“
The moment we begin to fear the opinions of others and hesitate to tell the truth that is in us, and from motives of policy are silent when we should speak, the divine floods of light and life no longer flow into our souls.
”
”
Elizabeth Cady Stanton
“
We pass through this world but once. Few tragedies can be more extensive than the stunting of life, few injustices deeper than the denial of an opportunity to strive or even to hope, by a limit imposed from without, but falsely identified as lying within.
”
”
Stephen Jay Gould (The Mismeasure of Man)
“
If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
“
The three of them fell silent. After a long pause, Hermione voiced the knottiest question of all in a hesitant voice.
“Do you think we should go and ask Hagrid about it all?”
“That’d be a cheerful visit,” said Ron, “ ‘Hello, Hagrid. Tell us, have you been setting anything mad and hairy loose in the castle lately?
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Cress?"
"It's beautiful out there."
A hesitation, before, "Could you be more specific?"
"The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon.
"Oh, good. You've really narrowed it down for me."
"I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert."
"Cactuses and tumbleweeds?"
"No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke."
"Piles up in lots of hills?"
"Yes, exactly! And it's beautiful."
Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
We deserve each other, Luis … and I need you just as much as you need me. Hold me.”
He steps closer, but hesitates.
“If I do, mi chava, I can’t promise I’ll be able to let you go.
”
”
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
“
Real life is a funny thing, you know. In real life, saying the right thing at the right moment is beyond crucial. So crucial, in fact, that most of us start to hesitate, for fear of saying the wrong thing at the wrong time. But lately what I've begun to fear more that that is letting the moment pass without saying anything.
I think most of us fear reaching the end of our life, and looking back, regretting the moments we didn't speak up. When we didn't say "I love you." When we should've said "I'm Sorry." When we didn't stand up for ourselves or some one who needed help.
”
”
Taylor Swift
“
You made me happy and you made me laugh, and if I could do it all over again, I would not hesitate. Look at our life, at the trips we took, the adventures we had. As your father used to say, we shared the longest ride together, this thing called life, and mine has been filled with joy because of you.
”
”
Nicholas Sparks (The Longest Ride)
“
Wolf, are you asking me to be ... your alpha female?"
He hesitated.
Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this."
Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere."
His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers.
"Alpha female," he murmured. "I sort of like that."
Beaming, Scarlet gave a mild shrug. "It could grow on me.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Only when we give joyfully, without hesitation or thought of gain, can we truly know what love means.
”
”
Leo F. Buscaglia
“
If we hesitate between 'veiling' and 'revealing' our emotions or vacillate between 'shrouding' and 'disclosing' our thoughts, we must understand the nuts and bolts of our individual construct and underpin the elasticity of our mental frame. ("Unfulfilled meeting")
”
”
Erik Pevernagie
“
Tell you what," I said. "After the testing after the Demon Days, when things settle down -"
"Things won't settle down."
"- I'm going to take you to the mall."
She blinked. "The mall? For what reason?"
"To hang out," I said. "We'll get some hamburgers. See a movie."
Zia hesitated. "Is this what you'd call a 'date'?"
My expression must have been priceless, because Zia actually cracked a smile. "You look like a cow hit with a shovel.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would. He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
We waste so much energy trying to cover up who we are when beneath every attitude is the want to be loved, and beneath every anger is a wound to be healed and beneath every sadness is the fear that there will not be enough time.
When we hesitate in being direct, we unknowingly slip something on, some added layer of protection that keeps us from feeling the world, and often that thin covering is the beginning of a loneliness which, if not put down, diminishes our chances of joy.
It’s like wearing gloves every time we touch something, and then, forgetting we chose to put them on, we complain that nothing feels quite real. Our challenge each day is not to get dressed to face the world but to unglove ourselves so that the doorknob feels cold and the car handle feels wet and the kiss goodbye feels like the lips of another being, soft and unrepeatable.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
”
”
Jon Krakauer (Into the Wild)
“
It hits me with a painful force, the reminder. Of just how much I love her. God, I love all of her. Her impossibilities, her exasperations. I love how gentle she is with me when we’re alone. How soft and kind she can be in our quiet moments. How she never hesitates to defend me.
I love her.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
In the past, humans hesitated when they took lives, even non-human lives. But society had changed, and they no longer felt that way. As humans grew stronger, I think that we became quite arrogant, losing the sorrow of 'we have no other choice.' I think that in the essence of human civilization, we have the desire to become rich without limit, by taking the lives of other creatures.
”
”
Hayao Miyazaki
“
Annabeth hesitated. "Then we'll all go."
"No," I said. "It's too dangerous. If they got hold of Nico, or Rachel for that matter, Kronos could use them.You stay here and guard them."
What I didn't say: I was also worried about Annabeth. I didn't trust what she would do if she saw Luke again. He had fooled her and manipulated her too many times before.
"Percy, don't," Rachel said. "Don't go up there alone."
"I'll be quick," I promised. "I won't do anything stupid."
Annabeth took her Yankees cap out of her pocket. "At least take this. And be carful."
"Thanks." I remembered the last time Annabeth and I had parted ways, when she'd given me a kiss for luck in Mount St. Helens. This time, all I got was the hat.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
We can't lose you," she said after a few moments of awkward as hell silence. "You have to understand that we aren't doing this because we don't care about Kat. We're doing this because we love you."
"But I love her," I said without hesitation.
Dee's eyes widened, probably since it was the first time she'd herd me say it out loud, well, about anyone other than my family. I wished I had said it more often, especially to Kat. Funny how that kind of shit always turns out in the end. While you're deep in something, you never say or do what you need to. It's always after the fact, when it's too late that you realize what you've should've said or done/
It couldn't be too late. I knew that. The fact that I was still alive was testament to that. Like Dee said, though, there were worse things than death.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
nothing ever goes away until it has taught us what we need to know
…nothing ever really attacks us except our own confusion. perhaps there is no solid obstacle except our own need to protect ourselves from being touched. maybe the only enemy is that we don’t like the way reality is now and therefore wish it would go away fast. but what we find as practitioners is that nothing ever goes away until it has taught us what we need to know. if we run a hundred miles an hour to the other end of the continent in order to get away from the obstacle, we find the very same problem waiting for us when we arrive. it just keeps returning with new names, forms, manifestations until we learn whatever it has to teach us about where we are separating ourselves from reality, how we are pulling back instead of opening up, closing down instead of allowing ourselves to experience fully whatever we encounter, without hesitating or retreating into ourselves.
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
“
His earlier hesitation gone, he removed the last scraps of fabric we were wearing, fixed the condom in place, kissed me fiercely and rocked into me.
Had this been Kennedy, it would have been over in a few minutes.
My last coherent thought, as Lucas took his time kissing and touching every part of me he could reach and my body arched into his, was Oh... so this is what all the fuss is about.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
Let us not hesitate to surrender to our desire and our passion for joy when we are willing to be reborn from the ashes of a lost past and feel ready to burn down desperation and boredom. (''Happiness is blowing in the wind'')
”
”
Erik Pevernagie
“
And now we can't," I said. "Which sucks, but the main thing is that your dad's alive."
He smiled, hesitant at first, then a blazing grin broke through that made my heart stop. I recovered and grinned back and went to throw my arms around his neck, then stopped, blushing. Before I could pull back, he caught my elbows and put my arms around his neck and pulled me into a hug.
Then he jumped, chair swiveling so fast I nearly went flying. I heard footsteps in the hall and I scrambled off his lap just as Simon swung in, breathing heavily, like he'd come running.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
If we do not hesitate to set sail for the deep waters of our thinking and take the time to cultivate the right words that we need to conceive and express what we feel, we can avoid many misconceptions. ("Life was a misunderstanding")
”
”
Erik Pevernagie
“
There is a destination but no way there; what we refer to as way is hesitation.
”
”
Franz Kafka (The Zürau Aphorisms)
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
The way of Jesus cannot be imposed or mapped — it requires an active participation in following Jesus as he leads us through sometimes strange and unfamiliar territory, in circumstances that become clear only in the hesitations and questionings, in the pauses and reflections where we engage in prayerful conversation with one another and with him.
”
”
Eugene H. Peterson (The Jesus Way: A Conversation on the Ways That Jesus Is the Way (Spiritual Theology #3))
“
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-"
-"What little bird?" said Aziraphale suspiciously.
-"This little bird I'm talking about. And every thousand years-"
-"The same bird every thousand years?"
-Crowley hesitated. "Yeah," he said.
-"Bloody ancient bird, then."
-"Okay. And every thousand years this bird flies-"
-"-limps-"
-"-flies all the way to this mountain and sharpens its beak-"
-"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."
-"But it gets there anyway," Crowley persevered.
-"How?"
-"It doesn't matter!"
-"It could use a space ship," said the angel.
Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-"
-"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have
they got to do?"
-"Sharpen its beak on the mountain," said Crowley. "And then it flies back-"
-"-in the space ship-"
-"And after a thousand years it goes and does it all again," said Crowley quickly.
There was a moment of drunken silence.
-"Seems a lot of effort just to sharpen a beak," mused Aziraphale.
-"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-"
Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly.
-"-then you still won't have finished watching The Sound of Music."
Aziraphale froze.
-"And you'll enjoy it," Crowley said relentlessly. "You really will."
-"My dear boy-"
-"You won't have a choice."
-"Listen-"
-"Heaven has no taste."
-"Now-"
-"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
DONT EVER BE AFRAID TO COME TO ME N CRY ...DONT EVER HESITATE TO LOOK ME N THE EYE DONT EVER BE AFRAID TO TELL ME HOW YOU FEEL. REMEMBAER YOUR MY GIRL N WE GOTTA KEEP IT REAL.
”
”
Nikki Giovanni
“
The father hesitated only a moment. He felt the vague pain in his chest. If I run, he thought, what will happen? Is Death important? No. Everything that happens before Death is what counts. And we've done fine tonight. Even Death can't spoil it.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Confidence is what we get when we take fear, face it and replace it.
”
”
Tim Fargo
“
It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
Halt," said the elegant diplomat, "when you asked me to marry you, did you think we could just sneak off to a glade in the woods with a few close friends and get it done?"
Halt hesitated. "Well, no...of course not."
As a matter of fact, that was exactly what he had thought. A simple ceremony, a few friends, some food and drink and then he and Pauline would be a couple. But he felt that it might not be wise to admit that right now.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
Time talks behind our back. To our face it's friendly and logical, never hesitating to give more of itself. But when we're not looking, it steals our lives and says bad things about us to the parts of us it's stolen
”
”
Jonathan Carroll (A Child Across the Sky (Answered Prayers, #3))
“
It's true, I did say I wanted girlfriends," I capitulated hesitantly, "but couldn't we start with something smaller and less terrifying? Like maybe spend a weekend at a crack house? I heard those people are very nonjudgmental, and if you accidentally say something offensive you can just blame it on their hallucinations.
”
”
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
“
We must come to grief and regret anyway - and I for one would rather regret the reality than its phantasm, knowledge than hope, the deed than the hesitation, true life and not mere sickly potentialities.
”
”
A.S. Byatt (Possession)
“
BITTER: always a bit unanticipated. Coffee, chocolate, rosemary, citrus rinds, wine. Once, when we were wild, it told us about poison. The mouth still hesitates at each new encounter. We urge it forward, say, Adapt. Now, enjoy it.
”
”
Stephanie Danler (Sweetbitter)
“
I tell you that I like being this close to you and how you feel against me. But now even I'm hesitant. I'm afraid that when we hit the ground, this will be over. We'll land and this feeling between us will vanish. That you won't feel it any longer. I can't stand that thought.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
While navigating our blind dates and relationships, let us not hesitate to apply critical thinking and maintain an offset between idealism and realism. When we balance our aspirations with the constraints of reality, we can steer the unpredictability of life with insight and resilience. ("Blind Date")
”
”
Erik Pevernagie
“
Vegas?" I asked. His brow furrowed, unsure of where I was headed.
"Yeah?"
"Have you thought about going back?" His eyebrows shot up.
"I don't think that's a good idea for me."
"What if we just went for a night?" He looked around the dark room, confused.
"A night?"
"Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile.
"When?" I shrugged.
"We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?"
"I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time."
Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high.
"You're one to laugh. You moan about the cold floor more than anyone else than I know."
She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar."
"Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin.
"Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?"
"Well, as long as your men don't object to seeing you knocked on your ass."
"We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning.
Ress quickly added, "Captain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Ragna hesitated. She had known this moment would come. “My Lady, your son Alberon is the father of our child and he has sworn to me that we will be married.
”
”
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
“
We have on this earth what makes life worth living: April’s hesitation, the aroma of bread at dawn, a woman’s point of view about men, the works of Aeschylus, the beginning of love, grass on a stone, mothers living on a flute’s sigh and the invaders’ fear of memories.
”
”
Mahmoud Darwish (Unfortunately, It Was Paradise: Selected Poems)
“
Sometimes we think that to develop an open heart, to be truly loving and compassionate, means that we need to be passive, to allow others to abuse us, to smile and let anyone do what they want with us. Yet this is not what is meant by compassion. Quite the contrary. Compassion is not at all weak. It is the strength that arises out of seeing the true nature of suffering in the world. Compassion allows us to bear witness to that suffering, whether it is in ourselves or others, without fear; it allows us to name injustice without hesitation, and to act strongly, with all the skill at our disposal. To develop this mind state of compassion...is to learn to live, as the Buddha put it, with sympathy for all living beings, without exception.
”
”
Sharon Salzberg (Lovingkindness: The Revolutionary Art of Happiness (Shambhala Library))
“
Whom are you going to dance with?' asked Mr. Knightley.
She hesitated a moment and then replied, 'With you, if you will ask me.'
Will you?' said he, offering his hand.
Indeed I will. You have shown that you can dance, and you know we are not really so much brother and sister as to make it at all improper.'
Brother and sister! no, indeed.
”
”
Jane Austen
“
Think of all the stories you've heard, Bast. You have a young boy, the hero. His parents are killed he sets out for vengeance. What next?"
Bast hesitated, his expression puzzled. Chronicler answered the question instead. "He finds help. A clever talking squirrel. An old drunken swordsman. A mad hermit in the woods. That sort of thing."
Kvothe nodded. "Exactly! He finds the mad hermit in the woods, proves himself worthy, and learns the names of all things, just like Taborlin the Great. Then with these powerful magics at his beck and call, what does he do?"
Chronicler shrugged. "He finds the villains and kills them."
"Of course," Kvothe said grandly. "Clean, quick, and easy as lying. We know how it ends practically before it starts. That's why stories appeal to us. They give us the clarity and simplicity our real lives lack.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
At times we will be asked to let go of things that we have always wanted to keep for ourselves, or things that we would never have thought that we would to have to let go of, such as the loss of a loved one or the betrayal of a dear friend. A tree never hesitates to shake off her leaves during fall, and so we must take another lesson given to us by the nature: let go when it is time. Although such losses can be difficult and painful, rise above this suffering. Focus within your mind, the image of the Lotus prospering above mud. We are the lotus; rise above.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
I find myself thinking back to something I saw on the local news about a year ago. A teen football player had died in a car accident. The cameras showed all his friends after the funeral—these big hulking guys, all in tears, saying, “I loved him. We all loved him so much.” I started crying, too, and I wondered if these guys had told the football player they loved him while he was alive, or whether it was only with death that this strange word, love, could be used. I vowed then and there that I would never hesitate to speak up to the people I loved. They deserved to know they gave meaning to my life. They deserved to know I thought the world of them.
”
”
David Levithan (Boy Meets Boy)
“
Thus it can be seen that mental health is based on a certain degree of tension, the tension between what one has already achieved and what one still ought to accomplish, or the gap between what one is and what one should become. Such a tension is inherent in the human being and therefore is indispensable to mental well-being. We should not, then, be hesitant about challenging man with a potential meaning for him to fulfill. It is only thus that we evoke his will to meaning from its state of latency. I consider it a dangerous misconception of mental hygiene to assume that what man needs in the first place is equilibrium or, as it is called in biology "homeostasis", i.e., a tensionless state. What man actually needs is not a tensionless state but rather the striving and struggling for a worthwhile goal, a freely chosen task. What he needs is not the discharge of tension at any cost but the call of a potential meaning waiting to be fulfilled by him.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
I touch his face, almost without meaning to, gently , like he might be a ghost, like this might be a dream and the tips of my fingers graze his cheek, trail the line of his jaw and I stop when his breath catches, when his body shakes almost imperceptibly and we lean in as if by memory eyes closing lips just touching
“Give me another chance, ” he whispers, resting his forehead against mine.
My heart aches, throbs in my chest. “Please,” he says softly, and he’s somehow closer now, his lips touching mine as he speaks and I feel pinned in place by emotion, unable to move as he presses the words against my mouth, his hands soft and hesitant around my face and he says, “I swear on my life,” he says, “ I won’t disappoint you” and he kisses me
Kisses me right here, in the middle of everything, in front of everyone.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.”
Merripen, attentive as always to his wife, gave her a frowning glance. “Now?”
"Yes, now.”
"Can’t it wait?”
"No,” Win said equably. At his continued hesitation, she said, “I’m expecting.”
Merripen blinked. “Expecting what?”
"A baby.”
They all watched as Merripen’s face turned ashen. “But how ...” he asked dazedly, nearly staggering as he headed to Win.
"How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?”
"It’s not a ploy,” Win said cheerfully.
Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house.
"I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Cricket removes his hand. I blink at him, and he cautiously offers his arm.
I hesitate.
And then I take it.
And then we're so close that I smell him. I smell him.
His scent is clean like a bar of soap, but with a sweet hint of mechanical oil. We don't speak as he leads me across the street to the bus stop. I press against him. Just a little. His other arm jumps, and he lowers it. But then he raises it again, slowly, and his hand comes to rest on top of mine. It scorches. The heat carries a message: I care about you. I want to be connected to you. Don't let go.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer.
What?”
The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away.
Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control.
What?” he asked Halt, and the smaller man made a gesture of exasperation.
That’s what I want to know,” he said irritably. “What?”
Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper.
What?” said Horace, now totally puzzled.
Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?”
Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.”
Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him.
What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?”
Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.”
Horace frowned. “I was?”
Halt nodded. “You were. I saw you take a breath to ask it.”
I see,” Horace said. “And what was it about?”
For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak.
That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.”
I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded.
Then what, if I may use that word once more, were you about to ask me?”
Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
Always, we think we know what courage means. If I were called upon, we say, I would answer the call. I would not hesitate. Until the moment is upon us, and then we realize that the demands of true courage are very different from what we had envisioned, long ago on that bright morning when we felt brave.
”
”
Erika Johansen (The Invasion of the Tearling (The Queen of the Tearling, #2))
“
And what do you really do?" asked Tiffany.
The thin witch hesitated for a moment, and then: "We look to ... the edges," said Mistress Weatherwax. "There's a lot of edges, more than people know. Between life and death, this world and the next, night and day, right and wrong ... an' they need watchin'. We watch 'em, we guard the sum of things. And we never ask for any reward. That's important.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
When people enjoy problem-solving as a means of self-validation and accomplishment, we must be watchful. What if they frantically construct situations to concoct solutions for problems they like to create? What if their solutions appear to make conditions worse than before? The white knights of the world improvers, who don’t hesitate to destroy nature and cultural heritages, can be a threatening problem on their own when they deteriorate the quality of our lifestyle and environment. ("Why step out of nature" ?)
”
”
Erik Pevernagie
“
I must say that, beyond occasionally exposing me to laughter, my constitutional shyness has been no dis-advantage whatever. In fact I can see that, on the contrary, it has been all to my advantage. My hesitancy in speech, which was once an annoyance, is now a pleasure. Its greatest benefit has been that it has taught me the economy of words. I have naturally formed the habit of restraining my thoughts. And I can now give myself the certificate that a thoughtless word hardly ever escapes my tongue or pen. I do not recollect ever having had to regret anything in my speech or writing. I have thus been spared many a mishap and waste of time. Experience has taught me that silence is part of the spiritual discipline of a votary of truth. Proneness to exaggerate, to suppress or modify the truth, wittingly or unwittingly, is a natural weakness of man, and silence is necessary in order to surmount it. A man of few words will rarely be thoughtless in his speech; he will measure every word. We find so many people impatient to talk. There is no chairman of a meeting who is not pestered with notes for permission to speak. And whenever the permission is given the speaker generally exceeds the time-limit, asks for more time, and keeps on talking without permission. All this talking can hardly be said to be of any benefit to the world. It is so much waste of time. My shyness has been in reality my shield and buckler. It has allowed me to grow. It has helped me in my discernment of truth.
”
”
Mahatma Gandhi
“
But you can’t be a scientist if you’re uncomfortable with ignorance, because scientists live at the boundary between what is known and unknown in the cosmos. This is very different from the way journalists portray us. So many articles begin, “Scientists now have to go back to the drawing board.” It’s as though we’re sitting in our offices, feet up on our desks—masters of the universe—and suddenly say, “Oops, somebody discovered something!”
No. We’re always at the drawing board. If you’re not at the drawing board, you’re not making discoveries. You’re not a scientist; you’re something else. The public, on the other hand, seems to demand conclusive explanations as they leap without hesitation from statements of abject ignorance to statements of absolute certainty.
”
”
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
“
This is stolen? We're in a stolen jet?"
"Not stolen," said Donegan Bane from the co-pilot's seat.
"Almost stolen," Gracious corrected.
"Semi-stolen," said Donegan.
"Quasi-stolen," said Gracious.
Aurora's frown did not turn upside down. "So is it stolen or not?"
Donegan and Gracious hesitated.
"Yes," they both said together.
”
”
Derek Landy (The Maleficent Seven (Skulduggery Pleasant, #7.5))
“
Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent.
Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
She moved nearer, leaned her shoulder against me — and we were one, and something flowed from her into me, and I knew: this is how it must be. I knew it with every nerve, and every hair, every heartbeat, so sweet it verged on pain. And what joy to submit to this 'must'. A piece of iron must feel such joy as it submits to the precise, inevitable law that draws it to a magnet. Or a stone, thrown up, hesitating a moment, then plunging headlong back to earth. Or a man, after the final agony, taking a last deep breath — and dying.
”
”
Yevgeny Zamyatin (We)
“
Mistresses, have you ever noticed that when we disagree with a male – I hesitate to say ‘man’ – or find ourselves in a position over males, the first comment they make is always about our reputations or our monthlies?”
One of the new women snorted. Others snickered.
Kel looked at the man, who was momentarily speechless. “If I disagree with you, should I place blame on the misworkings of your manhood? Or do I refrain from so serious an insult” – she made a face – “far more serious, of course, than your hint that I am a whore. Because my mother taught me courtesy, I only suggest that my monthlies will come long after your hair has escaped your head entirely.
”
”
Tamora Pierce (Lady Knight (Protector of the Small, #4))
“
I can't bury another friend."
"You won't."
"If anything ever happened to you, Rowan-"
"Don't" he breathed. "Don't even say it. We dealt with that enough the other night."
He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear.
It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not.
There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head."
She lifted an eyebrow. "Oh?"
He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Marry me," I said without hesitation. I was surprised at how quickly and easily the words came.
His mouth spread into a broad smile. "When?"
I shrugged. "We can book a flight tomorrow. It's Spring Break. I don't have anything going on tomorrow, do you?"
"I'm callin' your bluff," he said, reaching for his phone. "America Airlines," he said, watching my reaction closely as he was connected. "I need two tickets to Vegas, please. Tomorrow. Hmmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have."
I rested my chin on his chest, waiting for him to book the tickets. The longer I let him stay on the phone, the wider his smile became.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Can we go somewhere?" I ask. "Let's go somewhere off in the woods and I'll show you."
He hesitates, of course. What if I'm an alien invader trying to lure him to a secluded place so I can suck his brains out? Or a vampire, ravenous for his blood?
"I won't hurt you." Be not afraid.
His eyes flash with anger like I've come right out and called him a chicken.
"Okay." His jaw tightens. "But I drive."
"Of course.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
Do you trust him?
When had we reached the point where the answer to Rei's question had become yes without hesitation? When Zane had sat by my bedside for hours while I was drifting in and out of consciousness? When he had arranged for me to be visited by entertainers and friends, or had carried me home when I was too tired to walk? Or when I had first seen him cry and had wanted nothing but to comfort him?
I do not know how, yet somehow, impossibly, we are here.
”
”
Amelia Atwater-Rhodes (Hawksong (The Kiesha'ra, #1))
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Say something Becks. Say anything"
"You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back.
"What do you remember about me?" There was strong emotion behind his voice. Something he fought to control.
With my eyes closed, I could easily picture the other side of the century.
"I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient."
I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now."
For a moment the space between us held no tension, no questions, no accusations.
Finally he leaned back, a stunned expression on his face. "Where do we go from here?"
"Nowhere, really," I whispered. "It doesn't change anything.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
We stared at each other for several moments, neither of us speaking or moving, and then I was in front of her, pulling her to my chest, breathing in her scent as I went down on my knees, bring her with me. Her arms went around me and she held on just as tightly as I held her. It was then when I realized I was still in my true form. She was light against my darkness.
Serena hadn't backed away or hesitated. She accepted me, all of me. She always had.
”
”
Jennifer L. Armentrout (Obsession)
“
The Night Vale PTA released a statement today saying that if the School Board could not promise to prevent children from learning about dangerous activities like drug use and library science during recess periods, they would be blocking all school entrances with their bodies. They pulled hundreds of bodies out from trucks, saying, “We own all of these bodies and we will not hesitate to use them to create great flesh barricades if that is what it takes to prevent our children from learning.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
We’re like magnets, you know. Only I’m spinning, so I keep pulling you in and then pushing you away. I like you, but then you hurt me, so I run. I like you, but then something makes things feel impossible, so I turn away. And you. You’re so constant. Your orientation never wavers. You feel what you feel and you want what you want without hesitation or doubt. God, I envy that. I feel like if someone stripped away my hesitation and doubt that there’d be nothing left.
”
”
Paula Stokes (Ferocious (Vicarious, #2))
“
Did you know that when we were kids Cass used to tell me your stories? She used to laugh at you. Not in a mean way, but in the way that Cass used to laugh at everything before...." He gestures around us at our world now.
I shake my head. "I thought Cass never liked my stories. Never remembered them."
"Oh yes, I would beg her to tell me if she had new stories from you."
"Why didn't you ask me yourself?" I whisper.
"Because you were Harry's," he responds.
"Not always."
"Yes, always," he says. "Always in his eyes," he adds in a softer tone.
”
”
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
“
Your hair," repeated Dimitri. His eyes were wide, almost awestruck. "Your hair is beautiful."
I didn't think so, not in its current state. of course, considering we were in a dark alley filled with bodies, the choices were kind of limited. "You see? You're not one of them. Strigoi don't see beauty. Only death. You found something beautiful. One thing that's beautiful."
Hesitantly, nervously, he ran his fingers along the strands I'd touched earlier. "But is it enough?"
"It is for now." I pressed a kiss to his forehead and helped him stand. "It is for now.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
DON’T HESITATE If you suddenly and unexpectedly feel joy, don’t hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still, life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happens better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that’s often the case. Anyway, whatever it is, don’t be afraid of its plenty. Joy is not made to be a crumb.
”
”
Mary Oliver (Devotions: The Selected Poems of Mary Oliver)
“
We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound.
”
”
Mark Z. Danielewski
“
We often hesitate to follow our intuition out of fear. Most usually, we are afraid of the changes in our own life that our actions will bring. Intuitive guidance, however, is all about change. It is energetic data ripe with the potential to influence the rest of the world. To fear change but to crave intuitive clarity is like fearing the cold, dark night while pouring water on the fire that lights your cave. An insight the size of a mustard seed is powerful enough to bring down a mountain-sized illusion that may be holding our lives together. Truth strikes without mercy. We fear our intuitions because we fear the transformational power within our revelations.
”
”
Caroline Myss
“
Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth.
”
”
Emmi Itäranta (Memory of Water)
“
Anne, look here. Can’t we be good friends?”
For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert’s hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her “carrots” and had brought about her disdain before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him!
”
”
L.M. Montgomery
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate.
"I'm here to tell you I'm suing you," he announced.
Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate.
Tate stared at Brad then he said, "Come again?"
"I'm suing you," Brad repeated.
"For what?" Tate asked.
"Alienation of affection," Brad answered.
Without hesitation, Tate threw his head back and burst out laughing.
Then he looked at me and remarked, "You're right, babe, this is fun."
Ignoring Tate's comment, Brad declared, "You stole my wife."
Tate looked back at Brad. "Yeah, bud, I did."
Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses."
"Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine."
Sorry, it's just too long; I have to cut it off. But it continues…like that:
"This is the good life?" (Brad)
"Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?"
I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong.
"Jesus, you're disgusting," Brad muttered, calling up revulsion to save face.
"She does that to me," Tate continued.
"Fuck off," Brad snapped.
"All the fuckin' time," Tate pushed.
"Fuck off," Brad repeated.
"It's fuckin' magnificent," Tate declared.
"Thanks, honey," I whispered and grinned at him when his eyes came to me.
I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face.
Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Where are we going?” she asked.
“Mr. Durbin’s sheep have begun to lamb, and I wanted to see how the ewes are doing.” He cleared his throat. “I suppose I should have told you about today’s outing earlier.”
Anna kept her eyes straight ahead and made a noncommittal sound.
He coughed. “I might’ve, had you not left so precipitously yesterday afternoon.”
She arched a brow but did not reply.
There was a lengthy lull broken only by the dog’s eager yelp as he flushed a rabbit from the hedge along the lane.
Then the earl tried again. “I’ve heard some people say my temper is rather . . .” He paused, apparently searching for a word.
Anna helped him. “Savage?”
He squinted at her.
“Ferocious?”
He frowned and opened his mouth.
She was quicker. “Barbaric?”
He cut her off before she could add to her list. “Yes, well, let us simply say that it intimidates some people.” He hesitated. “I wouldn’t want to intimidate you, Mrs. Wren.”
“You don’t.
”
”
Elizabeth Hoyt (The Raven Prince (Princes Trilogy, #1))
“
The Rangers were founded over one hundred and fifty years ago, in King Herbert's reign. Do you know anything about him?" Halt looked sideways at the boy sitting beside him, tossing the question out quickly to see his response.
Will hesitated. He vaugely remembered the name from history lessons in the Ward, but he couldn't remember any details. Still, he decided he'd try to bluff his way through it...
"Oh ... yes," he said, "King Herbert. We learned about him."
"Really?" said the Ranger expansively. "Perhaps you could tell me a little about him?" He leaned back and crossed his legs, getting himself comfortable...
"He was ..." he hesitated, pretending to gather his thoughts. "The king." That much he was sure of. Halt merely smiled and made a rolling gesture with his hand that meant go on.
"He was the king ... a hundred and fifty years ago," Will said, trying to sound certain of his facts. The Ranger smiled at him, gesturing for him to continue yet again.
"Ummm ... well, I seem to recall that he was the one who founded the Ranger Corps," he said hopefully, and Halt raised his eyebrows in mock surprise.
"Really? You recall that, do you?
”
”
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
Pick someplace that you could actually get to without building a spaceship.” Six asks
I think it over for a moment. “I don’t know. Disney World?”
Six and Sarah both exchange a look and then start laughing.
“Disney World?” exclaims Six. “You’re so cheesy, John.”
“No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.”
“You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.”
“That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.”
Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?”
“Space Mountain,” answers Sarah.
“Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.”
The thought of a young Six investigating Disney World is priceless. The three of us share a laugh.
“Aliens,” mutters Sarah jokingly. “You need to get out more.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
”
”
Tom Stoppard (The Real Thing)
“
Say something Becks. Say anything"
"You," I said. "I remember you." I kept my eyes shut, and felt his hands drop. He didn't move back.
"What do you remember about me?" There was strong emotion behind his voice. Something he fought to control.
With my eyes closed, I could easily picture the other side of the century.
"I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick your ring finger with your thumb when you get impatient."
I opened my eyes, and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say, you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot, then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback. And it's showing now."
For a moment the space between us held no tension, no questions, no accusations.
Finally he leaned back, a stunned expression on his face. "Where do we go from here?"
"Nowhere, really," I whispered. "It doesn't change anything."
Eyebrows still drawn together, he said, "We'll see." Then he turned and left.
I tucked this moment away.
In the dark, dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Dear friend…'
The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts.
'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it.
I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list?
Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend.
Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure.
Your friend Yennefer'
The letter smelled of lilac and gooseberries.
Geralt cursed.
”
”
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
“
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.”
He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle.
“You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain.
I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case.
Seth was silent for several moments as he assessed me. “You’re serious.”
“Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.”
“Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.”
My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.”
Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me.
You’ll move on. So will I.
The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
”
”
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
“
Tell me something. Do you believe in God?'
Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?'
'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?'
'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...'
'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.'
Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks:
'There was Manicheanism...'
'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...'
Snow pondered for a while:
'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.'
I kept on:
'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...'
'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.'
'If you're going to take what I say literally...'
...Snow asked abruptly:
'What gave you this idea of an imperfect god?'
'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
”
”
Stanisław Lem (Solaris)
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said.
Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe.
“What?”Sadeas asked.
“The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.”
Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.”
“Do we have a deal?”Dalinar asked.
“Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—”
Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp.
Kaladin stared, unable to move, unable to think.
Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.”
Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage.
“They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!”
Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.”
He began to walk away.
Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?”
Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.”
“But…”
“What is a man’s life worth?” Dalinar asked softly.
“The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning.
“And what do you say?”
“A life is priceless,” he said immediately, quoting his father.
Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.”
“You really think it was a good trade, don’t you?” Kaladin said, amazed.
Dalinar smiled in a way that seemed strikingly paternal.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Mister God made everything, didn’t he?”
There was no point in saying I didn’t really know. I said “Yes.”
“Even the dirt and the stars and the animals and the people and the trees and everything, and the pollywogs?” The pollywogs were those little creatures we had seen under the microscope.
I said, “Yes, he made everything.”
She nodded her agreement. “Does Mister God love us truly?”
“Sure thing,” I said. “Mister God loves everything.”
“Oh,” she said. “well then, why does he let things get hurt and dead?” Her voice sounded as if she felt she had betrayed a sacred trust, but the question had been thought and it had to be spoken.
“I don’t know,” I replied. “There’re a great many things about Mister God, we don’t know about?”
“Well then,” she continued, “if we don’t know many things about Mister God, how do we know he loves us?”
I could see this was going to be one of those times, but thank goodness she didn’t expect an answer to her question, for she hurried on: “Them pollywogs, I could love them till I bust, but they wouldn’t know, would they? I’m million times bigger than they are and Mister God is million times bigger than me, so how do I know what Mister God does?”
She was silent for a little while. Later I thought that at this moment she was taking her last look at babyhood. Then she went on.
“Fynn, Mister God doesn’t love us.” She hesitated. “He doesn’t really, you know, only people can love. I love Bossy, but Bossy don’t love me. I love the pollywogs, but they don’t love me. I love you Fynn, and you love me, don’t you?”
I tightened my arm about her.
“You love me because you are people. I love Mister God truly but he don’t love me.”
It sounded to me like a death knell. “Damn and blast,” I thought. “Why does this have to happen to people? Now she’s lost everything.” But I was wrong.
She had got both feet planted firmly on the next stepping stone.
“No,” she went on, “no, he don’t love me, not like you do, its different, its millions of times bigger.”
I must have made some movement or noise, for she levered herself upright and sat on her haunches and giggled. The she launched herself at me and undid my little pang of hurt, cut from the useless spark of jealousy with the delicate sureness of a surgeon.
“Fynn, you can love better than any people that ever was, and so can I, cant I? But Mister God is different. You see, Fynn, people can only love outside, and can only kiss outside, but Mister God can love you right inside, and Mister God can kiss you right inside, so its different. Mister God ain’t like us; we are a little bit like Mister God, but not much yet.”
It seemed to me to reduce itself to the fact that we were like God because of the similarities, but God was not like us because of our differences. Her inner fires had refined her ideas, and like some alchemist she had turned lead into gold. Gone were all the human definitions of God, like Goodness, Mercy, Love, and Justice, for these were merely props to describe the indescribable.
“You see, Fynn, Mister God is different because he can finish things and we cant. I cant finish loving you because I shall be dead millions of years before I can finish, but Mister God can finish loving you, and so its not the same kind of love, is it?
”
”
Fynn (Mister God, This is Anna)