Famous Switzerland Quotes

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From my friend Oleksandr, a.k.a. Z --I loved this IMMEDIATELY There is a famous speech from film noir The Third Man: After all, it’s not that awful. You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace. And what did that produce? The cuckoo clock.
The Third Man
While the Austrian crown was dissolving like jelly in your fingers, everyone wanted Swiss francs and American dollars, and large numbers of foreigners exploited the economic situation to feed on the twitching corpse of the old Austrian currency. Austria was ‘discovered’, and became disastrously popular with foreign visitors in a parody of the society season. All the hotels in Vienna were crammed full with these vultures; they would buy anything, from toothbrushes to country estates; they cleared out private collections of antiquities and the antique dealers’ shops before the owners realised how badly they had been robbed and cheated in their time of need. Hotel receptionists from Switzerland and Dutch shorthand typists stayed in the princely apartments of the Ringstrasse hotels. Incredible as it may seem, I can vouch for it that for a long time the famous, de luxe Hotel de l’Europe in Salzburg was entirely booked by unemployed members of the English proletariat, who could live here more cheaply than in their slums at home, thanks to the generous unemployment benefit they received. Anything that was not nailed down disappeared. Word gradually spread of the cheap living and low prices in Austria. Greedy visitors came from further and further afield, from Sweden, from France, and you heard more Italian, French, Turkish and Romanian than German spoken in the streets of the city centre of Vienna.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
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Adam Simba
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Girl Reading a Letter at an Open Window was among the paintings rescued from destruction during the bombing of Dresden in World War II, The painting was stored, with other works of art, in a tunnel in Saxon, Switzerland; when the Red Army encountered them, they took them. The Soviets portrayed this as an act of rescue; some others as an act of plunder. Either way, after the death of Joseph Stalin, the Soviets decided in 1955 to return the art to Germany, “for the purpose of strengthening and furthering the progress of friendship between the Soviet and German peoples.” Aggrieved at the thought of losing hundreds of paintings, art historians and museum curators in the Soviet Union suggested that “in acknowledgment for saving and returning the world-famous treasures of the Dresden Gallery” the Germans should perhaps donate to them Girl Reading a Letter at an Open Window and Sleeping Venus by Giorgione. The Germans did not take to the idea, and the painting was returned. Well-preserved, it is on display at the Gemäldegalerie in Dresden.
Johannes Vermeer (Masters of Art: Johannes Vermeer)
Switzerland is the closest to what Aristotle, Plato and Socrates had in mind when democracy was conceived. Americans proudly recite Lincoln’s famous democratic battle cry: ‘Government for the people, by the people and of the people, - but in fact this is a better description of the Swiss model.
R. James Breiding (Swiss Made: The Untold Story Behind Switzerland s Success)
Nabokov famously never had a home. In the United States he and his wife, Vera, always rented. At Cornell University in Ithaca, New York, where he taught for a decade, they occupied homes vacated by professors on sabbatical. The Nabokovs ended their days in a small suite of rooms at the Montreux Palace Hotel in Switzerland. When asked to explain his peripatetic life of exile, Nabokov said, “Nothing short of a replica of my childhood surroundings would have satisfied me.” His hero Pushkin was a wanderer, too, exiled from St. Petersburg by the czar for years at a time. Like Nabokov, “To the end of his life he remained deeply attached to what he considered his real home, the Lyceum, and to his former fellow students.
Alex Beam (The Feud: Vladimir Nabokov, Edmund Wilson, and the End of a Beautiful Friendship)
America’s power position as “the hammer of the whole earth” extends to more than military power. America tells other nations what to do and how to do it. For example, America forced the UBS AG Bank in Switzerland to close all of the offshore accounts in the Swiss Bank held by U.S. citizens, as part of an IRS “tax investigation which challenges Switzerland’s famous banking secrecy laws.” (Reuters, January 9, 2009).
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
The most famous improvised lines in the history of the movies are the ones Orson Welles came up with while playing Harry Lime in The Third Man (1949): “In Italy, for 30 years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had 500 years of democracy and peace—and what did that produce? The cuckoo clock.
Anonymous
The famous philosopher J ean-Jacques Rousseau was born in 1712, in Geneva, Switzerland.
Michael H Hart (The 100: A Ranking Of The Most Influential Persons In History)
With Bob Dylan, Black Panther Eldridge Cleaver, and convicted Watergate lawyer Charles Colson proudly declaring to be 'born again,' Newsweek and Time called 1976 'the Year of the Evangelical.' The most famous 'born-again' Christian in the United States that year, however, was president-elect James Earl Carter. That same year, Francis Schaefer wrote How Should We Then Live, explicitly arguing that proliferating pornography, accelerating abortion rates, prohibition of prayer in public school, and other examples of 'secular humanism' were the work of Satan. It was the mission of evangelical Christians to save the country from Satan by taking back their government. Schaefer was central in bringing evangelical Christians to politics, but he was a reclusive intellectual theologian living on a mountaintop in Switzerland. His clarion call would not have been distributed so extensively without an infusion of money from Nelson Bunker Hunt. The rotund international oilman bankrolled a documentary adaptation of How Should We The n Live. A phenomenal success, the film convinced thousands of evangelical Christian that a culture war was afoot, and they had an obligation to take the fight to Satan by abandoning any past reluctance to engage in politics.
Edward H. Miller (A Conspiratorial Life: Robert Welch, the John Birch Society, and the Revolution of American Conservatism)
European perfumery started in earnest around the turn of the twentieth century, and developed apace with the discovery of aroma chemicals: coumarin, vanillin, cyclamen aldehyde, the great nitro musks. The Great War left industry and cities largely intact and killed countless males. Many factors then conspired to make the period 1918-1939 the golden age of mass perfumery: working women vying for the remaining men, cheap aroma chemicals, cheap labor to harvest the naturals, flourishing visual arts and music, the obsolescence of prewar bourgeois dignity, replaced by irreverence and optimism. The WWII destroyed the great engine of European chemistry (Germany). The tail end of German chemistry on the Rhine lay in the neutral Switzerland and was untouched, which is wy today two of the biggest perfumery houses in the world (Firmenich and Givaudan) are Swiss. Postwar France stank. In 1951, six years after the Liberation, only one household in fifteen had an internal bathroom. The Paris Metro at rush hour was famous for its unwashed stench. Given cost constraints, French perfumes in those years ('50) had an air de famille, a perfumey feel based on then-cheap drydown materials like sandalwood oil and salicylate esters. Being able to smell someone's fragrance was a sign of intimacy. When a perfume left a trail (called sillage) it was remarked upon, usually unfavourably. It is a strange coincidence, or perhaps a hint of the existence of God, that skin melanin is a polymer spontaneously formed from phenols, and that the perfumery materials that defined American perfumery were also in good part phenols.
Luca Turin (Perfumes: The Guide)
Swit-zer-land
James Baldwin (Fifty Famous Stories Retold)
What American Healthcare Can Learn from Italy: Three Lessons It’s easy. First, learn to live like Italians. Eat their famous Mediterranean diet, drink alcohol regularly but in moderation, use feet instead of cars, stop packing pistols and dropping drugs. Second, flatten out the class structure. Shrink the gap between high and low incomes, raise pensions and minimum wages to subsistence level, fix the tax structure to favor the ninety-nine percent. And why not redistribute lifestyle too? Give working stiffs the same freedom to have kids (maternity leave), convalesce (sick leave), and relax (proper vacations) as the rich. Finally, give everybody access to health care. Not just insurance, but actual doctors, medications, and hospitals. As I write, the future of the Affordable Care Act is uncertain, but surely the country will not fall into the abyss that came before. Once they’ve had a taste of what it’s like not to be one heart attack away from bankruptcy, Americans won’t turn back the clock. Even what is lately being called Medicare for All, considered to be on the fringe left a decade ago and slammed as “socialized medicine,” is now supported by a majority of Americans, according to some polls. In practice, there’s little hope for Italian lessons one and two—the United States is making only baby steps toward improving its lifestyle, and its income inequality is worse every year. But the third lesson is more feasible. Like Italy, we can provide universal access to treatment and medications with minimal point-of-service payments and with prices kept down by government negotiation. Financial arrangements could be single-payer like Medicare or use private insurance companies as intermediaries like Switzerland, without copying the full Italian model of doctors on government salaries. Despite the death by a thousand cuts currently being inflicted on the Affordable Care Act, I am convinced that Americans will no longer stand for leaving vast numbers of the population uninsured, or denying medical coverage to people whose only sin is to be sick. The health care genie can’t be put back in the bottle.
Susan Levenstein (Dottoressa: An American Doctor in Rome)