Water Cascade Quotes

We've searched our database for all the quotes and captions related to Water Cascade. Here they are! All 40 of them:

Take bread away from me, if you wish, take air away, but do not take from me your laughter. Do not take away the rose, the lance flower that you pluck, the water that suddenly bursts forth in joy, the sudden wave of silver born in you. My struggle is harsh and I come back with eyes tired at times from having seen the unchanging earth, but when your laughter enters it rises to the sky seeking me and it opens for me all the doors of life. My love, in the darkest hour your laughter opens, and if suddenly you see my blood staining the stones of the street, laugh, because your laughter will be for my hands like a fresh sword. Next to the sea in the autumn, your laughter must raise its foamy cascade, and in the spring, love, I want your laughter like the flower I was waiting for, the blue flower, the rose of my echoing country. Laugh at the night, at the day, at the moon, laugh at the twisted streets of the island, laugh at this clumsy fool who loves you, but when I open my eyes and close them, when my steps go, when my steps return, deny me bread, air, light, spring, but never your laughter.
Pablo Neruda
Jesper gave his shoulder another little shake. "Well, how about this? Kaz is going to tear your father's damn life apart." Wylan was about to say that didn't help either, but he hesitated. Kaz Brekker was the most brutal, vengeful creature Wylan had ever encountered--and he'd sworn he was going to destroy Jan Van Eck. The thought felt like cool water cascading over the hot, shameful feeling of helplessness he'd been carrying with him for so long. Nothing could make this right, ever. But Kaz could make his father's life very wrong.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Percy glanced over. He saw the fallen giant and seemed to understand what was happening. He yelled something that was lost in the wind, probably: Go! Then he slammed Riptide into the ice at his feet. The entire glacier shuddered. Ghosts fell to their knees. Behind Percy, a wave surged up from the bay-a wall of gray water even taller than the glacier. Water shot from the chasms and crevices in the ice. As the wave hit, the back half of the camp crumbled. The entire edge of the glacier peeled away, cascading into the void-carrying buildings, ghosts, and Percy Jackson over the edge.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I open my eyes to see Ry staring at me, and my desert soul erupts with turquoise water, floods and cascades and waterfalls rushing in around my rocky parts, pushing and reshaping and filling every hidden dark spot.
Kiersten White (The Chaos of Stars)
Trad moves to get a better view of the water falling in a continuous, glistening cascade from the uppermost level of the atrium to the lagoon below.
Trevor Alan Foris (The Octunnumi Fosbit Files Prologue)
The cascade of water was so vast and mighty, I thought, the angels were not only clapping - they were giving a standing and stomping ovation for a spectacle only God could have created.
Martin Ganda (I Will Always Write Back: How One Letter Changed Two Lives)
The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
Erin Morgenstern (The Night Circus)
Another way to look at meditation is to view the process of thinking itself as a waterfall, a continual cascading of thought. In cultivating mindfulness we are going beyond or behind our thinking, much the way you might find a vantagepoint in a cave or depression in a rock behind a waterfall. We still see and hear the water, but we are out of the torrent.
Jon Kabat-Zinn (Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life)
I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its solitude. I will be the desert. I open my eyes to see Ry staring at me, and my desert soul erupts with turquoise water, floods and cascades and waterfalls rushing in around my stone, swirling and eddying around my rocky parts, pushing and reshaping and filling every hidden dark spot.
Kiersten White (The Chaos of Stars)
I swear he is there, his arms outstretched, the waterfall beneath him, cascading into the cool blue water below. Go on, Ava. It’s going to be great! It’s not a dare. Not this time. But it’s almost like I’m on that high dive again, scared of what comes next, yet knowing at the same time it will all be okay.
Lisa Schroeder (I Heart You, You Haunt Me)
In the next few days, he’d receive his verdict. Win or lose, he feared Jennifer would soon be gone. He stood under the cascade, head down, until the water turned cold. Jennifer was correct, as usual. The money didn’t mean a damn thing.
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
Johanna bent her head far back to look up into the leafy canopy and the rainy sky. There was a cautious wonder on her face. She said something in Kiowa in a low voice. So much water, such giant trees, each possessing a spirit. Drops like jewels cascaded from their spidery hands.
Paulette Jiles (News of the World)
Edges I am a child throwing rocks into the stream. Challenging the rushing water. Raising my fist and daring fate to do it worst. I am a dancer in the waves of the ocean. Swaying in time with the tide. Pirouetting, the current my only friend. I am the sun, rising across the canyon Ascending, and shinning down. Giving the illusion of perception and motion. I am thoughts like a rolling river. Water cascading over the rocks of my soul. Shaping, forming, conforming. I am the peace of the rain forest. Basking in solitude Tranquil, serene, transfixing angles. Reflecting from within. Dripping and dropping. Shaking it off. I am the dust of the galaxy. Yearning to know itself. I am the wind. Wandering. Searching. A storm brewing from within.
Tosha Michelle (Confessions of a Reformed Southern Belle.: A Poet's Collection of Love, Loss, and Renewal)
I opened my eyes and watched the water stream past me. I let out some of my air and gazed at the cascade of silver bubbles dancing up to the surface.
Erica Sehyun Song (Thorns in the Shadow)
It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom.
Erin Morgenstern (The Night Circus)
Glowing in the dimensionless whispering dimness, Griffin saw a scene that could only have come from his dreams. The girl, naked white against the ledges and slopes of the falls, water cascading down her back, across her thighs, cool against her belly, her head laid back and white water bubbling through the shining black veil of her hair, touching each strand, silkily shining it with moisture; her eyes closed in simple pleasure; that face, the right face, the special face, the certain face of the woman he had always looked for without looking, hunted silently for, without acknowledging the search; lusted for, without feeling worthy of the hunger.
Harlan Ellison (I Have No Mouth & I Must Scream)
An indisputable law of physics, water always finds the lowest level in an incredibly efficient manner. It penetrates any crevice or path that will facilitate its downward flow, steadily meandering and descending in search of lower planes. In our physical world, water is as efficient as gravity is unforgiving. Human beings are mostly water. The body is comprised of more than 70% water and it is always tragic when human beings, true to their chemical composition, emulate the efficiency of water during dark, difficult periods in their lives, allowing one misstep or transgression to lead to lower and lower descent. Water can be beautiful to watch as it cascades downward in its transparent and fluid simplicity, but some human beings also have a tendency to fall and sink, like water without the beauty.
Michael Bowe (Skyscraper of a Man)
It’s all about perspective... From the top of the canyon, the river looks like a snake and from the bottom of the canyon, it looks like a cascading body of jewel-blue water.
L.A. Golding (Lerkus: A Journey to End All Suffering)
It was less the fact of Yoshiko's defilement than the defilement of her trust in people which became so persistent a source of grief as almost to render my life insupportable. [...] Yoshiko's immaculate trustfulness seemed clean an pure, like a waterfall among green leaves. One night sufficed to turn the waters of this pure cascade yellow and muddy. Yoshiko began from that night to fret over my every smile or frown.
Osamu Dazai (No Longer Human)
Unsure what to do, I shed my clothes and turned on the shower. I lay down in the tub, knees drawn to my chest, arms wrapped tightly around myself as if I could physically hold the fragments of myself together. Water cascaded over my body and face, my breaths coming in short gasps as I grappled with the suddenly complex task of inhaling and exhaling. In that moment, with the water drumming against the porcelain, that chilling thought came: I want to die. The idea of not existing brought a perverse sense of relief, even as the rational part of my brain fought against it. The rational part of my brain fought back. No, God wants you alive, Shari. This must all be part of His plan.
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
...the long blue shadows of afternoon advanced before me like cheerful ghosts of last summer's growth, dancing past the withered flower borders and the stiff hedges to fall at the feet of a stone nymph, her cascade of water frozen in her urn.
Stephanie Barron (Jane and the Unpleasantness at Scargrave Manor (Jane Austen Mysteries, #1))
Colored lights shone right across the northern sky, leaping and flaring, spreading in rainbow hues from horizon to zenith: blood red to rose pink, saffron yellow to delicate primrose, pale green, aquamarine to darkest indigo. Great veils of color swathed the heavens, rising and falling as light seen through cascading curtains of water. Streamers shot out in great shifting beams as if God had put his thumb across the sun.
Celia Rees (Witch Child (Witch Child, #1))
Our souls are like streams that can never rest until they once again mingle with the Infinite Sea. Until that time comes we meander, trying out new channels, new lines of least resistance. Sometimes the stream of life swells and rises, sometimes it cascades down like a waterfall. At times the water is shallow, at other times deep, sometimes dark and murky, sometimes pure and crystal clear. At times we enter lakes of the spirit that are so large and still that they deceive us into thinking that we have reached the ocean of endlessness that we have sought so long. Sometimes we are lured by gravity into swamps of uncertainty, sometimes we are trapped in tidal pools from which we fear we might never escape. From lifetime to lifetime the stream goes on, searching, suffering, pursuing the Infinite reunion.
Philip S. Berg (Kabbalah for the Layman)
This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.
David Berman
I sit down by the river. Its incessant flow has polished the rocks carried from the top of the mountain. The aqueous caress, that has unrolled for millions of years the liquid ribbon from the summits towards the plains, keeps the freshness of the youth. The July sun heats the trees on the shore, while the stream of water refreshes the air; Two breaths which mingle without opposing one another. The foliage softly sways under the summer breeze, tuning its movement to that of the fiery wave. Won by a palpable peace, thank you Mother Nature, I dive into my book. A time later, which seems infinite to me, the sky becomes darker, I raise my head. How many hours have passed during which, indifferent to the human time, the cascading water has descended from the mountain? How much water has passed in front of me? How many beings have quenched their thirst there, and get their lives out from it? How long after my small passage on Earth will have been forgotten, the river will continue to flow, to carry its rocks, to erode the mountain until it becomes a plain, to spread life like a vein of the Earth ?
Gabrielle Dubois
A Draft of Shadows' desire turns us into ghosts. We are vines of air on trees of wind, a cape of flames invented and devoured by flame. The crack in the tree trunk: sex, seal, serpentine passage closed to the sun and to my eyes, open to the ants. That crack was the portico of the furthest reaches of the seen and thought: —there, inside, tides are green, blood is green, fire green, green stars burn in the black grass: the green music of elytra in the fig tree's pristine night; —there, inside, fingertips are eyes, to touch is to see, glances touch, eyes hear smells; —there, inside is outside, it is everywhere and nowhere, things are themselves and others, imprisoned in an icosahedron there is a music weaver beetle and another insect unweaving the syllogisms the spider weaves, hanging from the threads of the moon; —there, inside, space is an open hand, a mind that thinks shapes, not ideas, shapes that breathe, walk, speak, transform and silently evaporate; —there, inside, land of woven echoes, a slow cascade of light drops between the lips of the crannies: light is water; water, diaphanous time where eyes wash their images; —there, inside, cables of desire
Octavio Paz (A Draft of Shadows and Other Poems)
The steel blue of the fern-fringed pool where the water rests a little before cascading over rock and shingle to draw breath again in another pool more beautiful than the one just left - the flash of the gaily coloured kingfisher as he breaks the surface of the water, shedding a shower of diamonds from his wings as he rises with a chirp of delight, a silver minnow held firmly in his vermilion bill - the belling of the sambhar and the clear tuneful call of the chital apprising the jungle folk that the tiger, whose pugmarks show wet on the sand where a few minutes before he crossed the river, is out in search of his dinner
Jim Corbett (Man-Eaters of Kumaon (Oxford India Paperbacks))
THE SPRING IS BEAUTIFUL in California. Valleys in which the fruit blossoms are fragrant pink and white waters in a shallow sea. Then the first tendrils of the grapes, swelling from the old gnarled vines, cascade down to cover the trunks. The full green hills are round and soft as breasts. And on the level vegetable lands are the mile-long rows of pale green lettuce and the spindly little cauliflowers, the gray-green unearthly artichoke plants.
John Steinbeck (The Grapes of Wrath)
From the mountain peaks for streams descend and flow near the town; in the cascades the white water is calling, but the mistis do not hear it. On the hillsides, on the plains, on the mountaintops the yellow flowers dance in the wind, but the mistis hardly see them. At dawn, against the cold sky, beyond the edge of the mountains, the sun appears; then the larks and doves sing, fluttering their little wings; the sheep and the colts run to and fro in the grass, while the mistis sleep or watch, calculating the weight of their steers. In the evening Tayta Inti gilds the sk, gilds the earth, but they sneeze, spur their horses on the road, or drink coffee, drink hot pisco. But in the hearts of the Puquios, the valley is weeping and laughing, in their eyes the sky and the sun are alive; within them the valley sings with the voice of the morning, of the noontide, of the afternoon, of the evening.
José María Arguedas (Yawar Fiesta)
Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah." "Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows. He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement." A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with." His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts. "So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him. Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours." She laughed. "All right,I'm going to let you win this time." "Would you care for a shower?" he asked solicitously. When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour. Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this." "Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?" "I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast. "Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world. She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.
Christine Feehan (Dark Magic (Dark, #4))
Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.
R. Lee Smith (The Wizard in the Woods (Lords of Arcadia, #2))
Aware she’d likely never tasted such a thing before, she took a cautious sip. Nothing came up. “The straw’s defective.” Dev shot her a quick grin. It altered his face, turning him strikingly beautiful. But that wasn’t the odd part. The odd part was that seeing him smile made her heart change its rhythm. She lifted her hand a fraction, compelled to trace the curve of his lips, the crease in his cheek. Would he let her, she thought, this man who moved with the liquid grace of a soldier . . . or a beast of prey? “Did I say milk shake?” he said, withheld laughter in his voice. “I meant ice cream smoothie—with enough fresh fruit blended into it to turn it solid.” Glancing at her when she didn’t move, he raised an eyebrow. She felt a wave of heat across her face, and the sensation was so strange, it broke through her fascination. Looking down, she took off the lid after removing the straw and stared at the swirls of pink and white that dominated the delicious-smelling concoction. Intrigued, she poked at it with the tip of her straw. “I can see pieces of strawberry, and what’s that?” She looked more closely at the pink-coated black seeds. “Passion fruit?” “Try it and see.” Handing her his water bottle, he started the car and got them on their way. “How would I know?” She put his water in the holder next to the unopened bottle. “And I need a spoon for this.” Reaching into a pocket, he pulled out a plastic-wrapped piece of cutlery. “Here.” “You did that on purpose,” she accused. “Did you want to see how hard I’d try to suck the mixture up?” Another smile, this one a bare shadow. “Would I do that?” It startled her to realize he was teasing her. Devraj Santos, she thought, wasn’t supposed to have a sense of humor. That was something she just knew. And, it was wrong. That meant the shadow-man didn’t know everything, that he wasn’t omnipotent. A cascade of bubbles sparkled through her veins, bright and effervescent. “I think you’re capable of almost anything.” Dipping in the spoon, she brought the decadent mixture to her lips. Oh! The crisp sting of ice, the cream rich and sweet, the fruit a tart burst of sensation. It was impossible not to take a second bite. And a third.
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
The air, soil and water cumulatively degrade; the climates and oceans destabilize; species become extinct at a spasm rate across continents; pollution cycles and volumes increase to endanger life-systems at all levels in cascade effects; a rising half of the world is destitute as inequality multiplies; the global food system produces more and more disabling and contaminated junk food without nutritional value; non-contagious diseases multiply to the world’s biggest killer with only symptom cures; the vocational future of the next generation collapses across the world while their bank debts rise; the global financial system has ceased to function for productive investment in life-goods; collective-interest agencies of governments and unions are stripped while for-profit state subsidies multiply; police state laws and methods advance while belligerent wars for corporate resources increase; the media are corporate ad vehicles and the academy is increasingly reduced to corporate functions; public sectors and services are non-stop defunded and privatized as tax evasion and transnational corporate funding and service by governments rise at the same time at every level.
John McMurtry (The Cancer Stage of Capitalism, 2nd Edition: From Crisis to Cure)
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
PATER PROFUNDUS. [Far below]   The chasm at my feet, dark, yawning,   Rests on a chasm deeper still,   A thousand streams, their waters joining,   In a cascade terrific fall;   The tree’s own life, its strength from nature,   Its trunk lifts skywards straight and tall—   All, all, show love’s almighty power   That shapes all things, cares for them all.   The storm breaks round me, fiercely howling,   The woods, ravines, all seem to quake, 12240 And yet, swelled by the deluge falling,   The torrent plunges down the rock   To water lovingly the valley;   The lightning burns the overcast   And clears the air, now smelling freshly,   Of all its foulness, dankness, mist—   All love proclaim! the creating power   By which the whole world is embraced.   Oh kindle, too, in me your fire,   Whose thoughts, disordered, cold, depressed, 12250 Inside the cage of dull sense languish,   Tormented, helpless, hard beset!   Dear God, relieve my spirit’s anguish,   My needy heart illuminate!
Johann Wolfgang von Goethe (Faust: A Tragedy, Parts One and Two)
In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
Dr. Syngmann: I am talking about the only quality that was worth creating the world for, the only power that is worth controlling. Pastor Jón: Úa? Dr. Syngmann in a tired, gravelly bass: I hear you mention once more that name which is no name. I know you blame me; I blame myself. Úa was simply Úa. There was nothing I could do about it. I know you have never recovered from it, John. Neither have I. Pastor Jón: That word could mean everything and nothing, and when it ceased to sound, it was as if all other words had lost their meaning. But it did not matter. It gradually came back. Dr. Syngmann: Gradually came back? What did? Pastor Jón: Some years ago, a horse was swept over the falls to Goðafoss. He was washed ashore, alive, onto the rocks below. The beast stood there motionless, hanging his head, for more than twenty-four hours below this awful cascade of water that had swept him down. Perhaps he was trying to remember what life was called. Or he was wondering why the world had been created. He showed no signs of ever wanting to graze again. In the end, however, he heaved himself onto the riverbank and started to nibble. Dr. Syngmann: Only one thing matters, John: do you accept it? Pastor Jón: The flower of the field is with me, as the psalmist said. It isn't mine, to be sure, but it lives here; during the winter it lives in my mind until it resurrects again. Dr. Syngmann: I don't accept it, John! There are limits to the Creator's importunacy. I refuse to carry this universe on my back any longer, as if it were my fault that it exists. Pastor Jón: Quite so. On the other hand, I am like that horse that was dumbfounded for twenty-four hours. For a long time I thought I could never endure having survived. Then I went back to the pasture.
Halldór Laxness (Under the Glacier)