Waterfall And Rainbow Quotes

We've searched our database for all the quotes and captions related to Waterfall And Rainbow. Here they are! All 28 of them:

from the poem Hum, Hum The resurrection of the morning. The mystery of the night. The hummingbird's wings. The excitement of thunder. The rainbow in the waterfall. Wild mustard, that rough blaze of the fields.
Mary Oliver (A Thousand Mornings: Poems)
Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.
Fyodor Dostoevsky (The Idiot)
You wonder why you can’t see me, Sense me, feel me…? When you are outpouring your emotion, it is like me trying to climb up a waterfall To get to you. But if you are calm and have faith in me, I can sail right over to you On the still waters of your soul.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Waterfalls are exciting because they have power, they have rainbows, they have songs, and they have boldness and craziness!
Mehmet Murat ildan
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
James Patterson (The Final Warning (Maximum Ride, #4))
What a great genius this water is! It has thousands of different beautiful faces: It is a rainbow, an ocean, a lake, an iceberg, a waterfall, a river, a drop, a fog… What a great genius this water is!
Mehmet Murat ildan
He missed the Midwest... Northern California was impractically beautiful. Everywhere you looked there were trees and streams, waterfalls, mountains, the ocean... There was nowhere to look just to look, just to think.
Rainbow Rowell (Attachments)
a phenomenon conveyed by matter, like the rainbow on the waterfall,
Thomas Mann (The Magic Mountain)
No man has ever lived in the past, and none will live in the future; the present alone is the form of all life, and is its sure possession which can never be taken from it. The present always exists, together with its content. Both remain fixed without wavering, like the rainbow on the waterfall.
Arthur Schopenhauer (Die Welt als Wille und Vorstellung)
Looking at Flat Hill made me strangely grateful for the tornado that had given me a free ride out of this hellhole. Sure, things had been tough in Oz, but at least a lot of the time they’d been beautiful, too. Most of the people I went to high school with wouldn’t ever see the next state over, let alone a flying monkey or a waterfall made out of rainbows.
Danielle Paige (Yellow Brick War (Dorothy Must Die, #3))
What, in fact, do we know about the peak experience? Well, to begin with, we know one thing that puts us several steps ahead of the most penetrating thinkers of the 19th century: that P.E’.s are not a matter of pure good luck or grace. They don’t come and go as they please, leaving ‘this dim, vast vale of tears vacant and desolate’. Like rainbows, peak experiences are governed by definite laws. They are ‘intentional’. And that statement suddenly gains in significance when we remember Thorndike’s discovery that the effect of positive stimuli is far more powerful and far reaching than that of negative stimuli. His first statement of the law of effect was simply that situations that elicit positive reactions tend to produce continuance of positive reactions, while situations that elicit negative or avoidance reactions tend to produce continuance of these. It was later that he came to realise that positive reactions build-up stronger response patterns than negative ones. In other words, positive responses are more intentional than negative ones. Which is another way of saying that if you want a positive reaction (or a peak experience), your best chance of obtaining it is by putting yourself into an active, purposive frame of mind. The opposite of the peak experience—sudden depression, fatigue, even the ‘panic fear’ that swept William James to the edge of insanity—is the outcome of passivity. This cannot be overemphasised. Depression—or neurosis—need not have a positive cause (childhood traumas, etc.). It is the natural outcome of negative passivity. The peak experience is the outcome of an intentional attitude. ‘Feedback’ from my activities depends upon the degree of deliberately calculated purpose I put into them, not upon some occult law connected with the activity itself. . . . A healthy, perfectly adjusted human being would slide smoothly into gear, perform whatever has to be done with perfect economy of energy, then recover lost energy in a state of serene relaxation. Most human beings are not healthy or well adjusted. Their activity is full of strain and nervous tension, and their relaxation hovers on the edge of anxiety. They fail to put enough effort—enough seriousness—into their activity, and they fail to withdraw enough effort from their relaxation. Moods of serenity descend upon them—if at all—by chance; perhaps after some crisis, or in peaceful surroundings with pleasant associations. Their main trouble is that they have no idea of what can be achieved by a certain kind of mental effort. And this is perhaps the place to point out that although mystical contemplation is as old as religion, it is only in the past two centuries that it has played a major role in European culture. It was the group of writers we call the romantics who discovered that a man contemplating a waterfall or a mountain peak can suddenly feel ‘godlike’, as if the soul had expanded. The world is seen from a ‘bird’s eye view’ instead of a worm’s eye view: there is a sense of power, detachment, serenity. The romantics—Blake, Wordsworth, Byron, Goethe, Schiller—were the first to raise the question of whether there are ‘higher ceilings of human nature’. But, lacking the concepts for analysing the problem, they left it unsolved. And the romantics in general accepted that the ‘godlike moments’ cannot be sustained, and certainly cannot be re-created at will. This produced the climate of despair that has continued down to our own time. (The major writers of the 20th century—Proust, Eliot, Joyce, Musil—are direct descendants of the romantics, as Edmund Wilson pointed out in Axel’s Castle.) Thus it can be seen that Maslow’s importance extends far beyond the field of psychology. William James had asserted that ‘mystical’ experiences are not mystical at all, but are a perfectly normal potential of human consciousness; but there is no mention of such experiences in Principles of Psychology (or only in passing).
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Likely you left Falling after the waterfall selfie and didn’t look back. Maybe on the way out you bought an overpriced shot glass, or a mug like this one. Or a magnet with a Falls pic better than the ones you took. Perhaps it’s getting struck by a rainbow. I’m Falling for You. My mom gave me one that said that once, as a joke. I took it with me everywhere. Put it on every fridge I’ve ever had since, even this one. This summer I gave it to Ava, who put it on her fridge. Our fridge, she said. I
Mona Awad (Bunny (Bunny, #1))
The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away. Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks. "We should go back," he said. "Something drinks here." She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto. "Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back." But Jack was still peering at the tracks around the water's edge. "Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago. "It's the end of the rainbow," she laughed. "Let's find our crock of gold.
Martine Bailey (A Taste for Nightshade)
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall, methane-fall...whatever you like, leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o'-the-wisp, which is the life radiation of some fleet shy animal, and...and-
Poul Anderson (Call Me Joe)
What was this universe? What was this grand, eternal pageant to which he had yearned from his childhood up, and in which he could never take part? Every morning the same magnificent sun; every morning the same rainbow in the waterfall; every evening the same glow on the snow-mountains. Every little fly that buzzed in the sun's rays was a singer in the universal chorus, "knew its place, and was happy in it." Every blade of grass grew and was happy. Everything knew its path and loved it, went forth with a song and returned with a song; only he knew nothing, understood nothing, neither men nor words, nor any of nature's voices; he was a stranger and an outcast.
Joseph Conrad (50 Masterpieces You Have to Read Before You Die: Volumes 1-3)
Above all things, we must distinctly recognise that the form of the phenomenon of will, the form of life or reality, is really only the present, not the future nor the past. The latter are only in the conception, exist only in the connection of knowledge... No man has ever lived in the past, and none will live in the future; the present alone is the form of all life, and is its sure possession which can never be taken from it. The present always exists, together with its content. Both remain fixed without wavering, like the rainbow on the waterfall. For life is firm and certain in the will, and the present is firm and certain in life. Certainly, if we reflect on the thousands of years that are past, of the millions of men who lived in them, we ask, What were they? what has become of them? But, on the other hand, we need only recall our own past life and renew its scenes vividly in our imagination, and then ask again, What was all this? what has become of it? As it is with it, so is it with the life of those millions.
Arthur Schopenhauer (Die Welt als Wille und Vorstellung)
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
Waterfalls" A lonely mother gazing out of her window Staring at a son that she just can't touch If at any time he's in a jam she'll be by his side But he doesn't realize he hurts her so much But all the praying just ain't helping at all 'Cause he can't seem to keep his self out of trouble So he goes out and he makes his money the best way he knows how Another body laying cold in the gutter Listen to me [Chorus:] Don't go chasing waterfalls Please stick to the rivers and the lakes that you're used to I know that you're gonna have it your way or nothing at all But I think you're moving too fast Little precious has a natural obsession For temptation but he just can't see She gives him loving that his body can't handle But all he can say is "Baby, it's good to me." One day he goes and takes a glimpse in the mirror But he doesn't recognize his own face His health is fading and he doesn't know why Three letters took him to his final resting place Y'all don't hear me [Chorus (2x)] Come on I seen a rainbow yesterday But too many storms have come and gone Leavin' a trace of not one God-given ray Is it because my life is ten shades of gray I pray all ten fade away Seldom praise Him for the sunny days And like His promise is true Only my faith can undo The many chances I blew To bring my life to anew Clear blue and unconditional skies Have dried the tears from my eyes No more lonely cries My only bleedin' hope Is for the folk who can't cope With such an endurin' pain That it keeps 'em in the pourin' rain Who's to blame For tootin' 'caine into your own vein What a shame You shoot and aim for someone else's brain You claim the insane And name this day in time For fallin' prey to crime I say the system got you victim to your own mind Dreams are hopeless aspirations In hopes of comin' true Believe in yourself The rest is up to me and you [Chorus (2x)]
TLC
double rainbows, waterfalls and fire-breathing dragons—well, my mother might have taken some liberties with the landscape. My sister and father would often join in with the fantastic storytelling, but I never minded the fiction too much. I did become a writer, after all. Liam’s driving is so calm and solid compared to Owen’s. I can’t help thinking that I wish I could be driving with him forever. Even if we never get to my sister’s wedding, it will have been worth it to me for the trip. I haven’t had this much fun in years, and it’s so nice to be around other human beings. These two doctors are so silly and nice, and I simply love road trips. Liam’s words from earlier come back to me, unbidden, and I try to shut them out. For some reason, the doctor’s words really did make me feel special and important. I had not realized that my work had caused such a great impact on anyone. I am suddenly stricken with the realization of what’s happening. Am I really doing this? Am I really in a car with two men I just met, heading back to New York? Am I really going to have a chance at getting my vision back? Could it be possible? Am I really going to see my family? For a few minutes, I get lost in thoughts of my mother and father. I remember how much they loved each other. I remember Carmen’s boundless energy and enthusiasm, and how she could never miss an opportunity to insult or tease me. I remember when things were good. “Tell us a story, Helen.” My mother’s
Loretta Lost (Clarity (Clarity, #1))
There once was a town. It was a quaint little town, in a quiet valley, where life moved at the pace of snails and the only road in was the only way out, too. There was a candy store that sold the sweetest honey taffy you ever tasted, and a garden store that grew exotic, beautiful blooms year-round. The local café was named after a possum that tormented its owner for years, and the chef there made the best honey French toast in the Northeast. There was a bar where the bartender always knew your name, and always served your burgers slightly burnt, though the local hot sauce always disguised the taste. If you wanted to stay the weekend, you could check-in at the new bed-and-breakfast in town--- just as soon as its renovations were finished, and just a pleasant hike up Honeybee Trail was a waterfall there, rumor had it, if you made a wish underneath it, the wish would come true. There was a drugstore, a grocer, a jewelry store that was open only when Mercury was in of retrograde--- And, oh, there was a bookstore. It was tucked into an unassuming corner of an old brick building fitted with a labyrinthine maze of shelves stocked with hundreds of books. In the back corner was a reading space with a fireplace, and chairs so cozy you could sink into them for hours while you read. The rafters were filled with glass chimes that, when the sunlight came in through the top windows, would send dapples of colors flooding across the stacks of books, painting them in rainbows. A family of starlings roosted in the eaves, and sang different songs every morning, in time with the tolls of the clock tower. The town was quiet in that cozy, sleepy way that if you closed your eyes, you could almost hear the valley breathe as wind crept through it, between the buildings, and was sighed out again.
Ashley Poston (A Novel Love Story)
It was a short walk from the bridge to the waterfall, and I heard it long before I actually saw it, a loud, roaring sound that reverberated like rolling thunder. We passed under an outcropping of rock, and then there it was on the other side. Quixotic Falls. It took my breath away. The waterfall was so tall, I had to crane my neck to see the top of it. Shimmers of a rainbow reflected in the mist and sunlight, and the air was cool and damp. It felt good in the humidity of the afternoon. I closed my eyes, and enjoyed the mist that clung to my skin, coagulating into droplets. We walked along the underside of it, and the sunlight hit the falling water like it was glimmers of glass. The tunnel between the rock face and the waterfall was smooth and rounded from thousands of years of erosion. Vines crawled across the rocks--- morning glories and four o'clocks and honeysuckles. The waterfall poured down into a small watering hole that then slowly wormed its way into a larger river down the mountain. I knew this place would feel whimsical. Surrounding the swimming hole, the bright pink heather and stark white yarrow mixed with coneflowers and black-eyed Susans.
Ashley Poston (A Novel Love Story)
I dreamed a dream that I missed you I longed for you, desired you, wanted you like the sun playing hide and seek with the clouds, both travel across the sky, in opposite directions emotions rose and fell, I found you in my heart flowing and falling like a high waterfall aluminated by a rainbow, flying birds the mist rising from the impact of the waterfall I found myself with myself thinking beautiful thoughts of you you don’t need to know all my thoughts my heart asks no permission to love love is my own to give to who I want you are the inspiration behind these words that my heart and soul write here but I would never name you for your name is invisibly engraved in each word that is written here I love you
Kenan Hudaverdi
Every morning the same bright sun rises; every morning there is a rainbow on the waterfall; every evening the highest snowcapped mountain, far, far away, on the very edge of the sky shows with a purple flame; every ‘tiny gnat’ buzzing around him in the hot sunshine plays its part in that chorus: it knows its place, it loves it and is happy; every blade of grass grows and is happy! Everything has its path, and everything knows its path; it departs with a song and comes back with a song; only he knows nothing, understands nothing, neither men nor sounds, a stranger to everything and an outcast.” Dostoyevsky,
Stephen Batchelor (Alone With Others: An Existential Approach to Buddhism)
Dogie’s surfboards were like works of art. Splashed across their rainbow-colored decks were air-brushed paintings of waterfalls and sea dragons and a host of other fantastic creatures. Her favorite painting was a winged horse that looked like part horse and part comet, with its long tail blazing down the length of the board.
Kathi Appelt (Keeper)
It was in Switzerland, during his first year, in the early part of it, in fact. Then he was almost like an idiot; he could not even speak properly - and sometimes could not understand what was wanted of him. He once went up into the mountain-side, on a bright, sunny day, and walked a long time, his mind possessed with an agonising but unformulated idea. Before him was the brilliant sky, below, the lake, and all around an horizon, bright and boundless which seemed to have no ending. He gazed a long time in distress. He remembered now how he had stretched out his hand to that bright, infinite blue, and had shed tears. What tortured him was that he was utterly outside all this. What was this festival? what was this grand, everlasting pageant to which there was no end, to which he had always, from his earliest childhood, been drawn and in which he could never take part? Every morning the same bright sun rises, every morning the same rainbow in the waterfall, every evening that highest snow mountain glows, with a flush of purple against the distant sky, every 'little fly that buzzes about him in the hot sunshine has its part in the chorus; knows its place, loves it and is happy'. Every blade of grass grows and is happy! Everything has its path, and everything knows its path, and with a song goes forth, and with a song returns. Only he knows nothing, and understands nothing, neither men nor sounds; he is outside it all, and an outcast.
Fyodor Dostoevsky (The Idiot)
Kammy could see the palace built into the cliff face. It was a majestic construction. Its white walls stretched up into a cluster of turrets and towers. Its façade was broken by gigantic windows that reflected a rainbow of colours. The palace was flanked by two waterfalls that filled the chasm running far below them; a chasm that was bridged by a staircase of monstrous size. But Kammy hardly noticed how far she would fall should her grip fail. The giant structure that speared out of the palace and up into the sky commanded all of her attention. It burned her eyes so she could hardly look at it, but at the same time she could not look away. It looked like a white diamond. Each of its countless edges sent off shards of brilliant light. It dwarfed anything that Kammy had ever known and she had never felt as alive as she did in that moment.
Natalie Crown (The Wolf's Cry (The Semei Trilogy, #1))