Weaving Short Quotes

I spent all night weaving a poem for you to wear. You look so beautiful when you wear my light.

I think that when two people are able to weave that kind of invisible thread of understanding and sympathy between each other, that delicate web, they should not risk tearing it. It is too rare, and it lasts too short a time at best....

A mortal had woven it, a man who, having caught sight of the Seelie queen, had spent the remainder of his short life weaving depictions of her. He had died of starvation, raw, red fingers staining the final tapestry.

There were days when she was unhappy, she did not know why,—when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation. She could not work on such a day, nor weave fancies to stir her pulses and warm her blood.

When it comes to the Civil War, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding "African slavery." That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.

Some species of trees spread root systems underground that interconnect the individual trunks and weave the individual trees into a more stable whole that can’t so easily be blown down in the wind. Stories and conversations are like those roots. (“A Short History of Silence”)

Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me

I’m typing away, wondering why I had that Pepsi Throwback at such a late hour. Caffeine is a compulsion. Art is an obsession. Writing is both. It weaves in and out, this obsession, forming a basket, a basket I can hide in while pulling its lid over top; it shuts out the noise and normalcy of living. It shuts out the people and caffeinated relationships I love so well. Can you live with an artsy hermit? A sketchy-betchy, meditative, BabyBoomingPseudoHippie? Then short-term visits are in order.

A lesson in bringing about true changes of mind and heart comes from a Japanese functionary. By day, he crunched numbers that showed his country was approaching imminent energy crisis and helped to craft policy. By night, he weaved a novel in which a bureaucrat-hero helps see the country through to new energy sources. When the crisis came faster than he expected, he actually put the novel away because he did not want to make the burden of his countrymen worse. When the short-term crisis passed, he published his novel. It's phenomenal and well-timed success fueled the vision that inspired difficult change and maintained a sense of urgency.

But this love would leave behind it nothing so definite as a piece of Chijimi. Though cloth to be worn is among the most short-lived of craftworks, a good piece of Chijimi, if it has been taken care of, can be worn quite unfaded a half-century and more after weaving. As Shimamura thought absently how human intimacies have not even so long a life, the image of Komako as the mother of another man’s children suddenly floated into his mind. He looked around, startled. Possibly he was tired.

[Memory]... is a system of near-infinite complexity, a system that seems designed for revision as much as for replication, and revision unquestionably occurs. Details from separate experiences weave together, so that the rememberer thinks of them as having happened together. The actual year or season or time of day shifts to a different one. Many details are lost, usually in ways that serve the self in its present situation, not the self of ten or twenty or forty years ago when the remembered event took place. And even the fresh memory, the 'original,' is not reliable in a documentary sense....Memory, in short, is not a record of the past but an evolving myth of understanding the psyche spins from its engagement with the world.

We are, you see, both masters of our fate and at the mercy of the Moirai--the three Fates who weave our futures and cut them short. And while I still believe we can control the little things in life, those small decisions that add up to the everyday, I think, perhaps, the overall shape of our life is not ours to decide.

The blues don’t jump right on you. They come creeping. Shortly after my sixtieth I slipped into a depression like I hadn’t experienced since that dusty night in Texas thirty years earlier. It lasted for a year and a half and devastated me. When these moods hit me, usually few will notice—not Mr. Landau, no one I work with in the studio, not the band, never the audience, hopefully not the children—but Patti will observe a freight train bearing down, loaded with nitroglycerin and running quickly out of track. During these periods I can be cruel: I run, I dissemble, I dodge, I weave, I disappear, I return, I rarely apologize, and all the while Patti holds down the fort as I’m trying to burn it down. She stops me. She gets me to the doctors and says, “This man needs a pill.” I do. I’ve been on antidepressants for the last twelve to fifteen years of my life, and to a lesser degree but with the same effect they had for my father, they have given me a life I would not have been able to maintain without them. They work. I return to Earth, home and my family. The worst of my destructive behavior curtails itself and my humanity returns. I was crushed between sixty and sixty-two, good for a year and out again from sixty-three to sixty-four. Not a good record.

One salutary development in recent ethical theorizing is the widespread recognition that no short argument will serve to eliminate any of the major metaethical positions. Such theories have to weave together views in semantics, epistemology, moral psychology and metaphysics. The comprehensive, holistic character of much recent theorizing suggests the futility of fastening on just a single sort of argument to refute a developed version of realism or antirealism. No one any longer thinks that ethical naturalism can be undermined in a single stroke by the open question argument, or that appeal to the descriptive semantics of moral discourse is sufficient to refute noncognitivism.

Goodness, what crazy purchases were prompted by the poignant predilection Humbert had in those days for check weaves, bright cottons, frills, puffed-out short sleeves, soft pleats, snug-fitting bodices and generously full skirts! Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s, and what little girl would not like to whirl in a circular skirt and scanties

found the State Historical Society of Wisconsin to be a trove of relevant materials that conveyed a sense of the woof and weave of life in Hitler’s Berlin. There, in one locale, I found the papers of Sigrid Schultz, Hans V. Kaltenborn, and Louis Lochner. A short and lovely walk away, in the library of the University of Wisconsin, I found as well a supply of materials on the only UW alumna to be guillotined at Hitler’s command, Mildred Fish Harnack.

The Wheel of Time weaves the Pattern of the Ages, and lives are the threads it weaves. No one can tell how the thread of his own life will be woven into the Pattern, or how the thread of a people will be woven. It gave us the Breaking of the World, and the Exile, and Stone, and the Longing, and eventually it gave us back the stedding before we all died. Sometimes I think the reason you humans are the way you are is because your threads are so short.

After a moment the small man came in carrying his bag, and Forlesen’s son placed a chair close to the coffin for him and went into the bedroom. “Well, what’s it going to be,” the small man asked, “or is it going to be nothing?” “I don’t know,” Forlesen said. He was looking at the weave of the small man’s suit, the intertwining of the innumerable threads, and realizing that they constituted the universe in themselves, that they were serpents and worms and roots, the black tracks of forgotten rockets across a dark sky, the sine waves of the radiation of the cosmos. “I wish I could talk to my wife.

Goodness, what crazy purchases were prompted by the poignant predilection Humbert had in those days for check weaves, bright cottons, frills, puffed-out short sleeves, soft pleats, snug-fitting bodices and generously full skirts! Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s, and what little girl would not like to whirl in a circular skirt and scanties? Did I have something special in mind? coaxing voices asked me. Swimming suits? We have them in all shades. Dream pink, frosted aqua, glans mauve, tulip red, oolala black. What about paysuits? Slips? No slips. Lo and I loathed slips.

Gideon was quickly checking through her muscular structure and then weaving very gently into the complexities of her reproductive system. Suddenly Legna cried out again, her hands hitting his chest and grabbing fistfuls of his shirt, her entire body trembling from head to toe. This time Gideon gave the reaction his full attention. He looked into her wide eyes, the pupils dilating as he watched. Her mouth formed a soft, silent circle of surprise. “What are you doing?” she asked, her breath falling short and quick. “Nothing,” he insisted, his expression reflecting his baffled thoughts. “Merely continuing the exam. What are you feeling?” Legna couldn’t put the sensation into words. Her entire body felt as if it were pooling liquid fire, like magma dripping through her, centering under the hand he had just splayed over her lower belly. So, being the empath she was, she described it in the only way she could with any efficiency and effectiveness. She sent the sensations to him, deeply, firmly, without preparation or permission, exactly the way she had received them. In an instant, Gideon went from being in control of a neutral examination to an internal thermonuclear flashpoint of arousal that literally took his breath away. His hand flexed on her belly, crushing the silk of her dress within his fist. “Legna!” he cried hoarsely. “What are you doing?” She didn’t even seem aware of him, her eyes sliding closed and her head falling back as she tried to gulp in oxygen. His eyes slid down over her and he saw the flush and rigidity of erogenous heat building with incredible speed beneath her skin. And as it built in her, it built in him. She had created a loop between them, a locked cycle that started nowhere, ended nowhere. All it did was spill through and through them. “Stop,” he commanded, his voice rough and desperate as he tried to clear his mind and control the impulses surging through him. “Legna, stop this!” Legna dropped her head forward, her eyes flicking open and upward until she was gazing at him from under her lashes with the volatile, predatory gaze of a cat. A cat in heat.

Western people today may have acquaintances, but few have relationships that even remotely approximate the honest, vulnerable, committed, covenantal relationships that weave the body of Christ together in the New Testament. Related to this, while the New Testament views the church as a community of people who unite around a mission, who spend significant amounts of time together in study, worship, and ministry, and who help one another become “fully mature in Christ” (Col. 1:28; cf. Eph. 4:13; James 1:4), most Westerners assume church is a place they go to once a week to sit alongside strangers, sing a few songs, and listen to a message before returning to their insulated lives. So too, whereas the New Testament envisions the bride of Christ as a community of people who convince the world that Jesus is for real by the way our unity reflects and participates in the loving unity of the Trinity (John 17:20–23), the Western church today has been reduced to little more than a brief gathering of consumers who are otherwise unconnected and who attend the weekend event with hopes of getting something that will benefit their lives. From a kingdom perspective, this individualistic and impoverished consumer-driven view of the church is nothing short of tragic, as is the perpetual immaturity of the believers who are trapped in it. If we are serious about our covenant with Christ, we have no choice but to get serious about cultivating covenant relationships with other disciples. There are no individual brides of Christ. Jesus is not a polygamist! There

Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight! The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls up solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.

Women have always desired equality and respect, but our current culture isn’t seeking it through the grace of Mary; rather, the culture seeks this equality and respect through the vices of Machiavelli: rage, intimidation, tantrums, bullying, raw emotion, and absence of logic. It is this aggressive impulse—this toxic femininity—that finds pride in calling oneself “nasty,” feels empowered by dressing as a vagina, belittles men, and sees the (tragically ironic) need to drop civility so that civility can somehow return again. The devil knows that all these marks of the anti-Mary—rage, indignation, vulgarity, and pride—short-circuit a woman’s greatest gifts: wisdom, prudence, patience, unflappable peace, intuition, her ability to weave together the fabric of society, and her capacity for a deep and fulfilling relationship with God. Instead, the father of lies promises power, fame, fortune, and sterile, fleeting pleasures.

What makes you stop, when you have stopped, just where you have stopped? What is it, what? Is it something, or is it nothing? Why not a yard short, why not a yard more? Why just there, where you are, and nowhere else? Some say: It’s just blind chance, and if you hadn’t stopped there, you would have stopped at the next place. Your story would have been different then. You weave your own story as you go along. But others say: You could not have stopped any place else but this even if you wanted to. It was decreed, it was ordered, you were meant to stop at this spot, and no other. Your story is there waiting for you, it has been waiting for you there a hundred years, long before you were born, and you cannot change a comma of it. Everything you do, you have to do. You are the twig, and the water you float on swept you here. You are the leaf and the breeze you were borne on blew you here. This is your story, and you cannot escape it; you are only the player, not the stage manager. Or so some say.

Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman

I don't know it is that I always feel that other people can create things but that I can't. I imagine it's simpler living in remote tribes or communities where one is obliged to have a go or else you have to do without. I suppose it is fear of failure in an age where political correctness is trying to erase the word 'failure' from the language. It's OK to fail isn't it, but only if you've tried? What is so bizarre is that when one does try, one rarely falls short. Obviously some people do things better than others but if it gives you pleasure, then so what? As my grandmother used to say, 'patience and perseverance made a bishop of his reverence!' So don't say you can't make candles or soap or that you can't spin or weave until you've tried it. As for mending, well, if you're not throwing everything away, then you have no option but to make do and mend. After all, the only way to get rid of shopping malls and supermarkets with their food miles is for people not to shop in those places and the way to cure this mercenary mercantile world is to make your own things.

It is not a mistake that Gone with the Wind is one of the most read works of American literature or that The Birth of a Nation is the most revered touchstone of all American film. Both emerge from a need for palliatives and painkillers, an escape from the truth of those five short years in which 750,000 American soldiers were killed, more than all American soldiers killed in all other American wars combined, in a war declared for the cause of expanding “African slavery.” That war was inaugurated not reluctantly, but lustily, by men who believed property in humans to be the cornerstone of civilization, to be an edict of God, and so delivered their own children to his maw. And when that war was done, the now-defeated God lived on, honored through the human sacrifice of lynching and racist pogroms. The history breaks the myth. And so the history is ignored, and fictions are weaved into our art and politics that dress villainy in martyrdom and transform banditry into chivalry, and so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.

He plunged into the foliage, and was swept into a humid, wet world of towering trees, animal chirps and thick ferns. After a few steps, he turned, and could barely make out the village. He walked a few more steps. He could see nothing now except for the thick trees and long ferns and grasses that surrounded him. He was enveloped into the confined space between trees, surrounded by the jungle heat and staccato chirps. He turned in the direction of the village, but could only see thick, dense trees. Hoping his sense of direction had not been muddled, he turned back around to the direction of the alleged ocean, and kept walking. Now the calls he heard sounded more and more strange. How far had he walked by now? The jungle, or rain forest, whatever it was, did not relent, and he kept on weaving into narrow gaps between the sturdy ferns and towering trees, pressing onwards. This continued for a seemingly oppressive amount of time, and he began to doubt his decision. To come to this place. To take a chance with his life, which was going in the right direction. Why couldn’t he be happy with the normal and mundane, he cursed, scolding his own stubbornness

Most living things are small and easily overlooked. In practical terms, this is not always a bad thing. You might not slumber quite so contentedly if you were aware that your mattress is home to perhaps two million microscopic mites, which come out in the wee hours to sup on your sebaceous oils and feast on all those lovely, crunchy flakes of skin that you shed as you doze and toss. Your pillow alone may be home to forty thousand of them. (To them your head is just one large oily bon-bon.) And don’t think a clean pillowcase will make a difference. To something on the scale of bed mites, the weave of the tightest human fabric looks like ship’s rigging. Indeed, if your pillow is six years old—which is apparently about the average age for a pillow—it has been estimated that one-tenth of its weight will be made up of “sloughed skin, living mites, dead mites and mite dung,” to quote the man who did the measuring, Dr. John Maunder of the British Medical Entomology Center. (But at least they are your mites. Think of what you snuggle up with each time you climb into a motel bed.)‡ These mites have been with us since time immemorial, but they weren’t discovered until 1965.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

I understood slavery as bad and I had a vague sense that it had once been integral to the country and that the dispute over it had somehow contributed to the civil war. But even that partial sense ran contrary to the way the civil war was presented in the popular culture, as a violent misunderstanding, an honorable dual between wayward brothers instead of what it was. A spectacular chapter in a long war that was declared when the first Africans were brought chained to American shores. When it comes to the civil war, all of our popular understanding, our popular history and culture, our great films, the subtext of our arguments, are in defiance of its painful truths. It is not a mistake that Gone with the Wind is one of the most read works of American literature, or that The Birth of a Nation is the most revered touchstone of all American film. Both emerged from a need for palliatives and painkillers, an escape from the truth of those five short years in which seven hundred fifty thousand American soldiers were killed, more than all American soldiers kill in all other American wars combined, in a war declared for the cause of expanding African slavery. That war was inaugurated, not reluctantly, but lustily by men who believe property in humans to be the cornerstone of civilization, to be an edict of god, and so delivered their own children to his maw. And when that war was done the now defeated god lived on honored through the human sacrifice of lynching and racist programs. The history breaks the myth. And so, the history is ignored and fictions are weaved in to our art and politics that dress villainy in martyrdom, and transform banditry into chivalry. And so strong are these fictions that their emblem, the stars and bars, darkens front porches and state capitol buildings across the land to this day.

The fox barked at her, one sharp, short sound. Without expecting to, Irène laughed. "What?" she said aloud. The fox's mouth opened, showing its white teeth, and its tongue lolled, laughing with her. A sense of recognition tingled in Irène's bones and throbbed in her forehead. Her laughter died. She came to her feet, facing the creature. It scrambled down from the tree trunk, its lithe body weaving through the branches as easily as a stream of water might. It stood on the opposite bank. Its tail arced above its back, a plume of red and black. Its unblinking gaze fixed itself on her. Irène whispered, "Are you here for me?" Again the fox's mouth opened in its grin, and its tail waved once, twice, before it leaped the little brook as easily as if it could fly. Irène stood very still as the fox stepped toward her on narrow black feet as dainty as a dancer's. It---he, she could see now---pressed his cold black nose against the back of her hand, and, when she turned it, nosed her palm. She thrilled at the touch, though the touch of so many other beasts disgusted her. He was different, this fox. It was not just that he was beautiful, and graceful. It was more, much more. Her soul knew him. Her power flared in his presence. He took a step back, his eyes never leaving hers, then whirled and leaped back over the brook to disappear into the forest on the other side. The last thing she saw was that lush red-and-black tail, switching back and forth as he faded into the dimness of the woods. Irène brought her palm to her nose and sniffed the toasty smell of him. She knew what he was, and she knew what it meant. Her mother had Aramis. Her grandmother, Ursule had told her, had had an ugly gray cat. And she---now, surely, a witch in full possession of her power---had a glorious vulpine creature like no other. She had her fox. She would see him again.

OCCUPATIONAL SAFETY I don’t know of people who do everything from going to school, learning different skills and basically develop themselves so that they stay at home. It’s ingrained in every kid that they should study hard and excel so that they can get good jobs and live well. With that said, working is what makes us build nations and fulfill some our dreams so it’s important to ensure that the work environment is kept safe and comfortable for workers so that they can remain productive for the longest time. However as long as we are living there will SWMS always be greedy employers who will take short cuts or fail to protect their employees and this is where OSHA(occupational safety and health administration)comes in to rectify these issues. Occupational safety is ensuring that employees work in danger free environment. There are many industries of different nature and hence the possible hazards vary. For example in the textile and clothing industry, employees deal with dyes, chemicals and machines that spin , knit and weave to ensure production. In some countries there have been cases of sweatshops where people make clothes in poorly ventilated places for long hours. The tools of trade in all industries are still the ones that cause hazards e.g. machines can cut people, chemicals emit poisonous fumes or burn the skin and clothes etc. Its therefore the mandate of employers to ensure work places are safe for workers and incase the industry uses chemicals or equipments that may harm the workers in any way, they should provide protective gear. Employers can also seek the services of occupational safety specialists who can inspect their companies to ensure they adhere to the set health and safety standards. These specialists can also help formulate programs that will prevent hazards and injuries. Workers should report employers to OSHA if they fail to comply. As a worker you now know it’s partly your duty to hold your employer accountable so do not agree to work in a hazardous environment.

Non necessario.” He snatches the paper from me and wads it into a ball. “I am your map!” “Hey! I wanted to keep that! I was going to put it in my book.” He smashes his lips together in a very artificial pout and sets the crumpled ball in the palm of his hand, offering it to me. “Your book?” I open the map again, but the wrinkles are permanent no matter how much I try to smooth them out. “Yeah, my book. Like a journal? I’m documenting my trip.” “The book under your pillow?” Fear and anger bubble in my chest. “Were you snooping in my room? Did you read it?” “Again, I will tell you that it is my room.” A sly smile takes over half of his face and he slides his hands into the pockets of his tight plaid shorts. I swallow hard. If he hasn’t read it, I don’t want to make such a huge deal out of it that he does read it. And if he has… “Just,” I say, calm but firm, “tell me you didn’t read it.” “Okay, okay.” He weaves his fingers between mine. “I did not read it.” I stare down at our hands. A shiver climbs up my arm and pulses in my chest. This is public. This is weird. And he might have read my journal, the idiota. I should let go of his hand. But I don’t.

The two men emerged from the narrow street into the open square in front of Notre-Dame Basilica, weaving around tourists taking photographs of themselves in front of the cathedral. When looked at years from now, they’d see the magnificent structure, and a whole lot of sweaty people in shorts and sundresses wilting in the scorching heat as the sun throbbed down on the cobblestones.

If you’re still reading this…well, I have no idea what must be going through your mind right now.  Maybe you’ll find the contents unforgivable and decide that there is no future for us.  Perhaps you’ll find it flattering that I weaved you into yet another tale.  Please know that this is the story that has had my mind preoccupied as of late.  One that started as a journal so many years ago, and was resuscitated when you returned to Jupiter Falls.  I’m not sure it’s one for anyone else’s eyes, and I certainly have no plans to submit it to my publisher, but she commands my attention and demands to be written, only to run off at the most inconvenient times.  She refuses to tell me where to take her, or what her ending might be.  A damn tease is what she is. A tease…which might be how you feel about me right now.  Please know it was never my intent to seem so indecisive for so long, but this is the final piece that I felt you needed to know about before things went too far.  It might already be too late for me, as I’ve come to the realization that every smile, every laugh, every song we (badly) sing along to…all of it reminds me that I loved you in another time and I love you today.  I can put the words here that try to explain how I feel when I’m with you, but they’ll all fall short.  I feel like I’m at home when we’re together, safe with the woman I’m meant to spend my life with.  When you look at me with any one of your numerous smiles…I can’t describe how easily I read each of them, or how each one sends a different sensation surging through my system.  Even the simplest touch from you elicits the feeling that you’re unraveling me, stripping me to the very core of who I am, laying me bare.  And when you do…the love that radiates from you feels like nourishment that I could sustain myself on

Millennial Tales" is a collection of short stories that portray our society and its happenings. Every person reacts to circumstances in a unique way and it is this display of emotions that has been the foundation for spinning yarns to weave my stories. Each of these stories is the result of my desire to reflect and comment in an interesting manner on whatever I have seen, heard, or read. All characters featured in the stories are a product of my imagination, and therefore, fictional. Any resemblance to people in real life is purely coincidental. My apologies if some sentiments have been hurt in the process. Happy reading!

Adaptogens: Herbs for Strength, Stamina, and Stress Relief by David Winston and Steven Maimes An in-depth discussion of adaptogens with detailed monographs for many adaptogenic, nervine, and nootropic herbs. Adaptogens in Medical Herbalism: Elite Herbs and Natural Compounds for Mastering Stress, Aging, and Chronic Disease by Donald R. Yance A scientifically based herbal and nutritional program to master stress, improve energy, prevent degenerative disease, and age gracefully. Alchemy of Herbs: Transform Everyday Ingredients into Foods and Remedies That Heal by Rosalee de la Forêt This book offers an introduction to herbal energetics for the beginner, plus a host of delicious and simple recipes for incorporating medicinal plants into meals. Rosalee shares short chapters on a range of herbs, highlighting scientific research on each plant. The Business of Botanicals: Exploring the Healing Promise of Plant Medicines in a Global Industry by Ann Armbrecht Forbes In a world awash with herbal books, this is a much-needed reference, central to the future of plant medicine itself. Ann weaves a complex tapestry through the story threads of the herbal industry: growers, gatherers, importers, herbalists, and change-making business owners and non-profits. As interest in botanical medicine surges and the world’s population grows, medicinal plant sustainability is paramount. A must-read for any herbalist. The Complete Herbal Tutor: The Ideal Companion for Study and Practice by Anne McIntyre Provides extensive herbal profiles and materia medica; offers remedy suggestions by condition and organ system. This is a great reference guide for the beginner to intermediate student. Foundational Herbcraft by jim mcdonald jim mcdonald has a gift for explaining energetics in a down-to-earth and engaging way, and this 200-page PDF is a compilation of his writings on the topic. jim’s categorization of herbal actions into several groups (foundational actions, primary actions, and secondary actions) adds clarity and depth to the discussion. Access the printable PDF and learn more about jim’s work here. The Gift of Healing Herbs: Plant Medicines and Home Remedies for a Vibrantly Healthy Life by Robin Rose Bennett A beautiful tour of some of our most healing herbs, written in lovely prose. Full of anecdotes, recipes, and simple rituals for connecting with plants. Herbal Healing for Women: Simple Home Remedies for All Ages by Rosemary Gladstar Thorough and engaging materia medica. This was the only book Juliet brought with her on a three-month trip to Central America and she never tired of its pages. Information is very accessible with a lot of recipes and formulas. Herbal Recipes for Vibrant Health: 175 Teas, Tonics, Oils, Salves, Tinctures, and Other Natural Remedies for the Entire Family by Rosemary Gladstar Great beginner reference and recipe treasury written by the herbal fairy godmother herself. The Modern Herbal by Maude Grieve This classic text was first published in 1931 and contains medicinal, culinary, cosmetic, and economic properties, plus cultivation and folklore of herbs. Available for free online.

A new day has dawned. New Secondary Skills are unlocked: Blades: Your many battles have increased your effectiveness with swords and other bladed weapons. Expressive Magic Theory: You now know more about shaping aetherium with your words. Somatic Magic Theory: You have mastered an Improvised Spellform and learned more of magic in the process. Somatic Battle-Weaving: Each action you take, from the stroke of a sword to a dodge, can contribute to a Spellform in the heat of battle. Dramatic Magic Theory: Combining Somatic and Expressive magics is not easy, but you now know more of this difficult path. Aetheric Channeling: Masters of magic long ago learned the secrets of how aether changes states and moves through the Aura. You have taken steps to recreate that knowledge. Critical Breakthrough! You have progressed very far in a short time, understanding the Aura in ways many arcanologists thought lost to time. Aetheric Sensing: Through innovative use, you have advanced in this Skill without the need for a tutor. Aetheric Projection: Few wand users ever go beyond simple bolts of energy, but you recreated an entirely different weapon from raw aether. Critical Breakthrough! Frenzied use of advanced techniques has ingrained them in you, making even such advanced uses seem trivial. Skill greatly increased. Aura Mastery: You have learned how to fill your Aura with aetherium while still allowing aether to flow into you. Provides damage reduction and allows use of Somatic spellforms without an implement. Greatly increases the aetherium costs of such spells. May have other benefits as well. Korrash

Technoform: All technopaths (and their variants) have short lives and ordinary physiologies. Technoform will make it easier for your body to weave strengthening materials into your tissue without suffering rejection or slowly poisoning you. Not only will you age slower, but you may use Tech Energy and integrated materials to temporarily boost your physiology and healing factor.

The spirit of the place is not not friendly. Meals begin in silence; once everyone is seated, someone slaps the wooden clackers and leads a little chant. The food is often amazingly good, and despite the growing number of vegans in the ranks, heaps of delicious cheese are often melted and sprinkled and layered into the hot things that come out of the kitchen. At breakfast, watch the very senior people deal with rice gruel, and you'll know enough to spike yours with brown sugar and stir in some whole milk or cream, and you could do much worse on a morning in March. ("You can't change your karma, but you can sweeten your cereal," whispered an elderly priest when I nobly and foolishly added nothing to that blob in my bowl during my first stay at the farm.) Once eating is under way, the common dining room looks rather like a high school cafeteria; there are insider and outsider tables, and it is often easy to spot the new students and short-term guests—they're a few minutes late because they haven't memorized the schedule; they're smiling bravely, wielding their dinner trays like steering wheels, weaving around, desperately looking for a public parking space, hoping someone will wave or smile or otherwise signal them to safety I asked a practice leader about this, and she said she knew it was hard but people have to get over their self consciousness; for some newcomers, she said, that's zazen, that's their meditative practice. I think that's what I mean by not not friendly

English and half Nigerian, Stacey had never set foot outside the United Kingdom. Her tight black hair was cut short and close to her head following the removal of her last weave. The smooth caramel skin suited the haircut well. Stacey’s work area was organised and clear. Anything not in the labelled trays was stacked in meticulous piles along the top edge of her desk. Not far behind was Detective Sergeant Bryant who mumbled a ‘Morning, Guv,’ as he glanced into The Bowl. His six foot frame looked immaculate, as though he had been dressed for Sunday school by his mother. Immediately the suit jacket landed on the back of his chair. By the end of the day his tie would have dropped a couple of floors, the top button of his shirt would be open and his shirt sleeves would be rolled up just below his elbows. She saw him glance at her desk, seeking evidence of a coffee mug. When he saw that she already had coffee he filled the mug labelled ‘World’s Best Taxi Driver’, a present from his nineteen-year-old daughter. His filing was not a system that anyone else understood but Kim had yet to request any piece of paper that was not in her hands within a few seconds. At the top of his desk was a framed picture of himself and his wife taken at their twenty-fifth wedding anniversary. A picture of his daughter snuggled in his wallet. DS Kevin Dawson, the third member of her team, didn’t keep a photo of anyone special on his desk. Had he wanted to display a picture of the person for whom he felt most affection he would have been greeted by his own likeness throughout his working day. ‘Sorry I’m late, Guv,’ Dawson called as he slid into his seat opposite Wood and completed her team. He wasn’t officially late. The shift didn’t start until eight a.m. but she liked them all in early for a briefing, especially at the beginning of a new case. Kim didn’t like to stick to a roster and people who did lasted a very short time on her team. ‘Hey, Stacey, you gonna get me a coffee or what?’ Dawson asked, checking his mobile phone. ‘Of course, Kev, how’d yer like it: milk, two sugars and in yer lap?’ she asked sweetly, in her strong Black Country accent.

In the garden of pomegranates, I trace the Tree, Where spheres of light and darkness meet in me. From Malkuth’s soil, I rise in quest, Toward Kether’s crown, where the soul finds rest. Through the paths of the Serpent, I weave and climb, Crossing the Abyss, transcending time

Even asleep, the little greyhound trailed after her madame, through a weave of green stars and gas lamps, along the boulevards of Paris. It was a conjured city that no native would recognize—Emma Bovary’s head on the pillow, its architect. Her Paris was assembled from a guidebook with an out-of-date map, and from the novels of Balzac and Sand, and from her vividly disordered recollections of the viscount’s ball at La Vaubyessard, with its odor of dying flowers, burning flambeaux, and truffles. (Many neighborhoods within the city’s quivering boundaries, curiously enough, smelled identical to the viscount’s dining room.) A rose and gold glow obscured the storefront windows, and cathedral bells tolled continuously as they strolled past the same four landmarks: a tremulous bridge over the roaring Seine, a vanilla-white dress shop, the vague façade of the opera house—overlaid in more gold light—and the crude stencil of a theater. All night they walked like that, companions in Emma’s phantasmal labyrinth, suspended by her hopeful mists, and each dawn the dog would wake to the second Madame Bovary, the lightly snoring woman on the mattress, her eyes still hidden beneath a peacock sleep mask. Lumped in the coverlet, Charles’s blocky legs tangled around her in an apprehensive pretzel, a doomed attempt to hold her in their marriage bed.

The President called it the “Epitome of the American dream.” Daddy called it the “unholy alliance of business and government.” But all it really was, was America giving up. Bailing out in order to join the Financial Resource Exchange. A multinational alliance focused on one thing: profit. Fund global medical care to monopolize vaccines. Back unified currency to collect planet-wide interest. And provide the resources needed for a select group of scientists and military personnel to embark on the first trip across the universe in a quest to find more natural resources—more profit. The answer to my parents’ dreams. And my worst nightmare. And I know something about nightmares, seeing as how I’ve been sleeping longer than I’ve been alive. I hope. What if this is just a part of a long dream dreamt in the short time between when Ed locked the cryo door and Hassan pushed the button to freeze me? What if? It’s a strange sort of sleep, this. Never really waking up, but becoming aware of consciousness inside a too-still body. The dreams weave in and out of memories. The only thing keeping the nightmares from engulfing me is the hope that there couldn’t possibly be a hundred more years before I wake up. Not a hundred years. Not three hundred. Not three hundred and one. Please, God, no. Sometimes it feels like a thousand years have passed; sometimes it feels as if I’ve only been sleeping a few moments. I feel most like I’m in that weird state of half-asleep, half-awake I get when I’ve tried to sleep past noon, when I know I should get up, but my mind starts wandering and I’m sure I can never get back to sleep. Even if I do slip back into a dream for a few moments, I’m mostly just awake with my eyes shut. Yeah. Cryo sleep is like that. Sometimes I think there’s something wrong. I shouldn’t be so aware. But then I realize I’m only aware for a moment, and then, as I’m realizing it, I slip into another dream. Mostly, I dream of Earth. I think that’s because I didn’t want to leave it. A field of flowers; smells of dirt and rain. A breeze ... But not really a breeze, a memory of a breeze, a memory made into a dream that tries to drown out my frozen mind. Earth. I hold on to my thoughts of Earth. I don’t like the dreamtime. The dreamtime is too much like dying. They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. I push the dream-memory down. That happened centuries ago, and it’s too late for regrets now. Because all my parents ever wanted was to be a part of the first manned interstellar exploratory mission, and all I ever wanted was to be with them. And I guess it doesn’t matter that I had a life on Earth, and that I loved Earth, and that by now, my friends have all lived and gotten old and died, and I’ve just been lying here in frozen sleep.

Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir

Her whole body tenses, heaves, tries to scream, and her eyes burn with tears of frustration and terror. In the moonlit shadows of her bedroom, she hears a cat begin to purr. Kara runs, shaking, out into the short corridor. The cats are black and white, ginger and gray, fat and starved. They sit on tables, on chairs, on tatami mats. One sits so still beside a lamp that it looks carved from wood. She wants her father, wants to go into his room and wake him, but three of them sit, barring his door. As one, they follow her with their eyes as Kara weaves through the living room. As one, they hiss. As one, they begin to follow, stalking her.

She watched as Cade opened the wardrobe and pulled out a white shirt of the finest linen weave, even finer than the one she had made for him. She had seen him wear only three shirts in the entire time she had known him, and suddenly he was wearing his best dress shirt through mud and donning rich clothes that made him seem a stranger. He pulled on a pair of skintight trousers that appeared to be satin, and Lily's breath caught in her chest at the sight. Her gaze strayed to his narrow hips and the crotch of his trousers. He was her husband and she knew him intimately, but his new clothing made her interest seem almost obscene. He covered himself with a short jacket embellished with silver braid and added a cravat that hung in loose folds over his elegant shirt. His thick, straight hair brushed the cravat, but in all other respects he looked like a Spanish gentleman. The sharp Roman nose and high cheekbones now resembled aristocracy more than it revealed his Indian heritage. There

What is the book (or books) you’ve given most as a gift, and why? Or what are one to three books that have greatly influenced your life? When I give a book, I always try to find something that I loved, and most important, speaks to the person’s dreams, yearnings, or challenges they are facing. For friends who have faced or are facing cancer, I often give them The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee, because this beautifully written book weaves together science and story so elegantly, and helped me understand cancer—the history, causes, and innovative treatment—when my son had cancer. For new cooks I give Mark Bittman’s How to Cook Everything because it delivers exactly what it promises! For New York City geeks—and I know a lot of them—I gave Nonstop Metropolis by Rebecca Solnit. For a great novel that I have read three times, Anna Karenina by Leo Tolstoy. For young women, I get The Second Sex by Simone de Beauvoir, which I read when I was studying in Paris. “One is not born, but rather becomes, a woman.” And for those who struggle with productivity and taking control of their lives, The 4-Hour Workweek, of course!

Tales are people who sit on the doorstep of the house of my mind. It is cold outside and they sit waiting. I look out at a window. The tales have cold hands, Their hands are freezing. A short thickly-built tale arises and threshes his arms about. His nose is red and he has two gold teeth. There is an old female tale sitting hunched up in a cloak. Many tales come to sit for a few moments on the doorstep and then go away. It is too cold for them outside. The street before the door of the house of my mind is filled with tales. They murmur and cry out, they are dying of cold and hunger. I am a helpless man--my hands tremble. I should be sitting on a bench like a tailor. I should be weaving warm cloth out of the threads of thought. The tales should be clothed. They are freezing on the doorstep of the house of my mind. I am a helpless man--my hands tremble. I feel in the darkness but cannot find the doorknob. I look out at a window. Many tales are dying in the street before the house of my mind. CONTENTS

My mother taught me many skills to ensure I’d make a good wife to my husband. How to cook and clean. How to weave and sew. Where to hunt and gather. She’d have been better off teaching me the restraint needed not to stab said husband when he proved himself a short-witted drunkard with an acid tongue… For my temper was being sorely tested today.

In short, I'd always believed there was something more to the universe, something more than what we could see and hear and taste. There were mysterious energies and forces at play, invisible currents and complex webs, strings of light and dark that only a select few knew how to pluck and weave and snap.

Like a masterful stitch embellishes fabric, the right words intricately weave beauty into the tapestry of life.

Being a true leader, as opposed to a competent manager, requires a willingness to get your hands dirty. I have said before that I do not expect anyone to do a job I cannot do myself. While this is clearly unrealistic as a company grows and expands, the perception of being willing to step in and assist must remain. The weight of leadership includes staying calm while others panic and coming up with solutions rather than joining the chorus of complaints. The Covid-19 pandemic has certainly helped distinguish the leaders from the managers. Leaders are prepared to take responsibility when things go wrong, even if the true responsibility lies with someone else. Leaders are visible. Leaders have a vision, even if it is only short term. I don’t really believe in long-term planning. I make up the rules of the game based on one-year plans. This means I always retain visibility and control. Five years is too long a time to have any certainty that the objectives will be met. Leadership is not a popularity contest, but it also should not inspire fear. Leaders earn respect and loyalty, recognising that these take a long time to earn and a second to lose. A leader is not scared of collaboration and listening to the opinions of others, as well as accepting help when it’s needed. Leadership is not a quality that you are born with, it is something that you learn over time. I was not a leader in my Coronation days, and I am the first to admit that I made a lot of mistakes. Even at African Harvest, as much as I achieved financial success and tried different techniques to earn respect, I never truly managed to deal with the unruly investment team. But, having built on years of experience, by the time I hit my stride at Sygnia, I was a leader. Within any organisation of substantial size, there is space for more than one leader, whether they head up divisions or the organisation itself. There are several leaders across Sygnia weaving the fabric of our success. I am no longer the sole leader, having passed the baton on to others in pursuit of my own dreams. To quote the Harvard Business Review, ‘The competencies most frequently required for success at the top of any sizable business include strategic orientation, market insight, results orientation, customer impact, collaboration and influence, organisational development, team leadership, and change leadership.’ That is what I looked for in my successor, and that is what I found in David. I am confident that all the leaders I have groomed are more than capable of taking the company forwards.

I peel the flax into strands and weave them into a short length of cord, which I then use to lash together a framework for the butterflied trout, a technique I learned on a course Mike and I went on before one of our Norway trips. I gather some wood and get a fire going, and I cook the fish. As banal as all that sounds, I am loving every minute of this. So I am going to repeat myself. Every second is infused with this heart-swelling awareness of my surroundings. Not only am I in this place of exceptional beauty, of tranquillity, of unsullied nature at its best, I am also cooking (over a fire I started from scratch) a fish that I caught in this river less than an hour ago, a fish that I then gutted, cleaned, butterflied and tethered to a tool of foraged wood that I bound together with cord I made from leaves that were, until not long ago, happily growing beside this river. I needed to reiterate that. It’s the most natural thing in the world, man as hunter-gatherer, living off the land. But it’s nearly all stuff that most of us have forgotten about, stuff that has been regrettably replaced with technology and noise and materialism.

Grassroots leaders must weave a hundred voices and wills into a single, strong thread to wind with others into a cable that can, with more cables, hold up a bridge in partnership with bigger forces. Reverend Johnny Ray Youngblood and Yolanda Garcia, for example, weren’t afraid to hold power. They understood that for all the danger it presents, sometimes the righteous must wrap their hands around the live wire in order to achieve the greater good. In short, people have to step up and find the courage to lead, but no one can lead all the time. They must also let themselves be led by others.

Songs of Resilience In the embrace of dreams, just hours ago, A peaceful respite from the relentless woe. A pounding headache, an unwelcome guest, Little did I know, life's twists manifest. Within this short span, reality unfolds, Intricate tales in life's narrative, it molds. The stillness of night, a canvas unknown, Does fate weave a story, or am I on my own? Ups and downs, orchestrated or chance, Life's peculiar dance, a cosmic trance. Unknowingly scripting each fleeting scene, A puzzle of purpose in moments between. Change, the sole constant in this grand display, Amidst chaos, paving the extraordinary way. Understanding life's symphony, a daunting quest, Yet, in unraveling, the soul finds rest. Amidst uncertainty, duty stands tall, To weather the storm, to rise after a fall. Life's complexities may dance and twirl, Yet, steadfast commitment, an unwavering swirl. The universe, keeper of secrets untold, Yet my promises, my dreams, I'll hold. In a world of rights, respect is key, Through unexpected journeys, I'll journey with glee. Adversities may knock, storms may roar, Hope clung to, dreams cherished, forevermore. In the face of bad, promises kept, Through life's ebb and flow, I'll intercept. For every twist, every turn, in this grand scheme, I stand resolute, keeping my hope and dream. In the tapestry of life, a promise redeemed, Through the unexpected, my spirit esteemed.

In the tapestry of humanity, genuine kindness is the golden thread that binds us all. It’s the silent sacrifice of one’s comfort for the sake of another, weaving a fabric of empathy and understanding that spans across the divides of time and space.

Restoring Our Humanity How vainly men themselves amaze To win the Palm, the Oke, or Bayes; And their uncessant Labours see Crown’d from some single Herb or Tree, Whose short and narrow verged Shade Does prudently their toils upbraid; While all Flow’rs and all Trees do close To weave the Garlands of repose. —ANDREW MARVELL, “THE GARDEN

A memoir in which the author shares his impressive journey of emigrating to the United States to escape a difficult life in an impoverished Nigerian village. Born into an extremely poor family in Nigeria, ‘Deji Ayoade had early memories of wanting to come to America to do better for himself. For years, he dreamed about having a bright future in the United States. At seven, he promised his mother that one day he would be a doctor in America and take her and his siblings away from their dangerous and impoverished existence. By the age of thirty-three, ‘Deji had been in the United States for five years and was living his dream. He had earned a master’s degree, married and had a child, been recruited into the Navy, and become a US citizen. He makes good on the promise to his mother and brings her, his sister, and his sister’s baby to the United States. UNDERGROUND: A Memoir of Hope, Faith, and the American Dream is a well-structured, compelling memoir written by a determined man with big dreams, ambitious goals, and the strength to never lose sight of where he is headed. Commitment, intelligence, and drive contribute to his fulfilling what he deems to be his purpose in life. His accomplishments in the armed services are nothing short of admirable. Ayoade draws readers into the 1980s culture of the poorer regions of Nigeria with vivid descriptions of the sights, sounds, and smells of areas in which they lived. His credible recreation of scenes reveals insight into the civilization that had considerable influence on him. Family dynamics also play a significant role in Ayoade’s life. His recollection of his father’s contradictory behaviors both confuse and enlighten him. His fond memories of his grandmother—the family member he trusted the most—are heartfelt and touching. While coming to the United States offers many positive experiences for Ayoade, it doesn’t come without problems, and one that the author talks about with deep emotion and candidness is racism. Thoughtful in the way he acknowledges possible differences of perspectives, he describes how it feels to be looked at differently. One scene in particular demonstrates just how prejudiced and insensitive people can be when it comes to racial biases. Ayoade writes from the heart with emotion and honesty that demonstrate his passion for what he does in life. His ability to weave together a cohesive story from so many disparate fragments is remarkable. His religious faith and commitment to never-ending improvement for himself are inspiring and a basis for being a role model for others. UNDERGROUND: A Memoir of Hope, Faith, and the American Dream–author ‘Deji Ayoade’s reflections on overcoming enormous obstacles and emigrating from Nigeria to the United States–is candid, heartwarming, and inspirational.

I know faces, because I look through the fabric my own eye weaves, and behold the reality beneath.

After a minute of steady howling, the wolves’ entwined calls dwindle out to one lone call that seems to pivot between notes before ending in a series of high, broken yips. Kim asks all the kids to come to the front of our bunched group. Children filter forward, wide-eyed in the forested night, clutching flashlights close to their chests. Kim instructs them to howl on the count of three, and they let loose with a careening, loud set of human yowls. A short while later, the wolves answer back again, proclaiming their space and presence in the night. The children grin, entranced by this tenuous connection to a wild and unseen creature. After the kids, it is the adults’ turn. “Dig deep and howl!” Kim instructs gleefully. “Howling is the best stress reliever in the world. If you are on vacation here, you must howl,” she jokes. We howl on her count, and the wolves answer a third time. Their howls seem to weave in and out of each other as they change pitch and perhaps meaning. Kim is excited that we got three responses from them and also heard the puppy. “We really rocked it tonight!” she exclaims, pumping her fist in the air. Everyone is smiling. It is never certain for her that the wolves will answer each Wednesday. I wonder for a moment why they do. Surely they know that these are just a bunch of humans trying to speak wolf. Surely they smell us, a group of sixty people cloaked in lotions, colognes, insecticides, and deodorant - announcing our odiferous presence to an animal whose world is ordered by scent - standing in the woods a mere few hundred yards away. Surely they heard our engines as we arrived. Surely they could hear that our pitch is off, that we are an imitation. Yet they accept this and play along. Why?

I think you are sweet and lovely and enchanting and... very innocent." She raised her chin and glared at him through her tears. "I'm not the saint thou thinkest I am." He smiled. She doubted even he realized how natural that condescending, patronizing smile was to him. How it made her want to shake her fist in his face. Instead, she reached up on tiptoe and touched her lips to his, wanting more from him, but somehow knowing it would only come this way. "Not a saint, eh?" He smiled against her mouth, and she pulled back, cheeks aflame. She hadn't gotten very far away before he caught her and gathered her up close into his arms, his lips claiming hers, the force of his will in the kiss. She was swept away as before, but this time she felt the thoughts of right or wrong slipping, drowned in their heat. All her reasoning why she could not fall in love with him faded as she lost herself, floating on the sensation of his mouth against hers. Minutes passed... exploring minutes... discovering minutes. Time stood still, and yet it seemed so short when he pulled suddenly away and gasped out, "My God!" These words were no curse. They were more a prayer. Suddenly Drake laughed, and Serena's spirit soared that she had caused him such joy as that sound carried. She had banished the ghosts in his eyes, if only for a little while. He smiled, and it was one Serena had not yet seen- pure and real- not meant to mean anything different than what it was. "What magic you weave. You always pull me out of the darkness.