Waterfront Quotes

We've searched our database for all the quotes and captions related to Waterfront. Here they are! All 200 of them:

What the American people didn’t know was how aggressive the government was in protecting our defenses and creating weapons. FDR had already secretly approved the Manhattan Project to build an atomic bomb. And the government saw the waterfront as vital to our defenses. They feared that spies or other saboteurs would infiltrate the docks and interrupt the shipments of supplies or somehow obtain vital information about America’s secrets. They made a deal with the Mafia, specifically gangster Charles “Lucky” Luciano.
A.G. Russo (The Cases Nobody Wanted (O'Shaughnessy Investigations Inc. Mystery Series Book 1))
Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together. Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed. I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close. Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side. 'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace. 'Georgie...' She looked up at her brother and blushed. 'Um, I think it works now.
Elizabeth Eulberg (Prom & Prejudice)
His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome — there's no limit to the human capacity for the homing sentiment.
Edward Abbey
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
I lean back and tilt my head so all I see are the clouds in the sky. I'm looking back inside my head with my eyes wide open. I still don't know where I'm going; I decided I'm not crazy or alien. It's just that I'm more like one of those kids they find in remote jungles or forests []. A wolf child. And they've dragged me into this fucking schizo-culture, snarling and spitting and walking around on curled knuckles.
David Wojnarowicz (The Waterfront Journals)
Tonight while walking on the waterfront in the angelic streets I suddenly wanted to tell you how wonderful I think you are. Please don’t dislike me. What is the mystery of the world? Nobody knows they’re angels.
Jack Kerouac
I felt that blush in my chest as we talked stupid talk never quite revealing our queerness to each other but somehow wordlessly generating volumes of desire like some kind of sublanguage that makes you want to splash into it even with all its tensions.
David Wojnarowicz (The Waterfront Journals)
The white-and-green ferry gliding across the dark waters of Puget Sounds looked like a beacon steering toward Bremerton. The entire Seattle waterfront was lit up a festive holiday scene.
Debbie Macomber (Merry and Bright)
Scholars of the Therin Collegium, from their comfortable position well inland, could tell you that the wolf sharks of the Iron Sea are beautiful and fascinating creatures, their bodies more packed with muscle than any bull, their abrasive hide streaked with every color from old-copper green to stormcloud black. Anyone actually working the waterfront in Camorr and on the nearby coast could tell you that wolf sharks are big aggressive bastards that like to jump.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Now, there is some concern about the fact that, given we are in the middle of a desert, there is no actual water at the waterfront. And that is a definite drawback, I agree.
Joseph Fink (Mostly Void, Partially Stars (Welcome to Night Vale Episodes, #1))
We were strolling along the waterfront, his favourite walk, going nowhere in particular, the postcolonial condition.
Abdulrazak Gurnah (Admiring Silence)
In his smuggling days, Davos had often jested that he knew the waterfront at King’s Landing a deal better than the back of his hand, since he had not spent a good part of his life sneaking in and out of the back of his hand.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
I tis hopeless to try to convert some borders into seams. Expressways and their ramps are examples. Moreover, even in the case of large parks, campuses or waterfronts, the barrier effects can likely be overcome well only along portions of perimeters.
Jane Jacobs (The Death and Life of Great American Cities)
My eyes have always been advertisements for an early death.
David Wojnarowicz (The Waterfront Journals)
A community or a country is poor or rich, depending upon who lives on the waterfronts - the poor or the rich!
Sandeep Sahajpal
No border town is anything but a border town, just as no waterfront is anything but a waterfront.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
A generous donor (who had no doubt lived a life that imperiled his mortal soul) had granted [the Sisters] more than one hundred waterfront acres.
Kristin Hannah (Summer Island)
He had all the rough and sultry appeal of Marlon Brando in On the Waterfront. Clive Owen in Sin City. Russell Crowe in everything he did.
Kristan Higgins (Too Good to Be True)
From the night into his high-walled room there came, persistently, that evanescent and dissolving sound - something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness - and by that promise giving it. It gave love hope in its own survival. It could do no more.
F. Scott Fitzgerald (The Beautiful and Damned)
Sala called for more drink and Sweep brought four rums, saying they were on the house. We thanked him and sat for another half hour, saying nothing. Down on the waterfront I could hear the slow clang of a ship’s bell as it eased against the pier, and somewhere in the city a motorcycle roared through the narrow streets, sending its echo up the hill to Calle O’Leary. Voices rose and fell in the house next door and the raucous sound of a jukebox came from a bar down the street. Sounds of a San Juan night, drifting across the city through layers of humid air; sounds of life and movement, people getting ready and people giving up, the sound of hope and the sound of hanging on, and behind them all, the quiet, deadly ticking of a thousand hungry clocks, the lonely sound of time passing in the long Caribbean night.
Hunter S. Thompson (The Rum Diary)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
Tom Hanks
I coulda' had class. I coulda' been a contender! But instead I got a one way ticket to Palookaville.
Budd Schulberg (On the Waterfront: A Screenplay (Screenplay Library))
I squealed as he swung me up over his shoulder and started striding back toward the waterfront. “Nikolas, put me down, you big lug!” I yelled through my laughter. He patted my backside. “This time my Mori and I are in complete agreement.” “You do know I can zap your warrior ass, right?” I squirmed and he held me tighter. His deep laugh warmed me to my toes. “But you won’t.” “How do you know?” “Because you like me... a lot.” I stopped wriggling and started grinning like a fool. What could I say? He was right.     ~
Karen Lynch (Rogue (Relentless, #3))
Now, of course, having failed in every attempt to subdue the Glades by frontal attack, we are slowly killing it off by tapping the River of Grass. In the questionable name of progress, the state in its vast wisdom lets every two-bit developer divert the flow into drag-lined canals that give him 'waterfront' lots to sell. As far north as Corkscrew Swamp, virgin stands of ancient bald cypress are dying. All the area north of Copeland had been logged out, and will never come back. As the glades dry, the big fires come with increasing frequency. The ecology is changing with egret colonies dwindling, mullet getting scarce, mangrove dying of new diseases born of dryness.
John D. MacDonald (Bright Orange for the Shroud)
There are other special problems connected with the discovery of ancient cities. Alexandria was ravaged by fires and street fighting, and its ancient waterfront is underwater. Some discoveries at Pompeii were not revealed for many decades, because the wall paintings are so pornographic.
Norman F. Cantor (Antiquity: The Civilization of the Ancient World)
The town of Lunenburg was built on a hill running down to a sheltered harbour. On one of the upper streets stands a Presbyterian church with a huge gilded cod on its weather vane. Along the waterfront, the wooden-shingled houses are brick red, a color that originally came from mixing clay with cod-liver oil to protect the wood against the salt of the waterfront. It is the look of Nova Scotia - brick red wood, dark green pine, charcoal sea.
Mark Kurlansky (Cod: A Biography of the Fish that Changed the World)
He introduced me to want, the gateway drug. He introduced me to my body. Made me unafraid of it. I fell in love with him, with mornings making coffee in his small Chelsea apartment, days in plush bathrobes talking books and philosophy, going out to dinner at the best hole-in-the-wall spots (he knew them all) and taking long walks over the Brooklyn Bridge at night, eating truck ice cream on the waterfront. Kissing with rainbow sprinkles in our teeth.
Rachel Harrison (The Return)
My coming to New York had been a mistake; for whereas I had looked for poignant wonder and inspiration in the teeming labyrinths of ancient streets that twist endlessly from forgotten courts and squares and waterfronts to courts and squares and waterfronts equally forgotten, and in the Cyclopean modern towers and pinnacles that rise blackly Babylonian under waning moons, I had found instead only a sense of horror and oppression which threatened to master, paralyse, and annihilate me.
H.P. Lovecraft (He)
Then we'll just stay here." She laughed. "Forever?" "Sure," he said. "Seems as good a place to live as any." "Nice waterfront view." "Plenty of light." "A beachfront property. And no cameras." He nodded. "No cameras." She reached for his hand, and her fingers were warm against his. "I don't want to loose any more time," (pgs. 256-257)
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
I am not a cosmic orphan.
Elia Kazan
I am still tired, and I begin to realize that the cure for tiredness is not rest.
Eric Hoffer (Working and Thinking on the Waterfront)
It was all too plainly her opinion that, if let loose in drawing rooms, I would immediately proceed to create an atmosphere reminiscent of a waterfront saloon when the Fleet is in.
P.G. Wodehouse (The Mating Season (Jeeves, #9))
Yialos means “waterfront.
Alex Michaelides (The Fury)
Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
St. Petersburg glowed gray in the east, its waterfront lights barely penetrating the snow and the darkness. To the west was nothing but black. The Gulf of Finland. Open water all the way to Helsinki, nearly two hundred miles distant.
Mark Greaney (Dead Eye (Gray Man, #4))
To know Seattle one must know its waterfront. It is a good waterfront, not as busy as New York's, not as self-consciously colorful as San Francisco's, not as exotic as New Orleans, but a good, honest, working waterfront with big gray warehouses and trim fishing boats and docks that smell of creosote, and sea gulls and tugs and seafood restaurants and beer joints and fish stores--a waterfront where you can hear foreign languages and buy shrunken heads and genuine stuffed mermaids, where you can watch the seamen follow the streetwalkers and the shore patrol follow the sailors, where you can stand at an open-air bar and drink clam nectar, or sit on a deadhead and watch the water, or go to an aquarium and look at an octopus.
Murray Morgan (Skid Road: An Informal Portrait of Seattle)
However much one admires the improved views of the Boston waterfront, the lines of the stealth bomber, or the acting skills of Keira Knightley in Pirates of the Caribbean, or indeed of the gorilla in King Kong, this still seems like a very good deal.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
And what did you want?” His eyes sparkled with laughter. “I wanted to find the nearest bar and drink until I forgot a certain orphan with bewitching green eyes. I kept telling myself it was my Mori who wanted you, but the truth was, I noticed you before my demon did, and I wanted to see you again.” Warmth pooled in my stomach. “Would you do it differently now?” “Yes.” “What would you do?” “I’d do this.” I squealed as he swung me up over his shoulder and started striding back toward the waterfront. “Nikolas, put me down, you big lug!” I yelled through my laughter. He patted my backside. “This time my Mori and I are in complete agreement.” “You do know I can zap your warrior ass, right?” I squirmed and he held me tighter. His deep laugh warmed me to my toes. “But you won’t.” “How do you know?” “Because you like me... a lot.
Karen Lynch
And on the edge of the black sky, where the dawn’s light had just squeezed through, a fleet of bombers, like bats, sailed through a bed of pale clouds and dove toward the Huangpu River, the art deco buildings, the Customs House, and the high-rises on the waterfront. American B-29s.
Weina Dai Randel (The Last Rose of Shanghai)
Every night in Shanghai those Chinese too poor to pay for the burial of their relatives would launch the bodies from the funeral piers at Nantao, decking the coffins with paper flowers. Carried away on the tide, they came back on the next, returning to the waterfront of Shanghai with all the other debris abandoned by the city. Meadows of paper flowers drifted on running tide and clumped in miniature floating gardens around the old men and women, the young mothers and small children, whose swollen bodies seemed to have been fed during the night by the patient Yangtze.
J.G. Ballard (Empire of the Sun)
changed to the elevated at the South Station, and at about twelve o’clock had climbed down the steps at Battery Street and struck along the old waterfront past Constitution Wharf. I didn’t keep track of the cross streets, and can’t tell you yet which it was we turned up, but I know it wasn’t Greenough Lane.
H.P. Lovecraft (The Ultimate Collection)
Tourists and transients lived in hotels and motels along the waterfront. Behind them a belt of slums lay ten blocks deep, where the darker half of the population lived and died. On the other side of the tracks - the tracks were there - the business section wore its old Spanish facades like icing on a stale cake.
Ross Macdonald (The Way Some People Die (Lew Archer, #3))
People who know fresh cod - from the great restaurants of France, to British working-class fish shops, to the St. John's waterfront - all agree on three things: It should be cooked quickly and gently, it should be prepared simply, and, above all, it must be a thick piece. Only a large piece can be properly cooked.
Mark Kurlansky (Cod: A Biography of the Fish that Changed the World)
One night the three of us were out on the town. Bill was driving us to an Italian restaurant. I had been on my new job just a few weeks. I was in the backseat and Bill was watching me in the rearview mirror. Bill said to me, “We heard from Jimmy that you paint houses.” I didn’t say anything. I just nodded my head “yes.” Okay, here it is, I thought. So much for getting away from the downtown culture and getting into a new line of work. “We got something in Chicago that needs to be straightened out. We got a friend there named Joey Glimco. He runs the cab local there, 777. He’s got the trucks on the waterfront, too. Ever heard of him?” I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there. It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other. The house was set far back from the street, hemmed in by the blank walls that rose around it. ("I Wouldn't Be In Your Shoes")
Cornell Woolrich
Let’s see St. Louis.” “One of the most colorful sections of town is right here at the waterfront,” Julie Anne said. “We can ride a little old-fashioned trolley car. It will take us to a number of interesting places including the arch and the old-time paddle wheel steamers at the foot of the levee.” “That sounds like fun,” Nancy said eagerly. “Let’s try the arch first.” At the next corner the girls boarded a yellow streetcar which clanged its bell and rode off slowly and smoothly toward the huge arch in the waterfront park. They got out with several other tourists and followed them across a concrete walk. Then they went down a ramp toward the entrance into one leg of the huge span.
Carolyn Keene (The Message in the Hollow Oak (Nancy Drew, #12))
All through the ages schoolmasters seem to have had the delusion that they could order society as readily as they could a classroom.
Eric Hoffer (Working and Thinking on the Waterfront)
Education does not educate and gentle the heart.
Eric Hoffer (Working and Thinking on the Waterfront)
There's more to Philadelphia than Cheesesteaks and Wawa Hoagies, Here is a list of 1 places you will love in Philadelphia: The Betsy Ross House Reading Terminal Market Boat House Row/Kelly Drive National Constitution Center Delaware River waterfront The Liberty Bell Benjamin Franklin Parkway Franklin Institute Philadelphia Museum of Art City Hall and it's Observation deck
Charmaine J. Forde
Twentieth Century Fox commissioned a screenplay of Bobby Kennedy’s book. Budd Schulberg, the celebrated writer of On the Waterfront, wrote the screenplay, but the project was abandoned by the studio. Columbia Pictures then expressed interest in picking up the project but abandoned it as well. In an introduction he wrote to a 1972 book written about Hoffa by Bobby Kennedy’s chief aide, Walter Sheridan, Budd Schulberg explained why the two studios abandoned the project: “A labor tough walked right into the office of the new head of [Twentieth Century Fox] to warn him that if the picture was ever made [Teamster] drivers would refuse to deliver the prints to the theaters. And if they got there by any other means, stink bombs would drive out the audiences.” This
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
When I got to the waterfront, I parked the car beside a deserted warehouse, smoked a cigarette and put Bob Dylan on auto-repeat. I reclined the seat, kicked both legs up on the steering wheel, breathing calmly. I felt like having a beer, but the beer was gone. The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that energy was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings of the universe, that the cosmic order did not overlook this momentary fact. Was I any closer to appreciating Alyosha's insights? Some limited happiness had been granted this limited life.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
He moved into her house allegedly to care for her. Beulah knows he’s just after the house. It’s a highly valuable piece of luxury waterfront property now. Horton is a caregiver, not a carer. Sometimes she wonders if he’s trying to hasten her demise. Horton is Beulah’s big regret in life. She bites into the soggy biscuit and wonders what her boy will do with all the family china when she’s gone.
Loreth Anne White (The Maid's Diary)
I settled down to long sweet sleeps, day-long meditations in the house, writing, and long walks around beloved old Manhattan a half hour subway ride away. I roamed the streets, the bridges, Times Square, cafeterias, the waterfront, I looked up all my poet beatnik friends and roamed with them, I had love affairs with girls in the Village, I did everything with that great mad joy you get when you return to New York City.
Jack Kerouac (Lonesome Traveler)
Alaska is essentially a small continent: big enough to hold Texas, California, and Montana (the second-, third-, and fourth-largest states) and still have room left over for New England, Hawaii, and a couple of metropolises. It contains seven mountain ranges and ten peaks taller than any in the Lower 48. Its waterfront accounts for half of all the coast in the United States. Louisiana has four times as many miles of paved roads.
Mark Adams (Tip of the Iceberg: My 3,000-Mile Journey Around Wild Alaska, the Last Great American Frontier)
Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it. • chapter eight • Russell Bufalino In 1957 the mob came out of the closet. It came out unwillingly, but out it came. Before 1957 reasonable men could differ over whether an organized network of gangsters existed in America. For years FBI director J. Edgar Hoover had assured America that no such organization existed, and he deployed the FBI’s greatest resources to investigate suspected Communists. But as a result of the publicity foisted on the mob in 1957, even Hoover came on board. The organization was dubbed “La Cosa Nostra,” meaning “this thing of ours,” a term heard on government wiretaps. Ironically,
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
My Chemical Romance, “I Don’t Love You” New Order, “Bizarre Love Triangle” Coheed and Cambria, “The Afterman” U2, “Ordinary Love” Coheed and Cambria, “Pearl of the Stars” Tears for Fears, “Woman in Chains” (with Oleta Adams) U2, “Every Breaking Wave” The Arcadian Project, “Hey There, Pretty Girl” Joy Division, “Love Will Tear Us Apart” Everything But The Girl, “I Don’t Understand Anything” The Airborne Toxic Event, “The Fifth Day” Gnarls Barkley, “Smiley Faces” The Airborne Toxic Event, “This Is London” My Chemical Romance, “Planetary (GO!)” U2, “Sometimes You Can’t Make It on Your Own” The Airborne Toxic Event, “The Way Home” Coldplay, “Fix You” The Strokes, “Reptilia” Simple Minds, “When Two Worlds Collide” The Smashing Pumpkins, “1979” The Arcadian Project, “The Windmill” Leonard Cohen, “Anthem” My Chemical Romance, “The Only Hope for Me Is You” Heaven 17, “Let Me Go” (extended version) Our Last Night, “Skyfall” My Chemical Romance, “The Kids from Yesterday” The Airborne Toxic Event, “The Graveyard near the House” Green Day, “Troublemaker” James Taylor, “Carolina in My Mind” Simple Minds, “Waterfront” Muse, “Exogenesis: Symphony Part 3 (Redemption)” U2, “Kite” The Arcadian Project, “The Disappearance Symphony: One Last Question
Barbara Claypole White (The Perfect Son)
For at least six years, multimillionaire financier Jeffrey Edward Epstein, fifty-three, and others working for him had been luring middle school and high school girls to his waterfront mansion in Palm Beach, Florida, by offering to pay them for massages. The girls, mostly thirteen to sixteen years old, arrived at all hours of the day and night, whereupon they were sexually abused in acts ranging from inappropriate touching to rape. Afterward, Epstein paid them two to three hundred dollars each, then offered to give them even more money if the teenagers brought their friends, creating a revolving door of fresh young girls to fill his pedophile obsession.
Julie K. Brown (Perversion of Justice: The Jeffrey Epstein Story)
We had good reason to be anxious, beginning anew without a clue or map, but on our backs in that unnatural whiteness, we lay peaceful as waterfront sunbathers. Our plan was loose and as undefined as the path across a beach—any route seemed possible, all effective in crossing. And a calm energy lit my heart, perceptible in my movements, which seemed slower. Justin switched off the light; momentarily spooked, I wanted to hear his voice. I spoke into dim space: “I bet you’ll do big things here too—” “I never want to work again,” he cut me off, his unexpected decree like stardust in the darkness. For a moment, the blankness of New York’s canvas took on an energetic tone of backstage butterflies.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
All this activity was taking place on the waterfront, and in vast warehouses washed by the dark, scummy waters of an imaginary Thames, amid a forest of masts, a thicket of beams which pierced the sky’s leaden clouds; high up, on the skyline, trains were racing along at full speed, and down below, in the sewers, other trains were running, emitting hideous shrieks and belching forth clouds of smoke through the shaft openings, while along all the boulevards and streets—where, in an eternal twilight, blazed the monstrous, garish depravities of advertising—streams of carriages flowed between two columns of silent, preoccupied pedestrians who stared straight ahead as they walked, their elbows pressed to their sides.
Joris-Karl Huysmans (Against Nature)
When I got to the waterfront, I parked the car beside a deserted warehouse, smoked a cigarette and put Bob Dylan on auto-repeat. I reclined the seat, kicked both legs up on the steering wheel, breathing calmly. I felt like having a beer, but the beer was gone. The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that energy was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings of the universe, that the cosmic order did not overlook this momentary fact. Was I any closer to appreciating Alyosha’s insights? Some limited happiness had been granted this limited life.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
So the more manly you are, the less you say?” “Right.” Simon nodded. Past him she could see the humid fog lowering over the East River, shrouding the waterfront in feathery gray mist. The water itself was the color of lead, churned to a whipped cream consistency by the steady wind. “That’s why when major badasses greet each other in movies, they don’t say anything, they just nod. The nod means, ‘I am a badass, and I recognize that you, too, are a badass,’ but they don’t say anything because they’re Wolverine and Magneto and it would mess up their vibe to explain.” “I have no idea what you’re talking about,” said Jace, from the backseat. “Good,” Clary said, and was rewarded by the smallest of smiles from Simon as he turned the van onto the Manhattan Bridge, heading toward Brooklyn and home.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Milo Pine did not run a smugglers’ hotel, but his parents did. It was an inn, actually; a huge, ramshackle manor house that looked as if it had been cobbled together from discarded pieces of a dozen mismatched mansions collected from a dozen different cities. It was called Greenglass House, and it sat on the side of a hill overlooking an inlet of harbors, a little district built half on the shore and half on the piers that jutted out into the river Skidwrack like the teeth of a comb. It was a long climb up to the inn from the waterfront by foot, or an only slightly shorter trip by the cable railway that led from the inn’s private dock up the steep slope of Whilforber Hill. And of course the inn wasn’t only for smugglers, but that was who turned up most often, so that was how Milo thought of it.
Kate Milford (Greenglass House)
The Hardys led Mr. Worth up a side street. They stopped at a wide, steamy window bearing the lettering: CHARLIE’S CLAM HOUSE “I hear the food’s good,” Joe remarked, and the trio entered the restaurant. It was a typical waterfront eating place, with sawdust on the floor. The place was crowded with diners, despite the late hour. In one corner sat a group of well-dressed people who, like the Hardys, had just left a farewell party on board the liner. But most of the customers were rough-looking men of the waterfront district. The noise of lively conversations and the odor of frying fish filled the air. Frank, Joe, and Bart Worth seated themselves at a plain wooden table in the middle of the room. As soon as the waiter had taken a dinner order for Mr. Worth and sandwiches for the Hardys, the Southerner began his story.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
Pfeffernus flavored aspirin was found to be hideously dangerous, and babies the size of strawberries were being born to women who were known poppers, and these babies had enormous heads the size of spoiling watermelons, and they whispered obscene remarks in sibilant Levantine waterfront pigeon, and they had lidless eyes and leering flaccid mouths, and they were born with pierced ears, and some were even born with garish metallic paper carnival hats. Their mothers felt repugnance at the lewd comments they uttered at breastfeeding time, and their limbs were unsightly thin and curling tendrils, like withered asparagus bottoms, which were covered with the fine prickly hairs, and they coiled and uncoiled continuously like tendrils under the sea, and when these tendrils were fragile, and when they were pinched off they grew right back, clutching insulting greeting cards.
Jack Smith
So much of what my generation had been promised disintegrated at our touch. Consider the friend, a painter of seascapes, who dreamed of affording waterfront property. On the day the levees broke, the Gulf flooded her studio and painted her walls with costly oils. Consider the friend who worked for six years at a company he hated on the promise of a sabbatical, only to be let go. The friend who complained about family reunions and lost every relative over the age of fifty to a virus. The friend who saved up to invest in a fund and saw her money dissolve like sugar on the tongues of bankers who barely got a scolding from the SEC. The life we'd been promised was a scam, the world a scam, the whole goddamn play a scam and there seemed nothing to do but burn it down as rioters did in Paris, New York, Nairobi—and then creep back through the embers because what other choice did we have?
C Pam Zhang (Land of Milk and Honey)
Great cities invite you to love them in extreme close-up, to love every inch of them. And the more eccentric, convoluted, broken, and uneven they are, the more there is to love. The tenements on the Lower East Side in New York City, the decaying wooden houses above the waterfront in Istanbul, the fading rose-colored buildings in the magical little grid south of the Spanish Steps in Rome, the bombed-out villas near the Vucciria in Palermo—it is precisely the irregularity of these places that allows your heart to get a grip on them, like a climber finding a tiny hold that will not give way. Shimmering Venice has the most beautiful inches of any city in the world. San Francisco cannot compete, because it does not have streets made of water. But it has the next best thing: It has dirt trails. They make this city a place where mystery is measured in soft footsteps, and magic in clouds of dust.
Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
I shared my love of books with Benny, but Aunt Yolanda opened my eyes to the world of food as art, cooking without cans. She introduced me to the magic of spices, the exotic perfume of fresh herbs crushed between fingers. Younger than my mother, she was rounded in just the right spots, from her love of good food, and when we talked she looked right at me and listened, nodding and laughing loudly when I'd tell jokes, holding my hand when we'd walk, as if we were best friends or sisters. She liked Anne and Christine, too, but I could tell I was her favorite. She took me with her on shopping trips, to the fish market near the waterfront and the farm stands out west. Sometimes she'd journey to the Asian grocers in Northeast Portland or the hippie vegetarian markets on Hawthorne to find something special. We'd come home laden with ingredients that I knew my mother had never heard of, and the resulting feasts would fill me with a yearning to go to different places, to try new things.
Jennie Shortridge (Eating Heaven)
Later, this desire will invade and overwhelm me. It will begin, in the classic way, with an urge to travel to new places, destinations selected from maps and picture postcards. I will take trains, boats, planes, I will embrace Europe, discover London, a youth hostel next to Paddington Station, a Bronski Beat concert, thrift stores, the speakers of Hyde Park, beer gardens, darts, tawdry nights, Rome, walks among the ruins, finding shelter under the umbrella pines, tossing coins into fountains, watching boys with slicked-back hair whistle at passing girls. Barcelona, drunken wanderings along La Rambla and accidental meetings late on the waterfront. Lisbon and the sadness that’s inevitable before such faded splendor. Amsterdam with her mesmerizing volutes and red neon. All the things you do when you’re twenty years old. The desire for constant movement will come after, the impossibility of staying in one place, the hatred of the roots that hold you there, Doesn’t matter where you go, just change the scenery,
Philippe Besson (Lie With Me)
Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we're gonna have it haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.
Tom Hanks
the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as
James Webb (I Heard My Country Calling: A Memoir)
Simple Twist Of Fate" They sat together in the park As the evening sky grew dark She looked at him and he felt a spark tingle to his bones It was then he felt alone and wished that he'd gone straight And watched out for a simple twist of fate. They walked alone by the old canal A little confused I remember well And stopped into a strange hotel with a neon burning bright He felt the heat of the night hit him like a freight train Moving with a simple twist of fate. A saxophone someplace far off played As she was walking on by the arcade As the light bust through a-beat-up shade where he was waking up She dropped a coin into the cup of a blind man at the gate And forgot about a simple twist of fate. He woke up the room was bare He didn't see her anywhere He told himself he didn't care pushed the window open wide Felt an emptiness inside to which he just could not relate Brought on by a simple twist of fate. He hears the ticking of the clocks And walks along with a parrot that talks Hunts her down by the waterfront docks where the sailers all come in Maybe she'll pick him out again how long must he wait One more time for a simple twist of fate. People tell me it's a sin To know and feel too much within I still believe she was my twin but I lost the ring She was born in spring but I was born too late Blame it on a simple twist of fate. Bob Dylan, Blood On The Tracks (1975)
Bob Dylan
A BRIEF FOR THE DEFENSE Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafes and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
Pier 5 in Brooklyn was within a short walking distance from the subway station and in the distance the masts and funnel of my new ship could be seen. The S/S African Sun was a C-4 cargo ship built in 1942, for the war effort. Not even 15 years old, the ship looked as good as new. Farrell Lines took good care of their ships and it showed. There was always a lot of activity prior to departure and this time was no exception. We were expected to depart prior to dusk and there were things to do. I got into my working uniform and leaving my sea bag on my bunk headed for the bridge. When I passed the open door of the Captain’s room he summoned me in. “Welcome aboard Mr. Mate. I’ve heard good things about you!” We talked briefly about his expectations. Introducing himself as Captain Brian, he seemed friendly enough and I felt that I got off to a good start. As the ship’s Third Officer, most frequently known as the Third Mate, my first order of business was to place my license into the frame alongside those of the other deck officers. I must admit that doing so gave me a certain feeling of pride and belonging. With only an hour to go before our scheduled departure I called the engine room and gave them permission to jack over the engine; a term used to engage the engine, so as to slowly turn the screw or propeller.
Hank Bracker
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
Soon, excited by the smells of the mainland, with all their incredibly important tasks and obligations, they would disappear onto the little streets by the waterfront, ebbing away like the ninth wave that reaches furthest and soaks into the ground and never returns to sea.
Olga Tokarczuk (Flights)
Complementing the imposing stone edifice of the Palace of Colonies were three “traditional” African villages, with houses built of bamboo and thatch in the Bangala style. Two of them were located along a large pool, with dugout canoes at the waterfront. The third village was away from the water in the trees. Palm trees and other tropical vegetation were planted in and around the villages to give them an air of authenticity. The European visitors were not allowed to enter the villages, but they could watch from behind iron fences, much as they would watch animals in a zoo. A sign proclaimed, “Do not feed the blacks. They are already being fed.
Robert W. Harms (Land of Tears: The Exploration and Exploitation of Equatorial Africa)
The streets, rimmed with filth and plagued by icy puddles, were polished by a cold rain that rode a bitter southeasterly out of skies gone leaden and gray. Buildings, huddled together as though for warmth, seemed to close in on either side of him, growing darker, seedier, sadder as he neared the waterfront. The wind blew hard, and he shifted the small white bundle he carried under his arm to protect it from the elements. Already he could smell the Solent; a moment later he could see its frothy expanse, and the anchored ships riding a chain of cruising whitecaps. He pulled up the collar of his boat cloak,
Danelle Harmon (Master of My Dreams (The Noble Lords, #1))
No border town is anything but a border town, just as no waterfront is anything but a waterfront. San Diego? One of the most beautiful harbors in the world and nothing in it but navy and a few fishing boats. At night it is a fairyland. The swell is as gentle as an old lady singing hymns.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Welcome to The Reef at King's Dock, our latest waterfront condo development in Singapore. Jointly developed by both Mapletree & Keppel Land Limited. It is a luxurious residence strategically sited at Harboufront Avenue and along the historic King's Dock of Keppel Harbour. A well-placed central location in the South of Prime District 04, we hope to see you in our Show Gallery soon! *All viewings will be appointment based going forward. Thank you!
The Reef at Kings Dock
The new owners of the South Valley Street house, who described themselves online as people who "love dancing, practicing selfrealization, meditation, freedom, and investing," turned the Kardonsky-Cook home into an Airbnb. They named it "A Creek Runs Through It Olympic Mountain Retreat." It was one of the four properties they had purchased to rent around the Olympic Peninsula. The listing described the house as a "historic luxury two-story farmhouse" and charged guests $190 a night to sleep in the rooms where my family once lived. A big selling point for their property was the creek that my grandmother and her siblings played in, that my mother explored before picking salmonberries from the bushes on its bank. They marketed the home as being close to the waterfront that my great-grandfather walked to every day for work. He was a longshoreman and worked at the docks the entire time he lived there. His cat met him halfway home after every shift. One review read, "It doesn't feel like someone fixed up a house and is renting it, it feels like someone's home.
Leah Myers (Thinning Blood: A Memoir of Family, Myth, and Identity)
The waterfront in Exeter was as familiar to Hammett as the back of his own hand and a boat receiving parcels there would be unlikely to attract much notice. It also meant Hammett could disappear into one of the many tunnels or escape routes like a rat up a drainpipe
Helena Dixon (Murder at Elm House (Miss Underhay Mysteries #6))
Usually occupying a renovated waterfront area, the quiche district, as I am wont to call it, has brought new and unwelcome meaning to the words “light industry.
Fran Lebowitz (The Fran Lebowitz Reader)
The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want
uaebestdesertsafar
Des fois quand je me balade dans la rue j'aimerais que mes ongles soient longs et durs pour faire des rayures dans le béton ou des rainures sur le trottoir ou rayer les vitres ou sinon en me concentrant bien fort pour que toutes les fenêtres se brisent et que les bris de verre pleuvent sur la rue ou alors que la fumée des cigarettes rentre dans les cigarettes comme un film qui jouerait à l'envers ou bien pour que les rues s'ouvrent comme lors d'un tremblement de terre et forment de vastes crevasses béantes à la surface de l'asphalte. Des fois je me dis qu'en fixant bien le ciel des yeux je vais réussir à provoquer un orage, pour que soudain des nuages noirs apparaissent et envoient de la pluie et des éclairs sur les toitures.
David Wojnarowicz (The Waterfront Journals)
The thing is, I was genuine. I was always myself, that’s the secret. You should try it. Instead of forcing everything around you into the boxes you think they belong in, try being yourself. See what happens. Who knows, you might even like it.” She
Rimmy London (A Doggone Waterfront Shame (Megan Henny Cozy Mystery #1))
I deserved more from you. But when you’re with the wrong person, there will always be failings. Forcing two people together that don’t fit is a waste of time for both of them. So, I’m going to have to ask you to stop.” Her voice caught in her throat, and she hurried
Rimmy London (A Doggone Waterfront Shame (Megan Henny Cozy Mystery #1))
Another reason the longshoremen in Brooklyn were not talking to the navy was because President Roosevelt had declared that the country’s six hundred thousand nonnaturalized Italians be classified as “enemy aliens.” It was insulting, and it was an unwise move to offend the very people who were handling the materials that were being transported for war.3 By late February 1942, Haffenden and his section had failed to produce a single informant on the waterfront. Every officer at ONI had been trained to know that developing informants was essential for counterintelligence work, and on the waterfront, B-3 was coming up short.4
Matthew Black (Operation Underworld: How the Mafia and U.S. Government Teamed Up to Win World War II)
President Roosevelt himself even said during a fireside chat that “Today’s threat to our national security is not a matter of military weapons alone. We know of new methods of attack—the Trojan Horse, the Fifth Column that betrays a nation unprepared for treachery. Spies, saboteurs and traitors are the actors in this new energy.” These threats were exactly what Haffenden was up against on the waterfront. If the enemy infiltrated the harbor, and posed as a longshoreman, the missions he could carry out were terrifying. As unthinkable as they were, it was Haffenden’s job to be one step ahead. That meant getting information about sabotage activity, however he could get it.
Matthew Black (Operation Underworld: How the Mafia and U.S. Government Teamed Up to Win World War II)
It also causes the navy to defer bridge upgrades and installations of vital equipment. Cruisers and destroyers throughout the Western Pacific had different bridge layouts, control stations, radars, and other sensors. The report noted that sailors from one ship couldn’t expect to cross to another ship of the same class and find familiar equipment or layouts. Following report recommendations, Davidson sought to improve basic seamanship skills, deploy common bridge and equipment sets across the Pacific Fleet, and start a new Japan-based waterfront unit to assess ships and crews to make sure both were ready for deployment. The changes would start with the region and expand fleet- and navy-wide to revamp training and readiness across the board.
Michael Fabey (Crashback: The Power Clash Between the U.S. and China in the Pacific)
Success, to Brando, meant “understanding yourself.” Success, as it was defined by Hollywood, held no appeal to him. This was a man who was hailed as the greatest in his field, a two-time Oscar winner, a box-office champ, the first actor to get a million dollars a picture. He made it to the top of the heap—and when he got there, he found success didn’t have “the fiber,” as he told talk show host David Susskind. He spent his life searching for things that did have the fiber, those permanently true things for which he could lay down his life. He wanted to feel as if he were—to play on his famous line from On the Waterfront—a “contender,” someone who mattered, someone who had fought the good fight. He wanted to feel as if he had made a difference, left a mark, and not just on acting. What he did not want to be was an “unthinker,” the way he described those people who never examined themselves or their place in the world.
William J. Mann (The Contender: The Story of Marlon Brando)
Who are we, the people who have ADHD? We are the problem kid who drives his parents crazy by being totally disorganized, unable to follow through on anything, incapable of cleaning up a room, or washing dishes, or performing just about any assigned task; the one who is forever interrupting, making excuses for work not done, and generally functioning far below potential in most areas. We are the kid who gets daily lectures on how we’re squandering our talent, wasting the golden opportunity that our innate ability gives us to do well, and failing to make good use of all that our parents have provided. We are also sometimes the talented executive who keeps falling short due to missed deadlines, forgotten obligations, social faux pas, and blown opportunities. Too often we are the addicts, the misfits, the unemployed, and the criminals who are just one diagnosis and treatment plan away from turning it all around. We are the people Marlon Brando spoke for in the classic 1954 film On the Waterfront when he said, “I coulda been a contender.” So many of us coulda been contenders, and shoulda been for sure. But then, we can also make good. Can we ever! We are the seemingly tuned-out meeting participant who comes out of nowhere to provide the fresh idea that saves the day. Frequently, we are the “underachieving” child whose talent blooms with the right kind of help and finds incredible success after a checkered educational record. We are the contenders and the winners. We are also imaginative and dynamic teachers, preachers, circus clowns, and stand-up comics, Navy SEALs or Army Rangers, inventors, tinkerers, and trend setters. Among us there are self-made millionaires and billionaires; Pulitzer and Nobel prize winners; Academy, Tony, Emmy, and Grammy award winners; topflight trial attorneys, brain surgeons, traders on the commodities exchange, and investment bankers. And we are often entrepreneurs. We are entrepreneurs ourselves, and the great majority of the adult patients we see for ADHD are or aspire to be entrepreneurs too. The owner and operator of an entrepreneurial support company called Strategic Coach, a man named Dan Sullivan (who also has ADHD!), estimates that at least 50 percent of his clients have ADHD as well.
Edward M. Hallowell (ADHD 2.0: New Science and Essential Strategies)
THE FIRST MORNING This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio or Rome—there’s no limit to the human capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling to them from up above, in the cold black outback of interstellar space. For myself I’ll take Moab, Utah. I don’t mean the town itself, of course, but the country which surrounds it—the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky—all that which lies beyond the end of the roads.
Edward Abbey (Desert Solitaire)
You can tell whether you have happened upon a living village by the lobster traps stacked in front yards. The closer these traps are to the water, the more authentic is the town. On the other hand, if traps and buoys are predominantly on lawns two or three blocks removed from the waterfront, then it is likely outsiders are buying up the shoreline. For lobstermen, the biggest threat of gentrification is loss of access to the water. Genevieve McDonald, a lobster-boat captain I came to know, suggested I could gauge a town’s purity by how many Maine license tags appear on pickups at the town dock. Too many out-of-state tags and it’s a lost cause.
Christopher White (The Last Lobster: Boom or Bust for Maine's Greatest Fishery?)
Bax Brown, a Toronto enthusiast, thrives in the vibrant energy of the city. As a resident, Bax immerses in its diverse culture, culinary scene, and bustling streets. With a passion for urban exploration, Bax navigates Toronto's neighborhoods, discovering hidden gems and embracing the city's rich history. From the serene waterfront to the eclectic Kensington Market, Bax finds inspiration around every corner. An advocate for community engagement, Bax actively participates in local events and initiatives, fostering connections that enrich Toronto's social fabric.
Bax Brown Toronto
Daniel Burnham, the city planner responsible for Chicago’s beautiful waterfront, which he designed more than a century ago, famously said, “Make no little plans; they have no magic to stir men’s blood.
Carl J. Schramm (Burn the Business Plan: What Great Entrepreneurs Really Do)
BayFestSD.com hosts the San Diego Bayfest and Mission Bayfest, premier music festivals in San Diego known for featuring top reggae and alternative rock artists. Held at scenic venues like Waterfront Park, these festivals showcase renowned acts such as Sublime, Atmosphere, and Goldfinger. Our mission is to create unforgettable experiences through well-organized events, VIP offerings, diverse food vendors, and exclusive merchandise, enriching San Diego’s cultural landscape with live music.
Bayfest San Diego
In 1741, the ninety-five-year-old Thomas Faunce asked to be carried in a litter to the Plymouth waterfront. Faunce had heard that a pier was about to be built over an undistinguished rock at the tide line near Town Brook. With tears in his eyes, Faunce proclaimed that he had been told by his father, who had arrived in Plymouth in 1623, that the boulder was where the Pilgrims had first landed. Thus was born the legend of Plymouth Rock.
Nathaniel Philbrick (Mayflower: A Story of Courage, Community, and War)
Yes, Mr. Gadwin! Tell Morgan I’ll be at the cove. He knows where.” With a smile and a wave, she was off again, running straight toward the Thames, basket swinging and curls flying. She turned the corner of the waterfront street known as “the Beach” and collided with something, head-on. Her calico skirts billowed as she sat down hard on the cobblestones. Feminine laughter
Cynthia Wright (Silver Storm (Raveneau, #1))
HAWAII is drawing a line in the sand, right where it hopes to build a presidential library for native son President Obama. The oceanfront library would have a dramatic view of the Diamond Head volcanic crater and Hawaii’s abundant sunshine would generate solar power to support on-site vegetable gardens. "You can’t beat waterfront land in Honolulu, with all due respect for the other cities," Sen. Brian Schatz (D-Hawaii) said Thursday.
Anonymous
A stampede killed at least 36 people during New Year's Eve celebrations in Shanghai, authorities said, possibly caused by people rushing to pick up fake money thrown from a building overlooking the city's famous Bund waterfront district.
Anonymous
There had been no difficulty recruiting sailors willing, even anxious, to sign on for the voyage to the Chesapeake. Since the end of the war with Spain and the end of privateering, out-of-work sailors thronged every port looking for any work that would put a few shillings in their pockets. Taverns near the London waterfront and inns and all along the docks must have been filled with talk of how a fleet headed for Virginia was taking on able-bodied men. To these men, work—any work—would have been attractive,
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
He suddenly felt like he was a thousand miles from Berkeley, in some kind of alternate reality where beautiful people sat sipping martinis at sunset and went to art shows and jogged along the waterfront and had casual sex with other martini-drinking beautiful people. A world where there were no Malibu Barbie beach houses and plastic dinosaurs to bang into in the night, no mismatched shoes five minutes before school, no debates about how all the bath water wound up on the bathroom floor or who let the dog chew up the couch cushions.
P.J. Patterson
Wiley was waking up, in his bedroom, the same place he had woken up for the last three months. In his rented apartment on the waterfront. The new development. A village within the city. But not really. It was actually a giant dormitory, full of incurious people who rushed in and out in the dark, and slept the few hours between. He had never seen his neighbors, and as far as he knew they had never seen him. Perfect. He
Lee Child (Night School (Jack Reacher, #21))
I visited McBeth’s eleventh and twelfth grade classes, which were both working on prototypes for projects they had approached through design thinking. One was a revitalization scheme for Toronto’s waterfront, and the other was creating an indoor agriculture system. The students were producing all sorts of creative solutions, from elaborate models of their waterfront developments to fish farms where the fish’s own waste would fertilize the plants that cleaned the water. It was loud, messy work. At one point, three girls were hand-sawing a piece of lumber balanced between two desks, and sawdust quickly coated their preppy uniforms and hair. With a few exceptions, all the students said they preferred to work without computers on this type of project. They felt they had more creative freedom, were less distracted, could be more accurate to their vision, and gained a better understanding of the scale and materials involved. It also seemed more fun. The groups building models and contraptions around the room were laughing and joking as they glued and taped and cut and broke things. The only ones working on computers were two girls who gave up on a model and decided to make an app instead. They sat side by side, quietly checking out the pricing options on various app-building websites, flipping over to Facebook whenever McBeth was out
David Sax (The Revenge of Analog: Real Things and Why They Matter)
up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there
Elizabeth Lennox (His Indecent Proposal (The Jamison Sisters Book 3))
Okay, I’ll just go on to the next card.” He picks one up, pretending to read. “It says here, ‘Darling, is there life on Mars? Yes or no.’ ” Mack has gone back to thinking about the paintings. “I say no,” he says absently. “Hmmm,” says Quilty, putting the card down. “I think the answer is yes. Look at it this way: they’re sure there are ice crystals. And where there is ice, there is water. And where there is water, there is waterfront property. And where there is waterfront property, there are Jews!” He claps his hands and sinks back onto the acrylic quilting of the bedspread. “Where are you?” he asks finally, waving his arms out in the air. “I’m here,” says Mack. “I’m right here.” But he doesn’t move. “You’re here? Well, good. At least you’re not at my cousin Esther’s Martian lake house with her appalling husband, Howard. Though sometimes I wonder how they’re doing. How are they? They never come to visit. I frighten them so much.” He pauses. “Can I ask you a question?” “Okay.” “What do I look like?
Lorrie Moore (Birds of America: Stories)
having been jostled by a nautical-looking negro who had come from one of the queer dark courts on the precipitous hillside which formed a short cut from the waterfront to the deceased’s home
H.P. Lovecraft (The Complete Fiction [contains links to free audiobooks])
If the port made New York, the Irish made the port,” writes James T. Fisher in On the Irish Waterfront.15 Many of the dockworkers were refugees from the Great Hunger that immiserated the island between 1845 and 1849, a famine so cataclysmic that nearly 1.5 million people were willing to risk voyage to America on the too aptly named “coffin ships.”16 Most of the workers were desperately poor and more than willing to take the dangerous, miserably paid, erratic jobs on the piers of Red Hook and near the Navy Yard. Some of the earliest arrivals had dug the Erie Canal; nearly 500 of those following them built the Atlantic Docks, and many more simply did the more forgettable work of unloading cargo, repairing masts, and braiding ropes.17 Like urban migrants everywhere, the
Kay S. Hymowitz (The New Brooklyn: What It Takes to Bring a City Back)
tagged along. He felt that Marvin was now his responsibility, and he wanted to keep an eye on him. No telling what the captain might say that could possibly upset Marvin. A brisk, cold wind was blowing as the passengers stepped from the ferry onto the dock at Ostend. Marvin later commented that he had never felt such raw weather, but his memory was short. He had forgotten the freezing winters we had lived through when we were growing up in Washington, D.C. From the waterfront at Ostend, Freddy led Marvin, Bubby, and Eugenie to a small boarding house at 77 Rue Promenade, just a block from the beach. Freddy’s wife, Lilliane, a joyous woman, was waiting for them with open arms. She had already prepared a room on the fifth floor for Freddy’s guests and had a hot meal simmering on the stove. The boarding house was owned by Freddy and managed by his wife. They lived in the basement apartment, along with their two young daughters. Lilliane had told them that a new playmate would be arriving, and they had eagerly anticipated meeting Bubby. Freddy seemed happy too, now that Marvin was safely in tow. As for Marvin, he was simply relieved to be warm again and on dry land. From the moment she first saw Marvin,
Frankie Gaye (Marvin Gaye, My Brother)
Among other jobs that we did, my brother Bill and I were shoe shine boys in Jersey City and Hoboken during the World War II years. We went from tavern to tavern shining shoes for ten cents and hopefully a generous tip. The Hoboken waterfront bristled with starkly looming, grey hulled Liberty ships. Secured to the piers facing River Street, they brandished their ominous cannons towards what I thought was City Hall. An unappreciated highlight was when I shined Frank Sinatra’s shoes at a restaurant on Washington Street, just west from the Clam Broth House. There was no doubt but that Hoboken was an exciting place during those years. Years later I met Frank at Jilly's saloon, a lounge on West 52d Street in Manhattan, for a few drinks and a little fun around town. Even though I was an adult by then, he still called me “kid!” It was obvious that Frank Sinatra enjoyed friendly relations with Mafia notables such as Carlo Gambino, “Joe Fish” Fischetti and Sam Giancana. Meyer Lansky was said to have been a friend of Sinatra’s parents in Hoboken. During this time Sinatra spoke in awe about Bugsy Siegel and was in an AP syndicated photograph, seen in many newspapers, with Tommy “Fatso” Marson, Don Carlo Gambino 'The Godfather', and Jimmy 'The Weasel, Fratianno. Little wonder that the Federal Bureau of Investigation kept their eye on Sinatra for almost 50 years. A memo in FBI files revealed that Sinatra felt that he could be of use to them. However, it is difficult to believe that Sinatra would have become an FBI informer, better known as a “rat.” It was in May of 1998 when Sinatra, being treated at Cedars-Sinai Medical Center in Los Angeles told his wife Barbara, “I’m losing.” Frank Sinatra died on May 14th at 82 years of age. It is alleged that he was buried with the wedding ring from his ex-wife, Mia Farrow, which she slid unnoticed into his suit pocket during his “viewing.” Aside from his perceived personal and public image, Frank Sinatra’s music will shape his enduring legacy for decades to come. His 100th birthday was celebrated at the Hollywood Bowl on Wednesday, July 22, 2015. Somehow Frank will never age and his music will never fade….
Hank Bracker
restaurant, nicknamed "The Municipal Crib" for the number of city officials who dallied there. Margaritte and the owner of Marchand's, Pierre, had contacted Fremont Older after Rolf had raised the tariff for each ninety-day liquor license renewal to $10,000. They offered to testify before a grand jury. And so the war began. We settled in for The Dictator, featuring the emerging legend in American theater, John Barrymore. The door opened behind us and the light from the hallway caught my attention. A tree-stump of a man moved next to Adam Rolf, close enough that I could hear his labored breathing. "Annalisa, I'm not sure you've ever met Mr. John Kelly," Rolf said. The broken-nosed thug plunged into the seat next to Rolf, looking as though meat packers had stuffed him into his tuxedo. "Mr. Kelly here represents our interests along the waterfront. I'm about to announce his candidacy for a supervisor's seat next election." "Miss Passarella," he growled with whiskey breath. "Mr. Kelly. Excuse my ignorance, but are you the one they call Shanghai Kelly?" "We try not to use that nickname," Rolf laughed. I was gratefully distracted when Barrymore arrived on stage to a thunderous reception. From the corner of my eye, I noticed Rolf click open his pocket watch and offer a peek to Kelly, who smiled. The seemingly innocuous gesture disturbed me greatly. The room seemed to tilt and the chair wavered beneath me. The end could not come soon enough.
James Dalessandro (1906)
On March 12, 2015, the AIM Development Company, that deals in scrap metal, met to discuss demolishing the now defunct Verso Paper Mill in Bucksport, located at the head of Penobscot Bay. The paper mill was first built by the Maine Seaboard Paper Company in 1930. Demolition of the mill is expected to be completed in 2016. However, company representatives and town officials did not discuss what AIM might do with the 250-acre waterfront site once the demolition work is complete. Originally it was believed that a recycling facility, using the deep-water port access to export salvaged metals, would be the most likely thing to be built on this site; however this plan has now been scrapped. In 1980 this mill employed more than 1,350 workers and was the largest employer in Bucksport, a town of about 5,000 residents. The demolition and removal took much longer than anyone expected and as salvage crews continued working, a fire broke out on March 19, 2017. Apparently the fire erupted at about 8:30 a,m. as workers using cutting torches, cut into the metal exterior wall of the mill. Spreading to the roof of the building, it was debated as to the feasibility of allowing the fire to destroy the remaining structure. Considering the safety involved firefighters from Bucksport and surrounding towns extinguished the fire. It is expected that the remaining remnants will be demolished by the middle of 2017 in fact the company has open rail cars in position, waiting to remove whatever is left of the mill.
Hank Bracker
Why are you talking about Milo and me as if I weren’t here?” I asked angrily. “What are you afraid will happen between us? Half the Argonauts believe it already did, but that doesn’t make it so.” “Not yet,” Castor said. “People change, especially on a long voyage.” “Why does this matter so much to you?” “Because now, Helen, you can have a child,” Polydeuces replied. He lifted my chin gently. “You are the next ruler of Sparta. The man you marry will be Sparta’s king, and your children will rule our land after you. If you have a baby now, that child could grow up to challenge your other children for the throne. Sparta’s enemies would be only too happy to help that child raise an army, then swoop down on our lands in the wake of the war and devour anything that remains. When you’re dead, do you want to leave your people peace or chaos?” I didn’t have to give him an answer. We both knew it. “Now, Polydeuces, let her be,” Castor said, hugging me again. “Look at that face! Her brow’s all creased with worry, and for nothing. As if our little sister would ever give her heart to anyone less than a prince! As if a slave’s child could ever raise an army to take Sparta!” I whirled out from under Castor’s arm. “Milo is no slave, and he’s worth ten princes!” Castor sucked in his breath sharply and looked to Polydeuces. “All right, now I’m worried,” he said. “Either you trust me or you don’t,” I said. “That’s your only worry. I’ve made my decision. I’m going to the waterfront, I’m praying to Poseidon that I’ll find the ship I need, and I’m going home. As a boy. With Milo.” My brothers smiled. “It’s good to see you so confident again.” Polydeuces said. “But not too confident to reject some help from your devoted brothers?” I threw my arms around their necks. “Never.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Crimping or Shanghaiing was the act of kidnapping unsuspecting men to serve aboard ships usually destined to sail to the far east. In most cases this happened on the waterfront of cities such as London, Bristol and Hull in England and San Francisco, Portland, Seattle, Port Townsend on the West Coast and New York, Boston, Philadelphia, and Baltimore on the on the East Coast of the United States. Portland, Oregon. In the mid-19th century eventually became the most infamously known city for shanghaiing. People engaged in this form of kidnapping were known as crimps and those members of a ship’s crew that were acquired in this way were referred to as being part of a ships “press gang.” This term had its origin Great Britain's Royal Navy. The need for Shanghaiing grew from shortage of sailors first in the British navy in England and then on merchant ships sailing on the lengthy trade routes primarily to China. With many seamen jumping ship along the west coast and joining the California Gold Rush it developed a cottage industry for boarding masters known as crimps, who found crews for ships. Being paid for every person they delivered there was a strong incentive to find as many seamen as possible and for this they were paid what was named blood money. Records show that these crimps could receive a percentage of the man’s pay or in some cases thousands of dollars of advance pay against the seaman’s pay for the voyage. In 1884 the practice of Crimping or Shanghaiing was curtailed when the Dingley Act came into effect. This law prohibited the taking advantage of the seamen, although some loopholes allowed the practice to continue into the 20th century.
Hank Bracker
Jefferson and Becky and I step onto the rickety dock, which feels more solid under my feet than I expect. I can’t help gawking at the ships as we go. Jefferson, never one for shyness, cups his hands to his mouth. “The Charlotte!” he hollers. “We’re looking for the Charlotte!” Sailors shake their heads. One rakish fellow leans over the side of his ship and shouts in an Australian accent. “Oi! If you find Charlotte, tell her I’m looking for her, too!” “Rude humor is a mark of low character,” Becky shouts back. “Of course I’ve got low character,” the sailor responds. “I come from down under!” His crewmates laugh. Jefferson looks to me as if to share a grin, but I shake my head. Becky Joyner is on a mission, and this is no time to cross her. The sailor wisely returns to work. We pass another ship and reach the end of the dock. Still no Charlotte. “Maybe this is the wrong place,” Jefferson says. “I’m sure this is it,” Becky says. “I reread the letter and checked the directions with people at the mission before we came down to the waterfront.” If Becky says she’s sure, she’s sure. “Maybe they left already?” “I made inquiries,” Becky says. “The Charlotte was expected to remain in port.” Her knowledge doesn’t surprise me one bit. Thanks to her restaurant regulars, Becky now has more connections and better information than anyone I know. “We must have missed it,” I say. “We just need to head back and start over.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
A buzzing comes across the sky. The red biplane rolls inward across the turquoise water, over a wispy pine isle with a scattering of sailboats close by. Fishing boats make froth lines as they enter the channel below. A windjammer heads out for a sunset cruise promising a marmalade sky. The buzz hardens and bursts into an immense whirling sound above the yachts and sport fishers at the marina docks—the plane now racing its elongated shadow over the waterfront restaurants and bars. A man on bicycle coming round by the schooner wharf looks up with the whoosh of the plane already over the tall palms and roof tin, disappearing now in a muted drone down toward the Southernmost.” From Chapter 1: An Unfinished Sunset
Will Irby (An Unfinished Sunset: The Return of Irish Bly)
It was during the early summer of 1952 that I found myself in the small community park next to Stevens Institute of Technology. Although I had a job, I had only worked as a “soda jerk” for a little over a week before I started looking for something else. The Hoboken waterfront was still familiar to me from earlier years when I walked this way to catch the trolley or the electrified Public Service bus home from the Lackawanna Ferry Terminal. Remembering the gray-hulled Liberty Ships being fitted out for the war at these dilapidated piers, was still very much embedded in my memory. Things had not changed all that much, except that the ships that were once here were now at the bottom of the ocean, sold, or nested at one of the “National Defense Reserve Fleets.” The iconic movie On the Waterfront had not yet been filmed, and it would take another two years before Marlon Brando would stand on the same pier I was now looking down upon, from the higher level of Stevens Park. Labor problems were common during this era, but it was all new to me. I was only 17 years old, but would later remember how Marlon Brando got the stuffing kicked out of him for being a union malcontent. When they filmed the famous fight scene in On the Waterfront, it took place on a barge, tied up in the very same location that I was looking upon.
Hank Bracker
Working was a matter of pride and we did it because we wanted to, not because we had to. During our infrequent breaks, the reward was going to the small store we called a “geedunk.” Getting to it required a climb up the long ladder or wooden stairs from the dock area. The geedunk was owned by Ma & Pa McCloud and, although it wasn’t anything to write home about, it was a safe haven for underclassmen and had everything from lobster rolls to hot dogs and hamburgers. Having an old-fashioned soda fountain, some tables and booths, it was a place where we could sit and shoot the breeze, without being hassled by the upperclassmen. Although the Academy fed us well, I was at an age when I was always hungry and if I got some slack time from Bo’sun Haskell or Bill Cooms, and had the money, I’d climb the back ladder for some chow. Sometimes I’d even be able to afford a lobster roll, but they were few and far between. I always tried to stretch the break into at least twenty minutes. Our respite never seemed long enough, but just by looking at my hands you could tell that the work was hard and the day was long. Finally, when the working day was behind us, we usually just dragged ourselves back up the steep hill, forgetting the idea of marching in formation. Time was always a factor, so it was imperative that I get cleaned up and into the uniform of the day before the chow line closed.
Hank Bracker
Denis’ cave to be such a regular haunt for hundreds of thousands of years is not usual. You can see why though. Despite the gritty weather, it’s a highly desirable residence; a waterfront property overlooking a picturesque river, the rustic estate boasts a wide rectangular south-facing entrance, into a nine-by-eleven-meter main chamber served by a working vertical chimney for a fireplace or kitchen stove, with three smaller secluded side galleries for bedrooms or even a study. Total floor plan: roughly 270 square meters. In 2008, the remains of one
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
The only human in evidence was a white-haired Constable whose belly had created a visible divergence between his two rows of brass buttons. He was bent over using a trowel to extract a steaming turd from the emerald grass. Circumstances suggested that it had come from one of two corgis who were even now slamming their preposterous bodies into each other not far away, trying to roll each other over, which runs contrary to the laws of mechanics even in the case of corgis that are lean and trim, which these were not. This struggle, which appeared to be only one skirmish in a conflict of epochal standing, had driven all lesser considerations, such as guarding the gate, from the combatants' sphere of attention, and so it was the Constable who first noticed Nell and Harv. “Away with you!” he hollered cheerfully enough, waving his redolent trowel down the hill. “We've no work for such as you today! And the free matter compilers are all down by the waterfront.
Neal Stephenson (The Diamond Age)
For some days before, as well as for some nights, Vincent had observed a shadow about the quays. First because it had tried to sell him an obscene book, then because it tried to sell André an obscene book, then because it tried to sell everybody an obscene book.
Mary Butts (The Complete Stories)
The Hoboken waterfront was still familiar to me from earlier years when I walked along River Street on my way to catch the trolley or the electrified Public Service bus home from the Lackawanna Ferry Terminal. Remembering the gray-hulled Liberty Ships being fitted out for the war at these dilapidated piers, was still very much embedded in my memory. Things had not changed all that much, except that the ships that were once here were now at the bottom of the ocean, sold, or nested at one of the “National Defense Reserve Fleets.” Many of them were moved to the Reserve fleet located on the western side of the Hudson River, south of the Bear Mountain Bridge. I vividly recall seeing these nested ships when I occasionally drove north to Bear Mountain State Park on the west side of the Hudson River along Route 9W in Rockland County, New York.
Hank Bracker
On February 9th, 1942, the SS Normandie, a proud ocean liner and the pride of the French Merchant Marine, was being converted into a troop transport. A welder’s torch cut through a bulkhead and set afire a bundle of flammable rags and a stack of life jackets. The fire soon roared throughout the ship and since the internal fire protection system had been disabled, the only assistance available was from the New York City Fire Department. Fireboats pumped water onto the blaze until it caused this magnificent vessel to become unstable. I guess it never occurred to anyone that the water going into the ship, should have been pumped out! On February 10th, the ship rolled over onto its port side, sinking into the mud alongside Pier 88 in Manhattan. Investigations ensued with the thought being that this tragedy was caused by enemy sabotage. However, later findings indicated that the fire had been completely accidental. There are still some allegations contradicting this, and claims that the fire was indeed arson and involved “Lucky” Luciano, the Mafia boss who controlled the waterfront. From the time the fire started until the Normandie was righted in 1943, I watched what was happening to the now renamed USS Lafayette from a perfect vantage point at the top of the Palisades near North Street Park. It was the talk of the town and everyone continued to speculate as to who was at fault. “It must have been the Nazis,” was the conventional wisdom. The soldiers to whom I frequently talked, stationed at the searchlights and gun emplacements, were the ones who surely would know. Eventually, stripped of her superstructure, the ship was righted at great expense. There was talk of converting her into an aircraft carrier, or of cutting her down to become a smaller vessel. However, in the end she was sold for $161,680 to Lipsett, Inc., an American shipyard, where the once magnificent ship was reduced to scrap metal.
Hank Bracker
What is it about the Greek character that has allowed this complex culture to thrive for millennia? The Greek Isles are home to an enduring, persevering people with a strong work ethic. Proud, patriotic, devout, and insular, these hardy seafarers are the inheritors of working methods that are centuries old. On any given day, fishermen launch their bots at dawn in search of octopi, cuttlefish, sponges, and other gifts of the ocean. Widows clad in black dresses and veils shop the local produce markets and gather in groups of two and three to share stories. Artisans stich decorative embroidery to adorn traditional costumes. Glassblowers, goldsmiths, and potters continue the work of their ancient ancestors, ultimately displaying their wares in shops along the waterfronts. The Greeks’ dedication to time-honored occupations and hard work is harmoniously complemented by their love of dance, song, food, and games. Some of the earliest works of art from the Greek Isles--including Minoan paintings from the second millennium B.C.E.--depict the central, day-to-day role of dance, and music. Today, life is still lived in common, and the old ways often survive in a deep separation between the worlds of women and men. In the more rural areas, dancing and drinking are--officially at least--reserved for men, as the women watch from windows and doorways before returning to their tasks. At seaside tavernas throughout the Greek Isles, old men sip raki, a popular aniseed-flavored liqueur, while playing cards or backgammon under grape pergolas that in late summer are heavy with ripe fruit. Woven into this love of pleasure, however, are strands of superstition and circumspection. For centuries, Greek artisans have crafted the lovely blue and black glass “eyes” that many wear as amulets to ward off evil spirits. They are given as baby and housewarming gifts, and are thought to bring good luck and protect their wearers from the evil eye. Many Greeks carry loops of wooden or glass beads--so-called “worry beads”--for the same purpose. Elderly women take pride in their ability to tell fortunes from the black grounds left behind in a cup of coffee.
Laura Brooks (Greek Isles (Timeless Places))
New York is surprisingly at risk. First, it’s on an estuary. The Hudson River, which runs along the west side of the city, needs an exit. So unlike with a harbor city like, say, Tokyo, or a city on a lagoon like Venice, you can’t just wall New York off from the rising ocean. Second, there are a lot of low areas, including the Brooklyn and Queens waterfronts and Lower Manhattan, which have been enlarged by landfill over the years (if you compare the map of damage from Sandy in 2012 with a map of Manhattan in 1650, you’ll see that they match pretty well—almost all the flooding occurred in landfill areas). The amount of real estate at risk in New York is mind-boggling: 72,000 buildings worth over $129 billion stand in flood zones today, with thousands more buildings at risk with each foot of sea-level rise. In addition, New York has a lot of industrial waterfront, where toxic materials and poor communities live in close proximity, as well as a huge amount of underground infrastructure—subways, tunnels, electrical systems. Finally, New York is a sea-level-rise hotspot. Because of changes in ocean dynamics, as well as the fact that the ground beneath the city is sinking as the continent recovers from the last ice age, seas are now rising about 50 percent faster in the New York area than the global average.
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
I knew Hoboken well during the 40’s & 50’s, and still remember the gray, steel-hulled Liberty and Victory Ships with their gun encasements on their bows, looming above the sheds on the waterfront along River Street. Much of this area has been reclaimed with fill and is very different looking now, with brownstones, parks and Sinatra Drive along the waterfront. Where I once walked is now gone! Where I rode the ferry to New York City and marveled at the ships in the Hudson River and the tall buildings in Manhattan has all changed. At that time I took grainy photos of my world with a Baby Brownie Camera, and still have some of them in an old album.
Hank Bracker
Past the projects, the land opened up and water came into view. The breeze carried rain and salt. Jetties and barrier walls supported the shore, which was stacked with crumbling brick warehouses. Out in the channel, the Statue of Liberty stood alone on her little island, her corroding flame held high in the air as the sun set over the industrial shoreline and skyways of New Jersey. Across the narrows, the bluffs of Staten Island wavered in the smoky light of dusk that turned the Verrazano into bronze. Faint light burnished water into busy with freighters and tug boats. A lone sail boat flitted in the distance. On the near shore, on a slip of water between a jetty and the land, a blood red barge bobbed on the tide.
Andrew Cotto (Outerborough Blues: A Brooklyn Mystery)
The full moon rose above the harbor as brightly lit tour boats skimmed along the black water, the brilliant cluster of lower Manhattan piled like stacks of coins from a treasure chest in the distance. Up the river, bridges arched across the wide water all the way up the east side, while the Brooklyn side was marked by soft, round lights, like a string of pearls.
Andrew Cotto (Outerborough Blues: A Brooklyn Mystery)
waterfront little shanties like this one had
Robyn Carr (Woman's Own)
Robert Kennedy was inspired to take on organized crime by watching the landmark movie On the Waterfront.
David Talbot (Brothers: The Hidden History of the Kennedy Years)
time. A new interdisciplinary community of scientists, environmentalists, health researchers, therapists, and artists is coalescing around an idea: neuroconservation. Embracing the notion that we treasure what we love, those concerned with water and the future of the planet now suggest that, as we understand our emotional well-being and its relationship to water, we are more motivated to repair, restore, and renew waterways and watersheds. Indeed, even as water is threatened, or perhaps because of the threat, public interest in water is very high. We treasure it—or, perhaps more accurately, we spend our treasure to access water for pleasure, recreation, and healing. Wealthy people pay a premium for houses on water, and the not so wealthy pay extra for rentals and hotel rooms sited at the oceanfront, on rivers, or at lakes. Those into outdoor sports, especially fishers and hunters, are fiercely protective of it and have founded numerous environmental organizations designed to protect water habitats for fish, birds, and animals. Over the last two decades, spas have become a sort of modern equivalent to ancient healing wells. As an industry, spas are a global business worth about $60 billion, and they generate another $200 billion in tourism. In 2013, there were 20,000 (up from 4,000 in 1999) spas in the United States producing an annual revenue of over $14 billion (a figure that has grown every year for fifteen years, including those of the recession), and tallying 164 million spa visits by clients.12 Ecotourism provides water adventures and guided trips, often in kayaks, rafts, or canoes. Ocean and river cruises are big business. Cities are creating urban architectures focused on waterscapes, happiness, and sustainability. Museums and public memorials of all sorts often feature water to foster reflection and meditation. And many communities are working to transform industrialized and polluted waterfronts into spaces that are pleasant, environmentally sound, and livable.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
Joy Division, ‘Love Will Tear Us Apart,’ some old New Order, ‘Waterfront.’ That Coheed and Cambria song you’re always playing.” “‘The Afterman’?
Barbara Claypole White (The Perfect Son)
Jesus had many lovers of the kingdom of heaven but precious few bearers of his cross. Father Barry read on: … Interrogate
Budd Schulberg (On the Waterfront)
The Pastor had spent his boyhood in the old country and was not at all sure that hot water, stall showers and the like were necessary to salvation. In fact it was one of his notions that Americans were too clean. “Rub all the natural protective oils off their skins, they do for a fact.
Budd Schulberg (On the Waterfront)
If there was history being made in the city, if history was the high-level war rich people waged for their own turf in the city—those wars about waterfront developments and opera houses and real-estate deals and privatization contracts—then the poor waged wars for control of their small alleyways and walkways, their streets and the trade in unofficial goods. Their currency was not stocks, wealth and influence peddling, but tough reputations and threats of physical damage; their gains weren’t stock options and expensive homes but momentary physical control and perennially contested fearsomeness. This war was a more volatile war, perhaps. There was no cushion of security to land on if you lost a skirmish.
Dionne Brand (What We All Long For: A Novel)
Thanksgiving at Sea "Most of us will enjoy Thanksgiving Day ashore in the comfort of our home but some will be at sea, because they are working on some boat, barge or ship. Others will be out on the brine by design as passengers, now considered guests on cruise ships. What came to mind however, was my father who was a ship’s cook in the 1920’s, and the stories he shared with us. Best as I can tell, the year must have been somewhere around 1924 when his ship was in Shanghai, which is now China’s biggest city. Tied up at a rickety dock on the Huangpu River, he could see the famed waterfront promenade lined with the now famed colonial-style buildings. The time had come to butcher one of the penned goats, brought along for this expressed purpose. Being on a German freighter, Thanksgiving Day had no special meaning but stew made of goat meat was always a treat for the crew. Fast forward to the present… almost every single cruise ship at sea or in a foreign port, will celebrate Thanksgiving Day with a marvelous turkey dinner, plus joyful entertainment. Whether you celebrate the day with your significant other, or take along an entire gang of friends and family; Thanksgiving Day at sea will be far from the lonely day it once was. Holidays, including Thanksgiving are always especially festive at sea.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
The lack of affordable housing regulation allows rents to rise with little restriction, and Oregon law prohibits local governments from enacting almost all rent-control policies outside of special subsidized units. But regulation, like Portland’s famous urban growth boundary, has also enhanced the number of multi-unit buildings being constructed inside a limited zone to avoid suburban-like sprawl. Although Portland’s rental rates are not skyrocketing at the speed of San Francisco or even Seattle, the U.S. Census ranks Portland as having one of the tightest markets in the nation. Despite tax-abatement programs for luxury neighbors like the Pearl District and the South Waterfront supposedly tied to affordable-housing units, the city Housing Bureau says they won’t even meet 2003 goals, much less expand and continue programs. Meanwhile, the average condo price rose 41 percent last year and the average apartment rental has climbed at a steady pace of six percent in 2012 and again in 2013.
Anonymous
didn’t find a girl—not that I looked very hard—but I did find a speakeasy on Beaubien Street, near the waterfront.
Troy Soos (Hanging Curve: A Mickey Rawlings Baseball Mystery (Mickey Rawlings Baseball Mysteries))
Philadelphia has more to offer than Cheesesteaks and WAWA hoagies, Here’s a list of ten places you’ll enjoy while visiting this beautiful city of Brotherly Love. The Betsy Ross House- 239 Arch Streets Reading Terminal Market-12th and Arch Streets Boat House Row/Kelly Drive-1 Boathouse Row National Constitution Center-525 Arch St Delaware River Waterfront-121 N. Columbus Blvd The Liberty Bell-526 Market St Benjamin Franklin Parkway- Franklin Institute-222 N 20th St Philadelphia Museum of Art-2600 Benjamin Franklin Pkwy City Hall and its Observation deck-1400 John F Kennedy Blvd
Charmaine J. Forde
Philadelphia has more to offer than Philadelphia has more to offer than Cheesesteaks and Wawa Hoagies Here’s a list of ten places to visit and you’ll never regret visiting this beautiful city of Brotherly Love. The Betsy Ross House- 239 Arch Streets Reading Terminal Market-12th and Arch Streets Boat House Row/Kelly Drive-1 Boathouse Row National Constitution Center-525 Arch St Delaware River Waterfront-121 N. Columbus Blvd The Liberty Bell-526 Market St Benjamin Franklin Parkway- Franklin Institute-222 N 20th St Philadelphia Museum of Art-2600 Benjamin Franklin Pkwy City Hall and its Observation deck-1400 John F Kennedy Blvd and WaWa Hoagies Here’s a list of ten places to visit and you’ll never regret visiting this beautiful city of Brotherly Love. The Betsy Ross House- 239 Arch Streets Reading Terminal Market-12th and Arch Streets Boat House Row/Kelly Drive-1 Boathouse Row National Constitution Center-525 Arch St Delaware River Waterfront-121 N. Columbus Blvd The Liberty Bell-526 Market St Benjamin Franklin Parkway- Franklin Institute-222 N 20th St Philadelphia Museum of Art-2600 Benjamin Franklin Pkwy City Hall and its Observation deck-1400 John F Kennedy Blvd
Charmaine J. Forde
All told, armed vigilantes ushered more than 200 Chinese to the Northern Pacific Railroad depot, where they boarded the southbound train the following morning. Two Chinese died from exposure during the night. Later, the small “Chinatown” on Tacoma's waterfront mysteriously burned.
David J Jepsen (Contested Boundaries: A New Pacific Northwest History)
On February 7, 1886, armed men ushered about 350 Chinese to the Seattle waterfront, where 200 were loaded onto a San Francisco bound steamer, with the remainder spending the night on the docks.
David J Jepsen (Contested Boundaries: A New Pacific Northwest History)
Now and then I am inclined to think that the passion to teach, which is far more powerful and primitive than the passion to learn, is a a factor in the rise of mass movements. For what do we see in the Communist world? Half of the globe has been turned into a vast schoolroom with a thousand million pupils at the mercy of a band of maniacal schoolmasters.
Eric Hoffer (Working and Thinking on the Waterfront, June 1958-May 1959)
In the morning before turning to work I happened to think of the outcry of the intellectuals when the bay bridges were being built during the depression. The intellectual sees man's handiwork as a defacement. His glorification of nature stems partly from his deprecation of practical achievement. He does not object to monuments, statues, and non-utilitarian structures. The fact that bridges and freeways are utilitarian prompts him to see them as a defilement. With common people it is the other way around: they see man's work as an enhancement of nature. On the whole, common people have a better opinion of mankind than do the educated. If it is true as Bergson says that the 'human nature from which we turn away is the human nature we discover in the depths of our being" then the intellectual is in a hell of a fix. There is no getting away from it: education does not educate and gentle the heart.
Eric Hoffer (Working and Thinking on the Waterfront)
As easy a day as one could wish and no sort of unpleasantness. Still the depression this evening is as black as yesterday. I must face the fact that the chief reason for the depression is that I cannot compose.
Eric Hoffer (Working and Thinking on the Waterfront)
This morning I happened to think of the possibility that a virulent outburst of fanaticism may precede the death of a faith. Southern fanaticism on the issue of slavery was at its height when slavery became untenable, and the same is true of the present segregationist fervor. The fanaticism of the Crusades preceded the coming of the Renaissance, and the religious fervor of the Thirty Years' War was followed by the skepticism of the seventeenth and eighteenth centuries. It is also true that the rabid chauvinism of the second quarter of the twentieth century is followed by a considerable cooling of the nationalist spirit in the West. The question is how fast do burning problems burn themselves out.
Eric Hoffer (Working and Thinking on the Waterfront)
By the late nineteenth century the dazzlingly multiethnic character of the now great metropolis echoed the diverse origins of its earliest European explorers, but only one group knew the port as their place. For if the port made New York, the Irish made the port.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Irish longshoremen who worked on the Hudson River piers became the backbone of the Italian Church of St. Anthony of Padua” on nearby West Houston Street.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Between Hell’s Kitchen and Greenwich Village lay Chelsea, the heart and soul of the Irish waterfront.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
The claim staked on the world’s richest piers by a vast cadre of Irish American longshoremen was akin to a hereditary birthright.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
In the 1890s the reform journalist E. L. Godkin alleged that Tammany leaders feared biography more than the penitentiary.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
1940s Jersey City childhood, “I grew up thinking America was an Italian country governed by the
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
The lords of the waterfront evinced little or no interest in their ancestral homeland, though their story makes for a meaningful chapter in the saga of the Irish diaspora.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
In 1936 the New York Jesuits opened Xavier Labor School in Chelsea—the West Side’s preeminent waterfront neighborhood—designed to combat the infiltration of local unions by communists, the ultimate outsiders.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
He was left to find his way again, working through the anger he felt over his church’s willingness to protect criminal enterprises presided over by prominent communicants and his despondence at the unwillingness
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
A “skinny kid from Hoboken” named Frank Sinatra helped bring an end to the Irish waterfront’s golden age.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
waterfront gospel of Father John M. Corridan preached with all the courage of his soldierly progenitor, Francis Xavier, goes right to the heart of our waterfront problem.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Historian Garry Wills later captured the 1950s liberal Catholic’s affinity for “steel and glass fish-shaped churches, and driftwood-swirl Madonnas, and wrought-iron abstract tracery for the stations of the cross (artily photographed in Jubilee).”31
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
comes from a long line of rough and tumble men, who make decisions at the drop of a hat. As soon as he hears the news of his father's death and his inheritance of Ranch Number Ten, he rushes to claim his inheritance. It might turn out to be the worst mistake of his life! Excerpt: "Steve Packard's pulses quickened and a bright eagerness came into his eyes as he rode deeper into the pine-timbered mountains. To-day he was on the last lap of a delectable journey. Three days ago he had ridden out of the sun-baked town of San Juan; three months had passed since he had sailed out of a South Sea port.Far down there, foregathering with sailor men in a dirty water-front boarding-house, he had grown suddenly and even tenderly reminiscent of a cleaner land which he had roamed as a boy. He stared back across the departed years as many a man has looked from just some such resort as Black Jack's boarding-house, a little wistfully
Franklin W. Dixon (The House on the Cliff: Adventure & Mystery Novel (The Hardy Boys Series))
the news of his father's death and his inheritance of Ranch Number Ten, he rushes to claim his inheritance. It might turn out to be the worst mistake of his life! Excerpt: "Steve Packard's pulses quickened and a bright eagerness came into his eyes as he rode deeper into the pine-timbered mountains. To-day he was on the last lap of a delectable journey. Three days ago he had ridden out of the sun-baked town of San Juan; three months had passed since he had sailed out of a South Sea port.Far down there, foregathering with sailor men in a dirty water-front boarding-house, he had grown suddenly and even tenderly reminiscent of a cleaner land which he had roamed as a boy. He stared back across the departed years as many a man has looked from just some such resort as Black Jack's boarding-house, a little wistfully
Franklin W. Dixon (The House on the Cliff: Adventure & Mystery Novel (The Hardy Boys Series))
Malloy
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
The spirit of the Catholic Church’s modern social teachings was never rendered so forcefully as in those five minutes of On the Waterfront
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Labor reformers, journalists, Irish Americans one generation or a few miles removed from the waterfront, and viewers in the heartland of America adored this movie.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
New York journalist Richard Carter, a Corridan ally, quickly arranged to co-write a tell-all article with DeVincenzo for the May 1953 issue of True, a men’s magazine found in virtually every barbershop in urban America during the 1950s and 1960s.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
The ubiquity of alcoholism in Chelsea and neighboring Irish waterfront communities can scarcely be overstated:
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
The three-and-a-half-week walkout “had little effect on Britain’s decision to grant Ireland independence,” wrote Bruce Nelson, but it did lead to the integration—if short-lived—of African Americans into the Chelsea Piers workforce, the experience of diaspora and oppression briefly uniting black and Irish dockworkers “who had long regarded each other with suspicion and even hatred.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
As a veteran journalist who covered both sides of the waterfront once remarked, had a path been paved across the Hudson, Chelsea and Hoboken would have made one neighborhood.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Jersey City’s railroads were built by Irish immigrants, men from Con-naught and Munster who dug a crucial tunnel through the Palisades in the late 1850s, linking waterfront rail terminals with tracks laid in the meadow-lands to the west and the vast continent that lay beyond.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Church and state knew no separation in the Jersey City of my youth. Together they presided over a strict private morality and a thriving public pilferage.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
While he remained “steadfast in refusing to take part in Catholic services during the next four decades,” Tobin’s “intellectual development showed clear marks of his Jesuit training,” Doig suggests, especially in his intense rationalism, appreciation of debate, and devotion to the classics.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
When he was unexpectedly elevated to the executive director’s position in 1942, Tobin quickly instilled at the Port Authority a disciplined, hierarchical, but deeply communitarian ethos designed to serve not power but a higher moral purpose.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Together they would shift the focus of Catholic activism in the city from militant anticommunism to a much more perilous internal critique of the Irish waterfront and its powerful code of silence.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
In late 1953 Corridan would tell actor Karl Malden, who was visiting Chelsea in preparation for his role as the Corridan-inspired priest in the film On the Waterfront: “I was born in this neighborhood [the West Side]. When I was growing up there were two ways to go. Become a priest or a hood.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Catholics who dominated both industry and labor on the waterfront counted on priests’ minding their own business when it came to the conduct of their livelihoods.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Each year a cadre of recent Jesuit high school graduates—among them Philip Carey of the Regis class of 1925—proceeded directly to a Jesuit novitiate to launch their arduous training for the priesthood.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Budd Schulberg was a social democrat; his discovery through Pete Corridan of the labor-friendly papal social encyclicals transformed his outlook, as it did that of many others—including Catholics—who were unaware that the church possessed a semi-progressive social teaching.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Corridan rarely elaborated in detail on his church’s social teachings. His approach was grounded in part in a Catholic understanding of natural law as universally operative and not dependent for its validation on the claims of any particular theological tradition.
James T. Fisher (On the Irish Waterfront: The Crusader, the Movie, and the Soul of the Port of New York (Cushwa Center Studies of Catholicism in Twentieth-Century America))
Seven lumbered up the final stretch of the hill and wondered at how different things looked up here compared with the rest of Ravenskill. All the foliage was neatly trimmed, in bright, beautiful colors, the roads devoid of even one small weed and paved in fancy yellow brick that began down by the waterfront. Instead of house numbers like where Seven lived, signs reading things like Mango Estate and Snowcap House pointed to the various houses. It was less cold here too, a soft breeze warming the air around her. It even smelled nicer, and Seven wondered, quite angrily, if this whole section of town had been enchanted. She knew how much magic and effort that much enchantment took, and she could think of a few places where their resources would be of better use, especially if witches like Pixel were going hungry. Everything felt rigged and unfair, and Seven couldn’t help but feel powerless.
Claribel A. Ortega (Witchlings (Witchlings, #1))
People care about their social worth, their status, quite as much as they care about money and power. In the classic film On the Waterfront, the character played by Marlon Brando famously laments, “I could have been a contender, I could have been somebody.” The familiar yearning to “be someone” in life is not so much about money and power as about being publicly seen and acknowledged as worthy and valuable by the community. So status is not merely an instrumental cultural device for managing common situations; it is a deeply felt and highly consequential personal ranking.
Cecilia L. Ridgeway (Status: Why Is It Everywhere? Why Does It Matter?)
We all cruised to a big old Victorian on low-bank waterfront, facing westward, on one of the San Juan Islands.
Penny Reid (Marriage and Murder (Solving for Pie: Cletus and Jenn Mysteries, #2))
Traditionally it is only children, holy men or the victims of snakebite who forgo the cleansing flames of the burning ghat, but with the city now so overcrowded, some simply carry the body to the river, find a convenient point and cast it in. Many horrified tourists, afloat on the river for a view of the waterfront, find themselves agape at the sight of a distended human corpse. All of this adds, too, to the rising pollution of the Ganga, whose waters only the most devout would now consider pure.
Piers Moore Ede (Kaleidoscope City: A Year in Varanasi)
She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I
Debbie Macomber (204 Rosewood Lane (Cedar Cove #2))
LOUD explosions, like a fusillade of gunfire, echoed through the quiet streets of Bayport. An old jalopy careened around the corner. The driver, plump and freckle-faced, pulled up before the home of Fenton Hardy, private detective. Frank Hardy, eighteen years old, and his brother Joe, a year younger, guessed who was coming before they spotted their visitor. “Chet Morton, for sure,” said blond-haired Joe, looking out a window. “And is he excited!” Chet waved and beckoned. “Hey, fellows! Big doings at the waterfront! Let’s go!” he called out as the Hardy boys bounded down the front steps. “What is it all about?” asked dark-haired Frank. “Hop in and I’ll explain on the way.” The three crowded into the front seat. Chet started the car, which lurched away from the curb, jouncing its passengers as it picked up speed and headed for Bayport Harbor.
Franklin W. Dixon (Mystery of the Flying Express (Hardy Boys, #20))
In a short time the boys arrived at the waterfront. At least half a dozen freighters were tied up at the long piers that extended like fingers into the waters of Barmet Bay. In front of one vessel huge piles of freight were stacked on the dock in the glare of floodlights. The ship’s cranes were busily swinging more cargo onto the pier. “Must be a rush job,” Frank commented as he parked the car. The boys walked over to watch. There was a cool breeze from the sea and the tangy smell of salt water in the air.
Franklin W. Dixon (While the Clock Ticked (Hardy Boys, #11))
The brothers reached the Bayport waterfront early. It was the scene of great activity. A tanker was unloading barrels of oil, and longshoremen were trundling them to waiting trucks. At another dock a passenger ship was tied up. Porters hurried about, carrying luggage and packages to a line of taxicabs. Many sailors strolled along the busy street. Some stepped into restaurants, others into amusement galleries.
Franklin W. Dixon (The House on the Cliff (Hardy Boys, #2))
Outside, Frank and Joe mounted their motorcycles and rode through the downtown traffic to the Bayport waterfront. Leaving the big commercial piers behind, they took the Shore Road, past a section of private docks to where the brothers kept their trim speedboat, the Sleuth. Driving on, the Hardys followed the road along the curve of the left bank of the bay to the mouth of the harbor. Here they turned north and continued parallel with the ocean. Soon they saw a jumble of board shanties on the wide beach ahead. Some were nothing more than open lean-tos, but others had glass windows and stovepipes. Pieces of ragged clothing fluttered from ropes in the breeze. Smoke curled up lazily from a small fire around which three men lay, watching the steam from a black pot which hung on a tripod above the flames.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
It was well past noon when the boys sighted Northport on their left. Passing between a pair of entrance buoys, the Sleuth came off the swelling ocean onto the calm surface of a small, well-protected harbor. On one side a forest of thick masts rose from a fleet of sturdy fishing boats. At the far end of the bay, bright-colored pleasure craft rode at anchor. Slender, pencillike masts marked the sailboats. On the shore nearby were the yellow wooden skeletons of boats under construction. Joe guided the Sleuth toward a large dock with gasoline pumps, which extended into the water from the boatyard. “This must be the yard that sponsored the regatta,” Frank commented. “Bring her in, Joe.” Within minutes the young detectives had made their craft secure and scrambled onto the dock. They hurried down the wooden planking and turned onto Waterfront Street. There were restaurants, souvenir shops, and boat-supply stores. All of them were well kept and busy. The boys stopped in a luncheonette for a snack, then hurried on. They
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
At seven fifteen the following evening, Christopher Keller was seated at a waterfront café in the Corsican port of Ajaccio, an empty wineglass on the table before him, a freshly lit Marlboro burning between the first and second fingers of his sledgehammer right hand. He wore a pale gray suit by Richard Anderson of Savile Row, an open-neck white dress shirt, and handmade oxford shoes. His hair was sun-bleached, his skin was taut and dark, his eyes were bright blue. The notch in the center of his thick chin looked as though it had been cleaved with a chisel.
Daniel Silva (Portrait of an Unknown Woman (Gabriel Allon, #22))
Tijuana is not Mexico. No border town is anything but a border town, just as no waterfront is anything but a waterfront. San Diego? One of the most beautiful harbors in the world and nothing in it but navy and a few fishing boats.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
had begun to drizzle, so they relocated to a latticed gazebo used for waterfront weddings and the occasional renegade bris.
Carl Hiaasen (Squeeze Me (Skink #8))
There’s a place called El Golea in the deep Sahara which they say is the hottest spot on earth, but I’ll put my money on Jedda—or anywhere else on the Red Sea for that matter. We sweltered for days, and the bosun won a bet from the Marines by frying an egg on the deck. The waterfront was a bedlam of boats, and the town itself was choked with a vast milling horde of pilgrims who turned it into a human ant-heap, with the heat and stench rising from it in choking waves which I’ll swear were visible above the famous white walls.
George MacDonald Fraser (Flashman on the March (The Flashman Papers, #12))
Within half an hour Frank was guiding their convertible through the crowded streets of the grimy waterfront section of Southport. Reaching Dock Street, Joe began to look at the house numbers. “There it is!” he exclaimed. “Pull up, Frank.” Twenty-four Dock Street was a ramshackle tenement. As the boys walked through the open front door, a stocky man dressed in dirty work clothes brushed rudely by them into the hallway.
Franklin W. Dixon (Hardy Boys 32: The Crisscross Shadow (The Hardy Boys))
The Hardys drove off, heading first for the Morton farm. Chet and Iola were waiting for them, with several baskets of food which included lobsters and a sack of clams. Their next stop was at the Shaw house to pick up Callie, then they drove directly to the waterfront. “Hi!” cried Tony, giving his friends an expansive grin. The Napoli was chugging quietly at her berth. After the food and digging tools had been transferred to the craft and the Hardys had brought their diving gear from the Sleuth, everyone stepped aboard and Tony shoved off. When they reached the end of the bay and turned up the coast, the young people watched for Pirates’ Hill. Minutes later they saw it in the distance. The hill was a desolate hump of sand-covered stone jutting into the sea. There was not a house in sight, except one small cottage about half a mile beyond the crown of the hill.
Franklin W. Dixon (The Secret of Pirates' Hill (Hardy Boys, #36))
I always launch my Crash & Burn sessions with an object in the room, but you can start any way you want. On this day, there was a bowl of grapes on a table, so I started with the word grape. Slash marks indicate the moments when new ideas or memories came crashing in. Grape. Grape juice. White grape juice / When I was a kid I stepped on a broken Mello Yello glass bottle and cut my foot — got infected — happened by a pond / oh, the pond, Yawgoog had three different waterfronts and Ashaway Aquatic Center —
Matthew Dicks (Storyworthy: Engage, Teach, Persuade, and Change Your Life through the Power of Storytelling)