We're The Millers Quotes

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Of course we're Criminals
Frank Miller (Batman: The Dark Knight Returns)
Oh, we’re well past you being just a date, my beauty.” He leaned in, his lips at my ear. “When we fucked in my bed you passed into uncharted territory – trust me on that one.
Raine Miller (Naked (The Blackstone Affair, #1))
Sometimes when we're in love, we take the facts and spin them into pretty stories. But it's a dangerous thing to do--because one day, like it or not, you're going to see the world as it really is. You find out people aren't always who you want them to be. And if you're not ready for the truth...well, let's just say it can come as a bit of a shock.
Kirsten Miller (The Eternal Ones (Eternal Ones, #1))
Sometimes the story we’re telling the world isn’t half as endearing as the one that lives inside us.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Actually, we’re with the United States Army stationed in Germany. My friend Paul comes here about every two to three weeks to visit his Dutch girlfriend.
Karl Braungart (Lost Identity (Remmich/Miller, #1))
Things happen or they don't happen, that's all. Nothing is accomplished by sweat and struggle. Nearly everything which we call life is just insomnia, an agony because we've lost the habit of falling asleep. We don't know how to let go. We're like a Jack-in-the-box perched on top of a spring and the more we struggle the harder it is to get back in the box.
Henry Miller (Tropic of Capricorn (Tropic, #2))
I think life is staggering and we're just too used to it.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
That's the funny thing about life. We're rarely aware of the bullets we dodge. The just-misses. The almost-never-happeneds. We spend so much time worrying about how the future is going to play out and not nearly enough time admiring the precious perfection of the present.
Lauren Miller (Parallel)
The pair of us are like salt and sugar: such different flavors, but so close in every other way you could never sort us apart once we're together.
Sarah Miller (The Lost Crown)
I feel like a sickness and dystrophy is growing in people, like people are getting sicker, something about our society, something about our psychological structures. We’re not whole.
Ezra Miller
Victims exist in a society that tells us our purpose is to be an inspiring story. But sometimes the best we can do is tell you we're still here, and that should be enough. Denying darkness does not bring anyone closer to the light. When you hear a story about rape, all the graphic and unsettling details, resist the instinct to turn away; instead loo closer, because beneath the gore and the police reports is a whole, beautiful person, looking for ways to be in the world again.
Chanel Miller (Know My Name)
Victims are often, automatically, accused of lying. But when a perpetrator is exposed of lying, the stigma doesn't stick. Why is it that we're wary of victims making false accusations, but rarely consider how many men have blatantly lied about, downplayed, or manipulated others to cover their own actons?
Chanel Miller (Know My Name)
But love doesn’t control, and I suppose that’s why it’s the ultimate risk. In the end, we have to hope the person we’re giving our heart to won’t break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don’t have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
You cant ever know anyone completely, can you? I mean, we're ever changing, maturing, growing...Each day we're confronted by new outside influences that have us forever making decisions that take us one or two steps in one direction or the other - continually altering our course. - Jason Miller
Ethan Day (Anything for You (A Middleton Romance #1))
In every line of copy we write, we’re either serving the customer’s story or descending into confusion; we’re either making music or making noise.
Donald Miller (Summary of Building a StoryBrand: Clarify Your Message So Customers Will Listen by Donald Miller)
We're all just a decision or two away from destroying the relationships that are most important to us and the people we love. And most of the time, we never even know it.
Lauren Miller (Parallel)
You were the one they used against us, Bruce. The one who played it rough. When the noise started from the parents' groups and the sub-committee called us for questioning... you were the one who laughed... that scary laugh of yours. "Sure, we're criminals", you said. "We've always been criminals". "We have to be criminals".--Kal-El aka Clark Kent aka Superman
Frank Miller (Batman: The Dark Knight Returns)
We're journeying constantly, but there is always a machine and books, and your body is always close to me and the look in your eyes never changes. People are saying we will be miserable, we will regret, but we are happy, we are laughing always, we are singing. We are talking Spanish and French and
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Deep down, we’re all some kind of crazy, Ada.
Laura Miller (For All You Have Left)
Don Miller says we're called to hold our hands against the wounds of a broken world, to stop the bleeding. i agree so greatly.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
Son, We're in no mood for Mickey Mouse. Get out of the road." Chief Miller, Into the Looking Glass
John Ringo (Into the Looking Glass (Looking Glass, #1))
We're all Hitler inside. We're all Christ inside. I'm not keen on the idea, but it's true, isn't it? We've all got a little bit of the devil in us.
Jason Jack Miller (The Devil and Preston Black (Murder Ballads and Whiskey))
What I'm saying is I think life is staggering and we're just used to it. We are all like spoiled children no longer impressed with the gifts we're given - it's just another sunset, just another rainstorm moving in over the mountain, just another child being born, just another funeral.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
Once Jesus arrived on the scene, all those Old Testament laws no longer applied. The New Testament tells us we’re supposed to follow Christ, not the old ways. And as far as I know, Jesus never said a damn thing about gay folks or barbecue. But he sure did talk a lot about love.
Kirsten Miller (Lula Dean’s Little Library of Banned Books)
We're more broken if we don't have each other. Let me put us back together again. I need you, Olivia. Desperately. You're making my world light
Jodi Ellen Malpas (One Night Denied (One Night, #2))
part of why we work so well is that we’re both fucked in the head. Equally tangled up in one another.
Sav R. Miller (Vipers and Virtuosos (Monsters & Muses, #2))
[T]he way I see it, we're two people, so hopelessly intertwined, that without one, the other ceases to fully exist. You call me your moon, well, I call you my soul mate.
L.B. Simmons (The Resurrection of Aubrey Miller)
You see, we’re intertwined. Tethered. Bound. And even while you thought you were alone, you weren’t. I had a strong hold on that cord connecting us and there was no way in hell I was letting you go. I will always be your anchor, Bree.
L.B. Simmons (The Resurrection of Aubrey Miller)
There’s truth in the idea we’re never going to be perfect in love but we can get close. And the closer we get, the healthier we will be. Love is not a game any of us can win, it’s just a story we can live and enjoy.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
those of us who are never satisfied with our accomplishments secretly believe nobody will love us unless we’re perfect.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
But love doesn’t control, and I suppose that’s why it’s the ultimate risk. In the end, we have to hope the person we’re giving our heart to won’t break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don’t have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing. When you climb a mountain or sail an ocean, you’re rewarded for staying in control. Perhaps that’s another reason true intimacy is so frightening. It’s the one thing we all want, and must give up control to get.
Donald Miller (Scary Close: Dropping the Act and Finding True Intimacy)
But perhaps the most damning argument came from nature herself. Had David followed his own advice to look to nature for truth, he would have seen it. This dazzling, feathery, squawking, gurgling mound of counterevidence. Animals can outperform humans on nearly every measure supposedly associated with our superiority. There are crows that have better memories than us, chimps with better pattern-recognition skills, ants that rescue their wounded, and blood flukes with higher rates of monogamy. When you actually examine the range of life on Earth, it takes a lot of acrobatics to sort it into a single hierarchy with humans at the top. We don’t have the biggest brain or the best memory. We’re not the fastest or the strongest or the most prolific. We’re not the only ones that mate for life, that show altruism, use tools, language. We don’t have the most copies of genes in circulation. We aren’t even the newest creation on the block.
Lulu Miller (Why Fish Don't Exist: A Story of Loss, Love, and the Hidden Order of Life)
When the Indians saw us whipping our children, they thought at first that we must hate our children, but then they thought, no, no one can hate his child. They decided it must be a religious rite, to make the child hate this world and long for the next. We're a strange vicious people.
Isabel Miller (Patience & Sarah)
Why is it that we’re wary of victims making false accusations, but rarely consider how many men have blatantly lied about, downplayed, or manipulated others to cover their own actions?
Chanel Miller (Know My Name: A Memoir)
IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, NOT BUT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything she said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? AND DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUITFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT”S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT'S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
We are continuing on like we have been. I don’t know where you think we’re headed, but I can assure you it’ll be somewhere where we are together.” He narrowed his eyes and glared a little. “All in, Brynne, or did you forget so soon? You said you wanted the same thing last night.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
Great travel writing consists of equal parts curiosity, vulnerability and vocabulary. It is not a terrain for know-it-alls or the indecisive. The best of the genre can simply be an elegant natural history essay, a nicely writ sports piece, or a well-turned profile of a bar band and its music. A well-grounded sense of place is the challenge for the writer. We observe, we calculate, we inquire, we look for a link between what we already know and what we're about to learn. The finest travel writing describes what's going on when nobody's looking.
Tom Miller
We may spend half our time wandering around, wondering what we’re even doing here, why it’s worth the effort. But living is an incredible thing, just to have been here, to have felt, if only briefly, the volume and depth of others’ empathy. I wrote, most of all, to tell you I have seen how good the world could be.
Chanel Miller (Know My Name)
Victims exist in a society that tells us our purpose is to be an inspiring story. But sometimes the best we can do is tell you we’re still here, and that should be enough. Denying darkness does not bring anyone closer to the light. When you hear a story about rape, all the graphic and unsettling details, resist the instinct to turn away; instead look closer, because beneath the gore and the police reports is a whole, beautiful person, looking for ways to be in the world again.
Chanel Miller (Know My Name: A Memoir)
Choice is an illusion in this life. As humans, we’re bound by circumstance. It’s up to you whether or not the experience is a good one.
Sav R. Miller (Liars and Liaisons (Monsters & Muses, #6))
I promise my life to you. I know we’re about to go out there and say this in front of everyone we know, but I wanted to tell you here and now. Just us.
Eden Finley (Final Play (Fake Boyfriend, #6))
We attend too many seminars. We take too many classes. We buy too many books. We play too many audios in our cars. It's all wasted if we're unclear on what learning really is: Learning is not attending, listening, or reading. Learning is really about translating knowing what to do into doing what we know. It's about changing. If we have not changed we have not learned.
John G. Miller (QBQ! The Question Behind the Question: Practicing Personal Accountability in Work and in Life)
You see, to me it seems as though the artists, the scientists, the philosophers were grinding lenses. It’s all a grand preparation for something that never comes off. Someday the lens is going to be perfect and then we’re all going to see clearly, see what a staggering, beautiful world it is…
Henry Miller
We’re all suffering. I guess I just relate to people who are willing to share more of themselves. A lot of pain in the world could be alleviated if we could all admit when we’re having a hard time.
Louise Miller (The Late Bloomers' Club)
It’s a phone call in the morning to pray about our day, a text-message to say I’m thinking of her, a handwritten note, a postcard when I’m out of town on business, remembering what drink she likes when we’re at a bar, asking follow-up questions about her friends, and not hiding behind humor when it’s time for a serious conversation.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
The Spartan king Agesilaus was still fighting in armor when he was eighty-two. Picasso was painting past ninety, and Henry Miller was chasing women (I'm sure Picasso was too) at eighty-nine. Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
why did you do it? i search and search and i search, and i can't understand it, Willy. I made the last payment on the house today. Today, dear. And there'll be nobody home. we're free and clear. we're free. we're free... We're free...
Arthur Miller (Death of a Salesman)
People think that we’re defined by the big moments in our lives: births, deaths, successes, and failures. But I think the little moments matter more because those are the moments that shape your self-perception and who you want to become.
Daniel G. Miller (The Orphanage By The Lake)
Russ decided the best defense was a good offense. "I'm Russell Van Alstyne, Millers Kill chief of police." He held out his hand. She shook firm, like a guy. "Clare Fergusson," she said. "I'm the new priest at Saint Alban's. That's the Episcopal Church. At the corner of Elm and Church." There was a faint testiness in her voice. Russ relaxed a fraction. A woman priest. If that didn't beat all. "I know which it is. There are only four churches in town." He saw the fog creeping along the edges of his glasses again and snatched them off, fishing for a tissue in his pocket. "Can you tell me what happened, um..." What was he supposed to call her? "Mother?" "I go by Reverend, Chief. Ms. is fine, too." "Oh. Sorry. I never met a woman priest before." "We're just like the men priests, except we're willing to pull over and ask directions.
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
Moreover, in conversations with women, men do most of the talking (Haas, 1979), and despite hackneyed stereotypes about women being more talkative than men, we're apparently used to this pattern. When people listen to record- ings of conversations, they think it's more disrespectful and assertive for a woman to interrupt a m~ than vice versa (Lafrance, 1992).
Rowland S. Miller (Intimate Relationships)
I wrote to expose the brutality of entitlement, gender violence, and class privilege in our society. But I would be failing you if you walked away from this book untouched by humanity, without seeing what I saw: those thousands of handwritten letters, the green-lipped fished at the bottom of the ocean, the winking court reporter. All the small miracles that sustained me. We may spend half our time wandering around, wondering what we're even doing here, why it's worth the effort. But living is an incredible thing, just to have been here, to have felt, if only briefly, the volume and depth of others' empathy. I wrote, most of all, to tell you I have seen how good the world could be.
Chanel Miller (Know My Name)
The underlying problem is that we aren't arguing policies; we're arguing about identities, and therefore compromise is never considered a principled realization that they might have some legitimate concerns. It is, at best, a Machiavellian strategy forced on us by the bad group.
Patricia Roberts-Miller (Demagoguery and Democracy)
We just don’t think God could be concerned with the puny details of our lives. We either believe he’s too big or that we’re not that important. No wonder Jesus told us to be like little children! Little children are not daunted by the size of their parents. They come, regardless.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
We're trying to be spiritual, to get it right. We know we don't need to clean up our act in order to become a Christian, but when it comes to praying, we forget that. We, like adults, try to fix ourselves up. In contrast, Jesus wants us to come to him like little children, just as we are.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
If our identity gets broken, it affects our ability to connect. And I wonder if we’re not all a lot better for each other than we previously thought. I know we’re not perfect, but I wonder how many people are withholding the love they could provide because they secretly believe they have fatal flaws.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
We don’t like God too close, especially if God is a deity we can’t control. We have a primal fear of walking with God in the garden, naked, without clothing. We desperately want intimacy, but when it comes, we pull back, fearful of a God who is too personal, too pure. We’re much more comfortable with God at a distance.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
It’s true the manipulator is the loneliest person in the world. And the second loneliest is the person being manipulated. Unless we’re honest with each other, we can’t connect. We can’t be intimate. Only God can penetrate a manipulative person’s heart, and even then, he sits quietly, waiting for them to stop running their con.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Maybe the story of our life is what we make of it. I mean, we’re dealt the rain and the sun, but maybe it’s up to us to push away the clouds in order to see the rainbow.
Laura Miller (For All You Have Left)
Unless we’re honest with each other, we can’t connect. We can’t be intimate.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
No, dude. I told you, we're not crazy.
Natasha Larry (The Day The World Went Orange (Darwin's Children, #2.5))
We’re all guilty of something. Dig deep enough and you’ll find whatever you need.
London Miller (Syn. (Den of Mercenaries, #6))
We’re a couple of fucked up souls in our own ways, but together we’re a beautiful mess.
Mickey Miller (The Lying Game (Love Games, #1))
All Persians are liars and lying is a sin. That's what the kids in Mrs. Miller's class think, but I'm the only Persian they've ever met, so I don't know where they got that idea. My mom says it's true, but only because everyone has sinned and needs God to save them. My dad says it isn't. Persians aren't liars. They're poets, which is worse. Poets don't even know when they're lying. They're just trying to remember their dreams. They're trying to remember six thousand years of history and all the versions of all the stories ever told. In one version, maybe I'm not the refugee kid in the back of Mrs. Miller's class. I'm a prince in disguise. If you catch me, I will say what they say in the 1,001 Nights. "Let me go, and I will tell you a tale passing strange." That's how they all begin. With a promise. If you listen, I'll tell you a story. We can know and be known to each other, and then we're not enemies anymore.
Daniel Nayeri (Everything Sad Is Untrue)
We’re all livin’ in the past...we’re really always eighty milliseconds behind life happenin’. ...that’s how long it takes our brains to comprehend what’s already taken place right in front of our eyes. So, I guess I’m not alone. Everyone’s livin’ in the past, to some extent. I’ve just become a prisoner of mine. ... I’ve become a prisoner—willingly. But then I guess you really can’t be called a prisoner if you willingly carry the chains.
Laura Miller (By Way of Accident)
But maybe... we're not meant to be enough. Because if we were, then all our efforts wouldn't mean anything to us. We wouldn't know the difference between giving it all or giving nothing. Nothing would hold value or purpose.
Caitlin Miller (Our Yellow Tape Letters)
Why are people so afraid of the forest? Is it the books we’re read as children? The overly dramatized bullshit we watch on television? Or is it simply because we’ve removed ourselves so far from nature we’ve forgotten we’re a part of it?
Erin Miller (Hikertrash: Life on the Pacific Crest Trail)
I DON’T KNOW WHY LOVING A WOMAN IS SCARIER than climbing a mountain or sailing an ocean, but it is. A mountain can hurt your body and an ocean can drown you, but in the end you’re still a man for conquering them. Dead or alive, you’re still a man. A woman, though, can rob your manhood and reduce you to a boy at the drop of a word. It’s no wonder we all try to control each other. Sometimes relationships feel like we’re trying to emotionally cuddle with each other at the same time we’re tearing each other down.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Naturally, I said. You’re always the same person. You don’t change from one milieu to another. You’re honest and open. You could get along anywhere with any group or class or race. But most people aren’t that way. Most people are conscious of race, color, religion, nationality, and so on. To me all peoples are mysterious when I look at them closely. I can detect their differences much easier than their kinship. In fact, I like the distinctions which separate them just as much as I like what unites them. I think it’s foolish to pretend that we’re all pretty much the same. Only the great, the truly distinctive individuals, resemble one another. Brotherhood doesn’t start at the bottom, but at the top. The nearer we get to God the more we resemble one another. At the bottom it’s like a rubbish pile … that’s to say, from a distance it all seems like so much rubbish, but when you get nearer you perceive that this so-called rubbish is composed of a million-billion different particles. And yet, no matter how different one bit of rubbish is from another, the real difference only asserts itself when you look at something which is not rubbish. Even if the elements which compose the universe can be broken down into one vital substance … well, I don’t know what I was going to say exactly … maybe this … that as long as there is life there will be differentiation, values, hierarchies. Life is always making pyramidal structures, in every realm. If you’re at the bottom you stress the sameness of things; if you’re at the top, or near it, you become aware of the difference between things. And if something is obscure—especially a person—you’re attracted beyond all power of will. You may find that it was an empty chase, that there was nothing there, nothing more than a question mark, but just the same…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
I nod seriously, "Supes." "You're mocking me." "A little bit." "People say supes!" "What people?" "I can't believe you're shaming me right now. I'm very sensitive about my use of cool vernacular." "Then we're good. Because you haven't used any." I flash a grin.
Lauren Miller (All Things New)
Just because a tagline sounds great or a picture on a website grabs the eye, that doesn’t mean it helps us enter into our customers’ story. In every line of copy we write, we’re either serving the customer’s story or descending into confusion; we’re either making music or making noise.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
In the body of Christ our weakness is an occasion for care rather than judgment. The body of Christ isn’t strong because it has no weaknesses. The body of Christ is strong because it’s the place where weakness is shared. And our weakness, our need for each other, is the very thing that seals this sharing. When I live in Christ, things get turned upside down. The end arrives at the beginning. The last becomes first. The greatest become the least, and the least become types of Christ. In Christ, we’re all bound together. If “one member suffer, all the members suffer with it” (1 Corinthians 12:26).
Adam S. Miller (An Early Resurrection)
We may spend half our time wandering around, wondering what we're even doing here, why it's worth the effort. But living is an incredible thing, just to have been here, to have felt, if only briefly, the volume and depth of others' empathy. I wrote, most of all, to tell you I have seen how good the world could be.
Chanel Miller (Know My Name)
What I want is to open up. I want to know what’s inside me. I want everybody to open up. I’m like an imbecile with a can-opener in his hand, wondering where to begin – to open up the earth. I know that underneath the mess everything is marvelous. I’m sure of it. I know it because I feel so marvelous myself most of the time. And when I feel that way everybody seems marvelous… everybody and everything… even pebbles and pieces of cardboard… a match stick lying in the gutter… anything… a goat’s beard, if you like. That’s what I want to write about… and then we’re all going to see clearly, see what a staggering, wonderful, beautiful world it is.
Henry Miller
In sin, we come unplugged. When we refuse the givenness of life and withdraw from the present moment, we’re left to wander the world undead. Zombie-like, we wander from one moment to the next with no other goal than to get somewhere else, be someone else, see something else—anywhere, anyone, anything other than what is given here and now. We’re busy. We’ve got goals and projects. We’ve got plans. We’ve got fantasies. We’ve got daydreams. We’ve got regrets and memories. We’ve got opinions. We’ve got distractions. We’ve got games and songs and movies and a thousand TV shows. We’ve got anything and everything other than a first-hand awareness of our own lived experience of the present moment.
Adam S. Miller (Rube Goldberg Machines: Essays in Mormon Theology)
What we’re up against now is a conservative movement anchored in a way of seeing Americanness that says that any attention to group problems, or trying to actively support diversity through representation is actually divisive and discriminatory itself. This, by the way, is why they call liberals un-American. Any attention to group suffering or group needs is divisive in their view. People
Derek B. Miller (American by Day (Sigrid Ødegård #2))
person’s degree of spirituality is determined 29 percent by heredity, and 71 percent by environment. Our spirituality is substantially—roughly two-thirds—a factor of how we’re raised, the company we keep, the things we do to build the muscle. But still a significant degree of our capacity to experience the sacred and transcendent—one-third—is inscribed in our genetic code, as innate as our eye color or fingerprints.
Lisa Miller (The Awakened Brain: The New Science of Spirituality and Our Quest for an Inspired Life)
Do people talk about the war?” Miller asked. “Often,” the missionary said. “Anyone make sense of it?” “No. I don’t believe war ever does. It’s a madness that’s in our nature. Sometimes it recurs; sometimes it subsides.” “Sounds like a disease.” “The herpes simplex of the species?” the missionary said with a laugh. “I suppose there are worse ways to think of it. I’m afraid that as long as we’re human, it will be with us.
James S.A. Corey (Leviathan Wakes (Expanse, #1))
Matthews asked: “How intimate was your relationship with Dr. Miller?” “Intimate?” Phil still couldn’t grasp what they were asking. “My colleague is asking if you’d ever had sex with Dr. Miller before that evening.” Jones added curtly. “I’ve never…We’ve never…We’re friends. We’d never had sex before that evening, and we didn’t have sex that evening either.” “How do you explain your semen in her sheets then, Mr. Marshall?
Olga Núñez Miret (Memory (Escaping Psychiatry, #3))
Forgive me, dear. I can’t cry. I don’t know what it is, I can’t cry. I don’t understand it. Why did you ever do that? Help me Willy, I can’t cry. It seems to me that you’re just on another trip. I keep expecting you. Willy, dear, I can’t cry. Why did you do it? I search and search and I search, and I can’t understand it, Willy. I made the last payment on the house today. Today, dear. And there’ll be nobody home. We’re free and clear. We’re free. We’re free... We’re free...
Arthur Miller (Death of a Salesman)
Jerome Miller, the former executive director of the National Center for Institutions and Alternatives, described the dynamic this way: “There are certain code words that allow you never to have to say ‘race,’ but everybody knows that’s what you mean and ‘crime’ is one of those. … So when we talk about locking up more and more people, what we’re really talking about is locking up more and more black men.”35 Another commentator noted, “It is unnecessary to speak directly of race [today] because speaking about crime is talking about race.”36
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
(….) “What does it matter whose head those images came from? ‘Poetry is a conversation not a monologue,’ “ Fox quoted Cooper in a passable English accent. “A writer can only put the words on the paper; the vision has to come from the reader, right? It’s language, not paint, not film. That’s the beauty of it to me. Why do your woods or your Wood Wife, have to look precisely the same as Cooper’s?” “Well in terms of Miller’s work on Cooper-” “We’re not talking literary critique here. We’re talking about poems, words on a page,” Fox said, tapping his knee, “and what those words turn into when they slip inside your brain.” He tapped his head. “It’s magic; and magic disappears if you try too hard to pin it down.
Terri Windling (The Wood Wife)
If life has accelerated, and we have become overwhelmed by information to the point that we are less and less able to focus on any of it, why has there been so little pushback? Why haven’t we tried to slow things down to a pace where we can think clearly? I was able to find the first part of an answer to this—and it’s only the first part—when I went to interview Professor Earl Miller. He has won some of the top awards in neuroscience in the world, and he was working at the cutting edge of brain research when I went to see him in his office at the Massachusetts Institute of Technology (MIT). He told me bluntly that instead of acknowledging our limitations and trying to live within them, we have—en masse—fallen for an enormous delusion. There’s one key fact, he said, that every human being needs to understand—and everything else he was going to explain flows from that. “Your brain can only produce one or two thoughts” in your conscious mind at once. That’s it. “We’re very, very single-minded.” We have “very limited cognitive capacity.” This is because of the “fundamental structure of the brain,” and it’s not going to change. But rather than acknowledge this, Earl told me, we invented a myth. The myth is that we can actually think about three, five, ten things at the same time. To pretend this was the case, we took a term that was never meant to be applied to human beings at all. In the 1960s, computer scientists invented machines with more than one processor, so they really could do two things (or more) simultaneously. They called this machine-power “multitasking.” Then we took the concept and applied it to ourselves.
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
The gospel is a promise and God’s promises aren’t bound by time. Promises defy time. They bring the future into the present. Promises are a certain way of looking forward. When I promised myself to my wife, I didn’t just bind myself to her in the present. I gave her my future. Without waiting for that future to arrive, without waiting to see what sorrows or joys would come, I promised. Dressed in white, we knelt at an altar in the temple and joined hands. We were terribly young. The mirrors, set face to face, reflected endless futures at which we couldn’t guess. Still, I loved her. I gave her all those futures as a gift. And we kissed. Now, promised to each other and sealed by a holy ordinance, we live as though those futures had already come. Now, in a very real way, our futures are already given as gifts in the present. And, now, we’re empowered by those promises to love each other in the present.
Adam S. Miller (An Early Resurrection: Life in Christ before You Die)
Support for Miller’s concerns came from an unlikely source in the person of Matt Taibbi, a veteran journalist who had written two best-selling anti-Trump books. In an article published five days after Miller’s interview and titled “We’re in a Permanent Coup,” he warned of the threat to America’s democratic order posed by the deep-state conspiracy: “The Trump presidency is the first to reveal a full-blown schism between the intelligence community and the White House. Senior figures in the CIA, NSA, FBI and other agencies made an open break from their would-be boss before Trump’s inauguration, commencing a public war of leaks that has not stopped. “My discomfort in the last few years, first with Russiagate and now with Ukrainegate and impeachment, stems from the belief that the people pushing hardest for Trump’s early removal are more dangerous than Trump. Many Americans don’t see this because they’re not used to waking up in a country where you’re not sure who the president will be by nightfall. They don’t understand that this predicament is worse than having a bad president.”213 This warning from Taibbi was echoed by another liberal critic of Trump—Harvard law professor Alan Dershowitz. In a talk show appearance on New York’s AM 970 radio on Sunday, November 10, 2019, Dershowitz said, “Whether you’re a Democrat or a Republican, whether you’re from New York or the middle of the country, you should be frightened by efforts to try to create crimes out of nothing. . . . It reminds me of what Lavrentiy Beria, the head of the KGB, said to Stalin. He said, ‘Show me the man, and I’ll find you the crime,’ by which he really meant, ‘I’ll make up the crime.’ And so the Democrats are now making up crimes.
David Horowitz (BLITZ: Trump Will Smash the Left and Win)
Come here.” Without regard for modesty, she pulled off her T-shirt and wadded it up to stanch his wounds. He splayed his fingers on her bare stomach and grinned. “Honey, I’m afraid I can’t help you with that right now. Maybe later?” How could he joke and flirt when she was so afraid? “Max. You’re bleeding. Maybe dying. I don’t want to lose you.” “Come. Here.” He grabbed her and pulled her down into the grass beside him. He pressed a kiss to her temple and rubbed his grizzled cheek against hers. The sirens were getting closer. “Are you okay? Are you hurt?” “I’m fine. You’re the one who got shot. Twice.” “I’m gonna live through both. I’m a tough guy, remember?” “Damn it, Max—” “Rosemary March. Did you just swear? You know I don’t like hearing that from you,” he teased. He pulled her in for a kiss that lasted until a groan of pain forced him to come up for air. “You get under my skin, Rosie.” “Like an itchy rash?” she teased. “Like an alarm clock finally waking me up to the life I’m supposed to have. With you.” So when did the tough guy learn to speak such beautiful things? Tears stung her eyes again as she found a spot where she could hug him without causing any pain. “I know I’m not the guy you expected to want you like this, and I know you weren’t the woman I was looking for. Hell, I wasn’t even looking.” “Neither was I.” “But we found each other.” “We’re good for each other.” “I’m not an easy man to live with. I come with a lot of emotional baggage.” “And I don’t?” “You can do better than me.” Rosie shook her head, smiling. “I can’t do better than a good man who loves me. A man who encourages me to be myself and to be strong and who makes me feel safer and more loved than I have ever felt in my life.” “I do love you, Rosie.” “I love you, Max.” “What are we going to do about these feelings?” Max asked. “What do you want to do?” " Let’s give the Dinkles something to talk about.” “You’re moving in upstairs?” “And opening all the windows.” Rosie smiled. “Oh, I hope we give them plenty to talk about.
Julie Miller
what could Marilyn Monroe’s death ever have to do with me? “IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything he said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT’S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT’S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
Josh Miller, 22 years old. He is co-founder of Branch, a “platform for chatting online as if you were sitting around the table after dinner.” Miller works at Betaworks, a hybrid company encapsulating a co-working space, an incubator and a venture capital fund, headquartered on 13th Street in the heart of the Meatpacking District. This kid in T-shirt and Bermuda shorts, and a potential star of the 2.0 version of Sex and the City, is super-excited by his new life as a digital neo-entrepreneur. He dropped out of Princeton in the summer of 2011 a year before getting his degree—heresy for the almost 30,000 students who annually apply to the prestigious Ivy League school in the hope of being among the 9% of applicants accepted. What made him decide to take such a big step? An internship in the summer of 2011 at Meetup, the community site for those who organize meetings in the flesh for like-minded people. His leader, Scott Heiferman, took him to one of the monthly meetings of New York Tech Meetup and it was there that Miller saw the light. “It was the coolest thing that ever happened to me,” he remembers. “All those people with such incredible energy. It was nothing like the sheltered atmosphere of Princeton.” The next step was to take part in a seminar on startups where the idea for Branch came to him. He found two partners –students at NYU who could design a website. Heartened by having won a contest for Internet projects, Miller dropped out of Princeton. “My parents told me I was crazy but I think they understood because they had also made unconventional choices when they were kids,” says Miller. “My father, who is now a lawyer, played drums when he was at college, and he and my mother, who left home at 16, traveled around Europe for a year. I want to be a part of the new creative class that is pushing the boundaries farther. I want to contribute to making online discussion important again. Today there is nothing but the soliloquy of bloggers or rude anonymous comments.” The idea, something like a public group email exchange where one can contribute by invitation only, interested Twitter cofounder Biz Stone and other California investors who invited Miller and his team to move to San Francisco, financing them with a two million dollar investment. After only four months in California, Branch returned to New York, where it now employs a dozen or so people. “San Francisco was beautiful and I learned a lot from Biz and my other mentors, but there’s much more adrenaline here,” explains Miller, who is from California, born and raised in Santa Monica. “Life is more varied here and creating a technological startup is something new, unlike in San Francisco or Silicon Valley where everyone’s doing it: it grabs you like a drug. Besides New York is the media capital and we’re an online publishing organization so it’s only right to be here.”[52]
Maria Teresa Cometto (Tech and the City: The Making of New York's Startup Community)
What is most satisfying for a photographer,’ he noted ‘is not recognition, success and so forth. It’s communication: what you say can mean something to other people, can be of certain importance. . . The photographer’s task is not to prove anything about a human event. We’re not advertisers; we’re witnesses of the transitory.
Russell Miller (Magnum: Fifty Years at the Front Line of History)
What I’m saying is I think life is staggering and we’re just used to it.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
I suppose that’s the point of this book. There’s truth in the idea we’re never going to be perfect in love but we can get close. And the closer we get, the healthier we will be. Love is not a game any of us can win, it’s just a story we can live and enjoy. It’s a noble ambition, then, to add a chapter to the story of love, and to make our chapter a good one. We don’t think much about how our love stories will affect the world, but they do. Children learn what’s worth living for and what’s worth dying for by the stories they watch us live. I want to teach our children how to get scary close, and more, how to be brave. I want to teach them that love is worth what it costs.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
There was also no character arc. Change only comes when we face the difficulty of reality head-on. Fantasy changes nothing, which is why, once we're done fantasizing, it feels like a bankrupt story.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
When we say “Sexy Liberal” we aren’t talking about ourselves, we’re talking about you. Yes, YOU! Because being liberal is sexy. It means you’re open-minded, empathetic, compassionate—and an easy lay.
Stephanie Miller (Sexy Liberal!: Of Me I Sing)
We’re very bad at predicting who from a group of at-risk people will go on to complete suicide,” Dr Miller said. “We can say it will be about 10 out of the 100 who are at risk. But which 10, we don’t know.
Anonymous
Change only comes when we face the difficulty of reality head-on. Fantasy changes nothing, which is why, once we're done fantasizing, it feels like a bankrupt story.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Alain gives my shoulder a squeeze. "Atta girl. Now, let's do it exactly the same way again. Only hotter." Right. Of course. We're talking about a scene that involves my shooting an overweight man in the head while he stands in his kitchen making a bologna sandwich. I can see how that could be 'hotter'.
Lauren Miller
Screaming our affirmations can make us sound like we’re in doubt
Calvin Miller (Preaching: The Art of Narrative Exposition)
The problem is this: those of us who are never satisfied with our accomplishments secretly believe nobody will love us unless we’re perfect.
Donald Miller
I DON’T KNOW WHY LOVING A WOMAN IS SCARIER than climbing a mountain or sailing an ocean, but it is. A mountain can hurt your body and an ocean can drown you, but in the end you’re still a man for conquering them. Dead or alive, you’re still a man. A woman, though, can rob your manhood and reduce you to a boy at the drop of a word. It’s no wonder we all try to control each other. Sometimes relationships feel like we’re trying to emotionally cuddle with each other at the same time we’re tearing each other down. But love doesn’t control, and I suppose that’s why it’s the ultimate risk. In the end, we have to hope the person we’re giving our heart to won’t break it, and be willing to forgive them when they do, even as they will forgive us. Real love stories don’t have dictators, they have participants. Love is an ever-changing, complicated, choose-your-own adventure narrative that offers the world but guarantees nothing. When you climb a mountain or sail an ocean, you’re rewarded for staying in control. Perhaps that’s another reason true intimacy is so frightening. It’s the one thing we all want, and must give up control to get.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Careful,” Miller snapped, like a judge warning a wayward attorney, “we’re not talking about feelings or opinions. We’re sticking to the facts right now.
Vince Flynn (The Last Man (Mitch Rapp, #13))