Watching Your Child Hurt Quotes

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It hurts too much to break your own heart out of stupidity, to leave a door unlocked or a child untended and return to discover that whatever you value most has disappeared. No. You want to be intentional about the destruction. Be a witness. You want to watch how your life will shatter.
Julia Phillips (Disappearing Earth)
Mothers...accept when they have to, let go when they must, but watch out; they'll also turn their back on whoever hurts their child so quickly you'll feel the wind cut your face.
Hester Kaplan
hurts too much to break your own heart out of stupidity, to leave a door unlocked or a child untended and return to discover that whatever you value most has disappeared. No. You want to be intentional about the destruction. Be a witness. You want to watch how your life will shatter.
Julia Phillips (Disappearing Earth)
you could only protect your child through watchfulness and love, that you must tend a child as you tended a garden, fertilizing, weeding, and yes, occasionally pruning and thinning, as much as that hurt.
Stephen King (It)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
One couple was faced with an aunt whose feelings were hurt by their daughter’s refusal to kiss and hug her upon every visit. Sometimes the child wanted to be close; sometimes she wanted to stand back and watch. The couple responded to the aunt’s complaint by saying, “We don’t want Casey to feel that her affection is something she owes people. We’d like her to be in charge of her life.” These parents wanted their daughter’s yes to be yes and her no to be no (Matt. 5:37). They wanted her to be able to say no, so that in the future she would have the ability to say no to evil.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
No human being was ever meant to be the source of personal joy and contentment for someone else. And surely, no sinner is ever going to be able to pull that off day after day in the all-encompassing relationship of marriage! Your spouse, your friends, and your children cannot be the sources of your identity. When you seek to define who you are through those relationships, you are actually asking another sinner to be your personal messiah, to give you the inward rest of soul that only God can give. Only when I have sought my identity in the proper place (in my relationship with God) am I able to put you in the proper place as well. When I relate to you knowing that I am God’s child and the recipient of his grace, I am able to serve and love you. I have the hope and courage to get my hands dirty with the hard work involved when two sinners live together. And you are able to do the same with me! However, if I am seeking to get identity from you, I will watch you too closely, listen to you too intently, and need you too fundamentally. I will ride the roller coaster of your best and worst moments and everything in between. And because I am watching you too closely, I will become acutely aware of your weaknesses and failures. I will become overly critical, frustrated, disappointed, hopeless, and angry. I will be angry not because you are a sinner, but because you have failed to deliver the one thing I seek from you: identity. But none of us will ever get the well-being that comes from knowing who we are from our relationships. Instead, we will be left with damaged relationships filled with hurt, frustration, and anger. Matt
Timothy S. Lane (Relationships: A Mess Worth Making)
You can have that life,” he told her. “It’s right there for you to take.” “I love you,” Eve quickly countered. “Loving me hurts you, doesn’t it?” Beckett asked, looking down. “No, you don’t have to tell me. I know. I can smell it. I can smell the pain coming off of you,” he said, looking at the floor. “You had love before and a future. What does loving me get you, Eve? What does it get you?” He stood, angry with himself. “I don’t need to get anything from you. It’s the way it is. There’s no changing that.” She gripped the porch railing. Beckett stepped close to Eve and tenderly tucked a lock of hair that had escaped her ponytail behind her ear. “You’re saying goodbye,” she said, her eyes full of questions. “Do you know there are other little girls out there like that one? I lived with a few of them. They would sell their souls for a mother like you.” At the word mother Eve’s chin crumpled. She tried to hold back the tears, but they wouldn’t obey. “See that? It’s what you need. You need that—a little kid calling you Mom.” Beckett put his arms around her as she shattered. The pain she kept hidden surfaced from where it had been smoldering. When he felt her knees weaken, he hugged her harder. “That’s right. It’s okay. It’s nothing to be ashamed of, baby. You want normal.” He guided her to the chair he’d vacated. “There’s a guy out there who’ll hold your hand. There’s a little girl out there. She’s waiting for you. It’ll be okay. It’ll be okay.” He knelt in front of her and rubbed her arms. She slapped at his hands, letting outrage carry her words. “I don’t want another man. I want you. I’ve killed for you. I’ve protected you. What the hell do you think you’re doing? Do you honestly think these hands that kill can hold a child?” She held her fingers in front of her face. “Yes. Absolutely. Don’t you know, gorgeous? Mothers are some of the most vicious killers out there, if their kids are threatened. You just have more practice.” He took her hands and kissed them. “I’ve lost too much. I can’t lose you. Don’t make me. Please. I’ll beg you if I have to.” She watched his lips on her palms. He shook his head and used her own words against her. “The hardest part of loving someone is not being with them when you want to be.” He stood, and she mirrored his motion,already shaking her head. “Don’t say it.” Beckett ignored her; he knew what he had to do. He had to set beautiful Eve free to find that soft, touchable woman he’d seen her become with the little girl.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
There’s this girl…this woman I can’t get out of my mind.” He spilled the story of his seduction of sweet, innocent Amanda McCormick for Rufus’s examination. When he finished talking, there was another silence. “You did that?” Rufus’s voice was as deep and gravelly as a quarry. “Fucked some poor virgin while posing as her fiancé?” “Yeah.” “You got some balls. How’d you know you’d be a close enough match to this Baxter?” “Brown hair, blue eyes, that’s all she seemed to know about him.” Spence couldn’t explain his need for the rush of tempting fate. “I took a chance. It was a gamble.” “Jesus, you’re a mean son of a bitch.” “I didn’t want to hurt her. I was just having fun.” He sounded like a spoiled child even to himself. “And now you want to go see this woman and try to make it right?” Rufus said. “Just how the hell did you think you were going to fix it? By showing up and wrecking her marriage, if you haven’t done that already?” It was Spence’s turn to pause. “Haven’t you done enough to this lady? Where’s your head, boy? Leave her alone.” “I can’t. I have to see her again.” He didn’t want to share his dreams of the little girl. He’d sound crazy. Rufus laughed harshly. “So you can try and get another piece of tail?” “No. It’s not like that.” “What? You think you’re in love. Son, you don’t know the first thing about it. If you did, you’d be putting this woman’s needs above your own.” He thought of the little girl telling him to go to Amanda. “Maybe what she needs is me.” Rufus made a scoffing noise. “A woman needs a man who’ll stand by her, be there through hard times and good. From what you’ve told me these past months, this is the longest you’ve stayed put in one place in your life and that’s only ‘cause they won’t let you out.” “I just want to do the right thing.” “Then do like I say. Leave her be. You think she’s going to be happy to see you again?” Spence pulled his blanket tighter around his shoulders and watched a gray cloud puff from his mouth. “You still there, boy?” “Where else?” “Don’t take it too hard. Everybody does things they’re sorry for. Sometimes there’s just no way to make it right.” He leaned back against the wall and reviewed the stupid chain of events that had landed him in jail. Maybe Rufus was right and there was no way he could ever apologize for what he’d done to Amanda. He should let the whole thing slide and leave the woman in peace.
Bonnie Dee (Perfecting Amanda)
You are driving me mad!” she exclaimed. “I want you to stop this, Kev! Do you have any idea how ridiculous you’re being? How badly you’ve behaved tonight?” “I’ve behaved badly?” he thundered. “You were about to let yourself be compromised.” “Perhaps I want to be compromised.” “That’s too bad,” he said, reaching out to grip her upper arm, preparing to haul her from the conservatory. “Because I’m going to make certain you stay safe.” “Don’t touch me!” Win wrenched free of him, incensed. “I’ve been safe for years. Tucked safely in bed, watching everyone around me enjoying their lives. I’ve had enough safety to last a lifetime, Kev. And if that’s what you want, for me to continue to be alone and unloved, then you can go to the devil.” “You were never alone,” he said harshly. “You’ve never been unloved.” “I want to be loved as a woman. Not as a child, or a sister, or an invalid—” “That’s not how I—” “Perhaps you’re not even capable of such love.” In her blazing frustration, Win experienced something she had never felt before. The desire to hurt someone. “You don’t have it in you.” Merripen moved through a shaft of moonlight that had slipped through the conservatory glass, and Win felt a little shock as she saw his murderous expression. In just a few words she had managed to cut him deeply, enough to open a vein of dark and furious feeling. She fell back a step, alarmed as he seized her in a brutal grip. He jerked her upward. “All the fires of hell could burn for a thousand years and it wouldn’t equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.' 'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?' 'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.' Clary made a noise in the back of her throat. 'But that was before—' 'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.' 'I know,' Clary whispered. “How do you think it is for me?” 'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The PATH To Prayer     “Devote yourselves to prayer, being watchful and thankful”(Colossians 4:2).     Years ago, if I felt that I wanted or needed something I would ask my brother and sister-in-law to pray for me. My brother was a minister and I felt he had a “direct line” to God. Of course, I would only ask if it was very important or something I thought worthy of prayer.   My own prayers consisted mostly of reciting words I had memorized as a child, such as the Lord’s Prayer. If I asked for something I wanted, I left it to chance. I believed it was happenstance if my prayer was answered and I thought that it couldn’t hurt to ask.   My prayers today are much different. Today my definition of prayer is not just reciting words or asking for stuff, but rather it is a conversation with a loving Father.   In my book, Fit for Faith, I follow the acronym P-A-T-H to prayer.   P stands for Praise Prayer is not just about asking for things but it is about telling God about the things you adore about Him. He is praiseworthy. Many times I open my prayer time with praise, letting God know how much I appreciate and love Him.   A stands for Admit I admit that I am a sinner and confess my sins. Sometimes I admit something obvious like gossiping – other times the Holy Spirit reveals to me where I have sinned. 1 John 1:8 states that if we claim to be without sin, we deceive ourselves and the truth is not in us.   T stands for Thanksgiving I thank God for all that He is and all that He does for me. Some days my prayer time is spent entirely on thanking Him.   H stands for Help
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Then ask me what you want to know and I’ll tell you.” “What?” I blurted, flabbergasted by what he was offering. “I cannot risk you getting hurt, Shaselle, and your curiosity cannot disrupt what we have planned. If giving you information will keep you from disrupting things, I will do so.” “How are you doing it? Where are the weapons coming from? How are you getting them into the city?” Questions tumbled from my mouth, in no particular order, for my mind was in chaos. Straightforward as ever, Cannan expounded. “When London regained consciousness in the spring, he and I recognized the need to move quickly if we were to establish a stash of weapons. As soon as he could travel, he left the city to entreat aid form the neighboring kingdoms. Men from Sarterad and Emotana began leaving weapons in the forest for us, and London’s men took them into the palace through the escape tunnel we used to remove the royal family at the time of the Cokyrian siege. The Cokyrians, other than Narian, do not know of the tunnel’s existence, and he has neither closed it nor been monitoring it. In the night, we used servants within the palace to move the armaments out in delivery boxes, whereupon they were taken to Steldor, Galen and Halias. Select Hytanicans on the work crews hid them inside the buildings during the reconstruction work. Everything has been put in place.” “What will you do now?” “We wait.” I stood up and paced, agitated. “What are you waiting for?” “The right time.” “To do what exactly? Tell me that.” “To take back our kingdom.” This was a non-answer, one that gave me no information I could not have deduced on my own. “When, Uncle? I want to know when. I can--” “You don’t need to know when, Shaselle. You’re not part of this.” He was watching me, arms still crossed, and I stopped pacing, pulling the cloak tighter around me. “But I could be. I’m not just a curious child, Uncle, I can do things. I could help. If you would just tell me what to do, I wouldn’t be a problem!” The wind rattled the barn door, and Alcander whinnied, making me jump. “You’re scared of the wind, Shaselle,” Cannan said, shaking his head. “You’re a young woman, and this is dangerous. This is a game you’ve not trained to play, a game you could never handle.” “That’s not true,” I argued, resentment bubbling inside me at his denigrating words. “I’m sorry, but it is. If we’re discovered, every one of us will be executed before we even have a chance to revolt. And if we do revolt, there’s a very strong possibility we will die in the fighting, whether we’re successful or not. In case you’ve forgotten, a number of good men have already died.” His words hit me hard, breaking through my bitterness. Forced to contemplate a hangman’s noose, my zeal faded. “I don’t want any of you to die,” I murmured, a tremble in my voice. He shrugged. “We’re not eager for that end, either. But someone has to take a stand. Someone has to speak for Hytanica before we let her die.
Cayla Kluver (Sacrifice (Legacy, #3))
I speak through your confusion, through your wanting, through your hurt. When you stammer, when you say what you did not mean to say, it was I. When you watch a sunset, or hear a child laugh, or listen to a piece of music that causes you to suddenly become choked up, it is I that causes your eye to fill. When you are addicted, it is I that is chained. When the sun burns up and the universe melts away, I will be here. Like Glenn Close in the movie Fatal Attraction, I will not be ignored. I can be wounded, lost, repulsed, or redeemed. Your circumstances actually matter far less to your happiness than you think. It is my health that makes your life heaven or hell. I am your soul. I am here.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Kids" You were a child Crawling on your knees toward it Making momma so proud But your voice is too loud We like to watch you laughing You pick the insects off plants No time to think of consequences [Chorus:] Control yourself Take only what you need from it A family of trees wanting to be haunted Control yourself Take only what you need from it A family of trees wanting to be haunted The water is warm But it's sending me shivers A baby is born Crying out for attention Memories fade Like looking through a fogged mirror Decisions too Decisions are made and not bought But I thought this wouldn't hurt a lot I guess not [Chorus x6]
MGMT
Gareth strode straight up to Lucien, seized his shoulder and spun him roughly around on his heel. The pistol went flying from the dummy's wooden hand. "I beg your pardon," Lucien said, raising his brows at Gareth's open display of hostility. "Where is she?" The duke turned back to his target and calmly reloaded his pistol. "Probably halfway to Newbury by now, I should think," he said, mildly. "Do go away, dear boy. This is no sport for children like yourself, and I wouldn't want you to get hurt." The condescending remark cut deep. Gareth marched around to face his brother. They were of equal height, equal build, and almost of equal weight, and his blue eyes blazed into Lucien's black ones as he seized the duke's perfect white cravat and yanked him close. Lucien's eyes went cold, and he reached up and caught Gareth's wrist in an iron grip of his own. All civility vanished. "Don't push me," the duke warned, menacingly. "I've had all I can take of your childish pranks and degenerate friends." "You dare call me a child?" "Yes, and I will continue to do so as long as you continue to act like one. You are lazy, feckless, dissolute, useless. You are an embarrassment to this family — especially to me. When you grow up and learn the meaning of responsibility, Gareth, perhaps I shall treat you with the respect I did your brother." "How dare you talk to me of responsibility when you banish an innocent young woman to fend for herself, and she with a six-month-old baby who happens to be your niece!  You're a cold-hearted, callous, unfeeling bastard!" The duke pushed him away, lifting his chin as he repaired the damage to his cravat. "She was handsomely paid. She has more than enough money to get back to those godforsaken colonies from which she came, more than enough to see herself and her bastard babe in comfort for the rest of her life. She is no concern of yours." Bastard babe. Gareth pulled back and sent his fist crashing into Lucien's jaw with a force that nearly took his brother's head off. The duke staggered backward, his hand going to his bloodied mouth, but he did not fall. Lucien never fell. And in that moment Gareth had never hated him more. "I'm going to find her," Gareth vowed, as Lucien, coldly watching him, took out a handkerchief and dabbed at his mouth. "And when I do, I'm going to marry her, take care of her and that baby as Charles should have done — as it's our duty to do. Then I dare you to call me a child and her little baby a bastard!" He spun on his heel and marched back across the lawn. "Gareth!" He kept walking. "Gareth!" He swung up on Crusader and thundered away.   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I hope you know how hard it is for a parent to watch their child grow up. It’s even harder to watch her go down a path that could hurt her, but… I want you to come home at the end of all of this. Call us every day. I—we need to know you’re safe.
K. Weikel (Replay: Ghost (Replay, #7))
Would you like to take a walk with me?” she asked. “I always walk on the beach in the mornings when you’re working. That is, if you aren’t too busy?” He caught her hand and brought it to his lips. “I’m not too busy for you and our child. But should you be resting?” An exasperated shriek left her lips, startling him with her ferocity. She yanked her hand from him and parked both of her fists on her hips. “Do I look like I need to be resting?” Anger and disappointment burned in her eyes. “Look, Chrysander, if you don’t want to spend time with me, just say so, but stop throwing out your pat ‘You need to be resting’ line.” She turned and stalked farther down the beach, leaving him there feeling like she’d punched him in the stomach. He ran a hand through his hair as he watched her hurry away, and then he strode after her, his feet kicking up sand as he closed the distance between them. “Marley! Marley, wait,” he called as he caught her elbow. When he turned her around, he was gutted by the tears streaking down her cheeks. She turned her face away and swiped blindly at her eyes with her other hand. “Please, just go away,” she choked out. “Go do whatever it is you do with your time. I’ll wait for my appointment with you in the afternoon.” It came out bitter and full of hurt, and he realized that he hadn’t fooled her at all with the distance he put between them. He reached for her chin and gently tugged until she faced him. With his thumb, he wiped at a tear that slipped over her cheekbone. “You aren’t an appointment, Marley.” “No?” She yanked away from his touch and retreated a few feet until there was a respectable distance between them. “I’ve tried to be patient and understanding even though I don’t understand any of it. Us. You or even me. I can’t figure you out, Chrysander, and I’m tired of trying. I’ve tried to be strong and undemanding, but I can’t do it anymore. I’m scared to death. I don’t know who I am. I wake up one day to find myself pregnant, and there’s a stranger by my bed who says he’s my fiancé and the father of my child. One would think this would tell me that at least I was loved and cherished, but nothing you’ve done has made me feel anything but confusion. You run hot and cold, and I never know which one to expect. I can’t do this.” Coldness wrapped around Chrysander’s chest, squeezing until he couldn’t draw a breath. “What are you saying?” he demanded.
Maya Banks (The Tycoon's Rebel Bride (The Anetakis Tycoons, #2))
He watches you, Sinda. Like you’re his best treasure, only he can’t think of a way to slip you into his pocket. Hasn’t he-of-the-throwing-daggers been brave enough to mention it?” “He did, once,” I said. “Right after Melaina sent a storm to try to kill me. He didn’t want me to go look for you. He was scared--well, scared I’d get caught, or hurt. I told him I had to try, and I put a spell on him to keep him from betraying our secret. He kissed me, and then he left. Then the king got sick, and I came looking for you.” I leaned my head back against the barn’s side. “So everything’s…strange, now. And he hasn’t…he hasn’t said anything about it since he found me…” I trailed off, biting my lip. I had spent so much time worrying about how to tell him he couldn’t love me anymore, but it hadn’t escaped my notice that he hadn’t mentioned the subject since finding me. Maybe the things I had worried about in Melaina’s cell were true. Maybe I had hurt him too much, using that spell against him. Maybe he had come after me only because we were friends, because he felt guilty about letting me go off alone. “He hasn’t said anything,” Mika repeated flatly. “While we’ve been racing across the countryside with Melaina’s guards behind us or in front of us, and me sleeping an arm’s length from the both of you each night.” She shook her head in disgust. “For a girl who’s supposedly got all this learning, you can be sort of stupid, Sinda.” “Excuse me?” I said stiffly. Mika leaned forward until her face was close to mine, and then she said, slowly, as you would to a child, “He loves you. It’s plain for anyone to see. He came after you, didn’t he? Admitted he was wrong to abandon you?” I shrugged. “We’ve been friends since I was born, or almost.” “He doesn’t look at you like he thinks you’re just his friend.
Eilis O'Neal (The False Princess)
The first step in handling turbulent feelings is to identify them clearly by name. This gives a warning to whomever it may concern to make amends or to take precautions. We do this by starting with the pronoun I: “I feel annoyed.” Or “I feel irritated.” If our short statements and long faces have not brought relief, we proceed to the second step. We express our anger with increasing intensity: “I feel angry.” “I feel very angry.” “I feel very, very angry.” “I feel furious.” Sometimes the mere statement of our feelings (without explanations) stops the child from misbehaving. At other times it may be necessary to proceed to the third step, which is to give the reason for our anger, to state our inner reactions and our wishful actions: “When I see the shoes and the socks and the shirts and the sweaters spread all over the floor, I get angry, I get furious. I feel like opening the window and throwing the whole mess into the middle of the street.” “It makes me angry to see you hit your brother. I get so mad inside myself that I see red. I start boiling. I can never allow you to hurt him.” “When I see all of you rush away from dinner to watch TV, and leave me with the dirty dishes and greasy pans, I feel indignant! I get so mad, I fume inside! I feel like taking all the dishes and breaking them on the TV set!” “When I call you for dinner and you don't come, I get angry. I get very angry. I say to myself, ‘I cooked a good meal and I want some appreciation, not frustration!
Haim G. Ginott (Between Parent and Child)
One couple was faced with an aunt whose feelings were hurt by their daughter’s refusal to kiss and hug her upon every visit. Sometimes the child wanted to be close; sometimes she wanted to stand back and watch. The couple responded to the aunt’s complaint by saying, “We don’t want Casey to feel that her affection is something she owes people. We’d like her to be in charge of her life.” These parents wanted their daughter’s yes to be yes and her no to be no
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
I love you so much, angel,” I whispered. “If anyone ever hurts you, I’ll kill them.” And I meant it. At this point it seems important to note that I am not a violent person. True story: I capture flies under plastic cups and relocate them into the wild. So, I quite literally wouldn’t hurt a fly. My soul belongs in an overstuffed teddy bear, but something inside me had changed. I wasn’t just a momma bear; I was a momma grizzly. An Ursus arctos horribilis, y’all. Accent on the horribilis. From the moment you become a parent, your heart moves outside of your body. There is nothing you wouldn’t do, no line you wouldn’t cross, to protect the child that you love. As I held my son and felt that grizzly roar within, I was forced to reckon with the possibility that I had never loved anyone like this before. That before I became a parent, my life was a little bit selfish. Not that I was a jerk or anything. It was simply this: Every decision, until I had children, was made in the interest of me. I was out in the world, living free and wild, taking consequences as they came. But when a child is born, so is a mother. And in her, a grizzly awakens. Her love is maternal, instinctive, and deep. And when necessary, even dangerous. There are certain movies you watch as a kid which inspire you to do stupid
Mary Katherine Backstrom (Holy Hot Mess: Finding God in the Details of this Weird and Wonderful Life)
Prayer is that moment in my day when I shut out the world and focus on conversation with my Creator. It’s when my heart yearns and my soul longs and when I know I am completely free in Christ. ~ Glynis Belec         The PATH To Prayer     “Devote yourselves to prayer, being watchful and thankful”(Colossians 4:2).     Years ago, if I felt that I wanted or needed something I would ask my brother and sister-in-law to pray for me. My brother was a minister and I felt he had a “direct line” to God. Of course, I would only ask if it was very important or something I thought worthy of prayer.   My own prayers consisted mostly of reciting words I had memorized as a child, such as the Lord’s Prayer. If I asked for something I wanted, I left it to chance. I believed it was happenstance if my prayer was answered and I thought that it couldn’t hurt to ask.   My prayers today are much different. Today my definition of prayer is not just reciting words or asking for stuff, but rather it is a conversation with a loving Father.   In my book, Fit for Faith, I follow the acronym P-A-T-H to prayer.   P stands for Praise Prayer is not just about asking for things but it is about telling God about the things you adore about Him. He is praiseworthy. Many times I open my prayer time with praise, letting God know how much I appreciate and love Him.   A stands for Admit I admit that I am a sinner and confess my sins. Sometimes I admit something obvious like gossiping – other times the Holy Spirit reveals to me where I have sinned. 1 John 1:8 states that if we claim to be without sin, we deceive ourselves and the truth is not in us.   T stands for Thanksgiving I thank God for all that He is and all that He does for me. Some days my prayer time is spent entirely on thanking Him.   H stands for Help This is the time when I can ask for His help and bring my requests to Him. I can pray for my own needs and the needs of others. I have no trouble spending fifteen minutes a day in prayer, especially when I consider prayer to be more than reciting memorized words or just asking for things.   I challenge you to spend fifteen minutes each day following the PATH to prayer.       Prayer is communicating with the Creator of the universe. ~ Pat Earl        
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
Otherwise, there were no long goodbyes or emotional scenes. That isn’t part of foster care. You just leave and you just die a little bit. Just a little bit because a little bit more of you understands that this is the way it’s going to be. And you grow hard around the edges, just a little bit. Not in some big way, but just a little bit because you have to, because if you don’t it only hurts worse the next time and a little bit more of you will die. And you don’t want that because you know that if enough little bits of you die enough times, a part of you leaves. Do you know what I mean? You’re still there, but a part of you leaves until you stand on the sidelines of life, simply watching, like a ghost that everyone can see and no one is bothered by. You become the saddest thing there is: a child of God who has given up.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
You are so much more than I bargained for,” I confessed, which gained her attention. “I knew I wanted to know you, that I had to. There was just something about you that no matter how hard I tried to shake it wouldn’t dissipate. But never in a million years did I realize I would fall so hard.” I let my thumb trail lightly over her lip. The wound was healing and was less sore but it still angered me that she had to face that night. “I love you,” I said as my gaze wandered back to meet hers. I could see the unshed tears that formed in her eyes as she smiled up at me. “Not just because you’re carrying my baby, but that was the turning point that made me realize the love I had for you. It was the moment I truly understood just how much I want you in my life. I want it all with you, the house, the babies, the growing old together and bickering about what to watch on Sunday night television.” She laughed as she blinked and the tears ran along her cheeks. “I love you,” I repeated. “And I love this baby,” I assured her as I rested my hand against her stomach. “I love you,” she said in a whisper as her tears continued to fall. “And I want all those things too. But just so we’re clear, I get to control what we watch on Sunday nights.” I didn’t argue; how could I when she wore that smile? She was happy, so fucking happy. And that was all I wanted. It was what I craved. Her smile, her laughter, it was as if those were the only things of importance with the acceptance of her safety, because never again would anyone hurt her or my child. That was a promise.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
The point of power is always in the present moment. This is where we begin to make changes. What a liberating idea. We can begin to let the old nonsense go. Right now. The smallest beginning will make a difference. When you were a tiny baby, you were pure joy and love. You knew how important you were; you felt that you were the center of the universe. You had such courage that you asked for what you wanted and you expressed all your feelings openly. You loved yourself totally—every part of your body, including your feces. You knew that you were perfect. And that is the truth of your being. All the rest is learned nonsense and can be unlearned. How often have we said, “That’s the way I am,” or “That’s the way it is.” What we’re really saying is that it is what we “believe to be true for us.” Usually what we believe is only someone else’s opinion that we’ve accepted and incorporated into our own belief system. It fits in with other things that we believe. If we were taught as a child that the world is a frightening place, then everything we hear that fits in with that belief we will accept as true for us—for example: “Don’t trust strangers,” “Don’t go out at night,” “People cheat you,” and so on. On the other hand, if we were taught early in life that the world is a safe and joyous place, then we would believe other things, such as: “Love is everywhere,” “People are so friendly,” and “Money comes to me easily.” Life experiences mirror our beliefs. We seldom sit down and question our beliefs. For instance, I could ask myself: “Why do I believe that it’s difficult for me to learn? Is that really true? Is it true for me now? Where did that belief come from? Do I still believe it simply because a first-grade teacher told me so over and over? Would I be better off if I dropped that belief?” Stop for a moment and catch your thought. What are you thinking right now? If thoughts shape your life and experiences, would you want this thought to become true for you? If it’s a thought of worry, anger, hurt, or revenge, how do you think that this thought will come back for you? If we want a joyous life, we must think joyous thoughts. Whatever we send out mentally or verbally will come back to us in like form. Take a little time to listen to the words you say. If you hear yourself saying something three times, write it down. It has become a pattern for you. At the end of a week, look at the list you’ve made and you’ll see how your words fit your experiences. Be willing to change your words and thoughts and watch your life change. The way to control your life is to control your choice of words and thoughts. No one thinks in your mind but you.
Louise L. Hay (Heal Your Body: The Mental Causes for Physical Illness and the Metaphysical Way to Overcome Them)
And he pranced around in front of her until Nannerl angrily jumped up, extending her arms in a shove that she didn’t intend to be violent but was. The child fell hard on the floor and hit his head. He didn’t cry. He looked at her with immense surprise, while she, terrified, knelt on the floor: “Wolfgang! Wolfgang! Did you hurt yourself?” He said no, rubbing the sore place on his forehead. Everything vanished in an instant: excitement, the wish to play, the attempt to provoke his sister. She shed copious tears of guilt, and this left him even more bewildered. Then he stood up mechanically and insisted on getting into his nightclothes without any help from her; by himself he removed the heavy bed warmer, got into bed, and an instant before falling asleep gave her a warm smile of understanding. Their parents found them like that, he in a deep sleep, she curled up beside him watching, with reddened eyes. The night walk had made no dent in Leopold’s bad mood. With a gloomy face he went into the adjoining room, sat down on the bed, and began to untie his shoes. Meanwhile Anna Maria whispered to Nannerl, “What happened? Did you quarrel?” She didn’t answer. She was listening with growing anger to the sounds her father made: a rustling of garments hung on the clothes rack, an indistinct muttering of disappointment for who knows what foolish reason, until she went to him and burst out: “Tomorrow Wolfgang won’t play! Do you understand?” “What’s wrong with you? Be quiet or you’ll wake him! Holy shit!” Anna Maria said, joining her. “He’s exhausted! He’s not himself! He’s always tired and sick, he’s lost weight, he’s not growing, and he has two black pouches under his eyes worse than yours. You can’t make us perform like trained dogs every night. Wolfgang should go to bed early!” Leopold, impassive, slowly continued to undress. He was now half naked, but he didn’t care if his daughter saw him in that state; it was a way of communicating to her that her presence had for him the same value as that of a night table or a bedside rug. “I will tell you one time only, Nannerl, and I will not repeat it,” he replied in a low voice. “When you have your own children, you can bring them up as you see fit; for the moment it is I, I alone, who will make decisions for Wolfgang. He endures fatigue very well. Maybe it’s you who are weak, and your thoughtless actions are the proof.” Furious, Nannerl pushed to the floor the rack on which her father had so carefully hung his clothes and returned to her brother, slamming the door behind her.
Rita Charbonnier (Mozart's Sister: A Novel)