“
I understand your position, Dave. It’s a big story, and you worked hard to get it. But if you don’t drop me at the Europa, I’ll blow your head off. Imagine how big that story would be.
There’s no need for these histrionics. We’ll go to the Holiday Inn. You can rest, shower, debrief. You’ll be among friends.
Last chance, Dave. You can be the hero or the headline. Your call.
Let’s talk it out.
No. You talk too much.
He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat. The driver was covered on one side of his head and body. The mess made the crowded taxi undrivable.
-Also, someone crapped their pants.
”
”
John Payton Foden (Magenta)
“
Can I tell you a dirty secret?”
“Yes,” she gasped. “Just hurry.”
Derek’s dark laughter increased her arousal, coating her in slick heat. Achingly slow, he sunk two thick fingers inside her. “If I could go back and do one thing differently that first night, I would taste your virgin pussy before I fucked you. I bet it would have been extra sweet.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
My shift was over. Thank God! One more closer to the grave.
”
”
Ian Truman
“
He never described himself as a poet or his work as poetry. The fact that the lines do not come to the edge of the page is no guarantee. Poetry is a verdict, not an occupation. He hated to argue about the techniques of verse. The poem is a dirty, bloody, burning thing that has to be grabbed first with bare hands. Once the fire celebrated Light, the dirt Humility, the blood Sacrifice. Now the poets are professional fire-eaters, freelancing at any carnival. The fire goes down easily and honours no one in particular.
”
”
Leonard Cohen (The Favorite Game)
“
Never had there been a time when sound, color, and feeling hadn’t been intertwined, when a dirty, rolling bass line hadn’t induced violets that suffused him with thick contentment, when the shades of certain chords sliding up to one another hadn’t produced dusty pastels that made him feel like he was cupping a tiny, golden bird. It wasn’t just music but also rumbling trains and rainstorms, occasional voices, a collective din. Colors and textures appeared in front of him, bouncing in time to the rhythm, or he’d get a flash of color in his mind, an automatic sensation of a tone, innate as breathing.
”
”
Lisa Ko (The Leavers)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.
”
”
Virginia Woolf (The Waves)
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
I'm sorry I was less than you deserve, Tex, but I'm afraid I can't let you walk away from this. You see, it's too good, too rare to give up. I said in the cafeteria you weren't my girlfriend, and you weren't." I paused, watching her face twist with shock again. "You were my everything. Still are, baby. You wanted me to make you feel beautiful, but there's no one half as pretty as you are in the whole goddamn world. Please ..." My voice broke, and I bent the knee, like I'd always planned to.
"Don't break my heart so soon after putting it back together."
The air was thick in the auditorium as everyone held their breath. I was pretty sure for every second that ticked without her reaction, I lost an entire year of my life. Silver lining: a full minute of that, and I'd drop dead and wouldn't have to witness my own, very open disgrace.
Finally, Grace found her voice. "On your feet, St. Claire," she whispered under her breath. "A king doesn't bow to others."
I got up and scooped her up, giving people something to look at and talk about for years in this godforsaken town, pressing a dirty kiss to her lips and almost breaking her jaw in the process.
"He does for his queen.
”
”
L.J. Shen (Playing with Fire)
“
Which was more real, their dirty bathtubs and shared bedrooms or that other reality, waiting one week away? Most of all he would despair because he could not imagine what it would be like to confront the most real of their realities: that within two years three of the four of them would be dead. The realities of the bombs and torpedoes and the dying was easy enough to imagine--mere events, after all, recorded in thousands of films and photographs and comic books. But not that other infinitely more important reality: the fact that they knew; that even walking down that street, that evening, they knew what was coming--not the details, nor the timing perhaps, but they knew, all four of them, that their world, and in all probability they themselves, would not survive the war. What is the colour of that knowledge? Nobody knows, nobody can ever know, not even in memory, because there are moments in time that are not knowable: nobody can ever know what it was like to be young and intelligent in the summer of 1939 in London or Berlin.
”
”
Amitav Ghosh (The Shadow Lines)
“
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw.
There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since.
My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes.
Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses.
My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs.
Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom.
My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over.
Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone.
My vagina. A live wet water village. My vagina my hometown.
Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish.
My vagina a live wet water village.
They invaded it. Butchered it and burned it
down.
I do not touch now.
Do not visit.
I live someplace else now.
I don't know where that is.
”
”
V (formerly Eve Ensler) (The Vagina Monologues)
“
You forgot one more question.” I don’t think as the words leave my mouth. It seems like the perfect chance to have her alone without any interruptions of the blonde-haired, green-eyed variety. Maya stares up at me, confusion lining her face. “Will Noah Slade ask Maya Alatorre on a date?” I flinch at my pathetic pick-up line.
”
”
Lauren Asher (Throttled (Dirty Air, #1))
“
Where there's muck, there's brass. That was it. ... A simple line, an aphorism, that seemed to suggest the selling of manure. But it had a meaning that went so much deeper, alluding to the fact that where you find filth - where you find dirt; where you find the detritus of life - you'll also discover someone making a profit. Much money can be made from the most dirty jobs. Muck and money go together. That was another one. And it occurred to her that in her lifetime she had seen nothing more filthy than war itself.
”
”
Jacqueline Winspear (To Die But Once (Maisie Dobbs, #14))
“
I pry her hand from my arm, one finger at a time. “All right, here’s what we’re going to do. You’re going to put your hand on the stick and fly the helicopter.”
Her eyes spring open. “What?”
“You’re afraid because you feel out of control,” I tell her calmly. “This will make you feel better.”
“You want me to touch your stick so I’ll feel better?” she asks incredulously. “Sounds like a line.”
I laugh. “No line. But…my stick always makes everything better. You can’t go wrong touching it.” I take her hand and put it on the control, teasing her.
“That’s it, grip it firmly, but don’t strangle it. Don’t stroke, just hold it for now—I know it’s big—get used to the feel of it in your hand.”
Olivia snorts. “You are a dirty, dirty man.
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
Why am I feeling guilty? Why is he so mad? I peek up at him. “Well, you know a lot more about me now,” he snaps, his mouth presses into a hard line. “I knew you were inexperienced, but a virgin!” He says it like it’s a really dirty word. “Hell, Ana, I just showed you …” he groans. “May God forgive me. Have you ever been kissed, apart from by me?” “Of course I have.” I try my best to look affronted. Okay … maybe twice. “And a nice young man hasn’t swept you off your feet? I just don’t understand. You’re twenty-one, nearly twenty-two. You’re beautiful.” He runs his hand through his hair again. Beautiful. I flush with pleasure. Christian Grey thinks I’m beautiful. I knot my fingers together, staring at them hard, trying to conceal my goofy grin.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
Remembering Mom's Clothesline -- There is one thing that's left out. We had a long wooden pole (clothes pole) that was used to push the clotheslines up so that longer items (sheets/pants/etc.) didn't brush the ground and get dirty.
I can hear my mother now...
THE BASIC RULES FOR CLOTHESLINES:
(If you don't even know what clotheslines are, better skip this.)
1. You had to hang the socks by the toes... NOT the top.
2. You hung pants by the BOTTOM/cuffs... NOT the waistbands.
3. You had to WASH the clothesline(s) before hanging any clothes - Walk the entire length of each line with a damp cloth around the lines.
4. You had to hang the clothes in a certain order, and always hang "whites" with "whites," And hang them first.
5. You NEVER hung a shirt by the shoulders - always by the tail! What would the neighbors think?
6. Wash day on a Monday! NEVER hang clothes on the weekend, Or on Sunday, for Heaven's sake!
7. Hang the sheets and towels on the OUTSIDE lines so you could Hide your "unmentionables" in the middle perverts & busybodies, y'know!)
8. It didn't matter if it was sub-zero weather... Clothes would "freeze-dry."
9. ALWAYS gather the clothes pins when taking down dry clothes! Pins left on the lines were "tacky"!
10. If you were efficient, you would line the clothes up so that each item. Did not need two clothes pins, but shared one of the clothes pins with the next washed item.
11. Clothes off of the line before dinner time, neatly folded in the clothes basket, and ready to be ironed.
12. IRONED??!! Well, that's a whole OTHER subject!
”
”
Unnown
“
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room.
"I heard a noise from the drop box," Jean said.
"What kind of noise?"
"I think it's an animal."
"A what?"
"An animal," Jean said. "I think there's an animal in the drop box."
That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat.
Gurr-gug-gug. Gurr-gug-gug.
But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk.
What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe.
I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole.
At that moment, I lost every bone in my body and just melted.
”
”
Vicki Myron (Dewey the Library Cat: A True Story)
“
In the wake of the Patriot Act, during the second administration of George W., you made a series of small, handheld weapons. The rule was that each weapon had to be assembled from household items within minutes. You’d been gay-bashed before, two black eyes while waiting in line for a burrito (you ran after him, of course). Now you thought, if the government comes for its citizens, we should be prepared, even if our weapons are pathetic. Your art-weapons included a steak knife affixed to a bottle of ranch dressing and mounted on an axe handle, a dirty sock sprouting nails, a wooden stump with a clump of urethane resin stuck to one end with dull bolts protruding from it, and more.
”
”
Maggie Nelson (The Argonauts)
“
You want me to teach you all the dirty words?” I looked up at him and wiggled my eyebrows. Aaron gave me a lopsided smile that would have made my panties drop to the floor had they been resting on my hips. “Well, you are in luck; I’m a wonderful teacher.” “And I’m a highly dedicated student.” He winked. And that goddamn wink disrupted the beating of my heart. “Although I might get a little distracted every now and then.” “I see.” I placed my index finger against his chest, watching Aaron’s eyes dive down quickly before returning to my face. “Maybe you need the right kind of motivation to keep your attention on the subject.” I trailed that finger up, traveling across his pec and then up his neck, following the line of his jaw until reaching his lips. They parted with a shallow breath. “This …” I pushed myself up and kissed his lips gently. “This is a six-letter word in Spanish. Labios. Tus labios. Your lips.” The only answer he gave me was taking my mouth in his again. As if the only way he’d learn the word was tasting it. “And this,” I said before parting his lips and making the kiss deeper, our tongues dancing together, “is another six-letter word. Lengua—tongue.” “I think I really like that one.” Aaron’s head dipped low, his new favorite word reaching my breast. “And this? What do you call this?” he said, grazing his mouth over the peak. A giggle that soon turned into a moan left my mouth before I was able to answer. “That’s a five-letter word. Pezón. Nipple.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
What they did not know was that she chafed at the never-endingness of it. No sooner had she cleaned one surface than it was dirty again. Clothes, even those barely worn, found themselves in crumpled heaps in linen baskets so that she yelled at Kitty and Thierry, hating her shrewish voice. Once, bored to within an inch of her sanity by the act of hanging out yet another lineful, she had simply turned, dropped the basket and walked straight into the lake, pausing only to remove her shoes. The water had been so shockingly cold that it had knocked the breath from her chest, and left her laughing for the sheer joy of feeling something.
”
”
Jojo Moyes (Night Music)
“
Oh my God,” Jenna murmured, just as I said, “Holy hell weasel,” under my breath. I won’t repeat what Archer said.
Someone in the crowd-I think it was Taylor-shouted, “But the school is closed. Everyone was saying…”
Her voice trailed off, and one of the faeries piped up, her voice higher and clear. “You have no right to bring us here. The Fae are no longer in alliance with the rest of Prodigium. On behalf of the Seelie court, I demand you send us home.” Ah. That was Nausicaa. She was the only one of the faeries that talked like she was rehearsing a play.
Next to me, Jenna leaned in closer and said, “The Fae broke their alliance? Did you know that?”
I shook my head just as Mrs. Casnoff pinned Nausicaa with a glare. No matter how feeble she seemed, she could still throw one heck of a dirty look. “Alliances and treaties have no meaning here at Hecate Hall. Once you’ve been a student here, your allegiance is to the school. Always.” She gave a smile that was more like a grimace. “It was in the code of conduct you signed when you were sentenced here.”
I remembered that, a thick pamphlet I’d barely read before scrawling my name on the dotted line. I suddenly wished I had of power of time travel so that I could go smack Sophie From A Year Ago around, and tell her to read things first.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Can you sharpen this for me, please?”
Logan leaned across the table and took the pencil from him. “You want me to play with your pencil, Tate?”
“Hilarious. The sharpener is right by you. You just have to pick it up and slide it in.”
As soon as the words left his mouth and Logan’s quirked into an arrogant line, Tate bit his tongue.
“Really? Did you really just say that to me?”
Feeling more comfortable than ever with Logan and this group, Tate shrugged and nodded. Time to give it to Logan as good as he gives.
“Yeah. Is there a problem? You just line it up...and slide it in.”
“You know, Tate—”
“Don't do it.” Tate cut him off as he moved his foot, the one he’d had sitting between Logan’s feet all night, so his shin bumped Logan’s calf.
“Do what?”
“Say something dirty. I know you're dying to, but just sharpen the pencil.”
Logan picked up the sharpener and made a big show of inserting the tip in the hole.
“Jesus,” Shelly muttered from beside Logan. “I thought Rachel and Cole were bad.
”
”
Ella Frank (Take (Temptation, #2))
“
Methinks, Oh! vain ill-judging Book,
I see thee cast a wishful look,
Where reputations won and lost are
In famous row called Paternoster.
Incensed to find your precious olio
Buried in unexplored port-folio,
You scorn the prudent lock and key,
And pant well bound and gilt to see
Your Volume in the window set
Of Stockdale, Hookham, or Debrett.
Go then, and pass that dangerous bourn
Whence never Book can back return:
And when you find, condemned, despised,
Neglected, blamed, and criticised,
Abuse from All who read you fall,
(If haply you be read at all
Sorely will you your folly sigh at,
And wish for me, and home, and quiet.
Assuming now a conjuror’s office, I
Thus on your future Fortune prophesy: —
Soon as your novelty is o’er,
And you are young and new no more,
In some dark dirty corner thrown,
Mouldy with damps, with cobwebs strown,
Your leaves shall be the Book-worm’s prey;
Or sent to Chandler–Shop away,
And doomed to suffer public scandal,
Shall line the trunk, or wrap the candle!
But should you meet with approbation,
And some one find an inclination
To ask, by natural transition
Respecting me and my condition;
That I am one, the enquirer teach,
Nor very poor, nor very rich;
Of passions strong, of hasty nature,
Of graceless form and dwarfish stature;
By few approved, and few approving;
Extreme in hating and in loving;
Abhorring all whom I dislike,
Adoring who my fancy strike;
In forming judgements never long,
And for the most part judging wrong;
In friendship firm, but still believing
Others are treacherous and deceiving,
And thinking in the present aera
That Friendship is a pure chimaera:
More passionate no creature living,
Proud, obstinate, and unforgiving,
But yet for those who kindness show,
Ready through fire and smoke to go.
Again, should it be asked your page,
‘Pray, what may be the author’s age?’
Your faults, no doubt, will make it clear,
I scarce have seen my twentieth year,
Which passed, kind Reader, on my word,
While England’s Throne held George the Third.
Now then your venturous course pursue:
Go, my delight! Dear Book, adieu!
”
”
Matthew Gregory Lewis (The Monk)
“
Two days after being sexually assaulted, Trixie felt her life crack, unequally, along the fault line of the rape.
The old Trixie Stone used to be a person who dreamed of flying and wanted, when she got old enough, to jump out of a plane and try it. The new Trixie couldn't even sleep with the light off.
The old Trixie liked wearing T-shirts that hugged her tight; the new Trixie went to her father's dresser for a sweatshirt that she could hide beneath.
The old Trixie sometimes showered twice a day, so that she could smell like the pear soap that her mother always put in her Christmas stocking.
The new Trixie felt dirty, no matter how many times she scrubbed herself. The old Trixie felt like part of a group.
The new Trixie felt alone, even when she was surrounded by people. The old Trixie would have taken one look at the new Trixie and dismissed her as a total loser.
”
”
Jodi Picoult (The Tenth Circle)
“
Josh and Rashmi are making out-I can actually see tongue-so I turn to my bread and grapes.How biblical of me.
The grapes are smaller than I'm used to, and the skin is slightly textured. Is that dirt? I dip my napkin in water and dab at the tiny purple globes. It helps, but they're still sort of rough. Hmm. St. Clair and Meredith stop talking. I glance up to find them staring at me in matching bemusement. "What?"
"Nothing," he says. "Continue your grape bath."
"They were dirty."
"Have you tried one?" she asks.
"No,they've still got these little mud flecks." I hold one up to show them. St. Clair plucks it from my fingers and pops it into his mouth.I'm hypnotized by his lips, his throat, as he swallows.
I hesitate. Would I rather have clean food or his good opinion?
He picks up another and smiles. "Open up."
I open up.
The grape brushes my lower lip as he slides it in. It explodes in my mouth, and I'm so startled by the juice that I nearly spit it out. The flavor is intense, more like grape candy than actual fruit. To say I've tasted nothing like it before is an understatement. Meredith and St. Clair laugh. "Wait until you try them as wine," she says.
St. Clair twirls a forkful of pasta. "So. How was French class?"
The abrupt subject change makes me shudder. "Professeur Gillet is scary. She's all frown lines." I tear off a piece of baguette. The crust crackles, and the inside is light and springy. Oh,man. I shove another hunk into my mouth.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
For example, it never occurred to me before how many faces there are. There are multitudes of people, but there are many more faces, because each person has several of them. There are people who wear the same faces for years; naturally it wears out, gets dirty, splits at the seams, stretches like gloves worn during a long journey. There are thrifty, uncomplicated people; they never change it, never have it cleaned. It's good enough, they say, and who can convince them of the contrary? Of course, since they have several faces, you might wonder what they do with the other ones. They keep them in storage. Their children will wear them. And why not? A face is a face.
Other people change faces incredibly fast, put on one after another, and wear them out. At first, they think they have an unlimited supply, but when they are barely forty years old they come to their last one. There is, to be sure, something tragic about this. They are not accustomed to taking care of faces; their last one is worn through in a week, has holes in it, is in many places as thin as paper, and then, little by little, the lining shows through, the non-face, and they walk around with that on.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
I gaze like one enchanted. Only when the woman stands up and moves noiselessly to the table do I step back hastily. My heart is beating fast. In the wild light of the rockets and among the shattered ruins of front-line villages, I had almost forgotten such things existed—such street-long, walked-in peace of carpets and warmth and women. I should like to open the door and go in and curl myself up on the settle; I should like to stretch out my hands to the warmth there and let it flood over me; I should like to talk and to thaw out there the hardness, the violence, all the past; to leave it behind me, peel it off like a dirty shirt.
”
”
Erich Maria Remarque (The Road Back)
“
Mom?” Then again, louder. “Mom?”
She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared.
“I don’t feel good. Can I stay home today?”
No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?”
“I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again.
“I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?”
Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her.
Funny things, though. Not scary things.
“Can you tell me your name?” she repeated.
“Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?”
She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?”
Something tightened in my chest to the point of snapping.
“Mom, Mommy, why—”
“Stop it,” she hissed, “stop calling me that!”
“What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it.
“We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—”
“I live here!” I told her. “I live here! I’m Ruby!”
When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby.
“Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!”
She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.”
The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage.
She hadn’t even turned on the light for me.
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I saw a pair of great tits some days ago. (Massingham Major, you are a dirty-minded boy, and if you snigger again, you will do five hundred lines.) The squeaking-wheel song of Parus major is always gladsome, a precursor to interesting scenes at the bird table. On this occasion, however, what hearing and seeing the two greenery-yallery Paridæ first called up in me was a memory from last year’s early Springtide: an ærial near-collision. A very young squirrel – native red, I am rejoiced to say – was leaping from one tree trunk to another, adjacent, just as a great tit was exploding outwards in flight from the second tree. You never saw a more indignant bird or a more startled squirrel in your life.
”
”
G.M.W. Wemyss
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
Grit. It’s part of who we are. Who we are meant to be. How we were raised. One of the most important things we were taught was how to work. When you do something yourself, with your own two hands, the intrinsic value increases exponentially. It is one of the core principles in the JG Mantra of DIY: Your pride in the end result is directly proportional to the amount of work and dedication you put into the project. We were taught the value of down-and-dirty, sweat-on-your-brow, muscles-achin’, backbreakin’, baby-needs-a-new-pair-of-shoes physical labor. It’s a little thing called “sweat equity.” Elbow grease. Good old-fashioned “get in there and get it done.” And thank goodness, because now we’re more intimidated by long lines at the shopping mall than we are by our JG job requirements.
”
”
Jolie Sikes (Junk Gypsy: Designing a Life at the Crossroads of Wonder & Wander)
“
Unlike the rain-slicked streets of Oblakgrad, Dírorth was a stir of activity. The streets were lined with vendors selling greasy meat pies to passersby. The clogging crowd of Humans cramped together as they pushed past one another, rushing from one errand to the next. The shouting of a thousand voices melted together into a perpetual buzz, like a great swarm of bees hovering over the street.
And yet a strange silence hung over the city. It filled in the background, inhabiting dark corners where the din of the crowd could not squelch it. It had a strange omnipresence, like something that you are subconsciously aware of, but do not consciously see with your eyes.
It was a silence ignored, hidden by the façade of hectic traffic. You wouldn’t really notice it, not unless you were looking for it. Not unless you actually stopped to listen.
If the city folk had stopped, frozen, if they had stilled themselves for a moment, the silence would have gaped wide open like a dark, hungry maw. But they ignored it. For the past century, they had covered that silence with the commotion of everyday life, refusing to let it control them. To define them. They did not hear it. They would not hear it.
I myself did not hear it for years and years, not until the day that I actually stopped to listen.
Can you hear it, now? Can you hear it in the words your reading, the words I say to you? Listen. Hear its empty resonance across the cobbles. Feel it in the dust beneath Notak’s boot, damp with last night’s rain. Smell it on the ragged clothes of the peasants, hidden in the folds of dirty fabric. See it in their eyes, latent beneath the gloss of the everyday. Taste it in the clamor of the streets, clamor born out of a unconscious urge to fill the quiet with something, anything to drive it away, anything to stave off the silence that reeked with defeat.
It was the echo of a hundred years of slavery. It was the song of a people, waiting for God.
”
”
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
“
She wraps her legs around my waist, and I walk us slowly down the hall.
"Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..."
She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues.
I push open the glass door and turn on the shower. Water cascades from the waterfall showered.
"Oh," she says as she grins and bites her bottom lip.
By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing.
"Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first."
I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?"
A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her.
I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs.
She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me.
I lean down to kiss her. "Tell me what you want."
"You. Just you. Please."
With her breathy request, I'm ready to burst. Not yet, though.
She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her.
When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it.
I love her.
She explodes against my palm, the weight of her body shuddering against me. I've got her, though.
I've always, always got you.
When she starts to ease back down, she lets out a breathy laugh.
"Oh my god."
I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that."
Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push.
When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm.
Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified.
The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something.
On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog.
Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled.
As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place.
I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.”
Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen.
Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him.
Trent was in his usual position— hat on backward, gloves on, and perched on a stool.
Harper approached them nervously. The big guy’s size and presence were a little intimidating.
“I don’t bite.” Oh God. He was talking to her.
“Excuse me?”
He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely.
Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.”
Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside.
Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.”
“No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon.
Dred turned and smiled enigmatically at Trent. “I see what you mean, man.”
“Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him.
“Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over.
Harper watched, mortified, as a modern-day rock legend bit into one of her cookies.
Dred chewed and groaned. “These are almost as good as sex.”
Harper laughed.
“Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
I could see the road ahead of me. I was poor and I was going to stay poor. But I didn't particularly want money. I didn't know what I wanted. Yes, I did. I wanted someplace to hide out, someplace where one didn't have to do anything. The thought of being something didn't only appall me, it sickened me. The thought of being a lawyer or a councilman or an engineer, anything like that, seemed impossible to me. To get married, to have children, to get trapped in the family structure. To go someplace to work every day and to return. It was impossible. To do things, simple things, to be part of family picnics, Christmas, the 4th of July, Labor, Mother's Day . . . was a man born just to endure those things and then die? I would rather be a dishwasher, return alone to a tiny room and drink myself to sleep.
My father had a master plan. He told me, "My son, each man during his lifetime should buy a house. Finally he dies and leaves that house to his son. Then his son gets his own house and dies, leaves both houses to his son. That's two houses. That son gets his own house, that's three houses . . ."
The family structure. Victory over adversity through the family. He believed in it. Take the family, mix with God and Country, add the ten-hour day and you had what was needed.
I looked at my father, at his hands, his face, his eyebrows, and I knew that this man had nothing to do with me. He was a stranger. My mother was non-existent. I was cursed. Looking at my father I saw nothing but indecent dullness. Worse, he was even more afraid to fail than most others. Centuries of peasant blood and peasant training. The Chinaski bloodline had been thinned by a series of peasant-servants who had surrendered their real lives for fractional and illusionary gains. Not a man in line who said, "I don't want a house, I want a thousand houses, now!"
He had sent me to that rich high school hoping that the ruler's attitude would rub off on me as I watched the rich boys screech up in their cream-colored coupes and pick up the girls in bright dresses. Instead I learned that the poor usually stay poor. That the young rich smell the stink of the poor and learn to find it a bit amusing. They had to laugh, otherwise it would be too terrifying. They'd learned that, through the centuries. I would never forgive the girls for getting into those cream-colored coupes with the laughing boys. They couldn't help it, of course, yet you always think, maybe . . . But no, there weren't any maybes. Wealth meant victory and victory was the only reality.
What woman chooses to live with a dishwasher?
”
”
Charles Bukowski (Ham On Rye)
“
Asking for Directions
We could have been mistaken for a married couple
riding on the train from Manhattan to Chicago
that last time we were together. I remember
looking out the window and praising the beauty
of the ordinary: the in-between places, the world
with its back turned to us, the small neglected
stations of our history. I slept across your
chest and stomach without asking permission
because they were the last hours. There was
a smell to the sheepskin lining of your new
Chinese vest that I didn’t recognize. I felt
it deliberately. I woke early and asked you
to come with me for coffee. You said, sleep more,
and I said we only had one hour and you came.
We didn’t say much after that. In the station,
you took your things and handed me the vest,
then left as we had planned. So you would have
ten minutes to meet your family and leave.
I stood by the seat dazed by exhaustion
and the absoluteness of the end, so still I was
aware of myself breathing. I put on the vest
and my coat, got my bag and, turning, saw you
through the dirty window standing outside looking
up at me. We looked at each other without any
expression at all. Invisible, unnoticed, still.
That moment is what I will tell of as proof
that you loved me permanently. After that I was
a woman alone carrying her bag, asking a worker
which direction to walk to find a taxi.
”
”
Linda Gregg
“
Now that we've come up with all the obvious answers to our problem, it's time to come up with some truly ridiculous ones."
"Ridiculous?" asked Brasque.
"Yes, ridiculous. Think of something impossible, improbable or downright ridiculous and go from there."
"Like we all flap our arms and fly out of here," said Katherine.
"Exactly!" said Spider.
"How about we form a long line all the way to the mountains and pass the charges along it?" said Brasque.
"Excellent," said Spider. "Keep it coming."
"What if we each carry one charge, run back, carry another, and so on?" said Tom, getting into the swing of things.
"Lovely!" laughed Spider. "Now we're cooking."
The shower of sparks shot out of the top of the Amadragon. Joe shielded his eyes with his hand.
"Yeah, and we can all climb on the Amadragon and ride out of here," he said.
"What was that, Joe?" said Spider, suddenly dropping the jokey manner. "What's the Amadragon?"
Katherine's eyes glittered. "He means that," she said, pointing at the excavator. Everyone except Spider turned and looked. "He's talking about the giant machine, the one that keeps shooting sparks in the air."
Spider cocked his ear and listened to the rumble of the Amadragon's engine. "So Orlemann built the dragon, did he?" he said. "I'd been wondering what the noise was. If they built it to the original specifications, it should get us out of here within an hour. Let's pray that will give us enough time!
”
”
Carol Hughes (Dirty Magic)
“
The traditional reluctance in this country to confront the real nature of racism is once again illustrated by the manner in which the majority of American whites interpreted what the Kerner Commission had to say about white racism.
It seems that they have taken the Kerner Report as a call merely to examine their individual attitudes. The examination of individual attitudes is, of course, an indispensable requirement if the influence of racism is to be neutralized, but it is neither the only nor the basic requirement.
The Kerner Report took great pains to make a distinction between racist attitudes and racist behavior. In doing so, it was trying to point out that the fundamental problem lies in the racist behavior of American institutions toward Negroes, and that the behavior of these institutions is influenced more by overt racist actions of people than by their private attitudes. If so, then the basic requirement is for white Americans, while not ignoring the necessity for a revision of their private beliefs, to concentrate on actions that can lead to the ultimate democratization of American institutions.
By focusing upon private attitudes alone, white Americans may come to rely on token individual gestures as a way of absolving themselves personally of racism, while ignoring the work that needs to be done within public institutions to eradicate social and economic problems and redistribute wealth and opportunity.
I mean by this that there are many whites sitting around in drawing rooms and board rooms discussing their consciences and even donating a few dollars to honor the memory of Dr. King. But they are not prepared to fight politically for the kind of liberal Congress the country needs to eradicate some of the evils of racism, or for the massive programs needed for the social and economic reconstruction of the black and white poor, or for a revision of the tax structure whereby the real burden will be lifted from the shoulders of those who don't have it and placed on the shoulders of those who can afford it.
Our time offers enough evidence to show that racism and intolerance are not unique American phenomena. The relationship between the upper and lower classes in India is in some ways more brutal than the operation of racism in America. And in Nigeria black tribes have recently been killing other black tribes in behalf of social and political privilege.
But it is the nature of the society which determines whether such conflicts will last, whether racism and intolerance will remain as proper issues to be socially and politically organized. If the society is a just society, if it is one which places a premium on social justice and human rights, then racism and intolerance cannot survive —will, at least, be reduced to a minimum.
While working with the NAACP some years ago to integrate the University of Texas, I was assailed with a battery of arguments as to why Negroes should not be let in. They would be raping white girls as soon as they came in; they were dirty and did not wash; they were dumb and could not learn; they were uncouth and ate with their fingers.
These attitudes were not destroyed because the NAACP psychoanalyzed white students or held seminars to teach them about black people. They were destroyed because Thurgood Marshall got the Supreme Court to rule against and destroy the institution of segregated education. At that point, the private views of white students became irrelevant.
So while there can be no argument that progress depends both on the revision of private attitudes and a change in institutions, the onus must be placed on institutional change.
If the institutions of this society are altered to work for black people, to respond to their needs and legitimate aspirations, then it will ultimately be a matter of supreme indifference to them whether white people like them, or what white people whisper about them in the privacy of their drawing rooms.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
Minny came ever day to make sure I was breathing, feed me food to keep me living.
All I know is, I ain't saying it. And I know she ain't saying what she want a say either and it's a strange thing happening here cause nobody saying nothing and we still managing to have us a conversation.
"Mama, it would really be so terrible if I never met a husband?"
Write about what disturbs you, particularly if it bothers no one else.
I stare at her, wishing the ceiling fan would fly from its post, crash down on both of us.
I feel tears come up in my eyes, cause three years just ain't long enough. A hundred years ain't gone be long enough.
Eugenia, just because this is a hospital doesn't mean I'm an invalid"
"you kind. you smart. you important."
See, I think if God had intended for white people and colored people to be this close together for so much of the day, he would've made us color-blind.
Every time a Negro complained about the cost of living didn't mean she was begging for money.
But the truth is, I don't care about voting. I don't care about eating at a counter with white people. What I care about is, if, in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.
when you little, you only get to ask two questions, what's your name and how old you is, so you better get em right.
Mister Jonny knows about me. Miss Celia Knows Mister Jony know about me. But Mister Jonny doesn't know that Miss Celia knows he knows.
"Yes ma'am. I tell her." In about a hundred years.
How an awful day could turn even worse. It seems like at some point you'd just run out of awful.
Lots of folks think if you talk back to your husband, you crossed the line. And that justifies punishment.
She can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket.
"Don't you let him cheapen you. If Stuart doesn't know how intelligent and kind I raised you to be, he can march straight on back to State Street. Frankly, I don't care much for Stuart. He doesn't know how lucky he was to have you."
You tell her we love her, like she's our own family.
"You a beautiful person, Minny."
Mississippi is like my mother. I am allowed to complain about her all I want, but God help the person who raises an ill word about her around me unless she is their mother too.
For the dishonesty upon which a society is founded makes every emotion suspect, makes it impossible to know whether what flowed between two people was honest feeling or pity or pragmatism
”
”
Kathryn Stockett (The Help)
“
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do.
Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges.
You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding.
But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before.
It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago.
It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago.
Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh.
Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete.
I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing.
But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind.
Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter.
I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves.
One good thing: For now at least, I was done being scared.
”
”
K.A. Applegate
“
Rowan coughed and spluttered on his gulp of beer. “I’ve never played with my pussy,” he said with an amused glint in his eye.”
Her cheeks heated at his dirty language, but the tingles running under her skin made her aware of her reaction to being alone in the hotel room with Rowan, sitting on the big bed and playing silly games. “I’ve never touched a woman’s breasts beside my own.”
“I’ve never given a blow job.”
“I’ve never received a blow job,” she said, tilting the mini wine bottle to her mouth and realizing it was empty.
“I’ve never played I never with a woman I love before,” he said, setting his beer can on the nightstand with a clink.
“I’ve never kissed a man in a hotel room before.” She pressed forward onto her hands and knees to reach and kiss him. Their lips lingered for a long moment before she leaned back and waited for his next I never.
“I’ve never removed a woman’s shirt in a hotel room.” Now it was his turn to lean forward and tug her sweater up over her head.
She thought long and hard about her next words, knowing he would act on whatever she said. “I’ve never ordered a man to take off his shirt in a hotel room,” she said finally and watched happily as he removed his long sleeve navy cotton T–shirt. She’d never tire of seeing his smooth skin over hard pectorals. A narrow line of hair trailed down the center of his belly disappearing into jeans. She’d licked her way along that line yesterday and licked her lips now in anticipation of tasting him again.
“I’ve never kissed a woman’s nipples in a hotel room,” he said. In a flash, her bra was flying through the air to land in a pile on the carpet in front of the window, and Rowan’s mouth was on her breasts. Sensation spiraled through her as she shuddered and her arousal built. She’d been on edge since their heated kisses in the car in the parking lot, and it didn’t take much for Rowan’s tongue to turn her into a shuddering, needy wanton.
“I think this game has turned from I Never into Truth or Dare,” she said, clasping Rowan’s head to her chest.
He pulled away from his decadent kisses to look her in the face. “Let’s do it. Dare me, Jill.” The look in his eye told her she might’ve taken on more than she could handle. Though she’d been an active participant in their lovemaking up to now, Rowan had taken the lead and guided her. She had the power here. The question was what to do with it.
“I dare you to”—she licked her lips thoughtfully—“I dare you to get naked and lie on your back. Eyes closed,” she added. When all was as she wanted, she leaned over him and planted a kiss on his lips. Then she kissed her way down his body, stopping at all the best spots. His chin, where his unshaven beard scratched at her skin. His pectorals, one nipple, then another. His belly button. “You’re ticklish,” she observed.
“Yeah.”
Then she made her way lower to his erection, lying over his belly pointing at the chin. She freaking loved his body and how it reacted to her every touch. Being alone with him in the hotel room was even better. Here there were no echoes of footsteps in the hallway, no clock ticking signaling the end of their hour together, no narrow bed forcing them to get creative in their positions. They had a king–size bed and a whole night to explore.
Kneeling at the side, she took him in her mouth, eliciting a moan. His musky taste filled her mouth, and she lovingly used her tongue to drive him wild. His hand found the crease of her jeans between her legs and explored her while she used her mouth on him. She parted her legs, giving him better access, and it was all she could do to concentrate on giving him pleasure when he was making her feel so good.
She wanted to straddle him so bad. The temptation to stop the foreplay and ride this thing to completion was great, but she held off.
“Are you ready for me?” Rowan asked. “You want my cock in you?” His eyes remained closed, and a smile lingered on his face.
”
”
Lynne Silver (Desperate Match (Coded for Love, #5))
“
She finally took a breath. “I’m ready. I love you, Jason.” My life stopped and started again at that moment. My slow smile spread across my face, and I exhaled quickly. “You’re ready?” “Yes.” “You want to? Marry me?” “Yes,” she sobbed, dropping the fishing line and throwing her arms around me. Dirty hands or not, I gathered her into my arms, and she clung to me with all of her strength. God, I was suddenly exhilarated, like I’d just found my entire purpose in life and was standing on the edge of forever. Adrenaline charged through me, and I tilted my neck back, looking up at the sky. “I’m marrying Sandy!” I shouted into the air, to no one in particular. She exhaled with a tearful laugh, clinging to me. Joplin barked at us, and I grinned. “I’m marrying you,” I repeated, softer now, catching her lips in a kiss that gave my heart a reason to beat.
”
”
Theresa Rite (Chat)
“
My theory? I don’t really have one, but if I did, it would probably be along the lines of he knew a huge lawsuit would be coming down the pike and that the medical licensing board would be taking a close look at him, so he ran away to avoid the beating he knew he was about to take.” “So you don’t think any harm has come to him?” “I don’t know, Senator, but if harm did come to him, it couldn’t have come to a more deserving person.” “So Elizabeth tells me you’d like to be the next district attorney general in Knoxville,” Senator Tate said. “Tell me, if you don’t mind, why you would want such a dirty job.” He spoke with a slow mountain drawl, a baritone that was almost mesmerizing. It was the kind of voice that could hypnotize an unsuspecting
”
”
Scott Pratt (Justice Lost (Darren Street #3))
“
Can’t you go faster?” Ashley pleaded.
“Any faster, and we’ll be the ones needing a rescue.” Etienne gripped the wheel even tighter. He hunched his shoulders and took another angry swipe at the windshield.
Miranda leaned in close to his ear. “Don’t worry. Gage will be fine, too.”
For just a brief instant, Etienne’s defenses seemed to crumble. For just a brief instant, she caught a glimpse of emotions--both panic and hope. And then, just as fast, his jaw set in a determined line, and he cast her a smooth, sidelong glance.
“Is that you, smelling like an old cheeseburger?”
Startled, she couldn’t help laughing. “That is not me--that is something, somewhere, in this disgustingly dirty truck of yours.”
“No, I don’t think so. No, I definitely think it’s--Hey, that’s Aunt Jules’s van over there.”
“Where?” Leaning across Miranda, Parker squinted out Etienne’s window. “Are you sure?”
“As sure as I am that it’s stuck in the mud,” Etienne grumbled. “And as sure as I am that Gage is gonna be grounded for the rest of his life.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Overall the CIA-FBI-NSA report was persuasive: Moscow had indeed sought to tilt the election in Trump’s favor, even if the result—a Trump victory—had caught the Kremlin by surprise. It omitted one big truth. Namely that the operation was so successful because it exploited preexisting fault lines in American society.
”
”
Luke Harding (Collusion: Secret Meetings, Dirty Money, and How Russia Helped Donald Trump Win)
“
Balancing a tall stack of dirty dishes bound for the free sink, Adriana crossed the marble floor, dodging, for no reason in particular, the silver fleur- de- lis patterns marking the occasional tile. She passed in between the island with its fat, sturdy legs and the open shelving lining the subway- tile walls on her left. The higher shelves exhibited Margot’s favorite and most worn cookbooks, the ones that had made the cut to travel from Vermont to Red Mountain. The other shelves displayed large glass containers of a wide variety of flours, rice, and beans.
”
”
Boo Walker (Red Mountain Rising (Red Mountain Chronicles, #2))
“
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe.
After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist.
“Ai-ee,” he whispered. “You learn quick.”
Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.”
In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand?
Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her.
With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial.
“Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered.
The words made no sense. Puzzled, she met his gaze.
“Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.”
He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute.
“Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders.
A low rumble of answering voices replied, “Suvate!
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
I want to show you something,” he said, his voice dropping a little lower than usual and causing a shiver to run down my spine.
“What?” I asked.
“I said show, not tell. You have to come with me.”
Curiosity nagged at me and the champagne urged me into recklessness. He’d promised to be nice after all, so why not? And even though I’d said I wanted to go back to the snooze fest party, I didn’t really. Given the choice, I’d just head back to the Academy.
“You’d better not be about to whip your junk out again,” I warned. “Because I’ve seen way too much of you for my liking.”
“Oh I think you liked it just fine,” he countered and the heat that flooded my cheeks at his tone stopped me from raising any further argument on the subject.
He stepped a little closer to me and I fought against the impulse to lean in.
“Come on then, don’t keep me in suspense,” I demanded though a little voice in the back of my head wondered if I meant something else by that statement.
Darius’s mouth hooked up at one side and he inclined his head to yet another door on the other side of the room.
I followed him as he led the way through the manor to a grand atrium before opening the door onto a dark stairwell which led down to what must have been an underground chamber.
I eyed him warily but at this point I was pretty sure he’d have attacked me already if he was going to. Darius Acrux may have been a lot of things but it seemed he was a man of his word; he’d promised to be nice to me tonight and that was what he was delivering. I’d have to keep an eye on the time though, at midnight his Cinderella spell might come undone and he’d turn back into an asshole shaped pumpkin.
Lights came on automaticaly as we descended and at the foot of the stairs, he opened another door and led me out into into an underground parking lot.
I eyed the row of flashy sports cars in every make and model imaginable but he didn’t pause by them, instead leading me to the far end of the lot.
A smile tugged at my lips as I spotted the lineup of super bikes. They were all top of the range, ultra-sleek, ultra-beautiful speed machines. My fingers tingled with the desire to touch them as the tempting allure of adrenaline called to me.
“You said you could ride,” Darius said, offering me a genuine smile. “So I thought maybe you’d like to see my collection.”
Damn, the way he said ‘my collection’ made me want to punch the entitlement right out of him but I didn’t miss the fire burning in his eyes as he looked at the bikes. That was a passion I knew well. He was a sucker for my kind of temptation too.
“Have you done any modifications on them?” I asked, reaching out to brush my fingers along the saddle of the closest red beauty.
“They’re top of the line,” he said dismissively like I didn’t know what I was looking at. “They don’t need any mods.”
I snorted derisively. So he liked to ride the pretty speed machines but he didn’t know how to work on them. “Figures pretty boy wouldn’t know how to get his hands dirty,” I teased.
“Maybe the kinds of bikes you’re used to riding need work to make them perform better but this kind of quality doesn’t require any extras. Besides, I could just pay someone to do it for me even if they did.”
“Of course you could. That’s not really the point though.” And he was wrong about the kinds of bikes I was used to riding. I spotted four models amongst his collection which I’d ridden within the last six months. The others could easily be mine with a little bit of time and a tool or two. Not that I felt the need to tell him that.
“You wanna take one for a ride?” he offered. “You can test your supposed skill against mine; there’s a circuit to the west of the estate.”
My eyes widened at that offer. I’d missed riding since coming to the Academy and I hadn’t really thought I’d be able to get out again any time soon. ...
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Busing," I told audience after audience,"is an artificial way of solving the segregation problem." Open housing is the real answer, I said. But as long as the problem exists, an artificial solution is better than none. Then I would let them have it. "Where were you," I asked the whites," when for years black children were being bused out of their neighborhoods and carried miles on old rattletrap buses to go down back roads to a dirty school with a tarpaper roof and no toilets? If you believed in neighborhood schools, where were you then? I'm not going to shed any crocodile tears for you now that you've discovered the busing problem." If there was any other candidate in the Florida primary who was taking a similarly strong stand in the face of public agitation over the phony busing issue, I have yet to read about it. Jackson lined up with Wallace; Humphrey took so many stands that no one could pin him down, but the impression he left was that he was against busing; McGovern, Lindsay and Muskie equivocated. It was a sorry performance, and one that George Wallace did not fail to seize on—all the Northern liberals suddenly talking out of both sides of their mouths when they came down South looking for votes. Shirley Chisholm, he was to say repeatedly, was the only other candidate who said the same things in the South that she said in the North.
”
”
Shirley Chisholm (The Good Fight)
“
Lonely Hearts and Empty Roads [Verse]
Footsteps echoin' on this dusty ground
People circlin' like vultures round
Can't shake the whisperin' in the wind
Dark tales they always tryin' to spin
[Verse 2]
Shadows lurkin' behind every friend
Fake smiles ain't gonna make amends
Faces smilin' while they pull the rug
Tired of dodgin' every dirty slug
[Chorus]
Always someone bringin’ you down
Always someone jokin’ as you drown
Need that soul who saw you true
Never made you feel like you’s just a fool
[Verse 3]
Eyes betray the lies they pave
Tired hearts they ain't for sale or save
Wanna find someone who'd hold their tongue
And sing life's song like you ain't done
[Bridge]
Man of wisdom said don’t cast the stone
Hold the line don’t walk alone
In this maze of broken lanes
Seek the one who heals your pains
[Verse 4]
Rusty barbed wire 'round these dreams of mine
Each cut deep but I’ll be fine
'Cause somewhere out there’s a heart so rare
Never made me feel like life's unfair
”
”
James Hilton-Cowboy
“
Although Grandpa hits on the blonde next door, he does it with such charm and perkiness that Brennan gets away with playing what is essentially a dirty old man part. It is worth watching the movie to see him dance with his blonde pickup, clicking his heels, and then sitting her down at a table and showing her his $32,000 bank account—actually just a little notebook, although he claims to have the money (which turns out to be Confederate currency) hidden under his bed. When his date rejects his advances, he says, “The night is young. Why don’t you be like the night?” When she pleads to be taken home and is willing do anything he wants in return, he says, “Then what’s the use of going home?” But of course his role dictates that he resign himself to playing the grouchy guy who drives her home. Brennan’s lines came from one of Hollywood’s greatest screenwriters, Herman Mankiewicz, who wrote Citizen Kane.
”
”
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
“
Well, I'm done with twenty questions, so let's move on.” “Okay. Just one last question, though. What do we do now?” She pretended ignorance. “Now I help make this acquisition as smooth as possible.” He smiled. “I'm thinking more along the lines of the fact that I want nothing more than to take you, bend you over this desk, and fuck you until neither of us can stand.” Oh hell.
”
”
Monica Kaye (Dirty Business)
“
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
Toward the end of March, in St. Louis, slush fills the gutters, and dirty snow lies heaped alongside porch steps, and everything seems to be suffocating in the embrace of a season that lasts too long. Radiators hiss mournfully, no one manages to be patient, the wind draws tears from your eyes, the clouds are filled with sadness. Women with scarves around their heads and their feet encased in fur-lined boots pick their way carefully over patches of melting ice. It seems that winter will last forever, that this is the decision of nature and nothing can be done about it.
”
”
Harold Brodkey (First Love and Other Sorrows: Stories)
“
The building was a sniper’s heaven; it was long with dozens of windows and many points of view. Three floors. Someone had put cardboard in each of the panes, dozens of cardboard boxes, making it almost impossible to see inside. The marines kept firing, thousands and thousands of rounds. The barrels of their machine guns glowed and sagged. “Get me another barrel,” one of the kids said. More firing commenced. “I don’t know who he is, but he is very well trained,” said Lieutenant Steven Berch, another one of the platoon leaders. Omohundro was downstairs. He listened to the commotion and called in an airstrike. “Just blow the building to shit,” he said. First a 2,000 -pound bomb, then a 500 -pounder flew into the building and burst. A cloud unfolded upward and revealed a gigantic fire. It rose through the ruined ceiling. Part of a wall collapsed. Crack! Crack! Crack! The marines ducked, cursed loudly and returned fire. No one spotted the sniper this time. The sniper fired back. The marines responded with another blast of gunfire, many thousands of rounds. I stood with some guys at the back of the roof, behind a shed. A blue and green parakeet fluttered out of the sky and hovered in tight circles. Bullets flew past. The parakeet landed on a slumping power line. The marines stared in amazement. “Someone’s pet?” a marine said. I ran across the top of the roof and the sniper took a shot. Crack! The bullet whizzed by. An artillery barrage began. First came the 155 mm shells, each filled with fifty pounds of high explosives. One after the other the shells sailed into the building. Fire swept through the three floors. What was left of the ceiling collapsed in the smoke. Cardboard sailed out of shattered windows. Twenty shells, then thirty, each one large enough to end the world. The shelling ceased and the shooting stopped. The building burned. Remarkably it still had a frame, and parts of its three floors still stood. Suddenly a sound rustled from a storefront on the first floor. The marines tensed. A cat sauntered out, dirty yellow, tail in the air. It walked like a runway model in front of a construction site. “Can I shoot it, sir?” a marine asked his squad leader. “Absolutely not,” came the reply. Crack!
”
”
Dexter Filkins (The Forever War)
“
During these times of continual economic stress and exclusion, the communities on the front lines of saying no to dirty energy have discovered that they will never build the base they need unless they can simultaneously provide economic alternatives to the projects they are opposing. So after three years of just saying no to the Keystone XL pipeline, a group of farmers in Nebraska came up with just such a strategy: they built a barn, powered by wind and solar, in the pipeline’s path. And they pointed out that the power generated from just that one barn would bring more energy to the region than the oil in the pipeline that was headed for the export terminal in Texas.23 On one level, the Build Our Energy Barn was just PR: the farmers were daring President Obama to tear down a renewable energy installation to make way for dirty oil. But it also showed their neighbors that, if the right policies are in place, there is another way to earn some much needed extra income without putting their land at risk.
”
”
Naomi Klein (This Changes Everything: Capitalism vs. the Climate)
“
day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
”
”
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
“
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
”
”
Don Carpenter (Blade of Light)
“
They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
”
”
Don Carpenter (Blade of Light)
“
The quick and dirty way is to write down a one-line description, in the simplest terms possible, of what I’m creating, along with a few guidelines I want to stick to.
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”
Giles Colborne (Simple and Usable Web, Mobile, and Interaction Design (Voices That Matter))
“
Engine loves his branch line. One day, when he stopped at a small station, some children looked sad. “They’ve closed our playground and our favorite sand pit.” “Teacher says the sand is soiled and too dirty to play in.
”
”
W. Awdry (Thomas and the Rumors (Thomas & Friends))
“
We serve a hard, edgy crowd. Nearly all the women are black. Few make much effort with appearances any more. Most arrive with hair mashed and twisted, in unwashed sweatshirts and dirty jeans. There is grime under their cracked, badly painted nails. A handful have white teeth, but most passed long ago from yellow to brown. Several have problems with drugs. A few are quite obviously HIV-positive. The women drag themselves through the line like forgotten spirits shuffling off toward the River Styx. They are neither enthusiastic nor reluctant, neither fatalistic nor indignant. They are, for the most part, utterly without affect. They do not grin, cry, laugh, complain. They are merely present. In college, we would-be revolutionaries pretended that the oppressed would one day rise as a mighty army to smite the capitalists, overthrow the system, and establish a truly just society. Well, here are a couple of dozen of the most oppressed people in America, all lined up for their food, and the greatest passion they are able to summon is for brief but heated argument over who got the larger portion. Half may be dead in two years. If not for the hopeful, innocent beauty of their children, who still return a smile for a smile, I probably could not bear to come at all.
”
”
Stephen L. Carter (The Emperor of Ocean Park (Elm Harbor, #1))
“
Every so often she’d see a reporter complaining on Twitter about how far the quality of journalism had tumbled, thanks to the internet, and that journalists with real skills and experience who knew how to write original stories were getting shoved aside in favor of young people who leeched off the hard work of these allegedly hardworking journalists, and it was all because their greedy overlords were obsessed with clicks and traffic—again, at the expense of “real” journalists. Aggregation had become a dirty word, and the people who suffered were the readers, who were now faced with piles of online news dreck, according to this line of thinking, and every story was the same, and no one checked sources, and eventually everyone was just going to die under a pile of clickbait, which was the dirtiest word of all.
”
”
Doree Shafrir (Startup)
“
Just what is going on here?”
Darin would have had a hard time imagining the plump, friendly woman he knew so well wearing such a frown. He tried to make himself smaller as he looked at the distance between himself and the safety of the underside of Kerren’s bed.
He wilted visibly as Kerren threw a guilty look in his direction. The light that suddenly flooded his back might have been magical given the effect that it had.
“What’s this?”
He got slowly to his feet as Helna approached him, swinging the lamp gently to and fro.
“Or should I have known?”
“Hi, Helna.” Darin kept his voice as meek and friendly as possible.
“I should have known.” She shook her head, the frown fading just a touch around the comers of her mouth. Darin knew he wasn’t safe yet. “Do you have any idea what time it is, young man?”
“No, why?”
“Yes, you do, Darin. You don’t normally wear a nightdress early in the evening. And what’s that you’ve got on your feet? Slippers?”
Why are you asking if you already know the answer? Darin thought. He was wise enough not to say it out loud, for though it was a perfectly reasonable question, it always had the worst possible effect on adults.
“And don’t think,” Helna said to her son as he sidled toward the wall, “that I’ve finished with you yet, either. Darin’s a troublemaker, all right, but he’s his mother’s problem. I wish I could say the same of you.”
“Helna?”
Oh, great. Darin thought. Just what we need. Another one of them.
It was just one of those evenings. Jerrald rambled into view, wearing a night robe that his broad shoulders strained against. He was carpenter and blacksmith to the small enclave, but given his size, Darin was always certain that he’d have made a better warrior.
“What’s this?”
Helna turned to face her husband with a sigh. “More of the same.”
He raised an eyebrow, which was difficult considering he only really had one dark line of hair across the upper ridge of his eyes. “Kerren, have you been troubling your poor mother?”
Kerren gazed awkwardly down at the ground. After a moment he murmured a word of assent and hung his head.
Helna looked at him. “Aye, that he has.” Her lips gentled again, this time into a smile. “But not near as much as young Darin here’s troubling his.”
“Darin?” Jerrald’s broad grin was much less reluctant than his wife’s. “That’d explain a whole lot. What’re you doing here at this time of night, boy?”
“Pretending to be Renar,” Kerren said, with just a hint of spite in his voice.
Darin shot him a dirty look. “Was not. And anyway, I’m better at it than you.”
“Yeah? Well, I didn’t notice you escaping when the bells rang!”
“Well, if you had to learn anything, maybe you would’ve!”
“Boys!
”
”
Michelle Sagara West (Children of the Blood (The Sundered, #2))
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It makes me want to walk into Patricia’s trailer and take one of the knives from the kitchen block and slit Roger’s throat when he snorts a line of cocaine off of the dirty glass of the coffee table.
”
”
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
“
A huge smile is on Jackson’s face as he holds up a sign that says, “Make it so, Tasha Scar.” Then he spins around to show me my derby name and number written on his back. Seriously? Emma shoves me and whispers in my ear. “This might be the best night of my life.”
Unfortunately, they’re so loud and they take up so much space they’re hard to ignore. Especially the blond one with the smile as bright as the sun and the body made for dirty, dirty things.
”
”
Nikki Jewell (The Red Line (Lakeview Lightning #2))
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No one who does not live in New York can understand how completely it colors and lays its hold upon that city,” famed journalist Richard Harding Davis wrote in 1893 of the Thanksgiving Day game. “[I]t, in short, became ‘the thing to do,’ and the significance of that day which once centred in New England around a grateful family offering thanks for blessing received and a fruitful harvest now centres in Harlem about twenty-two very dirty and very earnest young men who are trying to force a leather ball over a whitewashed line.
”
”
Dave Revsine (The Opening Kickoff: The Tumultuous Birth of a Football Nation)
“
What is a terrorists’ favorite tea? TNT.
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”
Zach Tea (The Best Jokes For Adults: You Won't Stop Laughing With Dark Humor, Dirty Jokes, Knock-Knock Jokes, Sex Jokes, Pick-Up Lines, One-LIners, Puns and Riddles)
“
What is an emo person’s favorite kind of coffee? Depresso.
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Zach Tea (The Best Jokes For Adults: You Won't Stop Laughing With Dark Humor, Dirty Jokes, Knock-Knock Jokes, Sex Jokes, Pick-Up Lines, One-LIners, Puns and Riddles)
“
The more you play Rubik’s Cube the more it gets harder. Do you know what else does the same?
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”
Zach Tea (The Best Jokes For Adults: You Won't Stop Laughing With Dark Humor, Dirty Jokes, Knock-Knock Jokes, Sex Jokes, Pick-Up Lines, One-LIners, Puns and Riddles)
“
What did the teacher say that made the Jewish kid upset when he answered the question correctly? You get a
”
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Zach Tea (The Best Jokes For Adults: You Won't Stop Laughing With Dark Humor, Dirty Jokes, Knock-Knock Jokes, Sex Jokes, Pick-Up Lines, One-LIners, Puns and Riddles)
“
My mouth was dry. Hands clammy at the thought of crossing some invisible line that hadn’t been in place until yesterday. Why was one rainy afternoon in a car such a game changer?
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”
Jade West (Teach Me Dirty)
“
A man driving a wagonload of children in a cage doesn’t have to state his business. A farmer whose flesh lies sunken around his bones, and whose eyes are the colour of hunger, doesn’t have to explain himself if he walks up to such a man. Hunger lies beneath all of our ugliest transactions. Sometimes a farmer would make that long, slow crossing of his field, from right to wrong, and stand, lean in his overalls, chewing on a corn stalk, eyes a-glitter in the shadows of his face. On such occasions it wouldn’t take more than a few minutes before a string of dirty children were lined up beside him, graduated in height from those narrowing their eyes against the suspicion of what they’d been summoned for, down to those still clutching in one hand the stick they’d been playing with and in the other the rags about their middle, their eyes wide and without guile.
”
”
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
“
I don't belong here,' I said to myself. Before I even opened my eyes.
It was my morning ritual. To ward off the smell and the dirt and the fights and the noise of the day. To keep me in that bright green place in my mind which had no proper name; I called it 'Wide'.
'I don't belong here,' I said again. A dirty-faced fifteen-year-old girl frowsy-eyed from sleep, blinking at the hard grey light filtering through the grimy window. I looked up to the arched ceiling of the caravan, the damp sacking near my face as I lay on the top bunk; and then I glanced quickly to my left to the bunk to see if Dandy was awake.
Dandy: my black-eyed, black-haired, equally dirty-faced sister. Dandy, the lazy one, the liar, the thief.
”
”
Philippa Gregory (Meridon (The Wideacre Trilogy, #3))
“
During my time in Iraq and Afghanistan, I watched the great generals (and the colonels, majors, captains, lieutenants, and senior enlisted personnel) and how they interacted with their troops. The good ones spent time at the front lines, dodging bullets in Fallujah, riding in a Humvee on Route Irish, flying in a helo over the Hindu Kush, or just talking to the soldiers who manned the watchtowers. This engagement was not only important to understanding the troops, and thereby making better decisions; it was also vitally important for the troops to see their leaders getting sweaty and dirty right beside them.
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William H. McRaven (The Wisdom of the Bullfrog: Leadership Made Simple (But Not Easy))
“
Isnuck through the front door. Shooing Coop before me, I beelined for the stairs and the safety of my bedroom. I hoped to avoid notice for a few minutes—my clothes were dirty and smoke-tinged, my hair a tangled mess. But it was not to be. Whitney swung from the kitchen before I could blink. “Tory!” Smiling brightly, she smoothed her apron with manicured fingers. “I was just about to wonder what you’d gotten up to!” Whitney winked to assure me she was joking, but the cloying attempt at humor annoyed me anyway. It made me want to actually tell her. I was out on Loggerhead, fighting with another group of genetic freaks, when a black-ops military attack squad tried to capture me. Oh, and Ben and I made out on his boat. You? I smothered the suicidal notion. Mad impulses had stirred the pot enough for one night. “Studying.” The one line they always seemed to buy. “Practice test in a few days.
”
”
Kathy Reichs (Terminal: A Virals Novel)
“
It’s a guy maybe an inch or two shorter than my six one frame with dirty-blond hair, warm hazel eyes, and a cute smile. He looks too thin to be a hockey player.
”
”
Eden Finley (Line Mates & Study Dates (CU Hockey, #4))
“
She pointed to a sundress with bright yellow lemons on it. "That's cute. I love lemons." Ay, Dios mio! Carolina cringed. She sounded like a fool. It was like Baby's "I carried a watermelon" line in Dirty Dancing. Why was she so awkward?
"You'd look stunning in that." Enrique signaled to a woman who worked there.
A saleswoman walked over to them from the back of the shop. She quickly and professionally assessed Carolina's body and then picked one of the bright dresses off the rack. "This should fit you. Shall I put it in a room for you, miss?"
"Sure." Carolina followed her right to the dressing room. The dark hair on her arms stood at full attention and her heart raced. Nerves and anticipation swirled through her--- this whole day seemed like a fantasy, but it was tough for her to just live in the moment.
She undressed and slipped the dress over her head. The soft fabric caressed her body, accentuating her curves. She stared at her figure in the mirror. She looked... sexy. Carolina had never seen herself as sensual, but in this dress, in the soft, warm glow of the dressing room lights, she was a knockout.
The saleswoman had also placed some bright red pumps in the room. Carolina loved high heels and never had a problem walking in them, because she had spent so many years dancing with the Ballet Folklórico. Carolina's eyes practically bugged out of her head when she saw their bottoms, and she stroked the red soles--- they were Louboutins, an identifying detail she knew about from Blanca's endless fashion magazines. Blanca dreamed of owning a pair one day. She would be so jealous. Luckily, they were the same size, so Carolina would let Blanca borrow them.
There was only one problem with Carolina's outfit--- her underwear didn't work with the dress. Her broad, wide bra elastics showed under the thin spaghetti straps, and her panties were too dark.
She leaned out of the curtain. "Ma'am."
The saleslady walked back over to her. "Can I get you something else?"
"Yes. A bra and some panties." Carolina told the lady her sizes, and the lady went around the corner, returning later with an adorable matching yellow lace bra and thong.
A thong.
Her face crinkled. "Do you have anything with, uh, fuller coverage?"
"Of course, dear. But not in the yellow. Do you want to match the bra?"
Carolina did want to match the bra. It was such a cute set. She exhaled, stepping out of her comfort zone and into the lingerie.
She again looked at herself in the mirror. She practically couldn't recognize herself--- a gorgeous young woman on a romantic day trip with a man whom she really liked.
”
”
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
“
One day, all of us come to a fork in the road of life. Which direction we choose will change everything. Then there’s another fork in the road, and another after that one until eventually, we realize our life decisions are about far more than just left or right. There comes a time in every life that we must look back down the line of choices we made for better or worse, and all of the consequences that followed. That’s when we see how our choices affected other people in our lives. Being a leader is about so much more than taking the easy path or the course that took you where you wanted to go as an individual. Even when you want to go left and take the path of least resistance, a true leader will go right if that’s the best choice for his people. In the end, the good of the many will always outweigh the good of the few. Do the hard work. Get dirty. Don’t ask your men to do anything you haven’t already done. Stand tall when you want to quit. And never forget that they’re all watching you for direction, reassurance, and strength. Be that strength, Kayden. Be that leader.
”
”
Cat Miller (Unmerciful (A Forbidden Bond))
“
Three men were standing in line to get into heaven one day. Apparently it had been a pretty busy day, though, so Peter had to tell the first one, "Heaven’s getting pretty close to full today, and I’ve been asked to admit only people who have had particularly horrible deaths. So what’s your story?" So the first man replies: "Well, for a while I’ve suspected my wife has been cheating on me, so today I came home early to try to catch her red-handed. As I came into my 25th floor apartment, I could tell something was wrong, but all my searching around didn’t reveal where this other guy could have been hiding. Finally, I went out to the balcony, and sure enough, there was this man hanging off the railing, 25 floors above ground! By now I was really mad, so I started beating on him and kicking him, but wouldn’t you know it, he wouldn’t fall off. So finally I went back into my apartment and got a hammer and starting hammering on his fingers. Of course, he couldn’t stand that for long, so he let go and fell, but even after 25 stories, he fell into the bushes, stunned but okay. I couldn’t stand it anymore, so I ran into the kitchen, grabbed the fridge and threw it over the edge where it landed on him, killing him instantly. But all the stress and anger got to me, and I had a heart attack and died there on the balcony." "That sounds like a pretty bad day to me," said Peter, and let the man in. The second man comes up and Peter explains to him about heaven being full, and again asks for his story. "It’s been a very strange day. You see, I live on the 26th floor of my apartment building, and every morning I do my exercises out on my balcony. Well, this morning I must have slipped or something, because I fell over the edge. But I got lucky, and caught the railing of the balcony on the floor below me. I knew I couldn’t hang on for very long, when suddenly this man burst out onto the balcony. I thought for sure I was saved, when he started beating on me and kicking me. I held on the best I could until he ran into the apartment and grabbed a hammer and started pounding on my hands. Finally I just let go, but again I got lucky and fell into the bushes below, stunned but all right. Just when I was thinking I was going to be okay, this refrigerator comes falling out of the sky and crushes me instantly, and now I’m here." Once again, Peter had to concede that that sounded like a pretty horrible death. The third man came to the front of the line, and again Peter explained that heaven was full and asked for his story. "Picture this," says the third man, "I’m hiding inside a refrigerator..." A
”
”
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
“
I prayed devoutly that we could have some sort of System of government over here on Italian lines which would preserve the theory of democracy without any of its workings. Heaven knows, I am, and always have been, a friend of the People, and a democrat of democrats, but that has never prevented me from detesting and execrating the People at the same time with all my heart.
The People to me have always been a great problem. It contains lots, I am sure, of very nice individuals. I have, in fact, met several charming proletarians in my various contacts at Grantly and during my elections. No one could be nicer for a few minutes. But when they are ail lumped together in a mass, how-ever charming they may have been as individuals, they become abominable.
Thus the ordinary British workman is a capital fellow if you get him by himself. A mug of beer will enchant him. And if you get ten British workmen and give them ten mugs of beer, you will enchant them. But if you get a hundred thousand British workmen and start offering them a hundred thousand mugs of beer, you find you are up against a Trades Union, and they all leap to their rickety feet and bawl that you are a dirty capitalist. That is why we Tories, fundamentally, dislike the Trades Unions. Our appeal to the working man is not the appeal of the rascally demagogue on the soap-box or the blasphemous howl of the sergeant to his platoon, but rather the quiet, persuasive, condescending charm of the gentleman to his valet.
”
”
A.G. Macdonell (The Autobiography of a Cad)
“
My fingers trace the IV line to his inner arm where the paramedics had placed a cannula. I freeze. I can’t breathe. I can’t move. I just… can’t.
It’s him. I don’t have to look at his face, or his chart to know what’s screaming in my heart and churning my stomach. That one scar on his hand in the shape of a “D” tells me who he is.
I barely recognise the call of my name, the concern from the lips of my team as I stand there, willing my eyes not to look up and see the face of the one person I ruined. But they betray me, and I see the harder features of a boy I once loved. My best friend, my protector, my secret, is lying on the bed, half naked with a piece of steel protruding his shoulder, maybe penetrated right through his subscapular. There have been so many changes over his body since I was fifteen. A lifetime of sorrow, lies, and pain; all because of me. Nate lost everything because I’m a coward, a dirty-fucking-damaged-coward.
”
”
Aria Cage (Roar)
“
As a physics major, before getting her hands dirty in New York, she had assumed that money is printed by a nation’s central bank, from where it is distributed to commercial banks. But while this is indeed how cash is created, cash accounts for only 3 per cent of all money. What of the remaining 97 per cent? Surprise and then foreboding were the reactions of every student to whom she had explained how the missing 97 per cent was created – and by whom: not by central banks but by commercial and investment bankers. At this point, her students would ask, ‘Without access to state-sanctioned printing presses, how do private bankers create money?’ ‘Simple,’ she would reply. ‘Every time a banker approves a loan of, say, one million dollars for Jack, a typical business customer, the banker just types 1,000,000 on Jack’s bank statement. However incredible it may seem, that’s all it takes. Bankers create money by granting loans by typing in some numbers!’ The crucial thing, she would explain, is that these numbers are typed into a shared database – or ledger – to which only the bankers have access. When their customers transfer this ‘money’ between them – when Jack transfers numbers from his account to the account of a supplier, say Jill, or of a builder, say Bob, or of a worker, say Kate, and when in turn, Jill, Bob and Kate transfer their numbers on, in the same way, to others to whom they owe money – these numbers simply migrate from one cell in the database to another. For this system to be sustainable, and not merely a pyramid scheme, there is a single condition: that, somewhere down the line, the one million dollars which some banker typed into existence on Jack’s behalf results in new goods and services whose total market value exceeds one million dollars. It is from this surplus that the banker takes his interest and Jack his profit. This is what Iris was referring to as a fool’s wager when she said that bankers plundered value from the future, or when Costa had once claimed that capitalism, like science fiction, trades in future assets using fictitious currency. It is in their nature that the wealthier bankers become by creating money, the more money they tend to create. The danger of such a system, of course, is that the banks end up typing into existence sums of money vastly larger than the market value of the goods and services created as a result of Jack, Jill, Bob and Kate’s endeavours. At the point when the bankers have collectively created money sums greater than the resulting values, the present can no longer repay the future for the money it borrowed from it. The moment Jack, Jill, Bob and Kate get a whiff of this, they may demand their bank balances in cash, sensing that the total value on the bankers’ database is lower than the actual value of their customers’ assets. ‘At that point, a bank run sets in,’ Eva would tell her students, ‘and that’s when the system comes crashing down.
”
”
Yanis Varoufakis (Another Now: Dispatches from an Alternative Present)
“
Meanwhile I was trying to stave off the ache I'd developed. I noticed it first at the airport, coming home from a trip. There was a crowd on the other side of customs, holding flowers, the little kids dressed up and excited, waiting for their loved ones, who were returning home. I hated walking past that gauntlet of waiting people, because none of them were waiting for me. I stood in the cab line and felt the weight of my aloneness come down on me.
”
”
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
“
I keep this my dirty little secret for years, he was my true first, yet it was not the most romantic yet it was something, now looking back now how is the loser, it did it long before, yet it was with him so it was not cool, I never- ever said this to anyone, that he took me. Yet play around like that with a boy that was me, he wanted to know so I said okay. It was the first time seeing all that- you know, at least mine was real, and not like time two at a party.
This thing is so high- I get sick of feeling so short at like four-foot, on top that I can see the world by looking down, and they are looking up at me, my mom and grandmother were all the same size also, if not shorter, or so they say.
The car is old and dusty and looks like no one has been in it for years on the outside, it is just blacked and crusty, the only car other than the coal car behind the locomotive, and it too is rusted reddish orange. They used to have tripped over this thing and park it on the bridge, and you spent the night up in the stars, and so that is what we did on a big full moon night. In the big bed looking out the one side of all those old windows.
The car and train sit here for there was a fire or something on that line, and this becomes the new home of the serving remanences about half a mile in, the train was going over and was near the end on the one said when the wind took it all down, and all the cars but one fall all the many feet to the ground below, yet it never steamed over again. There sits the old Pullman car. It's red and has black, with yellow writing on it, up till now I am not sure what it says. It was a custom car made just for spending the night on top of the linked- mountains. The train is all the same color for what I can make out, dating around the 1800s or so, that what my dad said anyway we and he were up here, oh so long ago. We both walked up to her and me on the left, tacking him on the right hand-woven tight.
The grass tall the track worn, and feet sore, from the journey there. Over smaller yet high crossings that have known side rails. Inside you can see it is in touch, and all dark wood, I light one of the old lanterns, I thought down a towel, and we had juice pouches and P-P and J.
Romantic- No! It’s all good, he tried. It wasn’t about that anyway.
The bed is off to the back and looks like a five-star hotel room to us, there is a living room spot, where ass naked in the big old sofas… or next to it, we were playing house, and loving it. We were young but we feel- we were on the bed all night long. Looking out over… see the tree sway below. it was cold in the car, yet he keeps me warm, I was fogging up the windows, with my breath Moan it out in a sweet- yet sensual way, I was pressed upon it looking out as I was on top, he was looking up at me, yet I was looking out and at his eyes, at definite times.
I even kissed the glass to leave something behind, I wonder if it’s still there, and my name is covered in the old wood, next to his.
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Marcel Ray Duriez (Nevaeh They Call Out)
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Knowing oneself has tremendous importance for all of the major decisions one might make. Making life choices that are in line with who one is – who one was created to be – leads to a more fulfilling life. I know that 'self-fulfillment' has become a dirty word for those who rightly understand that life is not 'all about me,' but about a greater purpose. This is true. At the same time, each of us is created as a unique individual with unique gifts, talents, and callings that were designed for a purpose. Self-fulfillment doesn't necessarily mean selfish fulfillment. It can mean fulfillment of all that one was created to be. The satisfaction one feels at having achieved one's rightful desires is no more selfish or wrong a thing than the satisfaction of the apple tree in bringing forth the fruit it was designed to bear.
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Karen Swallow Prior (Booked: Literature in the Soul of Me)
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”
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Tapes Manufacturing
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been long, greasy, and pulled back into a low ponytail. The words Mary had used were ‘cute asymmetrical bob’, and Jamie thought that probably meant she’d cut it for her. Damn, she really did care. No one that looked even remotely like Grace showed up, though. And after all the soup was finished, the crowd began to dissipate. ‘I don’t know what to say,’ Mary said. ‘She’s usually here for lunch.’ Roper smacked his lips. ‘Who knows. Word gets around sometimes. Maybe she heard about the vic—’ He cut himself off. ‘About Oliver.’ Mary nodded, like she concurred. ‘Mrs Cartwright,’ Jamie said, ‘do you know where Grace sleeps? Does she have a usual spot, or do you know if anyone might know how we can get hold of her?’ Mary thought for a second. ‘There’s a bridge that runs across an old overground line — not far from here. I know that a lot of our patrons make themselves a space there. I don’t know if that’s where she sleeps, but…’ She looked around, and seeing a guy in his late twenties with a tattered beanie hat pulled down to his eyebrows sitting on one of the chairs, polishing off a bowl of soup, lifted her hand and called out to him. ‘Reggie?’ He looked up, the fur lining the hood of his jacket all clumped together and dirty. ‘Hmm?’ he said, looking scared all of a sudden. Jamie smiled at him, but the fear of getting questioned by two police detectives couldn’t be dispelled that easily. Mary beckoned him over and he approached cautiously. ‘Reggie — you’ve got a space down on the old overground line, right? Under the bridge?’ He looked at Roper and Jamie, as though admitting it was going to get him in trouble.
”
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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once the fear and surprise of the first few instants had vanished, all that was left was the fear of death and boredom, and to stave off boredom he began to masturbate, first timidly, as if he were seducing a peasant girl or a little shepherdess, then with increasing determination, until he managed to bring himself off to his full satisfaction, and he went on like that for fifteen days, in his little cave of corpses and snow, rationing his food and indulging his urges, which didn’t make him weaker but rather seemed to retronourish him, as if he had drunk his own semen or as if after going mad he had found a forgotten way back to a new sanity, until the German troops counterattacked and discovered him, and here was a curious bit of information, thought Archimboldi, one of the soldiers who freed him from the pile of reeking corpses and the heaps of snow said the man smelled strange somehow, in other words not dirty or like shit or urine, nor like rot or worm meat, in fact, the survivor smelled good, the smell was strong, perhaps, but good, like cheap perfume, Hungarian perfume or Gypsy perfume, maybe with a faint hint of yogurt, maybe a faint scent of roots, but the predominant smell wasn’t of yogurt or roots but of something else, something that surprised all of those present, all the men shoveling out the corpses to send them behind the lines or give them a Christian burial, a smell that parted the waters, as Moses parted the waters of the Red Sea, to let the soldier pass, though he could scarcely stand, and where was he going? who could say, surely away from the fighting, surely to a madhouse back home.
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Roberto Bolaño (2666)
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A bus full of Nuns falls of a cliff and they all die. They arrive at the gates of heaven and meet St. Peter. St. Peter says to them "Sisters, welcome to Heaven. In a moment I will let you all though the pearly gates, but before I may do that, I must ask each of you a single question. Please form a single-file line." And they do so. St. Peter turns to the first Nun in the line and asks her "Sister, have you ever touched a penis?" The Sister Responds "Well... there was this one time... that I kinda sorta... touched one with the tip of my pinky finger..." St. Peter says "Alright Sister, now dip the tip of your pinky finger in the Holy Water, and you may be admitted." and she did so. St. Peter now turns to the second nun and says "Sister, have you ever touched a penis?" "Well.... There was this one time... that I held one for a moment..." "Alright Sister, now just wash your hands in the Holy Water, and you may be admitted" and she does so. Now at this, there is a noise, a jostling in the line. It seems that one nun is trying to cut in front of another! St. Peter sees this and asks the Nun "Sister Susan, what is this? There is no rush!" Sister Susan responds "Well if I'm going to have to gargle this stuff, I'd rather do it before Sister Mary sticks her ass in it!
”
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Adam Smith (Funny Dirty Jokes: 2016 LOL Edition (Sexual and Adult's Jokes) (Comedy Central))