“
I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement.
”
”
Virginia Woolf (The Waves)
“
I missed the future. Obviously I knew even before his recurrence that I'd never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up that you can't make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn't see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again.
”
”
John Green (The Fault in Our Stars)
“
Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs.
"Sorry!" Thalia said, turning pale. "I didn't mean to—"
Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe.
I stood up. "Yeah," I growled. "I didn't mean to, either."
Thalia was breathing heavily.
"Enough!" Chiron ordered.
But Thalia held out her spear. "You want some, Seaweed Brain?"
Somehow, it was okay when Annabeth called me that — at least, I'd gotten used to it — but hearing it from Thalia was not cool.
"Bring it on, Pinecone Face!
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Naturally, Coach Hedge went ballistic; but Percy found it hard to take the satyr seriously since he was barely five feet tall.
"Never in my life!" Coach bellowed, waving his bat and knocking over a plate of apples. "Against the rules! Irresponsible!"
"Coach," Annabeth said, "it was an accident. We were talking, and we fell asleep."
"Besides," Percy said, "you're starting to sound like Terminus."
Hedge narrowed his eyes. "Is that an insult, Jackson? 'Cause I'll—I'll terminus you, buddy!
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
You crossed the water, left me ashore
It killed me enough, but you wanted more
You blew up the bridge, a mad terrorist
Waved from your side, through me a kiss
I started to follow but realized too late
There was nothing but air underneath my feet"
—from the song "Bridge" on the Collateral Damage album
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Oh, hey princess!” Puck waved inanely as the nymphs pulled him to his feet, still giggling. His hair gleamed, his eyes gleamed, and I barely recognized him. “Wanna play ride the phouka with us?
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
After another half second, he's locked me in a bear hug, crushing me into his chest and lifting my feet a couple inches off the ground as I kick furiously with my heels, twisting my head back and forth, snapping at his forearm with my teeth.
And the whole time his lips tickling the delicate skin of my ear. "Cassie. Don't. Cassie..."
"Let...me...go."
"That's been the whole problem. I can't.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
Marina sighs. "Love's a tidal wave," she says. "Because it sweeps you off your feet?" I ask. "No. Because it sucks you under and you drown.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
The love a parent feels for a child is strange. There is a starting point to our love for everyone else, but not this person. This one we have always loved, we loved them before they even existed. No matter how well prepared they are, all moms and dads experience a moment of total shock, when the tidal wave of feelings first washed through them, knocking them off their feet. It's incomprehensible because there's nothing to compare it to. It's like trying to describe sand between your toes or snowflakes on your tongue to someone who's lived their whole life in a dark room. It sends the soul flying.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
I brought you some coffee.” he held out the cup but she waved it away.
“I hate that stuff. It tastes like feet.”
At that he smiled. “How would you know what feet taste like?”
“I just know.”
-Luke and Clary, pg.209-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
But of course everything presses forward, even as we dig our feet against the reality of it all.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
I bought salvation from a man on the street. He said, "Go down to the beach and let the waves wash your feet.
”
”
Gabriel Rheaume
“
Love is a tidal wave--not because it sweeps you off your feet, but because it pulls you down and drowns you.
”
”
Samantha van Leer (Between the Lines (Between the Lines, #1))
“
Love's a tidal wave," she says.
"Because it sweeps you off your feet?" I ask.
"No. Because it sucks you under and you drown."
"But sometimes," I point out, "it's the only thing that keeps you afloat.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
He drops into the room, landing on the balls of his feet like a cat. I'm in his arms in the time it takes to say 'I love you,' which he does, stroking my hair, whispering my name and the words, 'My mayfly.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
He shook his head. He didn't know. He couldn't tell when he had woken fully. He walked to the horses. They definitely seemed alarmed. But then, they would. After all, he had just leapt to his feet unexpectedly, waving his saxe knife around like a lunatic.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
If I'm not swimming as hard as I can, feet thrashing at the waves, I'm drowning.
”
”
Ann Liang (If You Could See the Sun)
“
The world is always full of the sound of waves. The little fishes, abandoning themselves to the waves, dance and sing, and play, but who knows the heart of the sea, a hundred feet down? Who knows its depth?
”
”
Eiji Yoshikawa (Musashi)
“
Across the room, she heard a loud clatter. She looked up to see that Roland ahd fallen out of his chair. The last time she'd glanced at him, he'd been leaning back on tw legs, and now it looked like gravity had finally won.
As he stumbled to his feet, Arriane went to help him. She glanced over and offered a hurried wave. "He's okay!" she called cheerily. "Get up!" she whispered loudly to Roland.
”
”
Lauren Kate
“
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
When I walk down the beach and smell the salt water, hear the waves crashing against the shoreline, and feel the granular sand under my feet, I can't help but realize why I'm here on this green earth
”
”
Wendy Joubert (Sea Witch)
“
I exist only in the soles of my feet and in the tired muscles of my thighs. We have been walking for hours it seems. But where? I cannot remember.
”
”
Virginia Woolf (The Waves)
“
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas.
It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention.
It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive.
Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog.
Summer, and he watched his children's heart break.
Autumn again, and Boo's children needed him.
”
”
Harper Lee (To Kill a Mockingbird)
“
The voice of the waves was now mixed with strange sounds; laughter, running feet and the clanging of great bells far out to sea. Snufkin lay still and listened. dreaming and remembering his trip round world. Soon I must set out again, he thought. But not yet.
”
”
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
“
As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
“I can’t lose you,” Lucas said, pulling his mouth away from hers. “That’s why I didn’t tell you the whole truth. I thought if you knew how bad it was you’d send me away. I didn’t want you to give up hope. I can’t do this if you give up on us.”
(Starcrossed)
”
”
Josephine Angelini
“
Now, this pair," he waved the shoes he held, "are new. They haven't been walked a mile, and for new shoes like these I charge a talent, maybe a talent and two." He pointed at my feet. "Those shoes, on the other hand, are used, and I don't sell used shoes."
He turned his back on me and started to tidy his workbench rather aimlessly, humming to himself...
I knew that he was trying to do me a favor, and a week ago I would have jumped at the opportunity for free shoes. But for some reason I didn't feel right about it. I quietly gathered up my things and left a pair of copper jots on his stool before I left.
Why? Because pride is a strange thing, and because generosity deserves generosity in return. But mostly because it felt like the right thing to do, and that is reason enough.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
But grief still has to be worked through. It is like walking through water. Sometimes there are little waves lapping about my feet. Sometimes there is an enormous breaker that knocks me down. Sometimes there is a sudden and fierce squall. But I know that many waters cannot quench love, neither can the floods drown it.
”
”
Madeleine L'Engle (Two-Part Invention: The Story of a Marriage (Crosswicks Journals, #4))
“
We're in this together, until the ocean waves crash on our feet."
"You really paint this Guatala as a paradise."
"If you're there with me, it will be.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
This was a voice that drew out memories stretched thin by years of recollection, like paper unfolded and refolded too many times. A voice that brought back, like a wave, the memory of another time on this bridge, a night so long ago, everything black and silver and the river rushing away under her feet...
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Standing Here
My entire world far beneath
my feet, I should be filled
with pride. Instead, I feel
overwhelmed by a sense of defeat.
Suddenly it comes to me,
toes tempted to test the ledge,
that there is a way out of this.
Clam surety flows through
my veins, and as I turn to wave
good-bye, I wonder if it will
hurt or if a single person
will cry at my funeral.
I take a deep breath, a final
taste of sweet mountain air.
I conjure Leona, Emily.
Move my feet closer. Closer
There's Grandma One, Grandma
Two, and their spouses, waiting
for me. I see Dad. Cara. Mommy.
I screw up my courage, step over
”
”
Ellen Hopkins (Impulse (Impulse, #1))
“
I'm on a frosting sailboat, tossed around by blue-green waves, the deck shifting beneath my feet.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Percy glanced over. He saw the fallen giant and seemed to understand what was happening. He yelled something that was lost in the wind, probably: Go!
Then he slammed Riptide into the ice at his feet. The entire glacier shuddered. Ghosts fell to their knees. Behind Percy, a wave surged up from the bay-a wall of gray water even taller than the glacier. Water shot from the chasms and crevices in the ice. As the wave hit, the back half of the camp crumbled. The entire edge of the glacier peeled away, cascading into the void-carrying buildings, ghosts, and Percy Jackson over the edge.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
”
”
Virginia Woolf (The Waves)
“
Legolas watched them for awhile with a smile upon his lips, and then he turned to the others. 'The strongest must seek a way, say you? But I say: let a ploughman plough, but choose an otter for swimming, and for running light over grass and leaf, or over snow--an Elf.'
With that he sprang forth nimbly, and then Frodo noticed as if for the first time, though he had long known it, that the Elf had no boots, but wore only light shoes, as he always did, and his feet made little imprint in the snow.
'Farewell!' he said to Gandalf. 'I go to find the Sun!' Then swift as a runner over firm sand he shot away, and quickly overtaking the toiling men, with a wave of his hand he passed them, and sped into the distance, and vanished round the rocky turn.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
”
”
Virginia Woolf (The Waves)
“
I realize that this is the way the world works. If I could stop the spin, stop the rotation, I would have done so long ago. I would have stopped it the first moment that Catcher's lips met mine under the moon in the amusement park. I would have held us in that eternity forever. But of course everything presses forward, even as we dig our feet against the reality of it all. One even tumbles from the next out of our control and we are dragged along, helpless.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
A second wave collapsed over my feet, lipped with white froth, and the chill gripped my ankles with a mortal ache.
”
”
Sylvia Plath (The Bell Jar)
“
…The first wave of vampires hit the stairs then, a cascade of tip-tapping feet and dark-spangled hatred.
”
”
Lili St. Crow (Defiance (Strange Angels, #4))
“
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?"
"Don't be absurd," I scoffed. "I don't condone murder, even for people like you."
"People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?"
"You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea.
"Semantics.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Love Forever
If I were the trees ...
I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet...
so you might know wonder.
If I were the mountains ...
I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ...
so you might know freedom.
If I were the ocean ...
I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters,
so you might know peace.
If I were the stars ...
I would sparkle like never before and fall from the sky as gentle rain,
so that you would always look towards heaven and know that you can reach the stars.
If I were the moon ...
I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty,
so you might know that all the Earth is at your command.
If I were the sun ...
I would warm and glow like never before and light the sky with orange and pink,
so you would gaze upward and always know the glory of heaven.
But I am me ...
and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart,
and this I will do until ...
the mountains crumble down ...
and the oceans dry up ...
and the stars fall from the sky ...
and the sun and moon burn out ...
And that is forever.
”
”
Camron Wright (The Rent Collector)
“
Marina sighs, "Love's a tidal wave," she says.
"Because it sweeps you off you feet?" I ask.
"No. Because it sucks you under and you drown."
"But sometimes," I point out, "It's the only thing that keeps you afloat.
”
”
Samantha van Leer (Between the Lines (Between the Lines, #1))
“
I helped Jiko to her feet and we walked back to the bus stop together, holding hands again. I was still thinking about what she said about waves, and it made me sad because I knew that her little wave was not going to last and soon she would join the sea again, and even though I know you can't hold on to water , still I gripped her fingers a little more tightly to keep her from leaking away.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Fifty yards away. The muzzle velocity of a M16 is 3,100 feet per second. Three feet in a yard, which means he has two-thirds of a second left on Earth.
”
”
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
“
They say a man's inspiration is visual, but for a woman, it's the narrative.
Abandon both the narrative and the visual. Close your eyes, measure your breath.
Dead weight is sloughed off, dust swept away, forms dissolve into one atmosphere.
The rib cage opens, the lungs fill, the breast rises.
Waves sweep up the body on their swell, rocking it rhythmically.
Feet planted, the back arches, the pelvis reaches forward.
Oxygen kindles a flame, sprawling through the belly, and gathering in a warm blaze.
The hand reaches to meet the sensation.
Calligraphy spills from the inkwell.
Open your eyes, sharpen your focus, and exclaim:
There are no separations.
”
”
Craig Thompson (Habibi)
“
Caught by a wave,
my back to the ocean
It knocks me off my feet and
Just as I find my footing
Here you come again
”
”
Dave Matthews Band
“
Change is the only constant. Your ability to navigate and tolerate change and its painful uncomfortableness directly correlates to your happiness and general well-being. See what I just did there? I saved you thousands of dollars on self-help books. If you can surf your life rather than plant your feet, you will be happier. Maybe I should have called this book Surf Your Life. The cover could feature a picture of me on a giant wave wearing a wizard hat. I wonder if it’s too late. I’ll make a call.
”
”
Amy Poehler (Yes Please)
“
slowly she spread her arms and stood there swan-like, radiating a pride in her young perfection that lit a warm glow in Carlyle's heart. "We're going through the black air with our arms wide," she called, "and our feet straight out behind like a dolphin's tail, and we're going to think we'll never hit the silver down there till suddenly it'll be all warm round us and full of little kissing, caressing waves." Then she was in the air, and Carlyle involuntarily held his breath. He had not realized that the dive was nearly forty feet. It seemed an eternity before he heard the swift compact sound as she reached the sea. And it was with his glad sigh of relief when her light watery laughter curled up the side of the cliff and into his anxious ears that he knew he loved her.
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
If for a moment you are inclined to regard these taluses as mere draggled, chaotic dumps, climb to the top of one of them, and run down without any haggling, puttering hesitation, boldly jumping from boulder to boulder with even speed. You will then find your feet playing a tune, and quickly discover the music and poetry of these magnificent rock piles -- a fine lesson; and all Nature's wildness tells the same story -- the shocks and outbursts of earthquakes, volcanoes, geysers, roaring, thundering waves and floods, the silent uprush of sap in plants, storms of every sort -- each and all are the orderly beauty-making love-beats of Nature's heart.
”
”
John Muir
“
Previous experience taught her that the pain would not be unending - but neither would it subside smoothly, incrementally, but rather in a series of crashing waves, some of which might still knock her off her feet
”
”
Clare Chambers (Small Pleasures)
“
As a single mother, I feel like I carry the weight of the ocean on my shoulders trying to keep my head above water to keep from drowning. I try to stand firm as I dig my toes in the sand, but the troubling waves tend to wash the sand away from under my feet. I lose my balance, but I have to make the best of what I am given; take a leap of faith and start swimming.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
As a rock on the seashore he standeth firm, and the dashing of the waves disturbeth him not. He raiseth his head like a tower on a hill, and the arrows of fortune drop at his feet. In the instant of danger, the courage of his heart sustaineth him; and the steadiness of his mind beareth him out.
”
”
Akhenaton
“
Run. And when you come back..."The king was getting to his feet, but another wave of Dorian's magic slammed into him, knocking him down. There were tears staining Dorian's bloody cheeks now. "When you come back," The prince said, "burn this place to the ground.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
For if it is rash to walk into a lion’s den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on top of St. Paul’s, it is still more rash to go home alone with a poet. A poet is Atlantic and lion in one. While one drowns us the other gnaws us. If we survive the teeth, we succumb to the waves. A man who can destroy illusions is both beast and flood. Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is marl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. ‘Tis waking that kills us. He who robs us of our dreams robs us of our life—(and so on for six pages if you will, but the style is tedious and may well be dropped).
”
”
Virginia Woolf (Orlando)
“
What shall I give? and which are my miracles?
2. Realism is mine--my miracles--Take freely,
Take without end--I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown--or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers,
Or among the savans--or to the _soiree_--or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships, with men in them,
What stranger miracles are there?
”
”
Walt Whitman (Leaves of Grass)
“
We're going through the black air with our arms wide and our feet straight out behind like a dolphin's tail, and we're going to think we'll never hit the silver down there till suddenly it'll be all warm round us and full of little kissing, caressing waves.
”
”
F. Scott Fitzgerald (Flappers and Philosophers)
“
As Steve draws me closer to the band, all I can see is a frenzied mass of seething, writhing people, like a many-headed sea snake, grinding, waving their arms, stamping their feet, jumping. No rules, just energy - so much energy, you could harness it; I bet you could power Portland for a decade. It is more than a wave. It's a tide, an ocean of bodies.
”
”
Lauren Oliver (Hana (Delirium, #1.5))
“
It's hazy but she remembers Jane telling her about drag shows she used to go to in the '70s, the balls, how queens would go hungry for weeks to buy gowns, the shimmering nightclubs that sometimes felt like the only safe places.
She lets Jane's memories transpose over here, now, like double exposed film, two different generations of messy, loud, brave and scared and brave again people stomping their feet and waving hands with bitten nails, all the things they share and all the things they don't, the things she has that people like Jane smashed windows and spat blood for.
”
”
Casey McQuiston (One Last Stop)
“
On a long flight, after periods of crisis and many hours of fatigue, mind and body may become disunited until at times they seem completely different elements, as though the body were only a home with which the mind has been associated but by no means bound. Consciousness grows independent of the ordinary senses. You see without assistance from the eyes, over distances beyond the visual horizon. There are moments when existence appears independent even of the mind. The importance of physical desire and immediate surroundings is submerged in the apprehension of universal values.
For unmeasurable periods, I seem divorced from my body, as though I were an awareness spreading out through space, over the earth and into the heavens, unhampered by time or substance, free from the gravitation that binds to heavy human problems of the world. My body requires no attention. It's not hungry. It's neither warm or cold. It's resigned to being left undisturbed. Why have I troubled to bring it here? I might better have left it back at Long Island or St. Louis, while the weightless element that has lived within it flashes through the skies and views the planet. This essential consciousness needs no body for its travels. It needs no plane, no engine, no instruments, only the release from flesh which circumstances I've gone through make possible.
Then what am I – the body substance which I can see with my eyes and feel with my hands? Or am I this realization, this greater understanding which dwells within it, yet expands through the universe outside; a part of all existence, powerless but without need for power; immersed in solitude, yet in contact with all creation? There are moments when the two appear inseparable, and others when they could be cut apart by the merest flash of light.
While my hand is on the stick, my feet on the rudder, and my eyes on the compass, this consciousness, like a winged messenger, goes out to visit the waves below, testing the warmth of water, the speed of wind, the thickness of intervening clouds. It goes north to the glacial coasts of Greenland, over the horizon to the edge of dawn, ahead to Ireland, England, and the continent of Europe, away through space to the moon and stars, always returning, unwillingly, to the mortal duty of seeing that the limbs and muscles have attended their routine while it was gone.
”
”
Charles A. Lindbergh (The Spirit of St. Louis)
“
Fire!
Your nose ignites,
flameless kerosene
(and, some say, Drano)
laced with ephedrine
you want to cry
powdered demons bite
through cartilage and sinuses,
take dead aim at your
brain, jump inside
want to scream
troops of tapping feet
fall into rhythm,
marking time, right
between your eyes
get the urge to dance
louder, louder, ultra
gray-matter power,
shock waves of energy
mushroom inside your head
you want to let go
detonate,
annihilate barriers,
bring down the walls,
unleashing floodwaters,
freeing long-captive dreams
to ride the current
through
arteries and capillaries,
pulsing, rushing,
raging torrents
pounding against your heart
sweeping you away
”
”
Ellen Hopkins (Crank (Crank, #1))
“
Fireflies.”
“What?” Iseult splashed upright. Chill bumps raced down her arms.
“There.” Aeduan waved across the pond. “Fireflies. They’re good luck in Marstok, I’ve heard. And children make wishes on them.” There was something light to Aeduan’s voice, as if he …
“Are you making a joke?” Iseult pushed to her feet. Water droplets splattered across the stone.
“No.”
Iseult didn’t believe him.
”
”
Susan Dennard (Windwitch (The Witchlands, #2))
“
He crashed over me like a wave and I was drowning. He shone so brightly and I was burning. Touched, by his hands and his body and his unintended mercies, I needed my distance back. Difficult, though, when my skin sang at his closeness and I blazed with wanting. I wanted to put my lips against his neck. I wanted to lick the sweat from where it would gather like glitter in the secret hollows of his flesh. I wanted him naked in my arms, like I'd had him in Brighton, but with not even darkness between us this time. I wanted to give him pleasure. Lavish him in it. Bedeck him with it, like pirate gold. Weave him a crown of my lost dreams. I wanted to kneel at his feet and suck his cock. I wanted him on his back, so I could look into his eyes while I fucked him.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
Things break all the time. Glass, and dishes, and fingernails. Cars and contracts and potato chips. You can break a record, a horse, a dollar. You can break the ice. There are coffee breaks and lunch breaks and prison breaks. Day breaks, waves break, voices break. Chains can be broken. So can silence and fever. Promises break. Hearts break. Fault lines: these are the places where the earth breaks apart, these are the spots where earthquakes originate, where volcanoes are born. Or in other words: the world is crumbling under us; it's the solid ground beneath our feet that's an illusion.
”
”
Jodi Picoult (Handle with Care)
“
In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?
”
”
Thomas Pynchon (The Crying of Lot 49)
“
It offends me when you doubt my love.
These jealousies are unwarranted.
If only you lived in my head for a day,
you’d see that you live eternally in my heart.
Try it for yourself. Take this knife to my chest
and you will find that I bleed
you.
Cast your suspicions to the wind
for there will never come a time
when I will not love you.
Does the sea get bored of kissing
the shore’s feet?
Cast your suspicions to the wind
and let us get drunk off each other.
"Don’t fall in love with a poet,” they warn you.
But they don’t know that galaxies
circumambulate you.
They don’t see that the waves of your hair
are where stars go to die.
They don’t hear how your voice
is the sound of flowers blooming.
Cast your suspicions to the wind
and come spend your life with me.
There will never come a time
when I will not be in love with you.
”
”
Kamand Kojouri
“
May yours be the sparkle of light on the ocean,
The whisper of foam on the sea,
The warm sand guiding your feet safely home,
A pebble in your pocket from me.
Some sea glass, a starfish, some driftwood, a whelk,
Treasures washed up on the shore.
A flower, a feather, an urchin, a pearl,
Keep your eyes open for more.
May you know yourself held in the palm of Her hand,
Blessed by the waves wild and free,
Blown by the wind, anointed with salt,
Beloved of She of the Sea.
”
”
Lucy H. Pearce (She of the Sea)
“
Flow gently, sweet Afton,
amang thy green braes,
Flow gently, I'll sing thee
a song in thy praise;
My Mary's asleep
by thy murmuring stream,
Flow gently, sweet Afton,
disturb not her dream.
Thou stock dove whose echo
resounds thro' the glen,
Ye wild whistly blackbirds
in yon thorny den,
Thou green crested lapwing
thy screaming forbear,
I charge you, disturb not
my slumbering fair.
How lofty, sweet Afton,
thy neighboring hills,
Far mark'd with the courses
of clear winding rills;
There daily I wander
as noon rises high,
My flocks and my Mary's
sweet cot in my eye.
How pleasant thy banks
and green valleys below,
Where, wild in the woodlands,
the primroses blow;
There oft, as mild evening
weeps over the lea,
The sweet-scented birk shades
my Mary and me.
Thy crystal stream, Afton,
how lovely it glides,
And winds by the cot where
my Mary resides;
How wanton thy waters
her snowy feet lave,
As, gathering sweet flowerets,
she stems thy clear wave.
Flow gently, sweet Afton,
amang thy green braes,
Flow gently, sweet river,
the theme of my lays;
My Mary's asleep
by thy murmuring stream,
Flow gently, sweet Afton,
disturb not her dreams.
”
”
Robert Burns
“
Eccolo!” he exclaimed.
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.
“Courage!” cried her companion, now standing some six feet above. “Courage and love.”
She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.
Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone.
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…
”
”
E.M. Forster (A Room with a View)
“
I pushed myself forward and rose cautiously to my feet. A draft from the aft signaled that my dressing gown was open, but I didn't care. The nurses could take shots with their camera phones and upload them to their Flickr stream for all I cared, just so long as my face wasn't in it.
A wave of dizziness rolled over me when I took a step, but it was one of those gentle rocking swells and not a thirty-foot-tall fist of Poseidon. I could do this. I shuffled over carefully and leaned against the nightstand for support as I opened the drawer. Then I nearly fell over when Granuaile spoke from behind me.
"Nom nom nom!" she said.
I looked around for the cookies she must be referring to and then realized, belatedly, that the room was bereft of delicious baked goods. The only thing on display was my backside, and apparently she thought it looked tasty.
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
I think they know we're talking about them," I say.
"So? They already know I hate them."
"They do? How?"
Christina fakes a smile at them and waves. I look down, my cheeks warm. I shouldn't be gossiping anyway. Gossiping is self-indulgent.
Will hooks a foot around one of Al's legs and yanks back,knocking Al to the ground. Al scrambles to his feet.
"Because I've told them," she says, through the gritted teeth of her smile. Her teeth are straight on top and crooked on the bottom.She looks at me. "We try to be pretty honest about our feelings in Candor. Plenty of people have told me that they don't like me.And plenty of people haven't. Who cares?"
"We just...weren't supposed to hurt people," I say.
"I like to think I'm helping them by hating them," she says. "I'm reminding them that they aren't God's gift to humankind.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
He walked that night across the beach and back again, Titan running free and barking and playing with the cold waves. He walked with his brother. He walked with his aunt. He walked with his uncle. He walked with that girl he liked, the one he never knew, and her cat. He walked with his father and his mother. He walked with his sister and her husband, and their children. It was all in his head, that endless walk of naked feet against the sand. He walked alone until the water hit against the wall and the drizzle was the sea and the wind and his dream of staying home.
”
”
Daniel Cuervonegro (Sins of the Maker)
“
TO HIS HEART, BIIDING IT HAVE NO FEAR
Be you still, be you still, trembling heart;
Remember the wisdom out of the old days:
Him who trembles before the flame and the flood,
And the winds that blow through the starry ways,
Let the starry winds and the flame and the flood
Cover over and hide, for he has no part
With the lonely, majestical multitude.
THE CAP AND THE BELLS
The jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.
It rose in a straight blue garment,
When owls began to call:
It had grown wise-tongued by thinking
Of a quiet and light footfall;
But the young queen would not listen;
She rose in her pale night-gown;
She drew in the heavy casement
And pushed the latches down.
He bade his heart go to her,
When the owls called out no more;
In a red and quivering garment
It sang to her through the door.
It had grown sweet-tongued by dreaming
Of a flutter of flower-like hair;
But she took up her fan from the table
And waved it off on the air.
'I have cap and bells,' he pondered,
'I will send them to her and die';
And when the morning whitened
He left them where she went by.
She laid them upon her bosom,
Under a cloud of her hair,
And her red lips sang them a love-song
Till stars grew out of the air.
She opened her door and her window,
And the heart and the soul came through,
To her right hand came the red one,
To her left hand came the blue.
They set up a noise like crickets,
A chattering wise and sweet,
And her hair was a folded flower
And the quiet of love in her feet.
”
”
W.B. Yeats (The Wind Among the Reeds)
“
I was about to reach in the basket to take one when a horse that had been grazing nearby suddenly charged at another horse. Kaden grabbed me and pulled me out of its path. We stumbled back, unable to regain our footing, and both tumbled to the ground. He rolled over me in a protective motion, hovering in case the horse came closer, but it was already gone.
The world snapped to silence. The tall grass waved above us, hiding us from view. He gazed down at me, his elbows straddling my sides, his chest brushing mine, his face inches away.
I saw the look in his eyes. My heart pounded against my ribs.
“Are you all right?” His voice was low and husky.
“Yes,” I whispered.
His face hovered closer to mine. I was going to push away, look away, do something, but I didn’t, and before I knew what was happening, the space between us disappeared. His lips were warm and gentle against mine, and his breath thrummed in my ears. Heat raced through me. It was just as I had imagined that night with Pauline back in Terravin so long ago. Before—
I pushed him away.
“Lia—”
I got to my feet, my chest heaving, busying myself with a loose button on my shirt. “Let’s forget that happened, Kaden.”
He had jumped to his feet too. He grabbed my hand so I had to look at him. “You wanted to kiss me.”
I shook my head, denying it, but it was true. I had wanted to kiss him.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Sometimes it's the smallest waves that knock you off your feet. Tsunamis—everybody know's they're powerful. Tidal waves—big and impressive. But those small waves? They hold a lot of power. They prove what the ocean is capable of, even when no one is paying attention (...) I always keep an eye on you, Percy, mostly from a distance, it's true. I've watched you save the world multiple times, conquering enemies that would scare most immortals. But it wasn't till today that I realized how much of a hero you truly are (...) You risked your life for a cupbearer you barely know. Not for a letter. Not because the fate of the world was at state. But because that's just who you are. Today, you created a small wave, and you showed what the ocean is capable of.
”
”
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
“
The morning sun burned away the mist so the valley below is now clear. The scope of what I see drowns out every other sense: There's no river, no water. Instead, hundreds of feet below the bridge the ground shifts and writhes. At first I think maybe it's a field of some sort but then individual colors begin to pull apart.
And all at once I understand what it is. Like a river flooding its banks, the entire valley is full of Mudo. The sound is not that of a raging waterfall but the pounding of two hundred million feet. The moans of a hundred million mouths. They pour through the valley, more people than I have ever seen. More people than I ever thought could have existed in one world. And they sense me, reach for me but are trapped by the mountains.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
the smell of canals and cigarette smoke, all the people sitting outside the cafés drinking beer, saying their r's and g's in a way I'd never learn. I missed the future. Obviously I knew even before this recurrence that I'd never grow old with Augustus Waters. But thinking about Lidewij and her boyfriend, I felt robbed. I would probably never again see the ocean from thirty thousand feet above, so far up you can't make out the waves or any boats, so that the ocean is a great and endless monolith. I could imagine it. I could remember it. But I couldn't see it again, and it occurred to me that the voracious ambition of humans is never sated by dreams coming true, because there is always the thought that everything might be done better and again. That is probably true even if you live to be ninety.
”
”
John Green (The Fault in Our Stars)
“
Slowly the golden memory of the dead sun fades from the hearts of the cold, sad clouds. Silent, like sorrowing children, the birds have ceased their song, and only the moorhen's plaintive cry and the harsh croak of the corncrake stirs the awed hush around the couch of waters, where the dying day breathes out her last.
From the dim woods on either bank, Night's ghostly army, the grey shadows, creep out with noiseless tread to chase away the lingering rear- guard of the light, and pass, with noiseless, unseen feet, above the waving river-grass, and through the sighing rushes; and Night, upon her sombre throne, folds her black wings above the darkening world, and, from her phantom palace, lit by the pale stars, reigns in stillness.
”
”
Jerome K. Jerome
“
I suppose I knew on an intellectual level that graves weren't especially made for getting out of. I mean, you start with a hermetically sealed casket and then you dump six feet of dirt on top of it. Over time the earth gets compacted, which can't make it easy to dig through. So even if you're a very angry and determined zombie, you've kind of got your work cut out for you just escaping from the grave.
Which was, I suppose, why we got hit with an initial wave of zombie bugs, birds and rodents. I bet some people would say if you've never picked undead mosquitoes out of your teeth, you've never lived. Under that definition, I'd be just as happy to have not lived, thanks.
”
”
C.E. Murphy (Walking Dead (Walker Papers, #4))
“
Venus Transiens"
Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli’s vision
Fairer than mine;
And were the painted rosebuds
He tossed his lady
Of better worth
Than the words I blow about you
To cover your too great loveliness
As with a gauze
Of misted silver?
For me,
You stand poised
In the blue and buoyant air,
Cinctured by bright winds,
Treading the sunlight.
And the waves which precede you
Ripple and stir
The sands at my feet.
Amy Lowell, Imagist Poetry: An Anthology. Ed. Bob Blaisdell (Dover Publications; Later Printing edition, March 17, 2011)
”
”
Amy Lowell
“
He slept and in his sleep he saw his friends again and they were coming downriver on muddy floodwaters, Hoghead and the City Mouse and J-Bone and Bearhunter and Bucket and Boneyard and J D Davis and Earl Solomon, all watching him where he stood on the shore. They turned gently in their rubber bullboat, bobbing slightly on the broad and ropy waters, their feet impinging in the floor of the thing with membraneous yellow tracks. They glided past somberly. Out of a lightless dawn receding, past the pale daystar. A fog more obscure closed away their figures gone a sadder way by psychic seas across the Tarn of Acheron. From a rock in the river he waved them farewell but they did not wave back.
”
”
Cormac McCarthy (Suttree)
“
Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...
”
”
Gustave Flaubert
“
Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.”
“I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.”
“A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand.
“Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet.
“Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.
”
”
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
“
He stood naked at the edge of a cliff. THe lake lay far below him. A frozen explosion of granite burst in flight to the sky over motionless water. The water seemed immovable, the stone- flowing. The stone had the stillness of one last movement when thrust meets thrust and the currents are held in a pause more dynamic than motion. THe stone glowed wet with sunrays. The lake below was only a thin steel ring that cut the rocks in half. The rocks went on into the depth, unchanged. They began and ended in the sky so that the world seemed suspended in space, an island floating on on nothing, anchored to the feet of the man on the cliff.
His body leaned back against the sky. It was a body of long straight lines and angles each curve broken into planes. He stood rigid his hands hanging at his sides, palms out. He felt his shoulder blades drawn tight together. The curve of his neck, and the weight of the blood in his hands. He felt the wind behind him in the hollow of his spine. The wind waved his hair against the sky. His hair was neither blonde nor red, but the exact color or ripe orange rind... He stepped to the edge, raised his arms, and dived down into the sky below.
”
”
Ayn Rand (The Fountainhead)
“
I think we're the only ones in the building," he says.
"Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish.
"Quick!" he says.
"What?" I hop off the desk. Is Nate here? Did he see?
But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor.
"Well," he says. Our conversation halts for the first time in hours.
I look past him. "Um.Good night."
"See you tomorrow? Late breakfast at the creperie?"
"That'd be nice."
"Unless-" he cuts himself off.
Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away.
"Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna.
The stairwell door bursts open.
My heart stops.
St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now."
"Uh." I can't breathe.
He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-"
"No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay."
St. Clair is still for a moment. And then he nods.
I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
We have become wild beasts. We do not fight, we defend ourselves against annihilation. It is not against men that we fling our bombs, what do we know of men in this moment when Death is hunting us down—now, for the first time in three days we can see his face, now for the first time in three days we can oppose him; we feel a mad anger. No longer do we lie helpless, waiting on the scaffold, we can destroy and kill, to save ourselves, to save ourselves and to be revenged. We crouch behind every corner, behind every barrier of barbed wire, and hurl heaps of explosives at the feet of the advancing enemy before we run. The blast of the hand-grenades impinges powerfully on our arms and legs; crouching like cats we run on, overwhelmed by this wave that bears us along, that fills us with ferocity, turns us into thugs, into murderers, into God only knows what devils; this wave that multiplies our strength with fear and madness and greed of life, seeking and fighting for nothing but our deliverance.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time."
And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer.
Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. "
... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over.
There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
”
”
Herman Melville (Moby Dick)
“
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow.
“You came to the world,” unseen lips said, “and you saw that Men were like children.”
Lines of radiance danced across the intervening waters.
“It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi …
“Split him in two, and he would murder himself.”
Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain …
Which meant that Kellhus stood on conditioned ground.
“But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen.
So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.”
He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black.
“And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.”
He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
”
”
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night.
I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet.
{Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}
”
”
Mark Twain (Letters from the Earth: Uncensored Writings)
“
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real.
“Later,” he echoed, and leaned down to kiss me.
It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him.
He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went.
I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched.
His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I.
He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh.
A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
”
”
Susan Dennard (Truthwitch (The Witchlands, #1))
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there.
It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town.
On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting.
One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
”
”
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
I felt a warm hand touch mine.
“Are you okay?”
“If you mean am I injured, then the answer is no. If you mean am I ‘okay’ as in am-I-confident-I’m-still-sane, the answer is still no.”
Ren frowned. “We have to find a way to get across the chasm.”
“You’re certainly welcome to give it a try.” I waved him off and went back to drinking my water.
He moved to the edge and peered across, looking speculatively at the distance. Changing back to a tiger, he trotted a few paces back in the direction we had come from, turned, and ran at full speed toward the hole.
“Ren, no!” I screamed.
He leapt, clearing the hole easily, and landed lightly on his front paws. Then he trotted a short distance away and did the same thing to come back. He landed at my feet and changed back to human form.
“Kells, I have an idea.”
“Oh, this I’ve got to hear. I just hope you don’t plan on including me in this scheme of yours. Ah. Let me guess. I know. You want to tie a rope to your tail, leap across, tie it off, and then have me pull my body across the rope, right?”
He cocked his head as if considering it, and then shook his head. “No, you don’t have the strength to do something like that. Plus, we have no rope and nothing to tie a rope to.”
“Right. So what’s the plan?”
He held my hands and explained. “What I’m proposing will be much easier. Do you trust me?”
I was going to be sick. “I trust you. It’s just-“ I looked into his concerned blue eyes and sighed. “Okay, what do I have to do?”
“You saw that I was able to clear the gap pretty well as a tiger, right? So what I need you to do is to stand right at the edge and wait for me. I’ll run to the end of the tunnel, build up speed, and leap as a tiger. At the same time, I want you to jump up and grab me around my neck. I’ll change to a man in midair so that I can hold onto you, and we’ll fall together to the other side.”
I snorted noisily and laughed. “You’re kidding, right?”
He ignored my skepticism. “We’ll have to time it precisely, and you’ll have to jump too, in the same direction, because if you don’t, I’ll just hit you full power and drive us both over the edge.”
“You’re serious? You seriously want me to do this?”
“Yes, I’m serious. Now stand here while I make a few practice runs.”
“Can’t we just find another corridor or something?”
“There aren’t any. This is the right way.”
Reluctantly, I stood near the edge and watched him leap back and forth a few times. Observing the rhythm of his running and jumping, I began to grasp the idea of what he wanted me to do. All too quickly Ren was back in front of me again.
“I can’t believe you’ve talked me into doing this. Are you sure?” I asked.
“Yes, I’m sure. Are you ready?”
“No! Give me a minute to mentally write a last will and testament.”
“Kells, it’ll be fine.”
“Sure it will. Alright, let me take in my surroundings. I want to make sure I can record every minute of this experience in my journal. Of course, that’s probably a moot point because I’m assuming that I’m going to die in the jump anyway.”
Ren put his hand on my cheek, looked in my eyes, and said fiercely, “Kelsey, trust me. I will not let you fall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
“Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back.
“You’re safe,” he told me, in his usual soft, rumbling voice.
“Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…”
“I know, I believe you.”
At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket.
“Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger.
Any hope I had felt bubbling up inside me burst into a thousand tiny pieces.
“Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?”
I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself.
“You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—”
I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!”
“You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.”
“No!” I shrieked. “No!”
He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door.
I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them.
But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room.
“—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.”
“John,” I said, whirling around to clutch his arm again.
“Don’t get too excited,” he warned. “You haven’t heard the condition.”
“Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?”
John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly.
“You’re giving blankets away to keep them warm while they wait. When did this start happening?”
“You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.”
My eyes widened. “Things I said?”
“About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.”
It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart.
“Oh, John,” I said, and rose onto my toes to kiss his cheek.
He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks.
“What was that for?” he asked.
“Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.”
John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet.
“Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.”
I beamed up at him.
Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable.
It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all.
I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph.
“Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John.
The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat.
“Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards.
“No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
”
”
Meg Cabot (Underworld (Abandon, #2))