Watch Strap Quotes

We've searched our database for all the quotes and captions related to Watch Strap. Here they are! All 100 of them:

The only clarity – if oppressive fog could ever be clarity – was the violent, throbbing, boiling agony pressing her against the ground. There were sounds, too: shouting, screaming, banging, thudding, squawking, chittering. It hurt to breathe. “No snake! No snake!” A woman’s voice shrilled. “Christ sake! Let the bloody thing out. That one, too.” A man’s voice, shouting – bellowing – commands. A hand lifted her wrist, and through the torment of pain, she realised that fingers were releasing her watch strap.
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back. He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body. GOOD MORNING. Vimes blinked. A tall dark robed figure was now sitting in the boat. 'Are you Death?' IT'S THE SCYTHE, ISN'T IT? PEOPLE ALWAYS NOTICE THE SCYTHE. 'I'm going to die?' POSSIBLY. 'Possibly? You turn up when people are possibly going to die?' OH, YES. IT'S QUITE THE NEW THING. IT'S BECAUSE OF THE UNCERTAINTY PRINCIPLE. 'What's that?' I'M NOT SURE. 'That's very helpful.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
Hart pointed at the carriage. "Get in." Eleanor started, and the cake vendor, who'd been watching with evident enjoyment, looked worried. "No need," Eleanor said to Hart. "I'll find a hansom. I've brought Maigdlin an I have so many parcels." "Get into the carriage, El, or I'll strap you to the top of it." Eleanor rolled her eyes and took another bite of seedcake.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
Kiss her. Slowly, take your time, there’s no place you’d rather be. Kiss her but not like you’re waiting for something else, like your hands beneath her shirt or her skirt or tangled up in her bra straps. Nothing like that. Kiss her like you’ve forgotten any other mouth that your mouth has ever touched. Kiss her with a curious childish delight. Laugh into her mouth, inhale her sighs. Kiss her until she moans. Kiss her with her face in your hands. Or your hands in her hair. Or pulling her closer at the waist. Kiss her like you want to take her dancing. Like you want to spin her into an open arena and watch her look at you like you’re the brightest thing she’s ever seen. Kiss her like she’s the brightest thing you’ve ever seen. Take your time. Kiss her like the first and only piece of chocolate you’re ever going to taste. Kiss her until she forgets how to count. Kiss her stupid. Kiss her silent. Come away, ask her what 2+2 is and listen to her say your name in answer.
Azra Tabassum
And I can promise you something, because it was a thing I saw many years later - a vision in the book thief herself - that as she knelt next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses and played the accordion with kindness silver eyes and even a cigarette slouched on his lips. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken away from her.
Markus Zusak (The Book Thief)
Most sows are repeatedly inseminated, brood after brood, till their bodies give way and they go to slaughter. But while they’re still useful, they’re made to nurse—strapped to their sides in a farrowing crate, legs apart, nipples exposed. Pigs are extremely smart, sociable creatures, and this forced assembly-line intimacy makes the nursing sows want to die. Which, as soon as they dry up, they do. Even the idea of this practice I find repulsive. But the sight of it actually does something to you, makes you less human. Like watching a rape and saying nothing.
Gillian Flynn (Sharp Objects)
and so it came to pass that i was strapped to a gurney and covered in raw liver and slabs of beef that very quickly turned rancid under the bright spotlights. there exists a videotape somewhere that documents me being wheeled about the dance floor by two burly "orderlies," while i desperately search for a bathroom big enough to accommodate the stretcher so i can do a bump of cocaine. watching me retch from the decomposing meat, and simultaneously fiend for drugs, makes for an entertaining time, indeed. when i told my mother the extremes i went to in order to make a living, she just shook her head and said, "now don't you wish you'd finished college, dear?" mothers are so wise, sometimes.
James St. James (Party Monster: A Fabulous But True Tale of Murder in Clubland)
Moira’s made contact.” He grimaced. “She wants a pair of strap-on wings for some strange reason.” Robin shuddered delicately. “She also has a plan.” Jaden gave Robin a mock sympathetic look. “Be afraid.” Robin sighed and followed the vampire. Perhaps assigning the Blackthorns to watch Michaela hadn’t been his best idea. The thought of Michaela and Moira conspiring together had his gut clenching in terror.
Dana Marie Bell (The Hob (The Gray Court, #4))
I palmed his face and mushed him away from me before I got too angry and started really wailing on him. “Grab Alex’s guitar then and see if you can even remember how to hold it.”We all watched in horror as Tucker drunkenly tried to strap Alex’s precious guitar on,banging it into the speakers and amps, stumbling and struggling with it as he tried to stand up straight. “You have got you be kidding me,” Ethan growled when Tucker finally got the guitar strapped to him. Backwards. Then his legs seemed to buckle under him and he dropped heavily to his knees on the floor. Alex’s eyes widened and his jaw flew open. “Get my guitar! Get it away from him! Get it! Geeeeet Ittttttttt!” he yelled.
Christine Zolendz (Scars and Songs (Mad World, #3))
I must say,” Brit shouted at Roy’s back. “I simply cannot wait to watch our strapping he-man champion engage in the gentlemanly art of fisticuffs with those ill-mannered poodles! I bet he’ll slap them silly until they apologize!
Scott Meyer (An Unwelcome Quest (Magic 2.0, #3))
He has the kind of density that makes me constantly guess to myself how much he’d weigh. Does muscle weigh more than fat? He’s a ton. He’s six-six, and I watched him get this tall, but it’s a surprise every time I see him. It’s the body you see on first responders. Think big-ass firemen kicking in doors, ready to save you. “How do you cope with a skeleton that big?” I ask, and he looks down at himself, mystified. “I mean, how do you coordinate all four limbs and actually ambulate around the place?” My eyes are back on his shoulders, following the round lines down, the flat sections, the dips and shadowed lines, the creases on the cotton. I can see his belt, which doesn’t know how lucky it is to be strapped around that, and a lush half inch of black underwear waistband, and my cheeks are burning and I can hear my heart and— “Eyes up, DB.” He’s busted me. Not that I was very subtle. “Me and my skeleton getaround just fine.
Sally Thorne (99 Percent Mine)
The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The
Henry James (The Ambassadors)
There is my father whispering in my ear, Be still still still. And yet you change everything. What was the marsh like, waiting for the storm before you came and kneeled in the water? It was nothing. Watch after you leave the water, now cold and regretful, miles from home, certain of the belt on your backside, the cold shoulder, the extra chores; watch. Watch the water heal itself of your presence--not to repair injury but to offer itself again should you care to risk another strapping [...].
Paul Harding (Tinkers)
Under different circumstances …” The pause in his words carried a laborious heartbeat that smothered my own, as I watched the slightest smile play on his lips. A beat of hesitation. “I might’ve pursued you.” A nervous rush of breath escaped me. I gripped the strap of my bookbag in some faulty attempt to hold my composure, and swallowed past the dryness in my throat. “And I might’ve let you.
Keri Lake (Nocticadia)
Everyday I rewrite her name across my ribcage so that those who wish to break my heart will know who to answer to later She has no idea that I’ve taught my tongue to make pennies, and every time our mouths are to meet I will slip coins to the back of her throat and make wishes I wish that someday my head on her belly might be like home like doubt to doubt resuscitation because time is supposed to mean more than skin She doesn’t know that I have taught my arms to close around her clocks so they can withstand the fallout from her Autumn She is so explosive, volcanoes watch her and learn terrorists want to strap her to their chests because she is a cause worth dying for Maybe someday time will teach me to pick up her pieces put her back together and remind her to click her heels but she doesn’t need a wizard to tell her that I was here all along Lady let us catch the next tornado home let us plant cantaloupe trees in our backyard then maybe together we will realize that we don’t like cantaloupe and they don’t grow on trees we can laugh about it then we can plant things we’ve never heard of I’ve never heard of a woman who can make flawed look so beautiful the way you do The word smitten is to how I feel about you what a kiss is to romance so maybe my lips to yours could be the penance to this confession because I am the only one preaching your defunct religion sitting alone at your altar, praising you out of faith I cannot do this hard-knock life alone You are all the softness a rock dreams of being the mistakes the rain makes at picnics when Mother Nature bears witness in much better places So yes I will gladly take on your ocean just to swim beneath you so I can kiss the bends of your knees in appreciation for the work they do keeping your head above water
Mike McGee
outside the watchmaker shop. It was sandwiched between a deli and a bakery and only time would tell if a condiment store would strap on in its place.
J.S. Mason (Whisky Hernandez)
Those boots were almost all he owned in this world. They were his home. An anecdote: One time a recruit was watching him bone and wax those golden boots, and he held one up to the recruit and said, 'If you look in there deeply enough, you'll see Adam and Eve.' Billy Pilgrim had not heard this anecdote. But, lying on the black ice there, Billy stared into the patina of the corporal's boots, saw Adam and Eve in the golden depths. They were naked. They were so innocent, so vulnerable, so eager to behave decently. Billy Pilgrim loved them. Next to the golden boots were a pair of feet which were swaddled in rags. They were crisscrossed by canvas straps, were shod with hinged wooden clogs. Billy looked up at the face that went with the clogs. It was the face of a blond angel of fifteen-year-old boy. The boy was as beautiful as Eve. Billy was helped to his feet by the lovely boy, by the heavenly androgyne.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Mike and Sarge were taking the straps off the buggies while Doc and Ted kept watch. Sarge was dropping the last strap into the trailer when his radio cracked, “Draco Three, Stump Knocker.” Sarge turned from the buggy to look out across the dried-up pond, keying his mic. “Go for Stump Knocker.” “Looks like you’ve got some fast movers heading your way from the east. They aren’t
A. American (Surviving Home (The Survivalist, #2))
When he got to her dress strap, he watched her eyes as he slid it off her shoulder. She smiled her unquestionably Kyle smile. Still present. “I’m still here,” she said in a playful voice. But she was. She was still there. “Kyle, will you come to my bed?” Cole would take this so slowly. “I will.” Kyle followed as he led her to his simple twin bed, covered in a plain tan comforter.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia ... It made him feel naked and weak and brave.
Neal Stephenson (Snow Crash)
As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of fiery rage. My body continues to shake and tremble. It is alternately icy cold and feverishly hot. A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her! A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther. My heart sinks.
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
Julio sets his guitar in the man's lap, wrapping the strap around the man's shoulder... I fight the urge to pluck it out of his hands. To tell Julio we'll all take turns carrying it. It's hard to watch him walk away from the one thing he refused to part with.
Elle Cosimano (Seasons of the Storm (Seasons of the Storm, #1))
That night, Zalmai wakes up coughing. Before Laila can move, Tariq swings his legs over the side of the bed. He straps on his prosthesis and walks over to Zalmai, lifts him up into his arms. From the bed, Laila watches Tariq's shape moving back and forth in the darkness. She sees the outline of Zalmai's head on his shoulder, the knot of his hands at Tariq's neck, his small feet bouncing by Tariq's hip. When Tariq comes back to bed, neither of them says anything. Laila reaches over and touches his face. Tariq's cheeks are wet.
Khaled Hosseini (A Thousand Splendid Suns)
And I can promise you one thing, (...) that as she kneeled next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses. There were silver eyes. There was a cigarette slouched on his lips. He even made a mistake and laughed in lovely hindsight. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken from the stove. Keep playing, Papa. Papa stopped. He dropped the accordion and his silver eyes continued to rust. There was only a body now (...)
Markus Zusak (The Book Thief)
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl... Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys. Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health. Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be! Just as long as you follow the rules.
Candace Bushnell (Rules for Being a Girl)
Her head against his shoulder, her eyes closed, her lips parted and blissful. He’s chewing on her peach spaghetti strap. His eyes are open but vacant. When he sees me watching, the strap drops from his mouth. Then he picks it back up again and starts chewing. His eyes have a glazed, contented look to them.
Mona Awad (Bunny)
how everything about Pritchard irked him, even the wristwatch, the stretchable gold-bracelet variety, expensive and flashy, with gold case for the watch, gold-colored face even, suitable for a pimp, Tom thought. Tom preferred infinitely his conservative Patek Philippe on a brown leather strap, which looked like an antique.
Patricia Highsmith (Ripley Under Water (Ripley, #5))
Every time I yelled my orders through the resurrected wind that howled in the rigging, the Kanaks replied with the only words I ever heard them say in English - "Aye, aye, sir!" - like a chorus responding to a solo. It might sound strange - even reckless - to say that we sailed into the storm with exhilaration, but there's no other word to describe our mood as, utterly drenched, we watched the waves toss around us, sending up huge sheets of flying foam that merged sea and sky. We'd double-robed the flying jib, but soon we had to drop all but the foresail to prevent the mast and rigging from going overboard. I lashed myself to the wheel as the vast waves thundered over us, clearing the deck, from bow to stern, of anything that wasn't strapped down. I stayed there for two days. I could have ordered one of the Kanaks to relieve me every four hours, but I didn't. Not because I didn't trust them, but because I had something to prove to myself. I think they understood that.
Carsten Jensen (We, the Drowned)
would strap you, hands and feet, to a machine, turn a wheel to make you talk. Or even not to, just to watch you experience it. Or because there was someone visiting the court who had never gotten a chance to see the machine in action. Another one of those things that makes you think, well, okay, the end of the human race, what are you gonna do?
Ben H. Winters (Countdown City (Last Policeman, #2))
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
My grandmother, perhaps the biggest Elvis fan on earth, loved going to Memphis and visiting Graceland with her sister, daughter, and nieces. She had photo albums full of their trips; they’d go and she would take photos of the exact same things trip after trip. It was her mecca. She had a photo of Elvis’s headstone in various seasons, and you could watch her daughter and nieces grow up in a series of photos in front the mansion’s driveway gate. It was routine. I’ve come to regard Dianne Feinstein’s “assault weapons” press conferences in the same way. Every few years or so, Senator Feinstein calls a press conference, the D.C. version of theater, and plays Vanna White with guns strapped to whiteboards. You can watch her age through the years at these pressers via Google Images. She begins with a youthful plump to her cheeks, standing tall, holding up a rifle to her chest and as the years go by she takes on the posture of a cocktail shrimp and simply motions to the boards. I give her credit for her dedication to never learning a single thing about the firearms she proposes to ban. It takes devotion to remain ignorant about a topic when you spend decades discussing it.
Dana Loesch (Hands Off My Gun: Defeating the Plot to Disarm America)
Did you know they strapped him down and made him watch as they took the others apart to find out what made them tick? What are Speerlies made of? The Federation was determined to find out. Did you know they kept them alive as long as they could, even when they had peeled their flesh away from their rib cages, so they could see how their muscles moved while they were splayed out like rabbits.
R.F. Kuang (The Poppy War (The Poppy War, #1))
Though with the baby her breasts are used without shame, tools like her hands, before his eyes she is still shy, and quick to cover herself if he watches too openly. But he feels a difference between now and when they first loved, lying side by side on the borrowed bed, his eyes closed, together making the filmy sideways descent into one another. Now, she is intermittently careless, walks out of the bathroom naked, lets her straps hang down while she burps the baby, seems to accept herself with casual gratitude as a machine, a white, pliant machine for loving, hatching, feeding.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Grover yelped. “Percy? Are you . . . um . . .” Crazy. Insane. Off my rocker. Probably. But I watched as Luke grasped the hilt. I stood before him—defenseless. He unlatched the side straps of his armor, exposing a small bit of his skin just under his left arm, a place that would be very hard to hit. With difficulty, he stabbed himself. It wasn’t a deep cut, but Luke howled. His eyes glowed like lava. The throne room shook, throwing me off my feet. An aura of energy surrounded Luke, growing brighter and brighter. I shut my eyes and felt a force like a nuclear explosion blister my skin and crack my lips.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
At Universal Studios, Marston had a hand in films like Show Boat, in 1929. He also helped get films past the censors, including All Quiet on the Western Front, in 1930. When Carl Laemmle’s son, Junior Laemmle, took over Universal, he turned it into a specialty shop for horror films: Marston’s theory of emotions lies behind the particular brand of psychological terror in Laemmle’s Frankenstein (1931), Dracula (1931), and The Invisible Man (1933). Before Marston left Hollywood, he also worked for Paramount. For Dr. Jekyll and Mr. Hyde (1931), he tested audience reaction by strapping viewers to blood pressure cuffs while they watched the rushes.30
Jill Lepore (The Secret History of Wonder Woman)
You wore my watch then claimed it as your own, twisting its chain slowly, hovered over the blaze of my torment. You would yell endless regrets across the dance Hall of echoes. So many echoes from a source that swayed smiling…id throw u over & over but you were the yoyo that’s loop strapped itself to the bones of my finger, layers so deep it would take more than a cut to untie your deceit. Lips bitter but your touch soothing & sweet. My heart would palpitate the moment your presence crept through the walls of my flesh; you held tight the gasps of breath keeping my chest strained with the pressures of your high demands. Not a single thing was enough, you needed me fragmented…
L V HALL
The ambulance arrived when the police cars did. They were accompanied by a man in a black suit who had the look of a federal agent. It didn’t surprise Cecily that he went right up to Tate and drew him to one side. While Cecily was being checked over by a paramedic, Gabrini, who’d already been loaded onto a gurney, was being watched by two police officers. Tate came back to Cecily while the federal agent paused by the police officers. “You can take him to the hospital to have his ribs strapped,” the man told the ambulance attendant. “But we’ll have transport for him to New Jersey with two federal marshals.” “Marshals!” Gabrini exclaimed, holding his side, because the outburst had hurt. “Marshals,” the federal agent replied. There was something menacing about the smile that accompanied the words. “It seems that you’re wanted in Jersey for much more serious crimes than breaking an entering and assault with a deadly weapon, Mr. Gabrini.” “Not in Jersey,” Gabrini began. “No, those other charges, they’re in D.C.” “You’ll get to D.C. eventually,” the federal agent murmured, then the dark man smiled. And Gabrini knew at once that he wasn’t connected in any way at all to the government. Gabrini was suddenly yelling his head off, begging for federal protection, but nobody paid him much attention. He was carried off in the ambulance with the sedan following close behind.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
Nobody doan never have touch Porhl! When I little, de brudder try. Oh yeah. I raise up dis bony knee hard in his what he got dere, and dat were dat and nobody since! You hear dis gul, Mr. free man Jacob Early? And nobody since! An I ain’t no Jez’bel, she screamed. In this way was Pearl’s decision made, and by the time they were on the march through Milledgeville she was drummer for Clarke’s company. She just hit the drum once every other step and they kept the pace, some with smiles on their faces. She looked straight ahead and kept her shoulders squared against the shoulder straps, but she could tell that white folks watched from the windows. And none of them knew she wasn’t but the drummer boy they saw.
E.L. Doctorow (The March)
Still, Eddie envied the way his brother looked in the evenings, so tanned and clean. Eddie’s fingernails, like his father’s, were stained with grease, and at the dinner table Eddie would flick them with his thumbnail, trying to get the dirt out. He caught his father watching him once and the old man grinned. “Shows you did a hard day’s work,” he said, and he held up his own dirty fingernails, before wrapping them around a glass of beer. By this point—already a strapping teenager—Eddie only nodded back. Unbeknownst to him, he had begun the ritual of semaphore with his father, forsaking words or physical affection. It was all to be done internally. You were just supposed to know it, that’s all. Denial of affection. The damage done.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))
We warily sipped ‘fresh’ buffalo milk in a Krishna temple. We travelled into the Himalayas until, at a height of two kilometres above sea level where we found ourselves surrounded by men as hard and tough as the mountains that bred them. We negotiated a price of 100 rupees for one of these men to carry our two heaviest bags the 15-minute walk to the hotel with nothing more than rope and a forehead strap. I paid him 300 rupees and his face lit up! We watched the morning mist clear to reveal views of the green Doon Valley and the distant white-capped Himalayan peaks. We rode an elephant up to the Amber Fort of Jaipur, and the next day we painted, washed and fed unpeeled bananas to another elephant, marvelling at her gentle nature as we placed the bananas on her huge bubble-gum coloured tongue.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Stop!” Leilani’s worried voice cut through the haze in his mind as he pinned Ruari face down on the stone entryway. He could have let the fight drag on, but the panic in her voice did something strange to him. He wanted to get up and soothe all her fears. But since he didn’t trust the male, or any male, around her, he kept a firm hold on Ruari as he stared at Leilani. And it was impossible not to. Her long, dark hair hung in a single braid draped over one shoulder and breast. The females on the mainland dressed differently than the few females who lived in the mountain clans. Her dress-style was no different than the other Luminet mainlanders he’d seen. The bright red shift dress she had on cinched right under her breasts, the V cut dipping low enough that he could see the soft upper swell of her breasts. Her skin tone was a deep bronze and her shoulders, which he’d never thought of as sexy before, were bare except for straps of gauzy material pinned by jewel-studded dragons. He wondered where she’d gotten the pins, if some male had given them to her. The thought made something dark and possessive flare inside him. The possessiveness took him off guard. That was when he realized Cyn and Brandt were both standing there staring at him, clearly wondering if he was going to let Ruari up. Leilani was watching him as well, but her expression was much harder to read. He thought he might have seen a trace of desire in her gaze yesterday when she looked at him but that was before he’d ordered her to give him her files. “I will let you up, but do not move toward her,” he growled at Ruari. When he stood he immediately moved between Leilani and the other male.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
not if Shannon is over her illness.  Come, Dytyna.  We discuss your performance now." "When will we know if I'll be competing?" "We will not know until Monday when we check in at the Olympic arena.  Coach Taylor will know then." "I'm going back to the hotel to call your father, Kerri.  We plan on meeting for lunch then will head on over to the hockey arena.  Two kids in the Olympics!  Whoa.  I'll see you later."  She leaned down and gave Kerri a hug before she kissed her forehead.  "Stay out of trouble." "I can hardly get into any trouble in the Olympic village, Mom."  At almost seventeen, Kerri was still able to feel embarrassed at receiving her mother's counsel, and she thought that her mother's advice was unfounded.  The village was closed off, after all, from the rest of Turin and from the fray of the crowds that converged upon the venues.  She watched her mother walk away before she stood up and adjusted the strap
Eleanor Webb (The Job Offer)
Hoping to settle the wheelchair matter once and for all, Graham dragged his chief of construction, his chief of architecture, and a film crew out to Dulles Airport, whose escalators were approximately the same width as those planned for Metro. There he produced a variety of braces and crutches. As the cameras rolled, Graham rode up and down the escalators using one aid after another, climaxing by riding both directions in a wheelchair, facing up each time. Graham clearly believed he had proved beyond doubt that 'it is entirely possible, easily and safely, for wheelchair travelers to use escalators.' His aides watched in disbelief; a fit and fearless major general in his fifties hardly represented the disabled population, whatever braces he strapped to his legs. All he had proved, concluded the WMATA architect Sprague Thresher, was that 'if everybody who had to use a wheelchair was Jack Graham, we wouldn't need elevators.
Zachary M. Schrag (The Great Society Subway: A History of the Washington Metro (Creating the North American Landscape))
Kiss her. Slowly, take your time, there’s no place you’d rather be. Kiss her but not like you’re waiting for something else, like your hands beneath her shirt or her skirt or tangled up in her bra straps. Nothing like that. Kiss her like you’ve forgotten any other mouth that your mouth has ever touched. Kiss her with a curious childish delight. Laugh into her mouth, inhale her sighs. Kiss her until she moans. Kiss her with her face in your hands. Or your hands in her hair. Or pulling her closer at the waist. Kiss her like you want to take her dancing. Like you want to spin her into an open arena and watch her look at you like you’re the brightest thing she’s ever seen. Kiss her like she’s the brightest thing you’ve ever seen. Take your time. Kiss her like the first and only piece of chocolate you’re ever going to taste. Kiss her until she forgets how to count. Kiss her stupid. Kiss her silent. Come away, ask her what 2+2 is and listen to her say your name in answer.
Azra.T
How long does it last?" Said the other customer, a man wearing a tan shirt with little straps that buttoned on top of the shoulders. He looked as if he were comparing all the pros and cons before shelling out $.99. You could see he thought he was pretty shrewd. "It lasts for as long as you live," the manager said slowly. There was a second of silence while we all thought about that. The man in the tan shirt drew his head back, tucking his chin into his neck. His mind was working like a house on fire "What about other people?" He asked. "The wife? The kids?" "They can use your membership as long as you're alive," the manager said, making the distinction clear. "Then what?" The man asked, louder. He was the type who said things like "you get what you pay for" and "there's one born every minute" and was considering every angle. He didn't want to get taken for a ride by his own death. "That's all," the manager said, waving his hands, palms down, like a football referee ruling an extra point no good. "Then they'd have to join for themselves or forfeit the privileges." "Well then, it makes sense," the man said, on top of the situation now, "for the youngest one to join. The one that's likely to live the longest." "I can't argue with that," said the manager. The man chewed his lip while he mentally reviewed his family. Who would go first. Who would survive the longest. He cast his eyes around to all the cassettes as if he'd see one that would answer his question. The woman had not gone away. She had brought along her signed agreement, the one that she paid $25 for. "What is this accident waiver clause?" She asked the manager. "Look," he said, now exhibiting his hands to show they were empty, nothing up his sleeve, "I live in the real world. I'm a small businessman, right? I have to protect my investment, don't I? What would happen if, and I'm not suggesting you'd do this, all right, but some people might, what would happen if you decided to watch one of my movies in the bathtub and a VCR you rented from me fell into the water?" The woman retreated a step. This thought had clearly not occurred to her before.
Michael Dorris (A Yellow Raft in Blue Water)
Friends and family arrived at the church: Becky and Connell, my two lifelong friends and bridesmaids. Marlboro Man’s cousins and college friends. And Mike. My dear brother Mike, who hugged everyone who entered the church, from the little old ladies to the strapping former college football players. And just as I was greeting my Uncle John, I saw Mike go in for the kill as Tony, Marlboro Man’s good college friend, entered the door. “Wh-wh-wh-what is you name?” Mike’s thundering voice echoed through the church. “Hi, I’m Tony,” Marlboro Man’s friend said, extending his hand. “It’s n-n-n-nice to meet you, Tony,” Mike shouted back, not letting go of Tony’s hand. “Nice to meet you too, Mike,” Tony said, likely wondering when he would get his hand back. “You so handsome,” Mike said. Oh, Lord. Please, no, I thought. “Why…thank you, Mike,” Tony replied, smiling uncomfortably. If it hadn’t been my wedding rehearsal, I might have popped some popcorn, sat back, and enjoyed the show. But I just couldn’t watch. Mike’s affection had never been any respecter of persons.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A guy comes to the lab. You lead him into a quiet room, sit him down in a comfortable chair, and leave him alone in front of a television. He straps a “strain gauge” (which is exactly what it sounds like) to his penis, puts a tray over his lap, and takes hold of a dial that he can tune up and down to register his arousal (“I feel a little aroused,” “I feel a lot aroused,” etc.). Then he starts watching a variety of porn segments. Some of it is romantic, some is violent, some matches his sexual orientation, some doesn’t. Some of it isn’t even humans, it’s bonobos copulating. He rates his level of arousal on the dial as he watches, and the device on his penis measures his erection. Then you look at the data to see how much of a match there is between how aroused he felt—his “subjective arousal”—and how erect he got—his “genital response.” Result: There will be about a 50 percent overlap between his genital response and his subjective arousal. It’s far from a perfect one-to-one correlation, but in behavioral science it’s exciting to find a relationship that strong. It’s highly statistically significant.
Emily Nagoski (Come As You Are: The Surprising New Science That Will Transform Your Sex Life)
The air grew colder and thinner as they rode through the mountain passes.  The sun was high and bright, but Martise wrapped her shawl tightly around her and pressed against Silhara’s back.  Gnat kept a steady pace, breathing harder in the thin air.  Unlike him, the mountain ponies suffered no effects from the rising elevation and clipped ahead at a swift pace.  Patches of snow spilled from embankments onto the rutted paths.  A brisk wind moaned a soft dirge as it whipped through the towering evergreens cloaking the mountainside. Silhara called a sudden halt.  Martise peered around his arm, expecting to see some obstacle in their path.  The way was clear, with only the Kurmans watching them curiously. “What’s wrong?” “You’re quaking hard enough to make my teeth rattle.”  He moved his leg back and untied one of the packs strapped to the saddle.  “Get down.” She slid off Gnat’s back.  Silhara followed and pulled one of their blankets from the packet.  “Here.  Wrap this around you.” She had only pulled the blanket over her shoulders when he picked her up and tossed her onto Gnat’s back once more, this time in the front of the flat saddle.  She clutched the horse’s mane with one hand and held on to her blanket with the other.  Silhara vaulted up behind her, scooted her back against him and took up the reins. “Better,” he said and whistled to the waiting Kurmans he was ready. Martise couldn’t agree more.  The blanket’s warmth and Silhara’s body heat soaked through her clothing and into her bones.  She leaned into his chest.  “This is nice.” An amused rumble vibrated near her ear.  “So glad you approve.”  His hand slipped under the blanket, wandered over her belly and cupped her breast.  Martise sucked in a breath as his fingers teased her nipple through her shawl and tunic.  The heat surrounding her turned scorching.  “I agree,” he murmured in her ear.  “This is nice.” He stopped his teasing when she squirmed hard enough in the saddle to nearly unseat them both, but left his hand on her breast, content to just hold her.  Martise was ready to toss off the blanket and her shawl.  Silhara’s touch had left her with a throbbing ache between her thighs.  She smiled a little at the feel of him hard against her back.  She wasn’t the only one affected by his teasing.
Grace Draven (Master of Crows (Master of Crows, #1))
For a long time he frowned at the brick path that lay between himself and the bird, and then he let go of the wall. He took one step and then more, buoyed up by some impossible antigravity. After two steps the hummingbird was gone, but Nicholas still headed for the air it had occupied, his hands grasping at vapour. It was as if an invisible balloon floated above him, tied to his overall strap, dragging him along from above. He swayed and swaggered, stabbing one toe at a time down at the ground, pivoting on the ball of one foot, and then suddenly the string was cut and down he bumped on his well-padded bottom. He looked at me and screamed. ‘You’re walking,’ I told Nicholas. ‘I promise you it gets easier. The rest of life doesn’t, but this really does.’ I stayed out there with my book for the rest of the afternoon, surreptitiously watching as he tried it over and over. He was completely undeterred by failure. The motivation packed in that small body was a miracle to see. I wished I could bottle that passion for accomplishment and squeeze out some of the elixir, one drop at a time, on my high-school students. They would move mountains.
Barbara Kingsolver (Animal Dreams)
I reassessed the map and my timing. I had to come up with a plan to get myself out of this mess, and fast. I turned 90 degrees and started to climb back up onto the high ground that I had just come off. This was way off-route, I should be heading down, but I just knew that the high ground would be better than fighting a losing battle in the bog. I had done that before--and lost. The wind was blowing hard now, down from the plateau, as if trying to deter me. I put my head down, ignored the shoulder straps that pulled and heaved against my lower neck muscles, and went for it. I had to take control. I was refusing to fail Selection again in this godforsaken armpit of a place. Once on the ridge, I started to run. And running anywhere in that moon grass, with the weight of a small person on your back, was a task. But I was on fire. I kept running. And I kept clawing back the time and miles. I ran all the way into the last checkpoint and then collapsed. The DS looked at me strangely and chuckled to himself. “Good effort,” he commented, having watched me cover the last mile or so of rough ground. I had made it within time. Demons dead. Adrenaline firing.
Bear Grylls (Mud, Sweat and Tears)
Growing up I was afraid of heights; if I looked down I got instantly queasy. So what did I decide to do a few years ago? Go skydiving with my sisters. I stood on the ground, waiting for my turn, watching them jump out of a small plane strapped to some dude’s back. All I could see were these tiny blond dots floating in the air. Then one of the instructors (thankfully he was on his own and not tied to a Hough!) lost control of his chute. It got twisted and he began to spiral toward the ground. Everyone watching below gasped; he was plunging to his death. At the very last second, he pulled his auxiliary chute and glided down to safety. After landing, he walked right over to me. “Phew, that was a close one. Okay, Derek, you’re up next. You’re comin’ with me.” I felt my stomach leap into my throat. Are you serious? You’re a dead man walking and you want me to go up with you? Then reason kicked in: What was the likelihood lightning would strike twice and his chute would fail again? And if it did, clearly the guy knew how to get out of trouble. “Um, okay…I guess.” I read the disclaimer and signed it. In a nutshell, it said, “If you die, we’re not responsible.” Thanks a lot.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder. He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms. He checked her. “This isn’t the time.” She flushed. “General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.” Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said. Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away. Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.” “I know.” He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.” The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military. “I want you to be at the front of the crowd,” Kestrel said. “I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.” Kestrel nodded, though she had no intention of taking his advice. She walked through the throngs of people to meet Irex.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.
Neal Stephenson (Snow Crash)
Were all chains fancy like this one?” Ashley asked. Mrs. Wilmington was delighted to elaborate. “Oh no, they could be made of many different materials.” Etienne’s body tensed. Miranda felt the quick catch of his muscles…the slide of his hands up her back…as he slowly gripped her shoulders. And she knew the realization had struck both of them at the exact same time. “They could be gold-filled or platinum,” Mrs. Wilmington rattled on. “Or expensive leather, or studded with precious stones. But some were much plainer--a ribbon, or a common strap. Even string. Oh, and some women even wove them out of their hair.” The silence was sudden and stifling. Five bodies held together by an undercurrent of shock. Mrs. Wilmington was clueless about the response she’d just caused. She tapped again on the window glass. “Yes, indeed,” she said, “that was the truest devotion. To have a watch chain woven from your sweetheart’s hair.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Meredith stands in a corner with a beer in her hand but she's not smiling. Her nails are painted purple and gold like her teammates but she didn't run today. She didn't even show up. She hasn't returned my calls and won't look at me. I can't stop staring at her. She holds her beer like a professional, like a woman in a commercial with long beautifully delicate but strong hands. Her top has spaghetti straps and plunges down the back so she can't wear a bra. With eyeliner, mascara and lip gloss highlighting her features she looks a little older, more sophisticated and more noticeable. Rowan has noticed her. He keeps watching her with his tiny eyes. He holds a cup full of punch, then he holds two cups full of punch. The he holds and cup full of punch and a beer. He wears a Princeton hat because that's wear he'll go next year, but it is tattered and old because he has always known he is going there. That is why he never has any fucks to give-- because his family can afford not to give them.
Uzodinma Iweala (Speak No Evil)
Meredith stands in a corner with a beer in her hand but she's not smiling. Her nails are painted purple and gold like her teammates but she didn't run today. She didn't even show up. She hasn't returned my calls and won't look at me. I can't stop staring at her. She holds her beer like a professional, like a woman in a commercial with long beautifully delicate but strong hands. Her top has spaghetti straps and plunges down the back so she can't wear a bra. With eyeliner, mascara and lip gloss highlighting her features she looks a little older, more sophisticated and more noticeable. Rowan has noticed her. He keeps watching her with his tiny eyes. He holds a cup full of punch, then he holds two cups full of punch. The he holds a cup full of punch and a beer. He wears a Princeton hat because that's wear he'll go next year, but it is tattered and old because he has always known he is going there. That is why he never has any fucks to give-- because his family can afford not to give them.
Uzodinma Iweala (Speak No Evil)
Feshbach and Singer were professors at the University of Pennsylvania in the late 1950s. Experimental ethics laws were lax then, so they devised an unpleasant experiment using electric shocks. One at a time, male psychology students watched a short video of a man completing mental and physical puzzles. A research assistant strapped a small electrode to each student’s ankles, which would administer a series of eight shocks as they watched the video. The assistant explained that the shocks would build in intensity, and that it was normal for the students to feel afraid. Half of them were told to express their fears—“to be aware of and admit your feelings.” The other half were told to suppress their fears—“to keep your mind off your emotional reactions and not think about them . . . to forget about your feelings . . .” When the video ended, they were asked whether the man they had seen on the video was afraid. As Freud had predicted twenty years earlier, the students who were asked to suppress their own fears believed the man was himself afraid. They were projecting the very emotions they had been asked to suppress onto the world around them. Those who were instead encouraged to express their fears were far less likely to believe the man in the video was afraid. By expressing their own fears, they were freed from the preoccupation with fear that plagued the suppressors.
Adam Alter (Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked)
With barely controlled patience, then with growing amazement, Sam watched, along with everyone else, as Miss Kent pulled out the broken straps of her suitcase and set them on the table. Then came an overstuffed wallet, a ring of keys that could sink a cargo ship, three packets of airline peanuts, a packet of tissues, an address book, and a candy bar that was squished beyond recognition. She began to mutter softly, her words lost in the cavern of her purse.
Janet Chapman (The Man Must Marry (Sinclair Brothers, #1))
Becca watched Tucker bend at the waist. Mmm, mmm. He was sure built nice. From the top of his felt hat to the tips of his worn leather boots. Those leather chaps he'd just slung around his hips weren't too bad, either. He reached back to buckle the chap straps first around one jean-clad thigh, and then the other. And she'd thought the rodeo would be boring. Ha! She could watch Tucker do this all day. Buckle and unbuckle. Bend and stand. She let out a sign filled with pure contentment. "All right, Em. I'll admit it. Cowboys are hot." Next to her, Emma laughed. "Oh, yeah.
Cat Johnson (One Night with a Cowboy (Oklahoma Nights, #1))
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Darren,” Tate calls from the door behind me, “this train is about to leave.” Darren looks over my shoulder and nods, eyebrows tense, before he opens his arms and I walk into his embrace. Our chins sit on each other’s shoulders, my cheek against his warm, scruffy one. I try to ignore the sting in my eyes. I don’t know how to say good-bye. I don’t know what to say at all. “Seriously,” Tate calls again. “We’ve gotta go, bro.” We break apart and he’s about to slip his arms through the straps to his backpack when he digs in the front pouch and pulls out a paper sack. “I almost forgot,” he says, handing it to me. “For you.” “What is it?” “Just some things I found here and there.” Darren smiles and I turn to mush. “I’ll see you soon,” he says as we change places in the aisle and he backs toward the door. I manage a smile. “Promise?” He flashes his twisted tooth in a wide grin. “I promise. Bye, Pippa.” I raise my hand to wave at the same time he does, and he hops down the steps to the platform. I rush to my seat and watch the three of them through the window as they wave, then disappear into the crowded station. I reach into the little bag and pull out three refrigerator magnets: Pompeii, Positano, and Capri.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
She possessed that odd blousy quality that is independent of good clothes and well-dressed hair and skilful maquillage. Her figure was full but good and she held herself well; her dress was probably expensive, her thick, dark hair looked as though it had spent the past two hours in the hands of a hairdresser. Yet she remained, unmistakably and irrevocably, a slattern. There was something temporary, an air of suspended animation, about her. It seemed as if at any moment the hair should begin to straggle, the dress slip down negligently over one soft, creamy shoulder, the hand with the diamond cluster ring which now hung loosely at her side reach up to pluck at pink shoulder straps and pat abstractly at the hair. You saw it in her dark eyes. The mouth was firm and good-humoured in the loose, raddled flesh about it; but the eyes were humid with sleep and of the carelessness of sleep. They made you think of things you had forgotten, of clumsy gilt hotel chairs strewn with discarded clothes and of grey dawn light slanting through closed shutters, of attar of roses and the musty smell of heavy curtains on brass rings, of the sound of the warm, slow breathing of a sleeper against the ticking of a clock in the darkness. Yet now the eyes were open and watchful, moving about while the mouth smiled a greeting here and there. Latimer watched her turn suddenly and go towards the bar.
Eric Ambler (The Mask of Dimitrios)
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all."   "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
R.O. Lane (Johnny Hayes)
Sometimes I almost believe her soul looks out of the photograph, almost clears the sill Of the eyes & comes near; though it does not ever Move, it holds me while I look at it. But even today, I can’t conceive of a soul Without seeing a woman’s body. Specifically, Yours, undoing the straps of an evening dress In a convertible, & then lying back, your breasts Holding that hint of dusk mixed with mint And the emptiness of dusk. Someone put it Crudely: to fuck is to know. If that is true, There’s a corollary: the soul is a canary sent Into the mines. The convertible is white, & parked Beneath the black trees shading the river, Mile after mile. Your dress is off by now, And when you come, both above & below me, When you vanish into that one cry which means Your body is no longer quite your own And when your face looks like a face stricken From this world, a saint’s face, your eyes closing On some final city made entirely Of light, & only to be unmade by light Again—at that moment I’m still watching You—half out of reverence & half because The scene is distant, like a landscape, & has Nothing to do with me. Beneath the quiet Of those trees, & that sky, I imagine I’m simply a miner in a cave; I imagine the soul Is something lighter than a girl’s ribbon I witnessed, one afternoon, as it fell—blue, Tossed, withered somehow, & singular, at A friend’s wedding—& then into the river And swirled away. Do I chip away with my hammer? Do I, sometimes, sing or recite? Even though I have to know, in such a darkness, all The words by heart, I sing. And when I come, My eyes are closed fast. I smile, under The earth. They loved fast horses. And someone else Will have to watch them, grazing on short tufts Of spring grass beside the riverbank, When we are gone, when we are light, & grass. . — Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)
Larry Levis (Winter Stars)
have time to watch me 24/7, so the strap would have to do.
Steve the Noob (Diary of Steve the Noob 39 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
He watched as the Queen gathered up everything and tightened the knapsack straps over her shoulders. They were hunched and sharp with worry and hunger, but she carried herself with a resolve he knew would never leave her.
Kate Willis (If the Stars Awaken)
You've got two choices. You can get on my bike willingly…" I trail off, watching the movement of expression on her face as she waits for her second option. She's not going to like it. "Or," I continue, "I'll rip your fucking pants down your legs, spank your ass, and then strap you on—willing or not.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
Apple cores, bits of old boots, watch-straps, overcoat buttons, rusted keys, everything, he coolly noted, that man may leave his mark by, was here, though it wasn’t so much this ‘icy museum of pointless existence’ that astonished him (for there was nothing remotely new about the particular range of exhibits), but the way this slippery mass snaking between the houses, like a pale reflection of the sky, illuminated everything with its unearthly, dull, silvery phosphorescence.
László Krasznahorkai (The Melancholy of Resistance (New Directions Paperbook))
Jack grabs the gangly boy by the straps of his overpacked rucksack, and I watch, shock locking my muscles, as Jack throws the scrawny candidate from the parapet like a sack of grain.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I don’t know how to swim,” I said as we walked onto the back deck where the pool awaited. “I’ll teach you,” Bailey said, smiling over her shoulder. “First, I need to clean out some of the gunk from the storm.” After scooping up dead leaves and bugs until the pool looked pristine, Bailey jumped into the pool. “There’s a secret to swimming,” she said, giving me a wink. Tossing off my shirt, I didn’t think about how much I hated to go shirtless outside of the cage. I just walked into the water and returned her bright smile. “What’s the secret?” “Friction.” Before I could ask, Bailey slid her wet body against mine. “Lots of friction,” she murmured, grinning wildly. The moment my hands went to her ass, her legs wrapped around my waist. “I feel like I might drown. More friction might be necessary.” When I nibbled at her shoulder, she went soft in my arms. Getting cocky, I tugged at the strap of her bikini with my teeth. “Shit,” she muttered and I knew we had company. Glancing back, I found Kirk watching us while Sawyer gnawed at an ice cream. “Screwing my daughter in the pool,” he said, exhaling cigarette smoke. “I like a man with balls.” Bailey frowned. “We’re not screwing.” To ensure the moment was truly awkward, Bailey slid her hands up and down my chest. Nothing made a guy piss his pants like having his nutty girlfriend feel him up in front of her scary dad. “We’re going out to Longhorn’s for dinner tomorrow night. Brass Balls can come with us.” “Thanks, Pop,” Bailey said, grinning like her hands weren’t on my ass. “We’re grilling and your brothers are here.” Sawyer grinned at me then Bailey. “A man should die with a full stomach.” Snorting at his kid’s comment, Kirk took her hand then walked away. Bailey watched them leave then looked at me. “I was going to fuck you in the pool,” she whispered. “You’re going to get me killed.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
But for the time being, around my place at least, the air is untroubled, and I become aware for the first time today of the immense silence in which I am lost. Not a silence so much as a great stillness — for there are a few sounds: the creak of some bird in a juniper tree, an eddy of wind which passes and fades like a sign, the ticking of the watch on my wrist — slight noises which break the sensation of absolute silence but at the same time exaggerate my sense of the surrounding, overwhelming peace. A suspension of time, a continuous present. If I look at the small device strapped to my wrist the numbers, even the sweeping second hand, seem meaningless, almost ridiculous. No travelers, no campers, no wanderers have come to this part of the desert today and for a few moments I feel and realize that I am very much alone.… I wait. Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again, and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation. — EDWARD ABBEY AMERICAN FOREST RANGER
Dale Salwak (The Wonders of Solitude)
was the housekeeper of more than just our home. Dr Redfield tried to assure me this wasn’t the case, but not even she could convince me I was wrong. I glanced at my watch. We had ten minutes left. Ten minutes in which she’d want me to talk about something it hurt me to revisit. ‘Is it possible to live with guilt?’ I asked her, finally putting my mug down and clutching the strap of my bag instead. ‘Even if every day it threatens to suffocate me?
Kathryn Croft (The Girl With No Past)
Like the westerns that Brennan appeared in, the ones he made up for his children were all about action, not character development. That’s what he liked about Tim McCoy westerns, he told an interviewer in 1971, “[T]hey looked like the West.” In other westerns, “You see when a guy steps on a horse and he’s got no spurs on, you wonder where he’s going, or he’s been out two or three days and he’s smooth-shaved. This is a lot of baloney.” Walter liked to watch the way actors like Tim McCoy and Hoot Gibson mounted a horse: “I’m not a roper but I watched little things that I would know if I had to do this, that I could do it.” He was careful about horses, holding on to the cheek strap and the pommel before putting a foot in the stirrup.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
He glanced over and ogled the side profile of her as she stared straight ahead either watching Chase being strapped in to the harness, or pretending to. “I gave my mother money for drugs.” Power said nothing. He almost wondered if the words had really come from her; they were spoken so unsystematic. “Do you believe in doing the wrong things for the right reasons?” That punched him in the gut. Was it that simple? Did this girl really have the answers? Had she just summed up his entire life in that last self-effacing question like that? “Yes…” He found himself replying staring straight ahead now as well. When his eyes traveled back over to her, he caught a swift hand movement across her cheek. If there had been a tear there it was gone now. The type of woman Gaby was, he wouldn’t question whether she’d been crying or not; he feared he’d cause her more embarrassment than comfort.
Takerra Allen (An Affair in Munthill)
The woman’s struggles grew weaker and finally stopped. Her blood was joined by that of a second sacrifice’s as he was strapped to another reclining stretcher and hastily cut. “…to bless the weddin’ of the son and daughter of…” The blood oozed down the open gutters that ran down the sides of the temple. Jon watched in horrified silence as a third and then a fourth were strapped and cut, the previous sacrifices pushed aside to tumble down the far side of the pyramid. He couldn’t look away. “…to bless the—” “Stop it, Tom. Enough. I’ve heard enough. Oh gods, I’ve heard enough,” choked Jon. He put out a hand to steady himself against the first mate. There was a low gurgling sound, and suddenly, from the small holes that nestled between the paving stones of the square, founts of blood erupted high into the air, falling down warm and sticky on the crowd. In the middle of it stood the captain, his face a mask of serenity as the blood rained down upon him.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. “Tell me what you know,” he said, his breath searing her lips. “Or I’ll do worse than this. I’ll take you here and now. Is that what you want?” As a matter of fact… However, recalling that this was supposed to be a punishment, a coercion, Beatrix managed a languid, “No. Stop.” His mouth ravished hers again. She sighed and melted against him. He kissed her harder, pressing her back against the slatted side of the stall, his hands roaming indecently. Her body was laced and compressed and concealed in layers of feminine attire, frustrating his attempts to caress her. His garments, however, presented far fewer obstacles. She slid her arms inside his coat, fumbling to touch him, tugging ardently at his waistcoat and shirt. Reaching beneath the straps of his trouser braces, she managed to pull part of his shirt free of the trousers, the fabric warm from his body. They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the texture of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence. Instinctively Beatrix tried to draw him inside herself, pulling at his lips and tongue with her own. Christopher broke the kiss abruptly, panting. Cradling her head in his hands, he pressed his forehead against hers. “Is it you?” he asked hoarsely. “Is it?” Beatrix felt tears slip from beneath her lashes, no matter how she tried to blink them back. Her heart was ablaze. It seemed that her entire life had led to this man, this moment of unexpressed love. But she was too frightened of his scorn, and too ashamed of her own actions, to answer. Christopher’s fingertips found the tear marks on her damp skin. His mouth grazed her trembling lips, lingering at one soft corner, sliding up to the verge of a salt-flavored cheek. Releasing her, he stepped back and stared at her with baffled anger. The desire exerted such force between them that Beatrix belatedly wondered how he could maintain even that small distance. A shaken breath escaped him. He straightened his clothes, moving with undue care, as if he were intoxicated. “Damn you.” His voice was low and strained. He strode out of the stables. Albert, who had been sitting by a stall, began to trot after him. Upon noticing Beatrix wasn’t going with them, the terrier dashed over to her and whimpered. Beatrix bent to pet him. “Go on, boy,” she whispered. Hesitating only a moment, Albert ran after his master. And Beatrix watched them both with despair.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Sorry.” I’m surprised and glad she doesn’t recognize it. I run my thumb back and forth over a crusty bit on the shoulder strap as a five-second version of the cake fight flashes behind my eyes like a movie stuck on quick search. Don’t cry over spilt frosting, Anna. “I just – I like this one.” “What for?” she asks. Just tell her. “It’s from the – it’s just the–” I bite my lower lip. Tell her. “Anna? What’s wrong?” Oh, it’s nothing, really. Just that it’s from the first time your brother kissed me and made me promise not to tell you. And I was in love with him forever, and he was supposed to tell you about it in California, and we were all going to live happily ever after. I still write him letters in the journal he gave me, which he doesn’t answer, since he’s dead and all. But other than that? Honestly, it’s nothing. “Anna?” She watches me with her sideways face again. “Huh? Oh, sorry. Nothing. I’m fine. I – I’ll get rid of it later.
Sarah Ockler (Twenty Boy Summer)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees It was an hour before the Indians paused again, and then they stopped so abruptly that prisoners were tripping over each other. It frightened Eben. What was going to happen? What dread plan might the Indians have for their white prisoners now? No Indian lifted a weapon. They stood motionless, looking west. Eben watched for several moments before he was able to pick out distant figures coming toward them. It was not rescue. If those were English, the Indians would long ago have surrounded and attacked them. Slowly, the shapes turned into men; men carrying burdens; men bent double under the weight, yet not staggering as Eben had. They looked as if they had killed and were carrying entire cows. They were very close before Eben realized he was seeing warriors carrying their wounded. Each hurt man was rolled up into a package, swaddled like a baby in blankets and strapped to a warrior’s back. These men were carrying, by their foreheads and on their spines, a weight equal to their own. Eben was awestruck. Dropping his own pack on the snow, Eben’s Indian knelt beside one of the wounded men, unwrapping bandages to examine the wound. His profile against the snow was beautiful as an eagle or a hawk is beautiful.
Caroline B. Cooney (The Ransom of Mercy Carter)
Lacy tugged several tissues from her shoulder bag. “Here.” She watched me clean my lips and wipe my nose as she fiddled with her purse strap. “Better?
Kerry Lonsdale (Everything We Keep (Everything, #1))
So training smart, training effectively, involves cycling through the three zones in any given week or training block: 75 percent easy running, 5 to 10 percent running at target race paces, and 15 to 20 percent fast running or hill training in the third zone to spike the heart and breathing rates. In my 5-days-a-week running schedule, that cycle looks like this: On Monday, I cross-train. Tuesday, I do an easy run in zone one, then speed up to a target race pace for a mile or two of zone-two work. On Wednesday, it’s an easy zone-one run. Thursday is an intense third-zone workout with hills, speed intervals, or a combination of the two. Friday is a recovery day to give my body time to adapt. On Saturday, I do a relaxed run with perhaps another mile or two of zone-two race pace or zone-three speed. Sunday is a long, slow run. That constant cycling through the three zones—a hard day followed by an easy or rest day—gradually improves my performance in each zone and my overall fitness. But today is not about training. It’s about cranking up that treadmill yet again, pushing me to run ever faster in the third zone, so Vescovi can measure my max HR and my max VO2, the greatest amount of oxygen my heart and lungs can pump to muscles working at their peak. When I pass into this third zone, Vescovi and his team start cheering: “Great job!” “Awesome!” “Nice work.” They sound impressed. And when I am in the moment of running rather than watching myself later on film, I really think I am impressing them, that I am lighting up the computer screen with numbers they have rarely seen from a middle-aged marathoner, maybe even from an Olympian in her prime. It’s not impossible: A test of male endurance athletes in Sweden, all over the age of 80 and having 50 years of consistent training for cross-country skiing, found they had relative max VO2 values (“relative” because the person’s weight was included in the calculation) comparable to those of men half their age and 80 percent higher than their sedentary cohorts. And I am going for a high max VO2. I am hauling in air. I am running well over what should be my max HR of 170 (according to that oft-used mathematical formula, 220 − age) and way over the 162 calculated using the Gulati formula, which is considered to be more accurate for women (0.88 × age, the result of which is then subtracted from 206). Those mathematical formulas simply can’t account for individual variables and fitness levels. A more accurate way to measure max HR, other than the test I’m in the middle of, is to strap on a heart rate monitor and run four laps at a 400-meter track, starting out at a moderate pace and running faster on each lap, then running the last one full out. That should spike your heart into its maximum range. My high max HR is not surprising, since endurance runners usually develop both a higher maximum rate at peak effort and a lower rate at rest than unconditioned people. What is surprising is that as the treadmill
Margaret Webb (Older, Faster, Stronger: What Women Runners Can Teach Us All About Living Younger, Longer)
of course, American torture still goes on: from the force-feeding of strapped-down captives in Gitmo to the psychological and physical terror Obama inflicts on thousands of innocent people every day as they watch the lizard-eyed drones hovering over them and wonder if this is the hour they’ll be ripped to shreds or burned alive to whatever the hell goes on in the secret cells our humanitarian leaders still keep in bases, basements and hidey holes all over the world.
Anonymous
I watched Isa cross the library parking lot. The bitch. She wore her backpack by one strap. The glow from her cell phone illumined her features with an odd
Melinda Leigh (Midnight Betrayal (Midnight, #3))
Chapter 1 A lot of people lounge by pools in L.A., but few of them are truly immortal, no matter how hard they pretend with plastic surgery and exercise. Doyle was truly immortal and had been for over a thousand years. A thousand years of wars, assassinations, and political intrigue, and he’d been reduced to being eye candy in a thong bathing suit by the pool of the rich and famous. He lay at the edge of the pool, wearing almost nothing. Sunlight glittered across the blue, blue water of the pool. The light broke in a jagged dance across his body, as if some invisible hand stirred the light, turning it into a dozen tiny spotlights that coaxed Doyle’s dark body into colors I’d never known his skin could hold. He wasn’t black the way a human being is black, but more the way a dog is black. Watching the play of light on his skin, I realized I’d been wrong. His skin gleamed with blue highlights, a shine of midnight blue along the long muscular sweep of his calf, a flare of royal blue like a stroke of deep sky touched his back and shoulder. Purple to shame the darkest amethyst caressed his hip. How could I ever have thought his skin monochrome? He was a miracle of colors and light, strapped across a body that rippled and moved with muscles honed in wars fought centuries before I was born.
Laurell K. Hamilton (Seduced by Moonlight (Meredith Gentry, #3))
Hey what?' Tyson said. 'Why? What do you need a gurney for?' 'Standard procedure,' the EMT said. 'What do you mean, standard procedure?' Tyson said. 'She's fine. She's hardly bleeding, see?' Hardly bleeding? Her bandage was soaked through. 'Suicide watch,' the EMT said curtly. 'Someone who tries to kill herself isn't "fine."' She strapped Starrla to the gurney. Starrla's skirt rode too high, and Wren, ridiculously, wanted to fix it for her. She didn't know how to fix things, though. She didn't know how to fix anything.
Lauren Myracle (The Infinite Moment of Us)
WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash. Seven
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
WALSH AND FOUR AGENTS from the Bureau of Alcohol, Tobacco, and Firearms arrived at Cole’s house an hour later. Two stayed with their cars, but two male agents came in with Walsh—a tough-looking Latin guy named Paul Rodriguez and a tall lanky guy named Steve Hurwitz. Hurwitz was wearing an olive green Special Response Team jumpsuit. SRT was the ATF’s version of SWAT. They spread through Cole’s living room with an air of watchful suspicion, as if someone might jump out of a closet. Jon Stone had brought in a large box of his surveillance gear, and Cole was helping him set up. Cole was shirtless, but had strapped on a bullet-resistant vest. Pike couldn’t blame them for being wary, especially with the cash.
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
You will drink?” “No,” she whispered. Hunter uncapped the gourd and pressed it upon her. “You must drink, Blue Eyes.” “No.” Hunter retied the canteen strap to his surcingle, swallowing down a surge of anger. “You will not die. This Comanche has spoken it. It will be for nothing, this suffering.” She leaned her head against his shoulder and closed her eyes. Hunter tightened his hand on the reins, frustration and fear building within him. Last night she had saved his life. How could he watch while she ended hers?
Catherine Anderson (Comanche Moon (Comanche, #1))
Nurses could wear a sensor that detects heart rate and helps them fight off fatigue on long shifts, Bartow said, or manufacturing companies could strap GPS-enabled smart watches on workers to hassle them if their breaks are too long. It's easy to see how this could quickly become annoying. Sixty-six percent of Millennials and 58 percent of all workers said they would be willing to use wearable technology if it allowed them to do their job better, according to a survey last year by Cornerstone OnDemand. That leaves plenty of people uneasy about it. That resistance could hurt productivity, says Ethan Bernstein, an assistant professor of leadership at Harvard Business School. He has studied the "transparency paradox," which says that production in the workplace can slow down if employees know the bosses are watching. "It will be much harder to see if these are actually improving productivity or if, because people change when they're watched, they produce a different outcome," he said.
Anonymous
It’s an obscene sight, this beautiful woman, taking two dicks at once. I wasn’t supposed to do this. I was supposed to be watching Drake fuck her, but now…as I see her strapped to this bench, I wonder if I didn’t subconsciously have this planned all along.
Sara Cate (Give Me More (Salacious Players Club, #3))
At Wrist Envy Watch Straps, we pride ourselves on being a leading UK watch strap supplier based in Coventry, West Midlands. Our watch straps are custom-made by skilled craftsmen and many of our products we have designed and are unique to us. Using high-quality materials we aim to offer the best watch straps that we would be proud to wear, and as we are a family-run business our low overheads mean that we are able to offer premium products at a significantly reduced price compared to other watch strap companies selling equivalent products.
Wrist Envy Limited
the mass appeal of the hairpiece was more like that of the timepiece: portable watches began life as an exotic contrivance to be shown off at high-society galas, but became popular as tools that could be strapped to the wrists of working people engaged in practical pursuits.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this 97 winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plough, plough a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed. All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied!
Henry David Thoreau (Walden)
I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plough, plough a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed. All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied!
Henry David Thoreau (Walden)
Not long ago, there was a big strapping lad in here. Six foot four, very upset about something. They gave him three. Three people, following you around all day, watching your every move. If he wasn’t paranoid when he arrived, he certainly was after that.
Joanna Cannon (A Tidy Ending)
He had just reached the high-rise apartment building called Hamilton House, with the US flag and the Union Jack fluttering in the open windows, when a parade came in his direction. Trumpets, horns, and drums were playing “The Stars and Stripes Forever,” a familiar tune he had heard the American sailors whistle in the bar. It was a relief, a boost of confidence, to see the armed forces. So Miriam was right. With the Fourth Marines, the Americans were protected at least. He rushed to the sidewalk, stood behind three businessmen carrying file cases, a girl carrying a violin case, and an old woman walking with a cocker spaniel, and watched. The leading man in the parade wore an olive officer visor. Ernest recognized him; it was Colonel William Ashurst. He was singing, his face pale and etched with worries. Behind him were the Fourth Marines, all fitted in their jackets with utility pouches tucked snugly around their waists. As they marched, they each pulled the strap aslant across their chests, holding what could be a semiautomatic Garand rifle or maybe a Thompson submachine. The rhythm of the trumpets, the drums, and the singing lifted Ernest’s spirits. He walked along, following the parade, waving at the colonel, who didn’t pay him attention. When the regiment reached the wharf at the river, the singing stopped. The colonel saluted and shouted, and the regiment jumped into a large white liner behind the cruiser USS Wake. Someone in the crowd cried out, followed by a string of sobs. Someone else shouted, “God bless you! Goodbye!” It was a farewell parade. Ernest overheard someone say that the Americans were to sail for the Philippines. His heart dropped.
Weina Dai Randel (The Last Rose of Shanghai)