Hay Bales Quotes

Other than an apparant Underworld gate, I had no idea what was in Kansas. Hay bales? Dorothy?

Christ, don't go to the Haunted Houses with Ally and Indy. A few years ago, Indy went berserk and broke through the hay bales they had set up to make the haunted trail and headed into the cornfields. All the employees chased after her but since they were dressed like monsters, Indy lost her mind. They had to call the cops to settle her down." I lost him at "cornfields". "Cornfields?" I whispered. "Yeah." "They have a haunted trail through cornfields?" "Yeah, up in Thornton. Best Haunted House in Denver. Indy and Ally go every year. Why?" "Cornfields freak me out," I admitted. Hank was silent. Then, he said, "You're from Indiana. How in the fuck can cornfields freak you out?" "Cornfields don't freak me out. Cornfields at night freak me out. Haunted cornfields at night freak me out." "You been to many haunted cornfields?" "Dude," I said low. "All cornfields are haunted. Trust me. I know... They whisper to you.

Dear Mr. Devil, Sir Satan, Lord Lucifer, and all other crosses you bear, I cordially invite you to Breathed, Ohio. Land of hills and hay bales, of sinners and forgivers. May you come in peace. With great faith, Autopsy Bliss

One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Hamilton was not privileged to lift a bale of hay. He felt insulted by his back, almost as he would have been if one of his children had been dishonest

Nekhludoff laughed as he compared himself to the ass in the fable who, while deciding which of the two bales of hay before him he should have his meal from, starved himself.

I was thinking about the cow thing. About how hanging on to an ex-boyfriend is like chewing your cud until somebody drops a fresh bale of hay in front of you. Or something like that.

When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate.

Banding together with others to achieve a common pursuit cannot help but engender a strong feeling of community, whether you’re baling hay or mounting A Chorus Line in a tiny theater space.

Overall, the shack was too miserable to serve as a storage space for old banana peels, let alone as a home for three young people, and I confess that if I had been told that it was my home I probably would have lain on the bales of hay and thrown a temper tantrum.

How could I tell him that I now wanted what he had once wanted----to travel on trains and fall in love with girls with dark eyes and extravagant lips? It didn't matter to me if at the end of it I had nothing to show but sore thighs. It wasn't my fault that the life of the wanderer, the wayfarer, had fallen out of favor with the world. So what if it was no longer acceptable to drift with the wind, asking for bread and a roof, sleeping on bales of hay and enjoying dalliances with barefooted farmgirls, then running away before the harvest? This was the life I wanted, blowing around like a leaf with appetites.

In an agricultural society, or during a time of exploration and settlement, or hunting and fathering--which is to say, most of mankind's history--energetic boys were particularly prized for their strength, speed, and agility. [...] As recently as the 1950s, most families still had some kind of agricultural connection. Many of these children, girls as well as boys, would have been directing their energy and physicality in constructive ways: doing farm chores, baling hay, splashing in the swimming hole, climbing trees, racing to the sandlot for a game of baseball. Their unregimented play would have been steeped in nature.

Marian sank down on one of the kitchen chairs and braced her head in her hands. He got mad at her for sweeping up spilled sugar but dragged her outside to throw a skillet at bales of hay. She threw a pot at him and missed, so he was going to teach her how to clobber him with a skillet. Even taking into account that he was an Eyrien male, there was only one explanation for his behavior. The man was insane.

Troo hits the hay every night like a bale falling out of our old barn loft.

He’s lying against a bale of hay and talking to his reindeer. That’s odd. No, wait—he is singing to his reindeer. That’s even odder.

I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.

Wait! It’s too heavy,” Elizabeth called after him. Nick kept right on walking until he reached the carriage and deposited the trunk on the rack in the back. When he returned to her side, he smiled at her. “Not much bigger than a hay bale, Miss Hamilton.” Before Elizabeth could respond, Nick stooped down, lifted the second trunk, and carried it to the carriage. In tired bemusement, Elizabeth watched Nick’s broad shoulders and the muscles moving beneath his faded striped shirt. She felt a stirring in her breast and wondered at the unexpected feeling.

That remark by Tim illustrates one reason for the rise and fall of Montana farming: the lifestyle was highly valued by older generations, but many farmers’ children today have different values. They want jobs that involve sitting indoors in front of computer screens rather than heaving hay bales, and taking off evenings and weekends rather than having to milk cows and harvest hay that don’t take evenings and weekends off. They don’t want a life forcing them to do literally back-breaking physical work into their 80s, as all three surviving Hirschy brothers and sisters are still doing.

It isn't just the idea of a woman in a truck. At this point, they're everywhere. The statisticians tell us today's woman is as likely to buy a truck as a minivan. One cheers the suffrage, but the effect is dilutive. My head doesn't snap around the way it used to. Ignoring for the moment that my head (or the gray hairs upon it) may be the problem, I think it's not about women in trucks, it's about certain women in certain trucks. Not so long ago I was fueling my lame tan sedan at the Gas-N-Go when a woman roared across the lot in a dusty pickup and pulled up to park by the yellow cage in which they lock up the LP bottles. She dismounted wearing scuffed boots and dirty jeans and a T-shirt that was overwashed and faded, and at the very sight of her I made an involuntary noise that went, approximately, ohf...! I suppose ohf...! reflects as poorly on my character as wolf whistle, but I swear it escaped without premeditation. Strictly a spinal reflex. [...] The woman plucking her eyebrows in the vanity mirror of her waxed F-150 Lariat does not elicit the reflex. Even less so if her payload includes soccer gear or nothing at all. That woman at the Gas-N-Go? I checked the back of her truck. Hay bales and a coon dog crate. Ohf...!

And if there is any phase of human enjoyment, any part of life, any occupation, avocation, divertisement, pleasure or pain where the fat man has the better of it in any regard, I failed to discover it in the twenty years during which I looked like the rear end of a hack and had all the bodily characteristics of a bale of hay.

Having his arms around Elizabeth had felt so right. He shook his head. He just wished it hadn’t been because she felt ill. If only he had another excuse to hold her. He smiled to himself. He’d just have to look for opportunities, or maybe make them… When he remembered her reaction to his carrying her trunk, his grin widened. While the trunks looked about the size of a hay bale, they’d actually been much heavier. But after his smart remark to her, he had to make carrying the darn chests look easy! His foolish pride was going to make him pay tomorrow. Ranch work made for sore muscles, but never before had he earned any from showing off for a beautiful lady.

All my nose is picking up on is the smell of green alfalfa hay and baling twine. I check with Keeper to see if he's sniffing up either hide or hair of Sneaky Tim Ray since my dog can can whiff dubious intentions from an acre away. People can hide their badness from one another, but the scent of wrongdoing is pungent and unmistakable to our four-legged friends.

Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.

At least she was good at archaeology, she mused, even if she was a dismal failure as a woman in Tate’s eyes. “She’s been broody ever since we got here,” Leta said with pursed lips as she glanced from Tate to Cecily. “You two had a blowup, huh?” she asked, pretending innocence. Tate drew in a short breath. “She poured crab bisque on me in front of television cameras.” Cecily drew herself up to her full height. “Pity it wasn’t flaming shish kebab!” she returned fiercely. Leta moved between them. “The Sioux wars are over,” she announced. “That’s what you think,” Cecily muttered, glaring around her at the tall man. Tate’s dark eyes began to twinkle. He’d missed her in his life. Even in a temper, she was refreshing, invigorating. She averted her eyes to the large grass circle outlined by thick corded string. All around it were make-shift shelters on poles, some with canvas tops, with bales of hay to make seats for spectators. The first competition of the day was over and the winners were being announced. A woman-only dance came next, and Leta grimaced as she glanced from one warring face to the other. If she left, there was no telling what might happen. “That’s me,” she said reluctantly, adjusting the number on her back. “Got to run. Wish me luck.” “You know I do,” Cecily said, smiling at her. “Don’t disgrace us,” Tate added with laughter in his eyes. Leta made a face at him, but smiled. “No fighting,” she said, shaking a finger at them as she went to join the other competitors. Tate’s granitelike face had softened as he watched his mother. Whatever his faults, he was a good son.

Nick leaped off the horse. Still pointing the rifle at the bear, he nudged the carcass with his foot, then lowered the rifle and turned to Elizabeth. She threw herself against him. His arm tightened around her. Setting the rifle on the ground, he pulled her close. Elizabeth clung to him, still too shaken to even burst into tears. Nick had saved her. She glanced back at the carcass, still hardly believing what had just happened, then shuddered and buried her face in his shoulder. “Elizabeth, are you all right?” She nodded, but didn’t lift her face. Her body trembled. A few relieved tears squeezed through her tightly shut eyelids. Nick reached up and stroked her hair, placing several comforting kisses on her head. “I was so frightened,” she murmured into his shoulder. “Thank goodness you came.” He pressed another kiss to her head. Elizabeth sighed in relief, her body shaky. Everything had happened so fast. But she was safe in Nick’s embrace, and she didn’t want to leave anytime soon. Nick scooped Elizabeth into his arms. She gasped, flung her arms around his neck, and clung to him. “Nick, I’m too heavy,” she protested. “Lighter than those hay bales,” he teased. “You make a better fit too.

All right, Almanzo!” Almanzo slapped Bess with the lines and shouted: “Giddap, Bess!” Bess began to walk around the capstan, and the capstan began to wind up the rope. The rope pulled the ends of the levers toward the press, and the inner ends of the levers pushed its loose bottom upward. The bottom slowly rose, squeezing the hay. The rope creaked and the box groaned, till the hay was pressed so tight it couldn’t be pressed tighter. Then Father shouted, “Whoa!” And Almanzo shouted, “Whoa, Bess!” Father climbed up the hay-press and ran ash withes through narrow cracks in the box. He pulled them tight around the bale of hay, and knotted them firmly. Mr. Weed unfastened the cover, and up popped the bale of hay, bulging between tight ash-withes. It weighed 250 pounds, but Father lifted it easily.

My uncle arranged for us to have a day together at a simulated shooting range near where he lived on the West Coast. The entire staff turned out to make sure we had fun-and to catch a glimpse of the newly famous hero. I went through the range with him, and the results were not quite what I expected. I did well, but… To give you some background: The range featured tactical situations where you did more than stand behind a bench and shoot at a paper target and a bale of hay. Videos supplied an immersive experience; it was a little like being part of a video game, except that you moved around and had a full-sized weapon as opposed to a game controller. The results were recorded, and we reviewed them later on. Chris’s shots were all head and chest. Mine were all in the crotch. “Do we need to talk?” asked Chris. I swear, there was no hostility. I was just aiming low, expecting the recoil to bring the shot up. Really.

Thrasher" They were hiding behind hay bales, They were planting in the full moon They had given all they had for something new But the light of day was on them, They could see the thrashers coming And the water shone like diamonds in the dew. And I was just getting up, hit the road before it's light Trying to catch an hour on the sun When I saw those thrashers rolling by, Looking more than two lanes wide I was feelin' like my day had just begun. Where the eagle glides ascending There's an ancient river bending Down the timeless gorge of changes Where sleeplessness awaits I searched out my companions, Who were lost in crystal canyons When the aimless blade of science Slashed the pearly gates. It was then I knew I'd had enough, Burned my credit card for fuel Headed out to where the pavement turns to sand With a one-way ticket to the land of truth And my suitcase in my hand How I lost my friends I still don't understand. They had the best selection, They were poisoned with protection There was nothing that they needed, Nothing left to find They were lost in rock formations Or became park bench mutations On the sidewalks and in the stations They were waiting, waiting. So I got bored and left them there, They were just deadweight to me Better down the road without that load Brings back the time when I was eight or nine I was watchin' my mama's T.V., It was that great Grand Canyon rescue episode. Where the vulture glides descending On an asphalt highway bending Thru libraries and museums, galaxies and stars Down the windy halls of friendship To the rose clipped by the bullwhip The motel of lost companions Waits with heated pool and bar. But me I'm not stopping there, Got my own row left to hoe Just another line in the field of time When the thrasher comes, I'll be stuck in the sun Like the dinosaurs in shrines But I'll know the time has come To give what's mine. Neil Young, Rust Never Sleeps (1979)

As he and Avi compared notes on all that had transpired, Jacob found that though they grieved, they did not cry. They had lost everyone dear to them except each other. But fear was a tonic that somehow calmed their nerves and focused their minds. Soon they were deep inside Belgium and holed up in a barn behind a farmhouse, hiding in a loft under bales of hay. “So where exactly are we?” Jacob whispered as the sun began to rise. “Zellik,” Avi whispered back. “Where?” “A little village northwest of Brussels.” “How little?” “Don’t know—too small for us to go wandering around in daylight, that’s for certain.” “You know anybody here?” “One guy.” “Who?” “You’re about to find out. Come on. It’s time.” Avi climbed out of their hiding place and brushed himself off, then brushed pieces of straw off Jacob. Moving quickly and quietly, they sneaked to the side door of the barn, made sure the coast was clear, then sprinted for the farmhouse. When they reached a cellar door, Avi began knocking with some sort of a code.

One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Hamilton was not privileged to lift a bale of hay. He felt insulted by his back, almost as he would have been if one of his children had been dishonest. In King City, Dr. Tilson felt him over. The doctor grew more testy with his overworked years. "You sprained your back." "That I did," said Samuel. "And you drove all the way in to have me tell you that you sprained your back and charge you two dollars?" "Here's your two dollars." "And you want to know what to do about it?" "Sure I do." "Don't sprain it any more. Now tak your money back. You're not a fool, Samuel, unless you're getting childish." "But it hurts." "Of course it hurts. How would you know it was strained if it didn't?" Samuel laughed. "You're good for me," he said. "You're more than two dollars good for me. Keep the money." The doctor looked closely at him. "I think you're telling the truth, Samuel. I'll keep the money.

The space reminded me of the small hay-bale clubhouses and scrap-wood tree forts that my brothers and I had made as kids - high up spaces where you could see things differently, where you could get your bearings.

When will I have sufficient leisure/wealth to sit on hay-bale watching moon rise, while in luxurious mansion family sleeps? At that time, will have chance to reflect deeply on meaning of life etc., etc. Have a feeling and have always had a feeling that this and other good things will happen for us!

the warm smell of freshly baled hay filled the air.

I can't move. I'm paralyzed in the middle of the street, like the donkey in that Aesop's fable who couldn't choose between the bales of hay. They'll find me in years to come, still frozen to the spot, clutching my credit card.

Ignoring his protesting muscles, he pushed the hay to the ground. He muffled a groan, but Charlotte heard him. “Are you all right?” He mustered a smile. “I’ve been living in London too long. A Scotsman should laugh off what we’ve done today.” “I need to meet more Scotsmen. They’re an impressive tribe.” “We are at that,” he said, tossing over another bale, then descending to the ground. Charlotte

During the weekend she drove to nearby Cowdray Park to watch the Prince play polo for his team, Les Diables Bleus. At the end of the game the small house party trooped back to Petworth for a barbecue in the grounds of the de Pass’ country home. Diana was seated next to Charles on a bale of hay and, after the usual pleasantries, the conversation moved on to Earl Mountbatten’s death and his funeral in Westminster Abbey. In a conversation which she later recalled to friends Diana told him: “You looked so sad when you walked up the aisle at the funeral. It was the most tragic thing I’ve ever seen. My heart bled for you when I watched it. I thought: “It’s wrong, you are lonely, you should be with somebody to look after you.’” Her words touched a deep chord. Charles saw Diana with new eyes. Suddenly, as she later told her friends, she found herself overwhelmed by his enthusiastic attentions. Diana was flattered, flustered and bewildered by the passion she had aroused in a man twelve years her senior.

As they walked through the jungle, Carl told Dave about the evil ninja attack on the hidden village. “I saw one of those same purple-eyed ninjas,” said Dave. “It ambushed me as I was heading back to Hay Bale. It asked me about my ‘clan’.” “They must be another group of ninjas,” said Carl. “Maybe they’re worried that the Ninja Squad are taking over their patch.” “Do you think they have anything to do with the zombies?” Dave asked.

The house wasn’t large, by the neighborhood’s standards, but that was like saying that a bale of hay isn’t much to eat, by elephant standards.

For Last Hope!” someone yelled. “For Hay Bale!” yelled someone else. “For Master Seth!” yelled another. Carl grinned. “FOR BAKED POTATOES!!!!!” he shouted. *

One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Hamilton was not privileged to lift a bale of hay. He felt insulted by his back, almost as he would have been if one of his children had been dishonest. In King City, Dr. Tilson felt him over. The doctor grew more testy with his overworked years. "You sprained your back." "That I did," said Samuel. "And you drove all the way in to have me tell you that you sprained your back and charge you two dollars?" "Here's your two dollars." "And you want to know what to do about it?" "Sure I do." "Don't sprain it any more. Now take your money back. You're not a fool, Samuel, unless you're getting childish." "But it hurts." "Of course if hurts. How would you know it was strained if it didn't?

Well done, lads,” said Carl, coming out from behind the hay bale. “The four of us did a really good job.” “You didn’t do anything!” said Dave.  “My friendship gave you the support you needed to succeed,” said Carl. “You’re welcome.

Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend

For Last Hope!” someone yelled. “For Hay Bale!” yelled someone else. “For Master Seth!” yelled another. Carl grinned. “FOR BAKED POTATOES!!!!!” he shouted.

He curls up on a couple of hay bales with an old horse-cover pulled over him for a few hours' kip. There is still a spring chill in the air and Tommy is grateful when Floss noses in under the rug and, after gnawing away at a flea at the base of her tail for a few minutes, curls up in the small of his back and goes to sleep.

Ever since that happened, I feel like trash. When you first started talking to me in school? When I told you I’d been sick? I hadn’t been sick. I’d been knocked up while I was passed out.” “You are not trash,” he whispered softly, not trusting his voice. “You’re an angel. Pure as gold. You didn’t do anything wrong.” “That’s not how it feels. Tommy,” she said miserably, “I dated before and I wouldn’t give it up—I was saving it for someone really special. Someone like you—someone I really loved. And now I can’t.” “No one else can ever take that away, Brenda. When… If… If it’s us and we know it’s time and it’s right, it’ll be special. I promise.” “How can it be? The first time should be so special. Now it won’t even be the first time!” He brushed her hair away from her eyes. “What can I do to show you that I love you just the same? Respect you? Huh?” “I don’t know….” “I do. Come on, we’re going to take care of these horses. Then we’re going to find a nice soft bale of hay and I’m going to hold you. Hold you and kiss you until you believe me when I say I think you’re the best thing that’s ever happened to me. Everything is going to be fine.” “I was so scared to tell you.” “I know, Bren. It’s okay now. I don’t want you to ever worry about that again. Okay?” An

Pumpkins are just like everything else in nature,” said Papa Bear as he and the cubs finished weeding the pumpkin patch. “No two of them are exactly alike.” “That’s for sure,” agreed Brother Bear. “Look at that funny flat one and that lumpy one over there.” Then there was The Giant, which is what Papa had named one that just seemed to be getting bigger and bigger. “Why is it that no two things are exactly alike?” asked Sister Bear. “It’s just the way nature is,” answered Papa. “Time to wash up for supper!” called Mama Bear from the tree house steps. “What about Queenie McBear’s twin brothers?” asked Sister. “They certainly look a lot alike,” said Papa. “But I’ve noticed that Mrs. McBear can tell them apart quite easily.” “In you go,” said Mama, shooing her family into the house. But Sister didn’t go right in. She stood on the stoop for a moment and looked out over Bear Country. It was well into fall, so the days were getting shorter. Halloween had come and gone. Pretty soon the Bears would start thinking about Christmas. But right now Bear Country was aglow in the setting sun. Farmer Ben’s well-kept farm looked especially fine, with its baled hay, corn shocks, and pumpkins casting long shadows. “I guess nature’s pretty amazing,” Sister said as she looked out over the beautiful scene. “It’s the most amazing thing there is,” said Mama.

Look!” she cried. “Up in the hayloft!” Three glowing faces had appeared side by side. They seemed to float in the air, just above the bales of hay. “Burglars!” said Barry. “Hay burglars?” Queenie wondered.

There used to be an enormous and fine barn at Bicho Raro, capable of housing two hundred bales of hay, twelve horses, a small tractor, and twenty-four barn swallows. The siding had been amber brown and the roof was gloriously red. It was, in fact, the very barn Pete was scavenging for the dance floor’s boards. Shortly after it had been built, the wind nudged it, as it nudged all things in the San Luis Valley. Nothing happened, because the barn was very securely built. The wind nudged it for all that week, and still nothing happened. The wind nudged it for ninety-nine weeks in a row, and still nothing happened; the barn did not budge. But on the one hundredth week, the wind nudged the barn and the barn fell onto itself. It was not that the one hundredth week of nudging was any stronger than the previous weeks. It was not even that the one hundredth week of nudging was what had actually knocked the barn over. The ninety-nine weeks of nudging were what had truly done the job, but the one hundredth was the one around to take the credit. We almost always can point to that hundredth blow, but we don’t always mark the ninety-nine other things that happen before we change.

Every Saturday, heat or cold, rain or shine, Milly would see Avery running up their road, her long blond ponytail swishing in time with her legs, just as the sun was making gemstones out of the fields and the hills and the bales of hay scattered across the landscape. Twiss would still be snoring away upstairs. Years of sleep remedies had failed to subdue her; she still slept like a wild animal and woke like one, too. On warm mornings, Milly would take her cup of tea out to the porch to watch Avery run by. Though she'd never been a runner herself- she didn't like the sensation of breathlessness, or the hard thunk of her heart- she'd loved to watch Twiss run. And Avery was an even better runner than Twiss had been, and certainly more graceful. She'd run first on the Spring Green high school team and then on the university team and now was training to run the marathon in the Olympic trials. In an interview, when a reporter from the 'Gazette' asked her why she ran, Avery said, "Why does anybody do anything?" which had made Milly like Avery even more. Each Saturday morning, after she passed the driveway, Avery would pick up speed in order to crest the upcoming hills. Sometimes she ran with a yellow music player and matching headphones, but most of the time, she ran without them. "Something comes in and something goes out," Avery had added in the interview, as if she'd been playing at being coy but couldn't really play when it came to running. "I'd keep running forever if my legs would let me." "Tell me about the routes you run in Spring Green," the reporter had said. "My favorite is my Saturday route," Avery said. "There's this little purple meadow I pass on my way up into the hills. When I was little, my grandpa used to say it was enchanted. He said if you walked through it, you'd never be the same person again." "Where did he hear the story?" the reporter asked. "I guess he used to know the people who lived in that house," Avery said. "The bird sisters?" the reporter said. "All I know is, when I pass that meadow, suddenly I can run faster," Avery said. "Are you superstitious?" "I visualize the meadow during all of my races, if that's what you mean." "Have you ever walked through it?" "I believe in it too much," Avery said. "Can you be more specific?" the reporter asked. "No," Avery said.

And you’re cute when you get all flustered.” She narrowed her eyes at him and put one hand on her hip. “I have no idea how Louise allowed you to survive childhood.” “It’s because I’m younger and he was always bigger.” Louise came around the side of the truck. “We’re going to borrow your four-wheeler, if you don’t mind.” “Of course.” It wasn’t really hers. Not like she paid for it or anything. But Palmer always referred to it as hers, and so did Louise. And like just now, Louise asked before she hopped on it. “Hi, Tella,” Ames said when she saw Tella’s head poke around the pickup. Even though they were baling hay, Tella still wore the hockey jersey she loved. “Hi, Aunt Ames.” “Okay, Tella. Let’s run down to the house, so we can get back and work a little longer.” “Can I drive?” Louise looked back at Ames with raised brows. “Sure, if your mom says it’s okay.” Tella grinned. “It should be. She let me drive Uncle Palmer’s pickup out here.” “By yourself?” Tella nodded. “Wow. Make sure you wear your seatbelt just in case the wheels fall off.” “Hey.” Palmer put on a mock-hurt expression and wrapped an arm around Ames’s head like he was going to put her in a headlock. “That wasn’t nice. I don’t say mean things like that about your car.” The four-wheeler started, and the motor faded slowly into the distance. Palmer’s arm loosened and dropped to her shoulders. The weight of it there felt good and right. She straightened in his embrace. Maybe they’d never bale hay together again. She looked up into his clear, blue eyes. Eyes that held no guile. Just genuine honesty. And admiration. “You’re beautiful. With or without sunburned cheeks.” His arm tightened. What had simply been his arm around her shoulder became Palmer hugging her. Still maybe in line with friendship, but so close to more. She wanted more. But she wanted his friendship, too. Could she have both? Their kiss hadn’t made anything awkward. She tossed her head, moving closer until they were touching. “That

STATE BIRD Confession: I did not want to live here, not among the goldenrod, wild onions, or the dropseed, not waist-high in the barrel- aged brown corn water, not with the million- dollar racehorses, nor the tightly wound round hay bales. Not even in the old tobacco weigh station we live in, with its heavy metal safe doors that frame our bricked bedroom like the mouth of a strange beast yawning to suck us in, each night, like air. I denied it, this new land. But love, I’ll concede this: whatever state you are, I’ll be that state’s bird, the loud, obvious blur of song people point to when they wonder where it is you’ve gone.

Around the time of the summer solstice, when the sun shines brightest on our little corner of the world, field after field of hay is cut, baled and carted away in a non-stop parade of wagons, up and down the rural routes.

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.

Now Kant apparently intends these antinomies to constitute an essential part of the argument for his transcendental idealism, the doctrine that things we deal with (stars and planets, trees, animals and other people) are transcendentally ideal (depend upon us for their reality and structure), even if empirically real. We fall into the problem posed by antinomies, says Kant, only because we take ourselves to be thinking about things in themselves as opposed to the things for us, noumena as opposed to mere appearances...We solve the problem by recognizing our limitations, realizing that we can't think, or can't think of any real purpose, about the Dinge...I want to turn to the fatal objection. That is just that all the antinomical arguments are not at all compelling. Here I will argue this only for the premises of the first antinomy, exactly similar comments would apply to the others. In the first antinomy, there is an argument for the conclusion that 'The world had a beginning in time and is also limited as regards to space' (A426, B454); this is the thesis. There is also an argument for the antithesis: 'The world had no beginning, and no limits in space; it is infinite as regards both time and space' (A426, B454). And the idea...is that if we can think about and refer to the Dinge, then both of these would be true or would have overwhelming intuitive support...(Regarding the antitheis) In an empty time (a time at which nothing exists) nothing could come to be, because there would be no more reason for it to come to be at one part of that empty time than at any other part of it...The objection is that there would have been no more reason for God to create the world at one moment than at any other; hence he wouldn't or couldn't have created it at any moment at all. Again, why believe this?...This argument is like those arguments that start from the premise that God, if he created the world, he would have created the best world he could have; and they go on to add that for every world God could have created (weakly actualized, say) there is an even better world he could have created or weakly actualized; therefore, they conclude, he would have weakly actualized any world at all, and the actual world has not been weakly actualized by God. Again, there seems no reason to believe the first premise. If there were only finitely many worlds among which God was obliged to choose, the perhaps he would have been obliged somehow, to choose the best (although even this is at best dubious). But if there is no best world at all among those he could have chosen (if for every world he could have chosen, there is a better world he could have chosen), why think a world failing to be the best is sufficient for God's being unable to actualize it? Suppose a man had the benefit of immortality and had a bottle of wine that would improve every day, no matter now long he waits to drink it. Would he be rationally obligated never to drink it, on the ground that for any time he might be tempted to, it would be better yet the next day? Suppose a donkey were stranded exactly midway between two bales of hay: would it be rationally obliged to stay there and starve to death because there is no more reason to move the one bale than the other?

Like Buridan’s Ass, the donkey that starves because it can’t decide between two bales of hay, I become paralyzed by indecision.

Three years ago,' he said quietly, 'I began to have these... dreams. At first, they were glimpses, as if I were staring through someone else's eyes. A crackling hearth in a dark home. A bale of hay in a barn. A warren of rabbits. The images were foggy, like looking through cloudy glass. They were brief- a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand... This beautiful, human hand. Holding a brush. Painting- flowers on a table.' My heart stopped beating. 'And that time, I pushed a thought back. Of the night sky- of the image that brought me joy when I needed it most. Open night sky, stars, and the moon. I didn't know if it was received, but I tried, anyway.' I wasn't sure I was breathing. 'Those dreams- the flashes of that person, that woman... I treasured them. They were a reminder that there was some peace out there in the world, some light. That there was a place, and a person, who had enough safety to paint flowers on a table. They went on for years, until... a year ago. I was sleeping next to Amarantha, and I jolted awake from this dream... this dream that was clearer and brighter, like the fog had been wiped away. She- you were dreaming. I was in your dream, watching as you had a nightmare about some woman slitting your throat, while you were chased by the Bogge... I couldn't reach you, speak to you. But you were seeing our kind. And I realised that the fog had probably been the wall, and that you... you were now in Prythian.

One anecdote in particular deserves elaboration. Gorman was gathering hay one late summer evening in 1995. He noticed a bright light that appeared to be “watching” him while hovering above the ridge. He saw such objects often and was accustomed to being watched in this manner. For whatever reason, on this particular evening Gorman grew impatient, threw down his pitchfork, and ran in the direction of the bright object. His reaction seemed to catch the light by surprise. The object darted down out of sight behind the ridge. Gorman quickly seized the opportunity and dove behind a nearby hay bale and burrowed out of sight.

It didn’t matter how old I was–when Brooks was involved, I was thirteen years old again, watching an eighteen-year-old him bale hay without a shirt.

Silver gleamed in his eyes, and he blinked it away. “Three years ago,” he said quietly, “I began to have these … dreams. At first, they were glimpses, as if I were staring through someone else’s eyes. A crackling hearth in a dark home. A bale of hay in a barn. A warren of rabbits. The images were foggy, like looking through cloudy glass. They were brief—a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand … This beautiful, human hand. Holding a brush. Painting—flowers on a table.

That's the Southern Railway line. It goes right through Mobile, and directly to the port... if I'm not mistaken." "How can we be sure?" Naveen asked. "Well, I guess you'll just have to trust me. Unless you have a better idea." "I think it's safe to say you have all the good ideas," Naveen said. Tiana smiled despite herself. "But, Tia, I don't think that's a passenger train," Charlotte said, peering over. "It isn't," Tiana said. She grabbed the handle with both hands and pulled. The door opened to reveal tightly wound bales of hay. "But at least it'll be a comfortable ride. Who's up for an adventure?" "Me! Definitely me," Naveen said. Tiana marveled. She had never seen someone so in the moment, despite whatever outside stress he must have been wrestling with. It was kind of refreshing.

Don’t try to aim down the arrow shaft,” he told her. “You have to sense where the arrow will go. You need to see the entire sighting picture—the bale of hay, the bow and the arrowhead. Learn where the arrow will fly.” She frowned. “How do I do that?” “There’s only one way. You practice. Over and over again, so that aligning the shot to the target becomes an instinctive action. After a while, after seeing enough arrows fly, you’ll instinctively know where to position the bow in the sighting picture. As the range increases, you’ll also need to gauge how much elevation you give the arrow—how far above the target you need to aim to hit the center.

Three years ago,” he said quietly, “I began to have these … dreams. At first, they were glimpses, as if I were staring through someone else’s eyes. A crackling hearth in a dark home. A bale of hay in a barn. A warren of rabbits. The images were foggy, like looking through cloudy glass. They were brief—a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand … This beautiful, human hand. Holding a brush. Painting—flowers on a table.” My heart stopped beating.

slinging hay bales in the

carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of

You get drunk, your dad whups you, and you spend the day baling hay or mending fence puking your guts out. That’s the way it’s done. And you drink whiskey not fuckin vodka and you sure as shit don’t do it with your puckered asshole!

Janner propped himself on one elbow and rubbed his eyes. In the faint light he could see Tink asleep with his head on Podo’s leg and Leeli curled up beside Nia with her backpack cuddled to her chest the way she used to hold Nugget. Janner crept from the tent. The clearing was soft with dewy mist. Chunks of rubble rose out of the fog like gravestones, but the effect wasn’t unpleasant. He had been awake for many sunrises before, but never so close to the cliffs that he could watch the fiery ball lift itself from the sea. He walked through wet grass and sat with his feet dangling over the cliff. The Dark Sea of Darkness wasn’t dark at all at this hour. Feathery clouds at the edge of the world glowed orange and savage yellow. Birds wheeled in the bright air far below. Janner thought of his life only weeks ago, in the dregs of summer, when hay needed baling, the hogpig needed feeding, the garden needed weeding, and life was boring. So much had happened to the Janner he used to be. His life had been in danger countless times. More tears had been shed in these last weeks than in his whole life before.

This new hockey was a barn full of jubilant line dancers and they grabbed my arm - me, slouching against hay bales in the darkest corner, worried about my weak knee, that I might pop a rib or want a cold beer or twelve, that I wouldn't know the steps and was dressed all wrong, that I was too fucking old - and dragged me onto the floor and joined me up to the long and twisting line. "Dance," said the game.

I thought we could have a picnic where we met.” “The stable,” I said. “Eric. That’s a great idea.” He smiled. “I had a feeling you’d like it.” We walked in comfortable silence to the stable. The lights had been dimmed and no one else was here. “Are we allowed to be here?” I asked. “I asked Mr. Conner yesterday,” Eric said. “He’s around here somewhere. He’ll probably jump out from behind a hay bale if I try to kiss you.” Eric whispered the last sentence.

This argument is like those arguments that start from the premise that God, if he created the world, he would have created the best world he could have; and they go on to add that for every world God could have created (weakly actualized, say) there is an even better world he could have created or weakly actualized; therefore, they conclude, he would have weakly actualized any world at all, and the actual world has not been weakly actualized by God. Again, there seems no reason to believe the first premise. If there were only finitely many worlds among which God was obliged to choose, the perhaps he would have been obliged somehow, to choose the best (although even this is at best dubious). But if there is no best world at all among those he could have chosen (if for every world he could have chosen, there is a better world he could have chosen), why think a world failing to be the best is sufficient for God's being unable to actualize it? Suppose a man had the benefit of immortality and had a bottle of wine that would improve every day, no matter now long he waits to drink it. Would he be rationally obligated never to drink it, on the ground that for any time he might be tempted to, it would be better yet the next day? Suppose a donkey were stranded exactly midway between two bales of hay: would it be rationally obliged to stay there and starve to death because there is no more reason to move the one bale than the other?

Maybe I’ve finally found what I’ve been searching for. These people. This place. That horse. Sitting together on a hay bale beside the man I love. What could be better?