Weather Before Rain Quotes

The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.

If we go that way, it seems less like we’ll be shot for trespassing. We can’t be low profile because of your shirt.” “Aquamarine is a wonderful color, and I won’t be made to feel bad for wearing it,” Gansey said. But his voice was a bit thin, and he glanced back at the church again. Just then he looked younger than she’d ever seen him, his eyes narrowed, hair messed up, features unstudied. Young and, strangely enough, afraid. Blue thought: I can’t tell him. I can never tell him. I have to just try to stop it from happening. Then Gansey, suddenly charming again, flipped a hand in the direct of her purple tunic dress. “Lead the way, Eggplant.” She found a stick to poke at the ground for snakes before they set off through the grass. The wind smelled like rain, and the ground rumbled with thunder, but the weather held. The machine in Gansey’s hands blinked red constantly, only flickering to orange when they stepped too far away from the invisible line. “Thanks for coming, Jane,” Gansey said. Blue shot him a dirty look. “You’re welcome, Dick.” He looked pained. “Please don’t.

The present life of man upon earth, O King, seems to me in comparison with that time which is unknown to us like the swift flight of a sparrow through the mead-hall where you sit at supper in winter, with your Ealdormen and thanes, while the fire blazes in the midst and the hall is warmed, but the wintry storms of rain or snow are raging abroad. The sparrow, flying in at one door and immediately out at another, whilst he is within, is safe from the wintry tempest, but after a short space of fair weather, he immediately vanishes out of your sight, passing from winter to winter again. So this life of man appears for a little while, but of what is to follow or what went before we know nothing at all.

My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather. One such melting occurs in summer rain, at midnight, during the vine-green breathing time right before sleep. You have to ask the right question, throw the right rope bridge, to get there-and then bolt across the chasm between you, before your bridge collapses.

Don't you like a rather foggy day in a wood in autumn? You'll find we shall be perfectly warm sitting in the car." Jane said she'd never heard of anyone liking fogs before but she didn't mind trying. All three got in. "That's why Camilla and I got married, "said Denniston as they drove off. "We both like Weather. Not this or that kind of weather, but just Weather. It's a useful taste if one lives in England." "How ever did you learn to do that, Mr. Denniston?" said Jane. "I don't think I should ever learn to like rain and snow." "It's the other way round," said Denniston. "Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children - and the dogs? They know what snow's made for." "I'm sure I hated wet days as a child," said Jane. "That's because the grown-ups kept you in," said Camilla. "Any child loves rain if it's allowed to go out and paddle about in it.

My mother always said that I was born out of a bottle of vinegar instead of born from a womb and that she and my father bathed me in sugar for three days to wash it off. I try to behave, but I always go back to the vinegar." When Dad was in one of his rare, fanciful moods, he told guests that the pixies left me on the doorstep because I bit their fingers too often. My favorite was always when Mum said that before I was born, it rained for seven days and seven nights solid, and when she went out into the yard to ask the sky what it was weeping for, I dropped out of the clouds at her feet and the sun came out. I always liked the idea of being such a bother that I affected even the weather.

Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me. After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.

I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.

Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!

Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.

They say that if a butterfly flaps its wings in the Amazonian rain forest, it can change the weather half a world away. Chaos theory. What it means is that everything that happens in this moment is an accumulation of everything that’s come before it. Every breath. Every thought. There is no innocent action. Some actions end up having the force of a tempest. Their impact cannot be missed. Others are the blink of an eye. Passing by unnoticed. Perhaps only God knows which is which. All I know today is that you can think that what you’ve done is only the flap of a butterfly wing, when it’s really a thunderclap. And both can result in a hurricane.

These marvels were great and comfortable ones, but in the old England there was a greater still. The weather behaved itself. In the spring all the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang; in the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed; in the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory; and in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.

Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven's hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.

At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue.

I will start with the tree. Because everything begins, and ends, with the tree. The tree is the tallest one. It was planted way before the others. I'm not sure how old it is, exactly. Perhaps three or four hundred years old. It is ancient and powerful. It has weathered terrible storms, braced against unbridled winds. It is not afraid. The tree is not like the others. It has its own rhythm. Spring starts later for it, while all the others are already blossoming. Come late April, the new oval leaves sprout slowly, on the top and middle branches only. Otherwise, it looks dead. Gnarled, gray, and withered. It likes to pretend to be dead. That's how clever it is. Then, suddenly, like a huge explosion, all the buds flourish. The tree triumphs with its pale green crowns.

He nearly called you again last night. Can you imagine that, after all this time? He can. He imagines calling you or running into you by chance. Depending on the weather, he imagines you in one of those cotton dresses of yours with flowers on it or in faded blue jeans and a thick woollen button-up cardigan over a checkered shirt, drinking coffee from a mug, looking through your tortoiseshell glasses at a book of poetry while it rains. He thinks of you with your hair tied back and the characteristic sweet scent on your neck. He imagines you this way when he is on the train, in the supermarket, at his parents' house, at night, alone, and when he is with a woman. He is wrong, though. You didn't read poetry at all. He had wanted you to read poetry, but you didn't. If pressed, he confesses to an imprecise recollection of what it was you read and, anyway, it wasn't your reading that started this. It was the laughter, the carefree laughter, the three-dimensional Coca-Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain telephone calls, the in-jokes, the instant music, the sunlight you carried with you, the way he felt when you spoke to his parents, the introductory undergraduate courses, the inevitability of your success, the beach houses, ...

Next to the tree was a short, broad-shouldered Asian man in overalls and a straw hat, leaning on a spade. His face was weathered, and in a halting English difficult to follow, he told Alma that this moment was beautiful, but that it would last only a few days before the blooms fell like rain to the ground; much better was the memory of the cherry tree in bloom, because that would last all year, until the following spring.

And you remember how warm bourbon tasted, in a paper cup with water dipped out of the lake at your feet. How the nights were so unbearably, hauntingly beautiful that you wanted to cry. How every patch of light and shadow from the moon seemed deep and lovely. Calm or storm, it didn't matter. It was exquisite and mysterious, just because it was night. I wonder now how I lost it, the mysteriousness, the wonder. It faded steadily until one day it was entirely gone, and night became just dark, and the moon was only something that waxed and waned and heralded a changing in the weather. And rain just washed out graveled roads. The glitter was gone. And the worst part was that you didn't know exactly at what point it disappeared. There was nothing you could point to and say: now, there. One day you saw that it was missing and had been missing for a long time. It wasn't even anything to grieve over, it had been such a long time passing. The glitter and hush-breath quality just slipped away...there isn't even a scene--not for me, nothing so definite--just the seepage, the worms of time...I look at my children now and I think: how long before they slip away, before I am disappointed in them.

The weather offered a variety of aspects fit for talk, and the subject when broached was leapt on with almost hysterical enthusiasm, that each guest might express and relieve himself before the subject was left lifeless and limp, on the extremes of temperature, of humidity, rain, snow, sleet, the velocity of the wind,

500,000 halos outshined the mud and history. We washed and drank in God's tears of joy, And for once…and for everyone…the truth was not a mystery. Love called to all…music is magic. As we passed over and beyond the walls of Nay, Hand in hand as we lived and made real the dreams of peaceful men— We came together…danced with the pearls of rainy weather, Riding the waves of music and space…music is magic…magic is life… Love as never loved before… Harmony to son and daughter…man and wife…

He had been bad before. He would be bad again. It would cycle and fluctuate the same way the weather would. It would rain in two weeks, he thought.

How was he feeling? He had been bad before. He would be bad again. It would cycle and fluctuate the same way the weather would. It would rain in two weeks he thought.

How was he feeling? He had been bad before. He would be bad again. It would cycle and fluctuate the same way the weather would. It would rain in two weeks, he thought.

Almondine To her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away. He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric. Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her. And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him. Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him. "ory of Edgar Sawtelle" As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor. And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask.

I enjoy waking up before the weather. It never rains at 4:00AM. Yes, it’s always cold, but it’s not an uncomfortable cold; it’s the cold of an engine at rest, a day that has yet to fire into life. At this time, everything is fresh and crisp, as if it’s new and still in its wrapping. Sunsets are beautiful, but the light fades to darkness. It’s like watching a candle burn itself out. The dawn is the birth of a new day; the sun spills colours into the clouds like a child’s paintbrush swirling in a pot of water. The countryside has such a beautiful sadness about it; a distant tractor ambles slowly along a furrowed field like a tear on a cheek.

Pattern recognition is so basic that the brain's pattern detection modules and its reward circuitry became inextricably linked. Whenever we successfully detect a pattern-or think we detect a pattern-the neurotransmitters responsible for sensations of pleasure squirt through our brains. If a pattern has repeated often enough and successfully enough in the past, the neurotransmitter release occurs in response to the mere presence of suggestive cues, long before the expected outcome of that pattern actually occurs. Like the study participants who reported seeing regular sequences in random stimuli, we will use alomst any pretext to get our pattern recognition kicks. Pattern recognition is the most primitive form of analogical reasoning, part of the neural circuitry for metaphor. Monkeys, rodents, and birds recognize patterns, too. What distinguishes humans from other species, though, is that we have elevated pattern recognition to an art. "To understand," the philosopher Isaiah Berlin observed, "is to perceive patterns." Metaphor, however, is not the mere detection of patterns; it is the creation of patterns, too. When Robert Frost wrote, "A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain" his brain created a pattern connecting umbrellas to banks, a pattern retraced every time someone else reads this sentence. Frost believed passionately that an understanding of metaphor was essential not just to survival in university literature courses but also to survival in daily life.

There is no house of life out of reach of the stream. So, to be surprised when the rain descends and the foods come, and the winds blow and beat upon the house, as though some strange thing happened unto us, is unreasonable and unjust; it so miscalls our good Master, who never told us to build for fair weather or even to be careful to build out of reach of floods. "We must through much tribulation enter into the kingdom of God" is not a fair-weather word. "My son, if thou comest to serve the Lord, prepare thy soul for temptation." "Ye will not get leave to steal quietly to heaven, in Christ's company, without a conflict and a cross." Even so, even though we must walk in the land of fear, there is no need to fear. The power of His resurrection comes before the fellowship of His sufferings.

Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!

Mom. The permafrost is melting. Millions of acres of it.”Willa tried to see a connection. “And I’m just worried about my house. That’s your point?”Tig shook her head. “It’s so, so scary. It’s going to be fire and rain, Mom. Storms we can’t deal with, so many people homeless. Not just homeless but placeless. Cities go underwater and then what? You can’t shelter in place anymore when there isn’t a place.”Willa tucked her hands between her knees and declined to believe these things. “The Middle East and North Africa are almost out of water. Asia’s underwater. Syria is dystopian, Somalia, Bangladesh, dystopian. Everybody’s getting weather that never happened before. Melting permafrost means we’ve got like, a minute to turn this mess around, or else it’s going to stop us.

They loved the sea. They taught themselves to sail, to navigate and read the weather. Without their mother's knowledge and long before she thought them old enough to sail outside the harbor, they were piloting their catboat all the way to the Isles of Shoals. They were on the return leg of one such excursion when the fickle weather of early spring took an abrupt turn and the sky darkened and the sun vanished and the wind came squalling off the open sea. They were a half mile from the harbor when the storm overtook them. The rain struck in a slashing torrent and the swells hove them so high they felt they might be sent flying--then dropped them into troughs so deep they could see nothing but walls of water the color of iron. They feared the sail would be ripped away. Samuel Thomas wrestled the tiller and John Roger bailed in a frenzy and both were wide-eyed with euphoric terror as time and again they were nearly capsized before at last making the harbor. When they got home and Mary Margaret saw their sodden state she scolded them for dunces and wondered aloud how they could do so well in their schooling when they didn't have sense enough to get out of the rain.

It can’t be good news,” Leif said. “I’d doubt you would brave the weather just to say hello.” “You opened the door before I could knock,” I said. “You must know something’s up.” Leif wiped the rain from his face. “I smelled you coming.” “Smelled?” “You reek of Lavender. Do you bathe in Mother’s perfume or just wash your cloak with it?” he teased. “How mundane. I was thinking of something a little more magical.

The morning was one of those tropical summer mornings after a nighttime rain, when the air is full of steam and everything glistens for a short, magical time before the sun burns it off. It promised to be the kind of summer day best spent dozing by the pool, not trudging across a torrid drill pad. The air at the Campbell pad was heavy with an odd mixture of diesel from the equipment and pollen and manure from the nearby farms.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

The heavy rain dripped off his thick leather hat and sloshed on the dry hard ground. To someone with a soul, it might have been peaceful, pretty, even to watch the drops bounce and form graceful puddles before they disappeared into the cracks in the Earth. Daniel Marlin merely cursed. He only saw the weather as another delay before they could rescue their brother from jail. He turned the horse back into the copse of trees, hating to admit defeat.

People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!

We take so much of the universe on trust. You tell me: “In 1950 I lived on the north side of Beacon Street in Somerville.” You tell me: “She and I were lovers, but for months now we have only been good friends.” You tell me: “It is seventy degrees outside and the sun is shining.” Because I love you, because there is not even a question of lying between us, I take these accounts of the universe on trust: your address twenty-five years ago, your relationship with someone I know only by sight, this morning’s weather. I fling unconscious tendrils of belief, like slender green threads, across statements such as these, statements made so unequivocally, which have no tone or shadow of tentativeness. I build them into the mosaic of my world. I allow my universe to change in minute, significant ways, on the basis of things you have said to me, of my trust in you. I also have faith that you are telling me things it is important I should know; that you do not conceal facts from me in an effort to spare me, or yourself, pain. Or, at the very least, that you will say, “There are things I am not telling you.” When we discover that someone we trusted can be trusted no longer, it forces us to reexamine the universe, to question the whole instinct and concept of trust. For a while, we are thrust back onto some bleak, jutting ledge, in a dark pierced by sheets of fire, swept by sheets of rain, in a world before kinship, or naming, or tenderness exist; we are brought close to formlessness.

Run’n’Gun (excerpt) I learned to play ball on the rez, on outdoor courts where the sky was our ceiling. Only a tribal kid’s shot has an arc made of sky. --- We played bigger and bigger until we began winning. And we won by doing what all Indians before us had done against their bigger, whiter opponents—we became coyotes and rivers, and we ran faster than their fancy kicks could, up and down the court, game after game. We became the weather—we blew by them, we rained buckets, we lit up the gym with our moves.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

Fine,” Syl said. “I’ll do your part.” Her image fuzzed, and she became a perfect replica of Kaladin, sitting on his own shoulder. “Well well,” she said in a growling, low-pitched voice. “Grumble grumble. Get in line, men. Storming rain, ruining otherwise terrible weather. Also, I’m banning toes.” “Toes?” “People keep tripping!” she continued. “I can’t have you all hurting yourselves. So, no toes from now on. Next week we’ll try not having feet. Now, go off and get some food. Tomorrow we’re going to get up before dawn to practice scowling at one another.

the Match-Man had two professions. He not only sold matches like any ordinary match-man, but he drew pavement pictures as well. He did these things turn-about according to the weather. If it was wet, he sold matches because the rain would have washed away his pictures if he had painted them. If it was fine, he was on his knees all day, making pictures in coloured chalks on the side-walks, and doing them so quickly that often you would find he had painted up one side of a street and down the other almost before you’d had time to come round the corner. On this particular day, which was fine but cold, he was painting.

Gregori was as still as a statue, his face a blank mask, his silver eyes as empty as death, yet Shea gave him a wide berth. There was something dangerous in his utter stillness. Shea felt she had no way to sorting out the complexity of the Carpathian male’s nature. Gregori was watching Raven through narrowed, restless eyes, eyes that saw far too much. Suddenly he cursed, low and vicious, startling from someone of his stature and power. “She should not put herself at risk. She is with child.” His eyes met Jacques’, silver lightning and black ice. Total understanding between the two men. Shea merged her mind with Jacues’ quickly to try to understand the hidden currents. Raven’s pregnancy, if she was pregnant, changed everything as far as the men were concerned. Shea could see no evidence of a child—Raven appeared as slim as ever—but she couldn’t believe the healer would be wrong. He seemed so infallible, so completely invincible. The child was everything, all-important to the men. It surprised, even shocked her, the way they regarded the pregnancy. It was a miracle to both of them. The baby was more important than their lives. Shea was confused. Despite Jacques’ fractured memories, his protective streak was extremely strong. “He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not ever mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

The age was the Elizabethan; their morals were not ours; nor their poets; nor their climate; nor their vegetables even. Everything was different. The weather itself, the heat and cold of summer and winter, was, we may believe, of another temper altogether. The brilliant amorous day was divided as sheerly from the night as land from water. Sunsets were redder and more intense; dawns were whiter and more auroral. Of our crepuscular half-lights and lingering twilights they knew nothing. The rain fell vehemently, or not at all. The sun blazed or there was darkness. Translating this to the spiritual regions as their wont is, the poets sang beautifully how roses fade and petals fall. The moment is brief they sang; the moment is over; one long night is then to be slept by all. As for using the artifices of the greenhouse or conservatory to prolong or preserve these fresh pinks and roses, that was not their way. The withered intricacies and ambiguities of our more gradual and doubtful age were unknown to them. Violence was all. The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Girls were roses, and their seasons were short as the flowers. Plucked they must be before nightfall; for the day was brief and the day was all.

So, O king, does the present life of man on earth seem to me, in comparison with the time which is unknown to us, as though a sparrow flew swiftly through the hall, coming in by one door and going out by the other, and you, the while, sat at meat with your captains and liegemen, in wintry weather, with a fire burning in your midst and heating the room, the storm raging out of doors and driving snow and rain before it. For the time for which he is within, the bird is sheltered from the storm, but after this short while of calm he flies out again into the cold and is seen no more. Thus the life of man is visible for a moment, but we know not what comes before it or follows after it.

Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.

I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.

What will you do if you win the Scorpio Races?” I look into the bucket. “Oh, I’ll buy fourteen dresses and build a road and name it after myself and try one of everything at Palsson’s.” Though I don’t quite look up, I can still feel his gaze on me. It’s a heavy thing, this look of his. He says, “What’s the real answer?” But when I try to think of a real answer, it reminds me of Father Mooneyham saying that Gabe had sat in the confessional and cried, and it makes me think of how, no matter what happens in the races, the best option still has Gabe sailing away in a boat. So I snap, “Do you think I just turn my secrets out for everyone?” He is unfazed. “I didn’t know they were secrets,” he says. “Or I wouldn’t have asked.” It makes me feel ungenerous, since he’d answered so honestly. “I’m sorry,” I say. “My mother always said that I was born out of a bottle of vinegar instead of born from a womb and that she and my father bathed me in sugar for three days to wash it off. I try to behave, but I always go back to the vinegar.” When Dad was in one of his rare, fanciful moods, he told guests that the pixies left me on the doorstep because I bit their fingers too often. My favorite was always when Mum said that before I was born, it rained for seven days and seven nights solid, and when she went out into the yard to ask the sky what it was weeping for, I dropped out of the clouds at her feet and the sun came out. I always liked the idea of being such a bother that I affected even the weather. Sean says, “Don’t apologize. I was being too free.” And now I feel even worse, because that wasn’t what I meant at all.

A graveyard. It's the largest cemetery I've ever seen--a place Jack would surely love. A long rectangle of green lawn lined with rows and rows of old, moss-coated and weather-worn gravestones. Rain pounds the earth, and the cold tickle of air against my neck reminds me of the cemetery in Halloween Town. A feeling that exists in every cemetery, it seems. That hint of death. Of sorrow. Of lives brought to an end. But I don't have to go far before I find a small stone structure, an ornate mausoleum with spires along the roofline and a copper door, tarnished green from the rain. A tomb where the dead are placed to rest. I glance up the path, the cemetery glistening in the wet air. I have passed through many realms, all the way into the human world to a city made strangely silent, and now this mausoleum is my way home. My way back to Jack.

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

THEY shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a path through the woods Before they planted the trees: It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ring’d pools Where the otter whistles his mate (They fear not men in the woods Because they see so few), You will hear the beat of a horse’s feet And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods … But there is no road through the woods.

A tree can lift and transpire vast amounts of water. A single tree in the Amazon rain forest lifts hundreds of liters of water every day. The rain forest behaves like a green ocean, transpiring water that rains upward, as though gravity were reversed. These transpired mists then flow across the continent in great rivers of vapor. The water condenses, falls as rain, and is pulled back up again through the trees. It rises and falls on its westward migration an average of six times before finally hitting the physical barrier of the Andes mountains and flowing back across the continent as the mightiest river on Earth. Similarly, Indonesia, with 114 million hectares (280 million acres) of tropical forest (it is the second most forested country in the world after Brazil) is a vital part of the Asian hydrologic cycle. Around the world, forests constantly replenish Earth’s supply of fresh water and play a key role in weather and climate.

sunshine made the whole place look different. The high, deep, blue sky arched over Misselthwaite as well as over the moor, and she kept lifting her face and looking up into it, trying to imagine what it would be like to lie down on one of the little snow-white clouds and float about. She went into the first kitchen-garden and found Ben Weatherstaff working there with two other gardeners. The change in the weather seemed to have done him good. He spoke to her of his own accord. “Springtime’s comin’,” he said. “Cannot tha’ smell it?” Mary sniffed and thought she could. “I smell something nice and fresh and damp,” she said. “That’s th’ good rich earth,” he answered, digging away. “It’s in a good humor makin’ ready to grow things. It’s glad when plantin’ time comes. It’s dull in th’ winter when it’s got nowt to do. In th’ flower gardens out there things will be stirrin’ down below in th’ dark. Th’ sun’s warmin’ ’em. You’ll see bits o’ green spikes stickin’ out o’ th’ black earth after a bit.” “What will they be?” asked Mary. “Crocuses an’ snowdrops an’ daffydowndillys. Has tha’ never seen them?” “No. Everything is hot, and wet, and green after the rains in India,” said Mary. “And I think things grow up in a night.” “These won’t grow up in a night,” said Weatherstaff. “Tha’ll have to wait for ’em. They’ll poke up a bit higher here, an’ push out a spike more there, an’ uncurl a leaf this day an’ another that. You watch ’em.” “I am going to,” answered Mary. Very soon she heard the soft rustling flight of wings again and she knew at once that the robin had come again. He was very pert and lively, and hopped about so close to her feet, and put his head on one side and looked at her so slyly that she asked Ben Weatherstaff a question. “Do you think he remembers me?” she said. “Remembers thee!” said Weatherstaff indignantly. “He knows every cabbage stump in th’ gardens, let alone th’ people. He’s never seen a little wench here before, an’ he’s bent on findin’ out all about thee. Tha’s no need to try to hide anything from him.” “Are

As well,” he continued, “don’t you like a rather foggy day in a wood in autumn? You’ll find we shall be perfectly warm sitting in the car.” Jane said she’d never heard of anyone liking fogs before but she didn’t mind trying. All three got in. “That’s why Camilla and I got married,” said Denniston as they drove off. “We both like Weather. Not this or that kind of weather, but just Weather. It’s a useful taste if one lives in England.” “How ever did you learn to do that, Mr. Denniston?” said Jane. “I don’t think I should ever learn to like rain and snow.” “It’s the other way round,” said Denniston. “Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Haven’t you ever noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children—and the dogs? They know what snow’s made for.” “I’m sure I hated wet days as a child,” said Jane. “That’s because the grown-ups kept you in,” said Camilla. “Any child loves rain if it’s allowed to go out and paddle about in it.

That’s when she saw him. Standing there on the edge of the cliff in his rain-slicked duster and weathered Stetson. She stared, numb inside. Partly from being back in this spot again, but mostly from seeing him here, now. The certainty of her decision began to sway inside her, but looking at him, loving him the way she did, she determined to follow through. James walked toward her. Handsome hardly began to describe him, especially with that half grin slowly edging up one side of his mouth. “Beg your pardon, ma’am. But do you need some help getting your luggage down?” “What are you doing here? How did you—” He pulled an envelope from his pocket. She recognized her handwriting. It was the envelope she’d mailed last night. Or thought she’d mailed. Ben Mullins . . . “I got a special delivery around midnight.” He stepped closer, the blue of his eyes turning more so in the sunlight. “Ben had a pretty good tussle with his conscience, but he finally decided this was something I might need to see before Monday.” He gave her a scolding look. “He was right.

Soc. For, in fact, these alone are goddesses; and all the rest is nonsense. Strep. But come, by the Earth, is not Jupiter, the Olympian, a god? Soc. What Jupiter? Do not trifle. There is no Jupiter. Strep. What do you say? Who rains then? For first of all explain this to me. Soc. These to be sure. I will teach you it by powerful evidence. Come, where have you ever seen him raining at any time without Clouds? And yet he ought to rain in fine weather, and these be absent. Strep. By Apollo, of a truth you have rightly confirmed this by your present argument. And yet, before this, I really thought that Jupiter caused the rain. But tell me who is it that thunders. This makes me tremble. Soc. These, as they roll, thunder. Strep. In what way? you all-daring man! Soc. When they are full of much water, and are compelled to be borne along, being necessarily precipitated when full of rain, then they fall heavily upon each other and burst and clap. Strep. Who is it that compels them to borne along? Is it not Jupiter? Soc. By no means, but aethereal Vortex. Strep. Vortex? It had escaped my notice that Jupiter did not exist, and that Vortex now reigned in his stead.

Aubade" Who lives where summer ends knows the hard cold of autumn is blissfully close, although it feels each season newly un- known. You are constantly newly unknown to me, my night-glowing open-hearted sting-of-salt weather. Rains and winds, sleights-of- hand. Who if not you could weigh me enough down. You’d paint my eyes blacker and warmer than they are and soon they would carry whole calendars of black night in them. You say you’re pulled back, but it is a rare thing inside those shocks of minutes that holds without our even needing to touch it. Maybe you think you trade one clean joy for another. But mine is darker, slanted, nitrous blue at the root, an acrostic of what is most free and far. To be another person than the one you were before means more than I understand. But my gradual hands move in streams over you whether you travel or not, as you drop into sleep or not, and in the book of this most-alone-place I am there only when you feel need, a coat so thin and so like skin you can touch the slopes, the smoother pools, dust-mooded winds over roads, the skeleton instrument of your voice as it richens the maps and paths, summer’s last shades of white on dark soil, as if the moon-moth and house-mouth were close against the lashes of your eyes, puzzles-in- flutter, or wandering off through the warm night air, unlikely ever again to find such light as this. from Boston Review: August 21, 2013

Zane awakened them both early. By the time Chase stirred, he had both their tents down and was on his third cup of coffee. Phoebe had promised she could act completely normal, but looking at her from across the fire, he wasn’t so sure. There was no way anyone could see her dreamy expression and not know something was different. She tucked a strand of hair behind her ear. “What? You keep looking at me. I know my makeup can’t be smudged. I’m not wearing any.” It didn’t matter; she was still beautiful. “You look different,” he told her. “Satisfied?” Color flared on her cheeks. “You’re only saying that because you know the truth.” “Uh-huh.” He doubted that, but maybe she was right. Or maybe the weather would be enough of a distraction to keep everyone from figuring out the truth. “How long is it going to rain?” she asked as she fingered a pole holding up the canvas sheet they put up to protect the fire and the seating area around it. “It sure got cold and damp in a hurry.” Zane shrugged. “No way to tell. The storm is supposed to hang around for a few days, but maybe it will blow over.” He hoped it would. Traveling in the rain wouldn’t be fun for anyone. And he couldn’t simply turn them around, head to the ranch and be there in time for lunch. They were at the farthest point from his house. It was a full two-day ride back. Phoebe finished her coffee. “I’m going to check and see if my things are dry,” she said as she stood. He nodded, then watched her go. Cookie had started a second campfire on the far side of camp. Phoebe’s clothes and sleeping bag were getting a dose of smoky warm air in an attempt to get them dry before they headed out. Zane knew the old man wouldn’t tease Phoebe. Instead he would save his comments for Zane.

I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.

The arrival of winter made the matter even more acute, for it multiplied the daily hardships imposed by the German air campaign. Winter brought rain, snow, cold, and wind. Asked by Mass-Observation to keep track of the factors that most depressed them, people replied that weather topped the list. Rain dripped through roofs pierced by shrapnel; wind tore past broken windows. There was no glass to repair them. Frequent interruptions in the supply of electricity, fuel, and water left homes without heat and their residents without a means of getting clean each day. People still had to get to work; their children still needed to go to school. Bombs knocked out telephone service for days on end. What most disrupted their lives, however, was the blackout. It made everything harder, especially now, in winter, when England’s northern latitude brought the usual expansion of night. Every December, Mass-Observation also asked its panel of diarists to send in a ranked list of the inconveniences caused by the bombings that most bothered them. The blackout invariably ranked first, with transport second, though these two factors were often linked. Bomb damage turned simple commutes into hours-long ordeals, and forced workers to get up even earlier in the darkness, where they stumbled around by candlelight to prepare for work. Workers raced home at the end of the day to darken their windows before the designated start of the nightly blackout period, a wholly new class of chore. It took time: an estimated half hour each evening—more if you had a lot of windows, and depending on how you went about it. The blackout made the Christmas season even bleaker. Christmas lights were banned. Churches with windows that could not easily be darkened canceled their night services.

Hey,” Chase said as he approached. “The rain sucks.” “Agreed.” His younger brother settled on a log. “I checked on the cattle. They’re fine. The clouds don’t look like there’s going to be any lightning or thunder, but they look plenty wet.” Zane nodded. “Storm’s supposed to last two days. I was hoping it would hold off until Saturday.” Chase sipped his coffee. “Everybody okay?” There was something about the question. Zane stared at him. “What do you mean?” “Nothing. Just checking.” Had Chase heard something in the night? Zane shook his head. Not possible. His tent had been some distance from the others, and the rain had blocked out a lot of noise. Nothing about his brother’s expression told what he was thinking. “We’re heading back today, right?” Chase said. “That’s the plan. I wish it wasn’t a two-day ride.” “There’s--” Chase stopped speaking and stared at his coffee. Zane knew what he’d been about to say. Reilly’s place. It was only about an hour’s ride. The old man would give them shelter until the worst of the storm passed, and even send out a few of his men to watch over the cattle until then. But Zane wasn’t about to impose on his neighbor. Not now and not ever. He glanced at the sky and wondered how long he could take a stand in weather like this. Whatever his issues with Reilly, his guests’ safety came first. “I better see how everyone’s doing,” he said as he tossed the rest of his coffee into the fire. “Before you go,” Chase said and held out something in his hand. “I wasn’t sure if you had enough with you.” Zane stared at the three condoms resting on his brother’s palm. Then he glanced at Chase, who was grinning. “Way to go, big brother.” Not knowing what to say, Zane rose and stalked off. But not before he took the condoms. He might be stubborn, but he wasn’t a fool.

How did wheat convince Homo sapiens to exchange a rather good life for a more miserable existence? What did it offer in return? It did not offer a better diet. Remember, humans are omnivorous apes who thrive on a wide variety of foods. Grains made up only a small fraction of the human diet before the Agricultural Revolution. A diet based on cereals is poor in minerals and vitamins, hard to digest, and really bad for your teeth and gums. Wheat did not give people economic security. The life of a peasant is less secure than that of a hunter-gatherer. Foragers relied on dozens of species to survive, and could therefore weather difficult years even without stocks of preserved food. If the availability of one species was reduced, they could gather and hunt more of other species. Farming societies have, until very recently, relied for the great bulk of their calorie intake on a small variety of domesticated plants. In many areas, they relied on just a single staple, such as wheat, potatoes or rice. If the rains failed or clouds of locusts arrived or if a fungus infected that staple species, peasants died by the thousands and millions. Nor could wheat offer security against human violence. The early farmers were at least as violent as their forager ancestors, if not more so. Farmers had more possessions and needed land for planting. The loss of pasture land to raiding neighbours could mean the difference between subsistence and starvation, so there was much less room for compromise. When a foraging band was hard-pressed by a stronger rival, it could usually move on. It was difficult and dangerous, but it was feasible. When a strong enemy threatened an agricultural village, retreat meant giving up fields, houses and granaries. In many cases, this doomed the refugees to starvation. Farmers, therefore, tended to stay put and fight to the bitter end.

Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.

Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.

She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.

Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.

awake that she climbed out of bed and went to the window. She pulled the curtains aside, but the Kanes’ house was in darkness. She went back to bed, switched on her bedside lamp and picked up the crossword she had been trying to finish before she had grown too sleepy. One of down clues was ‘Together, the top and bottom of the world are manic’. The answer was ‘bipolar’. *** Next morning, as she came back with Barney from his early-morning walk, she found David Kane standing in her porch with the collar of his grey raincoat turned up. It was raining hard now and Barney had been stopping every few yards to shake himself. ‘Good morning, Katie,’ said David. ‘That’s the trouble with dogs, isn’it? You have to take them out to do the necessary, whatever the weather.’ Katie lowered her umbrella and shook it. ‘Don’t you have a dog?’ she asked him. ‘No, I couldn’t. If my patients smelled another dog in the house, whether they were dogs themselves or cats or whatever, they’d find it very disturbing.’ He stood close beside her as she unlocked her front door. ‘Talking of disturbing, the reason I’ve come over is to apologize for all the racket we were making last night, Sorcha and me. Sorcha was having one of her episodes.’ Katie stepped into the hallway and Barney followed her. David stayed in the porch as she hung up her raincoat. ‘Has she been back to her doctor?’ she said.

Imagine this garden; one you’ve planted from seed, cultivated with love. When the seeds break the ground, they seek sunshine, warmth, and nutrients. The seeds have no control over the weather. They are as dependent on it as we are on our minds. You may have control over the location of your garden, the frequency with which you tend to it, and the amount of care you give it, but you can’t control the weather. It may be sunny one day, rainy the next. You prop the vines in the hopes they will flourish once the rain passes. And they may, until the next rain comes. The weather changes, sometimes without warning. Sometimes you can see it coming, much like the triggers a depressed person avoids, and you try to protect the plants before the storm. The intensity of the labor can get frustrating, especially if there is no relief in sight. One day, a tornado or hurricane passes through. Even though you see it on the horizon, you can’t stop it and you may not be able to seek shelter soon enough. The plants are torn from their roots, the garden completely destroyed. You may have thought you could protect it yourself, that the storm wouldn’t be that bad, or you simply didn’t know how or were afraid to ask for help. Your neighbors and family couldn’t help or didn’t know you needed help. The garden is gone. This is the way of depression; if you don’t have it, it’s very difficult to understand this cycle.

road that ran through a mixed pine forest. “What are Steeev’s chances for, uh, surviving?” “I told Jill they were high,” I said without pulling my gaze from the monotonous scenery of pines. “But to be honest, I don’t know.” Sighing, I rubbed my eyes. “Theoretically, chances are decent the first time through the void. Not so much for a second death. He’s never died on Earth before, so that helps his odds.” The rain stopped as suddenly as it had begun. Pellini clicked off the wipers, and within a quarter of a mile sunlight blazed down onto a bone dry road. Louisiana weather. Gotta love it. Pellini smacked the steering wheel. “Shit!” I jerked, startled. “What?!” “You! You died over there! In the demon realm!” His mouth widened into a pleased smile. “That’s why you appeared out of nowhere without a stitch on.” I couldn’t answer for several seconds. “You saw me naked?” His smile exploded into a grin. Groaning, I dropped my head back against the seat. “Yeah. It was after I found out the Symbol Man was Chief Morse. I started the whole dying process here on Earth, but Rhyzkahl brought me to the demon realm to finish dying so that I had a chance of surviving it.

Respect: If your son is raised connecting the word respect with the following statements: “I respect the choice you are making to wear your sandals; I will be wearing my rain boots.” “I can see how upset you are, and I love you and respect you too much to fight with you, so I am going to go outside until I cool down and then we can talk about what happened.” “I know you like having the same lunch every day, so I bought you everything you need to make the lunch that you like.” “I can see that the way you organize your clothes really works for you.” “I can feel myself getting angry, so I am going to go cool down and think about how I feel about the situation and then maybe we can find a solution that works for all of us.” “I respect your choice not to work on your science project and I hope you can respect my choice not to get involved in the decision your teacher makes.” “I know your uncle can be very judgmental and in spite of that, you showed respect for his point of view and for the rest of the family by not arguing with him over dinner.” … it is reasonable that you will raise a son who has a healthy concept of what respect looks like, sounds like, and feels like in a relationship with others. Message: Respect is a two-way street and we both participate. Cooperation: If your daughter is raised hearing: “How about you carry the jacket to the car just in case the weather changes? If you decide not to wear it, that’s fine, but at least you will have it with you.” “Would you be willing to help me out at the store and be in charge of crossing things off my list and then paying the cashier while I bag the groceries?” “I am not going to have time tonight to help you with your project, but if you are willing to get up an hour early tomorrow morning I could help you then.” “I promised your brother I would make him a cake and I am wondering if you would like me to teach you so we can make our cakes together from now on.” “I am willing to watch thirty minutes of your show, even though you know it’s not my favorite, before I go to the other room to read.” “We have a lot of camping gear to set up, how do we want to divide up the jobs?” … it is reasonable that you will raise a daughter who has a healthy concept of what cooperation looks like, sounds like, and feels like in a relationship with others. Message: Cooperation is a willingness to work together. Responsibility: If your children are raised hearing: “I trust you can find another pair of mittens to wear today at school.” “Only you can decide how much lunch you will eat.” “I don’t know where you put your soccer shoes. I put mine in the hall closet.” “I’m sorry, but I won’t bring the homework that you left on the counter.” “You told the coach that you would put in the extra time outside of practice; you’ll have to explain to him why that didn’t happen.” “Do you have a plan for replacing the broken window?” “I understand that you are frustrated. I am following through with our agreement.” … it is reasonable that you will raise children who have a healthy concept of what responsibility looks like, sounds like, and feels like in a relationship with others. Message: Responsibility is being able to respond effectively to the situation at hand.

He also registered on all kinds of lists and he got a certificate to return home as "factory foreman." The deportations stopped temporarily. In the meantime, October neared its end, the weather got colder, rains made it very hard to stand for hours and listen for the names of people, who received the permit to return. I went daily to that military station, where the lucky ones received the reprieve from concentration camp. Those returned to their apartments in town and those who remained behind felt more and more desolate.

They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!

When are we born? When do we die? Why are we born? Why do we die? The world has been destroyed and reborn countless times, always resurrecting from the ashes as Paradise. It has happened before, and it will happen again. An endless cycle of life and death. The world is a Paradise that was opened by someone, but this era too is almost at an end. We have acquired the means to exceed our natural span of life, never suspecting that the world itself was finite in its existence. This knowledge has left me in despair. My fate has fallen, and scattered like the petals of a dying flower. Like the blast from a sand storm, it has been worn down and weathered away. As if to be purified, the world will be encased in ice, so that it can return to the beginning once more. Paradise is a world that is opened by someone...

By this time the rain is descending in sheets and I am feeling quite as wet and dejected as the weather. I am in the mood when one forgets one’s blessings and counts one’s troubles, when nothing seems good and the world seems grey and drab. I have a son, but he has gone away. I have a husband, but I have not seen him for months. It may be years before I see Tim, it certainly will be years before we can settle down to a reasonably peaceful life. What is the use of being married when you can’t be together? It is misery, no less. All very well for Tony to say think of the future—I do think of it most of the time but you can’t live on hope forever. There are times—and this is one of them—when the savour goes out of life, when you lose heart, when you feel you can’t go on, when you would give everything you possess for one glimpse of the person you love . . .

One day, when the weather changes, when it’s warmer,” he’d said, sneaking in behind me and lacing our fingers together before pressing them against the glass doors. “I’ll fuck you in the rain, angel. I promise.

I recalled how I had once thought myself a dragon slayer; how I had once gone to war convinced that I would tear my father's serpentine heart from his chest, and in doing so free myself and my mother from his clutches. But now, years later, that day had failed to come. Instead, the walls of his tower had grown taller and taller, and the insult of it had driven deeper and deeper, until it pained me as much as the imprisonment of my mother did. Perhaps it was selfish of me, to resent my wounded pride as much as her suffering. But resent it I did. And as I stood there that night in England, I could feel that resentment staining my very soul, like the weathered stone before me, going black in the wind and the rain.

Most of all, they preserved the land in prayer. Jewish prayer became suffused with the longing for the land. As a boy, growing up in a religious home in Brooklyn, I prayed in the winter months for rain and in the summer months for dew—regardless of the weather outside my window, following the natural rhythm of a distant land. In morning and evening prayers, in grace after meals, I invoked Zion. Before I’d even known the land of Israel as actual place, I knew it as inherited memory. When Sarah and I stood under the wedding canopy, we recited, as Jews have done for centuries, the ancient psalm “If I forget you, Jerusalem, let my right hand wither.” And then, at the moment of our greatest joy, we broke a glass, in memory of the destroyed Temple.

Who are you? Go back with the others until you are judged.” He met Hest’s stare eye to eye. Hest responded with wide-eyed shock. “But… but I’m Hest Finbok! I’ve come all this way to find my wife, Alise! I hired passage on the newest and swiftest ships I could find to come in search of her. When treachery by the captain let it fall to Chalcedean pirates, I thought all was lost. But here I am! Sweet Sa, your miracles never cease! I am here, and alive, and so is my darling wife! Alise, don’t you know me? Has your mind been turned by this harsh place? I am here now, and you need no other protector than your loving husband.” His words, she thought, danced all through the truth, never touching it. Reyn, startled, stayed as he was as Hest stepped around him. “No.” It was the only word she could manage. Her throat was dry, her heart pounding. She could not find breath to say more than that, but she clung to Leftrin’s arm as if it were her only lifeline in a wild sea storm. And he did not let go of her. He stood firm at her side. Leftrin spoke in a low growl. “The lady says no.” “Take your hands off my wife!” Hest ignored Reyn’s challenge of him as he stepped around the Elderling to glare menacingly at Leftrin. “She is obviously not right in her mind! Look how she stares! She does not recognize me, poor thing! And you, you scoundrel, have taken advantage of her! Oh, my Alise, my darling, what has he done to you? How can you not recognize your own loving husband?” She felt a low rumbling from Leftrin as if he snarled like a beast. His arm in her clutch had become hard as iron. He would protect her, he would save her. All she had to do was let him. “No,” she said again, this time to Leftrin. She squeezed his arm reassuringly and then stepped out of his shelter. She stood free of him, and the wind off the river blew past her. Her unbound hair lifted in wild red snakes, and she knew a moment of dismay as she wondered how ridiculous she looked, her skin weathered, her woman’s body garbed in the bright colors of an Elderling as if she did not know her age or place in the world. Her place in the world. She squared her shoulders. As she walked forward, Reyn stepped toward her as if to offer his arm and support. She waved him off without meeting his eyes. She advanced on Hest, hoping to see some flicker of doubt in his eyes. Instead his smile only widened as if he were truly welcoming her. He actually believed that she would resume that role, would pretend to be his loving, dutiful wife. That thought touched fire in her soul. She halted before him and looked up at him. “Oh, my dear! How harshly the world has treated you!” he exclaimed. He tried to put his arms around her. She set both hands to his chest and pushed him firmly away. As he staggered backward, it pleased her that he had not expected her to be so strong. “You are not my husband,” she said in a low voice. He teetered a moment, then caught his balance. He tried to recover his aplomb. But she had seen the sparks of anger flare in his dark eyes. He tipped his head, solicitous, his voice striken. “My dear, you are so confused!” he began. She lifted her voice, pitched it for all to hear. “I am NOT confused. You are NOT my husband. You broke the terms of our marriage contract, rendering it void. From the earliest days of our marriage, you were unfaithful to me. You entered into the contract with no intent of keeping yourself to me. You have deceived me and made me an object of mockery. You are not my husband, and by the terms of our marriage contract, all that is mine comes back to me. You are not my husband, and I am not your wife. You are nothing to me.

Great Roofing Tips You Should Check Out To make sure that you get the right roof for your needs, learn more about it before you hire someone to install one. This article is going to teach you a few things that can help you to have a roofing project that goes well. You just might learn a thing or two about roofing that can save you some time or money. Don't mess around with your roof if the weather is inclement. Not only does it make it more dangerous for you to go up there, but it can also ruin the work you're attempting to do. Wait for nice weather, both temperature and storm-wise, and then take advantage of the beautiful day. Always be safe when you're up on your roof. If you don't know what you're doing, don't go up there! Wear the right safety gear and don't do anything that puts your body at risk. Remember to bring along the right tools for the job as well to ensure you do the work right. Safety should always be your primary concern when repairing a roof. A quick way to seriously injure yourself is to try to work on your roof in wet conditions. Put a bucket beneath any leaks until the weather improves, then go inspect the roof and see if it's possible for you to repair it. Gutter To protect the integrity of your roof, clean the gutters regularly. Many roof problems, such as leaking, are caused by back-ups in the gutter system. Having a clogged gutter means that rain and snow cannot adequately drain and that puts an extra burden on your roofing materials. Buy tools to make cleaning the gutters faster and easier on you. If you have a hard time getting debris out of your gutter, you may want to bring in some new tools. Try fastening a metal angle on the end of a long board, then move the material towards you with a raking motion. Afterwards, clear out extra debris with a wire brush. While you should give your gutter periodic deep cleanings, there are certain things you should get away from your gutter the moment you see them. Litter, twigs, and pine needles are all big clogging culprits, and knocking them out of the way will help you prevent problems with your own gutter. These short tips have given you the knowledge you needed. These tips will maximize your knowledge of roofing. It can be a nightmare to repair or replace your roof if you are not educated on the matter.

Wednesday- Use Your Powers for Good   We all stayed inside the tower last night, eating cake and listening to the rain. We could hear all kinds of mobs outside, but so high up and all of us being together, we never felt in danger.   A few times Courtney noticed the Weather Master had wandered off and was sitting by himself. She always brought him back to the group. Eventually he stayed with us. Once he even smiled.   I snuck away from the group as soon as the sun began to rise. If we were going to stay here, we needed shelter. All of us trying to share the tower wasn’t going to work…Charles snores.   “What are you doing up and about so early?” the Weather Master asked me as he approached from behind. I had already started gathering wood from nearby trees. Courtney and Charles and Dog had come down a little while after me and were off searching for more.   “Building myself a tree house,” I said. “Give me a hand?”   He hesitated. “I’m not sure I could be of much help…”   “I meant stop the rain,” I corrected. “Just for a little while, until I finish the roof.”   He didn’t look like he liked that idea very much. “I’m not sure…”   “Hey now,” I said, putting down my ax and looking him in the eye. “The whole reason we said we’d stay is so we can help you learn to use your powers for good…not evil.”   He thought about that long and hard. “You really think someone like me could learn to use a power like this to…help people?”   “Everybody has something to give,” I said, shrugging. Just then, Charles and Courtney emerged from the trees, both carrying wood and sugarcane, a few small slimes bouncing along behind Courtney as she walked. “Go on. Give it a try.”   We watched through the rain as the Weather Master bounced back up to the top of the tower. Slowly the rain stopped, the clouds cleared, and the sun shone down on us from above.   “Well?” Courtney said. “What are we waiting for? Let’s get these tree houses built before the sun goes down.”   And we did. We’re all sitting in our own houses now, since it’s mostly dark out. The rain hasn’t come back yet, but I can tell the Weather Master is still up there messing with the controls. Lightning flashes across the sky, I realize, in patterns. A light show before bed. For us.   Have you ever crafted something so big and complicated and awesome that you just stand there afterward, in awe of what you have just created with just the materials around you? I have. But definitely nothing as cool and bright as this.   I never thought a slime could change my life, but it did. It brought me and my friends here. We turned a monster into someone good.     How awesome is that???

And there's the happiness, again. Flickering, moth-like, just under her sternum. She presses a hand up to the place. If she could leave the embered blackness behind her eyelids and travel to the spot where feelings are made, perhaps she could farm the right ones. She has recently become attuned to the way Dad takes the temperature of her mood and attempts to chart it... Every night before bed, he says, 'Three happy things?' It's pretty easy. There's always weather of some sort: sun, snow, rain, wind. There's food - her favourite cereal or a nice pudding. And one other bit of happiness, which can be absolutely anything: clean sheets, a book, one of Dad's ideas - it doesn't matter whether the idea will actually happen, the optimism dominoes from him to her, regardless.

JUDGE.  And before we start I want you all to realize that there’s no problem too big to solve. Into every life a little rain must fall. Every cloud must have a silver lining, and it is always darkest before the dawn. LIZ.  Well, now that we’ve had the weather report, let’s get on with the case.

Not infrequently in the wide skies over Yuma and other parts of the arid Southwest, residents watch sheets of rain begin to unfurl from auspicious purple storm clouds, backlit by the sun. But the rain stops halfway, hanging mid-horizon like a magician's trick. Known as rain streamers or by their scientific name VIRGA, the half-sheets evaporate into the dry air before the rain can reach the ground.

Persecutions reached their peak during the worst years of the climate extremes, in the decades before and after 1600. The crime disappeared from the penal catalogs after the end of the age—when the sun emerged along with more enlightened explanations for the weather. The western coastal fringes of Europe, which enjoyed more temperate weather and less vulnerability to famine, saw far fewer witchcraft accusations. Suspicions were rampant in densely populated Central Europe, which was also hit by the greatest climate extremes. It happened that people who lived with the weakest infrastructure and farmed some of the worst soils also faced the most extreme rains and the harshest winters of the Little Ice Age. Superstition

Hardie Boys- Exterior Millwork That Provides Value Over Time The outdoor areas on your property and the features on it, become the perfect backdrop for your home’s structure. They are also one of the first things that visitors to your property notice. The manner in which these features are designed and the finishing that’s used in them, go a long way in enhancing the overall appeal and value of your property. And so it follows that you ensure resilient materials are used in the work and hire expert technicians for the installation. When you start researching products and materials for outdoor installations, you will find that wood; iron, aluminum, plaster, brick and foam are commonly used in exterior construction. And this may lead you to believe that they are the best option for these applications. It’s also natural for you to be unsure about using new materials such as the specialized cellular PVC materials we use in our millwork. Some comparisons But the fact is that there has been a significant advancement in the manufacture of exterior-grade, manmade materials and cellular PVC is one of them. However, the higher upfront cost can sometimes become the other deterrent for property owners, to opt for this innovative material. Take a look at how the cellular PVC material that we at Hardie Boys, Inc. use stands up against other traditionally-used materials: 1. Weather impact Materials such as hardwood and metal are strong and durable, but need a significant amount of treatments before they can be used in exterior applications. For instance, untreated and unfinished wood features get affected by moisture and the sun’s rays and eventually crack and crumble. They can also develop rot or moss; and if these conditions are very severe, extensive repairs or complete replacement of the feature is the only option you are left with. Metal too gets affected by moisture and exposure to rain and frost; and rusts and corrodes over time. In comparison the unique PVC cellular material that we use in our millwork is moisture and heat-resistant and doesn’t corrode over time. 2. Termite damage Termites are extremely destructive creatures and they can bore through wooden features and cause extensive damage to them. In most cases, replacement is the only option you are left with, which represents a significant expense. Concrete surfaces get affected by the freeze and thaw cycles and crack over a period of time, and you end up spending considerable amounts on repair and replacements. On the other hand, cellular PVC doesn’t get impacted by termites or weather fluctuations at all. 3. Maintenance While choosing materials for exterior applications, most property owners fail to factor the maintenance costs into the overall cost of the installation. For instance, wood, plaster, foam, brick and concrete require annual mold prevention maintenance as well as sanding and polishing or painting. Metal surfaces have to be sanded, and painted regularly too. In comparison, our cellular PVC material features require only basic cleaning and they won’t warp, crack, fade, corrode, develop rot or mold. In short, this is an extremely low-maintenance option that is worth every penny you spend on initial costs. We at Hardie Boys, Inc. are the leaders in this space and provide excellent, customized, cellular PVC millwork solutions for residential and commercial settings. For any more information about our exterior millwork,

This internal exploration is well worth while. For there is something within the mind of man and beast, something that is neither intellect nor feeling, but deeper than both, to which the name of intuition, may fitly be given. When science can truly explain why a horse will take its drunken rider or driver for miles through the dark and find its own way home; why field-mice seal up their holes before the cold weather comes; why sheep move away to the lee side of a mountain before severe storms; when it can tell us what warns the tortoise to retire to rest and refuge before every shower of rain; and when it can really explain who guides a vulture many miles distant to the dead body of an animal, we may then learn that intuition is sometimes a better guide than intellect.

He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not even mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!” Jacques leapt forward, grabbed his brother, and hit his face, once, twice. “Come back!” It was a hoarse cry. Shea bit her lip, suddenly terrified. The couple seemed somehow bound, caught in the vampire’s trap with Byron. Gregori pulled Raven farther into the driving rain. Jacques pushed Mikhail after them. It was Mikhail who recovered first. He blinked at his brother, looked around him as if unaware where he was. Then, instinctively, he reached for Raven. “Bring her back, Mikhail. Go after her. Guide her back. This is too dangerous for her. Even with my connection to her, she is trapped,” Gregori said. “We are dealing with more than just any vampire. This one is skilled in the black arts and the use of herbs and power stones. I know what he has done and how he is doing it.” Mikhail pulled Raven tightly against him, his black eyes hard with mental strain. Raven blinked, looked around her, seemed surprised to find herself in the rain. Her hand went to her temple in a gesture of pain. “Stop staring at me. I feel like some kind of freak show.” She sounded hurt, hid her face on Mikhail’s chest. His arms circled her, drew her into the shelter of his body, his head bent lovingly toward hers. It was such an intimate gesture, Shea had to turn away.

Raven stood in the comparative shelter of the porch, her face turned up toward the sky, eyes closed. Tiny beads of perspiration dotted her forehead, and her fingers twisted together compulsively over her stomach. She was not with the others, rather somewhere out of her body and concentrating on attempting to find Byron’s location. Beside her stood her dark, intimidating husband, his mind obviously locked with hers. Mikhail was so like Jacques that Shea could not tear her gaze from him. As she moved onto the porch a step behind Jacques, she could clearly see that Mikhail was furious. He was seething with anger, violence swirling very close to the surface, yet his posture was purely protective. He had placed himself between Raven and the ferocity of the storm. Gregori was as still as a statue, his face a blank mask, his silvery eyes as empty as death, yet Shea gave him a wide berth. There was something dangerous in his utter stillness. Shea felt she had no way to sorting out the complexity of the Carpathian male’s nature. Gregori was watching Raven through narrowed, restless eyes, eyes that saw far too much. Suddenly he cursed, low and vicious, startling from someone of his stature and power. “She should not put herself at risk. She is with child.” His eyes met Jacques’, silver lightning and black ice. Total understanding between the two men. Shea merged her mind with Jacques’ quickly to try to understand the hidden currents. Raven’s pregnancy, if she was pregnant, changed everything as far as the men were concerned. Shea could see no evidence of a child--Raven appeared as slim as ever--but she couldn’t believe the healer would be wrong. He seemed so infallible, so completely invincible. The child was everything, all-important to the men. It surprised, even shocked her, the way they regarded the pregnancy. It was a miracle to both of them. The baby was more important than any of their lives. Shea was confused. Despite Jacques’ fractured memories, his protective streak was extremely strong. “He’s aware of his surroundings, but he can’t move. Even his mind is locked and still. He is paralyzed somehow.” Raven’s voice startled Shea, brought her back to the stormy weather and their rescue mission. Raven was clearly speaking of Byron. “He can’t move or call out, not even mentally. It is dark and damp, and he knows he will suffer greatly before they are done with him.” Raven swayed, her hands protectively covering her stomach. The healer moved, a blur of speed, catching her arm and wrenching her out into the driving rain. Gregori snagged Mikhail’s shirt, too, and yanked him into the fury of the storm. “Break off now, Raven,” Gregori commanded. He shook her, shook Mikhail. “Let go of him now!

It happened on the main river course in bright sunshine at Bottom River. Hubert’s first cousin, Barbara, who wasn’t born in Mason Hall but came as a young girl to live there with her family, was in the river with a large group shouting and laughing when unexpectedly the rushing torrent came into view sweeping everything before it. Unbeknownst to those in the river who were en joying perfect weather, it had been raining hard in the Widow/Nutmeg Grove area upstream and the flash flood was on its way downstream. Barbara was said to be sitting on a stone in the middle of the river when she was swept away as those present looked on helpless and horrified. The able-bodied men of our village and some from villages downstream searched for her throughout the night, without success. The next morning her lifeless body was recovered from the banks of the Courland as it wound its way to the sea at Plymouth.

IT WAS CHRISTMAS night, the eve of the Boxing Day Meet. You must remember that this was in the old Merry England of Gramarye, when the rosy barons ate with their fingers, and had peacocks served before them with all their tail feathers streaming, or boars’ heads with the tusks stuck in again—when there was no unemployment because there were too few people to be unemployed—when the forests rang with knights walloping each other on the helm, and the unicorns in the wintry moonlight stamped with their silver feet and snorted their noble breaths of blue upon the frozen air. Such marvels were great and comfortable ones. But in the Old England there was a greater marvel still. The weather behaved itself. In the spring, the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang. In the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed. In the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory. And in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.

It looks like we’re stuck here for a while,” Cass said, trying not to let her eyes wander down to Falco’s chest. His damp chemise was clinging to his body. The drizzle became a deluge, rain pounding the stone street so hard, it drowned out Falco’s response. Cass leaned in close. “What?” “I said I know someplace nearby we can go. Until the rain stops.” Falco’s lips were so close to her ear that she felt a puff of warm air with each p he spoke. Cass trembled slightly. She told herself it was from the weather, but she turned to face Falco even though it meant putting the right side of her dress out into the storm. His expression was neutral, but his eyes smiled at her. “What sort of place?” “Tommaso’s studio. It’s just a couple of streets over.” Cass watched the rain come down in sheets. “Tommaso?” “Vecellio. He’s my master.” Cass sucked in a deep breath. Tommaso Vecellio was descended from the same bloodlines as Titian, one of the most famous Venetian artists of all time. Titian had died before Cass was born, but his influence lingered in churches and private homes all across Venice. “You apprentice with Vecellio? How come you never told me?” Falco slicked his wet hair back from his face. “You never asked.

They say if a butterfly flaps its wings in the Amazonian rain forest, it can change the weather half a world away. Chaos theory. What it means is that everything that happens in this moment is an accumulation of everything that’s come before it. Every breath. Every thought. There is no innocent action. Some actions end up having the force of a tempest. Their impact cannot be missed. Others are the blink of an eye. Passing by unnoticed. Perhaps only God knows which is which All I know is that you can think that what you’ve done is only the flap of a butterfly wing, when its really a thunderclap. And both can result in a hurricane

The melons looked all right, but there’s not much inside them when you cut them open.’ ‘Those mooncakes are good, aren’t they?’ said Cousin Zhen. ‘They were made by our new pastry-cook. I tried them myself to make sure they were all right before venturing to send you any. As for the melons: we’ve been lucky in previous years, but for some reason none of them this year seem to be any good.’ ‘I think we must blame the weather,’ said Jia Zheng. ‘The rains this year were excessive.

On train trips, Ernie always wanted the window seat. He knew the names of the trees we passed, and the clouds—nacreous, cumulus, nimbus. He was ever vigilant for animal life and appreciative of the tiny patches of humanity along the tracks that exposed the lives of the rail-side dwellers in such intimate detail. “I love sad houses,” he’d say, pointing to a chorus line of discoloured laundry waving at us, to an upturned self-propelled lawnmower, straggly gardens, leaky drainpipes, a rain-weathered pram that had been turned into a wheelbarrow. “The porch lights are on to keep the rats in their dens,” he’d said. To be a voyeur of decay at such close range was as much of an enthrallment as it was a validation of the scarcities in his own backyard. I knew exactly which days Ernie’s mum had had to choose between heating the house and putting food on the table. My mother had been there too. Before the Zipper had given her a leg up.