Mean Girls Fetch Quotes

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I think we're avoiding the most important question here. What matters most. What means the most to men like us." Conall growled at Billy Dunwich's sincere face. "I am not telling you if she swallows." Dunwich smiled. "Just tell me if she's a good girl...or if she's a very good girl?
Shelly Laurenston (Go Fetch! (Magnus Pack, #2))
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Later, Bishop Crandall dropped by The house to give me a stern reprimand. He sat across the cluttered table, playing with a paper clip. 'Your parents are worries about you, Pattyn.' I was worried about myself. But I wasn't about to let him know it. "Really?" 'Really. What have you got to say for yourself? You've always been such a good girl.' Good girl. Sit. Stay. Fetch. Bristles rose up along my spine. "Define good." 'I don't appreciate your attitude, Pattyn. Fast and pray. Search your soul for the inequities in your life.' "Any inequity in my life began when I was born female. Can you fix that?" 'You'll have to fix that yourself, by concentrating on the things God expects of you.' His two-faced rhetoric was pissing me off. "You mean like kissing your ass?" He slammed his hand on the table. 'I will not listen to that sort of language. Apologize!' Behind me, I hear Mom gasp. But I was on a roll. "I'm sorry, Bishop I'm sorry I ever believed you might have something worthwhile to say.
Ellen Hopkins (Burned (Burned, #1))
REGINA —Nay, Gretchen, “fetch” shall never catch, Stop hosting an event no one attends. It shall not hap—the zeitgeist thou art not. The fad is bad; I’m mad and thou art sad.
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
So it is hopeless. Is that what you are saying?” Archer smiled. “Nothing is hopeless, but if he means enough to you that you are willing to put up with him, then I will do what I can to help you.” “Why would you do that?” She took a nibble of delicious frosting as her heart thudded hard in her chest. “You don’t even know me.” But what if he could help her convince Grey to rejoin the world? He raised a cake of his own, the frosting stark white against the tan of his fingers. “Because you are the only woman with the exception of my mother and sister who knows my brother intimately and for some reason still likes him. That’s good enough for me. Now, eat some of that cake I was kind enough to fetch you. I wouldn’t want you to tell Grey I was a poor companion.” Rose’s smile caught on her lips. “Are you suggesting I use you to make your brother jealous?” Archer laughed. “My dear girl, it will take better men than me to drive Grey into action.” His expression turned positively rakish. “But I’m as good a place to start as any.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
If they hadn't found me, I'd be dead now. Harry stuck his wand up its nose and Ron knocked it out with its own club. They didn't have time to come and fetch anyone. It was about to finish me off when they arrived." Harry and Ron tried to look as though this story wasn't news to them. "Well- in that case..." said Professor McGonagall, staring at the three of them, "Miss Granger, you foolish girl, how could you think of tackling a mountain troll on your own?" Hermione hung her head. Harry was speechless. Hermione was the last person to do anything against the rules, and here she was, pretending she had, to get them out of trouble. It was as if Snape had started handing out sweets. "Miss Granger, five points will be taken from Gryffindor for this," said Professor McGonagall. "I'm very disappointed in you. If you're not hurt at all, you'd better get off to Gryffindor tower. Students are finishing the feast in their houses." Hermione left. Professor McGonagall turned to Harry and Ron. "Well, I still say you were lucky, but not many first years could have taken on a full-grown mountain troll. You each win Gryffindor five points. Professor Dumbledore will be informed of this. You may go." They hurried out of the chamber and didn't speak at all until they had climbed two floors up. It was a relief to be away from the smell of the troll, quite apart from anything else. "We should have gotten more than ten points," Ron grumbled. "Five, you mean, once she's taken off Hermione's." "Good of her to get us out of trouble like that," Ron admitted. "Mind you, we did save her." "She might not have needed saving if we hadn't locked the thing in with her," Harry reminded him. They had reached the portrait of the Fat Lady. "Pig snout," they said and entered. The common room was packed and noisy. Everyone was eating the food that had been sent up. Hermione, however, stood alone by the door, waiting for them. There was a very embarrassed pause. Then, none of them looking at each other, they all said "Thanks," and hurried off to get plates. But from that moment on, Hermione Granger became their friend. There are some things you can't share without ending up liking each other, and knocking out a twelve-foot mountain troll is one of them.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944)
So I attacked their excesses by telling very simply the story of my great-grandfather and his beloved pipe. Grandpa Phossie, we called him, which means Grandpa Beard. I told of the hardships he’d undergone in Bohemia and how he had made his way to the United States. I related in pithy detail how he had built a home for his family with the sweat of his brow. Now he had little time left in life and few pleasures beyond throwing a stick for his little dog to fetch and looking into the swirls of smoke from his ancient pipe to recall scenes from happier days. “Who among you,” I asked, “would deprive that whitebearded old man of one of his last comforts on earth, his beloved pipe?” I was delighted to note that there were tears in the eyes of some of the girls in the auditorium as I finished. I wished my father could have heard that applause. It might have made up for some of his disappointment in my lack of scholastic interest. As
Ray Kroc (Grinding It Out: The Making of McDonald's)
REGINA By all that is divine, behold thy bracelet— A stunning piece of jewelry it is! How didst thou come by such a lovely thing? CADY My mother fashion’d it and gave it me. REGINA ’Tis worthy of the public’s admiration. GRETCHEN So fetch it is, it fetcheth ev’ry glance. REGINA What is this “fetch” and, pray, whence cometh it? GRETCHEN A word come swimming ’cross the ocean blue, From England’s ruddy shores. Know’st thou this country?
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
So fetch it is, it fetcheth ev’ry glance. REGINA What is this “fetch” and, pray, whence cometh it?
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
My lord.” St. Just stopped just inside the door and bowed to the older man. “I didn’t mean to impose, but came to fetch the mare and thought I’d—” “Here they come!” St. Just looked up to see a half-dozen very young ladies trotting up the hallway in a giggling, laughing cloud of skirts and smiles. “Another guest, girls! This is Lord Rosecroft. Make your curtsies and then line up.” The ladies assembled with an alacrity that would have done St. Just’s recruits in Spain proud. “All right, Rosecroft, best be about it. They get bold if you make ’em wait.” St. Just looked askance at his host, who was grinning like a fiend. “It’s the kissing bough,” Vim Charpentier said as he emerged from the hallway, a tumbler in his hand. “You have to kiss them each and every one, or they’ll pout. And, Rosecroft, they’ve been collecting kisses all afternoon between trips to the punch bowl, so you’d be well advised to acquit yourself to the best of your ability. They will compare notes all year. So far, I believe I’m your competition.” He took a sip of his drink, eyeing his cousins balefully. “I’ve charged headlong into French infantry,” St. Just said, smiling at the ladies, “praying I might survive to enjoy just such a gauntlet as this.” He went down the line, leaving a wake of blushes, kissing each cheek until he got to a little girl so small he had to hunker down to kiss her. “What’s your name, sweetheart?” “Cynthia Weeze Simmons.” “The prettiest has been saved for last.” He kissed a delicate cheek and rose. “Any more? I was cavalry, you know, legendary for our charm and stamina.” This was said to tease the young ladies, but they all looked at their grandfather without breaking ranks. “Once with you lot is enough,” the old man barked. “Shoo.” They departed amid more giggles. Sindal looked disgruntled. “You made that look easy.” “I have daughters, and I’m half Irish. It was easy, also fun.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Miles was frantically trying to rearrange his cravat and smooth down his hair. ‘Damn. No time to stop off at home and get my valet to tidy me up. Oh well. Give Hen a kiss for me.’ Richard shot him a sharp look. ‘On the cheek, man, on the cheek. God knows I’d never try anything improper with your sister. Not that she isn’t a beautiful girl and all that, it’s just, well, she’s your sister.’ Richard clapped his friend on the shoulder in approval. ‘Well said! That’s exactly the way I want you to think of her.’ Miles muttered something about being grateful that his sisters were a good deal older. ‘You turn into a complete bore when you’re chaperoning Hen, you know,’ he grumbled. Richard raised one eyebrow at Miles, a skill that had taken several months of practice in front of his mirror when he was twelve, but had been well worth the investment. ‘At least I didn’t let my sister dress me up in her petticoat when I was five.’ Miles’s jaw dropped. ‘Who told you about that?’ he demanded indignantly. Richard grinned. ‘I have my sources,’ he said airily. Miles, not a top agent of the War Office for nothing, considered this for a moment and his eyes narrowed. ‘You can tell your source that she’s going to have to find someone else to fetch her lemonade at the Alsworthys’ ball tomorrow night unless she apologises. You can also tell her that I’ll accept either a verbal or a written apology as long as it’s suitably abject. And that means very, very abject,’ he added darkly. Miles snatched his hat and gloves up from a side table. ‘Oh, stop grinning already! It wasn’t that amusing.’ Richard rubbed his chin as though in deep thought. ‘Tell me, Miles, was it a lacy petticoat?’ With a wordless grunt of annoyance, Miles turned on his heel and stomped out of the room.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Girls were responding to these films’ darker aspects, analysts said. “Today’s teen girls want to see movies that speak to them more on their level, rather than giving them a sanitized view of teen life,” Paul Dergarabedian, president of Exhibitor Relations, a box office tracking firm, told USA Today. “The paradigm is shifting toward going after the teen audience in a more realistic way with edgier portrayals, things that today’s teens can relate to.
Jennifer Keishin Armstrong (So Fetch: The Making of Mean Girls (And Why We're Still So Obsessed With It))
Mean Girls marked a change in the pop culture rules of feminism at this critical time. Pink and girly, it told us, didn’t necessarily mean stupid and weak.
Jennifer Keishin Armstrong (So Fetch: The Making of Mean Girls (And Why We're Still So Obsessed With It))
It’s no surprise that the patriarchy could find a way to turn Mean Girls against the young women it spoke most to.
Jennifer Keishin Armstrong (So Fetch: The Making of Mean Girls (And Why We're Still So Obsessed With It))
am not the coolest kid in my class, nor am I in the top sixteen. I am dead last. Not only am I dead last in my class, but there are fourth graders that would probably rank higher than me. I’m like the crumbs at the bottom of a potato chip bag. While they should be treated the same as the big ones, they are often tossed away with the bag and discarded. What I find so ironic and hilarious is that these classmates of mine that think they are so much better than me are huge dorks and dweebs themselves in the eyes of the pubbies. When it comes to the hierarchy of the kids in this town, public always wins. Even the runts of the public school crowd rank higher than the coolest of us cathies (that's their unfortunate nickname for us). It makes for a very interesting culture on the shared bus system. Take for instance, Josh Baker. He is pretty much the it guy in the St. Guadalupe’s 5th grade. I know of at least three girls in my class that would shave her head to go out with him (whatever "going out" means to a 5th-grader). All of the other seven boys in the class fight to have him at their sleepovers, parties and picnics. Josh is pretty much on a seven-weekend rotation with these kids. In this little world of ours, we have our kings and queens. Josh is our grade’s king. But as soon as any of us step outside of our parochial world, we become losers to the public crowd. Josh, for instance, tells anyone in our class what to do. If he needs his lunch fetched for him, he has a handful of numbskulls to do his bidding. If he forgets his homework, he only needs to say the words “yeah, so last night…” before receiving a copy of the answers. People are always ready and willing to help him because he is what everyone aspires to be or be around.
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))