Watering Dead Plants Quotes

Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.

You told me once of the plants that lie dormant through the drought, that wait, half-dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again.

You told me once of t he plants that lie dormant through the drought; that wait, half dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again. One day they'll let you out of that dry, empty cell. You'll return to the Separates, without me, and you'll feel the ram once more. And you'll grow straight, this time, towards this sunlight. I know you will." - Gemma

Look after each other. As a couple. When you have kids, you'll want to put them first. Don't. Marriage is like a plant. To keep it alive you've got to water it and feed it. If you don't, when the kids are gone, you'll look in the corner and it'll be dead.

Apricot stones contain cyanide,’ he replies drily. ‘The death cap mushroom has a fifty per cent fatality rate. Natural does not equal safe. There’s a plant in my garden where if you simply sat under it for ten minutes then you’d be dead.’ Job done: she bins the tablets. I ask him about that plant over a colonoscopy later. ‘Water lily.

A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live. “To be a bay” holds the wonder that, for this moment, the living water has decided to shelter itself between these shores, conversing with cedar roots and a flock of baby mergansers. Because it could do otherwise—become a stream or an ocean or a waterfall, and there are verbs for that, too. To be a hill, to be a sandy beach, to be a Saturday, all are possible verbs in a world where everything is alive. Water, land, and even a day, the language a mirror for seeing the animacy of the world, the life that pulses through all things, through pines and nuthatches and mushrooms. This is the language I hear in the woods; this is the language that lets us speak of what wells up all around us.[…] This is the grammar of animacy.

Who is the best marshal they have?' The sheriff thought on it for a minute. He said, 'I would have to weigh that proposition. There is near about two hundred of them. I reckon William Waters is the best tracker. He is a half-breed Comanche and it is something to see, watching him cut for sign. The meanest one is Rooster Cogburn. He is a pitiless man, double-tough, and fear don't enter into his thinking. He loves to pull a cork. Now L.T. Quinn, he brings his prisoners in alive. He may let one get by now and then but he believes even the worst of men is entitled to a fair shake. Also the court does not pay any fees for dead men. Quinn is a good peace officer and a lay preacher to boot. He will not plant evidence or abuse a prisoner. He is straight as a string. Yes, I will say Quinn is about the best they have.' I said, 'Where can I find this Rooster?

I live in nature where everything is connected, circular. The seasons are circular. The planet is circular, and so is the planet around the sun. The course of water over the earth is circular coming down from the sky and circulating through the world to spread life and then evaporating up again. I live in a circular teepee and build my fire in a circle. The life cycles of plants and animals are circular. I live outside where I can see this. The ancient people understood that our world is a circle, but we modern people have lost site of that. I don’t live inside buildings because buildings are dead places where nothing grows, where water doesn’t flow, and where life stops. I don’t want to live in a dead place. People say that I don’t live in a real world, but it’s modern Americans who live in a fake world, because they have stepped outside the natural circle of life. Do people live in circles today? No. They live in boxes. They wake up every morning in a box of their bedrooms because a box next to them started making beeping noises to tell them it was time to get up. They eat their breakfast out of a box and then they throw that box away into another box. Then they leave the box where they live and get into another box with wheels and drive to work, which is just another big box broken into little cubicle boxes where a bunch of people spend their days sitting and staring at the computer boxes in front of them. When the day is over, everyone gets into the box with wheels again and goes home to the house boxes and spends the evening staring at the television boxes for entertainment. They get their music from a box, they get their food from a box, they keep their clothing in a box, they live their lives in a box. Break out of the box! This not the way humanity lived for thousands of years.

They take them from the plants and animals or the elements. Still Waters, Gentle Breeze, pah. Why not Dead Deer, or Rutting Ehat?

I’m as deadly as a marine, when compared to marine plant life. It took lots of water, sunlight, and standing still to get this badass.

Sometimes letting go is simply allowing yourself to come to terms with the truth that you have been watering dead plants.

I am sometimes amazed at what we did not fully grasp in kindergarten. In the years I was a parish minister I was always taken aback when someone came to me and said. 'I've just come from the doctor and he told me I have only a limited time to live'. I was always tempted to shout 'WHAT? You didn't know? You had to pay a doctor to tell you - at your age? Where were you the week in kingergarten when you got the little cup with the cotton and water and seed? Life happened - remember? A plant grew up and the roots grew down. A miracle. And then a few days later the plant was dead. DEAD. Life is short. Were you asleep that week or home sick or what?

Stop watering the dead flowers That he once planted in your heart. Yes, They were once beautiful But it is almost Autumn now And they’ve become withered. But next spring, Rip them out from the roots and And plant new ones All by yourself For yourself. You belong to no one. Not to him. Not to the next person. You belong soley And Utterly, To you.

Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.

Place" On the last day of the world I would want to plant a tree what for not for the fruit the tree that bears the fruit is not the one that was planted I want the tree that stands in the earth for the first time with the sun already going down and the water touching its roots in the earth full of the dead and the clouds passing one by one over its leaves

A hundred years ago no one was silent or tongue-tied, as we are now, when death was in the room. They had not yet muzzled grief or banished it from daily life. Death was cultivated, watered like a plant. There was no need for whispering or mime.

Apricot stones contain cyanide,” he replies drily. “The death cap mushroom has a fifty percent fatality rate. Natural does not equal safe. There’s a plant in my garden that if you simply sat under it for ten minutes, you’d be dead.” Job done; she tosses the tablets. I ask him about that plant over a colonoscopy later. “Water lily.

Place" On the last day of the world I would want to plant a tree what for not the fruit the tree that bears the fruit is not the one that was planted I want the tree that stands in the earth for the first time with the sun already going down and the water touching its roots in the earth full of the dead and the clouds passing one by one over its leaves

A stone lies in a river; a piece of wood is jammed against it; dead leaves, drifting logs, and branches caked with mud collect; weeds settle there, and soon birds have made a nest and are feeding their young among the blossoming water plants. Then the river rises and the earth is washed away. The birds depart, the flowers wither, the branches are dislodged and drift downward; no trace is left of the floating island but a stone submerged by the water; — such is our personality.

There’s a plant in my garden where if you simply sat under it for ten minutes then you’d be dead.’ Job done: she bins the tablets. I ask him about that plant over a colonoscopy later. ‘Water lily.

This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.

A bay is a noun only if water is dead. When bay is a noun, it is defined by humans, trapped between its shores and contained by the word. But the verb wiikwegamaa—to be a bay—releases the water from bondage and lets it live.

I wanted, I told her, to lie under the stars and smell different breezes. I wanted to drink different waters, feel different heats. Stand with my comrades atop the ruin of old ideas. Plant my boot and steel my eye and not run. I said all this to my dead mother, spoke it down through the dirt: there was a conflagration to come; I wanted to lend it my spark.

Plants began the process of land colonization about 450 million years ago, accompanied of necessity by tiny mites and other organisms which they needed to break down and recycle dead organic matter on their behalf. Larger animals took a little longer to emerge, but by about 400 million years ago they were venturing out of the water, too. Popular illustrations have encouraged us to envision the first venturesome land dwellers as a kind of ambitious fish—something like the modern mudskipper, which can hop from puddle to puddle during droughts—or even as a fully formed amphibian. In fact, the first visible mobile residents on dry land were probably much more like modern woodlice, sometimes also known as pillbugs or sow bugs. These are the little bugs (crustaceans, in fact) that are commonly thrown into confusion when you upturn a rock or log.

In the remote towns of the west there are few of the amenities of civilization; there is no sewerage, there are no hospitals, rarely a doctor; the food is dreary and flavourless from long carrying, the water is bad; electricity is for the few who can afford their own plant, roads are mostly non-existent; there are no theatres, no picture shows and few dance halls; and the people are saved from stark insanity by the one strong principle of progress that is ingrained for a thousand miles east, north, south and west of the Dead Heart - the beer is always cold.

And now at last authentic word I bring, Witnessed by every dead and living thing; Good tidings of great joy for you, for all: There is no God; no Fiend with names divine Made us and tortures us; if we must pine, It is to satiate no Being's gall. It was the dark delusion of a dream, That living Person conscious and supreme, Whom we must curse for cursing us with life; Whom we must curse because the life he gave Could not be buried in the quiet grave, Could not be killed by poison or the knife. This little life is all we must endure, The grave's most holy peace is ever sure, We fall asleep and never wake again; Nothing is of us but the mouldering flesh, Whose elements dissolve and merge afresh In earth, air, water, plants, and other men. We finish thus; and all our wretched race Shall finish with its cycle, and give place To other beings with their own time-doom: Infinite aeons ere our kind began; Infinite aeons after the last man Has joined the mammoth in earth's tomb and womb.

M. Foss had advised me once to treat dating like gardening instead. Plant the most promising seeds. Water them all. Taste what each has to offer. And when you find one that produces fruit you could eat every single day, give a little more love to it and start pruning the rest... But the important thing to remember is that it's your garden. Nothing good can grow if you don't nourish your own soil. And only you can decide when to stop feeding dead things.

I've often wondered what people mean when they talk about an experience. I'm a technologist and accustomed to seeing things as they are. I see everything they are talking about very clearly; after all, I'm not blind. I see the moon over the Tamaulipas desert--it is more distinct than at other times, perhaps, but still a calculable mass circling around our planet, an example of gravitation, interesting, but in what way an experience? I see the jagged rocks, standing out black against the moonlight; perhaps they do look like the jagged backs of prehistoric monsters, but I know they are rocks, stone, probably volcanic, one should have to examine them to be sure of this. Why should I feel afraid? There aren't any prehistoric monsters any more. Why should I imagine them? I'm sorry, but I don't see any stone angels either; nor demons; I see what I see--the usual shapes due to erosion and also my long shadow on the sand, but no ghosts. Why get womanish? I don't see any Flood either, but sand lit up by the moon and made undulating, like water, by the wind, which doesn't surprise me; I don't find it fantastic, but perfectly explicable. I don't know what the souls of the damned look like; perhaps like black agaves in the desert at night. What I see are agaves, a plant that blossoms once only and dies. Furthermore, I know (however I may look at the moment) that I am not the last or the first man on earth; and I can't be moved by the mere idea that I am the last man, because it isn't true. Why get hysterical? Mountains are mountains, even if in a certain light they may look like something else, but it is the Sierra Madre Oriental, and we are not standing in a kingdom of the dead, but in the Tamaulipas desert, Mexico, about sixty miles from the nearest road, which is unpleasant, but in what way an experience? Nor can I bring myself to hear something resembling eternity; I don't hear anything, apart from the trickle of sand at every step. Why should I experience what isn't there?

Some people call that picturesque' said Sir Percival, pointing over the wide prospect with his half-finished walking-stick. 'I call it a blot on a gentleman's property. In my great-grandfather's time, the lake flowed to this place. Look at it now! It is not four feet deep anywhere, and it is all puddles and pools. I wish I could afford to drain it, and plant it all over. My bailiff (a superstitious idiot) says he is quite sure the lake has a curse on it, like the Dead Sea. What do you think, Fosco? It looks just the place for a murder, doesn't it?' 'My good Percival!' remonstrated the Count. 'What is your solid English sense thinking of? The water is too shallow to hide the body; and there is sand everywhere to print off the murderer's footsteps. It is, upon the whole, the very worst place for a murder that I ever set my eyes on.

Here is a Hawaiian legend once told to me: Sometimes the dead don't want to be dead. Sometimes souls go flitting around in the air, particles of light, drifting, until a mortal crams the soul back inside its bod. The kino wailua, or spirits, can be spotted anywhere, the face of a rock, a mountainside - a Hawaiian should always look for facial features. It is the mortal's job to perform the kapuku, or resuscitation process. It is our duty to sneak the soul beneath the toenail of a body, let the body rise up like a newly watered plant.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

I can't save you the way you want me to. But I can tell you what I feel. It's not much. But it may give you a chance. You told me once of the plants that lie dormant through the drought, that wait, half-dead, deep in the earth. The plants that wait for the rain. You said they'd wait for years, if they had to; that they'd almost kill themselves before they grew again. But as soon as those first drops of water fall, those plants begin to stretch and spread their roots. They travel up through the soil and sand to reach the surface. There's a chance for them again.

Being born in a place is only one way to belong, nor do you have to die there.... I knew at once that Magdala was home because I felt sighted there again, second sighted. It was not only the spring. In time everything spoke. When birds rose into the air, I could read the pattern of their wings, and the path the wind made on the water carried messages. The very ground said make a path here, plant herbs there. These vine are not dead. Tend them and they'll bear fruit again. Ancient trees offered shelter and wisdom as well as olives. And there were certain rocks that could absorb fatigue or agitation, leaving me refreshed and calm.

The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there. It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other. The house was set far back from the street, hemmed in by the blank walls that rose around it. ("I Wouldn't Be In Your Shoes")

Lupus Star Wolves (the spirits of dead wolves who have traveled to the Cave of Souls) air ceilidh fyre (lightning) chieftains (clan leaders) lords (pack leaders) skreeleens byrrgis leaders captains lieutenants sublieutenants corporals packers gnaw wolves unranked Obeas owls other four-legged animals other birds, except owls plants earth fire water

Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS–1 project. Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze. When

And there were so many places to go. Thickets of bramble. Fallen trees. Ferns, and violets, and gorse, paths all lined with soft green moss. And in the very heart of the wood, there was a clearing, with a circle of stones, and an old well in the middle, next to a big dead oak tree, and everything- fallen branches, standing stones, even the well, with its rusty pump- draped and festooned and piled knee-high with ruffles and flounces of strawberries, with blackbirds picking over the fruit, and the scent like all of summer. It wasn't like the rest of the farm. Narcisse's farm is very neat, with everything set out in its place. A little field for sunflowers: one for cabbages; one for squash; one for Jerusalem artichokes. Apple trees to one side; peaches and plums to the other. And in the polytunnels, there were daffodils, tulips, freesias; and in season, lettuce, tomatoes, beans. All neatly planted, in rows, with nets to keep the birds from stealing them. But here there were no nets, or polytunnels, or windmills to frighten away the birds. Just that clearing of strawberries, and the old well in the circle of stones. There was no bucket in the well. Just the broken pump, and the trough, and a grate to cover the hole, which was very deep, and not quite straight, and filled with ferns and that swampy smell. And if you put your eye to the grate, you could see a roundel of sky reflected in the water, and little pink flowers growing out from between the cracks in the old stone. And there was a kind of draught coming up from under the ground, as if something was hiding there and breathing, very quietly.

Many different kinds of sprouts lay torn. Green, purple and orange leaves lay scattered across the dark soil, and the thorn fence surrounding the bed had a fist-sized hole in it. Teacher eased himself into a squat, poked at the inside of the hole. Whatever made the hole had left blood on the thorns. The sprouts looked like wispy ghosts, pale and broken. Their delicate leaves and stems were riddled with bites. Life drained out of them like water dripping from a hanging cloth, and a breeze made them dance sadly. It felt like a funeral. Teacher picked up a gnawed berry and gently squeezed it until purple juice dripped down his thumb. He placed the berry by the plant’s roots. Chandi’s small face bunched up. “Are they dead?” “They’re dying, yes.” Yuvali took her hand. “But their bodies will help other plants grow.

The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead. ALBERT EINSTEIN I am made to love the pond and the meadow, as the wind is made to ripple the water. HENRY DAVID THOREAU I hold to the presupposition that our loss of the sense of aesthetic unity was, quite simply, an epistemological mistake. I believe that that mistake may be more serious than all the minor insanities that characterized those older epistemologies which agreed upon fundamental unity. GREGORY BATESON

Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect. I got used to it afterwards; I did not see it any more; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration, the signs of hidden banks; I watched for sunken stones; I was learning to clap my teeth smartly before my heart flew out, when I shaved by a fluke some infernal sly old snag that would have ripped the life out of the tin-pot steamboat and drowned all the pilgrims; I had to keep a look-out for the signs of dead wood we could cut up in the night for next day's steaming. When you have to attend to things of that sort, to the mere incidents of the surface, the reality—the reality, I tell you—fades. The inner truth is hidden—luckily, luckily.

Lying is like farming, or draining marshland, or terracing a hillside or planting a grove of peach trees. It’s an attempt to control your environment and make it better. A convincing lie improves on bleak, bare fact, in the same way human beings improve a wilderness so they can bear to live there. In comparison, truth is a desert. You need to plant it with your imagination and water it with narrative skill until it blossoms and bears nourishing fruit. In the sand and gravel of what actually happened I grow truths of my own; not just different truths, better ones. Practically every time I open my mouth I improve the world, making it not how it is but how it should be.

{From Luther Burbank's funeral. He was loved until he revealed he was an atheist, then he began to receive death threats. He tried to amiably answer them all, leading to his death} It is impossible to estimate the wealth he has created. It has been generously given to the world. Unlike inventors, in other fields, no patent rights were given him, nor did he seek a monopoly in what he created. Had that been the case, Luther Burbank would have been perhaps the world's richest man. But the world is richer because of him. In this he found joy that no amount of money could give. And so we meet him here today, not in death, but in the only immortal life we positively know--his good deeds, his kindly, simple, life of constructive work and loving service to the whole wide world. These things cannot die. They are cumulative, and the work he has done shall be as nothing to its continuation in the only immortality this brave, unselfish man ever sought, or asked to know. As great as were his contributions to the material wealth of this planet, the ages yet to come, that shall better understand him, will give first place in judging the importance of his work to what he has done for the betterment of human plants and the strength they shall gain, through his courage, to conquer the tares, the thistles and the weeds. Then no more shall we have a mythical God that smells of brimstone and fire; that confuses hate with love; a God that binds up the minds of little children, as other heathen bind up their feet--little children equally helpless to defend their precious right to think and choose and not be chained from the dawn of childhood to the dogmas of the dead. Luther Burbank will rank with the great leaders who have driven heathenish gods back into darkness, forever from this earth. In the orthodox threat of eternal punishment for sin--which he knew was often synonymous with yielding up all liberty and freedom--and in its promise of an immortality, often held out for the sacrifice of all that was dear to life, the right to think, the right to one's mind, the right to choose, he saw nothing but cowardice. He shrank from such ways of thought as a flower from the icy blasts of death. As shown by his work in life, contributing billions of wealth to humanity, with no more return than the maintenance of his own breadline, he was too humble, too unselfish, to be cajoled with dogmatic promises of rewards as a sort of heavenly bribe for righteous conduct here. He knew that the man who fearlessly stands for the right, regardless of the threat of punishment or the promise of reward, was the real man. Rather was he willing to accept eternal sleep, in returning to the elements from whence he came, for in his lexicon change was life. Here he was content to mingle as a part of the whole, as the raindrop from the sea performs its sacred service in watering the land to which it is assigned, that two blades may grow instead of one, and then, its mission ended, goes back to the ocean from whence it came. With such service, with such a life as gardener to the lilies of the field, in his return to the bosoms of infinity, he has not lost himself. There he has found himself, is a part of the cosmic sea of eternal force, eternal energy. And thus he lived and always will live. Thomas Edison, who believes very much as Burbank, once discussed with me immortality. He pointed to the electric light, his invention, saying: 'There lives Tom Edison.' So Luther Burbank lives. He lives forever in the myriad fields of strengthened grain, in the new forms of fruits and flowers, plants, vines, and trees, and above all, the newly watered gardens of the human mind, from whence shall spring human freedom that shall drive out false and brutal gods. The gods are toppling from their thrones. They go before the laughter and the joy of the new childhood of the race, unshackled and unafraid.

In camp, too, a man might draw the attention of a comrade working next to him to a nice view of the setting sun shining through the tall trees of the Bavarian woods (as in the famous water color by Dürer), the same woods in which we had built an enormous, hidden munitions plant. One evening, when we were already resting on the floor of our hut, dead tired, soup bowls in hand, a fellow prisoner rushed in and asked us to run out to the assembly grounds and see the wonderful sunset. Standing outside we saw sinister clouds glowing in the west and the whole sky alive with clouds of ever-changing shapes and colors, from steel blue to blood red. The desolate grey mud huts provided a sharp contrast, while the puddles on the muddy ground reflected the glowing sky. Then, after minutes of moving silence, one prisoner said to another, “How beautiful the world could be!

I planted a lawn last year. I went to a garden shop and bought long rolls of grass that I laid out like a carpet over a bare patch of ground. Six months later, around two-thirds of my newly planted lawn had started to grow, but the remainder was parched and brown despite regular watering, fertilizer, and lawn pellets. Nearly twelve months later, the healthy parts of the lawn were thriving and slowly creeping across the areas where the new grass had previously refused to grow. I will never lay another lawn: gardening, it turns out, is not one of my talents. But the lawn is a good metaphor for the way in which the brain compensates for damaged cells. Eventually (perhaps in years to come), the healthy parts of the lawn will be so hardy that no one will notice the bald patches of dead grass. After my chance meeting in the park, that was my new hope for my brain.

Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.

Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.

At the sight of Ruth, singing and crying in the moonlight, they say Jacob Wyld crouched wordlessly and planted seeds at her feet, in the earth between the roots of the gum tree. What grew from that night, where Ruth's tears fell to the earth, was a heath of wild vanilla lilies, and an equally heady love affair between Ruth and Jacob. They met at the river whenever Ruth could get away. He brought her flower seeds and she brought him whatever meager food scraps she could sneak from the house. Soon Ruth had enough seeds to till a small, shaded corner of dirt near the house, where a nearly dead, lone wattle tree stood. The dirt was so dry it took her a month to soften it with whatever water she could carry from the river. Eventually, the wattle tree exploded into flower, a winter blaze of sweet yellow. Ruth fell to her knees at the sight. The scent floated all the way into town. Bees droned around the tree, drunk on its nectar. Beneath the wattle were circles of green shoots. Ruth sketched each one in her small notebook. As they bloomed, so different to the foxgloves and snowdrops of her mother's songs, Ruth noted down what they meant to her, adapting the Victorian language of flowers. The strange and beautiful native flowers, able to flourish in the harshest conditions, enchanted Ruth; none more so than the deep scarlet flowers with red centres the color of the darkest blood. Meaning, Ruth wrote in her notebook, have courage, take heart.

Her eyes watered triumphantly, and she let her gaze drop back towards the house: the window of her bedroom, the Michaelmas daisy she and Ma had planted over the poor, dead body of Constable the cat, the chink in the bricks where, embarrassingly, she used to leave notes for the fairies. There were faint memories of a time before, of being a very small child, collecting winkles from a pool by the seashore, of dining each night in the front room of her grandmother's seaside boardinghouse, but they were like a dream. The farmhouse was the only home she'd ever known. And although she didn't want a matching armchair of her own, she liked seeing her parents in theirs each night, knowing as she feel asleep that they were murmuring together on the other side of the thin wall, that she only had to reach out an arm to bother one of her sisters. She would miss them when she went. Laurel blinked. She would miss them. The certainty was swift and heavy. It sat in her stomach like a stone. They borrowed her clothes, broke her lipsticks, scratched her records, but she would miss them. The noise and heat of them, the movement and squabbles and crushing joy. They were like a litter of puppies, tumbling together in their shared bedroom. They overwhelmed outsiders and this pleased them. They were the Nicolson girls, Laurel, Rose, Iris, and Daphne; a garden of daughters, as Daddy rhapsodized when he'd had a pint too many. Unholy terrors, as Grandma proclaimed after their holiday visits.

The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn't the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.

True love is in despair and is enchanted over a glove lost or a handkerchief found, and eternity is required for its devotion and its hopes. It is composed both of the infinitely great and the infinitely little. If you are a stone, be adamant; if you are a plant, be the sensitive plant; if you are a man, be love. Free eBooks at Planet eBook.com 1579 Nothing suffices for love. We have happiness, we desire paradise; we possess paradise, we desire heaven. Oh ye who love each other, all this is contained in love. Understand how to find it there. Love has contemplation as well as heaven, and more than heaven, it has voluptuousness. ‘Does she still come to the Luxembourg?’ ‘No, sir.’ ‘This is the church where she attends mass, is it not?’ ‘She no longer comes here.’ ‘Does she still live in this house?’ ‘She has moved away.’ ‘Where has she gone to dwell?’ ‘She did not say.’ What a melancholy thing not to know the address of one’s soul! Love has its childishness, other passions have their pettinesses. Shame on the passions which belittle man! Honor to the one which makes a child of him! There is one strange thing, do you know it? I dwell in the night. There is a being who carried off my sky when she went away. Oh! would that we were lying side by side in the same grave, hand in hand, and from time to time, in the darkness, gently caressing a finger,—that would suffice for my eternity! Ye who suffer because ye love, love yet more. To die of love, is to live in it. Love. A sombre and starry transfiguration is mingled with this torture. There is ecstasy in agony. Oh joy of the birds! It is because they have nests that they sing. 1580 Les Miserables Love is a celestial respiration of the air of paradise. Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again. I encountered in the street, a very poor young man who was in love. His hat was old, his coat was worn, his elbows were in holes; water trickled through his shoes, and the stars through his soul. What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake. If there did not exist some one who loved, the sun would become extinct.

Take a picture of yourself standing on your lawn, and you have a Wanted Dead or Alive poster for the most invasive plant and animal in North America—garden grass and Homo sapiens. No kudzu-choked hillside, no river cursed with purple plantain, no spotted knotweed waste compares to the green deserts of our yards in terms of water waste, herbicide and fertilizer, gasoline and lawn mower. And no zebra mussel, nutria, mustang, or gypsy moth has, like Homo sapiens, driven to extinction a single species or threatened to erase entire ecosystems, such as our prairies and our longleaf stands. The despised chestnut blight decimated but a single species, after all. We humans have killed off no one knows how many.

Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.” He led her back to the previous room, which had amazing, rare rainforest plants in it. “Check this out!” He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page. Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article. “Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!” William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella. “I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.” Holly squealed with laughter and applauded. William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse. “William, there is no air guitar in that song!” “There is now, baby!” Holly exploded again in laughter, clutching her sides. After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably. “Thank you, thank you very much,” William said in his Elvis impersonation. He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.” He now launched into Elvis’s famous “Hound Dog.” “You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso. “Work it, William! Work it!” Holly screamed in laughter. He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter. “William, stop! Stop! Where are you? I can’t see I’m crying so hard!” William dropped his voice even lower and more dramatically. In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand. “Thank you, thank you very much,” he said in Elvis mode. “My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.” He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.” “Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss. He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end. “Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .” He sang the entire song, and then Holly exploded in appreciative applause. He was breathing heavily and had a million-dollar smile on his face. “Hoo-wee, that was fun! I am so sweaty now, hoo-boy!” He splashed some water on his face, and then shook his hair. “William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!” “That was fun.” William laughed. “Are in a better mood now?” “How can I not be? You are THE best!

The dead become more powerful as time goes by, you see, boy. What was just an unquiet ghost to your grandfather could be a full-fledged loa to your grandchildren. And I’ve learned to bend ’em, train ’em in certain directions like you would a vine. Farmer plant a seed in the ground and one day have a tree—I put a ghost in a bottle under running water and one day I have a loa.

The park itself is marked by drought. Grass is dead. A large pond contains a mere puddle of muddy water, and a few scruffy ducks pad across its oily surface. Hardy trees persist here and there, but planting beds are home to cacti and a few swathes of invasive devil grass. Even in the city people are fighting against the painful truth of change. They don’t call it the climate crisis anymore, or global warming, or any other name that might have once have been used to urge positive action. Now, this was the norm.

Hate is a living thing, a seed to be planted and watered. If adequately nourished, it blooms and grows. When the conditions are just right, it acts like an invasive species and takes over, obliterating the original plants, blocking their sunlight and oxygen. Starving them. Until they die.

The crystal blue water sparkled invitingly, a million diamonds strewn on its surface, the horizon a blurred navy line in the shimmer of the noonday heat. The Cornish coastline was renowned for its treachery, with shipwrecks a common occurrence, but Elizabeth knew this tiny inlet well. Ladylove Cove, better known as Lady Luck Cove. She had spent much of her childhood scrambling over its rocks, pausing only to marvel at the tiny, tenacious plants that clung to its cliffside. The way down to the pebbled beach was steep, but stairs had been cut into the rocks--- by long-dead contraband merchants, so the legend had it--- and, happily, the going was dry.

The little boy who never grew up, He trapped the frog and kills the rat, He flew a kite, the little boy who never grew up, He found a dream and took it home The little boy who never grew up, He planted his dream deep in his heart, The little boy who never grew up, He watered his dream, wishing his dream to bloom, The little boy who never grew up, The dream died, the dream drowned, The little boy who never grew up, Watered his dream too much, His dream died, the little boy cried, The little boy who never grew up His dream was dead; he wanted the same, The little boy who never grew up, He wishes his dream could take him away.

A natural example of this is the two seas in the Holy Land. The Sea of Galilee freely receives and gives out water. It has an abundance of life, nurturing many different kinds of fish and plant life. The water of the Sea of Galilee is carried by way of the Jordan River to the Dead Sea. But the Dead Sea only takes water in and does not give it out. There are no living plants or fish in it. The living waters from the Sea of Galilee become dead when mixed with the hoarded waters of the Dead Sea. Life cannot be sustained if held on to: It must be given freely.

Moses was weary from his speech. He was weary with life and with age. He was one hundred and twenty-years old. His eyes had not dimmed and his physical vigor had not abated. But his soul was weighed down with resignation. He had been the instrument of Yahweh’s deliverance out of Egypt. He had shepherded an ungrateful people in the desert for forty years; he saw great and mighty signs and wonders. Yet he too was mortal. He too failed to uphold Yahweh as holy when he rebelled at the waters of Meribah. And for his disobedience, he would never enter the Promised Land. To have come so far and through so much and yet not receive the reward had broken Moses’ heart. He only found consolation in the fact that Yahweh was the great “I Am,” the god of the living, not the dead. So Moses knew that he was one small but important part of Yahweh’s plan to one day bless all the nations through the Seed of Abraham. Moses was but the planting of that seed that would ultimately blossom and grow into a tree that would fill all the earth with its glory.

Home Remedies For Chapped Lips Home Remedies For Chapped Lips Dry and chapped lips occur all of the time without warning. It might cause annoyance and affect the way that people live their lives, although this really is not life threatening. There are different indications that may be observed, for example, existence of one or several of these symptoms: sores, tenderness, flaking, cracking, redness and dryness. When left untreated, dry and chapped lips can worsen and affect the other elements of the oral orifice. Causes Reasons for developing dryness on the lips comprise an excessive amount of exposure to sunlight licking of lips, smoking, dehydration, allergy, vitamin deficiency and rigorous climate. Home Remedies for Chapped Lips There are over-the-counter ointments to remedy chapped lips, but there also other home remedies which are thought to be more effective and safer. Among them are: Natural oils Natural oils like olive oil, coconut oil or mustard oil are excellent in keeping the affected area moist. These oils are best for those instances where the offender is either dry or cold weather. Cucumber Slathering the area that is affected with the liquid and juicing cucumber slices is an excellent means of alleviating the discomfort of dry lips. It's recommended to keep the lips moistened by doing this several times per day. Aloe vera There is no doubt about the healing properties of aloe vera although its scent and taste are disagreeable. It'll be easy enough lather the lips with the juice and to simply pluck a leaf when the need arises. Rose petals When there's no aloe vera plant available, rose petal infusion is a great choice for relief of chapped lips. This extract mixed with raw milk can serve as a moisturizing agent. The recommended regimen is always to apply the mixture two to three times a day prior to going to bed, and after that once. If raw milk isn't accessible, glycerin is a great replacement. Water The calming and hydrating effects of water can alleviate the pain. Petroleum Jelly Petroleum jelly could be utilized several times a day before climbing the bed and also once. Coating the lips with honey before cleaning with petroleum may only do just fine if the concentrated greasiness of petroleum feels uneasy or if it's causing more pain. Milk cream Milk cream is a superb skin softener, and it has the aptitude hasten the elimination of dead skin. Judgment The key is to moisturize chapped lips as soon as possible to help hasten the healing by avoiding the thing that is certainly causing it in the first place. Keep hydrated, eat succulent foods or cruciferous, avoid sunlight and keep warm within your room during chilly nights. Must Read More ALL Friends tkplanet.com

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation

The dying mall has attracted some odd tenants, such as a satellite branch of the public library and an office of the State Attorney General's Child Predator Unit. As malls die across the country, we'll see many kinds of creative repurposing. Already, there are churches and casinos inside half-dead malls, so why not massage parlors, detox centers, transient hotels, haunted houses, prisons, petting zoos or putt-putt golf courses (covering the entire mall)? Leaving Santee, Chuck and I wandered into the food court, where only three of twelve restaurant slots were still occupied. On the back wall of this forlorn and silent space was a mural put up by Boscov, the mall's main tenant. Titled "B part of your community", it reads: KINDNESS COUNTS / PLANT A TREE / MAKE A DONATION / HELP A NEIGHBOR / VISIT THE ELDERLY / HOPE / ADOPT A PET / DRIVE A HYBRID / PICK UP THE TRASH / VOLUNTEER / CONSERVE ENERGY / RECYCLE / JOIN SOMETHING / PAINT A MURAL / HUG SOMEONE / SMILE / DRINK FILTERED WATER / GIVE YOUR TIME / USE SOLAR ENERGY / FEED THE HUNGRY / ORGANIZE A FUNDRAISER / CREATE AWARENESS / FIX A PLAYGROUND/ START A CLUB / BABYSIT These empty recommendations are about as effective as "Just Say No", I'm afraid. As the CIA pushed drugs, the first lady chirped, "Just say no!". And since everything in the culture, car, iPad, iPhone, television, internet, Facebook, Twitter and shopping mall, etc., is designed to remove you from your immediate surroundings, it will take more than cutesy suggestions on walls to rebuild communities. Also, the worse the neighborhoods or contexts, the more hopeful and positive the slogans. Starved of solutions, we shall eat slogans.

Clinging to a sinking ship because you’ve already invested so much time and effort only guarantees you’ll go down with it. Hanging on only deepens the error. It's like watering a dead plant. Don’t justify the journey by the miles already traveled.

Sin,” Rosalie gasped. “You killed her?” “Was I not supposed to?” He looked to her innocently. “She’d tell everyone we got out of Darkmore.” “But everyone knows we escaped Darkmore,” Ethan said in confusion. “Riiight.” Sin looked at me, his gaze intense and unwavering. “Well either way, dead little fishes don’t whisper to the sharks.” He turned abruptly away from me but left me with the baffling sense that he had killed Pike to cover for me. “Anyway, I put her head in a plant pot. She’ll grow back. Given time and water and the right amount of sunshine. She’ll be as good as new!

The desert wind had stirred up evil odors from the fringe plantings which anchored the dunes at the cliff base. Fremen superstition gripped her: evil odors, evil times. She faced into the wind, saw a worm appear outside the plantings. It arose like the prow of a demon ship out of the dunes, threshed sand, smelled the water deadly to its kind, and fled beneath a long, burrowing mound. She hated the water then, inspired by the worm's fear. Water, once the spirit-soul of Arrakis, had become a poison. Water brought pestilence. Only the desert was clean.

You’ve been watering dead plants for far too long, and it’s time that you turn your devotion inward.

Watering dead plants is exhausting, and it never brings them back to life. Instead, close that chapter and start a new one.

The only other inhabitants of the pool are very large black water beetles, and they come to the surface regularly to refresh the air bubbles that allow them to dive for up to three minutes at a time. These beetles are predators, and it was soon clear what happens to any dead tadpoles lying on the bottom of the pool – they are fought over by hungry beetles. Carcasses are tussled over and bitten to bits.

Variety in contour is the rule of water left to run its own course as it spills over rocks, carries dead wood and plant life, turns back and braids itself around slight elevation. Its life, in other words, depends on chance, even chaos.

Stop this, Kevin! Cease what you are doing and end this madness! Yeah, that. Unfortunately, the logical side of his brain no longer functioned as it should have. Thoughts of decency, propriety, and waiting until he felt comfortable with Lilian vanished, and all that remained was his desire to experience all that Lilian had to offer. To please and be pleased in return. He wanted to— “Damn, that’s hot.” —Like a mountain of ice cold water being dumped on them, the young couple became painfully aware of the third presence in the room. Lilian and Kevin slowly craned their heads toward the new voice. Eric stood in the doorway, hands on the handle. If his flushed cheeks and bleeding nose didn’t tell Kevin what the boy was looking at, then the dark eyes planted firmly on Lilian did. “Kya!” “ERIC!” In that moment, two things happened; Lilian ducked underneath the water’s surface, covering her body as best she could, while Kevin roared and jumped out of the bathtub. In a display of aerial acrobatics that should have been impossible without shonen manga mechanics involved, Kevin leapt into the air, his body twisting like a corkscrew until he was parallel with the ground, his feet pointing directly at Eric. “Stop-ogling-my-mate-you-pervert Kick!” The loud bang! of Kevin’s feet impacting against Eric’s chest rang out abnormally loudly due to the bathroom’s acoustics. Seconds after being hit, Eric flew backwards with the speed of a cannonball. He blew right out the door and into the hall, crashing into the wall before crumpling onto his backside with a heavy thud. “Ow.” He got back up, surprisingly. “Oi! What the hell was that for, you―” was about as far as he got. “Finishing move! Combustion of Manly Souls Uppercut!” Eric’s head jerked upwards, his teeth clacking together and his face scrunching up in stunned agony. His feet left the ground by at least a foot. Meanwhile, his spine curved painfully, traveling in the direction that the momentum of Kevin’s fist took him. Seconds later, Eric Corrompere lay on the ground, dead to the world around him. Standing above the prone pervert’s form, Kevin took several heavy breaths, his right fist still raised above his head. “Whoo! Now that’s what I like to see! Take it off!” With movements that were almost mechanical, Kevin turned to see four sexy vixens standing several yards down the hall, each one wearing a vastly different expression. Kotohime looked

On the last day of the world I would want to plant a tree what for not for the fruit the tree that bears the fruit is not the one that was planted I want the tree that stands in the earth for the first time with the sun already going down and the water touching its roots in the earth full of the dead and the clouds passing one by one over its leaves

So the "Meseglise way" and the Guermantes way" remain for me linked with many of the little incidents of the life which, of all the various lives we lead concurrently, is the most episodic, the most full of vicissitudes; I mean the life of the mind. Doubtless it progresses within us imperceptibly, and we had for a long time been preparing for the discovery of the truths which have changed its meaning and its aspect, have opened new paths for us; but that preparation was unconscious; and for us those truths date only from the day, from the minute when they became apparent. The flowers which played then among the grass, the water which rippled past in the sunshine, the whole landscape which surrounded their apparition still lingers around the memory of them with its unconscious or unheeding countenance; and, certainly, when they were contemplated at length by that humble passerby, by that dreaming child - as the face of a king is contemplated by a memorialist buried in the crowd - that piece of nature, that corner of a garden could never suppose that it would be thanks to him that they would be elected to survive in all their most ephemeral details; and yet the scent of hawthorn which flits along the hedge from which, in a little while, the dog-roses will have banished it, a sound of echoless footsteps on a gravel path, a bubble formed against the side of a water-plant by the current of the stream and instantaneously bursting - all these my exaltation of mind has borne along with it and kept alive through the succession of the years, while all around them the paths have vanished and those who trod them, and even the memory of those who trod them, are dead. Sometimes the fragment of landscape thus transported into the present will detach itself in such isolation from all associations that it floats uncertainly in my mind like a flowering Delos, and I am unable to say from what place, from what time - perhaps, quite simply, from what dream - it comes. But it is pre-eminently as the deepest layer of my mental soil, as the firm ground on which I still stand, that I regard the Meseglise and the Guermantes ways. It is because I believed in this and in people while I walked along those paths that the things and the people they made known to me are the only ones that I still take seriously and that still bring me joy. Whether it is because the faith which creates has ceased to exist in me, or because reality takes shape in the memory alone, the flowers that people show me nowadays for the first time never seem to me to be true flowers.

Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .

Caves across the ocean in caves of dark hills white skin people like the belly of a fish covered with hair. Then they grow away from the earth then they grow away from the sun then they grow away from the plants and animals. They see no life When they look they see only objects. The world is a dead thing for them the trees and rivers are not alive the mountains and stones are not alive. The deer and bear are objects They see no life. They fear They fear the world. They destroy what they fear. They fear themselves. The wind will blow them across the ocean thousands of them in giant boats swarming like larva out of a crushed ant hill. They will carry objects which can shoot death faster than the eye can see. They will kill the things they fear all the animals the people will starve. They will poison the water they will spin the water away and there will be drought the people will starve. They will fear what they find They will fear the people They kill what they fear. Entire villages will be wiped out They will slaughter whole tribes. Corpses for us Blood for us Killing killing killing killing. And those they do not kill will die anyway at the destruction they see at the loss at the loss of the children the loss will destroy the rest. Stolen rivers and mountains the stolen land will eat their hearts and jerk their mouths from the Mother. The people will starve. They will bring terrible diseases the people have never known. Entire tribes will die out covered with festered sores shitting blood vomiting blood. Corpses for our work Set in motion now set in motion by our witchery set in motion to work for us. They will take this world from ocean to ocean they will turn on each other they will destroy each other Up here in these hills they will find the rocks, rocks with veins of green and yellow and black. They will lay the final pattern with these rocks they will lay it across the world and explode everything. Set in motion now set in motion To destroy To kill Objects to work for us objects to act for us Performing the witchery for suffering for torment for the still-born the deformed the sterile the dead. Whirling whirling whirling whirling set into motion now set into motion. So the other witches said

For the seventeenth century, clean linen was not a substitute for washing the body with water—it was better than that, safer, more reliable and based on scientific principles. White linen, learned men believed, attracted and absorbed sweat. As one wrote, with mystifying confidence, “We understand why linen removes the perspiration from our bodies, because the sweat is oleaginous or salty, it impregnates these dead plants [the