Waves Crashing On Rocks Quotes

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To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it.
Marcus Aurelius (Meditations)
After lunch, they went for a walk around the island. The sun was out, but the wind was brisk, bringing a chill into their hands and faces. They arrived at the viewing point on the northwest corner of the island. The waves from the Atlantic crashed relentlessly against the rocks. They took a seat together on a large, smooth stone and gazed out at the sea and the barrier islands. Orla sat between Aideen and Dani. They all held hands. For a while, no words were spoken, but then Orla broke the silence. “What do ya’ think will happen to us in 2253?” she asked.
Steven Decker (Time Chain)
How can we be sure of anything the tide changes. The wind that made the grain wave gently yesterday blows down the tress tomorrow. And the sea sends sailors crashing on the rocks, as easily as it guides them safely home. I love the sea but it doesn't make me less afraid of it I love you but I'm not always sure of what you are and how you feel.
Rod McKuen (Listen to the Warm)
And at the word alone, Will felt a great wave of rage and despair moving outwards from a place deep within him, as if his mind were an ocean that some profound convulsion had disturbed. All his life he'd been alone, and now he must be alone again, and this infinitely precious blessing that had come to him must be taken away almost at once.He felt the wave build higher and steeper to darken the sky, he felt the crest tremble and begin to spill, he felt the great mass crashing down with the whole weight of the ocean behind it against the iron-bound coast of what had to be. And he felt himself crying aloud with more anger and pain than he had ever felt in his life, and he found Lyra just as helpless in his arms. But as the wave expended its force and the waters withdrew, the bleak rocks remained; there was no arguing with fate; neither his despair nor Lyra's had moved them a single inch.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
The ocean pulsed outside our window. The sound of the waves crashing on the rocks below usually calmed me down, but the fear and chaos that were tangled in my mind made that an impossibility.
Chelsie Shakespeare
I hoped he'd take his dog and drive down to the ocean. I hoped there was still time. I pictured him sitting on the gray rocks with the waves crashing and spraying white foam. Maybe he'd hear something in the roar of the ocean, feel some limitless power, believe that there's something greater. Something more. Maybe his heaven was at the coast, with a dog's head in his lap, with nothing but water and depth from there to the horizon." -Delaney
Megan Miranda (Fracture (Fracture, #1))
We were the centre of that liquid universe, for we were the night sun and we said to ships, do not come too close, we have rocks at our feet. And the crash of waves sent white spray flying, and I am scared and exhilarated and a little bit in love too.
Sarah Winman (A Year of Marvellous Ways)
Alex: OK, that sounds like a challenge! Well firstly, I would have brought you to a hotel along the coast so that your suite would have the best sea view in the hotel. You could fall asleep listening to the waves crashing against the rocks, I would sprinkle the bed with red rose petals and have candles lit all around the room, I would have your favorite CD playing quietly in the background. But I wouldn’t propose to you there. I would bring you to where there was a huge crowd of people so they could all gasp when I got down on one knee and proposed. Or something like that. Note I have italicized all important buzz words. Rosie: Oh. Alex: Oh? That’s all you can say? One word for the most important night of our lives?
Cecelia Ahern (Love, Rosie)
My grandmother's life had been one long opera. There had been drama, heroes, villains, improbable twists, all that. But most of all there had been love, great big waves of it, crashing ceaselessly against the rocks of life, bearing us all back to grace.
Alex George (A Good American)
I knew that meant we were done and that we'd smooth over the surface I'd just tossed a rock into, but even the waves that crash down on the beach start out as tiny ripples, far out at sea. They just gain strength over time.
Jessi Kirby (Moonglass)
Everybody dies. Life is not a substance, like water or rock; it’s a process, like fire or a wave crashing on the shore. It’s a process that begins, lasts for a while, and ultimately ends. Long or short, our moments are brief against the expanse of eternity.
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
There it was, the fire she had sensed behind the ice, smoldering at a thousand degrees hotter than leaping flames. Oh, they had it wrong, the people who called him cool and aloof. He was a man who did not do things by halves, and he knew. So he leashed himself. Untether him, and he would burn as hotly as he was cold, and the dark force of her own passion would crash against his like a wave against a rock rather than pull him under. He is my match.
Evie Dunmore (Bringing Down the Duke (A League of Extraordinary Women, #1))
There is a mirror across from me, and I check my reflection in it before heading home. Despite the bone-deep fatigue and the growing fear and frustration, I look…fine. Da always said he’d teach me to play cards. Said I’d take the bank, the way things never reach my eyes. There should be something—a tell, a crease between my eyes, or a tightness in my jaw. I’m too good at this. Behind my reflection I see the painting of the sea, slanting as if the waves crashing on the rocks have hit with enough force to tip the picture. I turn and straighten it. The frame makes a faint rattling sound when I do. Everything in this place seems to be falling apart.
V.E. Schwab (The Archived (The Archived, #1))
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
Like a wave that has been building it's strength over a thousand miles of ocean, and which makes little stir in the deep water, but which, when it reaches the shallows rears itself high up into the sky, terrifying the shore dwellers, before crashing down on land with irresistible power - so Iorek Byrnison rose up against Iofur, exploding upward from his firm footing on the dry rock and slashing with a ferocious left hand at the exposed jaw of Iofur Raknison.
Philip Pullman
At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.
Paul Bowles (Up Above the World)
To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it. 49a. —It’s unfortunate that this has happened. No. It’s fortunate that this has happened and I’ve remained unharmed by it—not shattered by the present or frightened of the future. It could have happened to anyone. But not everyone could have remained unharmed by it. Why treat the one as a misfortune rather than the other as fortunate? Can you really call something a misfortune that doesn’t violate human nature? Or do you think something that’s not against nature’s will can violate it? But you know what its will is. Does what’s happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforwardness, and all the other qualities that allow a person’s nature to fulfill itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
Marcus Aurelius (Meditations)
We move out over the ocean, and …I am looking straight down at the waves underneath me. The mid-morning sun is low and each crest flashes silver, silver, until it crashed into the rocky beach….and turns to foam. The rocks are broken into sand, and each grain …eventually…is broken down further. And as each grief crashes into us, we are broken too. We are rendered down and broken apart. Maybe some scientist could determine our ages by the size and number of pieces into which we’ve been broken? Maybe she could look at our pieces and measure the weight in impact of every grief and joy and agony. Maybe.
Shawn Klomparens (Jessica Z.)
Picture a guy; he’s been surfing all day, the sun’s going down, and he grabs his guitar which he then carries to his favourite place where the waves crash against the rocks. And he just sits there, watching the sunset and composing songs with his guitar. Now, how ‘off tha rip’ is a surfer / musician like this?
Karl Wiggins (Wrong Planet - Searching for your Tribe)
49. To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it. 49a.
Marcus Aurelius (Meditations)
49. To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it.
Marcus Aurelius (Meditations)
As we ate, I watched the waves crashing and thought about the erosion, the turning of rock into sand, and how long it takes to see any difference in the coastline even though it's constantly being worked on. (167)
Wendy Blackburn (Beachglass)
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
Henry David Thoreau (The Journal, 1837-1861)
Life is not a substance, like water or rock; it’s a process, like fire or a wave crashing on the shore. It’s a process that begins, lasts for a while, and ultimately ends. Long or short, our moments are brief against the expanse of eternity.
Sean Carroll (The Big Picture: On the Origins of Life, Meaning, and the Universe Itself)
As I scaled some rocks, I didn’t move out of the way in time as a wave crashed to shore and I got soaked up to my shins in icy water. I could forget about a Russian vor; I was going to look like Tom Hanks in goddamn Cast Away by the time I arrived.
Marisha Pessl (Night Film)
She tried to recall the cold, the silence, and that precious feeling of owning the world, of being twenty years old and having her whole life ahead of her, of making love slowly and calmly, drunk with the scent of the forest and their love, without a past, without suspecting the future, with just the incredible richness of that present moment in which they stared at each other, smelled each other, kissed each other, and explored each other's bodies, wrapped in the whisper of the wind among the trees and the sound of the nearby waves breaking against the rocks at the foot of the cliff, exploding in a crash of pungent surf, and the two of them embracing underneath a single poncho like Siamese twins, laughing and swearing this night would last forever, that they were the only ones in the whole world who had discovered love.
Isabel Allende (The House of the Spirits)
And Tenar listened to the sea, a few yards below the cave mouth, crashing and sucking and booming on the rocks, and the thunder of it down the beach eastward for miles. Over and over and over it made the same sounds, yet never quite the same. It never rested. On all the shores of all the lands in all the world, it heaved itself in these unresting waves, and never ceased, and never was still. The desert, the mountains: they stood still. They did not cry out forever in a great, dull voice. The sea spoke forever, but its language was foreign to her. She did not understand.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
A little wave is moving up and down and a big wave says to him why it looked so sad? The little wave says sadly what's the point of being happy when we're all just going to crash into the rock? The big wave then tells the little wave to not be so sad about that because it is not just a little wave, but a part of the ocean.
Mitch Albom (Tuesdays with Morrie)
He had his eyes closed and rocked himself so much that everyone thought he would soon crash to the ground. And then it happened. He crashed to the ground. Surprised, he lay on the ground on his side, not sure what had happened, looking around. Next he jumped up and listened to Matica’s singing again, starting to rock himself once more. His eyes closed slowly, his beak opened. And then he crashed to the ground a second time. This time he kept lying down, spreading his free wing up into the air and waving it to the tune of the melody. Strange sounds came out of his beak. It was a grunt but more than a grunt, as if he was really enjoying himself, as if he would follow Matica’s words and would sing or hum as well.
Gigi Sedlmayer (Connected (Talon #4))
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
With one strong thrust he was inside her. She moaned, overwhelmed by the delicious fullness of him, the strength and power surrounding her. Sam's shoulders tightened beneath her hands. "You feel so damn good." Too good. When had it ever been like this? A connection that went beyond physical to something she could feel in her soul. She rocked her hips, drawing him deeper, holding him closer. As they lost themselves in a frantic rhythm, there was no office, no list of suitors, no game. Instead, there was Sam, raw and real, the need building up inside her, and the ache of longing in her pounding heart. Sam slipped his hand between them, finding the spot that would drive her over, and taking her to the edge with a firm stroke of his fingers. Her head slammed against the door and she cried out as pleasure crashed over her in thunderous wave, his name a guttural moan on her lips.
Sara Desai (The Marriage Game (Marriage Game #1))
To be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it. It's unfortunate that this has happened. No. It's fortunate that this has happened and I've remained unharmed by it - not shattered by the present or frightened of the future. It could have happened to anyone. But not everyone could have remained unharmed by it. Why treat the one as a misfortune rather than the other as fortunate? Can you really call something a misfortune that doesn't violate human nature? Or do you think something that's not against nature's will can violate it? But you know what its will is. Does what's happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforwardness, and all the other qualities that allow a person's nature to fulfil itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
Marcus Aurelius (Meditations)
It was slow at first, dead things slowly mouldering away. The flies in the corners, the dried flowers in their clay pots. The stuffed bird Alfie bought, only because he was both fascinated and disgusted by it in equal measures, was molting on it's perch. It's feathers falling like leaves then laying, parched and cracking dry. The sea shells I kept on my windowsill turned slowly back into sand and the wind filtering through the curtains blew the pieces into the creases of my bedsheets. When I pulled them over my head at night they felt like waves crashing against my ears. It made my thoughts sodden and heavy like impalpable clay, they dredged through my mind like half-forgotten things. Wave: a face, a feeling, the ghost of a name balancing on my teeth and ready to- crash: and now gone, like a dream I once tried to remember though it was already evaporating quick from my morning-shaking fingers. I started dreaming of crumbling sandcastles and the ocean lapping at my feet. I woke in waves and lay, rocking, until I got up to place my feet in the quiet carpet and watch through my down-turned, dream-filled lashes, as it exhaled dust at every step.
KI (The Dust Book)
Searching for Love in Everything We are so much like these rocks I think to myself One morning While passing a sea of black, gray, and white Pebbles All different shapes, sizes, colors They drift past one another On land or in oceans All while we collide, we crash Gracefully or without the intention of even finding one another Is it messy or beautiful? Our choice or fate? We all have a home We all have a story And perhaps we are found In the waves that rush Where over time we lose our sharp edges And the water All-knowing Smooths us out Reminding us to be gentle with ourselves Perhaps the boulders basking in the light On land carry similar knowledge And, like us Maybe they love watching the clouds in the day And even more the stars at night Maybe all of life ponders the change the earth makes as we constantly gain and lose sight As we try to follow a path to love this life There must be love to go around In all places In all things Isn’t all of it a greater message for the love present in this world? They were here before us And will remain long after Perhaps one day Long after Love will exist For and within Everything
Alice Tyszka (Loving this Life)
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
It started slow and pumped itself full, swelling the men bigger and bigger. I watched, part of them, laughing with them—and somehow not with them. I was off the boat, blown off the water and skating the wind with those balck birds, high above myself, and I could look down and see myself and the rest of the guys, see the boat rocking there in the middle of those diving birds, see McMurphy surrounded by his dozen people, and watch them, us, swining a laughter that rang out on the water in ever-widening circles, farther and father, until it crashed up on beaches all over the coast, on beaches all over all coasts, in wave after wave after wave.
Ken Kesey (One Flew over the Cuckoo's Nest : A Play in Two Acts)
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Theon returned to the Great Keep through a covered stone walkway, the echoes of his footsteps mingling with the ceaseless rumble of the sea below. To get to the Sea Tower on its crooked pillar, he had to cross three further bridges, each narrower than the one before. The last was made of rope and wood, and the wet salt wind made it sway underfoot like a living thing. Theon’s heart was in his mouth by the time he was halfway across. A long way below, the waves threw up tall plumes of spray as they crashed against the rock. As a boy, he used to run across this bridge, even in the black of night. Boys believe nothing can hurt them, his doubt whispered. Grown men know better.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
hope you’ll always live near the ocean. No matter what happened to us, your mother and I had the shore. They say that salt water can heal, and it does, and that the rays of the sun can strengthen your bones—no doubt that’s true—and that the sand makes you slow down and savor your steps. If you close your eyes and listen, the sound of the ocean is the most beautiful music ever written. The tempo of the surf as the tide rolls in matches your breath, the sound of the waves as they crash over the rocks sound like the brushes on a snare. It’s like the opening riff to a great piece of jazz. Sometimes I’m standing out there and I hear the blend and I think Ethel Waters is going to rise out of the surf and start wailing. The ocean is God’s orchestra.
Adriana Trigiani (Tony's Wife)
I hope you’ll always live near the ocean. No matter what happened to us, your mother and I had the shore. They say that salt water can heal, and it does, and that the rays of the sun can strengthen your bones—no doubt that’s true—and that the sand makes you slow down and savor your steps. If you close your eyes and listen, the sound of the ocean is the most beautiful music ever written. The tempo of the surf as the tide rolls in matches your breath, the sound of the waves as they crash over the rocks sound like the brushes on a snare. It’s like the opening riff to a great piece of jazz. Sometimes I’m standing out there and I hear the blend and I think Ethel Waters is going to rise out of the surf and start wailing. The ocean is God’s orchestra. I will miss it.
Adriana Trigiani (Tony's Wife)
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
I felt I was in the loneliest place in the world, and I was apprehensive. Nothing could be heard except the occasional crash of an unknown creature in the forest, and, once in awhile, a deep thrumming similar to the lowest barely audible sound of a string bass. I was standing alone in 1972 in a semi-ruined lighthouse that my wife, fifteen-year-old daughter, and I had just purchased. The lighthouse was located atop a 200-foot cliff on an island a dozen miles from the Lake Superior shoreline. I was separated from the nearest human being by an unknown but surely great distance, and had hiked several hours through the forest to reach the place, following the path of an old road that once led to the lighthouse but was now no longer passable with a vehicle. The low rumble I occasionally heard, straddling the lowest limit of my auditory range, was caused by an occasional large wave entering a cavern below the lighthouse and resonating in the stony echo chamber.
Loren R. Graham (Death at the Lighthouse)
I can notice a tiny weed forcing its way through a crack in the sidewalk, proving yet again that nature cannot be tamed by civilization, and employ the same concept to take comfort in my insignificance.43 You can experience similar awe when hearing ocean waves crash against rocks on a beach, gazing at the stars, walking under storm clouds in the middle of the day, hiking deep into uncharted territory, or taking part in spiritual ceremonies. People who report feeling awe more frequently also have the lowest levels of those nasty cytokines that cause inflammation (though nobody has proved cause and effect).44 Whether you cultivate awe, meditate, or find other ways to deconstruct your experience into physical sensations, recategorization is a critical tool for mastering your emotions in the moment. When you feel bad, treat yourself like you have a virus, rather than assuming that your unpleasant feelings mean something personal. Your feelings might just be noise. You might just need some sleep.
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
He pulled a battered red photo album from his truck’s glove compartment and showed me pictures of green Azorean fields divided by hedges of lilac-colored hydrangeas. He showed me waves crashing against black volcanic rock and his ancient stone house next to the sea, the home where he returned every summer. “Over there the air is so clean, so nice. The ocean is right there. The fish are fresh, you catch and eat them, and the potatoes are so good, you won’t believe it. “We make wine. Put on shorts and get in there and smash grapes, and when you drink right away is sweet like juice. Every year when we get back from there, we’re fat,” Morais said. He loved his island house in the Azores so much that at the end of each summer, when he left, he had to have someone else close the door for him. “I’m a guy that came from the old country. I never go to school five minutes in this country, and still I work and I do good. I love my money. God bless this country,” he said. “But when I leave to close my door over there, I cry like a baby. I try so hard not to, but I cry.
Diana Marcum (The Tenth Island: Finding Joy, Beauty, and Unexpected Love in the Azores)
Warm hands held her firm as he settled between her legs. His warm, wet tongue drew lazy circles around her sensitive flesh, so gently at first, she hovered between pleasure and pain, and then harder, faster, until the ache inside her blossomed into edgy need. He slid one thick finger into her wet heat, and then another, a sensual intrusion that stole her breath. And then his lips closed around her aching nub. She cried out, throwing back her head, hands fisting his hair, pleasure cresting and flooding through her veins, trickling out to her fingers and toes. With a low growl, he pushed up and sheathed himself with a condom he pulled from his pocket. On instinct, she rolled her hips, wrapped her legs around his hips to pull him close. Liam grabbed the edge of her headboard with one strong arm and plunged inside her. She gasped at the exquisite sensation and tightened her legs around him. Need pulsed beneath her skin. "Move, Liam. Please. I won't break." Her body took over, hands gripping his thick biceps, hips rocking, taking him deeper. A strangled groan escaped his lips and he gripped her hip so hard she knew his fingers would leave bruises. Braced against her headboard, he pulled out and pushed in deep and hard, shoulders straining as he gave in to her demands, filling a need she didn't know had existed, taking her outside of herself, beyond control. The bed squeaked, swayed. The headboard hammered against the wall in time to the rhythm of his thrusts. Need coiled inside her, tighter and tighter, until finally she peaked. Her spine arched, her orgasm sweeping through her body in a tidal wave of pleasure, filling her with heat. Liam growled her name, corded throat tightening, muscles going rigid as he followed her into oblivion. The sound of wood splintering startled her, made her heart jump. Liam dropped down, covering her with his body as the headboard split in two and crashed down on top of them. "Oh my God." She panted beneath him. "We broke the bed. Are you okay?" Liam heaved the headboard up so she could slip out from underneath him. When she was safely away, he lifted it onto the floor and gave a satisfied growl. "Now, that was good sex.
Sara Desai (The Dating Plan (Marriage Game, #2))
SEA” Sounds of the Pacific Ocean at Big Sur “SEA” Cherson! Cherson! You aint just whistlin Dixie, Sea— Cherson! Cherson! We calcimine fathers here below! Kitchen lights on— Sea Engines from Russia seabirding here below— When rocks outsea froth I’ll know Hawaii cracked up & scramble up my doublelegged cliff to the silt of a million years— Shoo—Shaw—Shirsh— Go on die salt light You billion yeared rock knocker Gavroom Seabird Gabroobird Sad as wife & hill Loved as mother & fog Oh! Oh! Oh! Sea! Osh! Where’s yr little Neppytune tonight? These gentle tree pulp pages which’ve nothing to do with yr crash roar, liar sea, ah, were made for rock tumble seabird digdown footstep hollow weed move bedarvaling crash? Ah again? Wine is salt here? Tidal wave kitchen? Engines of Russia in yr soft talk— Les poissons de la mer parle Breton— Mon nom es Lebris de Keroack— Parle, Poissons, Loti, parle— Parlning Ocean sanding crash the billion rocks— Ker plotsch— Shore—shoe— god—brash— The headland looks like a longnosed Collie sleeping with his light on his nose, as the ocean, obeying its accomodations of mind, crashes in rhythm which could & will intrude, in thy rhythm of sand thought— —Big frigging shoulders on that sonofabitch Parle, O, parle, mer, parle, Sea speak to me, speak to me, your silver you light Where hole opened up in Alaska Gray—shh—wind in The canyon wind in the rain Wind in the rolling rash Moving and t wedel Sea sea Diving sea O bird—la vengeance De la roche Cossez Ah Rare, he rammed the gate rare over by Cherson, Cherson, we calcify fathers here below —a watery cross, with weeds entwined—This grins restoredly, low sleep—Wave—Oh, no, shush—Shirk—Boom plop Neptune now his arms extends while one millions of souls sit lit in caves of darkness —What old bark? The dog mountain? Down by the Sea Engines? God rush—Shore— Shaw—Shoo—Oh soft sigh we wait hair twined like larks—Pissit—Rest not —Plottit, bisp tesh, cashes, re tav, plo, aravow, shirsh,—Who’s whispering over there—the silly earthen creek! The fog thunders—We put silver light on face—We took the heroes in—A billion years aint nothing— O the cities here below! The men with a thousand arms! the stanchions of their upward gaze! the coral of their poetry! the sea dragons tenderized, meat for fleshy fish— Navark, navark, the fishes of the Sea speak Breton— wash as soft as people’s dreams—We got peoples in & out the shore, they call it shore, sea call it pish rip plosh—The 5 billion years since earth we saw substantial chan—Chinese are the waves—the woods are dreaming
Jack Kerouac (Big Sur)
Iofur had noticed. He began to taunt Iorek, calling him broken-hand, whimpering cub, rust-eaten, soon-to-die, and other names, all the while swinging blows at him from right and left which Iorek could no longer parry. Iorek had to move backward, a step at a time, and to crouch low under the rain of blows from the jeering bear-king. Lyra was in tears. Her dear, her brave one, her fearless defender, was going to die, and she would not do him the treachery of looking away, for if he looked at her he must see her shining eyes and their love and belief, not a face hidden in cowardice or a shoulder fearfully turned away. So she looked, but her tears kept her from seeing what was really happening, and perhaps it would not have been visible to her anyway. It certainly was not seen by Iofur. Because Iorek was moving backward only to find clean dry footing and a firm rock to leap up from, and the useless left arm was really fresh and strong. You could not trick a bear, but, as Lyra had shown him, Iofur did not want to be a bear, he wanted to be a man; and Iorek was tricking him. At last he found what he wanted: a firm rock deep-anchored in the permafrost. He backed against it, tensing his legs and choosing his moment. It came when Iofur reared high above, bellowing his triumph, and turning his head tauntingly toward Iorek’s apparently weak left side. That was when Iorek moved. Like a wave that has been building its strength over a thousand miles of ocean, and which makes little stir in the deep water, but which when it reaches the shallows rears itself up high into the sky, terrifying the shore dwellers, before crashing down on the land with irresistible power—so Iorek Byrnison rose up against Iofur, exploding upward from his firm footing on the dry rock and slashing with a ferocious left hand at the exposed jaw of Iofur Raknison. It was a horrifying blow. It tore the lower part of his jaw clean off, so that it flew through the air scattering blood drops in the snow many yards away. Iofur’s red tongue lolled down, dripping over his open throat. The bear-king was suddenly voiceless, biteless, helpless. Iorek needed nothing more. He lunged, and then his teeth were in Iofur’s throat, and he shook and shook this way, that way, lifting the huge body off the ground and battering it down as if Iofur were no more than a seal at the water’s edge. Then he ripped upward, and Iofur Raknison’s life came away in his teeth. There was one ritual yet to perform. Iorek sliced open the dead king’s unprotected chest, peeling the fur back to expose the narrow white and red ribs like the timbers of an upturned boat. Into the rib cage Iorek reached, and he plucked out Iofur’s heart, red and steaming, and ate it there in front of Iofur’s subjects.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
I burrowed my head in his neck, Travis clutching me tight to him as he turned his back to the wave. As it crashed wildly around us, the sweet bloom of something beautiful began unfurling in my chest and rocked me hard. My throat worked at swallowing it down, but right then I wanted nothing more than to claw my way Inside his skin and never leave.
Kate McCarthy
Let the waves crash into the rocks. Let the lightning strike the ground. Let the thunder break the silence. Let the wind howl it's fury. Let the rain cry a river of tears. Let Mother Nature's rage be known. For the earth's shattered soul has been reborn.
Lacey Kiley
As a child, Lena had pored over pictures of tropical beaches in faraway lands, beaches where sand lay smooth and warm as a blanket. Those were not the beaches of Knob Knoster. She sifted crushed rock, bits of shell, and glass through her fingers. Everything around her was muted in shades of gray—water, sky, and land. She breathed in the distinctive smell of fish and tar. Waves licked the stony shore of the harbor and crashed against the riprap of a jetty. And Lena found that she was listening, as if the wild call of the ocean was familiar. It filled her with strange longings for adventure, longings Nana Crane would say no civilized girl should ever have. Her heart beat faster. Lena tried not to listen, afraid the ocean might call her name.
Maureen Doyle McQuerry (The Peculiars)
... I will travel south by rail across a high range of mountains, watching the narrow, somber valleys, rough and ragged, open out on either side of me, and I will see mountain streams rise among the rocks, crashing down in waves to the foothills, plunging under bridges as our train rushes over -- and a chilly wind will howl from the darkness, and all of us who are passengers will shiver, and we will cling to each other, living by each other's breaths, but then dawn will vanquish the darkness ...
Matthew Cheney (Blood: Stories)
The full moon tugs at the waves making them crash loudly against the rocks, all the while shining brightly overhead and making the black water that ripples rhythmically below, take on a supernatural quality. The moon, the ocean… they smile knowingly, as if they’re inwardly laughing at me… as if they both know my secrets. I wish they would let me in on the joke.
Ella Dominguez (Altered State)
The engines roared. Dr. D turned the wheel, and the Cassandra edged sharply into the waves. Sheena and I took our places on a bench against the cabin wall. The boat rocked hard, and a strong spray washed over the railing. Soon, we were crashing over the sparkling waves. A red-orange sun floated on the horizon. I turned back and saw the tiny island of Careebo vanish, a speck of yellow on the blue water. About an hour later, Dr. D locked the wheel. Then he led the way down to the galley for some lunch. Normally, the Cassandra has a crew of three or four. But when Sheena and I visit in the summer, Dr. D likes to give them time off. He pulled out the grilled bluefish left over from last night’s dinner and some sandwich rolls, and we sat around the small white table and ate fish sandwiches and drank papaya juice. After lunch, Dr.
R.L. Stine (Creep From the Deep (Goosebumps HorrorLand #2))
Grab my hand, I’ll lift you out,” but the man waves to him and says, “God will save me.” Finally, a helicopter hovers overhead and a crewman throws down a rope ladder. The drowning man ignores the offer, saying, “Don’t worry, God will save me.” Moments later he crashes over the waterfall and perishes on the rocks below. Later, at the Gates of Heaven, he says to God, “Hey, didn’t you see me down there? Why didn’t you save me?” And God replies, “I tried three times, but you turned me away.
Michael Robotham (Good Girl, Bad Girl (Cyrus Haven, #1))
In her heart, she felt she was caught in the lull between tides. The waves had crashed over her on their journey to the land, but they had not yet receded. The ebbing tide had slithered past her on the dragon rock, silently, without waking her. In this way, her soul was still surrounded by water. She was stranded on the island, with no safe passage to shore.
Storm Constantine (Sea Dragon Heir (The Chronicles of Magravandias, #1))
We will know many defeats and feel pain like we feel air but just like the air we breathe, pain is a breather to move us forward. We will encounter many defeats as we journey through our lives. The outcome of each are unknown, the future to which we cannot know. But must we give up? Must we stay mute? Must we bury ourselves in the silence of the defeat? Must we dine with failure and make love to fear? Must we sleep on the altar of sorrow? Must we sleep long enough to forget who we are? No. We must learn by paying attention to the river, that never stops flowing even when surrounded by rocks. To the waves of the ocean that never stops rising even when it’s bound to crash at the shores. We will encounter many defeats and must learn over and over again that courage is the only way to stand and win at life.
Yemeece
Jon was the first to cry out; having been brought to the edge so many times already, he was nearly feverish with his mounting pleasure when Baltsaros quickened his pace. He pulled his mouth away from Tom with a sob as he came hard. The pleasure crashed through him, making his body pulse in a hot, sweet wave that wrung mindless gasps and moans from him. Pressing his forehead against the man beneath him as he rocked his pelvis, Jon whimpered as the first mate’s lips and tongue milked his cock, and Baltsaros’s thrusts stroked the throbbing, sensitive spot inside him. Eyes closed, he panted against Tom’s hip for a few seconds, his lips spreading into a wide grin as he tried to catch his breath. When he was able to lift his head, Jon took Tom into his mouth again, and the first mate released him with a gasp. Tom’s fingers tightened around his waist as Jon forced his jaw wide around the first mate’s cock, taking in as much as he could before working at a fast rhythm. It seemed like only a few moments before Tom went rigid beneath him, a strangled cry heralding the yolky, bitter cum that pulsed hot over Jon’s tongue. Jon groaned around the cock in his mouth, swallowing down quickly as Baltsaros began to pound into him, his sharp growl loud over Tom’s panting as the captain shuddered with climax.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
It was within this circle of debauchery, we effectuated our erotic dance, answering only to the call of the wild. When our prurient desires took hold, we exchanged partners until we had our fill of proliferated succor. As I rode their ferocities with tumultuous savagery, fanatical flashes of electrifying potencies crashed within me, launching my deliverance over and above my partner’s head. The smashing waves of their burgeoning cogency coated my inner walls, stuffing my core to overflowing capacity. Before I could attain equilibrium, their un-relinquishing appetites had triggered another round of firing deposits - Tad’s unrelenting kisses brought on my second cumming while their stiffness continued to rock me into oblivion. Squirts of their molten love burst into the hub of my fervent mortality as I surrendered to this heavenly joyance with blissful contentment. While the helmsman and the captain took turns lapping up the brimming remnants they had lodged within my willing burrow, I swathed their leaking appendages with ardent gusto before sharing our fill in a three-way kiss. When I finally looked over at our adjoining trio, they too were apportioning their feed, as we had a moment ago. At last, we plunged into the cooling aqua, cleansing all traces of our man-to-man love before heading back whence we came.
Young (Turpitude (A Harem Boy's Saga Book 4))
Oh Killian." Five immense cliffs rose up from the sea in marvelous grandeur. They were as tall and craggy and enormous as any mountains she'd seen in paintings. The layers of rock were varied in color and the radiant sunset playing against them only added to the enchantment of the location. She watched as waves crashed against the monumental stone walls.
Leigh Ann Edwards (The Witch's Daughter (Irish Witch #2))
Hotels were full of potential. They were the sorts of places where a bored rock star and a good Christian boy could cross paths for a brief moment in both their lives and share a night of lust like waves crashing together.
Lisa Henry (Because of Ben (Star Crossed, #2))
There is a world in which he lives and there is a world in which he is dead. And the move between the two happens with no greater ricochet than the whisper of waves crashing onto distant rocks.
Matt Haig (How to Stop Time)
A few thousand miles away, Nine Inch Nails' rock star Trent Reznor sauntered off a concert stage as the crowd roared. Security guards rushed to his side. Screaming groupies pushed backstage. Trent nodded and waved, heading back through the crowd. He didn't have time for this. There were more important things waiting. He stepped onto his tour bus, forsaking the drugs, the beer, the women, for the computer awaiting him. It was time again for Doom. Scenes like these had spread around the world since the game crashed the University of Wisconsin's network on December 10. With out an ad campaign, without marketing or advance hype from the mainstream media, Doom became an overnight phenomenon
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
Crash Into Me" You've got your ball You've got your chain Tied to me tight tie me up again Who's got their claws In you my friend Into your heart I'll beat again Sweet like candy to my soul Sweet you rock And sweet you roll Lost for you I'm so lost for you Oh, when you come crash into me And I come into you And I come into you In a boy's dream In a boy's dream Touch your lips just so I know In your eyes, love, it glows so I'm bare-boned and crazy for you Oh, when you come crash into me, baby And I come into you In a boy's dream In a boy's dream If I've gone overboard Then I'm begging you to forgive me Oh, in my haste When I'm holding you so, girl Close to me Oh, and you come crash into me, baby And I come into you Oh, hike up your skirt a little more You show the world to me Hike up your skirt a little more You show your world to me In a boy's dream In a boy's dream Oh, I watch you there Through the window and I stare At you wear nothing But you wear it so well Tied up and twisted The way I'd like to be For you, for me Come crash into me, baby Come crash into me, yeah Crash into me Crash into me Crash into me Crash into me Oh, you know I'm the king of the castle You're the dirty rascal Crash into me Please, crash into me I see the wave coming crash into me See the wave coming crash into me Crash into me Dave Matthews Band, Crash (1996)
Dave Matthews Band (Dave Matthews Band - Crash)
He said loving me was like seeing the ocean for the first time. Watching the waves crash senselessly against the rocks, over and over. Grabbing fistfuls of sand as it trickled through his fingers, like my hair, brittle as ebony, strong and taut like the bumps of his knuckles. He said it was like swallowing his first mouthful of the sea — the sudden shock of betrayal.
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
He should have known it would come to this. He should have known the day that hak gwai wife of his ran away from home. Should have known the day he saw his daughter swimming in the bay as a storm bore down on her. Should have known when his parents dragged him to this island and changed their names. He stood at the water’s edge, now, watching the waves crash white against the rocks, waiting for his daughter’s body to wash ashore.
Charmaine Wilkerson (Black Cake)
Just before noon, a terrifying explosion rocked the isle, 30 miles behind them. A wave rushed from the isle and onto the nearby land, rising up dozens of feet as the water crashed onto the coast and rocketed upslope. Watching the devastation unfold, the sailors couldn’t believe their luck: the wave coming from the exploding isle passed under their ship without being felt, seemingly sparing them from death. But the
Robin George Andrews (Super Volcanoes: What They Reveal about Earth and the Worlds Beyond)
Teaching our kids to be like the ocean… The ocean does not apologize for its ever-evolving state, It does not ask for approval when its surface is crystal glass, It does not seek to facilitate the comfort of everyone as it honors its tides, It does not feel the need to explain its unexplored depths, It will not become less when it swells and dominates within the storm in order to make others feel like they are more, It asks not if it is ‘too much’ as its waves crash and break powerfully on the surface, It does not apologize as it erodes away the old to make way for the new, It demands no approval as it penetrates through the cracks to expand its reach, It knows that a drop, relentlessly repeated over time, can carve pathways through rock, It expresses its raw beauty in every creation that it sets forth onto the world, The ocean is vast, powerful, rich with life, and is forever and unapologetically changing. Be the whole expansive ocean of who you are… forever changing, forever in motion, impossible to contain, and a force to be reckoned with.
Cathy Domoney
Whoever has deeply and thirstily drunk, Is pulled down to the wondrous source, And melodically swims along as a wave, On which the world breaks into thousands of sparks. With yearning grows the holy well, crashes, Shines intoxicated, jubilant within, At times forging through the chasm to dazzling light, At times rushing cool then sunken in night. So let it eagerly roar and rush! For upon it floats the poet in golden bark, Himself a holy sacrifice in songs. The ancient rocks split with a crack, From yonder greet us kindred ballads, He guides us back to the eternal sea.
Joseph von Eichendorff
Far below her, frantic waves crashed again and again, impaling themselves on razor-sharp rocks, gnashing and gnawing the sheer walls of the cliffs until they bled black foam.
Richie Tankersley Cusick (The Drifter)
The key, he wrote, is to “concentrate on this for your whole life long: for your mind to be in the right state.” That includes “welcoming wholeheartedly whatever comes,” “trusting that all is for the best,” and “not worrying too often, or with any selfish motive, about what other people say. Or do, or think.” Marcus Aurelius considered it futile to fret or complain about anything beyond his control. He focused instead on mastering his own thoughts and behaving virtuously so he would meet his moral obligations. “Disturbance comes only from within—from our own perceptions,” he argued. “Choose not to be harmed—and you won’t feel harmed. Don’t feel harmed—and you haven’t been. It can ruin your life only if it ruins your character. Otherwise it cannot harm you.” He sought “to be like the rock that the waves keep crashing over. It stands unmoved and the raging of the sea falls still around it.
William P. Green (Richer, Wiser, Happier: How the World’s Greatest Investors Win in Markets and Life)
It might be the last time I saw this world, and I wanted to memorize it. An angry swell crashed against the rocks, spraying upward in harsh whispers. I stared out at the ink-colored waves, trying to calm my racing pulse. They looked like silver blades flashing in the moonlight.
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
I crash into him, clinging to him tightly as a wave of emotion threatens to make me burst into tears again. I bury my cheek into his chest as the heady, manly scent of Zak's cologne invades my senses, instantly calming my inner chaos. It's been forever since I have been in Zak's arms. "I'm here." He quietly moans next to my ear, rocking us from side to side, squeezing me tighter. "Had to make a quick stop, but I'm here, Bella." I forgot how much I love Zak's hugs.
A.L. Russell (Maybe Probably: Perfectly Imperfect Series Book One)
rocking boats waves crashing people rushing falling over each other packing into small spaces like memories
Remi Kanazi (Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine)
Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
Serch." Why did he always sound like the one who'd been left, who'd been denied? His fingers brushed Serch's forearm, though, and it damn near took him out. His belly pulled tight and heat crashed over his head like a fucking wave, rocking him and weakening his limbs. "Don't do this," German begged softly. "Gram is gone. It's just you and me now." He clasped Serch's shoulder. "I don't want to fight." All Serch had was the fight, otherwise, he'd be empty, hollowed out by the pain with no one to pass it off to. "Serch." German's whole fucking palm rested on Serch's face. It just sat there, warm and enticing. The best touch a beggar like him could ever hope to have. "I love you." His soul shook. His heart broke all over again. Serch spun away from him, giving German his back as he leaned against the doorframe, head bowed. "Please." That shaky voice sounded close, too close to Serch. "Please." "Fuck your love." Serch faced him with a snarl, chest heaving as he gave up on attempting to control himself. "You love me, German? You kiss me and tell me you want me, and then the instant I turn my back you move across the fucking country with somebody else. You love me? You stay away for years and only speak to me once, once--" He held up a finger. "On the phone." His brother's mouth opened and closed, but Serch refused to let him talk. "I've had birthdays without you. I've taken care of Gram without you. I had to watch her die..." His voice disappeared then, and he had to swallow and swallow before finishing. "Without you." "I'm sorry." "Don't tell me that shit!" Serch exploded. "Tell me how I can stop wanting you, because I do. Tell me how I can stop feeling your body against mine, because I do. Your cries, your taste. I still get off on them." He grabbed the front of his own t-shirt, fisting it, tugging on it. "Tell me how to stop missing you, because I've been lonely since the day you left. And I'm alone now, even with your breath incinerating my skin." "I miss you, too." Fuck! Somebody moved. Somebody must have moved because they were on each other, the press of their bodies so fucking good Serch's eyes watered. German was in his embrace, arms at his nape, fingers gripping his hair. Parted lips on his.
Avril Ashton (Want It)
Breath!’ A voice, wild with anxiety, ordered, and I felt a cruel stab of pain where I recognized the voice because it wasn't Marcel’s. I could not obey. The waterfall pouring from my mouth didn't stop long enough for me to catch a breath. The black, icy water filled my chest, burning. The rock smacked into my back again, right between my shoulder blades, and another volley of water choked its way out of my lungs. ‘Breathe, Bell! C'mon!’ Marcel begged. Black spots bloomed across my vision, getting wider and wider, blocking out the light. The rock struck me again. The rock wasn't cold like the water; it was hot on my skin. I realized it was Marcel’s hand, trying to beat the water from my lungs. The iron bar that had dragged me from the sea was also… warm… My head whirled; the black spots covered everything… Was I dying again, then? I didn't like it. This wasn't as good as the last time. It was only dark now, nothing worth looking at here. The sound of the crashing waves faded into the black and became a quiet, even whoosh that sounded like it was coming from the inside of my ears… ‘Bell?’ Marcel asked, his voice still tense, but not as wild as before. ‘Bells, honey, can you hear me?’ The contents of my head swished and rolled sickeningly like they'd joined the rough water… ‘How long has she been unconscious?’ someone else asked. The voice that was not Marcel’s shocked me, jarred me into a more focused awareness. I realized that I was still. There was no tug of the current on me-the heaving was inside my head. The surface under me was flat and motionless. It felt grainy against my bear arms. ‘I don't know,’ Marcel reported, still frantic. His voice was very close. Hands-so warm they had to be his- I brushed wet hair from my cheeks. ‘A few minutes? It didn't take long to tow her to the beach.’ The quiet whooshing inside my ears was not the waves-it was the air moving in and out of my lungs again. Each breath burned-the passageways were as raw as if I'd scrubbed them out with steel wool. But I was breathing. And I was freezing. A thousand sharp, icy beads were striking my face and arms, making the cold worse. ‘She's breathing. She'll come around. We should get her out of the cold, though. I don't like the color she's turning…’ I recognized Sam's voice this time. ‘You think it's okay to move her?’ ‘She didn't hurt her back or anything when she fell?’ ‘I don't know.’ They hesitated.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
I realize now why I never saw saints, before. The world does not crash upon their wills like waves upon a rock, or part around them like the wake of a ship. Instead they are supple, and swim through the world as silently as fishes.
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
Orion's Tips for Sane Witchcraft (Ponder and Apply to Living) Know your boundaries. Find time for stillness. Look within! Do not confuse spirituality with egotism. Don't abuse power or give it to those who would abuse you with it. Live your life as an expression of conscious creation and divine revelation. Seek counsel daily with your source, your center, and your ancestors. Don't get lazy, crazy, or otherwise in your own way. Remember grace! It brings wisdom and unlocks more vast knowledge. Be sincere in all that you do. Never compromise (especially your integrity) or be compromised. If you lose yourself, you have nothing. Choose what matters and feed it. (Starve the bane, feed the blessing.) Get the lesson and get on with life. Too often life is what happens when you are busy doing something else. Maintain an attitude of thanksgiving. For in doing so, you give gratitude to source and maintain inner fertile space to receive more. Thank the source and its good spirits at the beginning and ending of each day. If you wake up in the morning, your day has already started out good . . . build from that position. Don't wait for a reason to be happy when it is right in front of you. Claim the direction of your spirit! Fall in love with being you. The seed of divinity is within you; live your truth. Give no enduring interest to what is not spirit while seeking spiritual truth in everything. Do not stray away from your faith in yourself and the source (for in truth they are one). You are guided by the source. Do not be bandied about by the waves of life or you will crash onto the rocks of doubt. Daily, reaffirm your connection with spirit. Renew yourself on the new moment and release the fetters of yesterday to their rightful home . . . yesterday. Weave your web to attract that which you desire . . . then seize it. A witch need not hunt when he or she can attract. If you fall down . . . move what tripped you, get up, dust yourself off, and above all, don't give up walking. In chaotic times, seek the eye of the storm, poise yourself there, and find the wisdom in the stillness. Give thanks for all opportunities to grow.
Orion Foxwood (The Flame in the Cauldron: A Book of Old-Style Witchery)
Luca stood, backlit by the moon, a sword dangling from his belt. A leather vest hung open over his plain shirt, and a cloth bag dangled from one hand. Cass opened her mouth to speak, but Maximus found words before her. “Signore? Is everything all right?” he asked. A small wave crashed up onto the rocks, soaking his boots and breeches. “Rowan suggested I return with the two of you. He thought a proper meal and a night’s rest in a real bed would do me more good than another half day of training.” Luca looked questioningly at Cass. “If that’s all right with you, of course.” “I’m certain Octavia could find you a place to sleep at Palazzo Dolce…if that’s all right with you,” she said slowly. Luca was not the kind of man who bedded down in brothels. Cass worried he might think ill of her once he saw where she had been staying. Still, he stood before her with his arm outstretched, and she would not turn him away. “Anything would be an improvement over sleeping outside on the hard ground and eating the same beans every day,” Luca said, his mouth tilting into a shy smile. Maximus chuckled. “Welcome to my childhood,” he said. “I haven’t been able to stomach a plate of beans since I came of age.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
2001 when they published a scientific paper that modelled the future collapse of the Cumbre Vieja and the passage of the resulting tsunamis across the Atlantic. Within two minutes of the landslide entering the sea, Ward and Day show that –for a worst case scenario involving the collapse of 500 cubic kilometres of rock –an initial dome of water an almost unbelievable 900 metres high will be generated, although its height will rapidly diminish. Over the next 45 minutes a series of gigantic waves up to 100 metres high will pound the shores of the Canary Islands, obliterating the densely inhabited coastal strips, before crashing onto the African mainland. As the waves head further north they will start to break down, but Spain and the UK will still be battered by tsunamis up to 7 metres high. Meanwhile, to the west of La Palma, a great train of prodigious waves will streak towards the Americas. Barely six hours after the landslide, waves tens of metres high will inundate the north coast of Brazil, and a few hours later pour across the low-lying islands of the Caribbean and impact all down the east coast of the United States. Focusing effects in bays, estuaries, and harbours may increase wave heights to 50 metres or more as Boston, New York, Baltimore, Washington, and Miami bear the full brunt of Vulcan and Neptune’s combined assault. The destructive power of these skyscraper-high waves cannot be underestimated. Unlike the wind-driven waves that crash every day onto beaches around the world, and which have wavelengths (wave crest to wave crest) of a few tens of metres, tsunamis have wavelengths that are typically hundreds of kilometres long. This means that once a tsunami hits the coast as a towering, solid wall of water, it just keeps coming –perhaps for ten or fifteen minutes or more –before taking the same length of time to withdraw. Under such a terrible onslaught all life and all but the most sturdily built structures are obliterated.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
Grief comes in waves. Like the swells crashing against the rocks, it gathers force and breaks when you least expect it
Dani Shapiro (Signal Fires)
They are deceivers, those dark spirits. And they’re deceived. The great danger is not to the King, of course, or even to his followers. The danger primarily is to the rebels themselves, for submitting to this madness. The Devil is leading them to their own destruction, like a wave crashing on rocks.” Natalie stopped stroking the red roan mare next to her. “You’re sure about all of this? Really sure? Because, this is all unprecedented in human history.
Jeffrey McClain Jones (War to End Wars (The Reign, #4))
They are deceivers, those dark spirits. And they’re deceived. The great danger is not to the King, of course, or even to his followers. The danger primarily is to the rebels themselves, for submitting to this madness. The Devil is leading them to their own destruction, like a wave crashing on rocks.
Jeffrey McClain Jones (War to End Wars (The Reign, #4))