Anchor Metaphor Quotes

Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.

As their saltwater tears combined with the sea, Lewis finally understood the log line of their love story: He was an aimless kite in search of a string to ground him to the world, but instead, he'd found Wren, a great, strong wind who supported his exploration of the sky.

You took my paper smudged with tears and you read it out loud. You told me what worked in the essay, and what didn’t work. You asked me questions about word choice, pacing, and something you called political symbolism. You asked me what I was really trying to say with the essay and suggested I start with saying exactly that. You challenged me to use the rest of the essay to discover ideas and questions I didn’t already know and feel. “A good question anchored in real curiosity is much more important than a cliché or forced metaphor,” you told me.

The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.

[On Brave New World] “Mr. Huxley has been born too late. Seventy years ago, the great powers of his mind would have been anchored to some mighty certitude, or to some equally mighty scientific denial of a certitude. Today he searches heaven and earth for a Commandment, but searches in vain: and the lack of it reduces him, metaphorically speaking, to a man standing beside a midden, shuddering and holding his nose.

Whether or not he was in it, whether or not he could see or touch it, he'd thought there would always be a FIllory out there somewhere. He loved knowing it was there. It anchored his sense of happiness, the way a distant stockpile of gold might underwrite the value of a paper bill.

Such risk aversion breeds its own failure. So deeply rooted is gentrification that Richard Florida has now modified his widely acclaimed thesis about the rise of the creative classes. Cities are becoming too successful for their own good. Until recently, he believed they would be the engine rooms of the new economy, embracing the diversity necessary to attract talent. That has certainly happened. Gay pride parades seem to get larger every year. A thousand multicultural flowers are blooming. Yet in squeezing out income diversity, the new urban economies are also shutting off the scope for serendipity. The West’s global cities are like tropical islands surrounded by oceans of resentment. Florida’s latest book is called The New Urban Crisis. Rather than being shaped by those who live there full-time, the characters of our biggest cities are increasingly driven by the global super-rich as a place to park their money. Many of the creative classes are being edged out. Urban downtowns have turned into ‘deadened trophy districts’. New York’s once-bohemian SoHo is now better known for its high-end boutiques than its artists’ studios. SoHo could nowadays be found in any big city in the world. ‘Superstar cities and tech hubs will become so expensive that they will turn into gilded and gated communities,’ Florida predicts.51 ‘Their innovative and creative sparks will eventually fade.’ Karl Marx was wrong: it is the rich who are losing their nation, not the proletariat. The gap between global cities and their national anchors is already a metaphor for our times. By contrast, the rise of the robot economy has only half lodged itself in our expectations. It is easy to dismiss some of Silicon Valley’s wilder talk as the stuff of science-fiction movies. But the gap between sci-fi and reality is closing.

She had dead straight, greying hair the she yanked sideways and anchored with enough ironmongery to sink a small ship.

VITAL Action As you take action on your social-anxiety playing field, you can use the following skills to guide you in each and every action: V Identify your values and goals. (Hint: Values guide your actions and are never “finished”; goals are things you can check off and say you’re done with.) I Remain in the present moment, first anchoring your attention to the breath and then shifting your focus to, and staying fully present with, what really matters in the situation; revisit your anchor as needed when your focus drifts from the present moment. T Take notice of your experience from your observer perspective (perhaps embodying your inner mountain or another observer image), noticing feelings, thoughts, and urges to use safety behaviors (including avoidance). AL Allow your experience to be exactly as it is, with the assistance of metaphors (flip on your willingness switch, drop the rope, welcome Uncle Leo, and so on) and defusion strategies (labeling, thank your mind, and so on). Try bringing attitudes of curiosity, openness, compassion, and acceptance to your experience.

Of all the things I love about Nick, this is what I love most. I love his calmness. I love the way my brain spirals out of control while next to it his moves in a straight and steady path. As if I'm a little tugboat in a storm, being thrown about by the waves and the currents, and he's the big ship I'm anchored to for safety.

Yung Pueblo, the modern poet and philosopher, is a beacon of personal growth, healing, and self-awareness. His words, steeped in wisdom, resonate with people seeking peace, transformation, and a deeper connection with themselves. Let's look at some of Yung Pueblo's quotes and break them down in a way that adds value to your life. Each quote is followed by an easy-to-understand explainer, using metaphors to help you understand his message's depth. These explanations are guideposts, showing how to apply his insights to your journey. ## Yung Pueblo Quotes on Healing **"True healing is the willingness to treat yourself with kindness."** Healing is like tending to a garden. You can't rush it, and you can't force it. As you carefully water plants and pull weeds, you must approach yourself with patience and compassion. Only by treating yourself kindly will you create an environment where healing can flourish. **"The more you heal, the less you push away what's uncomfortable."** Healing isn't about avoiding discomfort—it's about embracing it. Think of it like building a muscle. Every stretch and strain makes you stronger. As you heal, you grow more capable of sitting with discomfort, knowing that it's part of the process, not a thing to run from. **"Healing happens when you are ready to let go of what is hurting you."** Letting go is like releasing a heavy anchor holding your ship in place. You can't sail forward until you free yourself from the weight of old wounds. Healing begins when you untie yourself from the past and allow yourself to move freely into the future. ## Yung Pueblo Quotes About Self-Love **"You must love yourself so deeply that your energy and presence become a gift to the world."** Imagine your heart as well. The more you fill it with love for yourself, the more you have to share with others. Self-love isn't selfish—the overflow enriches everything and everyone around you. By loving yourself deeply, you become a gift to those you meet. **"Self-love is creating space in your life to take care of yourself."** Self-love is like building a sanctuary in your daily life. You need to create space, even negligible, to retreat and recharge. It's not about indulgence; it's about recognizing that taking care of yourself is essential to thriving in a busy, chaotic world. **"Self-love is accepting that you are a constantly evolving work of art."** You are like a canvas, always in progress. Some days, the strokes are bold; others, they're gentle. Self-love means accepting that your life is a masterpiece in progress—you are never finished, and that's where the beauty lies. Embrace each phase and layer, and know it all adds to something magnificent.

For the next couple of hours the dark mass of the primeval forest whisked past my peripheral vision, thick and tall, the white-painted trees soaring into the cerulean sky like watchful sentinels. This was an apt metaphor because watched was exactly how I felt. I didn’t know why. Zero animal life populated the woods. Not a single moose, elk, bird, or deer. I suppose the uncanny sensation might have been due to the profound silence that pervaded the winter day, which the whine of the snowmobile engines only seemed to accentuate. It was the same silence I’d experienced outside Fyodor’s cabin. What had I called it then? Predatory? Yes, predatory. It insinuated something primordial, something threatening and patient that didn’t jive with the modern cacophony of honking car horns, coffee-shop chatter, TV news anchors rambling off the day’s events, radio DJs counting down top-ten lists. In place of all this existed…nothing, a void…and on an existential level that was alien and frightening and, yes, predatory. It hinted at death and reinforced the simple fact that we didn’t belong here. Disco, Olivia, Vasily, me. Not even Fyodor.

In this instance, the point of showing you the king’s funeral was primarily that it provided Lord John with his moment of enlightenment regarding Jamie’s motive for remaining at Helwater. Secondarily, it shows a historical turning point that a) anchors the reader in time, b) metaphorically underlines the conclusion of the Grey brothers’ quest, c) marks a turning point in Lord John’s relationship with Jamie Fraser, and d) opens the door to a new phase of both personal and public history—for George III (who was the grandson, not the son, of George II) is, of course, the king from whom the American colonies revolted, and we see in the later books of the Outlander series just how that affects the lives of Lord John, Jamie Fraser, and William.

A Dream Of Sunshine - Excerpt I'm weary of this weather and I hanker for the ways Which people read of in the psalms and preachers paraphrase-- The grassy fields, the leafy woods, the banks where I can lie And listen to the music of the brook that flutters by, Or, by the pond out yonder, hear the redwing blackbird's call Where he makes believe he has a nest, but hasn't one at all; And by my side should be a friend--a trusty, genial friend, With plenteous store of tales galore and natural leaf to lend; Oh, how I pine and hanker for the gracious boon of spring-- For _then_ I'm going a-fishing with John Lyle King! How like to pigmies will appear creation, as we float Upon the bosom of the tide in a three-by-thirteen boat-- Forgotten all vexations and all vanities shall be, As we cast our cares to windward and our anchor to the lee; Anon the minnow-bucket will emit batrachian sobs, And the devil's darning-needles shall come wooing of our bobs; The sun shall kiss our noses and the breezes toss our hair (This latter metaphoric--we've no fimbriae to spare!); And I--transported by the bliss--shan't do a plaguey thing But cut the bait and string the fish for John Lyle King! Or, if I angle, it will be for bullheads and the like, While he shall fish for gamey bass, for pickerel, and for pike; I really do not care a rap for all the fish that swim-- But it's worth the wealth of Indies just to be along with him In grassy fields, in leafy woods, beside the water-brooks, And hear him tell of things he's seen or read of in his books-- To hear the sweet philosophy that trickles in and out The while he is discoursing of the things we talk about; A fountain-head refreshing--a clear, perennial spring Is the genial conversation of John Lyle King!

You know,” John continued, “they say basketball’s a lot like life. It’s all about the rebounds and how you handle them.” Harrison shot him a sideways glance, the metaphor not lost on him. “Are we still talking about basketball?” John chuckled. “Maybe. Maybe not. Just remember, sometimes the best plays come from the most unexpected assists.

Los Angeles was the kind of place where everybody was from somewhere else and nobody really dropped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically— any way you want to look at it— everybody in L.A. keeps a bag packed. Just in case.