Wave The Swallow Quotes

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Music? Music is life! It’s physical emotion - you can touch it! It’s neon ecto-energy sucked out of spirits and switched into sound waves for your ears to swallow. Are you telling me, what, that it’s boring? You don’t have time for it?
Isaac Marion (Warm Bodies (Warm Bodies, #1))
There was a scuffling and a great thump: someone else had clambered out of the tunnel, overbalanced slightly and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn - rimmed glasses and said, 'Am I too late? Has it started? I only just found out, so I - I -' Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, 'So - 'ow eez leetle Teddy?' Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. 'I - oh yes - he's fine!' Lupin said loudly. 'Yes, Tonks is with him - at her mother's.' Percy and the other Weasleys were still staring at one another, frozen. 'Here, I've got a picture!' Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuff of bright turquoise hair, waving fat fists at the camera. 'I was a fool!' Percy roared, so loudly that Lupin nearly dropped his photograph 'I was an idiot, I was a pompous prat, I was a - a -' 'Ministry - loving, family - disowning, power - hungry moron,' said Fred. Percy swallowed. 'Yes I was!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shadows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.
John Steinbeck (Of Mice and Men)
The ocean waves thunder on, and it is man who must swim amongst them. The wind blows, cold and brittle, and it is man who must protect against it. The earth shakes and cracks, swallows and destroys, but it is man who must walk upon it. So it is with death. I cannot surrender.
Sabaa Tahir (A Reaper at the Gates (An Ember in the Ashes, #3))
I, too, overflow; my desires have invented new desires, my body knows unheard-of songs. Time and again I, too, have felt so full of luminous torrents that I could burst-burst with forms much more beautiful than those which are put up in frames and sold for a fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient infinite woman who...hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ...divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought that she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous
Music? Music is life! It’s physical emotion - you can touch it! It’s neon ecto-energy sucked out of spirits and switched into sound waves for your ears to swallow.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
A long time ago, Roma had told Juliette that her anger was like a cold diamond. It was something she could swallow smoothly, something to be placed upon other people, gliding along their skin in glitter and glamour before they realized far too late that the diamond had sliced them into pieces. He had admired her for it. Mostly because his own anger was the precise opposite—an uncontrollable wave of fire that knew no subtlety.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.
Machado de Assis (Dom Casmurro)
Guess what?" Maggie said as soon as I walked into Celmentine's. "What?" She clapped her hands. "I have a date to the prom!" "Guess what?" I replied. "What?" "I don't." Her mouth dropped open. "Oh, and," I added, "I bought a bike." .... "Okay, let's just slow down." She held up her hands, palms facing me. "First things first. What do you mean, you don't have a date?" "Just that," I said, sitting down at the desk. "Jason bailed on me." "Again?" I nodded. "When?" "About twenty minutes ago." "Oh, my God." She put her hand over her mouth: her expression was so horrified, like someone had died. "That's the worst thing ever." "No," I said, swallowing. "It's actually not." "No?" I shook my head. "The worst thing is that right afterward, I marched right into the bike shop and asked Eli to go with me, and he said no." She threw up her other hand, clapping it over the one already covering her mouth. "Holy crap," she said, her voice muffled. "Where does the bike come in?" "I don't know," I said, waving my hand. "That part's kind of a blur.
Sarah Dessen (Along for the Ride)
His thumb stroked my cheek. My eyes half-closed. When he spoke next, it was very softly, his voice an almost-physical caress against my whole body. My flesh tightened like a harpstring. I swallowed hard against the wave of liquid heat. "How can I possibly be jealous when I know you spent your time grieving for me, Dante?
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
I closed my eyes and listened to the waves. Thousands of fish out there, eating each other. Endless mouths and assholes swallowing and shitting. The whole earth was nothing but mouths and assholes swallowing and shitting, and fucking.
Charles Bukowski
And when the sea swallowed up the shore and the waves heaved under the ship and the blue horizon encircled us, I immediately felt an overwhelming intimacy with the sea. I knew this green, infinite giant, as though it were roving back and forth within my ribs. The whole of the journey I savored that feeling of being nowhere, alone, before and behind me either eternity or nothingness.
Tayeb Salih (Season of Migration to the North)
Aiden smirked. "Wonder what this one is called?" The hellhound's ears twitched as the massive body lowered preparing for attack. I slid my hand to the middle of the blade, feeling my heart pound and the adrenaline kick my system into overdrive. In the pit of my stomach, the cord started to unravel. I swallowed. "Let's call this one... Toto." Three mouths opened in a growl that sent a cold chill down my spine, and a wave of hot, fetid breath smacked into us. Bile burned the back of my throat. "I guess it doesn't like the name," I said, moving slowly to the right. Aiden's powerful body tensed. "Here, Toto..." One head snapped in his direction. "That's a good Toto." I slipped around the ancient cross, creeping up on the hellhound from the right. The middle and left head focused on me, snapping and growlying. Aiden clucked his tongue. "Come on, Toto, I'm pretty tasty.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
When I was a young man and very well thought of, I couldn't ask aught that the ladies denied. I nibbled their hearts like a handful of raisins, And I never spoke love but I knew that I lied. But I said to myself, 'Ah, they none of them know The secret I shelter and savor and save I wait for the one who will see through my seeming, And I'll know when I love by the way I behave.' The years drifted over like clouds in the heavens; The ladies went by me like snow on the wind. I charmed and I cheated, deceived and dissembled, And I sinned, and I sinned, and I sinned, and I sinned. But I said to myself, 'Ah, they none of them see There's part of me pure as the whisk of a wave. My lady is late but she'll find I've been faithful, And I'll know when I love by the way I behave.' At last came a lady both knowing and tender, Saying, 'you're not at all what they take you to be.' I betrayed her before she had quite finished speaking, And she swallowed cold poison and jumped in the sea. And I say to myself when there's time for a word, As I gracefully grow more debauched and depraved, 'Ah, love may be strong, but a habit is stronger And I knew when I loved by the way I behaved.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
But people who fundamentally change are rare, in my experience, because it's bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who's radically different to the person they were forty years ago?" "I don't know . . . I think I've changed," said Robin, then felt embarrassed to have said it out loud. Strike looked at her without smiling for the space it took him to chew and swallow a chip, then said, "Yeah. But you're exceptional, aren't you?
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Before such people can act together, a kind of telepathic feeling has to flow through them and ripen to the point when they all know that they are ready to begin. Anyone who has seen the martins and swallows in September, assembling on the telephone wires, twittering, making short flights singly and in groups over the open, stubbly fields, returning to form longer and even longer lines above the yellowing verges of the lanes-the hundreds of individual birds merging and blending, in a mounting excitement, into swarms, and these swarms coming loosely and untidily together to create a great, unorganized flock, thick at the centre and ragged at the edges, which breaks and re-forms continually like clouds or waves-until that moment when the greater part (but not all) of them know that the time has come: they are off, and have begun once more that great southward flight which many will not survive; anyone seeing this has seen at the work the current that flows (among creatures who think of themselves primarily as part of a group and only secondarily, if at all, as individuals) to fuse them together and impel them into action without conscious thought or will: has seen at work the angel which drove the First Crusade into Antioch and drives the lemmings into the sea.
Richard Adams (Watership Down (Watership Down, #1))
Much like the removal of moles and skin lesions is done to prevent them from growing into more serious skin abnormalities, removing minor discord before it becomes a calamity is an important use of our time. Most people don’t like to make waves and they swallow frustration and bury true feelings, not wanting to compromise temporary tranquility, never realizing that massive turmoil doesn’t start out massive—it grows beneath the skin like a cancer that could have been avoided with early detection.
T.D. Jakes (Let It Go: Forgive So You Can Be Forgiven)
In a moment I might be under the wave swallowing seawater and small jellyfish, but right now I am an ancient princess of Hawaii, I am a bikini model, I am a goddess before the crest of a monster billow.
Wilma Johnson (Surf Mama - One Woman's Search for Love, Happiness and the Perfect Wave)
The morning was one peculiar to that coast. Everything was mute and calm; everything gray. The sea, though undulated into long roods of swells, seemed fixed, and was sleeked at the surface like waved lead that has cooled and set in the smelter's mould. The sky seemed a gray surtout. Flights of troubled gray fowl, kith and kin with flights of troubled gray vapors among which they were mixed, skimmed low and fitfully over the waters, as swallows over meadows before storms. Shadows present, foreshadowing deeper shadows to come.
Herman Melville (Benito Cereno (Bedford College Editions))
As he spoke, the edges of the clay man began shimmering, like air does in intense heat, and the lumpen form gradually became more manlike. "Something's happening!" I cried. I was paralyzed by shock and hope. "Please let it work. Come back, Vincent. You have to come back, I whispered, pleading. Red clay became olive-toned skin, and the bald head became waves of raven black hair. The face that Jules had carefully sculpted became a real nose and mouth and eyes, closed as if in sleep. But it lay there, still unmoving, until, focusing on the air just above, Bran yelled, "Come, bardia spirit, inhabit this body!" He made one final sweeping gesture, as if pulling the aura downward, and touching his fingers to the body's side. The eyes flew open and Vincent took a great gulping gasp, as if trying to swallow all of the oxygen in the room. "Vincent," I said, my heart in my throat. His eyes flew to mine. He reached toward me, and I took his hand and pressed it to my cheek. His skin was burning hot, like with a fever. I kissed his fingers, and his skin smelled like fire and rain-soaked earth. Like the boy I thought I would never touch again.
Amy Plum (If I Should Die (Revenants, #3))
The tiger leapt, and the swallow dipped her wings in dark pools on the other side of the world.
Virginia Woolf (The Waves)
I shall need to courage to do what I'm about to do: speak. And risk the enormous surprise I shall feel at the poverty of the spoken thing. As soon as it's out of my mouth, I'll have to add: that's not it, that's not it! But I cannot be afraid of being ridiculous, I always preferred less to more also out of fear of the ridiculous: because there's also the shattering of modesty. I'm putting off having to speak to myself. Out of fear? And because I don't have a word to say. I don't have a word to say. So why don't I shut up? But if I do not force out the word muteness will swallow me forever in waves.
Clarice Lispector (The Passion According to G.H.)
Dave watched as Porkins fell down into the void. The pigman was waving at them as he fell, and Dave could have sworn he was smiling. And then the darkness swallowed him, and Porkins was gone.
Dave Villager (Dave the Villager 39: An Unofficial Minecraft Series (The Legend of Dave the Villager))
I’m afraid.” “Of what?” “Of the heartbreak when I fail,” she said simply. “Of rejection. Of wanting too much. Of discovering again and again that I’m unlovable. All those nannies came and went, and not one of them loved me. And, thanks to Primrose, not one of them remembers me, either. People are usually like the sea, a constant, unerasable part of something bigger, but I’m more like a single wave that washes over the shore, ebbs away, and doesn’t leave a trace behind.” He swallowed, his knuckles almost white on the wheel. Mika looked away. “I’m afraid I’ll never leave a mark on anybody.” It was quiet for so long that Mika wished she could take the too-reckless, too-honest words back, but then she heard him, rough and uneven and so quiet she almost missed it: “It’s a little late for that, I’m afraid.
Sangu Mandanna (The Very Secret Society of Irregular Witches)
And back then, I did not know how wings could melt and peel away from your body; how someone could plunge so unexpectedly from their soaring ascent to freedom and be swallowed by the ravenous waves below.
Jennifer Saint (Ariadne)
The next thing I knew, the season of politics was over. Like a drooping flag on a windless day, the gigantic shock waves that had convulsed society for a time were swallowed up by a colorless, mundane workaday world.
Haruki Murakami (South of the Border, West of the Sun)
Time and again I, too, have felt so full of luminous torrents that I could burst - burst with forms much more beautiful than those which are put up in frames and sold for a stinking fortune. And I, too, said nothing, showed nothing; I didn't open my mouth, I didn't repaint my half of the world. I was ashamed. I was afraid, and I swallowed my shame and my fear. I said to myself: You are mad! What's the meaning of these waves, these floods, these outbursts? Where is the ebullient, infinite woman who, immersed as she was in her naiveté, kept in the dark about herself, led into self-disdain by the great arm of parental-conjugal phallocentrism, hasn't been ashamed of her strength? Who, surprised and horrified by the fantastic tumult of her drives (for she was made to believe that a well-adjusted normal woman has a ... divine composure), hasn't accused herself of being a monster? Who, feeling a funny desire stirring inside her (to sing, to write, to dare to speak, in short, to bring out something new), hasn't thought she was sick? Well, her shameful sickness is that she resists death, that she makes trouble.
Hélène Cixous (The Laugh of the Medusa)
I’m going to steal another kiss.” A wave of heat crashed over me and I replied, “Good.” Valentin went to move in when I stopped him with a hand on his chest. He immediately stilled and frowned. “Zoya?” he questioned. Swallowing back any nerves trying to creep into my heart, I said, “I want this with you.” Lifting my head to move into his personal space, I added, “I want you, Valentin, to steal the rest of me.
Tillie Cole (Ravage (Scarred Souls, #3))
Under the surface, in the cold, in the salt, swallowed by waves, I pressed my eyes shut, letting myself sink. And in that moment a wild wishing came over me. I wanted to stay here, submerged forever. Above the surface, all the days of my life were waiting like a promise. There was nothing but a blank slate, and anything goes, and what if. My life could mean anything, I could become anyone, as long as I didn’t break surface, as long as I stayed here, suspended, in this beautiful, infinite now.
Ashley Winstead (In My Dreams I Hold a Knife)
Over the last year, I have thrown myself and every other available woman at that man. But he turned this”—she waved at her spectacular figure—“down. Repeatedly. Pickiest guy ever. Yet now he can’t take his eyes off his new ‘date’. You’ve beaten out millions. Tell me, was it as simple as swallowing?” I snapped my gaze to her. “I met him fifteen minutes ago.” Jessica nodded. “In those fifteen minutes, did you happen to swallow?
Kresley Cole (The Player (The Game Maker, #3))
The town itself had been swallowed, strangled, and buried. In a very real sense there was no Augustam and there were no more fat ladies, or pretty girls, or pompous men, or wet-crotched children waving puffy clouds of cotton candy. There was no bustling Italian man here to throw slices of watermelon. Only Crowd, a creature with no body, no head, no mind. Crowd was nothing but a Voice and an Eye, and it was not surprising that Crowd was both God and Mammon. Garraty felt it. He knew the others were feeling it. It was like walking between giants electrical pylons, feeling the tingles and shocks stand every hair on end, making the tongue jitter nuttily in the mouth, making the eyes seem to crackle and shoot of sparks as they rolled in their beds of moisture. Crowd was to be pleased. Crowd was to be worshiped and feared. Ultimately, Crowd was to be made sacrifice unto.
Richard Bachman (The Long Walk)
Some even tried to use opium to commit suicide, swallowing large doses as poison. Others turned to crime to support their addiction, causing a wave of banditry to sweep through Nanking. After making conditions ripe for banditry in Nanking, the Japanese used the epidemic of crimes to justify their occupation, preaching the need for imperial law and order.
Iris Chang (The Rape of Nanking: The Forgotten Holocaust Of World War II)
I was the beginning, the middle and the end all rolled into one small boy, already old, already dead, here, in the shadows, between the stacks of plates higher than himself, and outside, very far away, in the cast and gloomy sunshine of glory. I was the particle at the beginning of its trajectory and the series of waves which flows back on it after it has struck the terminal buffer. Reassembled and compressed, one hand on my tomb and the other on my cradle, I felt brief and splendid, a flash of lightening swallowed up in darkness.
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
While some people were shooting themselves and hanging themselves and swallowing handfuls of pills and jumping from high places, Dad pushed back against the darkness.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
The sand swallows burst out of their scupper holes in the bluffs and out over the transparent drown of the water, back again to the white, to the brown, to the black, from moving to stock-still sand waves and water-worked woods and roots that hugged and twisted in the sun.
Saul Bellow (The Adventures of Augie March)
I don’t want to know if he can play rugby or not,” I squeezed out as a wave of guilt swallowed me up. “I want to know if he is okay! Him. Johnny! The person. Not the fucking rugby player!
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
I don’t want to know if he can play rugby or not,” I squeezed out as a wave of guilt swallowed me up. “I want to know if he is okay! Him. Johnny! The person. Not the fucking rugby player!” Gibsie tilted his head to one side, studying me with a curious look. “Well, aren’t you a keeper?” he finally mused, tone low.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
You start on Monday with the idea implanted in your bosom that you are going to enjoy yourself. You wave an airy adieu to the boys on shore, light your biggest pipe, and swagger about the deck as if you were Captain Cook, Sir Francis Drake, and Christopher Columbus all rolled into one. On Tuesday, you wish you hadn't come. On Wednesday, Thursday, and Friday, you wish you were dead. On Saturday, you are able to swallow a little beef tea, and to sit up on deck, and answer with a wan, sweet smile when kind-hearted people ask you how you feel now. On Sunday, you begin to walk about again, and take solid food. And on Monday morning, as, with your bag and umbrella in your hand, you stand by the gunwale, waiting to step ashore, you begin to thoroughly like it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
What's the latest beast in your collection, I wonder?" "Me." Metal clanged as Gabriel flipped the helmet's visor. "I'm her latest beast." The Irving sisters choked on their laughter, then swallowed it hard. He took a clanking step forward, towering over them. "Let me tell you, Lady Penelope has her hands full. I'm vicious. Untamed. I won't come to heel." He leaned forward, lowering his voice to a growl. "And I bite." He turned, and- confronted with the wall of hedges- stormed through it like the Ottomans breaching the walls of Tyre. Once he'd cleared a path with his armored body, he extended a gauntlet, inviting Penny to follow. She put her gloved hand in his shining one. Rather than leading her through, he pulled her to him, slid his hand to her backside, and lifted her off her feet, keeping her slippers free of the trampled shrubs. Her beast in shining armor. As he carried her through the hedge, she waved farewell to the bug-eyed Irving sisters. "It's been lovely seeing you.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
A soft liquid joy like the noise of many waters flowed over his memory and he felt in his heart the soft peace of silent spaces of fading tenuous skies above the waters, of oceanic silence, of swallows flying through the seadusk over the flowing waters. A soft liquid joy flowed through the words where the soft long vowels hurtled noiselessly and fell away, lapping and flowing back and ever shaking the white bells of their waves in mute chime and mute peal and soft low swooning cry; and he felt that the augury he had sought in the wheeling darting birds and in the pale space of sky above him had come forth from his heart like a bird from a turret quietly and swiftly.
James Joyce (Portrait of the Artist as a Young Man)
Who else knows about this besides us?” “Just Patti...” “Okay. That should be okay. Is that it?” “And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it. “Who?” There was an edge to his voice. His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it. “He's my friend. He's the one who drove me here to see you.” “You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “-with the son of the Duke of Lust? Son of a—” He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away. “Don't worry!” I whispered. “I told you; we're just friends.” He closed his eyes and massaged his forehead with his fingers to calm his temper. “You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?” “He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.” His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble. “Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment. “Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.” “Kaidan thinks he'll forget about me if I lie low.” “Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
Wendy Higgins (Sweet Evil (Sweet, #1))
Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.
Jeffrey McDaniel
I'd swallow some whiskey and listen to the waves while I thought about Naoko. It was too strange to think that she was dead and no longer part of this world. I couldn't absorb the truth of it. I couldn't believe it. I had heard the nails being driven into the lid of her coffin, but I still couldn't adjust to the fact that she had returned to nothingness.
Haruki Murakami (Norwegian Wood)
Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.
Ruth Ozeki (A Tale for the Time Being)
Grief is like the waves of the ocean on a never-ending mission to keep rolling always to crash at your feet. Only sometimes, it rages in anger, threatening to swallow everything there is left of you. Other times, it flows gently, brushing your feet softly but it never stops rolling. For as long as the waves of the ocean remain, so is the pain as long as life remains.
Yemeece
Sometimes it can be as brutally overwhelming as a tidal wave flooding every orifice, the suffocation, the pressure, the immensity of this damnable depression like an ocean, unsurmountable. It swallows me whole and gnaws at my very bones. It floods me over and over, drowning me over and over... It is a torturous broken record player with a scratched disc on repeat, the wailing disrupting any possible good remaining after the tsunami. It wails and wails inside my ribcage and inside my skull. I cannot make it stop.
Moonie
Regulus swallows. "You're a good person, Evan Rosier." "That's the thing, though. I'm really not." Evan blinks at him slowly. "I just—like you. Isn't that mental?" "Certifiably insane," Regulus says, his chest feeling tight. Evan waves his free hand lazily. "I don't mean the way your boyfriend likes you. Just…person to person, I suppose. It's a shame, really. I think—well, I think you're my friend.
Zeppazariel (Crimson Rivers)
You hate the ocean?" He's grinning now, warming to his topic. "I don't hate it. I respect it." He holds up a single finger. "Respect. It's Mother Nature at her finest—awesome, beautiful, impersonal, murderous. Think about it: All that water and you could still die of thirst. And the whole point of waves is to suck your feet from under you so that you drown faster. The ocean will swallow you whole and burp you out and not notice you were even there.
Nicola Yoon (Everything, Everything)
An all-swallowing wave, not unlike a surf comber on a beach, was rushing up the boat deck, enveloping passengers, boats, and everything that lay in its path,” he wrote. A mass wail rose from those it engulfed. “All the despair, terror and anguish of hundreds of souls passing into eternity composed that awful cry.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
He never sees it, never gazes upon its vastness, only senses its size, a terrible dark wave seeping from the earth beneath the foundation of the old church. This impossibly formless thing, this unescapable void, it crashes over the threshold, spilling over everything in its wake, swallowing the world as it swallows minds and souls.
Todd Keisling (Devil's Creek)
The blood of the queens of Cintra,’ Crach began, ‘is uncannily bound to the sea. When one of the women of that blood dies the sea falls into sheer madness. It’s said that Ard Skellig bewails the daughters of Riannon. For the storm is so strong then that the waves striking from the west squeeze through crevices and caverns to the east side and suddenly salt brooks gush from the rock. And the entire island shudders. Simple folk say “See how Ard Skellig sobs. Someone has died again. Riannon’s blood has died. The Elder Blood”.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Missing you is a tidal wave It swallows me whole It reminds me of something bigger Than what I’ve settled for
Dawn Lanuza (This is How It Starts)
Afraid of the tangle of words twisting around my own tongue, I swallow and place my hand against the thick wood of the Barrier.
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
And finally the two of them plunged into the dark sea, a sea like a pack of wolves, and they dove around the boat trying to find young Reiter's body, with no success, until they had to come up for air, and before they dove again, they asked the men on the boat whether the brat had surfaced. And then, under the weight of the negative response, they disappeared once more among the dark waves like forest beasts and one of the men who hadn't been in before joined them, and it was he who some fifteen feet down spotted the body of young Reiter floating like uprooted seaweed, upward, a brilliant white in the underwater space, and it was he who grabbed the body under the arms and brought him up, and also he who made the young Reiter vomit all the water he had swallowed.
Roberto Bolaño (2666)
As he spoke these words, a giant wave, just like the one in Katsushika Hokusai’s, “The Great Wave off Kanagawa,” rippled in below the lofty ledge. Chaiya saw a thousand images in a second. “Brothers!” he shouted. “Brothers! Brothers! Brothers!…” His voice echoed and vibrated through their hearts. They were all wide awake. “The presence in the cave will swallow us up,” Chaiya thought.
Suzy Davies (The Cave)
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
where there is more water than you could possibly imagine, like a river that has only one bank, and it’s too salty to drink. Every night it swallows the sun in a flash of fire, bleeding into the waves without a sound.
Erin Hunter (Midnight (Warriors: The New Prophecy, #1))
And there was his face against the smudged glass and his smile as he rocketed across a galaxy far, far away in his yellow X-wing starfighter, jumping to warp speed, until the dusty yellow spaceship was swallowed by dust.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Deep You, you’re deep water And I’m scared because I can’t defaulter I don’t know how to swim, So, if I jump in, I’ll be consumed by your waves. I’ll try to keep my head above the rage. But you’ll just swallow up my whole. My entire being will be controlled. If I were to dive, I could no longer thrive. You would consume my being; Leaving me breathless, not breathing. Is there a medium I can prescribe? That would allow me to disguise The fear I gather in my bones. I just can’t swim in the water of morone. Do you possess a life support To hold me up? My last resort. If I jump in, I’ll drown in bends. Your love is suffocating, nothing can amend. November 20, 2011
Rachel Nicole Wagner (Yesterday's Coffee)
His lips parted like he was about to say something, but he just seemed to swallow. Neither of us gestured or waved, we just looked at one another, as if we were already having a private conversation that couldn't be over heard.
Sally Rooney (Conversations with Friends)
Beware of the waiting room." He closed the door at once, as if he had rehearsed that moment. I opened it quickly, and leaned out to call after him, "The what?" He turned, but only to give a sharp wave, the Trafalgar Square crowd swallowed him up. I couldn't get the smile on his face out of my mind, it secreted an omission. Something he'd saved up, a mysterious last word. Waiting room. Waiting room. Waiting room. It went round in my head all that evening.
John Fowles (The Magus)
It's stiff, the fabric hugging my hips, making it impossible to move freely. "Go on." It's Kai's taunting voice I hear behind me. "Ask for my help, Gray." I roll my eyes at the wall in front of me. "Stubborn, remember?" I hear Kitt's chuckle before I feel hands brushing my legs. Startled, I look down, eyes landing on a bent head of messy black waves. Kai is gripping the bottom seam of my dress, his eyes flicking up to mine. "May I?" His voice is soft, tone amused. I swallow, roll my eyes once again, and nod against my better judgment. And then he's ripping my dress. He tears the fabric easily, creating a slit up the side of my thigh, freeing me from the tight confines of the fabric. His rough fingers briefly brush my skin as he says, "I am more than willing to rip your dresses for you, Gray. To help, of course." Kitt snorts while Kai smirks. "You only need to ask." "Why ask when you're so eager to offer?" Kai's laughter follows me as I finally pull myself up, arms burning with the strain.
Lauren Roberts, Powerless
Adam swallowed thickly. "Can you see the future?" "I see many futures." "Many?" "As many futures as there are choices." "Do I defeat the Death Collector in any of them?" "No." A wave of helplessness rolled over him. So all this was pointless. The Collective was going to win after all. He couldn't breathe. He braced his hands on his knees as a devastating roar filled his head. Abigail clucked with her tongue. "Look at you. So arrogant. So self-important. You've gone and cast yourself as the hero. Do you really think this war is about you?" Adam's head snapped up.
Erin Kellison (Shadow Bound (Shadow, #1))
Back then it felt like the grief would swallow us whole. It’s different now, more like the waves at our feet—constantly ebbing and flowing, swollen one moment and quiet the next. A tide I can dip my feet into and let myself feel, or a swell that will hit me from behind when I least expect it.
Emma Lord (The Break-Up Pact)
He loved her hair. It was like sunshine. Not the sunshine he saw here in England, but the all-consuming sun found on the open water, traveling between England and France. The vast spread of waves magnified the glory of the sun by reflecting it back on you until the golden glow swallowed you whole. That was her hair.
Kristi Ann Hunter (A Noble Masquerade (Hawthorne House, #1))
I realize belatedly that sending sharks to the aid of humans is a stupid idea. When one of the men tries to kick a tiger shark in the eye-and how could I blame him?-I tell the sharks to retreat. They’ve done all they can do, and I won’t let them be abused for their efforts. After a few more minutes, I see a small, chubby pair of legs struggling nearby. The owner of the legs can’t be older than a toddler. I scoop him up and keep him at the surface. He’s adorable really, with rounded cheeks and a snotty nose and brown eyes with lashes that would make a supermodel jealous. Close to us, a woman who I assume is his mother is crying frantically and calling out to the empty waves around her. I swim him over to her and deliver the little guy into her arms. “He swallowed a good part of the ocean, but otherwise he’ll be fine,” I tell her, knowing that she doesn’t understand. She clutches him to her and trembles. I swim two life jackets over to her and help her strap them on to her and the baby boy. She nods, and despite the language barrier, I can tell that she’s thanking me. Which makes me feel like zoo dirt, since I helped put her and her child in this predicament. If she knew that, she would probably be trying to choke the life from me. And I would probably let her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The sea is both open and secret; it hides, and is not anxious to divulge its actions. It brings about a shipwreck and then covers it over; it swallows up its victims out of a sense of shame. The waves are hypocrites: they kill, steal, conceal stolen property, plead ignorance, and smile. They roar, and then they bleat.157
Victor Hugo (The Toilers of the Sea)
Fire. So much fire. Fire so hot it burns even ice to ashes. Fire like a wave to swallow the world whole. Fire from within her. Fire that sears skin and all she touches. Fire bright enough to blind those who look at her. Red flames in the palace. Red flames, kindled from within. On the night of fire, more will come to scorch him.
Natasha Ngan
It was nothing I hadn't thought of, plenty, and in far less taxing circumstances; the urge shook me grandly and unpredictably, a poisonous whisper that never wholly left me, that on some days lingered just on the threshold of my hearing but on others roared up uncontrollably into a sort of lurid visionary frenzy, why I wasn't sure, sometimes even a bad movie or a gruesome dinner party could trigger it, short term boredom and long term pain, temporary panic and permanent desperation striking all at once and flaring up in such an ashen desolate light that I saw, really saw, looking back down the years and with all clear-headed and articulate despair, that the world and everything in it was intolerably and permanently fucked and nothing had ever been good or okay, unbearable claustrophobia of the soul, the windowless room, no way out, waves of shame and horror, leave me alone, my mother dead on a marble floor, stop it stop it, muttering aloud to myself in elevators, in cabs, leave me alone, I want to die, a cold, intelligent, self-immolating fury that had-- more than once-- driven me upstairs in a resolute fog to swallow indiscriminate combos of whatever booze and pills I happened to have on hand: only tolerance and ineptitude that I'd botched it, unpleasantly surprised when I woke up though relieved for Hobie that he hadn't had to find me.
Donna Tartt (The Goldfinch)
the bear says. Thanks, God. It doesn’t really matter, I’m thinking. I was all over Dad for getting so fangirly about the Others, and for spinning the facts to make things seem less bleak, but I wasn’t actually much better than he was. It was just as hard for me to swallow the idea that I had gone to bed a human being and woken up a cockroach.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Well.” Jenna swallows. “I don’t know if you can miss someone you can barely remember, but that’s how I feel. I used to make up stories about why you hadn’t been able to come back to me. You were captured by pirates, and you had to sail around the Caribbean looking for gold, but every night you looked at the stars and thought, At least Jenna’s seeing them, too. Or you had amnesia, and you lived every day trying to find clues about your past, like all these tiny arrows that would point you back to me. Or you were on a secret mission for the country, and you couldn’t reveal who you were without blowing your cover, and when you finally came home and flags were waving and crowds were cheering I’d get to see you as a hero. My English teachers said I had the most amazing imagination, but they didn’t understand, it wasn’t make-believe to me. It was so real that sometimes it hurt, like a stitch in your side when you run too hard, or the ache in your legs when you have growing pains. But I guess it turns out that maybe you couldn’t come to me. So I’m trying to get to you.
Jodi Picoult (Leaving Time)
The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
On my second afternoon at Grandma’s, she waved me over from where I was sitting on the front porch, waiting for the mailman. She introduced herself as Roberta and asked me to run to the store for a pack of Newports. When I returned, she waved away the change and proceeded to dazzle me with her exotic life story. She had once been married to a sword swallower who was now in jail where he belonged. Her second husband, the Canuck, God love him, was dead. Roberta had traveled with the Canuck to both Alaska and Hawaii and liked Alaska better. She’d dreamed President Kennedy’s assassination the week before it happened. She had been a vegetarian since the day in 1959 when she opened up a can of beef stew and found a baby rat.
Wally Lamb (She's Come Undone)
You ask me how I manage to put some balance into my life. This is a question I ask myself, as each day I am swallowed up more by my work.… So often I feel I am on a rock, battered from all sides by rising waves. The only escape route is heavenwards. For an hour or a day, I let the waves beat upon the rock; I stop looking out to the horizon and only look upwards towards God.
Sean Salai (The Spiritual Exercises of St. Ignatius of Loyola: With Points for Personal Prayer From Jesuit Spiritual Masters)
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.
Naomi Novik (Uprooted)
You hate the ocean?" "I don't hate it. I respect it." He holds up a single finger. "Respect. It's Mother Nature at her finest--awesome, beautiful, impersonal, murderous. Think about it: All that water and you could still die of thirst. And the whole point of waves is to suck your feet from under you so that you drown faster. The ocean will swallow you whole and burp you out and not notice you were even there.
Nicola Yoon (Everything, Everything)
she leaned forward, nudging a bottle of water across the glass coffee table. I twisted off the top and chugged half the bottle, trying to dislodge the tension in my throat—to swallow it down—but it didn’t help. It never did. A few moments passed while I watched the waves crash on the beach outside the window. “I have trouble talking about him,” I finally admitted. “I don’t really know where to start—how to sum him up in words—
Rebecca Yarros (The Reality of Everything (Flight & Glory, #5))
It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep. "We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping. "Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid. "We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining. "We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!" She broke off, her voice rising again to a wail. "It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?
Evangeline Walton (Witch House)
At one extreme...the hours seemed to aggregate and sell like a wave, swallowing huge chunks of her day. At the other extreme when her attention was disengaged and fractured she experienced time at its most granular wherein moments hung around like particles diffused and suspended and standing in water. There used to be a middle way, too, when her attention was focussed but vast and time felt like a limpid pool ringed by sunlit ferns.
Ruth Ozeki (A Tale for the Time Being)
Perhaps the Ci-ty dreamed of an-other, en-emy city, float-ing across the sea to invade the es-tuary . . . or of waves of darkness . . . waves of fire . . . Perhaps of being swallowed again, by the immense, the si-lent Mother Con-tinent? It's none of my business, city dreams. . . . But what if the Ci-ty were a growing neo-plasm, across the centuries, always chang-ing to meet exactly the chang-ing shape of its very worst, se-cret fears?
Thomas Pynchon
What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.
Ernest Becker (The Denial of Death)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
I never dreamed you would be this beautiful," he said quietly, trembling slightly, his baritone voice resonating low and intimate as he scanned the length of her body. "What do you m-m-" she began, her voice swallowed by another kiss. This one was more insistent, and she felt her skin jump. Her hips rocked, her stomach tensed at the firmer press of his mouth against hers. It was only once she leaned into him that she felt something hard and hot pressed against her hip, eliciting a soft groan into her mouth and a shiver that moved like a wave along his entire body. She mewled a wordless question against his lips, wanting to ask who he was. His only response was to skim his tongue across her teeth until they opened, letting him taste her. Kore heard him sigh as his hand traced up her ribs and settled firmly on her breast. Her nipple instantly tightened under his palm and she cried into his mouth at the unanticipated pleasure of it. He languorously stroked her tongue with his and tasted of ancient groves and deep, warm earth, and the cold, faint sweetness of a foreign flower she knew but couldn't quite place. With a gasp she broke off the kiss to look up at him again, her face and neck flushed, her lips tingling, her heart pounding. The cool night air moved over her hot skin. He smiled down at her again. "You taste exquisite.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
When she swam out far enough to feel as if she was being swallowed up in the vastness of the waves above her head, she felt as if suddenly she was at one with something far greater than she’d ever felt before. Crazy as it sounded, it was as if the sky, the ocean and the unfathomable depths below her all blended into one and she was as intricately linked to this vastness as she was to the tips of her toes or the tiniest molecule of DNA in her body.
Faith Hogan (The Ladies' Midnight Swimming Club)
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
The old man with the white beard had gone quite mad. He ripped his robes from his body and ran naked through the forest glade. He was babbling and shouting at the sky. His words were nothing but meaningless sounds — guttural grunts and lunatic ravings. His eyes were wild and his white beard and white hair were tangled with twigs and leaves. He foamed and spit and waved his oaken staff around like a club. He tried to grab squirrels and eat them raw. He rolled around in the dirt and swallowed small stones.
Jennifer M. Baldwin (The Thirteen Treasures of Britain (Merlin's Last Magic, #1))
It tasted different from a cigarette; it was richer, rawer, more exotic. I swallowed down the thick smoke and tried not to cough. Initially all I felt was a little light on my feet. Like sex, clearly more fuss was made over marijuana than it merited. And then – a minute or so later – something happened. Something incredible. It was like being drenched in an enormous wave of well-being. I felt safe, relaxed, totally at ease, silly and unselfconscious. And that was it. It didn’t take long before I was smoking weed every day.
Alex Michaelides (The Silent Patient)
I'm talking about your lovely long arms and your perfectly shaped legs... I find I am quite jealous of those stockings for knowing the feel of you, the warmth of you." She shifted, unable to keep still beneath the onslaught of his words. "I'm talking about that corset that hugs you where you are lovely and soft... is it uncomfortable?" She hesitated. "Not usually." "And now?" She heard the knowledge in the question. She nodded once. "It's rather- constricting." He tutted once, and she opened her eyes, instantly meeting his, hot and focused on her. "Poor Pippa. Tell me, with your knowledge of the human body, why do you think that is?" She swallowed, tried for a deep breath. Failed. "It's because my heart is threatening to beat out of my chest." The smile again. "Have you overexerted yourself?" She shook her head. "No." "What, then?" She was not a fool. He was pushing her. Attempting to see how far she would go. She told the truth. "I think it is you." He closed his eyes then, hands fisting again, and pressed his head back against the side of the desk, exposing the long column of his neck and his tightly clenched jaw. Her mouth went dry at the movement, at the way the tendons there bunched and rippled, and she was quite desperate to touch him. When he returned his gaze to hers, there was something wild in those pewter depths... something she was at once consumed and terrified by. "You shouldn't be so quick with the truth," he said. "Why?" "It gives me too much control." "I trust you." "You shouldn't." He leaned forward, bracing his arm against his raised knee. "You are not safe with me." She had never once felt unsafe with him. "I don't think that's correct." He laughed, low and dark, and the sound rippled through her, a wave of pleasure and temptation. "You have no idea what I could do to you, Philippa Marbury. The ways I could touch you. The wonders I could show you. I could ruin you without thought, sink with you into the depths of sin and not once regret it. I could lead you right into temptation and never ever look back." The words stole her breath. She wanted it. Every bit of it.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Ionizing radiation takes three principal forms: alpha particles, beta particles, and gamma rays. Alpha particles are relatively large, heavy, and slow moving and cannot penetrate the skin; even a sheet of paper could block their path. But if they do manage to find their way inside the body by other means—if swallowed or inhaled—alpha particles can cause massive chromosomal damage and death. Radon 222, which gathers as a gas in unventilated basements, releases alpha particles into the lungs, where it causes cancer. Polonium 210, a powerful alpha emitter, is one of the carcinogens in cigarette smoke. It was also the poison slipped into the cup of tea that killed former FSB agent Alexander Litvinenko in London in 2006. Beta particles are smaller and faster moving than alpha particles and can penetrate more deeply into living tissue, causing visible burns on the skin and lasting genetic damage. A piece of paper won’t provide protection from beta particles, but aluminum foil—or separation by sufficient distance—will. Beyond a range of ten feet, beta particles can cause little damage, but they prove dangerous if ingested in any way. Mistaken by the body for essential elements, beta-emitting radioisotopes can become fatally concentrated in specific organs: strontium 90, a member of the same chemical family as calcium, is retained in the bones; ruthenium is absorbed by the intestine; iodine 131 lodges particularly in the thyroid of children, where it can cause cancer. Gamma rays—high-frequency electromagnetic waves traveling at the speed of light—are the most energetic of all. They can traverse large distances, penetrate anything short of thick pieces of concrete or lead, and destroy electronics. Gamma rays pass straight through a human being without slowing down, smashing through cells like a fusillade of microscopic bullets. Severe exposure to all ionizing radiation results in acute radiation syndrome (ARS), in which the fabric of the human body is unpicked, rearranged, and destroyed at the most minute levels. Symptoms include nausea, vomiting, hemorrhaging, and hair loss, followed by a collapse of the immune system, exhaustion of bone marrow, disintegration of internal organs, and, finally, death.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
The little Swallow is fond. It belongs, of course, to her life that some one should come here, take her in his arms, and then go away again. Then the sewing machine hums, another comes, the Swallow laughs, the Swallow weeps, and sews away for ever. —She casts a gay coverlet over the sewing machine, thereby transforming it from a nickel and steel creature of toil into a hillock of red and blue silk flowers. She does not want to be reminded now of the day. In her light, soft dress she nestles down in my arms; she chatters, she whispers and murmurs and sings. So slender and pale—half-starved she is too—and so light that one can easily carry her to the bed, the iron camp bed. Such a sweet air of surrender as she clings about one’s neck! She sighs and she smiles—a child with closed eyes—sighs and trembles and stammers a little bit. She breathes deep and she utters small cries. I look at her. I look again and again. I too would be so. Silently I ask, Is this it? Is this it? And the Swallow names me with all kinds of fair names and is embarrassed and tender and nestles close to me. And as I leave her, I ask, “Are you happy, little Swallow?” Then she kisses me many times and makes faces and waves and nods and nods. But I go down the stairs and am full of wonder. She is happy! How easily! —I can not understand. For is she not still another being, a life unto herself, wherein I can never come? Would she not still be so, though I came with all the fires of love? Ach, love—it is a torch falling into an abyss, revealing nothing but only how deep it is? I set off down the street to the station. This is not it; no, this is not it, either. One is only more alone there than ever. 3
Erich Maria Remarque (The Road Back)
I could've done it. I could've jumped and started swimming for my life. Inside me, in my chest, I felt a terrible squeezing pressure. Even now, as I write this, I can still feel that tightness. And I want you to feel it - the wind coming off the river, the waves, the silence, the wooded frontier. You're at the bow of a boat on the Rainy River. You're twenty-one years old, you're scared, and there's a hard squeezing pressure in your chest. What would you do? Would you jump? Would you feel pity for yourself? Would you think about your family and your childhood and your dreams and all you're leaving behind? Would it hurt? Would it feel like dying? Would you cry, as I did? I tried to swallow it back. I tried to smile, except I was crying. Now, perhaps, you can understand why I've never told this story before. It's not just the embarrassment of tears. That's part of it, no doubt, but what embarrasses me much more, and always will, is the paralysis that took my heart. A moral freeze: I couldn't decide, I couldn't act, I couldn't comport myself with even a pretense of modest human dignity. All I could do was cry. Quietly, not bawling, just the chest-chokes.
Tim O'Brien (The Things They Carried)
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Like A Hanged Pitcher Like a hanged pitcher, No drink is pouring off me It's natural to get numbed gradually. Pig-headed seashells! This boasting sky, Is an anchor which has fallen on my lap This dizzy sky! The moon's been cleared A shadow's coming after me Barefooted on my dreams You used to run! Enjoyed?! Numb! All my veins are connected to this land... Like a hanged pitcher Joyful of this sky One day a huge whale swallowed it as a whole. And it was over! The Gulf was over! You waved hands. Like a hanged pitcher, It's simple! I lost the game And gambled away... (TRANSLATED FROM ORIGINAL PERSIAN TO ENGLISH BY ROSA JAMALI)
Rosa Jamali (Selected Poems of Rosa Jamali)
I POINT OUT the embankment leading down to the water’s edge. “All the way down to that walking trail,” I say to Ringer. “And don’t wait for me.” She shakes her head, frowning. I lean in, keeping my expression as serious as I can. “I thought I had you with the zombie remark. One of these days, I’m going to get a smile out of you, Private.” Very much not smiling. “I don’t think so, sir.” “You have something against smiling?” “It was the first thing to go.” Then the snow and the dark swallow her. The rest of the squad follows. I can hear Teacup whimpering beneath her breath as Dumbo leads her off, going, “Run hard when it goes, Cup, okay?
Rick Yancey (The 5th Wave (The 5th Wave, #1))
I quit.” “You’re okay. It’s shock.” “No. I’m done.” He waved his sword at me. “She swallowed me! I was inside her!” Ascanio cracked up, showing way too many hyena teeth. I gave him the look of death and he clamped his mouth shut. “I quit!” Holland threat his sword down. “Okay,” Derek said. “Look, be reasonable,” Ascanio said. “We’ve all been there. One time there was this hungry wendigo . . .” “Redundant,” Derek said. Ascanio rolled his eyes. “The point is, weird shit happened. Weird shit happens a lot. It’s traumatic. Look, she rolled onto me. You don’t even want to know what gross things were pressed against my face.” Holland’s face jerked. “Too soon,” Derek said.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
I made him take some broth,” Lillian explained. “I had the devil of a time getting him to swallow—he wasn’t precisely what one would call conscious—but I persisted until I had poured a quarter cup or so down his throat. I think he relented in the hopes that I was a bad dream that might go away if he humored me.” Evie had been unable to induce Sebastian to drink anything since the previous morning. “You are the most wonderful—” “Yes, yes, I know.” Lillian airily waved away the words, uncomfortable as always with praise. “Your tray was just brought up—it’s there on the table by the window. Mulled eggs and toast. Eat every bite, dear. I should hate to have to use force on you too.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.
Ruth Ozeki (A Tale for the Time Being)
Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.
Anonymous
Row, men!’ Over their own yells, over the all-deafening roar of the elements, they nonetheless heard the cries of the men from Alkyone. Cries so extraordinary they made their hair stand on end. And these were old sea dogs, bloodied berserkers, mariners who had seen and heard many things. They dropped the oars, aware of their impotence. They were dumbfounded, they even stopped yelling. Alkyone, still whirling, slowly rose above the waves. And rose higher and higher. They saw the keel, dripping water, covered in shellfish and algae. They saw a black shape, a figure falling into the sea. Then a second. And a third. ‘They’re jumping!’ Asa Thjazi roared. ‘Row, men, don’t stop! With all your might! We must row to their aid!
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
You start on Monday with the idea implanted in your bosom that you are going to enjoy yourself.  You wave an airy adieu to the boys on shore, light your biggest pipe, and swagger about the deck as if you were Captain Cook, Sir Francis Drake, and Christopher Columbus all rolled into one.  On Tuesday, you wish you hadn’t come.  On Wednesday, Thursday, and Friday, you wish you were dead.  On Saturday, you are able to swallow a little beef tea, and to sit up on deck, and answer with a wan, sweet smile when kind-hearted people ask you how you feel now.  On Sunday, you begin to walk about again, and take solid food.  And on Monday morning, as, with your bag and umbrella in your hand, you stand by the gunwale, waiting to step ashore, you begin to thoroughly like it. I
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
She was too narcoleptic to speak. Or move. How long had this been going on? Was she like this yesterday? Had I missed her illness in my quest to prove to my brain that my dick wasn’t the one behind this train wreck’s wheel? I touched her forehead again. It sizzled. “Sweetheart.” “Please get out.” The words clawed past her throat. “Someone needs to take care of you.” “That someone definitely isn’t you. You made that clear these past couple days.” I said nothing. She was right. I hadn’t bothered to check on her. Perhaps I’d wished she’d check on me. In truth, she’d already gone beyond any expectations in trying to make whatever it was between us work. Meanwhile, I’d shut her down. Repeatedly. “Shortbread, let me get you some medicine and tea.” “I don’t want you to nurse me to health. Do you hear me?” She must have hated that I’d seen her like this. Weak and ill. “Call Momma and Frankie. It’s them I want by my side.” I swallowed but didn’t argue. I understood she didn’t want to feel humiliated. To be taken care of by the man who ensured she understood her insignificance to him. How did her bullshit meter not fry? How could she think I really felt nothing toward her? “First, I’ll get you medicine, tea, and water. Then I’ll call for Hettie to stay with you. Then I’ll notify your mother.” I tugged her comforter up to her chin. “No arguments.” She tried to wave me out, groaning at the slightest movement. “Whatever. Just go. I don’t want to see your face.” I gave her what she wanted, though as always, not in the way she expected. The sequence of actions didn’t proceed as promised. First, I contacted Cara to dispatch the private jet to Georgia. Then I called my mother-in-law and Franklin—separately—demanding their presence. Only then did I enter the kitchen to grab water, tea, and ibuprofen for Shortbread’s fever. Naturally, like the chronic idler he often proved to be, Oliver still sat at the island, now enjoying an extra-large slice of red velvet cake I was pretty sure was meant to be consumed by Dallas. “What are you still doing here?” I demanded, collecting the things I needed for her. He scratched his temple with the handle of his fork, brows pulled together. “You invited me here. You wanted to watch a soccer game, remember?” I did not remember. I didn’t even remember my own address right now. “Get out.” “What about the—” I snatched the plate from his fingers, admitting to myself that I’d treaded into feral grounds. “This cake wasn’t for you to eat.” “You’ve gone insane in the ten minutes you were gone.” Oliver gawked at me, wide-eyed. “What happened to you? Did Durban not get her hands on the latest Henry Plotkin book and take her anger out on you?” Shit. The Henry Plotkin book. I shoved Oliver out with a fork still clutched in his grimy fist, dialing Hettie with my free hand. She half-yawned, half-spoke. “Yes?” “Dallas is ill. You need to come here and take care of her until my in-laws arrive in about two hours.” “Oh, yeah?” Her energy returned tenfold. “And what the hell are you gonna do during this time?” “Freeze my balls off.”(Chapter 58)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills. Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap. It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river! And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening. It doesn't matter. The results are the same. The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you. Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear. That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
Joe Kane (Running the Amazon)
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
William talks about there being two kinds of will. Will A and Will B, I call it. Will A is what we all learn, to hold your head high, stuff it down, swallow your sobs, work hard kind of will. Will B, while it seems a slacker thing, is actually harder to have. It's a willingness instead of a willfulness, an ability to take life on life's terms as opposed to putting up a big fight. It's about being bendable, not brittle, a person who is brave enough to try to ride the waves instead of trying to stop them. Will B is what you need in order to learn to fall. It's the kind of will my mother never taught me, and yours probably never taught you either. It's a secret greater than sex; it's a spiritual thing. Will B is not passive. It means an active acceptance, a say yes, and you have to have a voice and courage if you want to learn it.
Lauren Slater (Lying: A Metaphorical Memoir)
There is no shipwreck without spectators. Even when there's no one, when it's far out at sea, at night, without witnesses, even when there's no living soul in sight for thousands of nautical miles, only waves and the viscous night, covering everything, swallowing everything; when there are no more eyes to see than there are arms to reach out, there are still spectators and the shore from which they are watching is never far away, even if, at the same time, it is infinitely distant. Even with their eyes shut, people are still watching, and I can't think of a single one who could say: I wasn't there. From inside their own homes, they are all watching the drama, and the drama is never ending; it plays out every day, every night, on high days and holidays, even when they're doing other things, they're still spectators of the 'drama at sea.
Vincent Delecroix (Small Boat)
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes. "You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain. He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you." His voice was little more than a whisper. She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God." Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that. He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?" "Yes." She clutched his hand more tightly between hers. "I meant every word." His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too." She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?" His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot." His words were starting to slur again; he was slipping back into healing sleep. Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond. She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all." She knew he heard that-his features softened, eased. As he slid into sleep, he was, very gently, smiling.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
As soon as we take our seats, a sequence of six antipasti materialize from the kitchen and swallow up the entire table: nickels of tender octopus with celery and black olives, a sweet and bitter dance of earth and sea; another plate of polpo, this time tossed with chickpeas and a sharp vinaigrette; a duo of tuna plates- the first seared and chunked and served with tomatoes and raw onion, the second whipped into a light pâté and showered with a flurry of bottarga that serves as a force multiplier for the tuna below; and finally, a plate of large sea snails, simply boiled and served with small forks for excavating the salty-sweet knuckle of meat inside. As is so often the case in Italy, we are full by the end of the opening salvo, but the night is still young, and the owner, who stops by frequently to fill my wineglass as well as his own, has a savage, unpredictable look in his eyes. Next comes the primo, a gorgeous mountain of spaghetti tossed with an ocean floor's worth of clams, the whole mixture shiny and golden from an indecent amount of olive oil used to mount the pasta at the last moment- the fat acting as a binding agent between the clams and the noodles, a glistening bridge from earth to sea. "These are real clams, expensive clams," the owner tells me, plucking one from the plate and holding it up to the light, "not those cheap, flavorless clams most restaurants use for pasta alle vongole." Just as I'm ready to wave the white napkin of surrender- stained, like my pants, a dozen shades of fat and sea- a thick cylinder of tuna loin arrives, charred black on the outside, cool and magenta through the center. "We caught this ourselves today," he whispers in my ear over the noise of the dining room, as if it were a secret to keep between the two of us. How can I refuse?
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Hating the Rain She hates the ever-falling winter rain, the gray and endless humidity that bites to the bone and stings even after the hot bath and stiff struggle into bed and under the quilts, but the winter ferns, and the way they wave in a slight breeze as though happy like grandmother’s lace curtains can’t be abandoned or lived without. She hates the endless dripping like a clock ticking away life and the heavy fog that swallows light as though life itself were vanishing, but the tree frogs with their songs and their clinging to matching green like family holding together stitch her thoughts back to July picnics. She hates her complaining voice that discourages her children’s calls and encourages their urgings that she move, maybe to Florida citrus sun, but gray day softness steeps her patience and quiets her fear of loss into something like gratitude clinging like green to summer moss and this she knows: she loves the rain.
Marian Blue (How Many Words for Rain)
The deep, salty, black sea rolls toward us, cold and indifferent, lacking all empathy. Detached, merely itself. This is what the ocean does every day. It doesn't need us for anything. It doesn't care about our hopes and fears, not does it give a damn about our descriptions. The dark weight of the sea is a superior power. Many have been in this situation every since some of our overconfident ancestors set a hollowed out tree trunk in the water and paddled off on languid waves, only to venture out too far where the currents were stronger than their arms or paddles. Or maybe like us, they were surprised by a storm. All of them must have felt the same cold shiver when they realized the sea is truly without sentimentality or memory. Whatever it swallows is gone, becoming food for the fish, crabs and annelid worms. For the lamprey, hag fish, flat worms, ring worms, and all the parasites of the deep. To be drowned and embraced by the eternal, indeterminate all.
Morten A. Strøksnes (Havboka)
Our king Apollo, O child of mighty Zeus, when you were born your father gave you a gold headband and a lyre of tortoise shell, and more: a chariot drawn by swans. You were to go to Delphi and the Kastalian springs whose waters are the gift of broad Kephissos, and there deliver justice to the Hellenes through the oracles. But when you seized the reins, you made the swans sail north to the distant land of the Hyperboreans, and though the Delphians begged you to return—with paeans of flutes and circles of women dancing about the tripod— Apollo, you remained to rule that people through the long year. Came the season when the tripod rings loud and clear in Delphi, you turned the swans to Parnassos. It was high noon of summer when you glided back from the far northlands; swallows and nightingales were singing; cicadas also sang about you; silver brooks poured down from Kastalia, and the great river Kephissos threw blue-foaming waves into the bright wind, yes, even the waters knew a god was coming home.
Alcaeus
I set out; I walked fast, but not far: ere I had measured a quarter of a mile, I heard the tramp of hoofs; a horseman came on, full gallop; a dog ran by his side. Away with evil presentiment! It was he: here he was, mounted on Mesrour, followed by Pilot. He saw me; for the moon had opened a blue field in the sky, and rode in it watery bright: he took his hat off, and waved it round his head. I now ran to meet him. “There!” he exclaimed, as he stretched out his hand and bent from the saddle: “You can’t do without me, that is evident. Step on my boot-toe; give me both hands: mount!” I obeyed: joy made me agile: I sprang up before him. A hearty kissing I got for a welcome, and some boastful triumph, which I swallowed as well as I could. He checked himself in his exultation to demand, “But is there anything the matter, Janet, that you come to meet me at such an hour? Is there anything wrong?” “No, but I thought you would never come. I could not bear to wait in the house for you, especially with this rain and wind.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Crash and burn All the stars explode tonight How'd you get so desperate? How'd you stay alive? Help me please Burn the sorrow from your eyes Oh come on, be alive again Don't lay down and die Hey hey, you know what to do Oh baby, drive away to Malibu Get well soon Please don't go any higher How are you so burned when you're barely on fire? Cry to the angels I'm gonna rescue you I'm gonna set you free tonight, baby Pour over me Hey hey, we're all watching you Oh baby, fly away to Malibu Cry to the angels That swallow you Go and part the sea, yeah, in Malibu And the sun goes down I watch you slip away And the sun goes down I walk into the waves And the sun goes down I watch you slip away And I walk And I knew, love would tear you apart Oh, and I knew the darkest secret of your heart Hey hey, I'm gonna follow you Oh baby, fly away, yeah, to Malibu Oceans of angels Oceans of stars Down by the sea is where you drown your scars I can't be near you The light just radiates I can't be near you The light just radiates
Hole
Caleb!” I gasped. “What are you doing?” “Told you I wouldn’t let you make a mess. Gonna use my mouth on you. I’m going to suck you off, and swallow everything you’ve got.” A wave of burning hot lust shot down my spine. I flexed my hips upward, because I just had to. Caleb yanked down my underwear and moved, until he was kneeling over my body. And before I could even prepare myself, he’d bent his head down to lap his tongue against my cockhead. My shout of approval could probably be heard all over Nebraska. A big hand grasped the base of my shaft. Then, he began to bathe my dick in kisses. Wet, sloppy kisses everywhere. My hips began shaking with excitement. “Oh, Caleb. I can’t…” He opened his mouth and sucked me down. I never felt anything so amazing in my life. His mouth was tight and wet all around me. He gave a good hard suck. Just one. And then I was coming. And Caleb was swallowing. My whole body shook with joy. Caleb moaned and he cupped my balls in one hand and I’d forgotten to breathe for entirely too long…
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
Where are you taking me?” Andrew demanded, whirling on the Ferryman. His muscles tensed, hands curling in and out of fists. “To my master.” The voice was ghostly, whispers of black ash and death, words cold and detached. He had an idea who that was but asked anyway: “And who is your master?” No answer came. Andrew’s insatiable rage rose up and swallowed his grief like a yawning ocean mouth, the darkest depths surging to the surface to form a mighty tidal wave. He closed the distance and seized the Ferryman’s gaunt wrist. There was no substance, no life beneath the cloak. The Ferryman slowly turned his hooded head, and Andrew found himself looking into the black hole of a self-contained night. The olfactory of decay was a punch in the face. Andrew released the Ferryman’s wrist and hastily stepped back, rocking the boat as he put distance between him and the unnatural wind spilling from the gaping orifice. Andrew shivered, the tiny hairs on his neck saluting. The cloaked head faced forward again, and the wind died away.
Laura Kreitzer (Key of Pearl (Timeless, #4.5))
Euterpe,” he blurted, and I stopped dead, jarred to the backbone. “What?” I whispered. “What?” “Lost,” he said, in a voice that wasn’t his own. “Lost. With all hands.” “No,” I said, trying for reason. “No, it’s not.” He looked at me directly then, for the first time, and seized me by the forearm. “Listen to me,” he said, and the pressure of his fingers terrified me. I tried to jerk away but couldn’t. “Listen,” he said again. “I heard it this morning from a naval captain I know. I met him at the coffeehouse, and he was recounting the tragedy. He saw it.” His voice trembled, and he stopped for a moment, firming his jaw. “A storm. He had been chasing the ship, meaning to stop and board her, when the storm came upon them both. His own ship survived and limped in, badly damaged, but he saw the Euterpe swamped by a broaching wave, he said—I have no notion what that is—” He waved away his own digression, annoyed. “She went down before his eyes. The Roberts—his ship—hung about in hopes of picking up survivors.” He swallowed. “There were none.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
Though the light was faint, Eragon was able to make out the general shape of the forest and the meadow … and the monstrously large snail that was sliding across the grass toward him. Eragon yelped and scrambled backward. The snail—whose shell was over five and a half feet tall—hesitated, then slimed toward him as fast as a man could run. A snakelike hiss came from the black slit of its mouth, and its waving eyeballs were each the size of his fist. Eragon realized that he would not have time to get to his feet, and on his back he did not have the space he needed to draw Brisingr. He prepared to cast a spell, but before he could, Saphira’s head arrowed past him and she caught the snail about the middle with her jaws. The snail’s shell cracked between her fangs with a sound like breaking slate, and the creature uttered a faint, quavering shriek. With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm.
Christopher Paolini (Inheritance (Inheritance, #4))
It's hard to have empathy and remember that, as the saying goes, everyone you meet is fighting a great battle when your attention is all taken up by being on fire right now. It's hard to find the energy to be calm and kind and to consider the divergence of experience of others when you're exhausted and trying to keep your own head above the waves and you're swallowing salt water and you have no idea where you are going to find the energy to keep kicking. Another thing about having your own shit going on is that until you get some perspective on it, that shit feels enormous. Like the center of the universe. And it kind of is, in that nobody who is excavating a pile of trauma like that has the energy for anything except shoveling. But it becomes so all-consuming that it's easy to forget that you - and your trauma - are not the only thing on anybody else's mind, or even the most important one, because they're all really busy thinking about their own shovels. ----------"Erase, Erase, Erase" / The Magazine of Fantasy and Science Fiction, September/October, 2019
Elizabeth Bear
whatever happened to the one whose hands could take pencil to paper and turn imagination into reality? whose feet could walk out the backyard door and into another world? the one with eyes ready to swallow the sky whole and a heart ambitious enough to do it? whatever happened to the one who raced from dawn ’til dusk, waving in the wind on wings of wax to wrap their fingertips around the sun, yet cowered from the glow of streetlights? the one who decided even the sun wasn’t enough and pocketed entire galaxies instead? whatever happened to the one whose dreams were so grand the universe itself had to expand to keep up the pace? the one who refused to be contained and became a universe themself? the one you’re thinking about right now? skull kid childhood is the time when one reaches toward the sky and grows into the person they were meant to be, but my childhood was the time when i reached toward fictional faces and buried my roots within a flawless facade. my childhood was the time when i rejected my own growth to mirror the growth of others because i wasn’t sure who i was supposed to be.
Parker Lee (Masquerade)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
There was a scuffling and a great thump: Someone else had clambered out of the tunnel, overbalanced slightly, and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn-rimmed glasses, and said, “Am I too late? Has it started? I only just found out, so I--I--” Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, “So--’ow eez leetle Teddy?” Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. “I--oh yes--he’s fine!” Lupin said loudly. “Yes, Tonks is with him--at her mother’s--” Percy and the other Weasleys were still staring at one another, frozen. “Here, I’ve got a picture!” Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera. “I was a fool!” Percy roared, so loudly that Lupin nearly dropped his photograph. “I was an idiot, I was a pompous prat, I was a--a--” “Ministry-loving, family-disowning, power-hungry moron,” said Fred. Percy swallowed. “Yes, I was!” “Well, you can’t say fairer than that,” said Fred, holding out his hand to Percy. Mrs. Weasley burst into tears. She ran forward, pushed Fred aside, and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. “I’m sorry, Dad,” Percy said. Mr. Weasley blinked rather rapidly, then he too hurried to hug his son. “What made you see sense, Perce?” inquired George. “It’s been coming on for a while,” said Percy, mopping his eyes under his glasses with a corner of his traveling cloak. “But I had to find a way out and it’s not so easy at the Ministry, they’re imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am.” “Well, we do look to our prefects to take a lead at times such as these,” said George in a good imitation of Percy’s most pompous manner. “Now let’s get upstairs and fight, or all the good Death Eaters’ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Alliance (Sonata)" Of dusty gazes fallen down to the soil or leaves without sound and entombing. Of metals without light, with the void, with the absence of the dead day of coup. At the top of the hands the dazzle of butterflies, the start of butterflies whose light has no end. You were keeping the trail of light, of broken beings that the sun abandoned, getting dark, throws to the churches. Stained with glances, with the aim of bees, your material of unexpected flame fleeing coming before and after the day and to your family of gold. The days stalked they cross the secrecy but fall inside of your voice of light. Oh proprietress of love, on your rest I founded my dream, my silent attitude. With your body of shy number, extended suddenly until quantities that define the earth, behind the fight of the white days of space and chills of slow deaths and withered stimuli, I feel burn your lap and move your kisses making fresh swallows in my dream. Sometimes the fate of your tears amounts as the age up to my forehead, there they are striking the waves, being destroyed of death: its’ movement is damp, depressed, final.
Pablo Neruda (Residence on Earth)
Alliance (Sonata) " Of dusty glances fallen to the ground or of soundless leaves burying themselves. Of metals without light, with the emptiness, with the absence of the suddenly dead day. At the tip of the hands the dazzlement of butterflies, the upflight of butterflies whose light has no end. You kept the trail of light, of broken beings that the abandoned sun, sinking, casts at the churches. Stained with glances, dealing with bees, your substance fleeing from unexpected flame precedes and follows the day and its family of gold. The spying days cross in secret but they fall within your voice of light. Oh mistress of love, in your rest I established my dream, my silent attitude. With your body of timid number, suddenly extended to the quantities that define the earth, behind the struggle of the days white with space and cold with slow deaths and withered stimuli, I feel your lap burn and your kisses travel shaping fresh swallows in my sleep. At times the destiny of your tears ascends like age to my forehead, there the waves are crashing, smashing themselves to death: their movement is moist, drifting, ultimate.
Pablo Neruda (The Poetry of Pablo Neruda)
What tempts you, Pippa?" "I-" She hesitated. "I care a great deal for meringue." He laughed, the sound bigger and bolder than she expected. "It's true." "No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage. She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it." A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue." Her brow furrowed. "Therefore, I am not tempted by it?" "No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In." She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?" "Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment." The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste." Oh, my. Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her. Why was he so calm and cool and utterly in control? Why was he not riddled with similar... feelings? He was a very frustrating man. She sighed. "That must be a tremendous meringue." A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
From all enchanted things of earth and air, this preciousness has been drawn. From the south wind that breathed a century and a half over the green wheat; from the perfume of the growing grasses waving over heavy-laden clover and laughing veronica, hiding the green finches, baffling the bee; from rose-lined hedge, woodbine, and cornflower, azure blue, where yellowing wheat stalks crowd up under the shadow of green firs. All the devious brooklets’ sweetness where the iris stays the sunlight; all the wild woods hold of beauty; all the broad hills of thyme and freedom thrice a hundred years repeated. “A hundred years of cowslips, bluebells, violets; purple spring and golden autumn; sunshine, shower, and dewy mornings; the night immortal; all the rhythm of time unrolling. A chronicle unwritten and past all power of writing; who shall preserve a record of the petals that fell from the roses a century ago? The swallows to the house-tops three hundred — times think of that! Thence she sprang, and the world yearns toward her beauty as to flowers that are past. The loveliness of seventeen is centuries old. That is why passion is almost sad.
Theodore Dreiser (Delphi Collected Works of Theodore Dreiser (Illustrated) (Delphi Series Eight Book 25))
I swallowed back a wave of concern as her focus jumped from my face to the indigo jewel at my chest. The blue light in the heart of the jewel glowed only faintly. A yank on the braided chain made me lurch forward and I heard Vada cry out in pain. When I looked, the vampiress was cupping her hand as if it hurt. I then understood what happened: she had attempted to grab the enchanted gemstone and it shocked her in the process. I flashed an accusatory glare at Vallatrece. “Do you mean to steal from me?” “Apparently no. It seems the stone has chosen you.” “I don’t know what you’re talking about.” “I’m not surprised.” “Well, it’s mine—that I do know. You can’t take it from me. No one can.” “How many have tried?” I refused an answer to the question. My silence was undaunting. “Where did you get that pretty trinket anyway? Who gave it to you?” “No one gave it to me; I found it.” Vallatrece scrunched up her face, communicating that she didn’t believe me. “And now that I have it,” I continued, “I no longer require your services.” “You no longer require my services? Is that so?” Again, her cheeks dimpled with amusement at my words. “Yes, it is so.
Richelle E. Goodrich (The Tarishe Curse)
I walk into the water and it’s ten degrees cooler than the air, absolutely freezing freezing cold, it makes my breath come all fast and I can only take in little gulps of air. I feel the sting of the cut on my leg as the salt gets in it. And I push further into it, so that the water comes up to my chest, then my shoulders and now I really can’t breathe properly, like I’m wearing a corset. I feel tiny fireworks explode in my head and on the surface of my skin and all the bad thoughts loosen, so I can look at them more easily. I put my head under, shaking it to encourage the bad thoughts to float away. A wave comes, and the water fills my mouth. It’s so salty it makes me gag and when I gag I swallow more water and don’t manage to breathe and more water goes in, and it’s in my nose too and each time I open my mouth for air more water comes in instead, great big salty gulps of it. I can feel the movement of the water under my feet and it feels like it’s tugging me somewhere, trying to take me with it. It’s like my body knows something I don’t because it’s fighting for me, my arms and legs thrashing out. I wonder if this is a bit what drowning is like. Then I wonder if I am drowning.
Lucy Foley (The Guest List)
We keep sending colonies up into space,” Akilah says, “and we don’t even know what’s at the bottom of the sea.” “Yeah, we do,” I counter. “Fish and stuff.” Akilah laughs. “We’ve barely explored the sea. There are places where the water is so deep that it has never seen light.” She sighs. “I would like to go to those places. I would like to sink down and down and down and see what’s hidden at the bottom.” The sea is a dangerous place because it makes you believe in forever. I stare back at the shoreline, where heavy boulders clutter the shore, a remembrance of the attacks during the Secessionary War. For all the hundreds of thousands of people killed in the war, more are dead and gone beneath the waves of the sea. I tread water, turning slowly, so the island’s behind me and all I can see is the blue-green waters. The sea goes on forever and ever. We are tiny, almost invisible specks. It could swallow us up. We are less than the bright stars of the night sky, compared to the vastness of the sea. And it is this place, as one tiny, barely visible speck bobbing in the water, where Akilah feels safe. Maybe being alone in the sea, with its unexplored depths, its clawing-finger waves, really is safer compared to the land, where there are people and malice and death.
Beth Revis (The Body Electric)
Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first. He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes. ‘Oh god, Doug, please just close them. I’m so tired.’ Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room. ‘Ready to say hello to Mum, mate?’ Doug asked. ‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy. Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark. ‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’ Sarah sat up, her eyes wide. ‘Hi, Mum,’ said Lockie again. ‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’ Doug could see her chest heaving. ‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.
Nicole Trope (The Boy Under the Table)
I thought a lot about death. My death. I got used to the idea of dying. I always imagined it’d be peaceful, with slow-motion scenes and a nice background melody… like in a movie. But I was wrong. I was lost in the eerie quiet. It was cold and dark. My hair floated lightly in the air. No, not in the air, but in the water. Water surrounded me from every side. Frozen water that seemed to burn in my lungs. I was drowning and couldn’t breathe. I tried to swim. Desperately, I kicked my legs and waved my hands, but I wasn’t able to reach the surface. I felt all my energies slowly leave me. It was too dark, and I was tired, but I didn’t want to give up. I didn’t want to die. I tried to push harder with my feet, hoping to feel something solid underneath me, but there was nothing but the fluctuating light and darkness. It swallowed me and I didn’t know what to do. I had always been afraid of two things in my life, water and darkness, so I wondered how the hell I had ended up here. My head was spinning due to the lack of oxygen. I kept fighting, but every cell in my body screamed to let it go. I had to breathe, so I opened my mouth and inhaled strongly. Water came into my lungs, but it had stopped hurting. I no longer felt anything when my body became numb and the darkness devoured me.
A.C. Pontone (Flames of Truth (The Lost Fae, #1))
Here, till our navy of a thousand sail Have made a breakfast to our foe by sea, Let us encamp to wait their happy speed.- Lorraine, what readiness is Edward in? How hast thou heard that he provided is Of martial furniture for this exploit? Lorraine To lay aside unnecessary soothing, And not to spend the time in circumstance, 'Tis bruited for a certainty, my lord, That he's exceeding strongly fortified; His subjects flock as willingly to war As if unto a triumph they were led. Charles England was wont to harbor malcontents, Bloodthirsty and seditious Catilines, Spendthrifts, and such as gape for nothing else But changing and alteration of the state. And is it possible that they are now So loyal in themselves? Lorraine All but the Scot, who solemnly protests, As heretofore I have informed his grace, Never to sheathe his sword or take a truce. King John Ah, that's the anch'rage of some better hope. But, on the other side, to think what friends King Edward hath retained in Netherland Among those ever-bibbing epicures -- Those frothy Dutchmen puffed with double beer, That drink and swill in every place they come -- Doth not a little aggravate mine ire; Besides we hear the emperor conjoins And stalls him in his own authority. But all the mightier that their number is, The greater glory reaps the victory. Some friends have we beside domestic power: The stern Polonian, and the warlike Dane, The King of Bohemia, and of Sicily Are all become confederates with us, And, as I think, are marching hither apace. [Drums within.] But soft, I hear the music of their drums, By which I guess that their approach is near. Enter the King of Bohemia, with Danes, and a Polonian Captain with other soldiers, some Muscovites, another way. King of Bohemia King John of France, as league and neighborhood Requires when friends are any way distressed, I come to aid thee with my country's force. Polonian Captain And from great Moscow, fearful to the Turk, And lofty Poland, nurse of hardy men, I bring these servitors to fight for thee, Who willingly will venture in thy cause. King John Welcome Bohemian King, and welcome all. This your great kindness I will not forget; Besides your plentiful rewards in crowns That from our treasury ye shall receive, There comes a hare-brained nation decked in pride, The spoil of whom will be a treble gain. And now my hope is full, my joy complete. At sea we are as puissant as the force Of Agamemnon in the haven of Troy; By land, with Xerxes we compare of strength, Whose soldiers drank up rivers in their thirst. Then Bayard-like, blind, overweening Ned, To reach at our imperial diadem Is either to be swallowed of the waves Or hacked a-pieces when thou com'st ashore.
William Shakespeare (King Edward III)
He passed into the galley and was greeted by a cloud of fragrant steam. The exotic scent of spices mingled with the tang of roasting meat. Startled, Gabriel choked on a sip from a tankard. In the corner, Stubb quickly shoved something behind his back. The old men’s eyes shone with more than holiday merriment. “Happy Christmas, Gray.” Gabriel extended the tankard to him. “Here. We poured you some wine.” Gray waved it off with a chuckle. “That my new Madeira you’re sampling?” Gabriel nodded as he downed another sip. “Thought I should taste it before you serve it to company. You know, to be certain it ain’t poisoned.” He drained the mug and set it down with a smile. “No, sir. Not poisoned.” “And the figs? The olives? The spices? I assume you checked them all, too? For caution’s sake, of course.” “Of course,” Stubb said, pulling his own mug from behind his back and taking a healthy swallow. “Everyone knows you can’t trust a Portuguese trader.” Gray laughed. He plucked an olive from a dish on the table and popped it into his mouth. Rich oil coated his tongue. “Did you find the crate easily enough?” he asked Stubb, reaching for another olive. The old steward nodded. “It’s all laid out, just so. Candles, too.” “Feels like Christmas proper.” Gabriel tilted his head. “Miss Turner even gave me a gift.” Gray followed the motion, squinting through the steam. I’ll be damned.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
PARABLE Worries come to a man and a woman. Small ones, light in the hand. The man decides to swallow his worries, hiding them deep within himself. The woman throws hers as far as she can from their porch. They touch each other, relieved. They make coffee, and make plans for the seaside in May. All the while, the worries of the man take his insides as their oyster, coating themselves in juice—first gastric, then nacreous—growing layer upon layer. And in the fields beyond the wash-line, the worries of the woman take root, stretching tendrils through the rich soil. The parable tells us Consider the ravens, but the ravens caw useless from the gutters of this house. The parable tells us Consider the lilies, but they shiver in the side-yard, silent. What the parable does not tell you is that this woman collects porcelain cats. Some big, some small, some gilded, some plain. One stops doors. One cups cream and another, sugar. This man knows they are tacky. Still, when the one that had belonged to her great-aunt fell and broke, he held her as she wept, held her even after her breath had lengthened to sleep. The parable does not care about such things. Worry has come to the house of a man and a woman. Their garden yields greens gone bitter, corn cowering in its husk. He asks himself, What will we eat? They sit at the table and open the mail: a bill, a bill, a bill, an invitation. She turns a saltshaker cat between her palms and asks, What will we wear? He rubs her wrist with his thumb. He wonders how to offer the string of pearls writhing in his belly.
Sandra Beasley (Count the Waves: Poems)
Can't Hold Us Down" (feat. Lil' Kim) So what am I not supposed to have an opinion Should I be quiet just because I'm a woman Call me a bitch cos I speak what's on my mind Guess it's easier for you to swallow if I sat and smiled When a female fires back Suddenly big talker don't know how to act So he does what any little boy would do Making up a few false rumors or two That for sure is not a man to me Slanderin' names for popularity It's sad you only get your fame through controversy But now it's time for me to come and give you more to say This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave them proud Take a deep breath and say it loud Never can, never will, can't hold us down Nobody can hold us down Nobody can hold us down Nobody can hold us down Never can, never will So what am I not supposed to say what I'm saying Are you offended by the message I'm bringing Call me whatever cos your words don't mean a thing Guess you ain't even a man enough to handle what I sing If you look back in history It's a common double standard of society The guy gets all the glory the more he can score While the girl can do the same and yet you call her a whore I don't understand why it's okay The guy can get away with it & the girl gets named All my ladies come together and make a change Start a new beginning for us everybody sing This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard What do we do girls? Shout Out Loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down [Lil' Kim:] Check it - Here's something I just can't understand If the guy have three girls then he's the man He can either give us some head, sex a roar If the girl do the same, then she's a whore But the table's about to turn I'll bet my fame on it Cats take my ideas and put their name on it It's airight though, you can't hold me down I got to keep on movin' To all my girls with a man who be tryin to mack Do it right back to him and let that be that You need to let him know that his game is whack And Lil' Kim and Christina Aguilera got your back But you're just a little boy Think you're so cute, so coy You must talk so big To make up for smaller things So you're just a little boy All you'll do is annoy You must talk so big To make up for smaller things This is for my girls... This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Should out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down Spread the word, can't hold us down
Christina Aguilera
Hungrily, Nick pulled her with him into the hot rain of the shower-bath. Turning her face out of the stream of water, Lottie rested her head on his shoulder, standing passively as his hands slid over her body. Her breasts were small but plump in his hands, the nipples turning hard in the clasp of his fingers. He shaped his hands over her unrestricted waist, the swell of her hips, her round backside... caressing her everywhere, moving her against the engorged length of his sex. Moaning, she parted her thighs in compliance with his exploring hand, pushing her delicate flesh against his stroking thumb. As he entered her with his fingers, she gasped and instinctively relaxed at the gentle penetration. He caressed her, stroking in deep, secret places that brought her to the brink of climax. When she was ready to come, he lifted her against the tiled wall, one arm beneath her hips, the other behind her back. She made a sound of surprise and clung to him, her eyes widening as he pushed his cock inside her. Her flesh closed tightly around him, swallowing every inch of his shaft as he let her settle against him. "I've got you," he murmured, her slippery body locked securely in his arms. "Don't be afraid." Breathing fast, she rested her head back against his arm. With the hot water falling against his back, and the lush female body impaled on his, every lucid thought promptly evaporated. He filled her in heavy upward surges, again and again, until she cried out and clamped around him in luxurious contractions. Nick held still, feeling her quiver around him, the depths of her body becoming almost unbearably snug. Her spasms seemed to pull him deeper, drawing waves of pleasure from his groin, and he shuddered as he spent inside her.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Hey, I have an idea,” Lex said. “Give me a sec.” He kept trying. “Idea as in ‘good idea,’ or idea as in ‘let’s take the Ferris wheel, everyone, I’m sure it’ll be a carefree ride of thrills and delights and whimsy’—” “Does this help?” Driggs opened his eyes and, in the space of a yoctosecond, popped right into a solid body. Lex half expected to hear a wacky boing sound effect. She grabbed his arm to keep him that way, while he kept on staring at her bare chest. “So,” he said, swallowing, “good idea, then.” “Thank you.” He pulled her close and gave her a kiss. “And thank you for sparing me your devil corset.” She held it up and waved it in his face. “It’s a standard bra, Driggs. From, like, Target.” “Satan employs many disguises.” “Like you’re from the Land of Superior Underwear. Let’s see what sort of designer boxers you’ve chosen to grace my presence with today.” She unzipped his pants and looked. “Dude. Penguins?” “Um, penguins are officially recognized as the most adorable bird on the planet,” he said, a hint of anxiety creeping into his voice. “What’s wrong with penguins?” “Nothing—” “And igloos. See their little igloos?” “Yes—” “The Santa hats are a bit much, I’ll give you that, but they were a Christmas present, okay? And if I’d known that I was going to die while wearing them and be forever doomed to their Arctic quirkiness—and of hypothermia, too, how’s that for irony—” “Driggs,” she interrupted, grabbing his chin and boring her eyes into his. “I thought we were on a tight time frame here.” “Right.” He scratched his head. “I think that perhaps, since I’m talking way too much, there is the slightest chance that I might be a tiny bit nervous.” Lex smirked. “Relax, spaz.” “Oh, no way. You do not get to use that against me.
Gina Damico (Rogue (Croak, #3))
I kicked a rib cage off my foot and swaggered around the tree as if I owned the place. “Hey there!” Startled, Nidhogg stopped in mid-mutter. He stared at me, his huge yellow eyes blinking in confusion. Then, nostrils flaring dangerously, he let out a bellow that doubled as an impressive display of razor-sharp fangs. My heart faltered, but I swallowed my fear and pressed on. “Is that supposed to intimidate me?” I made a big show of rolling my eyes. “I’ve heard louder roars from Thor’s butt.” Nidhogg flinched as if I’d whacked him on the nose with a rolled-up newspaper. “That wasn’t very nice.” He sounded so hurt I almost felt sorry for him. Instead, I snorted with derision. “Buddy, I insult everyone.” I waved my daggers. “See these? They’re sharp, but not as sharp as my tongue.” Or your fangs, I added to myself as the dragon loomed in closer to inspect my blades. “Wow. Those are pointy.” Nidhogg looked genuinely impressed. “Are your insults really sharper than that?” “Mister, that question is so dumb it makes me think your brain is like Odin’s left eye socket—completely empty.” Nidhogg winced. “Wow. That really, really hurt. But you’re right, of course.” He tapped a daggerlike claw against his skull. “My brain is empty. Of insults, anyway.” That was my opening. I sheathed my daggers and cocked my head to one side as if considering something. “You know, I have some powerful one-liners that never fail to infuriate. I’d be willing to share a few, but what’s in it for me?” Nidhogg scratched his belly. “Well, for starters, I won’t eat you,” he offered. “Hmm. Tell you what. Let me climb up Yggdrasil when we’re done, and you’ve got a deal.” Nidhogg stuck out a claw. I thought he was going to slice me to ribbons, but then I realized he wanted to shake on it. I did so, very carefully. “Okay,” I said.
Rick Riordan (9 From the Nine Worlds)
Wave after wave of an orgasm broke over her, but soon it would be over for him. “Stop,” Livia panted. Blake paused as Livia swallowed to try to compose herself. She was here for a reason. “The mask. Take it off. I want you to kiss me.” Livia watched his eyes. He was scared. “Blake, you’re inside of me. I’ll keep you safe. You’re inside of me.” Livia squeezed him again, reminding him exactly where he was. Blake smiled at the sensation. “Do it for me, Livia. Please.” And even though they were naked and locked in the most intimate embrace, this was the striptease. Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited. Open your eyes. After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory. The o in sorry vanished. Blake looked at Livia beneath him. She smiled. “Five hundred ninety-eight,” he whispered. Still counting. “Yes! Yes. I knew you could do this. I knew you could do this.” Livia beamed with pride. Blake blurred as her eyes became two pools of tears. He kissed her softly, but Livia wanted the rough thrusts back. She pulled away and wiped her eyes. “Giddy up!” Livia spanked Blake playfully. He gave a little chuckle before he put her out of her misery. If she thought he was going fast and hard before, she was wrong. Blake was almost done when he let Livia’s leg slip from his shoulder. He kissed her with his clever tongue and moaned loudly into her mouth.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
D’you think Scotland’s going to leave?” “Go for independence? Maybe,” said Strike. “The polls are close. Barclay thinks it could happen. He was telling me about some old mates of his at home. They sound just like Polworth. Same hate figures, same promises everything’ll be rainbows and unicorns if only they cut themselves free of London. Anyone pointing out pitfalls or difficulties is scaremongering. Experts don’t know anything. Facts lie. ‘Things can’t be any worse than they are.’” Strike put several chips in his mouth, chewed, swallowed, then said, “But life’s taught me things can always get worse than they are. I thought I had it hard, then they wheeled a bloke onto the ward who’d had both his legs and his genitals blown off.” He’d never before talked to Robin about the aftermath of his life-changing injury. Indeed, he rarely mentioned his missing leg. A barrier had definitely fallen, Robin thought, since their whisky-fueled talk in the dark office. “Everyone wants a single, simple solution,” he said, now finishing his last few chips. “One weird trick to lose belly fat. I’ve never clicked on it, but I understand the appeal.” “Well, reinvention’s such an inviting idea, isn’t it?” said Robin, her eyes on the fake hot-air balloons, circling on their prescribed course. “Look at Douthwaite, changing his name and finding a new woman every few years. Reinventing a whole country would feel amazing. Being part of that.” “Yeah,” said Strike. “Of course, people think if they subsume themselves in something bigger, and that changes, they’ll change too.” “Well, there’s nothing wrong with wanting to be better, or different, is there?” asked Robin. “Nothing wrong with wanting to improve things?” “Not at all,” said Strike. “But people who fundamentally change are rare, in my experience, because it’s bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who’s radically different to the person they were forty years ago?
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Reaching the bottom of the ladder, she turned around, but had only taken a few steps down the swaying passageway when her path was blocked by a large, formidable silhouette: Rohan stepped out of his cabin and stood waiting for her. He loomed in the darkness ahead as she approached, his angular face cast in shadow, his black shirt hanging open down his sculpted chest. Kate felt an instantaneous awareness of him in her most primal core, but she hesitated before the fevered intensity in his stare. "I-I thought you went to bed." "Can't sleep." She did not need to ask why. Who could sleep after the night he'd had? She stopped in front of him, wondering what to say. His hungry gaze stayed fixed on her, and something in his silvery eyes made her heart begin to pound. "What did you think of what my father said?" "I don't want to talk." As he reached out and cupped her cheek, Kate swallowed hard, but she hardly had to ask what he wanted to do. She could feel the heat of his need coming off him in waves. She drew in her breath as he ran his hand down from her cheek along the side of her neck. He threaded his fingers into her hair, moving closer as he drew her toward him. He bent his head and claimed her mouth, his lips, burning, silken, against hers; she quivered with temptation as he consumed her tongue. The fierce demand in his kiss threatened to overwhelm her. "I want you," he whispered, breathing heavily. His bold advance jarred her somewhat back to her senses. "You must be joking," she uttered, yanking away from him and trying to hide her mad desire behind a mask of self-possession. "I'm not your harlot anymore." "You said you love me. Prove it," he murmured. He captured her hand and brought her palm to his loins, making her feel the massive evidence of his sincerity. She bit her lower lip, striving to reason against passion. Letting her palm linger on his rigid shaft a heartbeat too long, she withdrew her touch, determined to get around him. "Rohan." "Sleep with me," he ordered in a whisper, too proud to beg, but then again, he'd never have to.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on. It was paradise. It was pure torture. He swore. She broke the kiss and smiled at him. “So you find me annoying, but you still want me,” she whispered. “I don’t find you annoying.” He pushed against her crotch. “I don’t find you annoying, either.” He read the passion in her eyes and knew she was more than willing to take things to the next level. He glanced around, searching for a soft, private spot, only to realize they were out in the open and likely to be discovered any second. It wasn’t romantic, it wasn’t smart, and he didn’t have a condom with him. Phoebe deserved a whole lot better. “I want you,” he told her. She tightened her legs around him. “Me, too.” Color stained her cheeks. “I’ve never said that to a man before.” Zane realized he hadn’t told a woman, either. He’d shown her, but he’d never actually spoken the words. Phoebe was changing him in all kinds of ways. He wanted her with a desperation he’d never felt before. And yet… “We can’t,” he said gently, ignoring the hardness and the pain in his groin. “You deserve better than something hot and fast up against a tree.” She swallowed. “I’m not so sure about that.” “I am.” “Oh.” She sounded disappointed. Had she been anyone else, he would have said the hell with it and taken what she offered. But she was Phoebe. From behind them came the sound of a car horn honking, and then another. They couldn’t see anything through the trees, but they heard laughter drifting toward them as at least a couple of off-road vehicles drove slowly past. “Sounds like we have company,” he said. “We’re close to Stryker land. Guess they decided to say hi. You go on ahead. I need a few minutes.” When he pointed at the front of his jeans, she blushed. “Oh. I see your problem. Well, you could walk right behind me and no one would notice.” He chuckled. “I’ll wait it out. Go on.” “Okay.” She headed toward camp. Zane watched her go, taking in the sway of her hips and the wave she gave him right before she disappeared.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Eragon! Saphira! Rouse yourselves! Eragon’s eyes snapped open. He sat upright and grabbed Brisingr. All was dark, save for the dull red glow of the bed of coals to his right and a ragged patch of starry sky off to the east. Though the light was faint, Eragon was able to make out the general shape of the forest and the meadow…and the monstrously large snail that was sliding across the grass toward him. Eragon yelped and scrambled backward. The snail--whose shell was over five and a half feet tall--hesitated, then slimed toward him as fast as a man could run. A snakelike hiss came from the black slit of its mouth, and its waving eyeballs were each the size of his fist. Eragon realized that he would not have time to get to his feet, and on his back he did not have the space he needed to draw Brisingr. He prepared to cast a spell, but before he could, Saphira’s head arrowed past him and she caught the snail about the middle with her jaws. The snail’s shell cracked between her fangs with a sound like breaking slate, and the creature uttered a faint, quavering shriek. With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm. Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies. “Over there!” shouted Eragon. Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction. She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead. Now you can have a proper breakfeast, said Saphira.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.
Clarissa Wild (Cruel Boy)
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
Claire… It is not what you think. Won’t you please allow me to explain? Please. Allow me to speak with you.” It was more tempting than she liked. “There is nothing to say. We both know what I saw.” She paused. “Now go away.” Her tone was as aloof as she could manage between tears that would not stop. She saw the handle turn. “Don’t you dare!” She took a pre-emptive step back. But he did dare. The door opened slowly. “Are you…dressed?” “Of course, I am dressed!” she said furiously. “I am packing. Kindly have a carriage ordered.” It was a lie but he would not know that. Her case was still open on the window seat. He pushed the door open wider. He did not look like a man who had come from the arms of another woman. His face was not flushed with desire. It looked rather drawn in fact. But what did she know of such things? Perhaps that woman had merely exhausted him. “I did not invite her here, Claire. I did not even know she was coming.” He pushed locks of dark hair from his eyes. Claire bit her lip, thinking of how she had looked forward to touching those waves, brushing it possessively off his face herself. “Serafina does what she pleases. As you can see, she has no sense of propriety or discretion. She believes she owns Isabel and I even still. Even though, after her unforgiveable actions, she quite thoroughly relinquished rights to us both some time ago. I do not believe Isabel has pardoned her yet. I certainly will not.” He looked at her, eyes wide and beseeching. Not a hint of pride or arrogance. “She does not want me to be happy without her, Claire,” he said softly. “She must have found out I was to be married and she came with all haste. This is exactly what she was hoping for—or nearly so. When you walked in…” “Oh? Nearly so?” Fury twisted inside her. “I apologize for intruding so unexpectedly, for interrupting your passionate liaison. I suppose if Isabel and I had not walked in, you would still be there even now. On the floor together perhaps.” Thomas looked taken aback, then angry. “Of course not! Do you really think me so…? Is that what you believe, Claire? You did exactly what Serafina hoped you would do. Reacted with anger and jealousy, blamed me, and stormed out.” “Jealousy!” Claire exclaimed, drawing herself up. “I assure you—I am not jealous in the least. If she wants you, she is welcome to have you. I did not want you in the first place, as you will recall.” He flinched. If she did not know better, she might almost have believed him to be hurt. She swallowed hard. “What have I to be jealous of? The fact that you prefer your mistress to…” Oh, no. Her voice was catching in her throat. “…to… me…” She hiccupped embarrassingly, tears flowing over. All of a sudden Thomas’s arms were around her, holding her firmly to his chest. “Claire… No, no…” he whispered. Her cheek was pressed up rather roughly against his tailcoat. He smelled so good. She closed her eyes, her body relaxing against him. There was another smell there. An overpoweringly sweet scent of lilacs. She pushed herself away, hands against his chest. “You smell of her.” He looked horrified. Horrified that he did? Or horrified that she had noticed? Did he smell of her from head to toe? Claire felt nauseous.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Tell me what happened.” “He was here,” I said, hoarse. “He lit the can on fire and took the extinguisher nearby. I ran to the back to get the other and he pushed one of the shelves over on me.” The muscles in Holt’s jaw clenched and flexed beneath the stubble that lined his face. “Do you ever shave?” I wondered out loud. He smiled and rubbed at the gruffness. “I just trim it.” I nodded. “Do you like it?” he asked. Once again, I touched him, brazenly running my hand along his jaw. It was soft and rough at the same time—the perfect balance. “Yeah, I do.” “Good to know,” he said, taking my hand, linking our fingers together, and then his face grew serious again. “Obviously, I avoided the shelf.” “Did you get a look at his face?” I cringed at the hopefulness in his voice. “No,” I admitted. “I tried, but he kicked me.” His eyes went murderous. Maybe I shouldn’t have said that. “He. Kicked. You,” he ground out, making each word into a pointed sentence. This time I kept my mouth shut. “Where?” he demanded. I wasn’t going to reply, but his eyes narrowed and I knew he would eventually make me tell him. I was going to have to tell the cops anyway. Weariness floated over me at the thought of enduring yet another one of their hours-long interrogations. I lifted my wrist, the bandage just dangling from the area now, not covering or protecting a thing. The waves of hatred that rolled off him made me sincerely glad that all that emotion wasn’t directed at me. He stared at my delicately injured skin (some of it had gotten torn in the struggle and was slick with some sort of puss… Eww, gross), and I kind of thought the top of his head might explode. I was going to reassure him that I was okay, but the police rushed inside, followed closely behind by a medic with a first aid kit. “She needs medical attention,” Holt barked, authority ringing through his tone. The medic hurried to comply, slamming down his kit and springing it open. Holt dropped his hand onto the man’s shoulder and squeezed. “Bryant, I don’t even want to see a flick of pain cross her face when you touch her.” Bryant looked at me and swallowed thickly. “Yes, Chief.” “Chief?” I said, looking up at Holt. “I’ll be right back,” he said to me in a much gentler tone and then moved away. Bryant was fumbling with his supplies, Holt’s words clearly making him nervous. “Relax.” I tried to soothe him. “He’s just on edge about what happened. I’m fine. I promise to smile the whole time you fix me up.” “But it’s going to hurt,” he blurted apologetically. “Yeah, I know. Just do it. I’ll be fine.” That seemed to calm him a little, and he got to work. It did hurt. Incredibly. I felt Holt’s stare and I glanced up, giving him a fake smile. He rolled his eyes and turned back to one of the officers. “Hey,” I said to the medic. “Why did you call him chief?” He gave me a quizzical look. “Arkain’s the Wilmington Fire Chief.” My eyes jerked back to Holt where he stood talking to the police force and the firefighters that responded to the call. His firefighters. “I didn’t realize,” I murmured. Bryant nodded. “I guess I can understand that. He’s a humble guy. Doesn’t like to throw his position around.” I made a sound of agreement as he applied something to my wrist that made my entire body jerk. I bit down on my lip to keep from crying out. “I’m sorry!” he said a little too loudly. Holt stiffened and he turned, looking at me over his shoulder. I blinked back the tears that flooded my eyes and waved at him with my free hand. He said a few more words to the men standing around him and then he left them, coming to stand over poor Bryant. I never realized how intimidating he was when he wanted to be.
Cambria Hebert (Torch (Take It Off, #1))
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
He said loving me was like seeing the ocean for the first time. Watching the waves crash senselessly against the rocks, over and over. Grabbing fistfuls of sand as it trickled through his fingers, like my hair, brittle as ebony, strong and taut like the bumps of his knuckles. He said it was like swallowing his first mouthful of the sea — the sudden shock of betrayal.
Lang Leav (The Universe of Us)
I am black, I was born black, I will die black and I will never ever be apologetic for being black. I have tasted the bitterness of racism from my mother’s breast, I have felt the ugliness of racism crawling through my tender veins. I have seen the blanket of suffocated the black nation in its own land. I have heard the bleating cry of many young, old people and babies all over the globe but no one had guts to take action and save them. I have watched my black nation swallowed up by the vicious waves of racism. I am a mother, I am grandmother and I am pleading with the prayer warriors, wailing mothers and peacemakers to avail themselves especially for those who called themselves the blood washed vessels of the Almighty God. Those who believe and have knowledge and wisdom that God is no respecter of persons, He has no favourites. Let’s come together and lift our holy hands, nation to nation, black, brown, yellow and white and call for equality of humanity. Prayer warriors arise, uproot and tear down this beast of racism which raises its head like never before to devour the black nation every second. The black nation is the creation of the Almighty God too The black nation is a hundred percent human too The black nation belongs to this planet too The black nation is worth living too The black nation has feelings too The black nation deserves better too The black nation deserves justice too The black nation is loved by God too
Euginia Herlihy
I’m going to come in your mouth, baby,” he hisses, his hips losing their rhythm. “I’m going to come in your mouth and you’re going to swallow all of it like a good little girl, you hear me?” He grabs my head with both hands. “Are you going to come with me?” he chokes, ramming into my mouth. I’m unable to tell him that his words have already pushed me to the edge and I am mid-orgasm. Wave after wave of release crash through my body as Marcus roars and fill up my mouth his seed. But I still make sure I swallow. Like a good girl.
Nova Flynn (My Boyfriend's Daddy)
My whole life I’ve been terrified of the ocean. I’ve been scared of being dragged down into a cold, dark sea, swallowed by waves, clutching my chest and gasping for air. But this sea is not made of water. And maybe drowning is the only way out.
Jennifer Hartmann (Still Beating)
My mother, my source of life, could not accept me, and worse, in front of others she pretended she did. My awareness of the contrast in realities swept me up in tidal waves of confusion. My states of being were so unsettled, so mind-blowing, so subjective …life almost swallowed me up.
Lisa A. Romano (The Road Back to Me: Healing and Recovering From Co-dependency, Addiction, Enabling, and Low Self Esteem.)
Serch." Why did he always sound like the one who'd been left, who'd been denied? His fingers brushed Serch's forearm, though, and it damn near took him out. His belly pulled tight and heat crashed over his head like a fucking wave, rocking him and weakening his limbs. "Don't do this," German begged softly. "Gram is gone. It's just you and me now." He clasped Serch's shoulder. "I don't want to fight." All Serch had was the fight, otherwise, he'd be empty, hollowed out by the pain with no one to pass it off to. "Serch." German's whole fucking palm rested on Serch's face. It just sat there, warm and enticing. The best touch a beggar like him could ever hope to have. "I love you." His soul shook. His heart broke all over again. Serch spun away from him, giving German his back as he leaned against the doorframe, head bowed. "Please." That shaky voice sounded close, too close to Serch. "Please." "Fuck your love." Serch faced him with a snarl, chest heaving as he gave up on attempting to control himself. "You love me, German? You kiss me and tell me you want me, and then the instant I turn my back you move across the fucking country with somebody else. You love me? You stay away for years and only speak to me once, once--" He held up a finger. "On the phone." His brother's mouth opened and closed, but Serch refused to let him talk. "I've had birthdays without you. I've taken care of Gram without you. I had to watch her die..." His voice disappeared then, and he had to swallow and swallow before finishing. "Without you." "I'm sorry." "Don't tell me that shit!" Serch exploded. "Tell me how I can stop wanting you, because I do. Tell me how I can stop feeling your body against mine, because I do. Your cries, your taste. I still get off on them." He grabbed the front of his own t-shirt, fisting it, tugging on it. "Tell me how to stop missing you, because I've been lonely since the day you left. And I'm alone now, even with your breath incinerating my skin." "I miss you, too." Fuck! Somebody moved. Somebody must have moved because they were on each other, the press of their bodies so fucking good Serch's eyes watered. German was in his embrace, arms at his nape, fingers gripping his hair. Parted lips on his.
Avril Ashton (Want It)
The former you can ignore and brush off with a waving hand; the latter shows no remorse as it engulfs you and swallows you whole until you have no choice but to acknowledge it.
Jennifer Roachford (The Secret Mage (Elice, the Great, #1))
You always look good to me. Concealer, no concealer. Fancy dress, Harvey’s sweat suit. Smooth hair”—his hand waves over me with a low chuckle—“whatever this is. It doesn’t matter. You’re you.” I swallow and try my best not to melt onto the floor into a squishy pile of mush. “That’s probably what you tell all the girls, Gervais.” “Nah, Sunny. You’re my only girl.
Elsie Silver (Powerless (Chestnut Springs, #3))
God did nothing with that child because there was no God. There was war, and war was a row of tornadoes tearing up the ground one after the other, and war was a set of tidal waves swallowing up buildings, villages, towns, a tsunami of water kneading them into a paste before finally spitting them out.
Pajtim Statovci (My Cat Yugoslavia)
In a small wave of shock that Zanders wants to give me his number, I swallow, pull my phone out, and hand it over.  I watch as his ring-covered fingers type in the ten digits with precision before adding his name. Zee (Daddy) Zanders
Liz Tomforde (Mile High (Windy City, #1))
Beyond these, illuminated by past summers, one summer remained that stayed the sun long into the night after you had watched the others; others with their fathers knee-deep, belly-button unconcerned, roly-poly mothers stretching out of the sea. Whiter than starch hands on bat and ball, you failed to catch. Tents, buckets, spades; others that went on digging barricades. You castle-bound, spying on princesses, honey-gold, singing against the blue, if touched surely their skin would ooze? Aware of own smell, skin-texture, sun in eyes, lips, toes, the softness underneath, in between, wondering what miracle made you, the sky, the sea. Conscious of sound, gulls hovering, crying, or silent at rarer intervals, their swift turns before being swallowed by the waves. Then no sound, all suddenly would be soundless, treading softly, dividing rocks with fins, and sword-fish fingers plucking away clothes, that were left with your anatomy, huddled like ruffled birds waiting. A chrysalis heart formed on the water’s surface, away from the hard-polished pebbles, sand-blowing and elongated shadows. Away, faster than air itself, dragon-whirled. Be given to, the sliding of water, to forget, be forgotten; premature thoughts—predetermined action. In a moment fixed between one wave and the next, the outline of what might be ahead. On your back, staring into space, becoming part of the sky, a speckled bird’s breast that opened up at the slightest notion on your part. But the hands, remember the hands that pulled your legs, that doubled you up, and dragged you down? Surprised at non-resistance. Voices that called, creating confusion. Cells tighter than shells, you spinning into spirals, quick-silver, thrashing the water, making stars scatter. Narcissus above, staring at a shadow-bat spreading out, finally disappearing into the very centre of the ocean. They were always there waiting by the edge, behind them the cliffs extended. Your head disembodied, bouncing above the separate force of arms and legs, rhythmical, the glorious sensation of weightlessness, moon-controlled, and far below your heart went on exploring, no matter how many years came between, nor how many people were thrust into focus. That had surely been the beginning, the separating of yourself from the world that no longer revolved round you, the awareness of becoming part of, merging into something else, no longer dependent upon anyone, a freedom that found its own reality, half of you the constant guardian, watching your actions, your responses, what you accepted, what you might reject.
Ann Quin (Berg)
Life is like an ocean. To enjoy them, we need to learn to ride the waves, not control them or we can get swallowed by them.
Sushil Rungta
The season for sailing. Already the chattering swallow returns with the slender west wind. Meadows bloom, and the boiling waves of the sea, whipped by gales, are smooth and silent. Come then, sailor, haul in the anchors and loosen the hawsers, and sail with all the canvas flying. It is Priapos, god of the harbor, who warns you now: set out from this port for foreign cargoes.
Leonidas of Tarentum
There was perhaps no other school in the greater Melbourne area, perhaps no other school in Australia, that had so many children of war. Some shy, some loud, some laughing, some quiet—and every one of them on a hair trigger. Every one of them swallowing barrels and buckets of the wrath, frustration, grief, and shame that other Year 6 students sipped in juice-box amounts.
E. Lily Yu (On Fragile Waves)
Back in my muddy clothes at the door of my room, swallowing pills and lighting cigarettes, wanting to sleep but not wanting to dream, thinking this’ll be the day that I die, pictures of Paula waving bye bye.
David Peace (Nineteen Seventy-Four (Red Riding, #1))
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
The old cliché, “There are no words,” is regarded by many as an empty platitude, but I beg to differ. Well-meaning people use the expression over and over because it’s true. We don’t have the language to describe the grief that comes in waves, swallows us up, and keeps us on our knees. There is no road map through grief: it takes time, patience, and love for the soul to heal and reemerge. A deep faith in God and the belief that, as promised, we will indeed see our loved ones again in heaven has kept many people anchored until such time as they can right the ship and find the joy in living again.
Stephen H. Donnelly (A Saint and a Sinner: The Rise and Fall of a Beloved Catholic Priest)
People are usually like the sea, a constant, unerasable part of something bigger, but I’m more like a single wave that washes over the shore, ebbs away, and doesn’t leave a trace behind.” He swallowed, his knuckles almost white on the wheel. Mika looked away. “I’m afraid I’ll never leave a mark on anybody.
Sangu Mandanna (The Very Secret Society of Irregular Witches)
I always knew running a marathon in Antarctica was going to be incredibly demanding. But the bigger challenge was getting there. Over two days, you have to cross one of the roughest bodies of water called the Drake Passage. The Drake’s fifteen- to twenty-foot-high waves have swallowed many ships in its icy cold depths. I was concerned about the risks, and I approached my wife, who said, “I married you because you had bold dreams. Go for it.
Satish Shenoy (Runaway Growth: Seven Life & Business Lessons from Running Marathons across Seven Continents)
Harley Renee Bennet, every moment spent with you has made me feel like the luckiest man in the world. I'm so tied up in you and I couldn't imagine my life without you," I confessed, as I swallowed the lump in my throat. "I'm not saying that life with me will be easy, but I promise that I will always make you smile and remind you of how remarkable you are. I will cherish and love you for the brilliant woman you are, and we will ride each and every wave together. Harley, will you marry me?" I asked staring into her eyes. - Owen
Cassie Fairbanks (Tied Up in Him (Kings of Honor #1))
A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shallows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.
John Steinbeck (Of Mice and Men)
Lane brought me back to this, and she knew it was critical that I surf again. It was there in her voice and her eyes and her kiss that day. I love her. The truth is a wave that threatens to swallow me whole. Everything in me is rewritten, and yet, it’s all falling into place. I love Lane. I’ve always loved Lane. Those times when I thought she was mine, that was love. All those times I protected her, fought for her, rescued her.
Sophia Travers (One Billion Reasons (Kings Lane Billionaires, #1))
Why do they have Christmas every single year?" she asked. "Oh, boy," he said with a smile. "Where's this going?" "I think it's a very fair question," she said, tipping the rest of her drink into her mouth and making the little kuh! noise she always did when she swallowed liquor. "Nobody has enough time for it. Nobody wants to go through the whole..." She waved the had without the glass in it. "I don't think they need to have it every year." "How often do you think?" "Every four years, like the Olympics." "The Olympics are every two years now." "Okay, every four years like the Winter Olympics, you lawyer.
Linda Holmes (Evvie Drake Starts Over)
I pushed aside all thoughts of my family just so I could keep going, but it was like trying to hold back the sea. Try as I might, the waves kept crashing down on my head and swallowing me up. Eventually, when I had all but drowned, I realised that by pushing the memory of my family away, I was slowly erasing them. It was the last thing I wanted, so I made a change. When I accepted my pain instead of trying to block it out, and I allowed myself to remember their faces, my family returned to me. I’ve been carrying them with me ever since.
Iain Rob Wright (The Road (The Spread, #4))
The mud carries Anneke. There's a moment when she feels as if she is flying and floating. She closes her eyes, lets herself be carried. Is this what the woman in El Salvador felt bobbing in the waves? Was this how she bounced against rocks weightless on the water? When did she stop caring? Was it before she was tossed into the sea? Or was it when the darkness came across Rodger's eyes a floodtide of black that swallowed his irises? Down the mud goes. The hills of Malibu are receding above her. The mud is rushing invading some houses and skipping others. Is this house the world slips away in slow motion? Anneke is spinning buffeted from one side of the stream to the other. It's almost peaceful. These women. These women, beautiful and wild, out of control. These women he loved with a ferocity he couldn't tame, a passion he didn't understand. These women who tortured and tormented him. These women who would taunt screw and die. These women he loved, hated, and destroyed. These women. All these women who haunted Western. Anneke had tried to keep them safe, she tried. What more does the world want? The mud blankets her face as black as Rodger's stare. One by one things are lost to her: sight, smell, and now sound. She can no longer hear the mud roar. It has filled her ears. She continues down in quiet.
Ivy Pochoda (These Women)
Now listen,” Reynie said, holding up his hand to check Kate, who had begun to speak again, “before we stray too far from the subject, won’t you tell me what you were doing just now? The last time I heard a sound like that was when the orphanage cat spit up a hairball.” “Oh, that?” Kate said with a shrug. “I’m training myself to regurgitate things, but it’s a lot harder than you’d think.” Seeing Reynie’s horrified expression, she quickly explained, “It’s an old escape artist’s trick. Houdini and all those guys could do it. They’d swallow a lockpick or something, and later they’d use their throat muscles to bring it back up. You’re supposed to train with a string tied to whatever it is you’re swallowing, so you can help pull it back out. I did that at first, but then I thought I might manage it without the string. No luck yet, though.” “So I was right,” Reynie said. “It is funny. But isn’t it dangerous?” Kate pursed her lips, considering. Evidently this had never occurred to her. She wasn’t one to worry about danger much. “I suppose it isn’t the safest thing in the world,” she admitted, and with a serious look she said, “You’d better not try it.” Reynie laughed (for nothing could possibly induce him to try such a thing himself), then affected an equally serious look and said, “All right, Kate, I promise never to swallow—well, what was it you swallowed, anyway?” Kate rolled her eyes and waved off the question. “I don’t want to talk about it.” “And, hey, what happens to it now?” Reynie persisted, looking horrified again. “I mean, since you couldn’t—?” “I don’t,” Kate said firmly, “want to talk about it.
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
Everyday is like a raging sea. It seems calm but when my back is turned the waves wash over me to swallow me whole. And there's nothing I can do but be swept away.
Nodeok (The Shape of Sympathy)
The wave of cockroaches flew up above Hajime and the others, then, as if being pulled down by gravity, crashed into them as one solid mass. The party’s field of vision was filled with wriggling black bodies. Many of the cockroaches were squished on impact and left disgusting brown streaks as their bodies slid down the barrier. Those that survived crawled all around the barrier’s surface, seeking for a way in. “I-I can’t—” Disgusted beyond reason, Suzu fainted. Kouki rushed over to Suzu and grabbed her as she fell. “Suzu, don’t fall asleep! If you fall asleep it’s all over for us!” That was no exaggeration. If the party was swallowed up by that wave of cockroaches, they would no doubt be utterly broken mentally.
Ryo Shirakome (Arifureta: From Commonplace to World’s Strongest, Volume 8)
A man who refuses to repent and change is like a ship heading straight for the rocks. He may think he has time to turn back, but the waves of consequence are crashing hard against his hull. Repentance and change are the anchors that can save him from the wreck, but if he waits too long, the sea of opportunity will swallow him whole. Don't wait until it's too late, drop the anchor of repentance and chart a new course before the storm of regret consumes you.
Shaila Touchton
Then, once again, he started moving. He slid out and eased in again and hit something, some region of fire. Suddenly there was sensation, a flaring pleasure that seemed to radiate out in waves, that seemed initially to exist alongside the pain I was feeling, and then, miraculously, seemed part of the pain, and then swallowed the pain up. My eyes bulged out, my mouth opened into an uncontrollable shout. I understood, suddenly, what had driven Edward so mad those times I’d done it to him; it was this, this quadrant of pleasure hidden deep up inside. And Josep thrust harder, and with each thrust the radiating pleasure revived, flailing my limbs and rolling my head and twitching the length of my cock until it seemed I might come from it, from this thrusting, I might not even have to touch myself or be touched by him, but I did not want to come, I wanted this to last, I wanted to say things, filthy things, utter words I’d never uttered, and I did, I said, “Fuck me,” I said, “Come inside me,” and with a loud shout Josep thrust one final time and the warm flood of his semen was pouring down my legs like tears.
David Leavitt (While England Sleeps)
Enormity is what it felt like. Something so colossal it galloped like chariots, surged like a wave, spread out and towered at the same time. So much, so wide, so deep. Ferocious ecstasy. Emotion. Wisdom. Mania. Heavy and primal. An ocean of teeth. Time sharpened into needles. Blood. Soil. Water. All the dark magnitudes of space crystallized into a single sensation. All of that resonance descending on Charlie at once. And yet, what he felt in that incomprehensible enormity was his. Personal. Filling him and swallowing him up simultaneously. More than anything, the sensation released him. God, did it release him into a place beautiful only in that it was exquisitely complete. The enormity took Charlie's breath away, and he felt for once the holy fullness of his own denied reactions. His darkness, now whole, bursting forth.
Cebo Campbell (Sky Full of Elephants)
swallow us whole. It’s different now, more like the waves at our feet—constantly ebbing and flowing, swollen one moment and quiet the next. A tide I can dip my feet into and let myself feel, or a swell that will hit me from behind when I least expect it.
Emma Lord (The Break-Up Pact)
Gordon swallowed the growing lump in his throat. He'd been invited back by both of them. Maggie and John considered him part of their inner circle, and that made him thankful. Waves of Grace
Barbara Hinske (Waves of Grace (Rosemont Saga, #10))
Dave watched as Porkins fell down into the void. The pigman was waving at them as he fell, and Dave could have sworn he was smiling. And then the darkness swallowed him, and Porkins was gone. EPILOGUE Mad Mulligan grinned.
Dave Villager (Dave the Villager 39: An Unofficial Minecraft Series (The Legend of Dave the Villager))
She swallowed hard and didn’t say what she was thinking. She wanted—more than anything—for Josh Newlon to get a job at Highpointe and stay here, in Westbury, with her. Waves of Grace
Barbara Hinske (Waves of Grace (Rosemont Saga, #10))
Think about the holes children make when they dig in the sand on the seashore. When the waves come in, the holes are swallowed up by the ocean. Similarly, when we know Christ, our physical death is overwhelmed by the love and grace of God. Death is swallowed up in the victory of Christ.
Billy Graham (Hope for Each Day Morning & Evening Devotions)
I burrowed my head in his neck, Travis clutching me tight to him as he turned his back to the wave. As it crashed wildly around us, the sweet bloom of something beautiful began unfurling in my chest and rocked me hard. My throat worked at swallowing it down, but right then I wanted nothing more than to claw my way Inside his skin and never leave.
Kate McCarthy
I'm Not Alone Can you stay up for the weekend And blame God for looking too old Can you find all that you stand for Has been replaced with mountains of gold You cannot dream yourself to notice To feel pain and swallow fear But can you stay up for the weekend For next year God, I can’t do this any more Though I'll be laid down on the floor As many feet walk through the door I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone No? If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone
Calvin Harris
Jon was the first to cry out; having been brought to the edge so many times already, he was nearly feverish with his mounting pleasure when Baltsaros quickened his pace. He pulled his mouth away from Tom with a sob as he came hard. The pleasure crashed through him, making his body pulse in a hot, sweet wave that wrung mindless gasps and moans from him. Pressing his forehead against the man beneath him as he rocked his pelvis, Jon whimpered as the first mate’s lips and tongue milked his cock, and Baltsaros’s thrusts stroked the throbbing, sensitive spot inside him. Eyes closed, he panted against Tom’s hip for a few seconds, his lips spreading into a wide grin as he tried to catch his breath. When he was able to lift his head, Jon took Tom into his mouth again, and the first mate released him with a gasp. Tom’s fingers tightened around his waist as Jon forced his jaw wide around the first mate’s cock, taking in as much as he could before working at a fast rhythm. It seemed like only a few moments before Tom went rigid beneath him, a strangled cry heralding the yolky, bitter cum that pulsed hot over Jon’s tongue. Jon groaned around the cock in his mouth, swallowing down quickly as Baltsaros began to pound into him, his sharp growl loud over Tom’s panting as the captain shuddered with climax.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
At the sight of the dozen assorted cupcakes, as bright and optimistic as party hats, Louise's eyes lit up. "How wonderful!" she said, clapping her hands together again. I handed her one of the red velvet cupcakes that I'd made in the old-fashioned style, using beets instead of food coloring. I'd had to scrub my fingers raw for twenty minutes to get the crimson beet stain off them, but the result was worth it: a rich chocolate cake cut with a lighter, nearly unidentifiable, earthy sweetness, and topped with cream cheese icing and a feathery cap of coconut shavings. For Ogden, I selected a Moroccan vanilla bean and pumpkin spice cupcake that I'd been developing with Halloween in mind. It was not for the faint of heart, and I saw the exact moment in Ogden's eyes that the dash of heat- courtesy of a healthy pinch of cayenne- hit his tongue, and the moment a split-second later that the sugary vanilla swept away the heat, like salve on a wound. "Oh," he said, after swallowing. He looked at me, and I could see it was his turn to be at a loss for words. I smiled. Louise, on the other hand, was half giggling, half moaning her way through a second cupcake, this time a lemonade pound cake with a layer of hot pink Swiss meringue buttercream icing curling into countless tiny waves as festive and feminine as a little girl's birthday tiara. "Exquisite!" she said, mouth full. And then, shrugging in her son's direction, her eyes twinkling. "What? I didn't eat lunch.
Meg Donohue (How to Eat a Cupcake)
Adam: Adam was a young man whose anxiety turned into a monster. Where Shelly had a very mild case of social anxiety, Adam’s case could only be called severe. Over a period of several years, his underlying social fears developed into a full-blown school phobia. A quiet, unassuming person, Adam had never stood out in the classroom. Through elementary school and on into high school, he neither excelled nor failed his subjects. By no means a discipline problem, the “shy” Adam kept to himself and seldom talked in class, whether to answer a teacher’s question or chat with his buddies. In fact, he really had no friends, and the only peers he socialized with were his cousins, whom he saw at weekly family gatherings. Though he watched the other kids working together on projects or playing sports together, Adam never approached them to join in. Maybe they wouldn’t let him, he thought. Maybe he wasn’t good enough. Being rejected was not a chance he was willing to take. Adam never tried hard in school either. If he didn’t understand something, he kept quiet, fearful that raising his hand would bring ridicule. When he did poorly on an exam or paper, it only confirmed to him what he was sure was true: He didn’t measure up. He became so apprehensive about his tests that he began to feel physically ill at the thought of each approaching reminder of his inadequacy. Even though he had studied hard for a math test, for example, he could barely bring himself to get out of bed on the morning it was to take place. His parents, who thought of their child as a reserved but obedient boy who would eventually grow out of this awkward adolescent stage, did not pressure him. Adam was defensive and withdrawn, overwrought by the looming possibility that he would fail. For the two class periods preceding the math test, Adam’s mind was awash with geometry theorems, and his stomach churning. As waves of nausea washed over him, he began to salivate and swallowed hard. His eyes burned and he closed them, wishing he could block the test from his mind. When his head started to feel heavy and he became short of breath, he asked for a hall pass and headed for the bathroom. Alone, he let his anxiety overtake him as he stared into the mirror, letting the cool water flow from the faucet and onto his sweaty palms. He would feel better, he thought, if he could just throw up. But even when he forced his finger down his throat, there was no relief. His dry heaves made him feel even weaker. He slumped to the cold tile and began to cry. Adam never went back to math class that day; instead, he got a pass from the nurse and went straight home. Of course, the pressure Adam was feeling was not just related to the math test. The roots of his anxiety went much deeper. Still, the physical symptoms of anxiety became so debilitating that he eventually quit going to school altogether. Naturally, his parents were extremely concerned but also uncertain what to do. It took almost a year before Adam was sufficiently in control of his symptoms to return to school.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
I was about to lose all hope of ever reaching the surface when a strong arm wrapped around my waist, jerking me up to the surface. As I was lifted up above the waves, I gasped for breath too early and swallowed several mouthfuls of sea water. I choked and spluttered,
Bella Forrest (A Shade of Doubt (A Shade of Vampire, #12))
Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.” She had no idea what on earth he was talking about. She’d worked his cattle station for a year, the longest she’d ever stayed in one place. She’d left to come home for Logan’s wedding. And, if she were honest, to save herself from having to decide when to leave. Because she’d come close to admitting that maybe she didn’t want to. And she never let herself want. At least not something that wasn’t in her power to get. Fear. Of losing. If there was nothing to lose, there was nothing to fear. “What might that be?” she asked, having to force the bravado that was normally second nature to her. From the corner of her eye, she caught Fergus, his gaze swiveling between the two of them…a broad grin on his face. Auld codger. To think she’d stayed for him. He was the only one who knew. The only one she’d confided in. Of course he was loving this. Cooper walked closer and a murmur of unease swelled, but Fergus waved his good hand, like a silent benediction, approving of what was about to unfold, and they fell silent again. Cooper’s gaze was locked exclusively on hers, and suddenly it was as if they were the only two people in the room. Everything else fell away, and she felt herself getting pulled in, swallowed up. That was always how he’d made her feel, as if she was this close to drowning…and that maybe she should stop trying so hard to keep her head above water. He stopped a foot in front of her and she lifted her gaze--and her chin--to stay even with his. “Before, when you were there, working, living alongside us, I thought if I gave you room, gave you space, you’d figure out that Cameroo Downs was where you belonged,” he said.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Plains (part III) Down Zabia Street through a Polish city walks Rose in white feathers It’s not a costume ball for a long time the wind will carry feathers from the beds of those departed Their bodies will not leave impressions in the grass of May meadows nor on the waves which shimmer under the saffron fins of fishes their bodies will not leave impressions in the hay when a black lightning bolt of swallows flies with a squawk through an empty barn with dirt floor Their bodies will not leave impressions on any bed sheets Down Zabia Street through a Polish city walks Rose on uneven cobblestones past houses with blue stars and boarded-up windows walks through a temple where stray cats have found their lair She walks amidst the glowing feathers on this black day she walks through your cities neutral Swedes she walks through your homes theaters places of worship she walks through your villages neutral Swiss through your clean towns clean as tears She passed as clouds pass across the sky across the earth without a trace Within me I preserved her heartbeat the silence of her eyes the warmth and hue of her lips the heft of her insides her fleeting thighs in the shadow of love the shape of her head and the reddish dusk of her falling hair and the small sun of her smile She passed as clouds pass but from where is this immeasurably long shadow being cast
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
The baker at the stall assured them that every unmarried maiden must eat a gingerbread husband for luck, if she wanted to catch the real thing someday. A laughing mock argument sprang up between Amelia and the baker as she flatly refused one for herself, saying she had no wish to marry. “But of course you do!” the baker declared with a sly grin. “It’s what every woman hopes for.” Amelia smiled and passed the gingerbread men to her sisters. “How much for three, sir?” “A farthing each.” He attempted to hand her a fourth. “And this for no charge. It would be a sad waste for a lovely blue-eyed lady to go without a husband.” “Oh, I couldn’t,” Amelia protested. “Thank you, but I don’t—” A new voice came from behind her. “She’ll take it.” Discomfiture and pleasure seethed low in her body, and Amelia saw a dark masculine hand reaching out, dropping a silver piece into the baker’s upturned palm. Hearing her sisters’ giggling exclamations, Amelia turned and looked up into a pair of bright hazel eyes. “You need the luck,” Cam Rohan said, pushing the gingerbread husband into her reluctant hands. “Have some.” She obeyed, deliberately biting off the head, and he laughed. Her mouth was filled with the rich flavor of molasses and the melting chewiness of gingerbread on her tongue. Glancing at Rohan, she thought he should have had at least one or two flaws, some irregularity of skin or structure … but his complexion was as smooth as dark honey, and the lines of his features were razor-perfect. As he bent his head toward her, the perishing sun struck brilliant spangles in the dark waves of his hair. Managing to swallow the gingerbread, Amelia mumbled, “I don’t believe in luck.” Rohan smiled. “Or husbands, apparently.” “Not for myself, no. But for others—” “It doesn’t matter. You’ll marry anyway.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He stood on the stoop and watched them walk down the path. Corinne hit the minivan’s remote, and the back yawned open like a giant mouth. Thomas tossed his bag into the back and took the front passenger seat. The mouth closed, swallowing the equipment whole. Corinne gave him a wave. He waved back. He
Harlan Coben (The Stranger)
Damn Radnor," he said raspy, going to pour her another brandy. "I'm going to tear his throat out." "I know something that would hurt him far more than that." Carefully Lottie raised a folded handkerchief to blot his damp brow. "Oh?" His brows arched in sardonic inquiry. Her fingers closed around the handkerchief, compressing it into a ball. She paused for a long moment before replying, while a wave of hope rose in her throat and nearly threatened to choke her. Taking the brandy from him, she took a bracing swallow. "We could try to be happy together," she said. "That is something he could never understand... something he'll never have." She could not bring herself to look at him, afraid that she might see mockery or rejection in his eyes. But her heart slammed heavily in her chest as she felt his mouth drift along the top of her head, his lips playing wit white rose petals as they fluttered against the pinned-up silk of her braid. "We could try," he agreed softly.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
was babbling about, Maura could only guess. What she did know was that every second that passed made the air hotter, the smoke thicker, and their chances of a safe escape even more remote. “Uncle Don,” she continued, her voice as meek as she could force, “Would you put down your gun please? I’m afraid, too.” There was no response other than the pained sobbing of a man whose mind had lost control of his emotions. A wave of guilt spread over her. The signs had all been there. If she’d only been paying attention. But she hadn’t, because she was too close. She’d lost her objectivity, and now she was paying the price. She reached down and gently touched the hand that cradled the pistol. But Mellman’s wide fingers only clutched it tighter, and he looked at her, more lucid. “I can’t face it, Maura. I can’t. You go on. It’s all over for me, anyway.” The smoke curling up from around the attic floorboards joined that wafting up the stairwell, the two swirling in concert to increase the sinister haze above. Maura dropped to her knees, coughing. “No. It’s not over. You didn’t do anything wrong. Everyone knows that. Everyone knows what a good police chief you are.” Mellman turned red-rimmed eyes to her and talked through a wheezing cough. “You think so?” “Of course!” she swallowed. “My dad was the greatest, but you’re giving him some stiff competition.
Edie Claire (Never Buried (Leigh Koslow Mystery, #1))