Music Therapists Quotes

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[T]echnique has a different meaning for the novice than for the expert. One needs technique in learning to play the piano but eventually, if one is to make music, one must transcend learned technique and trust one's spontaneous moves.
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
At this juncture, the entire planet is locked, figuratively, in a room with the sociocultural equivalent of Hannibal Lecter. An individual of consummate taste and refinement, imbued with indelible grace and charm, he distracts his victims with the brilliance of his intellect, even while honing his blade. He is thus able to dine alone upon their livers, his feast invariably candlelit, accompanied by lofty music and a fine wine. Over and over the ritual is repeated, always hidden, always denied in order that it may be continued. So perfect is Lecter's pathology that, from the depths of his scorn for the inferiors upon whom he feeds, he advances himself as their sage and therapist, he who is incomparably endowed with the ability to explain their innermost meanings, he professes to be their savior. His success depends upon being embraced and exalted by those upon whom he preys. Ultimately, so long as Lecter is able to retain his mask of omnipotent gentility, he can never be stopped. The spirit of Hannibal Lecter is thus at the core of an expansionist European 'civilization' which has reached out to engulf the planet.
Ward Churchill (A Little Matter of Genocide: Holocaust & Denial in the Americas 1492 to the Present)
You call it music, I call it my therapist.
Nathan Feuerstein
This is a familiar scenario in therapy. A patient’s boyfriend doesn’t want to stop smoking pot and watching video games on weekends. A patient’s child doesn’t want to study harder for tests at the expense of doing musical productions. A patient’s spouse doesn’t want to travel less for work. Sometimes the changes you want in another person aren’t on that person’s agenda—even if he tells you they are.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
My point is that every course of therapy consists of small and large spontaneously generated responses or techniques that are impossible to program in advance. Of course, technique has a different meaning for the novice than for the expert. One needs technique in learning to play the piano but eventually, if one is to make music, one must transcend learned technique and trust one’s spontaneous moves.
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
Focus on yourself instead. Go see a therapist and dig into your earliest memories, what makes you tick, what you want from your life, and what you expect from love. Dig in and figure out who you are. Keep a journal and write down your thoughts every morning and every night. Listen to music if that helps you to access your emotions more easily. While you’re doing this, train your social energies on enriching your friendships. Think about what it would take to have closer friendships with people. Would you have to see each other more often for camaraderie and familiarity to build? Would you need to have lunch or dinner so you could sit across from each other and talk? What if you hosted a weekly poker game with the same people every week, women and men? What if you tried to go out to a movie with a friend once a month? Casual friendships grow into close friendships with repeated experience, so allow it to happen. Accumulate experience together. As you each open up, trust will build.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
Sexual violence is a difficult topic to think about and even harder to deal with. I understand that a wide range of emotions may have been ignited while reading this book, so I ask you to take care of yourself. Always remember to take care of yourself no matter what, and never stop doing the things you love that bring peace and joy to your life. Whether it is music, art, exercise, cooking, reading, sports, prayer, nature, or any of the other amazing gifts life has to offer: Embrace them. Do what you love to do, embrace all the beauty that exists within yourself and the world around you, and take care of yourself. And of course, reach out to someone if you need help. Talk to a family member or friend, find the right therapist, or seek out a religious or spiritual guide if needed. Life is very difficult to go through it alone, so please talk to someone you love and trust, and one who always has your best interest at heart.
Robert Uttaro
I needed a focus. A purpose in life. I’d assumed I’d go to college because I was a high achiever, but none of it truly interested me. How could I decide on a life path when nothing fit? The only time I felt perfectly at ease was sitting at my piano. When my fingers danced across the keys, the world around me melted away until all that was left was the comforting embrace of a haunting melody. Some people wrote in a journal or talked to a therapist. My coping mechanism was the piano. Every emotion under the sun was there to be drawn forth with the right combination of ebony and ivory. A lively Chopin mazurka for bright sunny Saturdays. Beethoven or Rachmaninoff when my emotions were dragging me under. Music was everything to me. But if I didn’t want to play for others, how could I ever take my music further? Being a music teacher was one thing, but being at a university would require performances. Just the thought terrified me.
Jill Ramsower (Perfect Enemies (The Five Families, #6))
here’s where it gets confusing. In spiritual life, the same word is used to describe both the archetype of the divine Guide and a human teacher—who may or may not be enlightened. In India, your music teacher, your Sanskrit teacher, or even your biology teacher might be addressed as guruji, because all teachers are considered worthy of respect. In the same way, in spiritual life, you may first meet the guru-principle through a teacher or mentor who happens to be a fairly ordinary human being with some spiritual knowledge. In Sanskrit, one name for this kind of teacher is acharya, meaning “the one who instructs.” The therapist who introduces you to deep breathing, the yoga teacher who takes you into your first meditative shavasana, and the author of your favorite meditation book are all important for your practice at different stages. (And any of them, in traditional India, might be addressed as “guruji” or “respected teacher.”) Different acharyas can provide particular kinds of instruction. If you’re a serious student, you’ll learn to recognize who can help you at each stage, when to stay with a teacher despite doubts or resistances, and when it might be time to move on.
Sally Kempton (Meditation for the Love of It: Enjoying Your Own Deepest Experience)
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
Pat Conroy (Beach Music)
We know Job's faith survived because his reaction to his devastating loss was to worship God: "Then Job arose and tore his robe and shaved his head, and he fell to the ground and worshiped. He said, 'Naked I came from my mother's womb, and naked I shall return there. The Lord gave and the Lord has taken away. Blessed be the name of the Lord'" (Job 1:20-21). Let me encourage you and your messed up man, should he be willing, to begin to worship God from your place of brokenness. Tina shares a dramatic story from her work as a music therapist for hospice. One day, as she prepared to leave the hospice floor at the hospital, a nurse called her back to work with a patient in respiratory arrest. Music therapists use music to match the beat of a patient's heart rate, and as the therapist slows down the beat of music, most of the time the heart rate follows, as well as the breathing. At the start of the process, the patient's wife shouted, "Sing 'Amazing Grace'?" Deciding to minister rather than work, Tina sang "Amazing Grace." The patient's distress was overwhelming. He could hardly take in air, and his chest heaved while his wife wept. Right in the middle of "Amazing Grace," The wife once more blurted out, "Sing 'Jesus Loves Me'!" Tina, switched gears and sang, "Yes, Jesus loves me." Tears streamed down the man's cheeks as he sang with her, "Yes, Jesus loves me." His words were broken and he could hardly say them, but in that moment, he worshiped the God who was about to take him home. Whatever you're facing . . . worship.
Tina Samples (Messed Up Men of the Bible)
rendered the aircraft no longer airworthy and was thereby beyond the scope of human endeavor to control.” The force that rendered the aircraft uncontrollable was unknown. Another report from a similar disappearance said that “no more baffling problem has ever been presented for investigation.” It was obvious to me that my research into the subject of missing planes had become an obsession, which had everyone concerned, because the media frenzy was over. The public’s fascination with the Bermuda Triangle had passed. I was the only one still fixated on it. One friend suggested it was pregnancy hormones, but Sarah thought I had lost touch with reality. A week ago, she’d begged me, yet again, to see a therapist. As I sat at the kitchen table, I felt the sweet sensation of my baby moving in my belly. It was like a flutter of butterfly wings. Was he kicking or rolling over? Or was he a she? I sat back and stared at those crash reports and realized how quiet the condo was. There was no music or television, laughter or conversation. It was just me, alone with the sound of pages turning. It wasn’t so bad in the daytime, but at night, in the darkness, with only one lamp at my desk or with the cold glare of the fluorescent light bulb over the kitchen table and the unbearable silence, I recognized how desperately I missed Dean.
Julianne MacLean (Beyond the Moonlit Sea)
Julie had recently told Matt that she felt horrible for dying on him, and the next day he sent her a note with a lyric from the musical The Secret Garden. In it, the ghost of a beloved wife asks her grieving husband if he could forgive her, if he could hold her in his heart and “‘find some new way to love me/Now that we’re apart.’” Matt had written, Yes. He added that he didn’t believe that people disappeared but that something in us was eternal and survived. Walking to my car that day, I hear Julie’s question: Will you think about me? All these years later, I still do. I remember her most in the silences.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
This means that more than 95% of the psychiatrists, psychologists, social workers, psychiatric nurses, masters-level therapists, occupational therapists, educational therapists, movement therapists, dance therapists, art therapists, music therapists, and others had never been given a lecture defining the mind.
Daniel J. Siegel (Pocket Guide to Interpersonal Neurobiology: An Integrative Handbook of the Mind (Norton Series on Interpersonal Neurobiology))
I prefer rock music—my favorites are R.E.M. and Matthew Sweet—but I think that if Dr. Buckley played Matthew Sweet, some of her patients would not like it. Matthew Sweet has a song called “Sick of Myself,” and I am pretty sure that is exactly the wrong song name for a therapist’s waiting room.
Craig Lancaster (600 Hours of Edward)
Just as a physician should understand the effects of pharmaceuticals or surgical procedures, similarly, a professional music therapist should understand the influence of music and musical activity on physiological, psychological, and social functioning, and specific uses of music in a treatment regimen.
Kate E. Gfeller (An Introduction To Music Therapy: Theory and Practice)
Honestly, I came upon massage therapy by accident. I never had the intention of becoming a massage therapist. Originally, I studied pediatric occupational therapy knowing that I wanted to work with children in a health care capacity, but I had no interest in “poking and prodding” them. While in the OT program, I soon discovered the extent of the education I would receive in integrative therapies would consist of a three-hour intro to massage/tactile therapy, movement, music and art therapies. When I inquired as to when we would learn more, I was instructed if I wanted to learn more I should seek it elsewhere. I enjoyed receiving massage, so I decided a massage school would be a good place to start. So, I searched for a massage program to simply add as an adjunct to my practice in pediatric occupational therapy.
Tina Allen (A Modern Day Guide to Massage for Children)
What is sensory integration therapy? This form of occupational therapy helps children and adults with SPD (sensory processing disorder) use all their senses together. These are the senses of touch, taste, smell, sight, and hearing. Sensory integration therapy is claimed to help people with SPD respond to sensory inputs such as light, sound, touch, and others; and change challenging or repetitive behaviours. Someone in the family may have trouble receiving and responding to information through their senses. This is a condition called sensory processing disorder (SPD). These people are over-sensitive to things in their surroundings. This disorder is commonly identified in children and with conditions like autism spectrum disorder. The exact cause of sensory processing disorder is yet to be identified. However, previous studies have proven that over-sensitivity to light and sound has a strong genetic component. Other studies say that those with sensory processing conditions have abnormal brain activity when exposed simultaneously to light and sound. Treatment for sensory processing disorder in children and adults is called sensory integration therapy. Therapy sessions are play-oriented for children, so they should be fun and playful. This may include the use of swings, slides, and trampolines and may be able to calm an anxious child. In addition, children can make appropriate responses. They can also perform more normally. SPD can also affect adults Someone who struggles with SPD should consider receiving occupational therapy, which has an important role in identifying and treating sensory integration issues. Occupational therapists are health professionals using different therapeutic approaches so that people can do every work they need to do, inside and outside their homes. Through occupational therapy, affected individuals are helped to manage their immediate and long-term sensory symptoms. Sensory integration therapy for adults, especially for people living with dementia or Alzheimer's disease, may use everyday sounds, objects, foods, and other items to rouse their feelings and elicit positive responses. Suppose an adult is experiencing agitation or anxiety. In that case, soothing music can calm them, or smelling a scent familiar to them can help lessen their nervous excitement and encourage relaxation, as these things can stimulate their senses. Seniors with Alzheimer's/Dementia can regain their ability to connect with the world around them. This can help improve their well-being overall and quality of life. What Are The Benefits of Sensory Integration Therapy Sensory integration treatment offers several benefits to people with SPD: * efficient organisation of sensory information. These are the things the brain collects from one's senses - smell, touch, sight, etc. * Active involvement in an exploration of the environment. * Maximised ability to function in recreational and other daily activities. * Improved independence with daily living activities. * Improved performance in the home, school, and community. * self-regulations. Affected individuals get the ability to understand and manage their behaviours and understand their feelings about things that happen around them. * Sensory systems modulation. If you are searching for an occupational therapist to work with for a family with a sensory processing disorder, check out the Mission Walk Therapy & Rehabilitation Centre. The occupational therapy team of Mission Walk uses individualised care plans, along with the most advanced techniques, so that patients can perform games, school tasks, and other day-to-day activities with their best functional skills. Call Mission Walk today for more information or a free consultation on sensory integration therapy. Our customer service staff will be happy to help.
Missionwalk - Physiotherapy and Rehabilitation
David, a six-year-old autistic boy, suffered from chronic anxiety and poor visual-motor co-ordination. For nine months, efforts had been made to teach him to tie his shoe-laces without avail. However, it was discovered that his audio-motor co-ordination was excellent. He could beat quite complex rhythms on a drum, and was clearly musically gifted. When a student therapist put the process of tying his shoe-laces into a song, David succeeded at the second attempt. A song is a form in time. David had a special relationship to this element and could comprehend the shoe-tying process when it was organized in time through a song.16
Anthony Storr (Music and the Mind)
Feels right: music to my ears. My therapist has tried to steer me toward that feeling for eons: forget about what you think you’re supposed to do, forget about what others expect you to do; what feels right, to you?
Caroline Knapp (Pack of Two: The Intricate Bond Between People and Dogs)
The CAS sent me to a therapist. He actually wasn’t half bad at first—real young, kinda cute, a bit stuck up with degrees in fancy IKEA frames all over his concrete walls and new-agey music playing. I mean, what kind of therapist has background music? Like was he going to massage my feet too? No doubt, he was making good money, though. To be honest, if he had made a move on me, I might have been okay with it.
Wayne Ng (The Family Code (206) (Essential Prose Series))
He didn't look angry. Stern, maybe. Impassive, definitely. Eventually, he raised his hand and turned away. Not just sort of away, but forty-five degrees away, like, I'm not looking at you anymore. I'm looking this totally different way now and so we're done. Just above face level, his palm flat and perpendicular to the floor, like a stereotyped movie Native American going "How!" Or a traffic cop saying, "Stop!" Or maybe a guy signaling his uninvited biographer to keep his distance — which is understandable on a human level, but less so in the wake of fifty-plus years of public life. All that self-revelation in his music — in the hundreds of thousands of words of interviews he's given, talking about his wives; his lovers; his astonishingly screwed-up relationship with the friend/musical partner he will sometimes insist had no real impact on him at all, and then turn around and say that their lives have always been woven together; and his father; his creative blocks; his anxieties; his therapists; and more. Still: Don't look at me.
Peter Ames Carlin (Homeward Bound: The Life of Paul Simon)
This theme—cash before all—is also a hoary one. George Gershwin relied on it in his song “Freud and Jung and Adler” for the 1933 musical Pardon My English. In a repeated refrain, the doctors sing that they practice psychoanalysis because it “pays twice as well” as specialties that deal with bodily ailments. Therapists are inherently comical Luftmenschen, impractical, except on this one front. They like their fees. Lucy’s perky insistence about billing gives the five-cents-please strips their final kick.
Andrew Blauner (The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang,and the Meaning of Life: A Library of America Special Publication)
The primary focus is empathy, attachment, attunement, and positive emotions related to interpersonal relationships. The therapist must emphasize face-to-face gaze, eye-to-eye contact, matching facial expression, matching tone of voice, and using reflective responses. Also effective are play and play activities, such as singing, music, enjoyable social activities, playing with a pet, telling stories, special handshakes, playing with stacking blocks, Legos, or manipulatives, games that allow taking turns, playing with a cardboard box maze, playing social games (Red Light, Green Light; Mother,
Cathy A. Malchiodi (What to Do When Children Clam Up in Psychotherapy: Interventions to Facilitate Communication (Creative Arts and Play Therapy))
Perhaps it is the remnants of our primitive nature, when man first observed the wild horse herds and recognized a reciprocal need that could only be met through one another. The unspoken language of Equus has mystically united horse and human for eons, but for some of us, it is a music we cannot ignore.
Emily Swisher (STABLE: A Therapist and the Healing Nature of Horses)
I feel like a kite being jerked around by gusts and occasional hurricane-speed winds. Maureen, my occupational therapist, says that’s part of having Sensory Processing Disorder. It’s hard to explain Sensory Processing Disorder—I guess it means that it’s harder for me to be a person in the world than it is for most people. Like how I hate slimy textures and the taste of eggs makes me gag and I can never wear shirts with tight collars or jeans that squeeze my knees. I hate bright overhead lights, and having my toenails trimmed makes me howl in pain. And don’t even talk to me about perfume. Total chemical overload. But, at the same time, I love being squeezed by a body sock and I can’t get enough of certain tastes, like passion fruit. I could taste passion fruit forever. Beyond touch and taste and smell issues, it’s also hard for me to control my energy level, and I’m kind of clumsy and I’m always losing things. Water bottles are the worst. I lose my water bottle every few weeks. My mom says she first noticed something was different about me when I was a toddler and she took me to a Music Together class. While the other kids danced in a circle and shook their plastic gourds, I hid in a corner of the gym and beat a drum until long after the song was over. And then there were other things. I kept falling onto the sidewalk and chipping my baby teeth. And I couldn’t climb out of the sandbox like all the other kids. And even though I hated my music class, I loved pounding pots and pans and making my own noise. That’s why Sensory Processing Disorder is hard to explain. It’s different in every person. For me, I hate some textures and love others. Like I love nachos and popcorn because they’re awesome to crunch. But I can’t stand the crunch of a baby carrot. I can chew a baby carrot for ten minutes and still have a mouthful of orange gunk. Sometimes I hate crowds and other times I love being surrounded by people. And my shins? Covered in bruises. I’m not chipping teeth anymore but I’m still clumsy. When I was four, I started going to occupational therapy. For a few years, I also saw a physical therapist who taught me how to jump and climb, and I had appointments with a speech therapist who gave me bumpy plastic toys to chew. I even had a special teacher following me around in preschool, telling me not to hug other children so hard they’d topple over. I doubt I ever hugged Avery Tanaka back in preschool, but my mom told me that once at pickup I tried to bite her sweatshirt. Yeah, I was a weird kid.
Carolyn Mackler (Not If I Can Help It)