Wedding Entrance Quotes

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We're seniors." "I know," I said "So aren't you... curious?" "About what?" "About life. Out there. Life!" she said again. "Tell me, Cameron Ann Morgan, what do you want to be when you grow up?" We'd reached another door, and I stopped and looked up at the camera that monitored the entrance, just as I whispered, "Alive.
Ally Carter (United We Spy (Gallagher Girls, #6))
Top Gun,” I whispered to Lindsey. We’d started pointing out Luc’s ubiquitous pop culture references, having decided that because he cut his fangs in the Wild West, he’d been entranced by movies and television. You know, because living in a society of magically enhanced vampires didn’t require enough willing suspension of disbelief. -Merit in Chloe Neill’s Friday Night Bites
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Vaughn had his back to the entrance, so he turned around to look. No. Fucking. Way. It was the cantankerous Ms. Doe. Catching sight of him in that very same moment, she stopped dead in her tracks. Vaughn was pretty sure she muttered Oh shit under her breath. His sentiments exactly.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
...I believe that God requires nothing of us. There is no entrance fee or requirement for participation. He is there already, inside each of us, if only we'd stop and listen.
Kergan Edwards-Stout (Songs for the New Depression)
Then my hair was loose and his hands were buried in it, and he was kissing me so deeply his fangs grazed my teeth and I tasted blood. I was acutely aware of every inch of my body that was touching every inch of his: his forearm grazing the side of my neck, his hands cradling my skull, his mouth so soft yet ” “hard, his powerful chest against the only part of me that wasn’t muscle, one of his thighs slipping between my legs, making my knees tremble and nearly buckle. He kissed like he did everything, with exquisite skill, passion, and one hundred percent focus. Here was where Ryodan shed his aloof businessman attire, his cool facade, and came to life with the heat and intensity of a thousand suns. And I realized that was what had so entranced me on Level 4—I’d seen him drop all his guards and fuck like a man on fire, with nothing held back. Open, unguarded, just like he’d been when we’d talked. Ryodan, controlled, is formidably fascinating. Ryodan, open, is indescribably addictive.
Karen Marie Moning (Feversong (Fever, #9))
Tell me, Cameron Ann Morgan, what do you want to be when you grow up?" We'd reached another door, and I stopped and looked up at the camera that monitored the entrance, just as I whispered, "Alive.
Ally Carter (United We Spy (Gallagher Girls, #6))
All right,” said Ron slowly, “let’s say we go for it tomorrow. . . . I think it should just be me and Harry.” “Oh, don’t start that again!” sighed Hermione. “I thought we’d settled this.” “It’s one thing hanging around the entrances under the Cloak, but this is different, Hermione.” Ron jabbed a finger at a copy of the Daily Prophet dated ten days previously. “You’re on the list of Muggle-borns who didn’t present themselves for interrogation!” “And you’re supposed to be dying of spattergroit at the Burrow! If anyone shouldn’t go, it’s Harry, he’s got a ten-thousand-Galleon price on his head—” “Fine, I’ll stay here,” said Harry. “Let me know if you ever defeat Voldemort, won’t you?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
We live in a culture of reductionism. Or better, we are living in the aftermath of a culture of reductionism, and I believe we have reduced the complexity and diversity of the Scriptures to systematic theologies that insist on ideological conformity, even when such conformity flattens the diversity of the Scriptural witness. We have reduced our conception of gospel to four simple steps that short-circuit biblical narratives and notions of the kingdom of God on earth as it is in heaven in favor of a simplified means of entrance to heaven. Our preaching is often wed to our materialistic, consumerist cultural assumptions, and sermons are subsequently reduced to delivering messages that reinforce the worst of what American culture produces: self-centered end users who believe that God is a resource that helps an individual secure what amounts to an anemic and culturally bound understanding of the 'abundant life.
Tim Keel (Intuitive Leadership: Embracing a Paradigm of Narrative, Metaphor, and Chaos (ēmersion: Emergent Village resources for communities of faith))
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
I have a very clear memory of my first encounter with myth, sitting in a mobile library and travelling, at the same time, with Theseus on the road to Athens. By the time we'd met, and disposed of, the pine-bending giant Sinis, I'd become completely entranced. Within a few months I'd read every book on myths, legends and folklore in our two nearest libraries.
Alan Lee
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
Yes. A custom. Everything according to the rules, then. But Lila, as usual, hadn’t stopped there, she had soon gone further. As we worked with brushes and paints, she told me that she had begun to see in that formula an indirect object of place to which, as if Cerullo Carracci somehow indicated that Cerullo goes toward Carracci, falls into it, is sucked up by it, is dissolved in it. And, from the abrupt assignment of the role of speech maker at her wedding to Silvio Solara, from the entrance into the restaurant of Marcello Solara, wearing on his feet, no less, the shoes that Stefano had led her to believe he considered a sacred relic, from her honeymoon and the beatings, up until that installation—in the void that she felt inside, the living thing determined by Stefano—she had been increasingly oppressed by an unbearable sensation, a force pushing down harder and harder, crushing her. That impression had been getting stronger, had prevailed. Raffaella Cerullo, overpowered, had lost her shape and had dissolved inside the outlines of Stefano, becoming a subsidiary emanation of him: Signora Carracci. It was then that I began to see in the panel the traces of what she was
Elena Ferrante (The Neapolitan Novels)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
With this ring, I promise to respect our differences of opinion. I promise not to get too mad when you leave your nail polish all over the house.” Sandra gave Beverly’s orange nails a meaningful look as she clasped Beverly’s hands and gave them a squeeze. “I promise to kiss you every single day, regardless of whether or not you’ve brushed your teeth. I promise to never talk over you. I promise to listen. I promise to never let money get in the way of loving you. I promise to be there for you, no matter what happens: if this remission ends, if your store fails or if it becomes a wild success, if Vancouver falls into the sea . . . if your nephew can’t find a teaching job and winds up moving in with us.
Heidi Belleau (Straight Shooter (Rear Entrance Video, #3))
So, what is it, woman?” She raised one delicate eyebrow and he felt as if she’d dug down into his very soul. “I have word of Annwyl of the Dark Plains.” Brastias stood quickly, grasping the woman by the arms; she stood almost as tall as he. “Tell me, witch. Where is she?” She stared at him. “Remove your hands, or I’ll make sure you don’t have any.” Brastias took a deep breath and released her. “She is safe and alive. But she is healing. She won’t be back for another fortnight.” Brastias heaved a sigh of overwhelming relief as he sat heavily in his chair. “Thank the gods. I thought we’d lost her.” “You almost had. But the girl must have the gods smiling down on her.” “Can I see her?” The woman watched him carefully. “No. But I will get any messages you may have to her.” “Give me a few moments, I need to write something.” He grabbed quill and paper and wrote Annwyl a brief-but-to-the-point letter. He folded it, affixed his seal, and handed it to the witch. “Give her this and my love.” “You are her man then?” she asked cautiously. Brastias laughed. He did like his head securely attached to his shoulders. Becoming Annwyl’s man risked that. “Annwyl has no man because there is no man worthy of her. That includes me. So she has become the sister I lost many years ago in Lorcan’s dungeons.” The woman nodded and walked back to the entrance of Brastias’s tent. She stopped before leaving. “She asks,” the witch spoke softly without turning around, “that you not lose hope.” “As long as she lives, we won’t.” Then she was gone. Brastias closed his eyes in relief. Annwyl wasn’t dead. His hope returned.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
He kissed her temple. "Would you read to me?" "You wouldn't grow bored?" "Not if you were reading, my love." Helen slipped off the bed, tiptoed into the main chamber and retrieved the book from the table. When she returned, Eoin had situated the candelabra to provide good light, and arranged the pillows for comfort. How wonderful it was to be with a man who actually cared enough to do simple things like fluffing the pillows. He opened his arms and beckoned her to him. "Come and tell me what this story's about." "It would be my pleasure, sir knight." Helen climbed up and snuggled into his arms. She opened the cover and read the title. "'The Wedding of Sir Gawain and Dame Ragnelle'." She looked at Eoin and grinned. "The story begins when the mystical knight, Sir Gromer Somer Joure, challenges King Arthur to discover what women desire most, or face dire consequences." He rested his chin on her shoulder and peered at the pages. "You have me entranced already.
Amy Jarecki (Highland Knight of Rapture (Highland Dynasty, #4))
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.
Mary Hollis Huddleston (Without a Hitch)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
My mother never seemed to listen to much music, but she loved Barbara Streisand, counting The Way We Were and Yentl as two of her favorite films. I remembered how we used to sing the song "Tell Him" together, and skipped through the album until I found it on track four. "Remember this?" I laughed, turning up the volume. It's a duet between Babe and Celine Dion, two powerhouse divas joining together for one epic track. Celine plays the role of a young woman afraid to confess her feelings to the man she loves, and Barbara is her confidant, encouraging her to take the plunge. "I'm scared, so afraid to show I care... Will he think me weak, if I tremble when I speak?" Celine begins. When I was a kid my mother used to quiver her lower lip for dramatic effect when she sang the word "tremble." We would trade verses in the living room. I was Barbara and she was Celine, the two of us adding interpretive dance and yearning facial expressions to really sell it. "I've been there, with my heart out in my hand..." I'd join in, a trail of chimes punctuating my entrance. "But what you must understand, you can't let the chance to love him pass you by!" I'd exclaim, prancing from side to side, raising my hand to urge my voice upward, showcasing my exaggerated vocal range. Then, together, we'd join in triumphantly. "Tell him! Tell him that the sun and moon rise in his eyes! Reach out to him!" And we'd ballroom dance in a circle along the carpet, staring into each other's eyes as we crooned along to the chorus. My mom let out a soft giggle from the passenger seat and we sang quietly the rest of the way home. Driving out past the clearing just as the sun went down, the scalloped clouds flushed with a deep orange that made it look like magma.
Michelle Zauner (Crying in H Mart)
Sometimes, though, friendship is like love. You can’t plan for it. It finds you in unlikely places. Or in the most obvious place imaginable. One evening, I get back from a run and am doubled over, recovering and panting in front of my building. The entrance opens and a woman pops out, taking out her rubbish. ‘I’m not loitering,’ I tell her when she gives me a funny look. ‘Oh, I didn’t think you were loitering,’ she says. ‘I thought you lived here.’ ‘Oh. I do. I do live here. On the third floor.’ We introduce ourselves. Her name is Hannah and she’s from the Netherlands. As she turns to go back inside, I say, ‘Hey! Do you want to swap numbers? Just in case … there’s a fire or something?’ I can tell my year is already changing me. Talking to strangers has made me less shy and even though I still had to make it a bit weird with the whole fire thing. A few weeks later, Hannah and her husband have Sam and me over for dinner in their flat because we stored a package for them when they were on holiday. Hannah has hundreds of books and I leave her flat with an armful to borrow. A few months later Hannah texts out of the blue, saying, ‘Want to grab a coffee with me right now?’ And I do. The elusive perfect friend-date: spontaneous, with good coffee, great conversation and no commute. We’d also had the spark, both having read several of the same books, both of us the same age, both of us struggling with similar things. She’d been living downstairs the entire time. But if I hadn’t gone through so many friend-dates and false starts, I know I would have asked for her number when we met. In fact, given how I normally treated my neighbours in London and how insular I was before all this began, I probably would have just pretended to be loitering.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
Andrew Morton (Diana: Her True Story in Her Own Words)
Three cats stood in the center of the camp, their fur frosted by the dazzling white light. “Who are you?” Graywing stammered. These weren’t RiverClan warriors, and she didn’t recognize them from Gatherings. She wondered how they had managed to get all the way into the camp without being challenged. The tallest of the strangers, hard-muscled beneath his brown tabby coat, dipped his head. “Greetings, Graywing,” he meowed. “My name is Runningstorm of WindClan. This is Wolfheart”—he nodded to the elegant gray she-cat beside him—“and our leader, Smallstar.” The third cat, whose tiny frame was covered in sleek black-and-white fur, looked at Graywing. His blue eyes were friendly as he mewed, “We have traveled far to see you.” Graywing looked from one cat to the other. “I don’t understand. Has something happened to Fallowstar?” Smallstar shook his head. “Fallowstar is fine. We are the cats who would have been.” Graywing stared at them in horror. The image of three terrified bundles, falling one by one into the churning river, filled her eyes. “You are the kits who drowned,” she whispered. Wolfheart bent her head. “That is so. Come, we have something to show you.” She turned and led the way across the clearing toward the nursery. Graywing followed without having to tell her paws what to do; they seemed to be carrying her on their own. Runningstorm nosed aside the bramble that was draped across the entrance to the nursery, protecting the precious cats inside. “Look,” he urged Graywing. Oh, StarClan, let our kits be all right, Graywing prayed as she poked her head inside. Had the WindClan kits returned to punish her by hurting the youngest RiverClan cats? The den smelled warm and milky, and enough moonlight filtered through the branches for Graywing to see Hayberry curled around Wildkit and Minnowkit, who snuffled gently in their sleep. Hayberry’s flank rose and fell in time with her kits’ breathing, and although her eyelids flickered when Graywing looked at her, she didn’t stir. Graywing pulled her head out. “They’re safe,” she breathed. Smallstar looked surprised. “Of course. Did you think we’d hurt one hair on their pelts? Kits are the most special part of a Clan. They are the warriors who will defend their Clanmates in moons to come, the hunters who will find food even in the coldest leaf-bare, the cats who will have kits of their own to pass on everything they have learned. A Clan that has no kits might as well be dead.
Erin Hunter (Code of the Clans (Warriors))
Hannah Winter was sixty all of a sudden, as women of sixty are. Just yesterday - or the day before, at most - she had been a bride of twenty in a wine-coloured silk wedding gown, very stiff and rich. And now here she was, all of a sudden, sixty. (...) This is the way it happened! She was rushing along Peacock Alley to meet her daughter Marcia. Anyone who knows Chicago knows that smoke-blackened pile, the Congress Hotel; and anyone who knows the Congress Hotel has walked down that glittering white marble crypt called Peacock Alley. It is neither so glittering nor so white nor, for that matter, so prone to preen itself as it was in the hotel's palmy '90s. But it still serves as a convenient short cut on a day when Chicago's lake wind makes Michigan Boulevard a hazard, and thus Hannah Winter was using it. She was to have met Marcia at the Michigan Boulevard entrance at two, sharp. And here it was 2.07. When Marcia said two, there she was at two, waiting, lips slightly compressed. (...) So then here it was 2.07, and Hannah Winter, rather panicky, was rushing along Peacock Alley, dodging loungers, and bell-boys, and traveling salesmen and visiting provincials and the inevitable red-faced delegates with satin badges. In her hurry and nervous apprehension she looked, as she scuttled down the narrow passage, very much like the Rabbit who was late for the Duchess's dinner. Her rubber-heeled oxfords were pounding down hard on the white marble pavement. Suddenly she saw coming swiftly toward her a woman who seemed strangely familiar - a well-dressed woman, harassed-looking, a tense frown between her eyes, and her eyes staring so that they protruded a little, as one who runs ahead of herself in her haste. Hannah had just time to note, in a flash, that the woman's smart hat was slightly askew and that, though she walked very fast, her trim ankles showed the inflexibility of age, when she saw that the woman was not going to get out of her way. Hannah Winter swerved quickly to avoid a collision. So did the other woman. Next instant Hannah Winter brought up with a crash against her own image in that long and tricky mirror which forms a broad full-length panel set in the marble wall at the north end of Peacock Alley. Passerby and the loungers on near-by red plush seats came running, but she was unhurt except for a forehead bump that remained black-and-blue for two weeks or more. The bump did not bother her, nor did the slightly amused concern of those who had come to her assistance. She stood there, her hat still askew, staring at this woman - this woman with her stiff ankles, her slightly protruding eyes, her nervous frown, her hat a little sideways - this stranger - this murderess who had just slain, ruthlessly and forever, a sallow, high-spirited girl of twenty in a wine-coloured silk wedding gown.
Edna Ferber (Gigolo)
His voice was cool and steady. “You’ve proved my point, Lillian. If a man you don’t even like can bring you to this state, then how much easier would it be for St. Vincent?” She started as if he had slapped her, and her eyes widened. The transition from warm desire to a feeling of utter foolishness was not a pleasant one. The devastating intimacy between them had been nothing but a lesson to demonstrate her inexperience. He had used it as an opportunity to put her in her place. Apparently she wasn’t good enough to wed or to bed. Lillian wanted to die. Humiliated, she scrambled upward, clutching at her unfastened garments, and shot him a glare of hatred. “That remains to be seen,” she choked out. “I’ll just have to compare the two of you. And then if you ask nicely, perhaps I’ll tell you if he—” Westcliff pounced on her with startling swiftness, shoving her back to the lawn and bracketing her tossing head between his muscular forearms. “Stay away from him,” he snapped. “He can’t have you.” “Why not?” she demanded, struggling as he settled more heavily between her flailing legs. “Am I not good enough for him either? Inferior breed that I am—” “You’re too good for him. And he would be the first to admit it.” “I like him all the better for not suiting your high standards!” “Lillian— hold still, damn it— Lillian, look at me!” Westcliff waited until she had stilled beneath him. “I don’t want to see you hurt.” “Has it ever occurred to you, you arrogant idiot, that the person most likely to hurt me might be you?” Now it was his turn to recoil as if struck. He stared at her blankly, though she could practically hear the whirring of his agile brain as he sorted through the potential implications of her rash statement. “Get off me,” Lillian said sullenly. He moved upward, straddling her slender hips, his fingers grasping the inner edges of her corset. “Let me fasten you. You can’t run back to the manor half dressed.” “By all means,” she replied with helpless scorn, “let’s observe the proprieties.” Closing her eyes, she felt him tugging her clothes into place, tying her chemise and re-hooking her corset efficiently. When he finally released her, she sprang from the ground like a startled doe and rushed to the entrance of the hidden garden. To her eternal humiliation, she couldn’t find the door, which was concealed by the lavish spills of ivy coming over the wall. Blindly she thrust her hands into the trailing greenery, breaking two nails as she scrabbled for the doorjamb. Coming up behind her, Westcliff settled his hands at her waist, easily dodging her attempts to throw him off. He pulled her hips back firmly against his and spoke against her ear. “Are you angry because I started making love to you, or because I didn’t finish?” Lillian licked her dry lips. “I’m angry, you bloody big hypocrite, because you can’t make up your mind about what to do with me.” She punctuated the comment with the hard jab of one elbow back against his ribs.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
Herman Melville (Moby-Dick or, The Whale)
My poor brother. You’ve seemed so distracted ever since he returned to Venice. It shouldn’t be too hard to convince him that you’ve run off with another man,” he said, his tone smug with satisfaction. “Where did you get that?” Cass demanded. It was the letter she had started to Falco. Cass had tucked it away in her journal just a day ago. “You really shouldn’t leave your personal journal just lying around,” Cristian said. “I found it by the entrance to the Frari.” He pressed the tip of the blade into her skin. “Illuminating reading. You’re lucky it wasn’t my brother who found it first.” She must have dropped the journal when she fled from the crowd of wedding gusts, just before she fainted by the water’s edge. Cass felt the room break apart into darkness…Any second now, he would plunge the blade into her neck… “My poor brother,” Cristian repeated. “How he bragged about you when our father arranged your engagement. Such betrayal. It will destroy him. You really are a fallen woman, just like the rest, aren’t you?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Idling the dinghy, bringing it quietly in closer and closer to the croc, Steve would finally make his move. He’d creep to the front of the boat and hold the spotlight until the last moment. Then he would leap into the water. Grabbing the crocodile around the scruff of the neck, he would secure its tail between his legs and wrap his body around the thrashing creature. Crocodiles are amazingly strong in the water. Even a six-foot-long subadult would easily take Steve to the bottom of the river, rolling and fighting, trying to dislodge him by scraping against the rocks and snags at the bottom of the river. But Steve would hang on. He knew he could push off the bottom, reach the surface for air, flip the crocodile into his dinghy, and pin the snapping animal down. “Piece of cake,” he said. That was the most incredible story I had ever heard. And Steve was the most incredible man I had ever seen--catching crocodiles by hand to save their lives? This was just unreal. I had an overwhelming sensation. I wanted to build a big campfire, sit down with Steve next to it, and hear his stories all night long. I didn’t want them to ever end. But eventually the tour was over, and I felt I just had to talk to this man. Steve had a broad, easy smile and the biggest hands I had ever seen. I could tell by his stature and stride that he was accustomed to hard work. I saw a series of small scars on the sides of his face and down his arms. He came up and, with a broad Australian accent, said, “G’day, mate.” Uh-oh, I thought. I’m in trouble. I’d never, ever believed in love at first sight. But I had the strangest, most overwhelming feeling that it was destiny that took me into that little wildlife park that day. Steve started talking to me as if we’d known each other all our lives. I interrupted only to have my friend Lori take a picture of us, and the moment I first met Steve was forever captured. I told him about my wildlife rescue work with cougars in Oregon. He told me about his work with crocodiles. The tour was long over, and the zoo was about to close, but we kept talking. Finally I could hear Lori honking her horn in the car park. “I have to go,” I said to Steve, managing a grim smile. I felt a connection as I never had before, and I was about to leave, never to see him again. “Why do you love cougars so much?” he asked, walking me toward the park’s front gate. I had to think for a beat. There were many reasons. “I think it’s how they can actually kill with their mouths,” I finally said. “They can conquer an animal several times their size, grab it in their jaws, and kill it instantly by snapping its neck.” Steve grinned. I hadn’t realized how similar we really were. “That’s what I love about crocodiles,” he said. “They are the most powerful apex predators.” Apex predators. Meaning both cougars and crocs were at the top of the food chain. On opposite sides of the world, this man and I had somehow formed the same interest, the same passion. At the zoo entrance I could see Lori and her friends in the car, anxious to get going back to Brisbane. “Call the zoo if you’re ever here again,” Steve said. “I’d really like to see you again.” Could it be that he felt the same way I did? As we drove back to Brisbane, I was quiet, contemplative. I had no idea how I would accomplish it, but I was determined to figure out a way to see him. The next weekend, Lori was going diving with a friend, and I took a chance and called Steve. “What do you reckon, could I come back for the weekend?” I asked. “Absolutely. I’ll take care of everything,” came Steve’s reply.
Terri Irwin (Steve & Me)
June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Will, I might’ve been skeptical at first, but five minutes after I met you, I knew you were it for my girl. I’ve not had one minute of doubt on her behalf since then. I hope you will always be as happy as you are today. I love you both. To Will and Cameron.” As everyone raised their glasses once again, a disturbance at the entrance to the tent had a few people screaming and everyone else on their feet to see what was going on. “Oh. My. God.” Cameron couldn’t believe it when Fred the Moose strolled into the tent like he’d been invited to the wedding. “No way,” Will said, equally stunned. And then Hannah was on her feet and moving swiftly toward the moose, who stopped in his tracks at Hannah’s command.
Marie Force (You'll Be Mine (Green Mountain, #4.5))
His brother Najib owned an auto-parts store at bustling Shikarpur Gate, the mouth of the narrow road linking their village to the city—an ancient byway that had once led southward through the passes all the way to India. At dusk it is clogged with a riot of vegetable sellers’ handcarts beset by shoppers, Toyota pickup trucks, horse-drawn taxis, and three-wheeled rickshaws clambering around and through the throng like gaudy dung beetles. Nurallah’s brother Najib had gone to Chaman, just across the border in Pakistan, where the streets are lined with cargo containers serving as shops, and used motor oil cements the dust to the ground in a glossy tarmac, and every variety of automotive organ or sinew is laid bare, spread out, and strung up for sale. He had made his purchases and set off back to Kandahar. “He paid his customs dues”—Nurallah emphasized the remarkable point—“because that’s the law. He paid at every checkpoint on the way back, fifty afghanis, a hundred afghanis.” A dollar or two every time an unkempt, underage police boy in green fatigues slouched out of a sandbagged lean-to into the middle of the road—eight times in the sixty-six miles when last I counted. “And then when he reached the entrance to town, the police there wanted five hundred afghanis. Five hundred!” A double arch marks the place where the road that swoops down from Kabul joins the road leading in from Pakistan. The police range from one side to the other, like spear fishermen hunting trout in a narrows. “He refused,” Nurallah continued. “He said he had paid his customs dues—he showed them the receipt. He said he had paid the bribes at every checkpoint all along the way, and he was not paying again.” I waited a beat. “So what happened?” “They reached into his window and smacked him.” “They hit him?” I was shocked. Najib might be a sunny guy, but Kandahar tempers are strung on tripwires. For a second I thought we’d have to go bail him out. “What did he do?” Nurallah’s eyes, beneath his widow’s peak, were banked and smoldering. “What could he do? He paid the money. But then he pulled over to the side of the road and called me. I told him to stay right there. And I called Police Chief Matiullah Qatih, to report the officer who was taking the bribes.” And Matiullah had scoffed at him: Did he die of it? The police buzzards had seen Najib make the call. They had descended on him, snatched the phone out of his hand, and smashed it. “You call that law?” Now Nurallah was ablaze. “They’re the police! They should be showing people what the law is; they should be enforcing the law. And they’re the ones breaking it.” Nurallah was once a police officer himself. He left the force the day his own boss, Kabul police chief Zabit Akrem, was assassinated in that blast in the mosque in 2005.1 Yet so stout was Nurallah’s pride in his former profession that he brought his dark green uniform into work and kept it there, hung neatly on a hook in his locker. “My sacred oath,” he vowed, concluding: “If I see someone planting an IED on a road, and then I see a police truck coming, I will turn away. I will not warn them.” I caught my breath. So maybe he didn’t mean it literally. Maybe Nurallah wouldn’t actually connive with the Taliban. Still, if a former police officer like him was even mouthing such thoughts, then others were acting on them. Afghan government corruption was manufacturing Taliban.
Sarah Chayes (Thieves of State: Why Corruption Threatens Global Security)
Hey, Lottie?" asked Claire. "Who are those girls?" She gawked at the entrance to the reception tent. I followed her gaze and we both laid eyes on two extremely tall and gorgeous women who had just strolled in. Who came to a wedding after the ceremony? (Tacky people, that's who.) The glamazons were dressed from head to toe in Valentino and looked like they came straight off the runway. I approached one of the young women, hoping to sniff out whether she was a wedding crasher or not. "Are you a friend of the bride or the groom?" "Neither!" she said with a toss of her thick, dark-brown hair. "We're Alfie's daughters. We weren't going to come, but we decided it would be more fun to actually show up and ruin the wedding." Talk about literal. Subtext and these girls were not friends. "Oh, hi," I replied. "Well, you missed the ceremony, but cocktail hour has begun. The first dance will be starting soon." "Perfect." She walked between Claire and me like we were a pair of black curtains. "Why is it that hot, mean girls are still intimidating, even a decade after high school?" I winced.
Mary Hollis Huddleston (Without a Hitch)
Any memories of other women were banished permanently from his mind... there was only Evie, her red hair streaming and curling over his stomach and thighs, her playful fingers and frolicsome mouth causing him an agony of pleasure like nothing he had ever felt before. When he could no longer hold back his groans, she climbed over him carefully, straddling him, crawling up his body slowly like a sun-warmed lioness. He had one glimpse of her flushed face before she sought his mouth with teasing, sucking kisses. The rosy tips of her breasts dragged through the hair on his chest... she rubbed herself against him, purring with satisfaction at the hard warmth of the male body beneath her. His breath snagged in his throat as he felt her hand slip between their hips. He was so aroused that she had to gently pull his sex away from his stomach before she could fit it between her thighs. The crisp red curls of her mound tickled his exquisitely sensitive skin as she guided him between the hot folds of her body. "No," Sebastian managed, recalling the bet. "Not now. Evie, no---" "Oh, stop protesting. I didn't make nearly this much of a fuss after our wedding, and I was a virgin." "But I don't want---oh God. Holy Mother of God---" She had pushed the head of his sex into her entrance, the sweet flesh so snug and soft that it took his breath away. Evie writhed a little, her hand still grasping the length of his organ as she tried to guide him deeper. Seeing the difficulty she was having in accommodating him caused him to swell even harder, his entire body flushed with prickling excitement. And then came the slow, miraculous slide, hardness within softness. Sebastian's head fell back to the pillow, his eyes drowsy with intense desire as he stared up into her face. Evie made a little satisfied hum in her throat, her eyes tightly closed as she concentrated on taking him deeper. She moved carefully, too inexperienced to find or sustain a rhythm. Sebastian had always been relatively quiet in his passion, but as her lush body lifted and settled, deepening his penetration, and his cock was gripped and stroked by her wet depths, he heard himself muttering endearments, pleas, sex words, love words. Somehow he coaxed her to lean farther over him, resting more of her body against his, adjusting the angle between them. Evie resisted briefly, fearing she would hurt him, but he took her head in his hands. "Yes," he whispered shakily. "Do it this way. Sweetheart. Move on me... yes..." As Evie felt the difference in their position, the increased friction against the tingling peak of her sex, her eyes widened. "Oh," she breathed, and then inhaled sharply. "Oh, that's so---" She broke off as he set a rhythm, nudging deeper, filling her with steady strokes. The entire world dwindled to the place where he invaded her, their most sensitive flesh joined. Evie's long auburn lashes lowered to her cheeks, concealing her unfocused gaze. Sebastian watched a pink flush creep over her face. He was suspended in wonder, suffused with vehement tenderness as he used his body to pleasure hers. "Kiss me," he said in a guttural whisper, and guided her swollen lips to his, slowly ravishing her mouth with his tongue. She sobbed and shuddered with release, her hips bearing greedily against his as she took his full length. The rim of her sex clamped tightly around him, and Sebastian gave himself up to the squeezing, enticing, pulsing flesh, letting her pull the ecstasy from him in great voluptuous surges. As she relaxed over him, trying to catch her breath, he drew his hands over her damp back, his fingertips gently inquiring as they traveled to the plump curve of her bottom. To his delight, she squirmed and tightened around him in helpless response. If he had his usual strength... oh, the things he would have done to her...
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The room’s phone rang a few minutes later to tell us that a Town Car was waiting for us downstairs. We went down in the elevator together, and I went out front first to look around, which was standard bodyguard protocol. I left Jackie in the lobby with a doorman who was all too eager to watch her for as long as possible. I walked out and across the cobblestoned driveway, and looked into the Town Car; it was the same driver we’d had the night before, and he nodded at me. I nodded back and turned to look at the rest of the area around the entrance.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
Before he could decide what to do, he heard a female voice call out, "Pepe? Mack?" Pepe recognized the voice as belonging to Senora Rodriguez. No, Senora Thompson. There'd been a wedding in late summer. He hurried out to the main part of the barn to see what she wanted. Senora Thompson stood just inside the entrance, holding the reins of her mare, Bianca, a black beauty with four white stockings and a blaze down her nose her husband had given her after their marriage.
Debra Holland (Montana Sky Christmas (Montana Sky, #3.1))
In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Are you going to put your feet in?” he asked. She shook her head. “I don’t think so. It would be foolish. Besides that, I’m already breaking too many rules by sitting here alone with you. Though if anyone finds me, I shall claim that I was abducted by a pirate.” “And then you would be forced to wed me to save your reputation,” he suggested. “Which is not so very dreadful.” “I disagree,” she countered. “You, Lord Ashton, are a very wicked man with no sense of propriety.” But her eyes revealed her amusement. “If I worried about what others think, I would not be sitting with a beautiful woman on a sunny day, now, would I?” He leaned back with his arms crooked behind his head. He had the feeling that Lady Rose had a rebellious side to her, buried beneath her years of good manners. She shook her head and sighed. Then she lifted up one foot and began unbuttoning her shoe. “I must be mad.” A rebel indeed. He grinned and helped her with the other shoe, until she was clad in stockings. “No more than I. But it was an invigorating swim.” “You ought to put your shirt on,” she reminded him. “Someone will see you and think you are intent on seducing me.” “You did accuse me of being a pirate, a chara.” He kept his voice light, but leaned a little closer. “We aren’t known for being gentlemen.” In response, Rose dipped her hand into the water and splashed it at his chest. “Then I’ll be forced to defend myself from you.” The frigid water spilled down his bare chest, dampening his waistband. Iain rested his arms on either side of her, trapping her against the rock. “Now that wasn’t fair, Lady Rose.” Her smile faded instantly. “I was teasing, Lord Ashton.” “Were you?” He was feeling rather bold at the moment. He drank in the sight of her—those wide brown eyes, the delicate nose and sweet lips. Her hair was hidden beneath the bonnet, and he took it off, setting it aside. “You don’t need this.” “My face will be covered in freckles if I don’t wear it.” But she didn’t appear to mind his interference. And instead of shoving him aside, she was watching him with interest. Sunlight gleamed across her brown hair, revealing the hints of auburn. He leaned in, resting his forehead against hers. Her eyes widened, but she remained fixed upon his face. “Did Burkham ever kiss you?” “Of course.” Her voice held a hint of panic, but she didn’t pull away. He was caught up in the beauty of her. Her breath warmed his mouth, and for a moment, he remained near to her. She was forbidden to him, and he would not intrude where he wasn’t wanted. And yet, every part of him was entranced by her. “Tell me to leave you alone,” he said in a low voice. But she remained silent. Her hand moved up to touch the roughness of his face, and it only deepened the intimacy. She trailed her fingers upon his jaw, and the simple touch undid him. Iain bent and brushed his mouth against hers. It was the barest hint of a kiss, the promise of more if she wanted it. He pulled back immediately, searching her expression. He never wanted her to feel threatened by him. “Tell me if you’re wanting me to stop.” He leaned in again, nipping at her lips a second time. He waited for a long moment, giving her more than enough time to refuse. She could tell him no at any moment, and he would pull back. Instead, her eyes were wild, as if she didn’t know what to say or do. She tasted of summer, a softness and warmth like sunlight. Her eyes were caught up with his, her expression emboldened by a taste of the forbidden. Iain bent and claimed her mouth deeply, framing her face with both hands. He didn’t stop kissing her, learning the shape of her mouth and drawing her even closer.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Cat has always entranced me. When I was twenty, I used to stare at her mouth when she talked. That freckle drew my eye. Looks like it still does.
Sophia Travers (One Wealthy Wedding (Kings Lane Billionaires, #3))
[…] the ephemeral period of a new relationship when everything domestic could be erotic. When watching someone pour milk on their cereal or towel-dry their hair was more entrancing than the ocean. When smelling their morning breath or unwashed scalp was exciting because it took you one step further into their high-walled palace of privacy, where you hoped only you were allowed to roam. Sexed-up to saturation point, therefore trying out the novelty of being humdrum. If this turned into a long-term relationship, one day we’d be only humdrum and we’d have to revisit the novelty of being sexy again — arranging ‘date nights’ and putting on our best clothes for each other and purposefully lighting candles. We trick ourselves into being close until we really are close, then we trick ourselves into seeming distant to stay as close as we can for as long as possible. (P. 97)
Dolly Alderton (Ghosts)
If too much time is spent up above, we become uncharacteristically curt with our colleagues, we slip up on our programs, we are rude to waiters, even though one of us (lane seven, little black Speedo, enormous flipper like feet), is a waiter himself. We cease to delight our mates... and even though we resist the urge to descent, it will pass, we tell ourselves. We can feel our panic beginning to rise, as though we were somehow missing out on our own lives. Just a quick dip and everything will be alright. And when we can stand it no longer, we politely excuse ourselves from whatever it is we're doing: discussing this month's book with our book club, celebrating an office birthday, ending an affair, wandering aimlessly up and down the florescent lit aisles of the local Safeway, trying to remember what it is was we came in to buy, (Mallomars, Lorna Doones), and go down for a swim, because there's no place on earth we'd rather be than the pool. Its wide roped off lanes, clearly numbered 1 through 8, its deep, well-designed gutters, its cheerful yellow buoys spaced at pleasingly predictable intervals, its separate, but equal entrances for women and men, the warm ambient glow of its recessed, overhead lights, all provide us with a sense of comfort and order that's missing from our above ground lives.
Julie Otsuka (The Swimmers)
All eyes were turned to the newly minted princess, Her Imperial Highness Princess Izumi, aka the Lost Butterfly. The wedding marked her first formal entrance into Japan society. Would she fly---or fall? HIH Princess Izumi certainly dressed the part in a jade silk gown and Mikimoto pearls, pulled from the imperial vaults and gifted by the empress.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
There’s only one explanation,” Sandy said as he scrambled back to join Mike. “The slide was covering the mouth of this cave. When the rocks started to give way, the entrance suddenly opened up and we fell in.” “And all that stuff passed right over our heads,” Mike said. “Looks like that’s it.” The two boys stared at each other in silence. “You know,” Sandy said quietly, “we’re a couple of pretty lucky guys.” “I’ll say! If we had been any other place when the slide started to go....” “We’d be down there at the bottom under a few hundred tons of rock,” Sandy finished.
Roger Barlow (The Sandy Steele Mystery MEGAPACK®: 6 Young Adult Novels (Complete Series))
I’ve found weddings are the event of the world where people will most test your boundaries. If you are not used to drawing lines, you might not be ready to have a wedding. Consider going to a courthouse and calling it a day, because people will TRY YOU during weddings. I don’t know what it is about folks and that day. All types of randoms allasudden feel entitled to everything in your life. From the folks asking if they’re invited (if you have to ask, odds are the answer is a swift NOPE) to the kinfolk who wanna bring plus-four. You got plus-four money? WHO IS PAYING FOR ALL THEM PLATES?!? (Low-key, I know if my grandmother were alive when I got married, she’d have wanted to bring a whole posse of the village plus ten. And I’d have given it to her. I thought about her on my wedding day. She would have had an amazing time. She would have had her own entrance moment, like her church one. She would have worn ALL GOLD EVERYTHING with matching shoes and bag and dripping in at least five gold chains. She would have loved the man I married.)
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
She wrote about the apartheid wall, which, in a nonbinding decision, the International Court of Justice had declared illegal in 2004. We all knew firsthand that the wall cut right through Palestinian towns and villages, dividing communities and separating many farmers from their land. Israel contends that the wall is needed for security, to prevent attacks, but it didn’t construct the wall along the pre-1967 Green Line, which is recognized as the boundary between Israel and the West Bank. Rather, the wall was built deep within the West Bank, enabling Israel to annex even more Palestinian land. The same classmate also wrote about how Israel’s many permanent and temporary checkpoints prevent Palestinians from moving around freely and add painful delays to what should be short, direct journeys. She interviewed some of us about our own experiences with checkpoints. I told her about the spontaneous checkpoints the military regularly erect at the entrance to our village and how we’d sometimes sit in the car for hours trying to go to school or work or whatever appointment we had. Another aspect of her research project looked at the identification cards we are forced to carry at all times and present at the checkpoints. She interviewed some of our classmates from the West Bank about how they aren’t allowed to go to Jerusalem or any city inside ’48 without a permit from Israel, which isn’t easy to obtain.
Ahed Tamimi (They Called Me a Lioness: A Palestinian Girl's Fight for Freedom)
I tried to act unphased, fighting back a cold sweat. At least the smell of blood was long gone, but that was little relief. It felt like we’d been travelling a straight line, yet daring a glimpse back, I saw with horror the light of the entrance was now completely absent in darkness, so much thicker and more terrifying than night’s black cloak. It was the dark of the earth we found ourselves trapped by, a dark that would claim us all in the end, and we were walking deeper still with a man who seemed disturbingly at ease amongst the crypt’s inhabitants. More than once, he swept the light into our eyes and away, leaving us dazzled, which made each inevitable return of his hulking form all the more ominous. What fearful things might we discover if we ran, I wondered? Even ignoring that, how far could we get against someone who filled the space like him and carried our only means of sight? As it has been said, in the land of the blind, the one-eyed man reigns as king. I looked to Macnaghten for reassurance and was met only by an empty void. ~ Chief Inspector Frederick Abberline, The Ripper Lives, Into the Black (4/10)
Kevin Morris (The Ripper Lives: Jack the Ripper Series I - Into the Black (4/10))
A friend from college lived in a posh condo on newly developed land in Tokyo. It had a glitzy entrance and stylish Scandinavian furniture and tableware in the dining room. When I visited, I found myself calculating his rent in my head as he graciously invited me in. He worked for a big company, earned a good salary, married his gorgeous girlfriend, and they’d had a beautiful baby, all dressed up in fashionable baby wear. We’d been kind of alike back in college. What had happened? How did our lives drift so far apart?
Fumio Sasaki (Goodbye, Things: On Minimalist Living)
She doesn’t sing unless we come to karaoke. She thinks we come here for me, but I do it for her. She looks so happy up there on the stage,” he whispered. “Her dad wanted a boy, and pushed her toward hockey instead of singing. Now she’ll only sing in the shower or here.” As she belted out the final chorus, I was entranced. Her cheeks flushed, her chest heaving, she looked so damn beautiful. Coupled with the starstruck look in Ludo’s eye, I made a promise to myself. I’d have them both. We’d have each other. Fuck what everyone else thought. I lifted my final shot and downed it. Cheers to that.
Grace McGinty (Break My Bones (Penalty Box Players))
Stay, I begged. Stay. Light glowed beyond my shut eyelids. Stay. And in that silence... I began to tell him. About that first night I'd seen him. When I'd heard that voice beckoning me to the hills. When I couldn't resist its summons, and now... now I wondered if I had heard him calling for me on Calanmai. If it had been his voice that brought me there that night. I told him how I had fallen in love with him- every glance and passed note and croak of laughter he coaxed from me. I told him of everything we'd done, and what it had meant to me, and all that I still wanted to do. All the life still left before us. And in return... a thud sounded. I opened my eyes. Another thud. And this his chest rose, lifting my head with it. I couldn't move, couldn't breathe- A hand brushed my back. Then Rhys groaned. 'If we're all here, either things went very, very wrong or very right.' Cassian's broken laugh cracked out of him. I couldn't lift my head, couldn't do anything but hold him, savouring every heartbeat and breath and the rumble of his voice as Rhys rasped, 'You lot will be pleased to know... My power remains my own. No thieving here.' 'You do know how to make an entrance,' Helion drawled. 'Or should I say exit?' 'You're horrible,' Viviane snapped. 'That's not even remotely funny-' I didn't hear what else they said. Rhys sat up, lifting me off him. He brushed away the hair clinging to my damp cheeks. 'Stay with the High Lord,' he murmured. I hadn't believed it- until I looked into that face. Those star-flecked eyes. Hadn't let myself believe it wasn't anything but some delusion- 'It's real,' he said, kissing my brow.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
We’d walked thirty paces when Murray began to nod. I watched his face as we walked. He nodded crossing the street and kept nodding all the way past the music library. I walked with him step for step, clutching his elbow, watching his face, waiting for him to speak, not interested in the fact that he’d taken me completely out of my way, and he was still nodding as we approached the entrance to Wilmot Grange, a restored nineteenth-century building at the edge of the campus. “But what?” I said. “But what?” It wasn’t until four days later that he called me at home, at one in the morning, to whisper helpfully in my ear, “He looks like a man who finds dead bodies erotic.
Don DeLillo (White Noise)
He left his wife and child and sprinted to the Glass Hut, the discarded receipt from earlier in the afternoon flapping in his hands as he ran. When he reached the entrance, he slowed, adjusted his demeanor, and slipped unnoticed into the store. He walked down the first aisle, his eyes searching the shelves filled with glass knickknacks. Finally, he came to a row of statues, two fish, green and orange, leaping out of the cold-blue sea. On the itemized receipt, he’d read: Green and Orange Fish Statue: $14.99. Statue in hand, he walked to the register and placed the item on the counter. “Oh, wonderful choice,” the woman said. “Actually,” Caleb interjected, “I’m returning this. My wife bought it earlier, along with several other items, and we realized that this particular piece didn’t fit with the décor of the intended recipient. We’d like a refund.” He produced the receipt and pointed to the price of the statue. “It is a lovely piece, though,” he added, his open palm waiting for the money.
Kevin Wilson (The Family Fang)
Guests came and went as they pleased, filling their gold-banded plates with hot breads, poached eggs on toast, smoked quail, fruit salad, and slices of charlotte russe made with sponge cake and Bavarian cream. Footmen crossed through the entrance hall as they headed outside with trays of coffee, tea, and iced champagne. Ordinarily this was the kind of event Cassandra would have enjoyed to no end. She loved a nice breakfast, especially when there was a little something sweet to finish off, and charlotte russe was one of her favorite desserts. However, she was in no mood to make small talk with anyone. Besides, she'd eaten far too many sweets lately... the extra jam tart at teatime yesterday, and all the fruit ices between dinner courses last night, and that entire éclair, stuffed with rich almond cream and roofed with a crisp layer of icing. And one of the little decorative marzipan flowers from a platter of puddings.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
MY FIRST VISIT to the Oval took place just days after the election, when, following a long tradition, the Bushes invited Michelle and me for a tour of our soon-to-be home. Riding in a Secret Service vehicle, the two of us traveled the winding arc of the South Lawn entrance to the White House, trying to process the fact that in less than three months we’d be moving in. The day was sunny and warm, the trees still flush with leaves, and the Rose Garden overflowing with flowers. Washington’s prolonged fall provided a welcome respite, for in Chicago the weather had quickly turned cold and dark, an arctic wind stripping the trees bare of leaves, as if the unusually mild weather we had enjoyed on election night had been merely part of an elaborate set, to be dismantled as soon as the celebration was done.
Barack Obama (A Promised Land)
But by knowing that they’d think we’d think the first entrance is bad because they’d think we’d think the first entrance is good because they’d think we’d think the first entrance is bad, they’d make the first entrance good to throw us off.” “I see,” Emeline said. “He does say stupid shit all the time.
Eric Ugland (Dungeon Mauling (The Good Guys, #3))