Wavy Quotes

We've searched our database for all the quotes and captions related to Wavy. Here they are! All 100 of them:

Cress?" "It's beautiful out there." A hesitation, before, "Could you be more specific?" "The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon. "Oh, good. You've really narrowed it down for me." "I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert." "Cactuses and tumbleweeds?" "No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke." "Piles up in lots of hills?" "Yes, exactly! And it's beautiful." Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word. He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free. His hand was shaking as he held it out. "It's messy." Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.   "Maybe you can't read it," he said in a small voice. "I can do it over."   She shook her head. "I can read it just fine. It's… beautiful." "I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You are perfect the way you are." Blay's voice was strong. "There is nothing wrong with who and what you have always been. I'm proud of you. And I love you. Now ... and always." Qhuinn's vision got wavy. Hard-core. "I'm proud of you. And I love you," Blay repeated. "Always. Forget about your old family ... you have me now. I am your family.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Beth wrapped her arms around Wrath's waist and leaned into her hellren's body. Their black hair mixed together, his straight, hers wavy. God, Wrath's was so damn long now. But word was that Beth liked the stuff so he'd grown it out for her. V wiped his mouth again. Weird, how males do shit like that.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
My hair is my best feature, long and wavy, bright gold with a hint of red, trailing behind me wherever I go like an afterthought.
Cynthia Hand (Unearthly (Unearthly, #1))
I wanted a fairy tale ending for Wavy, because if she could find happiness, there would be hope for me, too.
Bryn Greenwood (All the Ugly and Wonderful Things)
I wrapped my arms around my knees and stared through the window's wavy glass. The red velvet curtains were drawn around the tiny alcove, and I was enveloped by an odd sense of peace, knowing that in twenty minutes, the halls were going to be crowded; music was going to be blaring; and I was going to go from being an only child to one of a hundred sisters, so I knew to savor the silence while it lasted.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Her wavy hair falls to mid-waist, and I think how she looks better this way. From the back.
Victoria Scott (The Collector (Dante Walker, #1))
But from where he was standing, he could see her perfectly: the wavy red hair and the oversize T-shirt with a smiling lobster on the front, the way her legs were tucked up beneath her on the swing, and the freckles across her nose. He could see her, and it was just like he’d thought. It was just like being punched in the stomach.
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
Gabriel came out a moment later, while Kaitlyn was still standing motionless by the stairs. He was shrugging into his T-shirt. He looked particularly handsome in a just-roused, early morning way. His hair was very wavy, as if someone had run fingers through it to release the curl, his eyes were hooded and lazy and there was a faint smile of satisfaction on his lips. Kaitlyn discovered that she wanted to kill him. The image that came to her mind was of hitting him with a rolling pin, but not in an amusing, comic-book sort of way.
L.J. Smith (The Passion (Dark Visions, #3))
I envisaged a perfect detective’s assistant. She’d have long, wavy blonde hair, a short skirt, and curves in all the right places. She’d have a genius IQ, know how to hack and code, and be available at all hours. Now, make her into a robot. Sadly, I mentally removed her body, leaving a phone app.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
Sweet baby Jesus, Blue Eyes was… He was gorgeous in all the ways that made girls do stupid things. He was tall, a good head or two taller than me and broad at the shoulders, but tapered at the waist. An athlete’s body—like a swimmer’s. Wavy black hair toppled over his forehead, brushing matching eyebrows. Broad cheekbones and wide, expressive lips completed the package created for girls to drool over. And with those sapphire-colored eyes, holy moley…
J. Lynn (Wait for You (Wait for You, #1))
Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.
Ami Blackwelder
He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole. I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?” “I do have a reputation to maintain.” “And what a lovely reputation that is.” He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?” I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.” Daemon gave me a sexy smirk.
Jennifer L. Armentrout (Onyx (Lux, #2))
Hey,” said a soft voice. Emma turned to see a boy with wavy hair and light brown skin looking at them with a mixture of annoyance and—no, it was mostly just annoyance. “Raphael Santiago?” she said.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Truth was she took care of him as much as he did her. There was a few times when he was younger that I thought to myself, One of these days, he ain’t gonna show up for work, ’cause he’ll be at home with a gun in his mouth. I had an uncle did that. Jesse Joe was a man with a deep streak of lonely, until Wavy came along.
Bryn Greenwood (All the Ugly and Wonderful Things)
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The girl jumped into his arms, and he swung her in an ecstatic, lop-sided circle. The joy of it hit Georgie like a shock wave. The boy’s duffel bag fell to the ground. His face disappeared in the girl’s long, wavy dark hair.
Rainbow Rowell (Landline)
Adam Carlsen was handsome. Adam Carlsen, with his long nose and wavy hair, with his full lips and angular face that shouldn’t have fit together but somehow did, was really, really, really handsome.
Ali Hazelwood (The Love Hypothesis)
I love you, Wavy. I love you." I said it until she relaxed. "Now put your ring back on.
Bryn Greenwood (All the Ugly and Wonderful Things)
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
L.A. Weatherly (Angel Burn (Angel, #1))
we're all bozos on the bus, so might as well sit back and enjoy the ride.
Wavy Gravy
Keep your sense of humor, my friend; if you don't have a sense of humor it just isn't funny anymore.
Wavy Gravy
Those deep set eyes that look like they could tell stories for days, and that wavy brown hair that feels soft between my fingers. I try to memorize the angles of his jaw and the lines of his lips, because I know. I know this may be the last time I ever see him. Breathe fills my lungs, my throat relaxes, and I can't help but smile. Because I can see what he's thinking as clearly as if he'd spoken. He doesn't want to leave - he doesn't want to go home. He's going to choose me instead.
Elizabeth Norris (Unraveling (Unraveling, #1))
Granuaile looked terminally depressed when she emerged from the bathroom with raven hair and, as a result rather Goth by accident. She didn't want to get her picture taken. "Aughh!" she said miserably, looking in the vanity mirror in the truck of the cab and fingering a wavy curl near her temple. "This sucks more than anything has ever sucked before. You know what we look like? A couple of emo douche bags." "Well, look at the bright side, Granuaile. Emo Douche Bags would be a great band name." [That's brilliant! It's already the unofficial name of more bands than I can count.]
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
His voice gave out and he made several wavy motions with his hand, indicative of the shape of a woman who would probably be unable to keep her balance.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
That’s what church was to Wavy: a set of games she didn’t quite understand.
Bryn Greenwood (All the Ugly and Wonderful Things)
My hair is my best feature, long and wavy, bright gold with a hint of red, trailing behind me wherever I go like an afterthought. The problem with my hair is that it’s also completely unruly.
Cynthia Hand
Payton grinned. “You must be Chase.” As she extended her hand in introduction, she took the opportunity to give him a more thorough once-over. He had dark wavy hair and warm brown eyes. Very Pat-rick Dempsey/McDreamy-esque. Good build, not terribly tall, maybe only five-ten-ish, but since Payton measured in at exactly five-three and one-third inch, she could work with this
Julie James (Practice Makes Perfect)
...and when we die we die alone I cry, I cry alone Like a piece of stone I am thrown into the wavy ocean of life to atone...to atone Only to atone...
Munia Khan
She gave him a happy look as he followed her out on the water-soaked wooden walk. "This could be fun," she said, then turned, took a running step, and did a couple of back flips—like a middle-school kid at recess. He stopped where he was, lust and love and fear rising up in a surge of emotion he did not, for all his years, have any idea how to deal with. "What?" she asked, a little breathless from her gymnastics. She brushed her wavy hair out of her face and gave him a serious look. "Is there something wrong?" He could hardly tell her that he was afraid because he didn’t know what he’d do if something happened to her. That his sudden, unexpected reaction had brought Brother Wolf to the fore. She threw his balance off; his control—which had become almost effortless over the years—was erratic at best.
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
Ravenwood ran a hand through his wavy chestnut hair, upsetting the careful work of his valet. Or not. Given the popularity of the “frightened owl” hairstyle today, Amelia couldn’t fathom much effort being involved at all.
Erica Ridley (The Viscount's Christmas Temptation (The Dukes of War, #1))
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
you aren't what you eat - you are what you don't poop.
Wavy Gravy
I suppose everybody has a mental picture of the days of the week, some seeing them as a circle, some as an endless line, and others again, for all I know, as triangles and cubes. Mine is a wavy line proceeding to infinity, dipping to Wednesday which is the colour of old silver dark with polishing and rising again to a pale gold Sunday. This day has a feeling in my picture of warmth and light breezes and sunshine and afternoons that stretch to infinity and mornings full of far-off bells.
Angela Thirkell (Three Houses)
Sort of like the Skipper in Gilligan’s Island if Alan Hale, Jr. had been about fifteen pounds lighter and had sported dark, wavy hair. He even wore one of those white caps like him.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
Of course, he showed me this one afternoon when he was skipping class. When trolls cut classes, you think they are losers. When the beautiful and/or reasonably erudite do the same thing to sit on the library steps and read poetry, you think they are on to something deep. You see only deep brown wavy hair and strong legs, well honed by years of Ultimate Frisbee. You see that book of T. S. Eliot poems held by the hand with the long, graceful fingers, and you never stop to think that it shouldn't take half a semester to read one book of poems... that maybe he is not so much reading as getting really high every morning and sleeping it off on the library steps, forcing the people who actually go to class to step or trip over him.
Maureen Johnson (Zombies Vs. Unicorns)
There’s a guy there too, sitting in an armchair across from me with a glass coffee table between us. He’s maybe three or four years older than me, and he looks like he has just stepped off a GQ cover, with his thick wavy dark hair, square jaw, flawless smooth skin, and elegantly tailored suit that does a lot for his tall athletic frame. Aside from Grayson, he’s probably one of the most handsome guys I’ve met in person. - Celestra Caine about Jack Simple, FADE by Kailin Gow
Kailin Gow (Fade (Fade, #1))
The three women laughing over there? Dark wavy hair, coffee skin, and beautiful matching sets of big, lovely—” I slapped him on the arm. “Hey. Eyes. I was going to say eyes. What were you thinking?
Devon Monk (Magic on the Storm (Allie Beckstrom, #4))
We were all trapped in stories, she said, just as he used to say, his wavy hair, his naughty smile, his beautiful mind, each of us the prisoner of our own solipsistic narrative, each family the captive of the family story, each community locked within its own tale of itself, each people the victims of their own versions of history, and there were parts of the world where the narratives collided and went to war, where there were two or more incompatible stories fighting for space on, to speak, the same page. She came from one such place, his place, from which he had been forever displaced, they exiled his body but his spirit, never. And maybe now every place was becoming that place, maybe Lebanon was everywhere and nowhere, so that we were all exiles, even if our hair wasn't so wavy, our smiles not so naughty, our minds less beautiful, even the name Lebanon wasn't necessary, the name of every place or any place would do just as well, maybe that's why she felt nameless, unnamed, unnameable, Lebanonymous.
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
Her arms crept around his neck and she sunk her hand into the wavy hair at his nape. He was stealing her senses. She needed to stop this…in just a minute. He was such a good kisser, just the right amount of pressure and passion. She sighed again and moved her hands to his shoulders pushing back.
Tamara Hoffa (Chasing Love)
Sitting at his kitchen table--the kitchen table where he had spread his homework as a kid to work before dinner, where he had climbed up to dust the burnstones with red hushflower powder, where he had learned to chop and slice and crush ingredients for the painkiller--was Cyra. Her thick, wavy hair piled on one side of her head, the other glinting silver. Her arm wrapped in armor. Her eyes dark as space. “Hello,” she said to him in Thuvhesit. “Hello,” he replied in Shotet.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
The whole earth is in jail and we're plotting this incredible jailbreak.
Wavy Gravy
My mother always started the story by saying, 'Well, she was born in the backseat of a stranger's car,' as though that explained why Wavy wasn't normal.
Bryn Greenwood (All the Ugly and Wonderful Things)
I hear it, can actually feel, can even make out the letters of the message hovering above Bono’s head in orange wavy letters: “I … am … the … devil … and I am … just … like … you …
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
Our mind is like a beach: Sometimes sunny, sometimes wavy, sometimes crowded, sometimes empty and lonely; at times stormy, at nights, cold and windy; in the mornings, very clear; at twilight, foggy! Our mind is like a beach, changing from one moment to another!
Mehmet Murat ildan
Do they have names?" "The red one with the silver markings is Lady Liadrin, the dark blue one is Queen Azshara, and the black one with the long, wavy fins is Lady Vashj." She glanced at him. Those are the strangest names for fish I've ever heard. What's wrong with Dory?
Paige Tyler (In the Company of Wolves (SWAT: Special Wolf Alpha Team, #3))
The sidewalk was all cracked and wavy, like little hills, and the weeds pushed their way up through the cement. I had to roller-skate there anyway, because they wouldn't let me out of their sight, and they could watch me from the swing on the front porch of the old house. It was hard to skate there, and I kept falling down and getting sores on my knees...Sometimes, when they left me alone in 102 to go to the store, I'd turn on the radio and dance all around the room. I'd get on the furniture and jump from couch to the bed to the chair, leaping and twirling the whole time.
Carol Burnett (One More Time)
Sophie’s gasp echoed off the circle of trees, and she blinked to make sure her eyes were working. A few feet in front of her stood a shimmering pale horse with outstretched feathered wings. It wasn’t a pegasus—she knew from the books she’d studied at Havenfield that those were smaller and huskier, with deep blue spots and midnight blue manes. This horse had wavy silver hair that trailed up its neck and parted around a horn of swirled white and silver that jutted from its forehead like a unicorn. But the unicorns she’d seen didn’t have wings. “What are you?” Sophie whispered as she stared into the horse’s deep brown eyes. Usually she thought brown eyes were flat and boring—especially her own—but these had glinting flecks of gold, and gazed back at her so intently she couldn’t look away.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
What we have in mind is breakfast in bed for 400,000
Wavy Gravy
Fiammetta, whose wavy tresses fell in a flood of gold over her white and delicate shoulders
Giovanni Boccaccio (Dekameron (Russian Edition))
Her wavy blond hair
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Ranmaru: I'm sorry! I'm so sorry! Everything... Is my fault. Goda: Is it your fault... the Earth is round and the sky is blue... and my hair is wavy?
Bisco Hatori (Behind the Scenes!!, Vol. 1 (1))
Grey’s hair was like his mother’s—fair, thick and slightly wavy, prone to disorder unless tightly constrained, which it always would be, if Tom Byrd was given his way.
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5-1.5-2.5))
Mastering time isn’t about stopping time, rather, slowing down its effects. Though in the last decade, he has let his dark wavy hair fade and wrinkles grow near his eyes. Even a line or two is visible on his forehead. He sits on a cliff now. His toned torso half-covered in a dark, plain shawl. His chest swells in flawless, mathematical rhythm when he breathes.
Misba (The High Auction (Wisdom Revolution, #1))
A sturdy young waiter with wavy blond hair appeared. He was maybe even taller than Augustus. “Do you know,” he asked in a delicious accent, “what Dom Pérignon said after inventing champagne?” “No?” I said. “He called out to his fellow monks, ‘Come quickly: I am tasting the stars.
John Green (The Fault in Our Stars)
I'm just interested in finding out what the hell goes. I mean do you have to be a goddam bohemian type, or dead, for Chrissake, to be a real poet? What do you want — some bastard with wavy hair?
J.D. Salinger (Franny and Zooey)
Her hair had been long and wavy and brown then, natural in curl and color, as he liked it, and her face bashful and soft -- a reflection less of the way she was than of the way he wanted to see her.
Alice Munro (Too Much Happiness: Stories)
You have been spying all along," Conrad said, unconvinced. "The manhunt for you was a ruse." "Check with the emperor," Ferrin replied coolly. ... "That will not take long," said a man in the corner, studiously picking at a fingernail with a small knife. He raised his head, wavy gray hair framing his pallid face. He wore a long coat of brown leather. "Torvic!" Ferrin called, the exuberance hollow. "I hadn't seen you over there. Still in touch directly with Felrook? You know, to come clean, I haven't brought Maldor in on my plan yet, so it might be of little use to bother him at this juncture.
Brandon Mull
Warren’s wavy, light brown locks are less tamed than usual. They’re higher—poofier—like an old lady fresh from the hairdresser. He pats the top of his head self-consciously. “I forgot my gel. But it’s cool—chicks dig the curls.” “Yeah, if it’s 1998 and your name is Justin Timberlake.” - Drew Evans
Emma Chase (Tied (Tangled, #4))
She sighed as she looked around. “Tell you what I don’t like about a place so goddamned orderly like this. As an artist . . . it’s the lines that get me. All the straight lines in the walls, on the floors, in the corners that turn into boxes—like coffins. The only way I can get rid of the boxes is to take a few drinks. Then all the lines get wavy and wiggly, and I feel a lot better about the whole world. When things are all straight and lined up this way I get morbid. Ugh! If I lived here I would have to stay drunk all the time.
Daniel Keyes (Flowers for Algernon)
I understood that he did not see the person he was talking to. He had the drifter's inclination to be impervious to names and faces. These were interchangeable components room to room, country to country. He did not talk so much as narrate. He traced a wavy line, his, and there was usually someone willing to be the random body that he told his stories to.
Don DeLillo (Zero K)
and thrust into the great sea of wheat, yellow, wavy, and murmurous, full of quiet motion and small whisperings. Here he often loved to wander, through the forest of stiff strong stalks that carried their own golden sky away over his head—a
Kenneth Grahame (The Wind in the Willows)
Come with me if you want to live.” Neva stared at the enormous hand the stranger extended her. Her gaze followed the black leather-clad arm up to the massive shoulders, the strong jaw, and the thick lock of wavy blonde hair hanging over his dark glasses. “You have so got to be kidding me,” she said. He shrugged. “I always wanted to say that line. Except I’m not kidding.
Dani Harper (First Bite (Dark Wolf, #1))
I see them on Facebook through the pictures Dad posts, but it’s like they aren’t real. It’s like they’re photoshopped Loch Ness monsters and the University of Whatever is going to prove the hoax by showing me the beam of light in the background is wavy or something. They’re real. Sometimes I wish they weren’t. And that’s horrible, so I stop wishing that. Or at least I try to.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
embrace your softer side with perfectly imperfect, wavy hair. layer our products together for soft, tousled waves that beg to be touched-not that they need to beg. and hey, since we work well together to create one luscious look, it’s almost mistake-proof!
Herbal Essences
APPROACH Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills. But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing. Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other.
Jay Woodman (SPAN)
Empty out your mind and concentrate on one card at a time. Guess which symbol is on the card and then flip it over to see if you’re right.” I took a deep breath and concentrated on the first card. “Wavy lines.” I flipped the card over. It was a circle. Some psychic I was.
Shawnda Currie (Altered - Revelations of the Evolved (The Evolved Trilogy, #1))
My dear Caroline,” I said. “There’s no doubt at all about what the man’s profession has been. He’s a retired hairdresser. Look at that moustache of his.” Caroline dissented. She said that if the man was a hairdresser, he would have wavy hair—not straight. All hairdressers did.
Agatha Christie (The Murder of Roger Ackroyd (Hercule Poirot, #4))
And then she began to think about Lady Glencora herself. What a strange, weird nature she was,—with her round blue eyes and wavy hair, looking sometimes like a child and sometimes almost like an old woman! And how she talked! What things she said, and what terrible forebodings she uttered of stranger things that she meant to say!
Anthony Trollope (Can You Forgive Her? (Palliser #1))
Absentmindedly, I started doodling in the margins of my paper. Renee, I wrote in cursive, and then again in bubble letters and then in the loopy handwriting of the mystery note. I drew a tiny picture of the moon above the lake. And then stick figures of people swimming in it. And then for some reason, I wrote Dante. First in print, and then in large, wavy letters, and then in all caps. Dante. Dante. DANTE. I had just finished writing, when I heard someone say my name. “Renee.” I shook myself out of my daze to discover that Mr. B. and the entire class were staring at me. “Earth to Renee. The most primitive tombs. What were they called?” he repeated. I glanced at my notes for the answer, but they were covered in doodles. “Dante,” I blurted out, reading the first word I saw. Immediately my face went red. “No, sorry, I meant . . . I meant dolmen.” I winced, hoping I was right so that I would be saved from further embarrassment. Thankfully, Dante wasn’t in my class. Mr. B. smiled. “Correct,” he said, returning to the board. He drew a diagram of a stonelike lean-to, which I recognized from the reading. I took notes and kept my head down for the rest of class.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
It was a color I didn't realize the earth could make without the help of human beings. I knew the water would be blue, but I had in mind a tamer, more pastel blue: a light color through which all the sand and fish underneath would be clearly visible. This water was like super-wavy, lit up turquoise, and so beautiful I could hardly take my eyes off it. The moment I was spellbound by the color of the water was the moment I knew I had been in New York for to long and my decision to leave was a good one.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
My fingers combed through my dark hair, short and straight, landing in choppy, uneven ends nearly level with my chin. The color reminded me of every evil character in any fairy tale. It seemed all were characteristically black; black hair, black eyes, black clothing, black demeanor, and black intent. I never thought I was truly a villainous character, not like I knew my father to be, but I was his offspring and devoid of any princess-like characteristics, so that left only the wicked side of the story to play. In my dreams, though, I imagined myself more like Snow White―wavy, raven hair, a perfectly fair complexion, bathed in rose scents, and exhibiting a natural feminine grace that would dance musical circles around both Ginger and Elizabeth. No, I never hoped for such a thing to be real, but I dared to pretend it with perfect clarity in my dreams.
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
if it's the best of anything, i have to have one. (when passing a food stand claiming to serve the world's best subways)
Wavy Gravy
Glass that housed a lonely soul up til midnight's final toll. A saber from the deepest sea, meant for a groom's morality. The bark of a basket held in fright while running from a bark with bite. A stony crown that's made to share, found deep within a savage lair. A needle that pierced the lovely skin of a princess with beauty found within. A wavy lock of golden rope that once was freedom's only hope. Glittering jewels whose value increased after preserving the false deceased. Teardrops of a maiden fairy feeling neither magical nor merry.
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
The door slowly opens, and a tall, thin person ducks inside. He’s wearing the same green surgeon scrubs, face mask, and blue gloves that the pre-op nurses wear, but his wavy brown hair is peeking out from under a clear surgical cap. His eyes find mine and I let go of the railings in surprise. “What are you doing here?” I whisper, watching as Will sits down in a chair beside me, scooting it back to make sure he’s a safe distance away. “It’s your first surgery without Abby,” he says in explanation, a new expression I don’t quite recognize filling his blue eyes. It’s not mocking or jokey, it’s totally and completely open. Almost earnest. I swallow hard, trying to stop the emotions that come bubbling up, tears clouding my eyes.
Rachael Lippincott (Five Feet Apart)
The way she always stared at Leo was kind of disturbing. She twirled a lock of her wavy hair around a finger and batted her long, curly eyelashes at him. Once, in Chem class, Leo’s Chap Stick dropped out of his pocket and rolled across the floor without him noticing. Carrie picked it up. Later, I saw her pop the lid off, sniff it, and then rub it over her lips. She had this weird look on her face, a bit like when Buffalo Bill tossed the bottle of Jergens down to his victim in Silence of the Lambs. I half expected her to moan, “It rubs the Chap Stick on its lips.
Leah Marie Brown (Faking It (It Girls, #1))
She nuzzled his chest as his fingertips combed through the wavy tendrils of her hair. The gentle motion lulled her eyes closed and drew a deep yawn from her tired body. “This,” she murmured sleepily, “being here with you like this, it’s a lovely escape, too.” Ronin kissed her forehead in agreement, momentarily tightening his hold on her. “That it is, honey,” he breathed as she drifted off to sleep. “That it is…
Sibylla Matilde (Little Conversations (Conversations, #1))
Tell you what I don’t like about a place so goddamned orderly like this. As an artist... it’s the lines that get me. All the straight lines in the walls, on the floors, in the corners that turn into boxes—like coffins. The only way I can get rid of the boxes is to take a few drinks. Then all the lines get wavy and wiggly, and I feel a lot better about the whole world. When things are all straight and lined up this way I get morbid.
Daniel Keyes (Flowers for Algernon)
Rourk didn’t even know her name, but he knew he’d never seen anyone so magnificent in his life. Her wavy hair glistened in the sunlight. She had a delicate, round face with large, blue-green eyes and full lips. With her cheeks flushed from the cold fall air, she reminded him of a porcelain doll. He knew that her looks deceived; her bold, daring eyes gave her away. She constantly observed her surroundings. Rourk smiled to himself; soon they would be together.
Julia Crane (Coexist (Keegan's Chronicles, #1))
For the world is - allow us the homely figure - the human being turned inside out. All that moves in the mind is symbolized in Nature. Or, to use another more philosophical, and certainly not less poetic figure, the world is a sensuous analysis of humanity, and hence an inexhaustible wardrobe for the clothing of human thought. Take any word expressive of emotion - take the word 'emotion' itself - and you will find that its primary meaning is of the outer world. In the swaying of the woods, in the unrest of the "wavy plain" the imagination saw the picture of a well-known condition of the human mind; and hence the word 'emotion'. The man who cannot invent will never discover. Wisdom as well as folly will serve a fool's purpose; he turns all into folly.
George MacDonald (A Dish of Orts)
In some of the early northern European paintings, Christ looks like you flushed him out from under a bridge, but in Sunday-school books and the sorts of pictures they sell at Christian supply stores, he falls somewhere between Kenny Loggins and Jared Leto, always doe-eyed and, of course, white, with brown—not black—hair, usually wavy. And he always has a fantastic body, shown at its best on the cross, which—face it—was practically designed to make a man's stomach and shoulders look good. What would happen, I often wonder, if someone sculpted a morbidly obese Jesus with titties and acne scars, and hair on his back? On top of that, he should be short—five foot two at most. "Sacrilege!" people would shout. But why? Doing good deeds doesn't make you good-looking.
David Sedaris (Calypso)
As Amani frantically diced the ingredients for her Pan seared Mahi-Mahi with Mango Salsa, she recalled her first meeting with him during a class he taught on the presentation of food and organization the previous year. Amani had been immediately drawn to the tall, serious Californian, and not just because of his looks. With dark wavy hair, strong features and the deepest blue eyes she had ever seen short of Paul Newman’s, David Spencer was everything Amani admired in a man, and then some. http://omadisonpress.com/romance/all-...
Joanna Hynes (love and my iron chef)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
Stephen King (It)
Two applesauce shots, please." I gaped at her. "Shots? God, what are we, in college?" She moved her wavy brown hair out of her eyes. "No, we don't have to be in college to have what I'm sure"- she looked at the bartender- "will be a fantastically prepared, perhaps overflowing shot." He laughed with a shake of his head. "You got it." "It's delicious," she said to me, "Goldschlager and something else. I don't remember. But it totally tastes like applesauce." "Why would anyone want to drink applesauce?" But I was already wondering if it could be reduced to a glaze for pork chops, and made a mental note to find out what was in it.
Beth Harbison (When in Doubt, Add Butter)
A vast mirror hung above his desk, its gilt frame a horror of twisted vines and sharp leaves, angry looking foliage. I thought of it as Eden Lost. The first occasion I was alone in the room I stepped to the glass and touched my reflection with a finger. It was the only time I’d seen myself in a mirror, but the glass was so wavy I could have been staring into water. I was struck by how much my mouth tipped downward in a child’s pout, and I hadn’t realized I watched the world through my eyelashes. I didn’t observe myself for very long. My eyes were the same shape as my mother’s, curved like wings; watching them made me lonesome.
Susan Power (The Grass Dancer)
Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the
Homer (The Iliad)
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Seeing a ray of hope in that last speech, Laurie threw himself down on the grass at her feet, leaned his arm on the lower step of the stile, and looked up at her with an expectant face. Now that arrangement was not conducive to calm speech or clear thought on Jo's part, for how could she say hard things to her boy while he watched her with eyes full of love and longing, and lashes still wet with the bitter drop or two her hardness of heart had wrung from him? She gently turned his head away, saying, as she stroked the wavy hair which had been allowed to grow for her sake—how touching that was, to be sure! "I agree with Mother that you and I are not suited to each other, because our quick tempers and strong wills would probably make us very miserable, if we were so foolish as to..." Jo paused a little over the last word, but Laurie uttered it with a rapturous expression.
Louisa May Alcott (Little Women (Little Women #1))
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.
F. Scott Fitzgerald (The Stories of F. Scott Fitzgerald)
In those days there was no money to buy books. Books you borrowed from the rental library of Shakespeare and Company, which was the library and bookstore of Sylvia Beach at 12 rue de l’Odéon. On a cold windswept street, this was a lovely, warm, cheerful place with a big stove in winter, tables and shelves of books, new books in the window, and photographs on the wall of famous writers both dead and living. The photographs all looked like snapshots and even the dead writers looked as though they had really been alive. Sylvia had a lively, very sharply cut face, brown eyes that were as alive as a small animal’s and as gay as a young girl’s, and wavy brown hair that was brushed back from her fine forehead and cut thick below her ears and at the line of the collar of the brown velvet jacket she wore. She had pretty legs and she was kind, cheerful and interested, and loved to make jokes and gossip. No one that I ever knew was nicer to me. I was very shy when I first went into the bookshop and I did not have enough money on me to join the rental library. She told me I could pay the deposit any time I had the money and made me out a card and said I could take as many books as I wished. There was no reason for her to trust me. She did not know me and the address I had given her, 74 rue Cardinal Lemoine, could not have been a poorer one. But she was delightful and charming and welcoming and behind her, as high as the wall and stretching out into the back room which gave onto the inner court of the building, were the shelves and shelves of the richness of the library.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
Callie scrambled from under the covers, dashed around the bed, and flung herself into Luce's arms. "They kept telling me you were going to be okay, but in that lying, we're-also-completely-terrified-we're-just-not-going-to-explain-a-word-to-you kind of way. Do you even realize how thoroughly spooky that was? It was like you physically dropped off the face of the Earth-" Luce hugged her back tightly. As far as Callie knew, Luce had been gone only since the night before. "Okay, you two," Molly growled, pulling Luce away from Callie, "you can OMG your faces off later. I didn't lie in your bed in that cheap polyester wig all night enacting Luce-with-stomach-flue so you guys could blow our cover now." She rolled her eyes. "Amateurs." "Hold on. You did what?" Luce asked. "After you...disappeared," Callie said breathlessly, "we knew we could never explain it to your parents. I mean, I could barely fathom it after seeing it with my own eyes. When Gabbe fixed up the backyard, I told your parents you felt sick and had gone to bed, and Molly pretended to be you and-" "Lucky I found this in your closet." Molly twirled a short wavy black wig around one finger. "Halloween remnant?" "Wonder Woman." Luce winced, regretting her middle school Halloween costume, and not for the first time. "Well, it worked." It was strange to see Molly-who'd once sided with Lucifer-helping her. But even Molly, like Cam and Roland, didn't want to fall again. So here they were, a team, strange bedfellows. "You covered for me? I don't know what to say. Thank you." "Whatever." Molly jerked her head at Callie, anything to deflect Luce's gratitude. "She was the real silver-tongued devil. Thank her." She stuck one leg out the open window and turned to call back, "Think you guys can handle it from here? I have a Waffle House summit meeting to attend.
Lauren Kate (Rapture (Fallen, #4))
After all, across the population there are slight differences in brain function, and sometimes these translate directly into different ways of experiencing the world. And each individual believes his way is reality. To get a sense of this, imagine a world of magenta Tuesdays, tastes that have shapes, and wavy green symphonies. One in a hundred otherwise normal people experience the world this way, because of a condition called synesthesia (meaning “joined sensation”).5 In synesthetes, stimulation of a sense triggers an anomalous sensory experience: one may hear colors, taste shapes, or systematically experience other sensory blendings. For example, a voice or music may not only be heard but also seen, tasted, or felt as a touch. Synesthesia is a fusion of different sensory perceptions: the feel of sandpaper might evoke an F-sharp, the taste of chicken might be accompanied by a feeling of pinpoints on the fingertips, or a symphony might be experienced in blues and golds. Synesthetes are so accustomed to the effects that they are surprised to find that others do not share their experiences. These synesthetic experiences are not abnormal in any pathological sense; they are simply unusual in a statistical sense.
David Eagleman (Incognito: The Secret Lives of the Brain)
Anyway, I should probably get going.” That big, beautiful man leaned forward in his chair, his eyes sweeping over my face and the hair that had gotten pretty wavy because of the humidity. I had almost forgotten I’d put a silver glitter clip into it that morning to keep it out of my face. “You’re gonna leave me here alone?” “You really want me to keep you company?” His response was a long, long look. For some reason, it made me feel oddly vulnerable. He thought I was pathetic. I knew it. But pathetic or not, well, he was kind of hinting he wanted me to keep him company. “I can stay if you want.” He didn’t say he wanted me to, but… he just kept right on looking at me. So I took it as a yes. “Okay, I’ll stay.” It was the right answer. He took a sip of his drink. “Good.” Well, it looked like I was staying a little longer now. With our conversation still nipping at the back of my head, I asked him again, “So, you’ve really never had a girlfriend? Not in forty-one years?” “Nope.” “Not even in high school?” He shook his head. “Not once?” “Nope.” He gave me this face that almost seemed like a challenge. Like a dare. “I’ve got two numbers on my phone that don’t belong to somebody who’s got a dick. One’s the lady that cleans my place once a week…” “Who’s the other?” I asked, trying to ignore the edge of jealousy waiting around the corner of his answer. That got me another snicker. “You, who the hell else?” “Me?” I leaned forward then. “Since when? You’ve never called my cell.” “Since always. Just ’cause I don’t call you doesn’t mean I don’t have it.” I couldn’t help raising my hands up to my heart and settling them there, this huge smile coming over my face. “Does this mean… Boss, are we friends? Outside of work, of course.” His face went totally serious for a moment before he tossed his head back and laughed. “Get the fuck outta here, Luna. Christ.” We were. We were so totally friends. He was my boss too, but that didn’t mean we couldn’t be friends when we weren’t at the shop. Or during lunch. Or when my life tried to fall apart on me a little. Me and Rip. Friends. I’d take it. I’d take it every day of the year, forever.
Mariana Zapata (Luna and the Lie)
Don’t ask where I got this idea, because I couldn’t tell you, but I knew precisely where we were going, and I was sure that this might officially make me a slut. But when we reached the door of the unused janitor’s closet, I had no feeling of shame… not yet, at least. I grasped the doorknob and noticed Wesley’s eyes narrow with suspicion. I yanked open the door, checked that no one was watching, and gestured for him to go inside. Wesley walked into the tiny closet, and I followed, shutting the door stealthily behind us. “Something tells me this isn’t about The Scarlet Letter,” he said, and even in the dark I knew he was grinning. “Be quiet.” This time he met me halfway. His hands tangled in my hair and mine clawed at his forearms. We kissed violently, and my back slammed against the wall. I heard a mop-or maybe a broom-topple over, but my brain barely registered the sound as one of Wesley’s hands moved to my hip, holding me closer to him. He was so much taller than me that I had to tilt my head back almost all the way to meet his kiss. His lips pressed hard against mine, and I let my hands explore his biceps. The smell of his cologne, rather than the lonely, stale air of the closet, filled my senses. We wrestled in the darkness for a while before I felt his hand insistently lifting the hem of my T-shirt. With a gasp, I pulled away from the kiss and grabbed his wrist. “No… not now.” “Then when?” Wesley asked in my ear, still pinning me to the wall. He didn’t even sound winded. I, on the other hand, struggled to catch my breath. “Later.” “Be more specific.” I squirmed out of his arms and moved toward the door, nearly tripping over what felt like a bucket. I raised a hand to flatten my wavy hair and reached for the doorknob. “Tonight. I’ll be at your house around seven. Okay?” But before he could answer, I slipped out of the closet and hurried down the hall, hoping it didn’t look like a walk of shame.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
I that in heill was and gladnèss Am trublit now with great sickness And feblit with infirmitie:- Timor Mortis conturbat me. Our plesance here is all vain glory, This fals world is but transitory, The flesh is bruckle, the Feynd is slee:- Timor Mortis conturbat me. The state of man does change and vary, Now sound, now sick, now blyth, now sary, Now dansand mirry, now like to die:- Timor Mortis conturbat me. No state in Erd here standis sicker; As with the wynd wavis the wicker So wannis this world's vanitie:- Timor Mortis conturbat me. Unto the Death gois all Estatis, Princis, Prelatis, and Potestatis, Baith rich and poor of all degree:- Timor Mortis conturbat me. He takis the knichtis in to the field Enarmit under helm and scheild; Victor he is at all mellie:- Timor Mortis conturbat me. That strong unmerciful tyrand Takis, on the motheris breast sowkand, The babe full of benignitie:- Timor Mortis conturbat me. He takis the campion in the stour, The captain closit in the tour, The lady in bour full of bewtie:- Timor Mortis conturbat me. He spairis no lord for his piscence, Na clerk for his intelligence; His awful straik may no man flee:- Timor Mortis conturbat me. Art-magicianis and astrologgis, Rethoris, logicianis, and theologgis, Them helpis no conclusionis slee:- Timor Mortis conturbat me. In medecine the most practicianis, Leechis, surrigianis, and physicianis, Themself from Death may not supplee:- Timor Mortis conturbat me. I see that makaris amang the lave Playis here their padyanis, syne gois to grave; Sparit is nocht their facultie:- Timor Mortis conturbat me. He has done petuously devour The noble Chaucer, of makaris flour, The Monk of Bury, and Gower, all three:- Timor Mortis conturbat me. The good Sir Hew of Eglintoun, Ettrick, Heriot, and Wintoun, He has tane out of this cuntrie:- Timor Mortis conturbat me. That scorpion fell has done infeck Maister John Clerk, and James Afflek, Fra ballat-making and tragedie:- Timor Mortis conturbat me. Holland and Barbour he has berevit; Alas! that he not with us levit Sir Mungo Lockart of the Lee:- Timor Mortis conturbat me. Clerk of Tranent eke he has tane, That made the anteris of Gawaine; Sir Gilbert Hay endit has he:- Timor Mortis conturbat me. He has Blind Harry and Sandy Traill Slain with his schour of mortal hail, Quhilk Patrick Johnstoun might nought flee:- Timor Mortis conturbat me. He has reft Merseir his endite, That did in luve so lively write, So short, so quick, of sentence hie:- Timor Mortis conturbat me. He has tane Rowll of Aberdene, And gentill Rowll of Corstorphine; Two better fallowis did no man see:- Timor Mortis conturbat me. In Dunfermline he has tane Broun With Maister Robert Henrysoun; Sir John the Ross enbrast has he:- Timor Mortis conturbat me. And he has now tane, last of a, Good gentil Stobo and Quintin Shaw, Of quhom all wichtis hes pitie:- Timor Mortis conturbat me. Good Maister Walter Kennedy In point of Death lies verily; Great ruth it were that so suld be:- Timor Mortis conturbat me. Sen he has all my brether tane, He will naught let me live alane; Of force I man his next prey be:- Timor Mortis conturbat me. Since for the Death remeid is none, Best is that we for Death dispone, After our death that live may we:- Timor Mortis conturbat me
William Dunbar (Poems)
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)