Ways To Announce Pregnancy Quotes

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The waitress returns, cutting into possibly the most bizarre way a pregnancy can be announced. At a Mexican restaurant. With a tequila shot standoff. In French
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
The lair needs to know.” “Yeah, I know that, but I would have preferred it if we didn’t have to make a big thing out of it. It would have been easier to just ask you and the other sentinels to pass on the news.” “You’re their Prime, and there are certain expectations that come with that position. Making public announcements about key information is one of them. Celebrating important events is another. Your pregnancy is both of those things.” “Yes, but have you not seen how people respond to a pregnant woman?” By the way his brow furrowed, no, he hadn’t. “Everyone’s suddenly an expert on babies and they’re all full of advice and nosy-ass questions. I’m glad my stomach’s not that big – people are a hell of a lot worse if there’s a bump. They try rubbing it like it’s a damn genie-infested lamp.” “Genie-infested?” he chuckled. “You get my point.
Suzanne Wright (Ashes (Dark in You, #3))
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
At first glance you would not have thought he had any Negro blood. But if you looked sharper—and if you were used to looking—you could see the signs. It was the planes of the face mostly, the way the skin sloped from cheekbone to jaw. It was also the way the eyelids fell. You had to look close, yes. But southern women do. It was a thing they prided themselves on, this ability to tell Negro blood. And to detect pregnancies before a formal announcement, and to guess the exact length of gestation. Blood and birth—these were their two concerns.
Shirley Ann Grau (The Keepers of the House)