Weaver Bird Quotes

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When the weaver bird flies, nobody talks; when the busy bee flies, no one will make comments... But when a human being begins to fly, you begin to hear talks in the town such as "abomination!... where did he get the wings from?". Never mind! Your dreams are your wings, so decide to fly!
Israelmore Ayivor (The Great Hand Book of Quotes)
No. Christ. Now give me that dragon dick, Blackbird.”  “No way.” I manage to slip out of my chair with the e-reader before he can grab me, waving it toward him in a taunt as I back away toward our rooms. “Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.”  “Of all the times to forget my dinosaur onesie at home.” Rowan sighs,
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Life is good, protect it, and never leave it to the weaver birds.
JOEL NYARANGI AKOYA
Leaving your dreams and living someone's dreams is like dipping a pole into a pool to catch a weaver bird alive! It doesn't work that way... Pursue what God sent you for!
Israelmore Ayivor (Daily Drive 365)
Linda hadn't exaggerated her fear of the golden orb weaver spider. Up north at her cabin in Morley, I had once teased her by asking "Have we ever seen this kind of vireo before?" And then, instead of showing her a photo of a bird, I thrust a picture of the black-and-yellow spider at her. She shrieked. I laughed. Oh, the fun we had.
Bob Tarte (Fowl Weather)
He looks like a Picasso,” she continues as she nods toward Francis’s destroyed face. Her hand flows in his direction with bird-like grace. “Eyes over here, nose over there. Very artsy, Butcher. Embracing your Cubism era. Cool.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Since you asked so nicely, I’ll give you this one and let you come. But you’d better find your voice quick, little bird. Because we’ve only just started, and I will keep this up as long as it takes until I’m satisfied that you’re not hiding from me. By the end of this, you’ll scream. That’s a fucking promise.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
The speech she made was done in the back, alone, like little shoes cobbled by an elf: spider is to web as weaver is to blank. That one was hers. She was proud of that. Also, blank is to heartache as forest is to bench.
Lorrie Moore (Birds of America: Stories)
My words verge on silence like great birds that disappear into the early evening: their strenuous white wings carry off the intense sweetness of dusk, visible then in starlight. My words turn toward the night with no look back at what is lost or won, or what is missing, — Cinto Vitier, from “Greater Solitude,” transl. Kathleen Weaver, Image: Art, Faith, Mystery (no. 65, Spring 2010)
Cintio Vitier
Increase of light and increase of labour have always gone hand in hand. If today, when our gaze is no longer able to penetrate the pale reflected glow over the city and its environs, we think back to the eighteenth century, it hardly seems possible that even then, before the Industrial Age, a great number of people, at least in some places, spent their lives with their wretched bodies strapped to looms made of wooden frames and rails, hung with weights, and reminiscent of instruments of torture or cages. It was a peculiar symbiosis which, perhaps because of its relatively primitive character, makes more apparent than any later form of factory work that we are able to maintain ourselves on this earth only by being harnessed to the machines we have invented. That weavers in particular, together with scholars and writers with whom they had much in common, tended to suffer from melancholy and all the evils associated with it, is understandable given the nature of their work, which forced them to sit bent over, day after day, straining to keep their eye on the complex patterns they created. It is difficult to imagine the depths of despair into which those can be driven who, even after the end of the working day, are engrossed in their intricate designs and who are pursued, into their dreams, by the feeling that they have got hold of the wrong thread. On the other hand, when we consider the weavers’ mental illnesses we should also bear in mind that many of the materials produced in the factories of Norwich in the decades before the Industrial Revolution began – silk brocades and watered tabinets, satins and satinettes, camblets and cheveretts, prunelles, callimancoes and florentines, diamantines and grenadines, blondines, bombazines, belle-isles and martiniques – were of a truly fabulous variety, and of an iridescent, quite indescribable beauty as if they had been produced by Nature itself, like the plumage of birds. – That, at any rate, is what I think when I look at the marvellous strips of colour in the pattern books, the edges and gaps filled with mysterious figures and symbols, that are kept in the small museum of Strangers Hall, which was once the town house of just such a family of silk weavers who had been exiled from France.
W.G. Sebald (The Rings of Saturn)
Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.”  “Of all the times to forget my dinosaur onesie at home.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
It is illegal to portal anyone while they are under duress,I could lose my license if I were to do so." "You're going to lose a lot more than that if you don't tell me where my twin went," I said in a low, mean voice. "Mayling, please. I must insist that you allow me to be the bad cop," Gabriel said as I slid the dagger at my ankle out of its sheath. "I have never subscribed to the sexist belief that women have to be good cop," I said, twirling the dagger around one finger. "Nonetheless, you are far more suited to the good cop role," Gabriel insisted. "I'm going to have to go against popular opinion and side with Mei Ling on this," Savian said, watching us with a delighted twinkle in his eye. "She looks like she knows how to use that blade. What is that, a stiletto?" "Sicilian castrating knife," I said with a smile at the portal man. "She wins," Savian told Gabriel. "Er..." Jarilith said, his expression starting to slide into worry. "I am a wyvern! I can do far more to this man than merely remove his genitalia," Gabriel answered in an outraged tone, a little tendril of smoke emerging from between his lips as he spoke. "Eh..." Jarilith said, taking a step backward. "Hmm. He's a weaver," Savian said thoughtfully as he examined the portalist. "Those are immortal, aren't they? So he could survive a castration, but the question is would a dragon barbeque be enough to finish him off?" "Absolutely," Gabriel said. He smiled. It wasn't a nice smile. "Threatening a weaver is strictly prohibited by law," Jarilith said indignantly, but the fight had gone out of him. His gaze was flickering back and forth from Gabriel to Savian to the dagger I held casually. "I could have the watch on you for what you're saying!" "Oh, please," I said with a dramatic roll of my eyes. "Just about every thief taker in this hemisphere is after me. I've already been sentenced to banishment to the Akasha. You think one little murder is going to make that any worse? Not likely." Jarilith's eyes widened. "It's true," Savian said. "The price on her head has already gone over six figures." The color washed out of the portalist's face. "Erm..." "Mate," Gabriel said sternly. "I must insist that you refrain from slicing and dicing this man." Jarilith nodded quickly. "Listen to the dragon." "It is my place to destroy those who stand in your way," Gabriel continued, the pupils in his eyes narrowing as he turned to the now hastily backing away Jarilith. "Let's not lose our heads, here," the latter said in a rush. "I don't think it's your head the lady has in mind," Savian said as he looked pointedly at the portalist's crotch. Jarilith's hands hovered protectively over his fly. "Such an atrocity would constitute torture. You wouldn't do that to an innocent man, would you?" "What makes you think I'd stop at the castration?" I twirled the knife around my fingers again. "This little jobby fillets, as well." "She went to Paris," Jarilith said quickly as he dashed for a door to a back room. "Your portal is ready in room number three. Have a pleasant journey..." His voice trailed off as he bolted. I turned a frown on Gabriel. "You really wouldn't have let me be bad cop? I'm very good at it, as you can see." "I'm sorry," he said, his dimples belying the grave look he was trying to maintain.."Wyverns have some standards to maintain with their mates, and one of them is always being the bad cop.Although I do admit that you have a particularly effective manner. Would you really have castrated him to get the information about your twin?" "Would you really have burnt him to acrisp for not answering?" "Such a bloodthirsty little bird," he said fondly, giving my butt a little pinch. Savian stood still for a moment, giving us an odddisbelieving look before shaking his head and following. "You two are the strangest couple I've ever met. And I have to tell you-I've met some real weirdos
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
The speech she made was done in the back, alone, like little shoes cobbled by an elf: spider is to web as weaver is to blank. That one was hers. She was proud of that. Also, blank is to heartache as forest is to bench. But
Lorrie Moore (Birds of America: Stories)
A large main room, with a small, shut door in the back. Floor-to-ceiling shelves lined the walls, crammed with bric-a-brac; books, shells, dolls, herbs, pottery, shoes, crystals, more books, jewels... From the ceiling and wood rafters hung all manner of chains, dead birds, dresses, ribbons, gnarled bits of wood, strands of pearls... A junk shop- of some immortal horder. And that hoarder... In the gloom of the cottage, there sat a large spinning wheel, cracked and dulled with age. And before that ancient spinning wheel, her back to me, sat the Weaver. Her thick hair was of richest onyx, tumbling down to her slender waist as she worked the wheel, snow-white hands feeding and pulling the thread around a thorn-sharp spindle. She looked young- her grey gown simple but elegant, sparkling faintly in the dim forest light through the windows as she sang in a voice of glittering gold.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Such a man became a leader, one of the great men, who guided people in their thoughts and deeds, as a weaver guides his colored threads through the intricacies of the pattern.
Jerzy Kosiński (The Painted Bird)
Since then, twins have appeared in every other generation of Proctors. One twin became a weaver, the other an adept in higher magic. It’s as though the goddess didn’t want too much power in any one witch’s hands, so she divided the ability to knot spells and the talent for higher magic between them.
Deborah Harkness (The Black Bird Oracle (All Souls #5))
In the garden of my childhood my mother grew corn and asparagus, beans, zucchini, and more, but the thing I remember most is the cherry tomatoes, bushy in their cages, the leaves slightly sticky, funny smelling. My mother wore long-sleeve shirts to weed the tomatoes. I remember her plucking them off the bush, my brother and me opening our mouths like baby birds for her to pop them in. I closed my eyes to experience the exact moment my teeth pierced the smooth skin and the tomato exploded in a burst of acid sweet, the seeds slightly bitter in their jelly pouches. The sensation was so unexpected each time it happened that my eyes flew open. And there was my mother, smiling at me. That is what I remember. My mother did not smile often. We have pictures where she is smiling, me or my brother nestled on her lap. You can tell she loves us. Her body language shows it. But mostly we knew she loved us because of how hard she worked for us. Usually elsewhere. But the garden—the garden was her project. In the little time she had not devoted to work and cleaning and trying to hold her small world together, my mother grew food. My brother and I didn't help in the garden, but we were usually playing nearby. We always wanted to be nearby when she was home. I remember her letting us crawl through the dried cornstalks after the ears had been harvested. I remember running my hands through the asparagus that had been allowed to go to seed. I remember eating plums from the old tree that lived in the corner of the yard. I remember her feeding us tomatoes fresh off the vine and still warm from the sun. When I think of those tomatoes, it is not the flavor that moves me. They were shockingly sweet and tangy, but that is not what I remember the most. It is not what I yearned for. Eating cherry tomatoes meant my mother was home; it meant she was smiling at me.
Tara Austen Weaver (Orchard House: How a Neglected Garden Taught One Family to Grow)
Isis Astarte Diana Hecate Demeter Kali Inanna Over and over their voices filled the air calling in these Ancient ones, their energies, magic and wisdom, their rage and righteous anger as shouts of No More and Never Again filled the air.   Asherah Erishkigal Cerridwen Brigid Maat Hathor Freya Skadi Sigyn Voices invoked the battle energies as the Warrior Goddesses arrived. Lilith Andraste Durga Athena Hel Mami Wata Pele Ixchel Freya An’ Morrighan Boudicca of the Iceni Zenobia of Palmyra Lakshmi Bai of Jhansi Through the night they chanted the invocation “show us another way” to the ancient Mothers, Queens, Warrioresses, Witches. Voices raising power and raised IN power as both Queen Boudicca and An’ Morrighan held the circle, swords in hand symbols of both peace and truth as well as strength and protection. Eyes of the night still held vigil for this sacred activist work as each woman plucked her part of the web weaving new threads of hope and spinning the wheel of change. Fox, wolf and coyote opossum, turtle and deer bear, raccoon and hare held vigil as the moths danced, spiders wove webs, and serpents shed skins no longer needed, all while the calls of the owls and night birds echoed in synchronous harmony. As the darkness of night gave way to the light of a new dawn, the Ravens and Crows and birds of the day arrived calling out as the women prayed their work had been enough to alter the events of this day... They prayed it was enough to alter the events of the Coming Days. As they walked back through the woods, sunlight streaming through the trees and with eyes still watching, the women held the Rim of the Eternal Circle safely in their hearts and womb space, encased in a deep knowing that Whatever this new day held... Whatever and Whomever was to come... Their work, the ancient ways and this Rim of Power would always continue For the Circle never ends and the Weaver always weaves. Excerpt from "Holding the Rim", featured in Asherah: Roots of the Mother Tree
Arlene Bailey