrug. “So we should probably discuss that acid study tonight if that works.” “Who’s getting married?” “My friend Margaret—the Physics secretary? That’s who I’m meeting in fifteen minutes. For a fitting.” “Wait. You have a friend?” He thought Elizabeth only had workmates—fellow scientists who recognized her skill and undermined her results. Elizabeth felt a flush of embarrassment. “Well, yes,” she said awkwardly. “Margaret and I nod to each other in the hallways. We’ve spoken several times at the coffee urn.” Calvin willed his face to look as if this were a reasonable description of friendship. “It’s very last-minute. One of her bridesmaids is sick and Margaret says it’s important to have an even ratio of bridesmaids to ushers.” Although as soon as she said it, she realized what Margaret really needed: a size 6 without weekend plans.
Bonnie Garmus (Lessons in Chemistry)
For the mob is a congregation of compulsions. It does not matter who or what squats upon the altar: Robespierre, Beelzebub, Mussolini, Belial, any political or social savior with the sibilant speech and the slick tongue, hissing out every other word with its suffix -ism. The people will be saved not by the grace of God, not by any act of faith, hope, or charity. They will be saved because they belong to the right mob. They think they have pulled the lever of righteousness, but they are themselves the levers that are pulled. A mob is not a great cloud of witnesses. It is not a gathering of friends for a wedding feast. It is a herd of enemies who have fused their enmity with the cause, whereof they are the willing effects. Witness the goings-on when a politician dies. No one, in Life Under Compulsion, says to himself, “The fearful reckoning he meets may be mine, soon.” They turn the funeral into a political event. They must: they are marionettes and they will dance. They look over the shoulder to see who gets the prime time for the moist eye and the hitch in the voice.
Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
Come on, I want to take you around to the back, to see St. Anthony's Garden," he said. Delicate bell clangs marked the half hour, and a mockingbird called through the still air as the group entered the garden. The green space was dominated by the tall white statue of a man with arms raised in welcome. "St. Anthony is known as the protector of childless women and finder of lost things," explained Falkner. "This area has had many functions over the years. It was a place for gatherings, markets, meals---even a dueling ground. Père Antoine, one of the cathedral's popular pastors, used the space as a kitchen garden to feed his monks. He also worked with voodoo priestess Marie Laveau to assist the large slave population, especially women and children." "A Roman Catholic priest collaborating with a voodoo priestess?" asked one of the tourists, mopping his brow with a handkerchief. Falkner nodded. "They had more in common than you may think. They both had a desire to heal, sooth, and do good works. They were both very spiritual people. Marie Laveau blended voodoo with Catholicism, especially regarding the saints.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
Charlie, I want to get married," she said. "Well, so do I, darling -" "No, you don't understand," she said. "I want to get married right now." Froggy knew from the desperate look in her eyes that Red was dead serious. "Sweetheart, are you sure now is a good time?" he said. "I'm positive," Red said. "If the last month has taught me anything, it's how unpredictable life can be - especially when you're friends with the Bailey twins. This could very well be the last chance we'll ever get! Let's do it now, in the Square of Time, before another magical being can tear us apart!" The idea made Froggy's heart fill with joy, but he wasn't convinced it was the right thing to do. "Are you sure this is the wedding you want?" he asked. "I don't mean to be crude, but the whole street is covered in a witch's remains." A large and self-assured smile grew on Red's face. "Charlie, I can't think of a better place to get married than on the ashes of your ex-girlfriend," she said. "Mother Goose, will you do the honors?" Besides being pinned to the ground by a three-ton lion statue, Mother Goose couldn't think of a reason why she couldn't perform the ceremony. "I suppose I'm available," she said. "Wonderful!" Red squealed. "And for all intents and purposes, we'll say the Fairy Council are our witness, Conner is the best man, and Alex is my maid of honor. Don't worry, Alex! This will only take a minute and we'll get right back to helping you!" Red and Froggy joined hands and stood in the middle of Times Square as Mother Goose officiated the impromptu wedding. "Dearly beloved, we are gathered here today - against our will - to unexpectedly watch this frog and woman join in questionable matrimony. Do you, Charlie Charming, take Red Riding Hood as your lovably high-maintenance wife?" "I do," Froggy declared. "And do you, Red Riding Hood, take Charlie Charming as your adorably webfooted husband?" "I do," Red said. "Then it is with the power mistrusted in me that I now pronounce you husband and wife! You may kiss the frog!" Red and Froggy shared their first kiss as a married couple, and their friends cheered. "Beautiful ceremony, my dear," Merlin said. "Believe it or not, this isn't the strangest wedding I've been to," Mother Goose said.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
Well?" said Loki. "What about you, Heimdall? Do you have any suggestions?" "I do," said Heimdall. "But you won't like it." Thor banged his fist down upon the table. "It does not matter whether or not we like it," he said. "We are gods! There is nothing that any of us gathered here would not do to get back Mjollnir, the hammer of the gods. Tell us your idea, and if it is a good idea, we will like it." "You won't like it," said Heimdall. "We will like it!" said Thor. "Well," said Heimdall, "I think we should dress Thor as a bride. Have him put on the necklace of the Brisings. Have him wear a bridal crown. Stuff his dress so he looks like a woman. Veil his face. We'll have him wear keys that jingle, as women do, drape him with jewels -" "I don't like it!" said Thor. "People will think... well, for a start they'll think I dress up in women's clothes. Absolutely out of the question. I don't like it. I am definitely not going to be wearing a bridal veil. None of us like this idea, do we? Terrible, terrible idea. I've got a beard. I can't shave off my beard." "Shut up, Thor," said Loki son of Laufey. "It's an excellent idea.
Neil Gaiman
Help your children grow and excel in the gifts God has given them. Let them know you're on their team. s a mom I want to leave a legacy that goes way beyond ordinary life skills such as cooking and cleaning. I want to teach values about caring for ourselves and others and shaping a godly atmosphere at home and in our lives. The time you spend teaching your daughters the joys and responsibilities of womanhood will benefit generations to come. And we teach best by what we are, don't we? Not by what we say. And how we raise our sons demonstrates how they should treat the women they encounter: teachers, moms, their wives, and daughters. My prayer is, "Lord, may Your love permeate my heart and life. May the gentle but strong spirit of being a woman of Yours add beauty and meaning to generations to come. Amen." on't you love springtime? It's a time for planting, for growing, for awakening. There's no better place to be than your garden. My first garden was nothing more than a sweet potato in a jar. Remember those? And flowers! They're food to my soul. My mama would always pick a few to float in a bowl or gather in a jelly jar. And once in a while we'd splurge and spend precious money on daisies or carnations from a
Emilie Barnes (365 Things Every Woman Should Know)
One of the things I loved about Chris was his sense of humor, which seemed perfectly matched with mine, even at its most offbeat. April Fools’ Day was always a major highlight. A month before our daughter was due, I woke him up in the middle of the night. “Don’t panic,” I told him, “but I think I’m going into labor.” “Do we have a bag?” he asked, jumping up immediately. “No, no, don’t worry.” I slipped out of bed and went to take a shower. Chris immediately got dressed and, calmly but very quickly, gathered my clothes and packed a suitcase. “I’m ready!” he announced, barging into the bathroom. “Babe, do you know what day it is?” I asked sweetly. It was two A.M., April 1. “Are you kidding me?” he said, disbelieving. I laughed and plunged back into the shower. He quickly got revenge by flushing the toilet, sending a burst of cold water across my body. In retrospect, maybe I’d been a little cruel, but we did love teasing each other. At our wedding, we’d smooshed cake into each other’s faces. That began a tradition that continued at each birthday--whether it was ours or not. The routine never seemed to get old. We’d giggle and laugh, chasing each other as if we were crazy people. Our friends and neighbors got used to it--and learned to stay out of the line of fire.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.' 'That I never would, sir; you know -,' impossible to proceed. [...] The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak. 'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.' 'Where do you see the necessity?' he asked, suddenly. 'Where? You, sir, have placed it before me.' 'In what shape?' 'In the shape of Miss Ingram; a noble and beautiful woman, your bride.' 'My bride! What bride? I have no bride!' 'But you will have.' 'Yes; I will! I will!' He set his teeth. 'Then I must go; you have said it yourself.' 'No; you must stay! I swear it, and the oath shall be kept.' 'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!' 'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!' 'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!' 'Where, Jane? to Ireland?' 'Yes - to Ireland. I have spoke my mind, and can go anywhere now.' 'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.' 'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.' Another effort set me at liberty, and I stood erect before him. 'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.' 'You play a farce, which I merely taught at.' 'I ask you to pass through life at my side - to be my second self, and best earthly companion.' [...] 'Do you doubt me, Jane?' 'Entirely.' 'You have no faith in me?' 'Not a whit.
Charlotte Brontë (Jane Eyre)
That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.
Martine Bailey (An Appetite for Violets)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The silence was shattered as the bedroom door flew open with a wall-shaking crash. Hermione shrieked and dropped Secrets of the Darkest Art; Crookshanks streaked under the bed, hissing indignantly; Ron jumped off the bed, skidded on a discarded Chocolate Frog wrapper, and smacked his head on the opposite wall; and Harry instinctively dived for his wand before realizing that he was looking up at Mrs. Weasley, whose hair was disheveled and whose face was contorted with rage. “I’m so sorry to break up this cozy little gathering,” she said, her voice trembling. “I’m sure you all need your rest . . . but there are wedding presents stacked in my room that need sorting out and I was under the impression that you had agreed to help.” “Oh yes,” said Hermione, looking terrified as she leapt to her feet, sending books flying in every direction, “we will . . . we’re sorry . . .” With an anguished look at Harry and Ron, Hermione hurried out of the room after Mrs. Weasley. “It’s like being a house-elf,” complained Ron in an undertone, still massaging his head as he and Harry followed. “Except without the job satisfaction. The sooner this wedding’s over, the happier I’ll be.” “Yeah,” said Harry, “then we’ll have nothing to do except find Horcruxes. . . . It’ll be like a holiday, won’t it?” Ron started to laugh, but at the sight of the enormous pile of wedding presents waiting for them in Mrs. Weasley’s room, stopped quite abruptly.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Most of the guests left the rehearsal dinner at the country club; the remaining group--a varied collection of important figures in both of our lives--had skittered away to the downtown hotel where all of the out-of-town guests were staying. Marlboro Man and I, not ready to bid each other good night yet, had joined them in the small, dimly lit (lucky for me, given the deteriorating condition of my epidermis) hotel bar. We gathered at a collection of tiny tables butted up together and wound up talking and laughing into the night, toasting one another and spouting various late-night versions of “I’m so glad I know you” and “I love you, man!” In the midst of all the wedding planning and craziness, hanging out in a basement bar with uncles, college friends, and siblings was a relaxing, calming elixir. I wanted to bottle the feeling and store it up forever. It was late, though; I saw Marlboro Man looking at the clock in the bar. “I think I’ll head back to the ranch,” he whispered as his brother told another joke to the group. Marlboro Man had a long drive ahead, not to mention an entire lifetime with me. I couldn’t blame him for wanting a good night’s sleep. “I’m tired, too,” I said, grabbing my purse from under the table. And I was; the long day had finally set in. The two of us stood up and said our good-byes to all the people who loved us so much. Men stood up, some stumbling, and shook hands with Marlboro Man. Women blew kisses and mouthed Love you guys! to us as we walked out of the room and waved good-bye. But no one left the bar. Nobody loved us that much.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Matthew 22 MAT22.1 And Jesus answered and spake unto them again by parables, and said, MAT22.2 The kingdom of heaven is like unto a certain king, which made a marriage for his son, MAT22.3 And sent forth his servants to call them that were bidden to the wedding: and they would not come. MAT22.4 Again, he sent forth other servants, saying, Tell them which are bidden, Behold, I have prepared my dinner: my oxen and my fatlings are killed, and all things are ready: come unto the marriage. MAT22.5 But they made light of it, and went their ways, one to his farm, another to his merchandise: MAT22.6 And the remnant took his servants, and entreated them spitefully, and slew them. MAT22.7 But when the king heard thereof, he was wroth: and he sent forth his armies, and destroyed those murderers, and burned up their city. MAT22.8 Then saith he to his servants, The wedding is ready, but they which were bidden were not worthy. MAT22.9 Go ye therefore into the highways, and as many as ye shall find, bid to the marriage. MAT22.10 So those servants went out into the highways, and gathered together all as many as they found, both bad and good: and the wedding was furnished with guests. MAT22.11 And when the king came in to see the guests, he saw there a man which had not on a wedding garment: MAT22.12 And he saith unto him, Friend, how camest thou in hither not having a wedding garment? And he was speechless. MAT22.13 Then said the king to the servants, Bind him hand and foot, and take him away, and cast him into outer darkness, there shall be weeping and gnashing of teeth. MAT22.14 For many are called, but few are chosen.
Anonymous (Holy Bible: King James Version)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
One day in the dojo (the martial-arts studio) before our karate class began, I witnessed the power of a concentrated focus unlike anything that I’d ever seen growing up in the heartland of northern Missouri. On that day, our instructor walked into the room and asked us to do something very different from the form and movement practices that were familiar to us. He explained that he would seat himself in the center of the thick mat where we honed our skills, close his eyes, and go into a meditation. During this exercise, he would stretch his arms out on either side of his body, with his palms open and facedown. He asked us to give him a couple of minutes to “anchor” himself in this T position and then invited us to do anything that we could to move him from his place. The men in our class outnumbered the women by about two to one, and there had always been a friendly competition between the sexes. On that day, however, there was no such division. Together, we all sat close to our instructor, silent and motionless. We watched as he simply walked to the center of the mat, sat down with his legs crossed, closed his eyes, held out his arms, and changed his breathing pattern. I remember that I was fascinated and observed closely as his chest swelled and shrank, slower and slower with each breath until it was hard to tell that he was breathing at all. With a nod of agreement, we moved closer and tried to move our instructor from his place. At first, we thought that this was going to be an easy exercise, and only a few of us tried. As we grabbed his arms and legs, we pushed and pulled in different directions with absolutely no success. Amazed, we changed our strategy and gathered on one side of him to use our combined weight to force him in the opposite direction. Still, we couldn’t even budge his arms or the fingers on his hands! After a few moments, he took a deep breath, opened his eyes, and with the gentle humor we’d come to respect, he asked, “What happened? How come I’m still sitting here?” After a big laugh that eased the tension and with a familiar gleam in his eyes, he explained what had just happened. “When I closed my eyes,” he said, “I had a vision that was like a dream, and that dream became my reality. I pictured two mountains, one on either side of my body, and myself on the ground between the peaks.” As he spoke, I immediately saw the image in my mind’s eye and felt that he was somehow imbuing us with a direct experience of his vision. “Attached to each of my arms,” he continued, “I saw a chain that bound me to the top of each mountain. As long as the chains were there, I was connected to the mountains in a way that nothing could change.” Our instructor looked around at the faces that were riveted on each word he was sharing. With a big grin, he concluded, “Not even a classroom full of my best students could change my dream.” Through a brief demonstration in a martial-arts classroom, this beautiful man had just given each of us a direct sense of the power to redefine our relationship to the world. The lesson was less about reacting to what the world was showing us and more about creating our own rules for what we choose to experience. The secret here is that our instructor was experiencing himself from the perspective that he was already fixed in one place on that mat. In those moments, he was living from the outcome of his meditation. Until he chose to break the chains in his imagination, nothing could move him. And that’s precisely what we found out.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
Missy and I were married on August 10, 1990. To say our marriage got off to a rocky start would be an understatement. My brothers and closest friends took me frog-hunting the night before my wedding for my bachelor party. As we were searching for frogs, my oldest brother, Alan, gave me a lot of advice on marriage in general as we motored along the bayou. The main thing he reminded me of is that God is the architect of marriage. Having a great relationship with our Creator is the best thing you can do for your marriage relationship. Alan gave me an illustration of a triangle with the husband and wife on the bottom corners and God at the top corner. His point was that as each person moves closer to God, they also move closer to each other. I never forgot that and he was right. I was mainly the motorman that night and was filled with anxiety and anticipation of the wedding. As we moved along, we saw two big frogs mating on the riverbank. “Whoa, there you go!” Al shouted. It kind of broke the ice for a conversation about intimacy and sex. Missy and I had not seen each other much in the previous couple of months because we couldn’t keep our hands off each other. Many times we had to remind each other of our commitment to stay pure and had had many prayers together. We were not perfect, but one of us would always stop things from getting too heated. Eventually, we decided to have only a long-distance relationship via telephone and our face-to-face encounters became limited to church and public gatherings. As our wedding was approaching, Missy and I were both a little bit nervous about having sex for the first time. I think that’s the way it is when you’re both virgins. We were both excited because we’d decided to save ourselves for marriage and our big night was finally here!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Once, during a concert of cathedral organ music, as I sat getting gooseflesh amid that tsunami of sound, I was struck with a thought: for a medieval peasant, this must have been the loudest human-made sound they ever experienced, awe-inspiring in now-unimaginable ways. No wonder they signed up for the religion being proffered. And now we are constantly pummeled with sounds that dwarf quaint organs. Once, hunter-gatherers might chance upon honey from a beehive and thus briefly satisfy a hardwired food craving. And now we have hundreds of carefully designed commercial foods that supply a burst of sensation unmatched by some lowly natural food. Once, we had lives that, amid considerable privation, also offered numerous subtle, hard-won pleasures. And now we have drugs that cause spasms of pleasure and dopamine release a thousandfold higher than anything stimulated in our old drug-free world. An emptiness comes from this combination of over-the-top nonnatural sources of reward and the inevitability of habituation; this is because unnaturally strong explosions of synthetic experience and sensation and pleasure evoke unnaturally strong degrees of habituation.90 This has two consequences. First, soon we barely notice the fleeting whispers of pleasure caused by leaves in autumn, or by the lingering glance of the right person, or by the promise of reward following a difficult, worthy task. And the other consequence is that we eventually habituate to even those artificial deluges of intensity. If we were designed by engineers, as we consumed more, we’d desire less. But our frequent human tragedy is that the more we consume, the hungrier we get. More and faster and stronger. What was an unexpected pleasure yesterday is what we feel entitled to today, and what won’t be enough tomorrow.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Dom, are you out here?” called a voice from somewhere beyond the stables. Damn it all. It was Tristan. Swiftly Dom donned his shirt. “Be quiet,” he whispered to Jane, “and he’ll go away.” Tristan’s voice sounded again, even nearer now. “I swear to God, Dom, if you ride off to London in the dark and make a liar out of me before Ravenswood, I will kick you from here to France!” “He won’t go away,” Jane whispered back, a hint of desperation in her voice. “He promised Ravenswood that you wouldn’t head for London with broken carriage lamps, and now he’ll want to make sure that you don’t.” Which meant his arse of a brother wasn’t going to stop looking for him. Any minute now, he’d be striding into the harness room. Then Jane would have to marry Dom. As soon as the thought entered Dom’s head, it apparently occurred to her, too, for she paled and stepped near enough to whisper, “Please. Not like this.” He stared at her ashen face, and his stomach sank. He couldn’t force her to wed him. After what had happened between them years ago, she would never forgive him for taking her choice away from her yet again. Besides, he didn’t want to force her into anything. The only way he could prove that he didn’t intend to run roughshod over her for the rest of their lives was to walk away now. Even if it killed him. Bloody hell. “I’ll draw Tristan away from the stables,” Dom said tersely as he shoved his stocking feet into his boots. “That will give you a chance to finish dressing and sneak back into the house.” Relief spreading over her face, she bobbed her head. He buttoned up his shirt. “It will also give you a chance to decide what you want.” Gathering up his coat, waistcoat, and cravat, he added in a low murmur, “But know this, Jane. I am not, nor ever intend to be, a man like your father. Somewhere inside of you, you must…” He winced. “You surely do know it.” He waited long enough to see uncertainty flicker in her eyes. Then he strode out of the harness room and closed the door behind him.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Three cats stood in the center of the camp, their fur frosted by the dazzling white light. “Who are you?” Graywing stammered. These weren’t RiverClan warriors, and she didn’t recognize them from Gatherings. She wondered how they had managed to get all the way into the camp without being challenged. The tallest of the strangers, hard-muscled beneath his brown tabby coat, dipped his head. “Greetings, Graywing,” he meowed. “My name is Runningstorm of WindClan. This is Wolfheart”—he nodded to the elegant gray she-cat beside him—“and our leader, Smallstar.” The third cat, whose tiny frame was covered in sleek black-and-white fur, looked at Graywing. His blue eyes were friendly as he mewed, “We have traveled far to see you.” Graywing looked from one cat to the other. “I don’t understand. Has something happened to Fallowstar?” Smallstar shook his head. “Fallowstar is fine. We are the cats who would have been.” Graywing stared at them in horror. The image of three terrified bundles, falling one by one into the churning river, filled her eyes. “You are the kits who drowned,” she whispered. Wolfheart bent her head. “That is so. Come, we have something to show you.” She turned and led the way across the clearing toward the nursery. Graywing followed without having to tell her paws what to do; they seemed to be carrying her on their own. Runningstorm nosed aside the bramble that was draped across the entrance to the nursery, protecting the precious cats inside. “Look,” he urged Graywing. Oh, StarClan, let our kits be all right, Graywing prayed as she poked her head inside. Had the WindClan kits returned to punish her by hurting the youngest RiverClan cats? The den smelled warm and milky, and enough moonlight filtered through the branches for Graywing to see Hayberry curled around Wildkit and Minnowkit, who snuffled gently in their sleep. Hayberry’s flank rose and fell in time with her kits’ breathing, and although her eyelids flickered when Graywing looked at her, she didn’t stir. Graywing pulled her head out. “They’re safe,” she breathed. Smallstar looked surprised. “Of course. Did you think we’d hurt one hair on their pelts? Kits are the most special part of a Clan. They are the warriors who will defend their Clanmates in moons to come, the hunters who will find food even in the coldest leaf-bare, the cats who will have kits of their own to pass on everything they have learned. A Clan that has no kits might as well be dead.
Erin Hunter (Code of the Clans (Warriors))
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
Anonymous
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music. “Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?” Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening. “I cannot escort you there,” he said flatly. Her smile faded. “Why not?” “Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.” Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?” “That was part of the reason.” “What was the rest of it?” she asked curiously. His chuckle was grim. “Call it a well-developed instinct for self-preservation.” “What?” “Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.” Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?” “Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.” A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public. “I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.” “Then where?” “In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts. "Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
Judith McNaught (Almost Heaven (Sequels, #3))
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
Emma Scott (Endless Possibility (Rush, #1.5))
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
A management team brought in by George to restructure Lucasfilm seemed concerned mostly with cash flow, and as time went on, they became openly skeptical that our division would ever attract a buyer. This team was headed by two men with the same first name, whom Alvy and I nicknamed “the Dweebs” because they didn’t understand a thing about the business we were in. Those two guys threw around management consulting terms (they loved to tout their “corporate intuition” and constantly urged us to make “strategic alliances”), but they didn’t seem at all insightful about how to make us attractive to buyers or about which buyers to pursue. At one point, they called us into an office, sat us down, and said that to cut costs, we should lay off all our employees until after our division was sold—at which point we could discuss rehiring them. In addition to the emotional toll we knew this would take, what bugged us about this suggestion was that our real selling point—the thing that had attracted potential suitors thus far—was the talent we’d gathered. Without that, we had nothing. So, when our two like-minded overlords demanded a list of names of people to lay off, Alvy and I gave them two: his and mine.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
This water is greatly valued,” Kassandra said. “Event today, we bring ewers of it to the temples for blessings.” She looked at him again, a bit anxiously, he thought, but as before the impression was swiftly gone. Bending, she cupped her palm, caught sparkling drops of water and drank. The liquid slipped down her throat, cool, clear and incredibly pure. She drank a little more and felt the tension easing from her body, little by little, almost imperceptibly at first, but gathering in strength with each passing moment. “Why don’t you try it?” she suggested and stood aside so that he could do so. As Royce bent to catch the water in his hand, Kassandra almost reached out to stop him but drew back at the last moment. He was a strong man, it would still be his voice. The water was merely…encouragement. From time immemorial, Akoran husbands and wives had enjoyed a goblet of the water taken from the buried temple on their wedding night. Years later, old couples basking in the sun would remember it fondly and share secret looks of tender passion. Of course, it was also possible that the water did nothing and all was mere legend. She wanted to believe that, for it eased her conscience, but the heat seeping through her made her uncertain. She stared at Royce as he drank, watching the ripple of the water ease down his throat. He was such a beautiful man, so perfectly formed in body and mind. The memory of him on the field at the Games, on horseback wearing only a kilt, his powerful muscles flexing as he threw the javelin, haunted her dreams. Ever since then, she had been living in a nightmare. Atreus…the danger to Akora…her own death the price to save both family and home…all seemed to close around her until she could scarcely breathe. Until the moment when she emerged from her desperate, futile quest for vision to see in Royce’s beloved face the future for which she yearned with all her heart. A future that in all likelihood was impossible. That being the case, was it so terribly wrong to steal a little happiness in the fleeting present?
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Faith, lassie, did you really think you could steal my schooner and get away with it? Did you really think I wouldn’t show up to give my daughter away at her own wedding? Good God, what the devil is this world coming to?” She froze, not daring to breathe, to hope, to think; she felt his arm sliding under her gloved hand, heard his melodious Irish voice echoing through her senses and every joyous cell in her awakening body; she blinked once, twice, and slowly, looked up—into a face she hadn’t seen in seven long years and thought never to see again. A handsome face framed in chestnut hair gone gray at the temples; a youthful face, lit by a mirthful grin and Irish eyes now filling with tears of joy and love; a beloved face, a cherished face, the face of the one man whose love and forgiveness meant more to her than anyone else’s in the whole, entire world. “Dadd-e-e-e-e-e-e!” she cried, and threw herself into his embrace. And as he swung her around and around, she saw beyond him, gathered in a circle and now rushing forward, her family.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))