Waves Hitting The Shore Quotes

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The waves hit the cliff with more intensity than the shore, because the ocean knows the cliff has that masculine intensity which won’t complain about her feminine energy.
Nityananda Das (Divine Union)
and nothing can be more captivating than the waves hitting the shore
Shivangi Lavaniya
Without Psychological Evolution there cannot be any form of revolution. The self is constantly changing. Be involved, be evolved, be revolutionized as lucent and fresh as the new wave hitting at the shore. Become the Sea of Changes. It starts from within.
Grigoris Deoudis
Sometimes even a thousand waves hitting the shore continuously one after the other also can't erase few footprints on the seashore.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
Prostitution was illegal in Kenya and was culturally a taboo. But what was a young orphaned girl with little education to do when she had to fend for three of her younger siblings? As she watched the waves hit the shores, she noticed a young handsome man staring at her from a distance.
Nya Wampaze (Put a Ring on It)
In the days that followed I thought about grief; how nothing and nobody can prepare you for it. People tell you their stories but until you experience it for yourself you can't possibly understand. There's no going around it. Or under or over it. You've got to go through it. It will hit you in waves so enormous that the you are smacked against the shore. It will fabric of your life, so that everything you do is stained by it; every moment, good or bad, is steeped in sadness for a while. Even the nice moments, the achievements and successes, are permeate very tinged with the knowledge that someone something is missing. And the first time that you smile or laugh, you catch yourself, because happiness feels so unfamiliar.
Hazel Hayes (Out of Love)
Let me inside your soul. Inside that abandoned paradise. And let me walk on that road to your heart. Let me see through that window you hold inside. Through which I can stare into space, where the waves of oceans, filled with stars are hitting the shores of galaxies. I will seize everything that I see with my words. And I promise you, I will make you immortal.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
We see the surface, blue or silver or gray, and waves hitting the shore. But we know there's so much we can't see, so what we love about it becomes in part what we imagine it is hiding.
Shannon Hale (Forest Born (The Books of Bayern, #4))
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I'm convinced the five stages of grieving aren't like steps where you take one after the other. I think they're waves that constantly crash onto the shore and you never know which one will hit you.
W. Winters (A Single Touch (Irresistible Attraction #3))
There is no getting away from a wave that has got your name on it. The tide will come in whether you want it to or not. And there really is not a damn thing you can do to stop it, reverse it, or even delay it. Forget it. You have to plant your feet solidly in the sand and get yourself anchored. And then you have to be ready to take some direct hits from the water. You loosen your body and move with each wave. You get salt in your nose and mouth, and the ocean racks sand and stones over your feet and legs. Your eyes sting, and you feel so tired. But there is really nothing else to do. The tide will come and go. The sun will be warm again, and the salt on your skin will remind you of what you have done. And you will rest your tired body on the shore, falling into that delicious sleep that comes from knowing you are right.
Martha Manning (Undercurrents: A Life Beneath the Surface)
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine. I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed. At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body. He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
Madeline Miller (Galatea)
Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her. No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore. Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon. It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
This is a beautiful life. I’m glad to be a wave for these few moments. I won’t break or die when I hit the shore because I’ll simply go back to the ocean. I came from the ocean and I’ll return to it. It is what I am, and I am what it is. This is how I’m meant to be.
Vex King (Healing Is the New High: A Guide to Overcoming Emotional Turmoil and Finding Freedom)
In the days that followed, I thought about grief. How nothing and nobody can prepare you for it. People tell you their stories, but until you experience it for yourself you cannot possibly understand. There’s no going around it, or under, or over it - you’ve got to go through it. It will hit you in waves so enormous that you are smacked against the shore. It will permeate the very fabric of your life so that everything you do is stained by it. Every moment, good or bad, is steeped in sadness for a while. Even the nice moments - the achievements and successes - are tinged with the knowledge that someone or something is missing.
Hazel Hayes (Out of Love)
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills. Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap. It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river! And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening. It doesn't matter. The results are the same. The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you. Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear. That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
Joe Kane (Running the Amazon)
Persistence is the ability to maintain action regardless of your feelings. When you work on any big goal, your motivation will wax and wane like waves hitting the shore. Sometimes you’ll feel motivated; sometimes you won’t. But it’s not your motivation that will produce results — it’s your action. Persistence allows you to keep taking action even when you don’t feel motivated to do so, and therefore you keep accumulating results.
Michael Moss (From G.E.D. to Ph.D. Success Power Principles)
Emotions are like water. Water is a strong force of nature that can do great damage at times. Think of a giant tsunami wave smashing against the shore. Strong emotions hit empaths just like a giant wave that can emotionally knock them down.
Kala Ambrose (The Awakened Psychic: What You Need to Know to Develop Your Psychic Abilities)
Perhaps at some time you have sat quietly by the side of an ocean or river. At first there is one big rush of sound. But in sitting quietly, doing nothing but listening, we begin to hear a multitude of fine and subtle sounds, the waves hitting against the shore, or the rushing current of the river. In that peacefulness and silence of mind we experience very deeply what is happening. It is just the same when we listen to ourselves; at first all we can hear is one “self’ or “I.” But slowly this self is revealed as a mass of changing elements, thoughts, feelings, emotions, and images, all illuminated simply by listening, by paying attention.
Joseph Goldstein (The Experience of Insight: A Simple and Direct Guide to Buddhist Meditation (Shambhala Dragon Editions))
These were the waves that circled the globe, pushed by the winds, never hitting shore, building, ever building. These were the waves of the Screaming Sixties, the biggest seas on earth.
Douglas Preston (Ice Limit: La Barriere de Glace)
The great expansion of public institutions in America began in the early years of the twentieth century, when progressive reformers championed the idea that we all benefit from public goods. Excellent schools, roads, parks, playgrounds, and transit systems were meant to knit the new industrial society together, create better citizens, and generate widespread prosperity. Education, for example, was less a personal investment than a public good, improving the entire community and ultimately the nation. This logic was expanded upon in subsequent decades—through the Great Depression, World War II, and the Cold War. The “greatest generation” was bound together by mutual needs and common threats. It invested in strong public institutions as bulwarks against, in turn, mass poverty, fascism, and communism. Yet increasingly over the past three decades, “we’re all in it together” has been replaced by “you’re on your own.” Global capital has outsourced American jobs abroad. As I’ve noted, the very rich have taken home almost unprecedented portions of total earnings while paying lower and lower tax rates. A new wave of immigrants has hit our shores, only to be condemned by demagogues who forget we are mostly a nation of immigrants. Not even Democrats any longer use the phrase “the public good.” Public goods are now, at best, “public investments.” Public institutions have morphed into “public-private partnerships,” or, for Republicans, “vouchers.
Robert B. Reich (Beyond Outrage)
There’s no going around it. Or under or over it. You’ve got to go through it. It will hit you in waves so enormous that you are smacked against the shore. It will permeate the very fabric of your life, so that everything you do is stained by it; every moment, good or bad, is steeped in sadness for a while. Even the nice moments, the achievements and successes, are tinged with the knowledge that someone or something is missing. And the first time that you smile or laugh, you catch yourself, because happiness feels so unfamiliar.
Hazel Hayes (Out of Love)
Taylor Bruce of the new women,” he began. “I, Tok of the Bitter Seas and right claw to the Hakah, am yours. Until the last wave hits the shore of my homeland. Until the sun stops rising from the water’s depths. Until the breath of this world is gone – and even beyond that – I am yours.
Ursa Dax (Alien Claw (Fated Mates of the Sea Sand Warlords #10))
People tell you their stories, but until you experience it for yourself you can’t possibly understand. There’s no going around it. Or under or over it. You’ve got to go through it. It will hit you in waves so enormous that you are smacked against the shore. It will permeate the very fabric of your life, so that everything you do is stained by it; every moment, good or bad, is steeped in sadness for a while. Even the nice moments, the achievements and successes,
Hazel Hayes (Out of Love)
The second wave of Japanese attackers was less than an hour behind the first. This time, knowing the defenders would be on the alert, slow-flying, low-altitude torpedo planes were judged too vulnerable to antiaircraft fire and were not included in the attack. Only Val dive-bombers and high-altitude Kates delivered the punches, but they reversed the targets of their comrades an hour earlier. Instead of the battleships, the Kates dropped their bombs on planes and installations on Ford Island and at Hickam Field. Eighteen struck Ford Island, although the billowing smoke from the Arizona and other fires was so intense that it obscured much of the target. Twenty-seven bombers hit Hickam, while the remaining nine Kates pummeled Kaneohe Naval Air Station on the eastern shores of Oahu. The eighty Val dive-bombers largely sought targets of opportunity among the undamaged ships throughout the harbor. Judging that resistance from American fighters had been suppressed by the first strike, the thirty-six Zeroes accompanying the second wave broke into two groups and went after their own targets. Eighteen hit Kaneohe and Bellows Field, while the remaining Zeroes strafed service buildings and parked aircraft at Hickam Field. Even if few American planes were flying, a barrage of antiaircraft fire from ships in the harbor shot down six Zeroes and fourteen Vals in this second wave.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
Sometimes the wave gets very spoiled, it thinks it is something different from the sea, it gets arrogant, it looks down at the sea with contempt, but then suddenly it hits a giant rock on the shore and falls down, it becomes the sea again, all that arrogance disappears!
Mehmet Murat ildan
open, looking for any flash of color, any sign of Meghan. It was dark down there, and mentally he scrambled for all of the possible spells he could use to help him in a situation like this, but he could think of none. Even his origami dragons would be of no use now to light up the night, for they were a sopping wet mess in his component vest pocket. Desperately he searched for Meghan, waving his hands around through the water. His lungs felt like they were going to burst. He came up for air and whipped his head around, looking for any sign of her, but there was nothing. Then down he went again. Please! he screamed in his mind, thinking of Lani and Samheed. I can’t lose everyone. That thought nearly made him break apart, but it also gave him the strength to dive deeper, to search harder. He surfaced once more, panting, and looked everywhere. Only the boat, upright again and drifting toward the shore, was visible. He knew there was no time to waste. He sucked in an enormous breath and down he went a third time, deeper, farther, until his ears ached and popped. He strained to reach anything he could touch in the murky water. Just when he was about to give up he kicked his feet, and his toes got tangled up in something. It was hair. He turned sharply and reached for her hair, grasping it with his hand, and yanked as hard as he could, rushing, kicking, with all of his might, pulling her up alongside him and then pushing her above him to the surface. When they broke through, Alex gasped and sucked in air, flipping on his back and holding Meghan tightly to his chest, trying to float, and unable to do another thing until he had replenished his oxygen stores. He squeezed Meghan’s stomach and started kicking toward the shore. “Breathe!” he cried. And then, between ragged breaths, he chanted to keep himself focused. “Breathe. Please breathe.” Meghan choked and silently coughed up water. She took a raking breath in and coughed some more. “Come on,” Alex said. “Breathe! That’s it!” Meghan struggled. The sharp thorns around her neck cut into Alex’s chest like lethal scatterclips hitting their mark, but he couldn’t do anything to adjust his pain or hers right now. Waves constantly washed over their faces, causing them to feel like they were drowning over and over again. “Come on, now,” Alex said again, barely whispering. “We’re going to make it. We’re going to make it.” He put
Lisa McMann (Island of Silence (Unwanteds, #2))
The Waves *** As the waves Hit the shore And enjoy that Also out of control And then revert Let me in my waves In the same way I also want to cross My limits To extend the limits.
Ehsan Sehgal
2001 when they published a scientific paper that modelled the future collapse of the Cumbre Vieja and the passage of the resulting tsunamis across the Atlantic. Within two minutes of the landslide entering the sea, Ward and Day show that –for a worst case scenario involving the collapse of 500 cubic kilometres of rock –an initial dome of water an almost unbelievable 900 metres high will be generated, although its height will rapidly diminish. Over the next 45 minutes a series of gigantic waves up to 100 metres high will pound the shores of the Canary Islands, obliterating the densely inhabited coastal strips, before crashing onto the African mainland. As the waves head further north they will start to break down, but Spain and the UK will still be battered by tsunamis up to 7 metres high. Meanwhile, to the west of La Palma, a great train of prodigious waves will streak towards the Americas. Barely six hours after the landslide, waves tens of metres high will inundate the north coast of Brazil, and a few hours later pour across the low-lying islands of the Caribbean and impact all down the east coast of the United States. Focusing effects in bays, estuaries, and harbours may increase wave heights to 50 metres or more as Boston, New York, Baltimore, Washington, and Miami bear the full brunt of Vulcan and Neptune’s combined assault. The destructive power of these skyscraper-high waves cannot be underestimated. Unlike the wind-driven waves that crash every day onto beaches around the world, and which have wavelengths (wave crest to wave crest) of a few tens of metres, tsunamis have wavelengths that are typically hundreds of kilometres long. This means that once a tsunami hits the coast as a towering, solid wall of water, it just keeps coming –perhaps for ten or fifteen minutes or more –before taking the same length of time to withdraw. Under such a terrible onslaught all life and all but the most sturdily built structures are obliterated.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
My thoughts tumble down a wormhole, dulled edges and gentle curves. I see the night ocean, waves hitting the granite shore. Strane is there, standing on a slab of pink granite, his hands cupped around his mouth. Let me do it. Let me pleasure you. He keeps calling, but I’m out of reach. I’m a speckled seal swimming past the breakers, a seabird with a wingspan so strong I can fly for miles. I’m the new moon, hidden and safe from him, from everyone.
Kate Elizabeth Russell (My Dark Vanessa)