Wedding Card Quotes

We've searched our database for all the quotes and captions related to Wedding Card. Here they are! All 100 of them:

What else should you be? Human beings didn't evolve brains in order to lie around on lakes. Killing's the first thing we learned. And a good thing we did, or we'd be dead, and the tigers would own the earth.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
i can’t help thinking that ‘getting a life’ is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘wow, i look much happier - i think this is the life i need to get!’ take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we’d be one blissed-out race. but we’re not. so it’s like, mom, your life isn’t out there waiting, so don’t think all you have to do is find it and get it. no, your life is right here. and, yeah, it sucks. lives usually do. so if you want things to change, you don’t need to get a life. you need to get off your ass.
David Levithan (Will Grayson, Will Grayson)
Abby must have been the one who found the safe house, because Townsend didn't like it. "The building across the street is under construction," he snarled as soon as we'd carried our bags inside. "The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual." "Excellent." Townsend dropped his bag. "Now the circle can see us from every angle." "Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy." "Also known as the good kind," he countered. Abby huffed.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Mom: 'I really have to stop doing this. I need to get a life.' I think she's directing this at herself, or the universe, not really at me. Still, I can't help thinking that 'getting a life' is something only a complete idiot could believe. Like you can just drive to a store and get a life. See it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, 'Wow, I look much happier - I think this is the life I need to get!" Take it to the counter, ring it up, put it on your credit card. If getting a life was that easy, we'd be one blissed-out race. But we're not. So it's like, Mom, your life isn't out there waiting, so don't think all you have to do is find it and get it. No, your life is right here. And yeah, it sucks. Lives usually do. So if you want things to change, you don't need to get a life. You need to get off your ass.
John Green
A Tip from Bonnie Sue: Struggling to fill your dance card? Remember, the Lord wants to be your ultimate partner. He's the one who knows you best after all.
Janice Thompson (It Had to Be You (Weddings by Bella, #3))
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
If we never did the things we shouldn't do, we'd never feel good about doing the things we should.
Francis Underwood (Kevin Spacey)
We fought over the bill when it came. By fought I mean: I insisted loudly on paying half and he responded with beleaguered silence. Instead of discussing it or attempting to engage in my one-sided conversation, he wordlessly put his credit card in the holder; he kept it carefully out of my reach as I continued to list all the reasons we should split the check, not the least of which was that we’d agreed earlier that this was not a date, then handed it stealthily to the waiter as he passed. I was still oblivious, making my case, when Quinn signed the receipt.“Wait- what are you doing?” I looked from him to the paper slip.Silence. Scribble. Silence. “Did you just sign that? Was that the check?” My voiced hitched, my eyes wide with pseudo outrage. He glanced up at me, something like mock innocence lighting his features, and said, “I’m sorry. Did you want to split that?
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Getting a life’ is something only a complete idiot could believe. Like you can just drive to a store and get a life. See it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘Wow, I look much happier — I think this is the life I need to get!’, take it to the counter, ring it up, put it on your credit card. If getting a life was that easy, we’d be one blissed-out race.
John Green (Will Grayson, Will Grayson)
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crétin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
Patricia Lockwood (No One Is Talking About This)
One of the best wedding gfts God gave you was a full-length mirror called your spouse. Had there been a card attached, it would have said, “Here’s to helping you discover what you’re really like!” —Gary and Betsy Ricucci
Gary L. Thomas (Sacred Marriage Bible Study Participant's Guide)
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed." I pressed my face against his neck, breathing him in. "I know." "So what do we do?" Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again." His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?" I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?" He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you." I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for. "Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards." His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again. "Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?" He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
Rachel Hawkins (Demonglass (Hex Hall, #2))
You told me I was part of the clan, that I was one of you. You told me you’d protect me, treasure me, and that no one would ever hurt me again. You told me we’d have eternity together, like a freaking Hallmark card!
Kresley Cole (MacRieve (Immortals After Dark, #14))
You have your wonderful memories,” people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
the fine stitching and well-carded wool of his supposedly unobtrusive cloak making him stand out like blood on a wedding dress.
George R.R. Martin (Rogues)
Romance isn't just about pink balloons and heart-shaped cards. It is something much deeper. He put a hand to his heart. Here, where it matters, men are more caring. Ask any young woman what kind of man she wants to marry and the answer will be prince or a millionaire. Ask the same questions of a hundred men, and very few will say that they want a princess or a rich girl. The want somebody beautiful and kind
Farahad Zama (The Wedding Wallah)
i can’t help thinking that ‘getting a life’ is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, ‘wow, i look much happier - i think this is the life i need to get!’ take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we’d be one blissed-out race.
David Levithan (Will Grayson, Will Grayson)
She wants lilacs in her wedding bouquet." "Okay . . ." Nevada had said she wanted carnations, but we could stuff some pretty pink lilacs in there. I didn’t see the problem. "Blue," Arabella squeezed out. "She wants blue lilacs." No and also no. "Nevada . . ." "I had to hide in a bush of French lilacs yesterday and they were very pretty and smelled nice. The card on the tree said, ‘Wonder Blue: prolific in bloom and lush in perfume.’" I googled French lilac, Wonder Blue. It was blue. Like in your face blue. "Why were you hiding in a bush?" "She was being shot at," Arabella said with a sour face. "So you stopped to smell the lilacs while people were shooting at you?" I couldn’t even.
Ilona Andrews (Diamond Fire (Hidden Legacy, #3.5))
There is no point getting angry at a bad hand, he had used to say. Especially if the dealer cheated when distributing the cards. Anger leads to mistakes. Don’t get angry; that’s what they want. Get calm. They’ll never expect you to do that. Don’t get angry; get creative. Take the hand you have and see whether you might not be holding something your enemy has overlooked. Don’t get angry at the cards; get the dealer out of the game.
Courtney Milan (After the Wedding (The Worth Saga, #2))
You see,’ Alice was very earnest, ‘if we’d lived in the slums and our mother had had fifteen children, and our father had got drunk and knocked us about, we should have been brought up against “real life.”’ ‘Daddy does drink—a bit.’ Anthony was hopeful. ‘It’s what makes him do card tricks after dinner.
Elizabeth Eliot (Alice)
We’d been to Boomer and Paula’s apartment once for Friday-night pizza. Their downstairs was an obstacle course of hanging plants in Velveeta-colored macramé holders that Paula had woven. Decoupaged greeting cards and studio portraits of Ashley covered the walls. Back at our place that evening, I had turned their home—their life—into a cartoon for Dante’s entertainment, had even gotten out of bed to imitate Paula’s walk. “Jut Butt,” I nicknamed her. Dante laughed so hard, he couldn’t breathe. Then he fell asleep while I sat up in bed, horrified at how vicious I could be toward a woman who’d just fed us.
Wally Lamb (She's Come Undone)
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and
Patricia Lockwood (No One Is Talking About This)
But there is no Messiah of Sitka. Landsman has no home, no future, no fate but Bina. The land that he and she were promised was bounded only by the fringes of their wedding canopy, by the dog-eared corners of their cards of membership in an international fraternity whose members carry their patrimony in a tote bag, their world on the tip of the tongue.
Michael Chabon (The Yiddish Policemen's Union)
I’d never once seen Nikki adjust her makeup in all the times we’d driven through Vegas. It was like she applied it with a death threat, and it stayed put until she told it to move.
Jenn Stark (Wilde Card (Immortal Vegas, #3))
We’d be at peace with every people on earth, if they’d let us. As long as we don’t come to love war, or to use it in order to rule over others, then we are still a peaceful people.
Orson Scott Card (The Tales of Alvin Maker: Seventh Son, Red Prophet, Prentice Alvin, Alvin Journeyman, Heartfire, The Crystal City)
If we wed, Milady, you will belong to me. Your rank will be my rank, and your station will be this croft. I hold that a husband must have his way with his wife in his bed and in his house, and that if she refuses him his way, he must chastise her until she is ready to please him. You will card, and you will spin, and you will cook what I bring in to you, and when I call you to my bed, you will come, and I will have my way.
Emily Tilton (Tamed by the Highlander)
She wanted to slap herself for showing weakness around him. “Why?” he prodded. “Why what?” she snapped. “Why me?” “I was asking myself the same question.” “The wide-eyed act won’t work with me, cara.” “I am not—” “I won’t marry you. If that’s what you’re after, forget it. Not happening.” “I’m after what?!” she spluttered. She was at a loss for words. “It takes more than a cherry to make me cough up a wedding ring, “ he said with thinly veiled derision. “You should’ve done your homework. Marriage? Not in my cards.
Kat Madrid (Lonzo)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
On the eve of the wedding, which Diana spent at Clarence House, her mood was much improved when Charles sent her a signet ring engraved with the Prince of Wales feathers and an affectionate card which said: “I’m so proud of you and when you come up I’ll be there at the altar for you tomorrow. Just look ‘em in the eye and knock ‘em dead.
Andrew Morton (Diana: Her True Story in Her Own Words)
I spent a long time thinking in bed. It’s strange how when so much is taken from you, you start to think about the otherworldly. Adam and myself would never have entertained thoughts of angels, or said prayers when we were riding high. I put the card with the feather on my bedside table and stared at it for a long time before I fell asleep.
Robert Bryndza (Coco Pinchard's Big Fat Tipsy Wedding (Coco Pinchard, #2))
Now, now, ladies, you two know the rules.” Finn rose, holding up his hands like a referee. “No fights outside of a Jell-O ring.” I twirled my be-clawed fingers in front of her face, and eventually she backed off. “So tell me what his story is.” Finn jerked his chin in Jackson’s direction. “He’s not one of us?” After a final threatening look at Selena, I said, “I don’t think so. I haven’t seen him do anything superhuman.” Selena flipped her hair over her shoulder. “Because you haven’t experienced him in the right situation, honey.” Her tone dripped with innuendo. Was this the proof that I’d been waiting for? Or another lie? Maybe they had gotten together—at least on the night we’d stayed at her place. And possibly more often. Though I did believe Jackson was interested in me again, I didn’t know how I could get past them. Between gritted teeth, I said, “Then tell us what card he is, Selena.” She sighed. “My Jack of Hearts.” Claws aching, I snapped, “Wrong—deck—hooker.” Finn groaned. “This can’t be happening! So you’re both digging that Cajun dude? Both of you? Come on, pussycats, that’s just not right! Spread the wealth.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
There once lived, in a sequestered part of the county of Devonshire, one Mr. Godfrey Nickleby: a worthy gentleman, who, taking it in his head rather late in life that he must get married, and not being young enough or rich enough to aspire to the hand of a lady of fortune, had wedded an old flame out of mere attachment, who in her turn had taken him for the same reason. Thus two people who cannot afford to play cards for money, sometimes sit down to a quiet game for love.
Charles Dickens (Nicholas Nickleby)
Cards seven and eight were the enemies plotting against him. "These are both great cards," I said. "This is a child who's important to you, and who brings balance to your life." "I don't really know any kids." "A brother or sister?" I asked. "No nieces, nephews?" "Not even a cousin." I started scrubbing down the bar, although it was perfectly clean. "Then maybe it's yours," I said, "Sometime." His hand crossed the wood, fingered the card. "What's she don't to look like?" The suit was Cups. "Light-skinned and dark-haired." "Like you," he said. I blushed, and busied myself by turning over the last card. "This lets you know if your wish will come true, or if all those other things will get in the way." The card was the Seven of Cups - a wedding or alliance he would regret for the rest of his life. "So?" Charlie asked, and his voice rang with the future. "Do I get what I want?" "Absolutely", I lied, and then I leaned across the bar and kissed him over the map of our lives.
Jodi Picoult (Vanishing Acts)
Working at Starbucks was an eye-opening experience, and not always in a good way. Our location was next to a private high school, and every afternoon we’d be subject to a steady stream of privileged teenagers messing around with their iPhones as they paid for their vanilla bean Frappuccinos with Starbucks cards. A thought I had not infrequently was I’m (basically) a college graduate working forty hours a week serving milkshakes to teens who have more money in their bank accounts than I do.
Chasten Glezman Buttigieg (I Have Something to Tell You)
Have you ever played Killer Bunnies?” she asked. “Killer Bunnies?” he repeated, blinking the way people always did when they didn’t follow her brain’s train. “It’s a card game. Not spades and clubs, kings and jacks cards. It’s like a board game, with cards instead of a board. Here. I’ll show you.” She stretched up to the top shelf beside her TV and pulled down a bright blue box. “But I have to warn you, I never hesitate to use the nuclear warheads or the anti-matter raisins. Your bunnies are going down.
Jamie Farrell (Sugared (Misfit Brides, #4))
You hear the one about the guy married this joker, just gorgeous, long blond hair, face like an angel, body to match. On their wedding night, she comes out in this white teddy and says to him, honey, I’ve got good news and bad news. He says, yeah, so give me the good news first. Well, she says, the good news is that this is what the wild card did to me, and she whirls around and gives him a good look, till he’s grinning and drooling. So what’s the bad news? he asks. The bad news, she says, is that my real name is Joseph.
George R.R. Martin (A Wild Cards Collection: Books I-V (Wild Cards I, Wild Cards II: Aces High, Wild Cards III: Jokers Wild, Wild Cards IV: Aces Abroad, Wild Cards V: Down and Dirty))
Don't count on me to take you in because I'm angry. I'm angry at you for leading us on such a song and dance all these years, not just these few years but all the years, skipping all those holidays and staying away from beach trips and missing Mom and Dad's thirtieth anniversary and their thirty-fifth and Jeannie's baby and not attending my wedding that time or even sending a card or calling to wish me well. But most of all Denny, most of all: I will never forgive you for consuming every last little drop of our parents' attention and leaving nothing for the rest of us.
Anne Tyler
After sending Bella a Christmas card for years with no response, a few years before I'd decided to add something more personal- one of Mum's recipes. I had included various Christmas recipes each year since, from gingerbread to chocolate and cranberry brownies- Bella's favorite as a child. I saw these as a reminder of the good times we'd shared and hoped she'd feel the same. Just writing down those recipes reminded me of Mum in her kitchen- the soft, wobbly fold of flour into butter, the grit of sugar, the heady fragrance of chocolate, sweet vanilla and the warmth of ginger.
Sue Watson (Bella's Christmas Bake Off)
Aunt Harriet surprised Grandfather right away. She brought her flute, which did not impress Grandfather. “You don’t have to like it,” she told Grandfather when she saw the look on his face. “I didn’t bring it for you.” She also brought a deck of cards and invited him to play. They played many games, and Aunt Harriet beat Grandfather every time. While Aunt Mattie helped Mama with her dress for the wedding, Aunt Harriet kept winning into the night. Lamplight fell across the cards on the table long after Jack had gone to bed. “I’m not amused,” said Grandfather as Aunt Harriet won again. “That’s all right. I am,” she said. “Me, too,” I told her.
Patricia MacLachlan (Grandfather's Dance (Sarah, Plain and Tall, #5))
Finally, in late May or early June our breathlessly anticipated gilt-edged invitation to the July 29 wedding arrived. Soon after, we received a silver-edged card inviting us to a private formal ball at Buckingham Palace two nights before the wedding. We had been expecting the first invitation but were totally surprised by the second one. For both invitations, we had to reply to the Lord Chamberlain, Saint James’s Palace, London, SW1. For the wedding, dress was specified as: Uniform, Morning Dress or Lounge Suit. For the ball, dress was: Uniform or Evening Dress. Tiaras Optional. We had no idea what a “lounge suit” was, nor did I have a tiara handy—fortunately tiaras were optional. Help!
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
It was because of people like him that we’d had to leave in the first place, abandoning our education, our almost-white, brown, and high-yellow privilege, and spend all of our money on visas and plane tickets and American clothes, and now we were nothing. The next day we’d go back to our real lives in New York, Miami, Toronto, London. We blamed the yard boy for that too. Over foreign, we were the Bernards—we were the underclass; we were home health aides, janitors, and nannies. We would think of him and spit the next time we helped elderly women wipe themselves over toilets. We would think that it was all his fault. If people like him would have stayed in their place, then we could have stayed too.
Maisy Card (These Ghosts are Family)
i can't help thinking that 'getting a life' is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, 'wow, i look much happier - i think this is the life i need to get!' take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we'd be one blissed-out race. but we're not. so it's like, mom, your life isn't out there waiting , so don't think all you have to do is find it and get it. no, your life is right here. and, yeah, it sucks. Lives usually do. so if you want things to change, you don't need to get a life. you need to get off your ass.
John Green (Will Grayson, Will Grayson)
Today I bought my first issue of Modern Bride Magazine, the November issue. I have it right here. I ordered a year's subscriptioin, using the 1800 number and not the business reply mail card. Your Dream Dress (It's Here!) 50 Romantic Honeymoons - From Sweet to Sexy 12 Reception Hints You Can't Overlook 6 Real Bridal Makeovers with Expert Tips for You I discover that holding the magazine makes me anxious. I put it down. I am wondering if there is a way to make me over and, if so, will I be able to be made back. It strikes me that I am going to have to have a wedding. And it is going to have to be perfect, according to this magazine. There are 12 reception hints I can't overlook. And that's just the tip of the bayonet. My gut feeling is, My GOD, haven't I done enough?
Suzanne Finnamore (Otherwise Engaged)
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
Christine Feehan (Samurai Game (GhostWalkers, #10))
The Confederate Air Force planes carried gear that when flown close to a cell phone tower allowed those on board to log in passively and see a real-time record of every phone making a call. Task force personnel could then search for numbers in which they were interested, and the database would tell them if those phones were in use, and if so, where. “We’d pinpoint the location, we’d go hit the target,” said an operator. The cell phone tower info might guide the task force to a particular city block. At that point, the operators would use an “electronic divining rod,” a handheld paddlelike sensor that could be programmed to detect a specific phone and would beep increasingly loudly as it got closer to the device.22 The divining rod could even detect a phone that had been turned off, although not one with the battery and SIM card removed.
Sean Naylor (Relentless Strike: The Secret History of Joint Special Operations Command)
It was my mother, my frequent co-conspirator in the kitchen and my conduit to our past, who suggested the means to convey this epic disjunction, this unruly collision of collectivist myths and personal antimyths. We would reconstruct every decade of Soviet history - from the prequel 1910s to the postscript present day - through the prism of food. Together, we'd embark on a yearlong journey unlike any other: eating and cooking our way through decade after decade of Soviet life, using her kitchen and dining room as a time machine and an incubator of memories. Memories of wartime rationing cards and grotesque shared kitchens in communal apartments. Of Lenin's bloody grain requisitioning and Stalin's table manners. Of Khrushchev's kitchen debates and Gorbachev's disastrous antialcohol policies. Of food as the focal point of our everyday lives, and - despite all the deprivations and shortages - of compulsive hospitality and poignant, improbable feasts.
Anya von Bremzen (Mastering the Art of Soviet Cooking: A Memoir of Food and Longing)
Outside, he almost missed seeing a man's shadowed form disappearing into the bunkhouse. Hick's name formed a curse on his lips. How long had the man stood at the kitchen window? The idea that he might have seen any part of his and Willow's lovemaking made him sick to his stomach. Cursing, he headed back to the cookhouse. He hoped Providence would one day grant him the opportunity to kill that bastard! "Who was it?" Her attire repaired, Willow unlocked the door and fell into his arms. Unable to dirty what they had just shared, Rider forced himself to chuckle. "Just a coyote, sneaking up on the henhouse. Good thing he alerted us or we'd have been caught out here buck naked when your hens started to alert the whole ranch." He felt her relax and he let her go. "It's late, darlin', and I think we've tested fate enough for one night. We better turn in." Willow handed him his boots and then his shirt. They took one last look around the kitchen to make sure they'd left no embarrassing calling cards. Then he walked her to the house. At the back door, she pressed a lingering kiss to his lips, then silently disappeared inside. Rider took his time as he headed toward his lonely bed in the bunkhouse. As much as he'd enjoyed being with Willow tonight, something told him he was going to regret it.
Charlotte McPherren (Song of the Willow)
You see actually, now it occurs to me, my writing, my writing is also a guard against suicide, as if I run from myself in my writing, but at the same time I ask, what's to become of me? The person I was before and who I am right now, the writing helps cure, the way confession cures Catholics, the way the Wailing Wall cures Jews, the way confessing doubts and secrets and worries to a mute old willow would cure our forbears, and when all's said and done, the way relaxing and talking about whatever's on their mind cures Freud's patients . . Actually that writing of mine is like I run line to line, all so clearly beautiful on the typewriter, I never know what I've written, I'm always chasing some thought, there beyond my reach, I want to catch up to it, but it's always one step ahead of me, just as when I raced to catch the train to Grandma's as a child, as I raced home from school, as I raced out of the house at home, out of myself, along the river, and for that matter as I always did run wherever I happened to be, out and away, ran from girlfriends to buddies to play cards, only to run from the buddies after a while, into the darkness, and when I stopped, I saw I needed to keep running, always from myself, because neither as a child nor as a young man did I ever, ever find any aims, and all my jobs, always jobs that kept me on the run...
Bohumil Hrabal (In-House Weddings (Writings From An Unbound Europe))
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
What will you do once you have the key?” Mia asks. “We’ll be able to break into every bank in the world!” Captain Dread declares proudly. “We can open every lock, everywhere!” “Um,” Harley says. “Banks don’t have keys anymore. They have codes, and scanners, and swipe passes. A key isn’t going to help you break into a bank.” The pirates all stop looking for the key and look at each other, confused. “We’ll just use it for anything with a key then!” “Like what?” I ask. “Like… the candy store.” “They use a swipe code for their locks.” “Hotels?” “Swipe cards.” “Government buildings?” “Codes.” “Food shops?” “Scanners.” “Safes?” “Dial codes.” “Cars?” “Keyless.” “Houses?” “Um…” I think about that for a moment. “Yep, I think most houses still use keys. You could use it there.” “Then we will break into every house in the world!” Captain Dread declares again. “We will enter any house we want to, at any time. With the possession of the Skeleton Key, we will be unstoppable! We will be the unstoppable pirates!” “Captain Wed, if you go into my house,” I say. “Can you check that my pet bunny rabbit has enough food? I am not sure if I gave him enough food before I left.” “No! I will steal things from your house; not feed your bunny rabbit!” “We can’t let him have that key, Charlie,” Harley whispers to me. “He will have too much power. We will have to keep the key a secret from him.” “Captain Zed, you are not going to steal anything from me. You can get off this boat now,” I say, as I pick up my backpack full of Super Spy gadgets.
Peter Patrick (Middle School Super Spy: Pirates! (Sixth Grade Super Spy Book 7))
I still hate church. I'm still angry at Catholicism. I still want to set buildings ablaze whenever I think about the centuries of institutionalized bullshit that's defined that religion -- and continues today. I only go to mass for weddings and funerals, and I do not take communion. That is me, and those are my beliefs, and I'm not going to impose them on you. Even if I think pulling a few tarot cards will make you see things a bit more clearly. Instead, I just try to channel my mom, who taught me more about patience and understanding than the Catholic Church ever did.
Anne T. Donahue (Nobody Cares)
It was right about then that a drink dropped down in front of me on the table, Brant sliding into the open chair to my side. "You know I can't have..." I started, big-eying him so I didn't have to say it. "Raspberry mocha shake with skim milk but full fat whipped cream," he explained, popping the little piece of paper topper off the straw. "Not a damn bit of actual coffee in it," he said, looking disgusted at the very prospect. "Oh, and here," he said, pulling my phone out of his pocket. "You know, you can't pull the 'pregnancy' card every time your phone has an issue and you don't want to go to Verizon." "True," I agreed, taking a long sip of the shake he made and closing my eyes on a sigh. "But I can for the next eight or so months," I concluded, giving him a saucy smile. He chuckled at that, reaching for the piece of paper I had in front of me with the design for the macaron wedding cake. "Macarons, huh?" he asked, looking excited. It didn't matter how many different recipes I came up with, he never seemed to get sick of them. "It's not too soon," he informed me, reading my thoughts as I looked down at the perfect princess cut ring. "It hasn't even been a year," I had insisted, shaking my head. "Sweetheart, I knew this was where we were heading that first time you moaned like a porn star over your break-up frappe." I looked around my mother's and mine and Brant's little shop, feeling it down to my soul: peace. Then I looked over at Brant, feeling it down to my bones: love. And finally, to the plate at the center of the table where Brant and I reached toward simultaneously and grabbed one each: macarons. It was all I would ever need.
Jessica Gadziala (Peace, Love, & Macarons)
When someone dies, it’s good to mail a note. Don’t send an e-mail. You have to send a card. Everyone should have cards and stamps kicking around. I have some very simple stationery, just nice card stock with my name at the top. When the news is happy, e-mail is fine. You can e-mail congratulations about babies, weddings, anything. But when it’s not? If it’s a death or other bad news, you have to be more formal.
Tim Gunn (Gunn's Golden Rules: Life's Little Lessons for Making It Work)
So Rehana printed a few cards and sent them with boxes of sweets to everyone she knew. Orange-studded Laddus and curd-dusted Pranharas, the sweet named for heartache.
Tahmima Anam (The Good Muslim (Bangla Desh, #2))
Theo and Sugar dated, just like normal people only slower. He bought her heart-shaped boxes of candy and living plants for her rooftop and sent her cards, one every day by U.S. mail, each with a handwritten message. 'Can't wait to see you tonight,' the first one said. 'I love your laugh,' read the second. 'Sorry for spilling ketchup on your dress,' came the third. She made him pork chops with honey mustard sauce and her favorite date-and-honey nut loaf and a fetching gingham jacket for Princess, who ate it the moment they turned their back on him.
Sarah-Kate Lynch (The Wedding Bees)
Direct calls to action can be included at the end of every e-mail blast, on signage, in our radio ads, and even in our television commercials. Consider including direct calls to action in every team member’s e-mail signature, and if you really want to get the point across, on all your business cards. The idea is to make it very clear what we’d like customers to do: to make a purchase so we can help them solve their problem.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
Good morning to Karen’s fertile and barren friends. I thought I’d send over the plan for the completely unnecessary, mawkish, and expensive non-tradition borrowed from America that is our friend Karen’s baby shower. Karen thinks it’s always good to demand money and time from people to celebrate her own personal life choices and we felt you haven’t given her quite enough in recent history, what, with the $1500 pound hen do in Ibiza, wedding in Majorca with a strict dress code, and gift registry at Selfridges. (NB: ladies-- if you get a new job or buy or flat on your own, you get a card and that’s it! We want to make sure there’s no prprecedent set. We’re not made of money!!) The good news is, after Karen gives birth she won’t see any of her childless friends unless all they want to do is talk about her baby and nothing else. So you can treat this as her farewell party as well as her baby shower. And save those pennies for a couple of years, that is of course until she comes back to you when she’s stopped breast feeding and is bored out of her mind, demands you all go out to drink, dance, and take loads of drugs, then sends you an offish text the following week saying she can’t really have a night out like that again because “I’M A MOTHER NOW.
Dolly Alderton (Everything I Know About Love)
Then I saw the card taped to the mirror. Congratulations on your new chapter, Katie! Wishing you and Declan all happiness and love- and the most organized closet on the block! Blessed Be ~ Lucy, Mimsey, Bianca, Cookie, and Jaida. P.S. look in the cupboard above your scarves.
Bailey Cates (Witches and Wedding Cake (A Magical Bakery Mystery, #9))
But Joelle doesn't do "nice". Nice is too passive for what she is, which is a genuinely sweet and kind and thoughtful person---one of the best I know. I've watched her for over a year and a half pouring her heart and soul into her bakery, treating her customers like members of her own family. She remembers their names, the names of their kids and pets, birthdays, first days of school and work, graduations and weddings. I've seen her give out pastries and drinks to people on the street near our building. I've seen her offer up her bakery as a hangout for local high school students who want a place to play cards and dominoes. I've seen her give cash out of her pocket to a kid in need. All because she cares. She doesn't do a single thing that isn't rooted in sincerity. That's why what she said to me yesterday meant so much. Because despite the stress of our current work setup and how it's caused countless fights between us, she still cares about me. And that means everything---more than she'll ever know.
Sarah Echavarre Smith (The Boy With the Bookstore)
I continue opening boxes. I find more faded and cracked photographs than I ever want to see. I find many engraved invitations to the weddings of people who are no longer married. I find many mass cards from the funerals of people whose faces I no longer remember. In theory these mementos serve to bring back the moment. In fact they serve only to make clear how inadequately I appreciated the moment when it was here. How inadequately I appreciated the moment when it was here is something else I could never afford to see.
Joan Didion (Blue Nights)
Shit, I was in such a rush this morning after no sleep that I forgot to pack my crystal ball, tarot cards and other fortune-telling devices, so I suppose we’d best just talk to her and find out.
Angela Marsons (Stolen Ones (D.I. Kim Stone, #15))
At the end of the article the author explains that some targets provide such large sources of ego fuel that they may remain in the idealize phase for years, depending on what the sociopath desires out of the relationship. The article calls this “narcissistic supply” and states that all sociopaths are also narcissists. I read the next line: If a target is providing a constant stream of supply, they may be overvalued and idealized by the sociopath for many years. However, when their supply eventually decreases, they will be quickly devalued and discarded. Oh my God. Green card. Restaurant. Wedding. Travel. Reputability. Maine. Money. Family. I was an almost never-ending source of supply for Marco until I had a baby and suddenly, my stock plummeted. I would no longer be feeding his ego if I was taking care of a newborn.
Jen Waite (A Beautiful, Terrible Thing: A Memoir of Marriage and Betrayal)
Showiness has become the malady of our times; haven’t wedding cards come to resemble wall posters. None seems to mind that the card and the copy don’t jell at all; maybe, it’s all prognostic, who knows?
B.S. Murthy (Crossing the Mirage - Passing through Youth)
There once lived, in a sequestered part of the county of Devonshire, one Mr Godfrey Nickleby: a worthy gentleman, who, taking it into his head rather late in life that he must get married, and not being young enough or rich enough to aspire to the hand of a lady of fortune, had wedded an old flame out of mere attachment, who in her turn had taken him for the same reason. Thus two people who cannot afford to play cards for money, sometimes sit down to a quiet game for love.
Charles Dickens (The Complete Charles Dickens Collection)
I hated it when he played the guitar. He’d sit there, strumming, halfway paying attention, only halfway present. He’d hum to himself, and he was someplace else. We’d be watching TV, or playing cards, and he’d be strumming the guitar. Or he’d be in his room, practicing. For what, I didn’t know. All I knew was that it took time away from us.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Before he could ask Ithan mind-to-mind what he saw, Ruhn found himself faced with the most beautiful female he’d ever seen. “Mind if I join?” Her voice was lovely, fair and cool—yet no light shone in her amber eyes. A step behind her, a dark-haired, pale-faced female malakh grinned with wicked amusement. She was narrow-featured, black-winged, with a wildness like the western wind. “Hello, princeling. Pup.” Ruhn’s blood chilled as the Harpy slid into the seat to his left. An assortment of knives glinted on the belt at her slim waist. But Ruhn peered up again at the beautiful female, whose face he knew well thanks to the news and TV, though he’d never seen it in person. Her golden hair glinted in the dim lights as she sat on his right and signaled the bartender with an elegant hand. “I thought we’d play a round of cards,” the Hind said.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Well, that is an interesting question and therefore deserves an interesting answer,” Nana said. “The ancient Egyptians thought that the human heart epitomized life, the Greeks believed that it controlled our thoughts and emotions, and the Romans declared that Venus, the goddess of love, set hearts on fire with Cupid’s help. The Romans also believed that there was a vein connecting the fourth finger on the left hand directly to the heart. There isn’t, but that’s why people traditionally wear wedding rings on that finger, even today. In the Middle Ages, Christians agreed that the human heart had something to do with love, and hundreds of years later, the familiar red shape still appears on greetings cards, playing cards, even T-shirts. The heart symbol became a verb in the 1970s, with I heart New York. Does that answer your question?
Alice Feeney (Daisy Darker)
Jamie Ward told me he had fielded hundreds of calls in the time since we’d first spoken. He stressed that this was a trend the Klan was seeing nationwide. Of course, relatively few of those who contacted the Traditionalist American Knights became card-carrying members. The Klan tends to be cautious and discriminating when it comes to its membership, viewing itself as far too serious a group in terms of tradition and long-term goals to accept people looking to join a social club. As it turned out, other groups more than willing to take those the Klan had rejected were sprouting and flourishing. Groups like the Oath Keepers, the Proud Boys, the Three Percenters, and others were all well known to the FBI back then, but became household names only in the wake of 2021.
Joe Moore (White Robes and Broken Badges: Infiltrating the KKK and Exposing the Evil Among Us)
Mr. Godfrey Nickleby: a worthy gentleman, who, taking it into his head rather late in life that he must get married, and not being young enough or rich enough to aspire to the hand of a lady of fortune, had wedded an old flame out of mere attachment, who in her turn had taken him for the same reason. Thus two people who cannot afford to play cards for money, sometimes sit down to a quiet game for love.
Charles Dickens (Nicholas Nickleby)
Your wife?” “Right.” “What does she do?” Tracy asked. “She works for a janitorial company; they clean the buildings downtown.” “She works nights?” Kins said. “Yeah.” “Do you have kids?” Tracy asked. “A daughter.” “Who watches your daughter when you and your wife are working nights?” “My mother-in-law.” “Does she stay at your house?” Tracy said. “No, my wife drops her off on her way to work.” “So nobody was at home when you got there Sunday night?” Bankston shook his head. “No.” He sat up again. “Can I ask a question?” “Sure.” “Why are you asking me these questions?” “That’s fair,” Kins said, looking to Tracy before answering. “One of our labs found your DNA on a piece of rope left at a crime scene.” “My DNA?” “It came up in the computer database because of your military service. The computer generated it, so we have to follow up and try to get to the bottom of it.” “Any thoughts on that?” Tracy said. Bankston squinted. “I guess I could have touched it when I wasn’t wearing my gloves.” Tracy looked to Kins, and they both nodded as if to say, “That’s plausible,” which was for Bankston’s benefit. Her instincts were telling her otherwise. She said, “We were hoping there’s a way we could determine where that rope was delivered, to which Home Depot.” “I wouldn’t know that,” Bankston said. “Do they keep records of where things are shipped? I mean, is there a way we could match a piece of rope to a particular shipment from this warehouse?” “I don’t know. I wouldn’t know how to do that. That’s computer stuff, and I’m strictly the labor, you know?” “What did you do in the Army?” Kins asked. “Advance detail.” “What does advance detail do?” “We set up the bases.” “What did that entail?” “Pouring concrete and putting up the tilt-up buildings and tents.” “So no combat?” Kins asked. “No.” “Are those tents like those big circus tents?” Tracy asked. “Sort of like that.” “They still hold them up with stakes and rope?” “Still do.” “That part of your job?” “Yeah, sure.” “Okay, listen, David,” Tracy said. “I know you were in the police academy.” “You do?” “It came up on our computer system. So I’m guessing you know that our job is to eliminate suspects just as much as it is to find them.” “Sure.” “And we got your DNA on a piece of rope found at a crime scene.” “Right.” “So I have to ask if you would you be willing to come in and help us clear you.” “Now?” “No. When you get off work; when it’s convenient.” Bankston gave it some thought. “I suppose I could come in after work. I get off around four. I’d have to call my wife.” “Four o’clock works,” Tracy said. She was still trying to figure Bankston out. He seemed nervous, which wasn’t unexpected when two homicide detectives came to your place of work to ask you questions, but he also seemed to almost be enjoying the interaction, an indication that he might still be a cop wannabe, someone who listened to police and fire scanners and got off on cop shows. But it was more than his demeanor giving her pause. There was the fact that Bankston had handled the rope, that his time card showed he’d had the opportunity to have killed at least Schreiber and Watson, and that he had no alibi for those nights, not with his wife working and his daughter with his mother-in-law. Tracy would have Faz and Del take Bankston’s photo to the Dancing Bare and the Pink Palace, to see if anyone recognized him. She’d also run his name through the Department of Licensing to determine what type of car he drove. “What would I have to do . . . to clear me?” “We’d like you to take a lie detector test. They’d ask you questions like the ones we just asked you—where you work, details about your job, those sorts of things.” “Would you be the one administering the test?” “No,” Tracy said. “We’d have someone trained to do that give you the test, but both Detective Rowe and I would be there to help get you set up.” “Okay,” Bankston said. “But like I said, I have
Robert Dugoni (Her Final Breath (Tracy Crosswhite, #2))
The core theme that spans much of Springsteen’s working-class studies is the disconnection—real and feared—of working people from the things that ground them: job, family, home, and community. “I live now only with strangers,” he sings in “Streets of Fire,” “I talk to only strangers / I walk with angels that have no place.” As Springsteen explained, “I think what happened during the seventies was that, first of all, the hustle became legitimized”—and he did not mean the disco dance. By the time of his follow up The River (1980), when his character receives his “union card and a wedding coat” for his nineteenth birthday, that union card was a symbol of a failure to get out, a source of entrapment. What was a source of material liberation in the 1930s, membership in a trade union, had become a symbol of those not chosen, those left behind.49
Jefferson R. Cowie (Stayin’ Alive: The 1970s and the Last Days of the Working Class)
Everyone does that. We’d switch library cards, put each other’s names on blog comments, screw with the grand cosmic record of who did what.” “Why?” I asked, confused. “The world tends toward chaos, you know,” Cassidy said. “I’m just helping it along. You could too. Just write down a made-up name, or even a fictional character. And to the next person who finds this geocache, it’s as though things really happened that way. You have to at least allow for the possibility of it.
Robyn Schneider (The Beginning of Everything)
After running away from the United States government to pursue his antigovernment vision, Roger Ver had chosen to live in a place that was uniquely unreceptive to his brand of antiauthoritarian politics. Japan was a country that was still deeply wedded to traditional hierarchies with an educational system that taught its citizens from a young age to obey authority. This was evident in the country’s rigid business traditions—the bowing and exchanging of cards—and in the spiky-haired punks in Tokyo, who waited patiently for walk signals, even when there were no cars in sight. Roger had picked Japan, not because it would allow him to be around other like-minded people, but because he liked the orderliness of Japanese culture—and the women. He had met his longtime Japanese girlfriend at a gathering in California and even she had almost no interest in politics. As Roger discovered, the deferential culture made Japanese people uniquely skeptical about a project like Bitcoin that aimed to challenge government currencies. Japan was the only place Roger had encountered where people’s response, when he described Bitcoin, was to call it scary—rather than interesting or silly. This was due, Roger believed, to the way in which the virtual currency broke from the government’s mandates about how money should work. One of the only people with whom Roger had gotten any traction in Japan was a local pornography tycoon.
Nathaniel Popper (Digital Gold: Bitcoin and the Inside Story of the Misfits and Millionaires Trying to Reinvent Money)
Sometimes I’d go to his house. If I had some cool cards in my pack of Iceberg Updates, we’d compare collections, maybe swap a few.
China Miéville (Three Moments of an Explosion)
Please reconsider.” Mitch’s words were soft, yet firm, as if he was fighting back a demand he couldn’t quite leash. “I don’t want you staying here.” She fixed her attention on the lobby door. The vacancy sign winked mockingly. She clutched the credit card more tightly. “I can’t.” He turned, shifting in his seat, his long legs hitting the console. “Why?” She bit the inside of her cheek. Why was this so hard? It should be easy to walk away. For all intents and purposes, he was a stranger: leaving should be simple. Her gaze dipped down to the door handle. The hard lump of guilt sat like a rock in her stomach. What kind of a person was she that she’d had an easier time walking away from her wedding than getting out of this car? Next to her, Mitch waited; the air was tense with everything unsaid. He was different from Steve in that way. If she’d had this conversation with Steve, he would have answered his own question already. She traced her index finger along the cool metal door handle. If he bothered to even ask the question in the first place. She took a deep breath and expelled it slowly. “People have been taking care of me for so long, I can’t remember what it’s like to make my own decisions.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Missy: Great Mother-in-Law, Great Friend I learned 90 percent of what I know about cooking from watching Kay. At my wedding shower, I received a recipe card set. I took that set of blank cards and headed straight for Miss Kay’s kitchen. I pulled them out, took the first one, got a pen, and asked her to start giving me recipes for the things Jase liked to eat best. She happily obliged. There was only one problem. Miss Kay had no idea what any measurement was for any of her ingredients. She would say, “One shake of this” or “Two scoops of that.” Since I had no knowledge of cooking, I was looking for exact measurements. I did not want to mess up Jase’s favorite recipes. I had some big shoes to shill, for goodness’ sake! Miss Kay tried to give me her best directions while she was busy around the house. At that time she didn’t understand how little I knew, and we both became frustrated. One example of this was when she told me how to make mashed potatoes. She said to cut up four or five large potatoes and boil them. I asked, “How long do you boil them?” She replied, “Until they’re done.” “How many minutes does that take?” I asked, thinking I could set a timer. She said, “You can’t go by time.” “Then how do you know when they’re done?” “They’re done when they’re soft,” she answered. Thinking about how much I did not want to stick my hands in boiling water to see when they turned soft, I asked, “How do you know when they are soft?” At that point, Miss Kay had become completely frustrated at this whole ridiculous line of questioning on my part. She said rather abruptly, “You stick a fork in them!” I apologized for my ignorance, and Miss Kay realized I needed special attention. She then pulled up a chair, put her hand on my arm, and said, “Okay, let’s start from the beginning.” The next few minutes consisted of her gently instructing me in the ways of heating canned corn in a skillet, browning hamburger meat for her homemade spaghetti, making her famous homemade white sauce, and creating many other dishes I still make for my family on an almost daily basis.
Missy Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
If we expect perfection from man instead of God, we are indeed in trouble, and our personal problems, with others and with ourselves, are many. Our lives will then be easily soured. Take, for example, a common situation: wedding invitations. More than a few people are annoyed when they get one, because it means a gift, and they "feel cheap" sending just a card, even though only casual friends. However, if they do not get an invitation, they are then hurt or offended. In brief, sinful man will always milk trouble out of any situation. What then do you do? "It is better to trust in the Lord than to put confidence in princes," that is, men at their highest and best are still not to be trusted, for they are sinners. Our trust or dependence must be in the Lord. Thus remember, people are sinners. If they hurt and disappoint you, it is because there is first of all something with you: you have put your trust in the creature rather than the Creator. We can enjoy people, be good friends and neighbors, and live best with them if we know ourselves and them as alike sinners, either saved or lost, but even as saved, still very capable of thoughtlessness and sin. Our trust must be in the Lord.
Rousas John Rushdoony (A Word in Season, Volume 1)
What if the first homo sapiens had felt that way? We’d all still be neanderthals, and when the Buggers came they would have blasted us all to bits and that would be that.” “We didn’t evolve from neanderthals,” said Bean. “Well, it’s a good thing we have that little fact squared away,” said Petra.
Orson Scott Card (Shadow Puppets (Shadow, #3))
Joe had a perfect game to pass the time, he’d said. Kevin had smirked and agreed. And there were four couples, so it was perfect. Sean should have known better. The reason having four couples was perfect, he found out too late, was because the game was a kind of demented adult version of The Newlywed Game. And now Joe and Kevin were laughing their asses off on the inside because Dani and Roger’s presence meant Sean and Emma had to keep up the pretense or Dani would tell her dad, who would in turn rat them out to Cat. “What’s the first place you had sex?” Roger read from a card. Dani hit the timer and six of them bent over their notepads, furiously scribbling down answers. Sean looked down at his blank page and decided to keep it simple. Hopefully, Emma would do the same. When the timer dinged, he tossed his pencil down. Joe and Keri scored the first point by both writing, In the backseat of Joe’s 1979 Ford Grenada.For Kevin and Beth it was the hotel where Joe and Keri’s wedding reception was held, and Dani and Roger both wrote, Dani’s dorm room. Emma grimaced at Sean and then held up her notebook. “‘On a quilt, under the flowering dogwood.’” The other women made sweet awww noises, but Joe and Kevin were already snickering. That wasn’t keeping it simple. Under a flowering dogwood? “We need your answer,” Roger said. Sean held up his paper. “‘In a bed.’” His cousins’ snickers became full belly laughs, while Dani and Roger just looked a little confused. “Oh,” Emma said. “You meant sex with each other?” It was a nice save, but Sean had a gut feeling it was only going to go downhill from here.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
You are trying to take my mind off the coming announcement and I appreciate it, but all that alphabet soup stuff confuses me. You do realize that I am a very natural blonde, don’t you?” “You don’t get to play that blondie card with me, darlin’. I already know how smart you are.
Carolyn Brown (The Wedding Pearls)
What’s this one?” I ask. I point to a deck of cards with a clown on the front. There’s a full house showing on the card faces. “Life’s a gamble.” “And this one?” I start to paint over her sailboat. “Someday,” she says quietly, “I’ll sail into the sunset.” “There are wedding rings on the sail?” “Yes.” “You want to be married.” “Yes.” My heart kicks in my chest. “My back is my hopes and dreams. My front is my reality as I saw it at the time. Because I can face anything, as long as I let what happened to me push me forward.” Damn. I don’t even know how to respond.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Perhaps her abruptness was merely part of her personality, for she had the appearance of the worst kind of bureaucrat, the aspiring one, from blunt, square haircut to blunt, clean fingernails to blunt, efficient pumps. But perhaps it was me, still morally disoriented from the crapulent major’s death, as well as the apparition of his severed head at the wedding banquet. The emotional residue of that night was like a drop of arsenic falling into the still waters of my soul, nothing having changed from the taste of it but everything now tainted. So perhaps that was why when I crossed over the threshold into the marble foyer, I instantly suspected that the cause of her behavior was my race. What she saw when she looked at me must have been my yellowness, my slightly smaller eyes, and the shadow cast by the ill fame of the Oriental’s genitals, those supposedly minuscule privates disparaged on many a public restroom wall by semiliterates. I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves. But as she advanced along the polished bamboo floors, steering clear of the dusky maid vacuuming a Turkish rug, I just knew it could not be so. The flawlessness of my English did not matter. Even if she could hear me, she still saw right through me, or perhaps saw someone else instead of me, her retinas burned with the images of all the castrati dreamed up by Hollywood to steal the place of real Asian men. Here I speak of those cartoons named Fu Manchu, Charlie Chan, Number One Son, Hop Sing—Hop Sing!—and the bucktoothed, bespectacled Jap not so much played as mocked by Mickey Rooney in Breakfast at Tiffany’s. The performance was so insulting it even deflated my fetish for Audrey Hepburn, understanding as I did her implicit endorsement of such loathsomeness.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
There were three wedding cakes, curious and historical but tasty, each labeled with a calligraphed card: "Plumb Cake" with currants, nutmeg, mace, cinnamon, salt, citron, orange peel candied, flour, eggs, yeast, wine, cream, raisins. Adapted from Mrs. Simmons, American Cookery, 1796. "Curran-cake" with sugar, eggs, butter, flour, currans, brandy. Adapted from Mrs. McClintock, Receipts for Cookery and Pastry-Work, 1736. "Chocolate Honeycake" with oil, unsweetened cocoa and baking chocolate, honey, eggs, vanilla, flour, salt, baking powder. Adapted from Mollie Katzen, The Enchanted Broccoli Forest, 1982.
Allegra Goodman (The Cookbook Collector)
Death told me the Fool showed you a vision with ten swords in your back.” I nodded. “The ten of swords card indicates that a devastating catastrophe is headed one’s way and will strike without warning. Bingo, Matthew.” “Hmm.” “Hmm, what?” “That card is also about letting go and accepting one’s current circumstances.” Accepting that you can’t change fate. As my mom had done with my dad. “Should I let go of Jack? Like you let go of the man you lost?” She lifted one slim shoulder. “You’d already fallen for another.” “I swore revenge on Richter. How can I think of surrendering that need?” Richter, I’m . . . not coming for you? “Do you know what I fear more than marching off to die fighting him? That I might have to live with what he did.” “No one’s suggesting you give up your revenge. But what if we can’t find him for half a year? Two years? Will you cease living till then? Will you force Death to stop as well? He yearns to be a normal man. Even if just for a day. Will you not give that to him?” “I made the point to him about our limited time,” I said, still cringing at my clumsiness. “All I did was insult him.” “He wanted a wife. Not a buddy.” Was she listening to everything in the castle? “I don’t want to hurt him, but I don’t know what to do.” She pinned my gaze with her own. “Therein lies the lesson of the card, Evie Greene. The lesson of life. When you can’t change your situation, you must change yourself. You must rise and walk—despite the ten swords in your back.” What was harder than dying? Living a nightmare. Mom had learned to live without Dad. I had learned to live without Mom. Could I go on without Jack? “I shouldn’t even be thinking about Aric. I disobeyed the dictates of the game, and I got Jack killed. What if I do the same to Aric?” Circe made a sound of amusement. “You always did think highly of yourself. Do you believe you had something to do with that massacre? Think logically. Richter could have reversed the order of his attacks—targeting Fort Arcana earlier, vaporizing the Magician, one of Fauna’s wolves, and the stronghold of his enemies. He could have shot at the army by helicopter afterward. Instead he targeted mortals and one player. The Moon.” My lips parted. “Because she was more of a threat to him.” “She was the only one in the area who could slay him from a distance. Richter will target the Tower as well, since Joules shares that ability,” she said. “So if we should blame any card for your mortal’s death, blame the Moon.” “I’ll never blame her.” “Yet you’ll blame yourself?” Circe shook her head, and the river swirled. “I say we blame the Emperor.” Could it be that easy? Had Richter always had Selena in his sights? If fate couldn’t be changed—then she’d been doomed to die the second we’d saved her from the Lovers.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Each kid got a small allowance for helping with the harvests, and Kiernan would always head straight to the tobacco shop. Not for cigarettes. At first, he even threw the cigarettes away, but later he'd save them and sell them to the older kids to get enough money for another pack. Kiernan didn't want the smokes. He wanted the baseball cards. When we got back to the Farm, Kiernan would sketch out a baseball diamond in the dirt and we'd stage games with the players from the cards he collected.
Rysa Walker (Simon Says: Tips for the Intrepid Time Traveler (The Chronos Files, #3.5))
He did not play cards, cigars were not offered to him, everyone avoided entering into the conversation with him, most likely recognizing the bird from its feathers; and so my gentleman was forced to sit the whole evening stroking his whiskers simply to have something to do with his hands.
Fyodor Dostoevsky (The Christmas Tree and the Wedding)
still, i can't help thinking that 'getting a life' is something only a complete idiot could believe. like you can just drive to a store and get a life. see it in its shiny box and look inside the plastic window and catch a glimpse of yourself in a new life and say, 'wow, i look much happier - i think this is the life i need to get!' take it to the counter, ring it up, put it on your credit card. if getting a life was that easy, we'd be one blissed-out race. but we're not. so it's like, mom, your life isn't out there waiting, so don't think all you have to do is find it and get it. no, your life is right here. and yeah, it sucks. lives usually do. so if you want things to chance, you don't need to get a life. you need to get off your ass.
John Green (Will Grayson, Will Grayson)
Sorry I left you in foster care, skipped your wedding, never so much as wrote you a birthday card’?
Kate Alice Marshall (No One Can Know)
A new card appeared in my hand. It was Alpha Male Carl. I hadn’t wanted to put him in the deck, but it was either him or Frank, and Donut decided he would be the better choice. We’d been a totem short after Donut used Golden Combo to temporarily fuse Lazarus with Skylar Spinach and then added Ren’s other consumable card, Glow Up, to make the combination permanent. The stronger versions of Asojano and Uzi Jesus made it a great, powerful combo, especially since we’d be allowed to bring a single card with us onto the next floor. But none of that mattered right now. Right now, I needed to get this damn crab to jerk off into the ocean.
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
moved back home. But I had never lived near the water or thought about a job where you could just hop in a boat and find something that looked appealing. It wasn’t all scenery though. He had shots from weddings, including one of a flower girl pouting in her poufy dress that I couldn’t help but smile at, and several of Jax that emanated happiness. Then an older man, silhouetted against the water, and I knew before I looked at the title card that it was Tony. I studied him for a moment. “You look a little like him.” “A little.” He shrugged. “We have the same nose. But so does everyone in our family.” “At least it’s a nice nose.” I bit the inside of my cheek, but he didn’t say anything. When we got closer to one of the two doors, he turned to me. “I wanted to ask you something. But it’s okay to say no. I won’t be weird about it.” A nervous anticipation tingled in my stomach. This was where it was going to get weird. Saying that meant it would. Oh no. What was he about to ask? “Okay.” He led me through one of the doors into a workroom, with a large table covered in framing supplies in the center, a computer desk with two oversized monitors
Sara Goodman Confino (She's Up to No Good)
books and began sorting the cards into the makeshift filing cabinets we’d
Kim Michele Richardson (The Book Woman of Troublesome Creek)
Direct Calls to Action It bears repeating: there should be one obvious button to press on your website, and it should be the direct call to action. When I say, “one obvious button,” I don’t mean “only one button,” but rather one that stands out. Make the button a different color, larger, a bolder text, whatever you need to do. Then repeat that same button over and over so people see it as they scroll down the page. Our customers should always know we want to marry them. Even if they’re not ready, we should keep saying it. You just never know when they’re going to want to make a commitment, and when they do, you want to be on one knee, holding flowers, smiling for the picture. Examples of direct calls to action are •​Order now •​Call today •​Schedule an appointment •​Register today •​Buy now Direct calls to action can be included at the end of every e-mail blast, on signage, in our radio ads, and even in our television commercials. Consider including direct calls to action in every team member’s e-mail signature, and if you really want to get the point across, on all your business cards. The idea is to make it very clear what we’d like customers to do: to make a purchase so we can help them solve their problem.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
From his headquarters in Los Angeles, Bob Lorsch had entered the prepaid calling card space and built SmarTalk into a success. I was a VP at Salomon at the time and had heard stories about how crazy and fascinating Lorsch was, so I agreed to work with my colleague Mark Davis on a SmarTalk equity offering a year or so after the company’s IPO. We met at their Los Angeles offices at lunchtime. Lorsch burst into the room like a bad caricature of Danny DeVito, and even though I’d been warned that he was an unconventional CEO, I still wasn’t prepared for the encounter. We had put together the standard detailed presentation that analyzed the state of the public equity markets, how the SmarTalk stock had been performing, who owned it, et cetera. A young Salomon analyst who had been pulling all-nighters to assemble the books sat in a chair near the door. Mark and I passed around the presentation books. “So we’ve prepared a—” I started. “Just tell me,” Lorsch interjected. “Do we have Grubman or not?” Jack Grubman, Salomon’s famed equity analyst, had previously endorsed the SmarTalk IPO with a buy rating. “Yes,” Mark said. “We have Jack. We talked to him prior to the meeting and confirmed that he’ll continue to cover the company and support the offering.” “Then you’re hired,” Lorsch said with a smile, pushing his unopened book to the center of the table. “Let’s eat.” It seemed reckless to have made his decision on so little information, and I could only imagine how the analyst kid near the door felt, sleep-deprived and probably proud of his hard work, only to see the book tossed aside without so much as a cracking of the spine. While we ate the catered lunch that was delivered to the conference room, Mark mentioned that I was in the midst of planning my wedding for that summer. “Don’t get married!” Lorsch advised me. “Terrible, terrible idea.” He described a few of his own ill-fated unions, dropping in crude one-liners to punctuate the stories: “Why buy when you can rent? . . . If it flies, floats, or fucks, don’t buy it! . . .” Despite
Christopher Varelas (How Money Became Dangerous: The Inside Story of Our Turbulent Relationship with Modern Finance)
The pain thickened until I was sobbing as well, trying to shove it in the space between her neck and shoulder, my arms wrapped around her as if to save myself, not just her. I lost time inside it, plagued by the memories of the three of us there, when he was alive and happy; even of Olunne and Somto and Elizabeth there with us, when we’d all played Monopoly and Vivek cheated; when he taught us how to play solitaire with real cards; when he danced and the girls danced with him and I thought, God forgive me, I really love him, I really do; when he was bright and brilliant and alive, my cousin, my brother, the love of my sinful life.
Akwaeke Emezi (The Death of Vivek Oji)
ELEVATION: A love letter. A ticket stub. A well-worn T-shirt. Haphazardly colored cards from your kids that make you smile with delight. INSIGHT: Quotes or articles that moved you. Books that changed your view of the world. Diaries that captured your thoughts. PRIDE: Ribbons, report cards, notes of recognition, certificates, thank-yous, awards. (It just hurts, irrationally, to throw away a trophy.) CONNECTION: Wedding photos. Vacation photos. Family photos. Christmas photos of hideous sweaters. Lots of photos. Probably the first thing you’d grab if your house caught on fire.
Chip Heath (The Power of Moments: Why Certain Experiences Have Extraordinary Impact)
overcompensated and next thing the buggers aren’t dropping far enough, so they’re hanging there strangling!’ He waved a dismissive hand. ‘Gave the Yanks their cards, packed them off home, and Albert and me took over their quota.’ ‘What’s the most you ever done in a session at Nuremberg, Harry?’ someone asked. We were all quiet as we watched him and waited for his answer. ‘Mmmm, one afternoon we did twenty-seven in two hours forty minutes.’ ‘Bloody hell! So they weren’t left to hang for very long.’ ‘No, hadn’t the time. As soon as we put four down, the doc would go underneath the scaffold, ’ave a listen with his stethoscope, feel for a pulse. “Right, okay,” he’d say. We had these soldier orderlies. They’d go underneath and lift them up, take the weight, we’d take the ropes and bags off, the soldiers would put them onto trolleys and whisk them away to the temporary morgue. A couple of minutes later the next four were marching in.’ That had been the craic last night. As Ken and I sit having breakfast with the hangmen, I can’t rid myself of the contradictory feeling that, somehow, I’m letting Russell down by breakfasting with the men who are about to hang him. ‘How was he last night?’ Allen looks rather bleary-eyed. He’s on his second mug of hot, sweet tea. And at least his third cigarette. We tell him. He takes a deep draw. ‘I think this lad will go without any bother.’ As he speaks, the blue smoke spills out of his mouth. Just after ten to eight, from the kitchen door at the end of the mess, Ken, the two hangmen, Teddy Bear and I, watch as the Governor, Lord Lieutenant of the County and other official witnesses file quietly into the block. They enter the empty execution chamber. At three
Robert Douglas (At Her Majesty's Pleasure)
If you knew anything about firefighters, we don’t care. A cookie is a cookie. On the floor, on the table. Hell, we’ll even eat them out of the trash can. Fire Captain James Haskell on the 5-second rule
Carina Alyce (Burn Card (MetroGen After Hours, #4))