Waterfall Couple Quotes

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He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back. He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body. GOOD MORNING. Vimes blinked. A tall dark robed figure was now sitting in the boat. 'Are you Death?' IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE. 'I'm going to die?' POSSIBLY. 'Possibly? You turn up when people are possibly going to die?' OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE. 'What's that?' I'M NOT SURE. 'That's very helpful.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
Dear Curses and Blessings, How could there be two in one? I never knew a person could be cursed and blessed. There’s no such thing as having both. There no such thing as taking sides when it comes to blessings and curses—I always thought that a person had to pick one. I would never have made the decision to be cursed. It was given to me. Well... Kace and I apparently have been the chosen ones. We’ve been the main target. When curses shot their arrows, they hit the bullseye faithfully, without fail. Why couldn’t we have been the chosen ones for bountiful blessings? It is a blessing that Kace is alive, but it is a curse that he was in danger. My emotions are a waterfall of never-ending thoughts of what is going to happen next. Kace has so many tubes in him—it is like he is being smothered, dissolving in webs of lies one after another. The same lies that my mother told him—she told me when I was younger. I am sure she told him she would keep him safe. I am more than sure she told the judge she had changed. Kace was coiled in a web of lies. Now he is coiled in wires to survive. Our lives are surrounded by many curses, but I know there must be a couple of blessings to be spared. Please. I am begging you to show us some mercy. I will accept our blessings even if they are thrown at us like breadcrumbs. I will fall to my knees and scramble to pick them up one by one. When will mine and Kace’s lives be gentle as a flowing stream without any worries? Right now, I have to pack my feelings and tears away. Cruses and blessings, please think about what I said.
Charlena E. Jackson (Pinwheels and Dandelions)
It’s a long, slow process. And it has a couple of component pieces. The core attitude that the Christian tradition works with is the piece called ‘surrender’ or ‘kenosis’. Kenosis is the word in Greek which Saint Paul used to depict ‘putting on the mind of Christ’. And it, basically, is pretty close to what the Buddhists mean by non-clinging. Doesn’t hang on, doesn’t insist, doesn’t assert, doesn’t grab, doesn’t brace, doesn’t defend, you know. It’s the mind that [she sighs and relaxes outwards]. We try to put that mind on. In one of those ancient early Christian writings, the Gospel of Thomas, the students asked Jesus, “What are your students like, how would you describe them?” and He said, “They are like small children, playing in a field not their own. When the landlords come and demand, “Give us back our field!” the children return it by stripping themselves and standing naked before them.” So that’s the description from Jesus of this process. So it’s the lifelong practice, the core practice, of learning to recognise when you’ve gotten into one of these postures: tightened, urgent, angry, self-important, and in that moment… Open to Him. So that’s the hang of it, that’s the heart of it combined with a couple of complementary practices which come from the mindfulness sector. The one being – the piece that I learned from the Gurdjieff Work – is to learn how to even notice when you’re getting into these states of constriction, and smaller-self urgency, and automaticity, because we don’t notice that automatically. It’s like you don’t notice the moment you fall asleep at night. So you sink into these lower, unfree, ugly states of being automatically. So you have to learn to even notice when that happens. And the second – Interviewer: There is this point… where you see you could go both ways, you could serve the ego or you can surrender. And you can decide. Cynthia: Yeah. There is definitely that point. What makes it difficult though is that for a long, long time in the practice you can see that point. You can see yourself going over the waterfall, but you don’t have the power to swim away yet. So what you have to do is live in the gap and say, “Oh my God, look at what’s happening to me, I can see that I’m sinking but I don’t have the force to stop.” And it takes a long time until we have the force. And to be able to see that you’re falling into a bad state doesn’t, for a long time, mean you can do anything about it. I think that’s a truism that disappoints many people, so the even more painful penance is you just have to sit there and watch it. Your only real choice is can you just see it, and the horror and remorse and helplessness, or do you just pretend, “Oh well, I’m really right! I’m going to fight for this for all…” Can you just go with the lower state or can you wait in the gap? So for me that’s brought a whole new meaning to that whole British cliché ‘mind the gap’!
Cynthia Bourgeault
Noah stood beside Ella, and together they stared out at the City of Species. Though the scouts had been there only a couple weeks ago, seeing it now was like seeing it for the first time. The City of Species was part city, part forest. Each part seemed to need the other, and their bizarre marriage was breathtaking. Tall buildings were surrounded by trees whose limbs reached through their walls, splitting steel and piercing glass. Waterfalls fell from rooftops, splashing across balconies and limbs before spilling into fountains and streams, bursting into mist. Streetlights blinked beneath low-hanging branches, and ivy pinned signs to the sides of brick buildings. All types of animals passed down the winding streets. They crawled through intersections, slithered along sidewalks, hopped over hedges, and swept across the sky.
Bryan Chick (Secrets and Shadows (The Secret Zoo, #2))
was not a blue stream with white rapids. The water in the slower stretches was opaque, and the color of rust. In the rapids and waterfalls it foamed bright shades of pink. Classic Martian tones, caused, Diana said, by the fines that were suspended in the water like glacial silt—also by the reflected color of the sky, which was today a kind of hazy mauve, going lavender around the veiled sun, as yellow as the iris of a tiger’s eye. But no matter the color of the water—it was a running river, in an obviously riverine valley, placid in some places, agitated in others, with gravel fords, sandbars, braided sections, crumbling lemniscate islands, there a big deep lazy oxbow, frequent rapids, and far upstream, a couple of small falls.
Kim Stanley Robinson (Green Mars (Mars Trilogy, #2))
Clothes Washer Hoses and Filters A couple of years ago, I came home from running an errand and heard the sound of rushing water (like a waterfall!) coming from my basement. I tore down the stairs and saw what looked like the Old Faithful geyser spewing water from behind my washing machine. I immediately cut off the water at the supply stop behind the washer, but there was quite a pool on the floor. I cut the power to the washing machine (at the electrical panel), then unplugged it and moved the appliance back from the wall. The washer was about 15 years old, and so were the hoses that ran from the supply valve to the machine. Made of rubber, they had grown brittle and corroded with minerals from our well water over the years. One of them finally split; that’s what caused the gusher. I’d never given them a thought before the split. If you’ve had your washing machine for eight years or more, it might be wise to replace the supply hoses now, before they do to you what mine did to me! Insurance companies—who often wind up paying out for the damage done by burst hoses—advise homeowners to replace supply hoses every 3 to 5 years.
Judy Ostrow (The Complete Idiot's Guide to Simple Home Repair: Fast Fixes for Every Part of Your Home)
She felt time in the lean muscles in her thighs and rounded bottom when she pushed herself off the ground. She felt time in the way her arms and legs pumped when she walked into the river, bathed herself in the cool reflected surface of the dark pool under the waterfall. Josephine felt the possibility of time the night she watched the couple bend, release, break, and come back together on the trunk of the hundred-year-old tree. -The Girl with Dragonfly Wings
Shilo Niziolek (The Gateway Review: A Journal of Magical Realism (Volume 4, Issue 1))