Waste Of Space Quotes

The universe is a pretty big place. If it's just us, seems like an awful waste of space.

That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space. The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again. So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.

But...surely you know where your nephew is going?' she asked, looking bewildered. 'Certainly we know,' said Vernon Dursley. 'He's off with some of your lot, isn't he? Right, Dudley, let's get in the car, you heard the man, we're in a hurry.' Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. 'Off with some of our lot?' Hestia looked outraged. Harry had met the attitude before: witches and wizards seemed stunned that his closest living family took so little interest in the famous Harry Potter. 'It's fine,' Harry assured her. 'It doesn't matter, honestly.' 'Doesn't matter?' repeated Hestia, her voice rising ominously. 'Don't these people realise what you've been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement? 'Er - no, they don't,' said Harry. 'They think I'm a waste of space, actually, but I'm used to -' 'I don't think you're a waste of space.' If Harry had not seen Dudley's lips move, he might not have believed it.

Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. 'S-so sweet, Dudders...' she sobbed into his massive chest. 'S-such a lovely b-boy...s-saying thank you...' 'But he hadn't said thank you at all!' said Hestia indignantly. 'He only said he didn't think Harry was a waste of space!' 'Yeah, but coming from Dudley that's like "I love you.

Your skin is a waste of space because there's no heart inside of you

How often do we talk just to fill up the quiet space? How often do we waste our breath talking about nonsense?

You don't have to feel like a waste of space, your original can not be replaced

May I have the courage today To live the life that I would love, To postpone my dream no longer But do at last what I came here for And waste my heart on fear no more.

I have never been normal about my body. It has always seemed to me a strange and foreign entity. I don't know that there was ever a time when I was not conscious of it. As far back as I can think, I was aware of my own corporeality, my physical imposition on space.

I don't think you're a waste of space.

He pointed to his reflection. “You may be a waste of space in a waistcoat,” he told Matthew Fairchild, “but at least your waistcoat is fantastic.

The clock holds me nowhere. Nowhere. Nowhere. There is nothing else but now and the shifting depth of the night. I sit at a table alone smoking cigarettes and drinking coffee and listening and surviving. I should not be here or anywhere. I should not be breathing or taking space. I should not have been given this moment or anything else. I should not have this opportunity again to live. I do not deserve it or deserve anything yet it is here and I am here and I Have it all of it still. I won't have it again. This moment or this chance they are the same and they are mine if I choose them and I do. I want them. Now and as long as I can have them they are both precious and fleeting and gone in the blink of an eye don't waste them. A moment and an opportunity and a life, all in the unseen tick of a clock holding me nowhere. My heart is beating. The walls are pale and quiet. I am surviving.

Architecture is the art of how to waste space.

Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder

Dad was a philosopher and had what he called his Theory of Purpose, which held that everything in life had a purpose, and unless it achieved that purpose, it was just taking up space on the planet and wasting everybody's time.

I wish I knew why she never told me any of this. Maybe she thought I wouldn't be able to handle it, that I was too sheltered or too innocent or something. If she had told me why she cut herself all the time, or that it was the pills that made her act so spaced out, or that she was even on pills, or even saw doctors, or any of it, I would have done my best to help her. I'm not saying I'm a superhero. I'm not saying I would have just swooped down and saved her. I'm just saying the only reason everything was a waste was that she made it a waste. That whole time, back when I was just a normal kid in high school, living out my normal life, I really thought everything mattered.

What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you chained me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into the waste-paper basket with your greasy paws. Yet those were my life.

Don’t wish for Eternity. You Would only waste It dreaming Of yesterday.

the mighty ships tore across the empty wastes of space and finally dived screaming on to the first planet they came across - which happened to be the Earth - where due to a terrible miscalculation of scale the entire battle fleet was accidentally swallowed by a small dog.

I feel like a waste of space. Like my whole life has been building up to the moment I failed. Like I don't have the energy to make up for what I've done, or to start again, or for anything. I feel like I want to be someone else.' Miss Anthony moves to Margaret's old seat and puts her arm around me. 'You're not the tough little cookie everyone thinks you are, are you?

You don't waste October sunshine. Soon the old autumn sun would bed down in cloud blankets and there would be weeks of gray rain before it finally decided to snow.

What a waste it would be, I said to myself, to ruin our story by leaving too much space for ill feelings: ill feelings are inevitable, but the essential thing is to keep them in check.

And do you know what “the world” is to me? Shall I show it to you in my mirror? This world: a monster of energy, without beginning, without end; a firm, iron magnitude of force that does not grow bigger or smaller, that does not expend itself but only transforms itself; as a whole, of unalterable size, a household without expenses or losses, but likewise without increase or income; enclosed by “nothingness” as by a boundary; not something blurry or wasted, not something endlessly extended, but set in a definite space as a definite force, and not a space that might be “empty” here or there, but rather as force throughout, as a play of forces and waves of forces, at the same time one and many, increasing here and at the same time decreasing there; a sea of forces flowing and rushing together, eternally changing, eternally flooding back, with tremendous years of recurrence, with an ebb and a flood of its forms; out of the simplest forms striving toward the most complex, out of the stillest, most rigid, coldest forms striving toward the hottest, most turbulent, most self-contradictory, and then again returning home to the simple out of this abundance, out of the play of contradictions back to the joy of concord, still affirming itself in this uniformity of its courses and its years, blessing itself as that which must return eternally, as a becoming that knows no satiety, no disgust, no weariness: this, my Dionysian world of the eternally self- creating, the eternally self-destroying, this mystery world of the twofold voluptuous delight, my “beyond good and evil,” without goal, unless the joy of the circle is itself a goal; without will, unless a ring feels good will toward itself— do you want a name for this world? A solution for all of its riddles? A light for you, too, you best-concealed, strongest, most intrepid, most midnightly men?— This world is the will to power—and nothing besides! And you yourselves are also this will to power—and nothing besides!

You don’t have a fucking sex addiction,” Darius snarled. “Don’t I?” she asked innocently. “What other possible reason would I have for screwing so many waste of space assholes?” Her gaze flicked from him to me for a moment and I straightened my spine.

Chronos is clocks, deadlines, watches, calendars, agendas, planners, schedules, beepers. Chronos is time at her worst. Chronos keeps track. ...Chronos is the world's time. Kairos is transcendence, infinity, reverence, joy, passion, love, the Sacred. Kairos is intimacy with the Real. Kairos is time at her best. ...Kairos is Spirit's time. We exist in chronos. We long for kairos. That's our duality. Chronos requires speed so that it won't be wasted. Kairos requires space so that it might be savored. We do in chronos. In kairos we're allowed to be ... It takes only a moment to cross over from chronos into kairos, but it does take a moment. All that kairos asks is our willingness to stop running long enough to hear the music of the spheres.

Most young dealers of the Silicon Chip Era regard a reference library as merely a waste of space. Old Timers on the West Coast seem to retain a fondness for reference books that goes beyond the practical. Everything there is to know about a given volume may be only a click away, but there are still a few of us who'd rather have the book than the click. A bookman's love of books is a love of books, not merely of the information in them.

If you were doing something safe, something you already knew could be done, you were wasting time.

But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.

Many people object to “wasting money in space” yet have no idea how much is actually spent on space exploration. The CSA’s budget, for instance, is less than the amount Canadians spend on Halloween candy every year, and most of it goes toward things like developing telecommunications satellites and radar systems to provide data for weather and air quality forecasts, environmental monitoring and climate change studies. Similarly, NASA’s budget is not spent in space but right here on Earth, where it’s invested in American businesses and universities, and where it also pays dividends, creating new jobs, new technologies and even whole new industries.

Space is a precious thing to waste. You don't want to fill your house with anything that doesn't directly add to your happiness.

Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space.

The weakest of my people does not fear death. It is the Bent One, the lord of your world, who wastes your lives and befouls them with flying from what you know will overtake you in the end. If you were the subjects of Maleldil you would have peace.

I just believe that us as women— should not criticize nor pull down other women. And why? Because we’re all just trying our best to be beautiful! We all just want to be loved, we want to be beautiful, we’re all trying to leave our own legacy! The good news is that the universe is unending and that means there is enough space for each woman on earth to leave her own mark and to be her own legacy. To be her own kind of beautiful. So why spend even a second on trying to take away from another woman? Trying to steal, trying to criticize, trying to oppress? There is enough space for every woman and every kind of beautiful, in this vast cosmos! When you waste any amount of time trying to take what is another’s— you are wasting your huge chunk of a galaxy that’s already been given to you!

While some waste their time looking for the meaning of life, there are others who understand there is none and just get on enjoying the space they are renting.

I’m just some wasted shell of space who won’t stop breathing.

Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it.

If you want to go deeply into any subject, you need a lot of time, and in particular you need the privilege of wasting time. You need to experiment with unproductive paths, explore dead ends, make space for doubts and boredom, and allow little seeds of insight to slowly grow and blossom. If you cannot afford to waste time, you will never find the truth.

It takes energy for new roads to diverge in new woods, and no energy is spent with complete efficiency, without waste. Where wood has burned, there will be ash. The waste product of the constantly dividing multiverse is a fine, drifting mist of regret, and no wormhole has ever starved.

It is not that we have a short space of time, but that we waste much of it. Life is long enough, and it has been given in sufficiently generous measure to allow the accomplishment of the very greatest things if the whole of it is well invested. But when it is squandered in luxury and carelessness, when it is devoted to no good end, forced at last by the ultimate necessity we perceive that it has passed away before we were aware that it was passing.

We train ourselves all through our life to waste energy following our inner narratives. We are often unconsciously driven by our fears, worries and fantasies. Enter the space of Awareness of the present moment with no emotional filters, no regrets nor hopes, no daydreaming and no nightmares.

Life is like a train ride. The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip. People can and will get off at any stop. Just know that where people get off is more of an reflection on them, than it is on you. There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what. Be very grateful of these people. They are rare and when you find one, don't let go of them - ever. Be blessed for the ones who get on at the worst stops when no one is there. Remember those people, they are special. Always hold them dear to your heart. Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride. For they will be the first to depart. There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off. Don't pay any heed to the defectors. Pay heed to the passengers that are still on the trip. They are the important ones. If someone tries to get back on the train - don't be angry or hold a grudge, let them. Just see where they are around the next hard turn. If they are buckled in - accept them. If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever. There will be times that the train will be moving slow, at almost a crawls pace. Appreciate that you can take in the view. There will be times where the train is going so fast that everything is a blur. Enjoy the sense of speed in your life, as it is exhilarating but unsustainable. There will also be the chance that the train derails. If that does happen, it will hurt, a lot, for a long time. But there will be people who will appear out of no where who will get you back on track. Those will be the people that will matter most in your life. Love them forever. For you can never repay these people. The thing is, that even if you could repay them, they wouldn't accept it anyway. Just pay it forward. Eventually your train will get to its final stop and you will need to deboard. At that time you will realize that life is about the journey AND the destination. Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose. Enjoy the ride.

You about done?” I asked him. “I need the table.” “What is it with you people?” Butters groused. “For God’s sake, these are real injuries here.” “There will be more of them than a thousand reluctant physicians could patch up if we don’t get moving,” I said. “Today’s serious business, man.” “How serious?” “Can’t think when it’s been grimmer,” I said. “Freaking waste-of-space vampires, lying around on tables you need to use.” “Useless wizards,” Thomas said, “jumping on enemy guns and accidentally shooting their allies with them.” “Oh,” I said. “That was when I jumped Ace?” He snorted. “Yeah.

The heart did ache, actually. She felt a dull grind of lack somewhere near her diaphragm, a pain that occupied the space of something removed. A phantom limb. A scratchy hunger. The wasting muscle fatigue of want.

NASA are idiots. They want to send canned primates to Mars!" Manfred swallows a mouthful of beer, aggressively plonks his glass on the table: "Mars is just dumb mass at the bottom of a gravity well; there isn't even a biosphere there. They should be working on uploading and solving the nanoassembly conformational problem instead. Then we could turn all the available dumb matter into computronium and use it for processing our thoughts. Long-term, it's the only way to go. The solar system is a dead loss right now – dumb all over! Just measure the MIPS per milligram. If it isn't thinking, it isn't working. We need to start with the low-mass bodies, reconfigure them for our own use. Dismantle the moon! Dismantle Mars! Build masses of free-flying nanocomputing processor nodes exchanging data via laser link, each layer running off the waste heat of the next one in. Matrioshka brains, Russian doll Dyson spheres the size of solar systems. Teach dumb matter to do the Turing boogie!

Everything in life had a purpose, and unless it achieved that purpose, it was just taking up space on the planet and wasting everybody's time.

At least he got to have some excitement. I never get to almost die.

... Those that know of... Paths of space... Have little time to waste on such things as magic... And those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science...

We know that the destruction of an ideal does not necessarily produce a truth, but only one more piece of ignorance; it is the extension of our ‘empty space,’ an increase in our ‘waste.

What we want you to ask yourselves is this: what is space, to you? Is it a playground? A quarry? A flagpole? A classroom? A temple? Who do you believe should go, and for what purpose? Or should we go at all? Is the realm above the clouds immaterial to you, so long as satellites send messages and rocks don't fall? Is human spaceflight a fool's errand, a rich man's fantasy, an unacceptable waste of life and metal? Are our methods grotesque to you, our ethics untenable? Are our hopes outdates? When I tell you of our life out here, do you cheer for us, or do you scoff? Are astronauts still relevant in your time?

According to more than one astronaut memoir, one of the most beautiful sights in space is that of a sun-illumined flurry of flash-frozen waste-water droplets. Space doesn’t just encompass the sublime and the ridiculous. It erases the line between.

I know not whence I came, I know not whither I go; But the fact stands clear that I am here In this world of pleasure and woe. And out of the mist and murk, Another truth shines plain. It is in my power each day and hour To add to its joy or its pain. I know that the earth exists, It is none of my business why. I cannot find out what it's all about, I would but waste time to try. My life is a brief, brief thing, I am here for a little space. And while I stay I would like, if I may, To brighten and better the place.

A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.

You would hardly think, at first, that horrid monsters lie up there waiting to be discovered by any moderately penetrating mind--monsters to which those of the oceans bear no sort of comparison." What monsters may they be?" Impersonal monsters, namely, Immensities. Until a person has thought out the stars and their inter-spaces, he has hardly learnt that there are things much more terrible than monsters of shape, namely, monsters of magnitude without known shape. Such monsters are the voids and waste places of the sky... In these our sight plunges quite beyond any twinkler we have yet visited. Those deep wells for the human mind to let itself down into, leave alone the human body! and think of the side caverns and secondary abysses to right and left as you pass on!... There is a size at which dignity begins," he exclaimed; "further on there is a size at which grandeur begins; further on there is a size at which solemnity begins; further on, a size at which awfulness begins; further on, a size at which ghastliness begins. That size faintly approaches the size of the stellar universe. So am I not right in saying that those minds who exert their imaginative powers to bury themselves in the depths of that universe merely strain their faculties to gain a new horror?

What was it about the fig tree that was unsatisfactory to Jesus? Well if we use our context clues, we can deduce that the only thing that made this fig tree different than all of the other fig trees that Jesus must have encountered is that it was unfruitful - it was unproductive relative to its potential. To be a fig tree that does not produce figs is an insult to the creator, and arguably a waste of space - a bad investment.

Simply by living in this particular time and space, you're doing something nearly 100% of all other humans ever never could. Don't waste it.

Sometimes I feel like I'm just waiting for something that will never happen," he said. "Like I'm just existing from day to day but will never really matter. I get up in the morning because I have to, because I have to do something or I'm just wasting space, or because if I don' answer the phone my dad will he alone. But it's an effort, it takes work. I have to tell myself, every day, get up. Get up, do this, move like this, talk to people, be normal, try to be social, be nice, be patient. On the inside I just feel like, I don't know, nothing. Like I'm just an algorithm that someone put in place.

The weakest of my people does not fear death. It is the Bent One, the lord of your world, who wastes your lives and befouls them with flying from what you know will overtake you in the end. If you were subjects of Maleldil you would have peace.

We feign disinterest and laugh, and creep into the kitchen some nights, a triangle of light spilled on the floor form the fridge, shoveling cold casseroles, ice cream, jelly, cheese, into our mouths, swallowing without chewing as we listen to the steady, echoing tisk-tisk-tisk of the clock. I have done this. Millions of people have done this. There is an empty space in many of us that gnaws at our ribs and cannot be filled by any amount of food. There is a hunger for something, and we never know quite what it is, only that it is a hunger, so we eat.

The vast interplanetary and interstellar regions will no longer be regarded as waste places in the universe, which the Creator has not seen fit to fill with the symbols of the manifold order of His kingdom. We shall find them to be already full of this wonderful medium; so full, that no human power can remove it from the smallest portion of space, or produce the slightest flaw in its infinite continuity.

Perhaps I ought to remember that she is very young, a mere girl and make allowances. She is all interest, eagerness, vivacity, the world is to her a charm, a wonder, a mystery, a joy; she can’t speak for delight when she finds a new flower, she must pet it and caress it and smell it and talk to it, and pour out endearing names upon it. And she is color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of the dawn, the purple shadows on the mountains, the golden islands floating in crimson seas at sunset, the pallid moon sailing through the shredded cloud-rack, the star-jewels glittering in the wastes of space — none of them is of any practical value, so far as I can see, but because they have color and majesty, that is enough for her, and she loses her mind over them. If she could quiet down and keep still a couple of minutes at a time, it would be a reposeful spectacle. In that cases I think I could enjoy looking at her; indeed I am sure I could, for I am coming to realize that she is a quite remarkably comely creature — lithe, slender, trim, rounded, shapely, nimble, graceful; and once when she was standing marble-white and sun-drenched on a boulder, with her young head tilted back and her hand shading her eyes, watching the flight of a bird in the sky, I recognized that she was beautiful.

Sometimes, when he was lying in bed, a single word like ‘fear’ or ‘infinity’ flicked the roof off the house and sucked him into the night, past the stars that had been bent into bears and ploughs, and into a pure darkness where everything was annihilated except the feeling of annihilation. As the little capsule of his intelligence disintegrated, he went on feeling its burning edges, its fragmenting hull, and when the capsule flew apart he was the bits flying apart, and when the bits turned into atoms he was the flying apart itself, growing stronger instead of fading, like an evil energy defying the running out of everything and feeding on waste, and soon enough the whole of space was a waste-fuelled rush and there was no place in it for a human mind; but there he was, still feeling.

I’m not writing a book of Western history,' I tell him. 'I’ve written enough history books to know this isn’t one. I’m writing about something else. A marriage, I guess. Deadwood was just a blank space in the marriage. Why waste time on it?' Rodman is surprised. So am I, actually — I have never formulated precisely what it is I have been doing, but the minute I say it I know I have said it right. What interests me in all these papers is not Susan Burling Ward, the novelist and illustrator, and not Oliver Ward the engineer, and not the West they spend their lives in. What really interests me is how two such unlike particles clung together, and under what strains, rolling downhill into their future until they reached the angle of repose where I knew them. That’s where the interest is. That’s where the meaning will be if I find any.

He is well satisfied with his accommodation, which provides all modern amenities in a compact and convenient form, and leaves him the maximum amount of time free for his work. How much time people waste in walking from one room to another.... Space is time.

Three years of changes, moves, uncertainties, upheavals; the war, the revolution; scenes of destruction, scenes of death, shelling, blown-up bridges, fires, ruins—all this turned suddenly into a huge, empty, waste space. The first real event since the long interruption was this vertiginous home-coming by train, in the knowledge that his home was still safe, still existing somewhere, with every smallest stone in it dear to him. This was the point of life, this was experience, this was the quest of adventure seekers and what artists had in mind—this coming home to your family, to yourself, this renewal of life.

Nanny Piggins lost the Vegetable Peeling, Gutter Cleaning, and Long Division Explaining tests as well. She got caught telling Michael, 'Don't bother to learn that. Long division is a waste of brain space, when you can just buy a calculator.' Which is only the truth.

The British and the Western Europeans in general, as well as the North Americans, waste the space of their homes with these rooms for ludicrously vast sleeping-machines--some with four pillars and a roof, some with iron fences at each end, topped with brass balls, and some with mahogany headboards whose function I have never yet understood. I would rather follow the Turkish proverb that "he who sleeps on the floor will not fall out of bed." In sum, I despise all furniture as monstrous, heavy, space-greedy, expensive, and pretentious.

I believe that getting stuck is often an essential part of the creative process. And when we are stuck—if we have managed to escape the heave and rush of the world, if we have managed to secure solitude and quiet and space without time—then our minds can roam and explore and invent in unfettered freedom. But too often we dread being stuck. Especially our students and young people. We believe that if we are stuck we are failed. On the contrary, we should welcome getting stuck. We should embrace getting stuck. That's when discovery begins.

Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad

As the brother put the carving knife aside, he said, "Stuffing?" "Am I breathing?" Phury shoved a spoon into the bird and piled high. "Mashed?" "Do you have gravy?" "Am I breathing?" V cracked a smile. "Roger that. And affirmative on the gravy." When a plate was put in front of him, he glanced up. "No veggies? Not that I'm looking a gift horse in the mouth." "Vegetable matter is a waste of porcelain space." Phury pushed a knife and fork across the butcher block. "Ask yourself, would I sacrifice the surface area of mashed or stuffing for peas?" "I love you.

The river itself is not a hundred yards across, and pa and Vernon and Vardaman and Dewey Dell are the only things in sight not of that single monotony of desolation leaning with that terrific quality a little from right to left, as though we had reached the place where the motion of the wasted world accelerates just before the final precipice. Yet they appear dwarfed. It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread and not the interval between. The mules stand, their fore quarters already sloped a little, their rumps high. They too are breathing now with a deep groaning sound; looking back once, their gaze sweeps across us with in their eyes a wild, sad, profound and despairing quality as though they had already seen in the thick water the shape of the disaster which they could not speak and we could not see.

We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons. There is still something that recalls to me the enchantment of children—the anticipation of Christmas, the delight of a holiday walk—in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other.

THE ROSE TOTHE ROSE UPON THE ROOD OF TIME Red Rose, proud Rose, sad Rose of all my days! Come near me, while I sing the ancient ways: Cuchulain battling with the bitter tide; The Druid, grey, wood-nurtured, quiet-eyed, Who cast round Fergus dreams, and ruin untold; And thine own sadness, where of stars, grown old In dancing silver-sandalled on the sea, Sing in their high and lonely melody. Come near, that no more blinded by man’s fate, I find under the boughs of love and hate, In all poor foolish things that live a day, Eternal beauty wandering on her way. Come near, come near, come near — Ah, leave me still A little space for the rose-breath to fill! Lest I no more bear common things that crave; The weak worm hiding down in its small cave, The field-mouse running by me in the grass, And heavy mortal hopes that toil and pass; But seek alone to hear the strange things said By God to the bright hearts of those long dead, And learn to chaunt a tongue men do not know. Come near; I would, before my time to go, Sing of old Eire and the ancient ways: Red Rose, proud Rose, sad Rose of all my days. A king is but a foolish labourer Who wastes his blood to be another’s dream.

He really is a first-class waste of space, isn't he ?" "Thank you" I said. It's nice when the people you love share your opinions. "You're welcome," Dad said. "And the cartwheels would seem to imply that the new model's a good thing ?" I looked at him with something close to shock. My father and I have a very satisfactory system in place, based on the unspoken agreement that I won't tell him about my love life and he won't ask. All that sort of carry-on is Mum's department, and she advises Dad on a need-to-know basis. "Um, yes," I said. "Very good," said Dad and, clearly appalled at having strayed so far into this emotional minefield, he began to brush his teeth with most unnecessary vigour.

What kind of party?” “The good kind.” “Yeah, right.” Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light is too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space. The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I’m going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again. So I stand at the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don’t.

Miss Climpson," said Lord Peter, "is a manifestation of the wasteful way in which this country is run. Look at electricity, Look at water-power. Look at the tides. Look at the sun. Millions of power units being given off into space every minute. Thousands of old maids, simply bursting with useful energy, forced by our stupid social system into hydros and hotels and communities and hostels and posts as companions, where their magnificent gossip-powers and units of inquisitiveness are allowed to dissipate themselves or even become harmful to the community, while the ratepayers' money is spent on getting work for which these women are providentially fitted, inefficiently carried out by ill-equipped policemen like you.

In the book of Job, the Lord demands, “Where wast thou when I laid the foundations of the earth?” “I was there!”-surely that is the answer to God’s question. For no matter how the universe came into being, most of the atoms in these fleeting assemblies that we think of as our bodies have been in existence since the beginning. Each breath we take contains hundreds of thousands of the inert, pervasive argon atoms that were actually breathed in his lifetime by the Buddha, and indeed contain parts of all the ‘snorts, sighs, bellows, shrieks” of all creatures that ever existed or will exist. These atoms flow backward and forward in such useful but artificial constructs as time and space, in the same universal rhythms, universal breath as the tides and stars, joining both the living and the dead in that energy which animates the universe.

alone, and start to think. There are the rushing waves . . . mountains of molecules, each stupidly minding its own business . . . trillions apart . . . yet forming white surf in unison. Ages on ages . . . before any eyes could see . . . year after year . . . thunderously pounding the shore as now. For whom, for what? . . . on a dead planet, with no life to entertain. Never at rest . . . tortured by energy . . . wasted prodigiously by the sun . . . poured into space. A mite makes the sea roar. Deep in the sea, all molecules repeat the patterns of one another till complex new ones are formed. They make others like themselves . . . and a new dance starts. Growing in size and complexity . . . living things, masses of atoms, DNA, protein . . . dancing a pattern ever more intricate. Out of the cradle onto the dry land . . . here it is standing . . . atoms with consciousness . . . matter with curiosity. Stands at the sea . . . wonders at wondering . . . I . . . a universe

Lilies of the field did not threaten to uproot themselves if they didn't like where they were planted. On the slopes of the mountains, saplings struggled to grow in the shallowest puddles of soil that collected on bald rocks. Along the side of the valley's single road, chicory and yellow trefoil had learned to thrive in waste spaces, where passing cars blew exhaust against them all day long. Like Olivia, they had no say over where their seeds took hold: When they could not change their surroundings, they themselves had to change.

Sometimes I feel like I’m just waiting for something that will never happen,” he said. “Like I’m just existing from day to day but will never really matter. I get up in the morning because I have to, because I have to do something or I’m just wasting space, or because if I don’t answer the phone my dad will be alone. But it’s an effort, it takes work. I have to tell myself, every day get up. Get up, do this, move like this, talk to people, be normal, try to be social, be nice, be patient. On the inside I just feel like, I don’t know, nothing. Like I’m just an algorithm that someone put in place.

When you stand in front of a closet that has been reorganized so that the clothes rise to the right, you will feel your heart beat faster and the cells in your body buzz with energy. This energy will also be transmitted to your clothes. Even when you close the closet door, your room will feel fresher. Once you have experienced this, you’ll never lose the habit of organizing by category. Some may question whether paying attention to such details can possibly cause such a change, but why waste your time doubting if incorporating this exciting magic into all your storage spaces could keep your room tidy?

7:50 a.m. Core Power Yoga Lot, Berkeley. I’m in my Prius finishing up a phone call before class. Suddenly a large black SUV whisks into the space next to me, so achingly close I can no longer open my door. I roll down my window, giggling. “You’re kidding, right?” I say to the girl, pointing at the almost empty lot. “I mean, really? Why here? Why me? Did ya just want to get to know me better?” She looks at me blankly, shrugs her shoulders, gets out of the car, and strolls upstairs. 7:52 a.m. Wow. Wedged behind wheel, momentarily fuming. 7:53 a.m. Wondering: Do I want to be mad and waste the morning with this? Does my body need the assault of even momentary resentment while on the way to yoga of all places? Or . . . do I want to feel compassion, plus a dose of good-humored astonishment, by just rolling with it all? 7:54 a.m. I spend a full minute contemplating how to twist myself like a true yogini over the gear shift to slither out the other door. But then, I have the Life-Changing Realization: I can MOVE THE CAR. 7:55 a.m. I move.

I never even got your name in my back,” V said. “I thought it was stupid and a waste of time . . . but how can you feel like we’re mated without it—especially when every single male at the compound has been marked for his shellan?” God, she hadn’t thought of that. V shook his head. “You’ve given me space . . . to hang with Butch and fight with my brothers and do my shit on the Internet. What have I given you?” “My clinic, for one thing. I couldn’t have built it without you.” “Not exactly a bouquet of roses.” “Don’t underestimate your carpentry skills.

Why do we need so many people on Earth? I ask you. What are they good for? They live out ludicrous lives of pointless desperation. Ninety-nine percent of the human population is so much wasted resources. Stubborn vermin, we humans are. Granted, in the past, the unwashed masses were necessary. We needed them to till our fields and fight our wars. We needed them to labor in our factories making consumer crap that we flipped back at them at a handsome profit. Alas, those days are gone. We live in a boutique economy now. Energy is abundant and cheap. Mentars and robotic labor make and manage everything. So who needs people? People are so much dead white. They eat up our profits. They produce nothing but pollution and social unrest. They drive us crazy with their pissing and moaning. I think we can all agree that Corporation Earth is in need of a serious downsizing. ... The boutique economy has no need of the masses, so let's get rid of them. But how, you ask? Not with wars, surely, or disease, famine, or mass murder. Despots have tried all these methods through the millennia, and they're never a permanent solution. No, all we need to do is buy up the ground from under their feet -- and evict them. We're buying up the planet, Bishop, fair and square. We're turning it into the most exclusive gated community in history. Now, the question is, in two hundred years, will you be a member of the landowners club, or will you be living in some tin can in outer space drinking recycled piss?

We are explorers. We are at present, as far as we know, the only explorers of the universe. For a long time we thought that ours was the only planet that could support life. Then we found others that could – a few. For still longer we thought we were unique – the only intelligent form of life – a single, freakish pinpoint of reason in a vast, adventitious cosmos – utterly lonely in the horrid wastes of space.… Again we discovered we were mistaken… But intelligent life is rare… very rare indeed… the rarest thing in creation… But the most precious… For intelligent life is the only thing that gives meaning to the universe. It is a holy thing, to be fostered and treasured. Without it nothing begins, nothing ends, there can be nothing through all eternity but the mindless babblings of chaos… Therefore, the nurture of all intelligent forms is a sacred duty. Even the merest spark of reason must be fanned in the hope of a flame. Frustrated intelligence must have its bonds broken. Narrow-channelled intelligence must be given the power to widen out. High intelligence must be learned from. That is why I have stayed here.

Never does one open the discussion by coming right to the heart of the matter. For the heart of the matter is always somewhere else than where it is supposed to be. To allow it to emerge, people approach it indirectly by postponing until it matures, by letting it come when it is ready to come. There is no catching, no pushing, no directing, no breaking through, no need for a linear progression which gives the comforting illusion that one knows where one goes. Time and space are not something entirely exterior to oneself, something that one has, keeps, saves, wastes, or loses.

Pages later- hearing and exposed- Whitman starts to write about all the travel he can do by imagining, and lists all the places he can visit while loafing on the grass. "My palms cover continents," he writes. I kept thinking about maps, like the way sometimes when I was kid and I would look at atlases, and just the looking was kind of like being somewhere else. This is what I had to do.I had to hear and imagine my way into her map. But hadn't I been trying to do that? I looked up at the maps above my computer. I had tried to plot her possible travels, but just as the grass stood for too much so Margo stood for too much. It seemed impossible to pin her down with maps. She was too small and the space covered by the maps too big. They were more than a waste of time- they were the physical representation of the total fruitlessness of all of it, my absolute inability to develop the kinds of palms that cover continents, to have the kind of mind that correctly imagines.

Her womb from her body. Separation. Her clitoris from her vulva. Cleaving. Desire from her body. We were told that bodies rising to heaven lose their vulvas, their ovaries, wombs, that her body in resurrection becomes a male body. The Divine Image from woman, severing, immortality from the garden, exile, the golden calf split, birth, sorrow, suffering. We were told that the blood of a woman after childbirth conveys uncleanness. That if a woman's uterus is detached and falls to the ground, that she is unclean. Her body from the sacred. Spirit from flesh. We were told that if a woman has an issue and that issue in her flesh be blood, she shall be impure for seven days. The impure from the pure. The defiled from the holy. And whoever touches her, we heard, was also impure. Spirit from matter. And we were told that if our garments are stained we are unclean back to the time we can remember seeing our garments unstained, that we must rub seven substances over these stains, and immerse our soiled garments. Separation. The clean from the unclean. The decaying, the putrid, the polluted, the fetid, the eroded, waste, defecation, from the unchanging. The changing from the sacred. We heard it spoken that if a grave is plowed up in a field so that the bones of the dead are lost in the soil of the field, this soil conveys uncleanness. That if a member is severed from a corpse, this too conveys uncleanness, even an olive pit's bulk of flesh. That if marrow is left in a bone there is uncleanness. And of the place where we gathered to weep near the graveyard, we heard that planting and sowing were forbidden since our grieving may have tempted unclean flesh to the soil. And we learned that the dead body must be separated from the city. Death from the city. Wilderness from the city. Wildness from the city. The Cemetery. The Garden. The Zoological Garden. We were told that a wolf circled the walls of the city. That he ate little children. That he ate women. That he lured us away from the city with his tricks. That he was a seducer and he feasted on the flesh of the foolish, and the blood of the errant and sinful stained the snow under his jaws. The errant from the city. The ghetto. The ghetto of Jews. The ghetto of Moors. The quarter of prostitutes. The ghetto of blacks. The neighborhood of lesbians. The prison. The witch house. The underworld. The underground. The sewer. Space Divided. The inch. The foot. The mile. The boundary. The border. The nation. The promised land. The chosen ones.

People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

For me, madness was definitely not a condition of illness; I did not believe that I was ill. It was rather a country, opposed to Reality, where reigned an implacable light, blinding, leaving no place for shadow; an immense space without boundary, limitless, flat; a mineral, lunar country, cold as the wastes of the North Pole. In this stretching emptiness, all is unchangeable, immobile, congealed, crystallised. Objects are stage trappings, placed here and there, geometric cubes without meaning. People turn weirdly about, they make gestures, movements without sense; they are phantoms whirling on an infinite plain, crushed by the pitiless electric light. And I - I am lost in it, isolated, cold, stripped purposeless under the light.

I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.

When one wishes to play the wit, he sometimes wanders a little from the truth. I have not been altogether honest in what I have told you about the lamplighters. And I realize that I run the risk of giving a false idea of our planet to those who do not know it. Men occupy a very small place upon the Earth. If the two billion inhabitants who people its surface were all to stand upright and somewhat crowded together, as they do for some big public assembly, they could easily be put into one public square twenty miles long and twenty miles wide. All humanity could be piled up on a small Pacific islet. The grown-ups, to be sure, will not believe you when you tell them that. They imagine that they fill a great deal of space. They fancy themselves as important as the baobabs. You should advise them, then, to make their own calculations. They adore figures, and that will please them. But do not waste your time on this extra task. It is unnecessary. You have, I know, confidence in me.

God has perfect timing. If you aren’t of a similar faith, think of it as everything happening exactly when it’s supposed to. You look at your life and the eight things you thought you’d have accomplished by thirty-five and feel depressed. But maybe it’s just that you don’t have enough life experience yet. You’re like the baby who’s balancing in the middle of the room on chubby baby thighs—maybe you have to get your bearings for a while longer. Or maybe that goal wasn’t ever meant to be yours. Maybe you are destined for something so much cooler, which won’t come until five years down the road. Maybe you have to walk through this space you’re in to be ready for that. Nothing is wasted. Every single moment is preparing you for the next. But whether or not you choose to see this time as something wonderful—the time when God is stretching you and growing you or maybe forging you in fires hotter than you think you can withstand—all of it is growing you for the person you’re becoming, for a future you can’t even imagine.

the consequences of scientific illiteracy are far more dangerous in our time than in any that has come before. It’s perilous and foolhardy for the average citizen to remain ignorant about global warming, say, or ozone depletion, air pollution, toxic and radioactive wastes, acid rain, topsoil erosion, tropical deforestation, exponential population growth. Jobs and wages depend on science and technology. If our nation can’t manufacture, at high quality and low price, products people want to buy, then industries will continue to drift away and transfer a little more prosperity to other parts of the world. Consider the social ramifications of fission and fusion power, supercomputers, data “highways,” abortion, radon, massive reductions in strategic weapons, addiction, government eavesdropping on the lives of its citizens, high-resolution TV, airline and airport safety, fetal tissue transplants, health costs, food additives, drugs to ameliorate mania or depression or schizophrenia, animal rights, superconductivity, morning-after pills, alleged hereditary antisocial predispositions, space stations, going to Mars, finding cures for AIDS and cancer. How can we affect national policy—or even make intelligent decisions in our own lives—if we don’t grasp the underlying issues?

Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.

But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain. Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.

Time would heal the wound that was Frank; the world would continue to spin, to wobble, its axis only slightly skewed, momentarily displaced, by the brief, shuddering existence of one man -one THING - a post-human mutant, a blurred Xerox copy of a human being, the offspring of the waste of technology, the bent shadow of a fallen angel; Frank was all of these things. . . he was the sum of everything dark and sticky, the congealment of all things wrong and dark and foul in this world and every other seedy rathole world in every back-alley universe throughout the vast garbage dump of creation; God rolled the dice and Frank lost. . . he was a spiritual flunkie, a universal pain-in-the-ass, a joy-riding, soul-sucking cosmic punk rolling through time and space and piling up a karmic debt of such immense magnitude so as to invariably glue the particular vehicle of the immediate moment to the basement of possibility - planet earth - and force Frank to RE-ENLIST, endlessly, to return, over and over, to a flawed world somewhere to spend the Warhol-film-loop nights of eternity serving concurrent life sentences roaming the dimly lit hallways of always, stuck in the dense overshoes of physicality, forever, until finally - one would hope there is always a FINALLY - eventually, anyway - God would step in and say ENOUGH ALREADY and grab Frank by the collar of one of his thrift-shop polyester flower-print shirts and hurl him out the back door of the cosmos, expelling the rotten orb into the great wide nothingness and out of our lives - sure, that would be nice - but so would a new Cadillac - quit dreaming - it just doesn't work that way. . .

A pandemic paradoxically becomes an opportunity to finally be able to deal with ourselves, in a long interval where the world has stopped and everything around us starts to function at a slow pace. Shopping becomes a long and slow business, and if before we hated getting stuck in the traffic or queuing at the post office, today we can do nothing but adapt to this new world of expectations and shifts, and discover the faces of our fellow men, finally looking them in the face (or rather, in the eyes). We have rediscovered the pleasure of cooking and eating, a world that before the quarantine stopped only on TV with masterchef. If before we considered it a waste of time to cook a plate of pasta, now we have had all the time to devote to cakes, pizzas, biscuits and homemade bread as our grandmothers once did. Rediscovering genuine flavors that have little of "fast" and much of "slow". And so we also found time to read the book that we are not never managed to finish, or we pulled our favorite board game off the shelf. These small gestures, sometimes even insignificant in appearance, are rich in meaning, since they are imbued with our time, our dedication, our passion and our love. Characteristics of the human being that have been forgotten for too long. Thus we find ourselves reflecting on our time, on the past and on the future, observing a precipitous past that makes room for a rich and decidedly slower present. We have resumed the taste of walking slowly, to escape and symbolically get closer to its initiatory role ... the road teaches you that you fall, you get up, you go back, you make miraculous encounters and sometimes you are helped by Samaritans or, in cases worst, deceived by demons. But is always a discovery, going towards something new, a unique experience in which the mind is regenerated. Walking is rediscovered today as an existential alternative, as an opposition to speed, to displacement technologies, it is essentially a criticism of the dominant competitive spirit. We have given importance to windows and balconies, from where you can observe small corners of the world. Terraces from which to peer into the universe, to observe the rising sun, setting, to discover that in the sky there is a wonderful creature called the Moon, accompanied by billions of stars. We finally had a chat with our neighbors who are no longer perfect strangers, we made friends with boredom and, let's face it, we found that time, in general, is not just that marked by watches. Suddenly we found ourselves in the present time, immersed in the much-talked about Here and Now, but little frequented. This small temporal space that marks our life, which contains our ugliest and most beautiful experiences, which brings our youth with us and will bring our old age, becomes the protagonist of this pandemic, which if on the one hand has stuck, on the other it gave us the opportunity to look at our life with different eyes, which seemed to really need to stop for a moment to breathe. Because let's put it on our heads, slowness is not a waste of time, but awareness of one's life time!

There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.

She had several books she'd been wanting to read, but instead she sprawled out on the couch surrounded by pillows and blankets, and spent the hours flipping channels between Judge Judy, The People's Court, Maury, and Jerry Springer, and rounded out her afternoon with Dr. Phil and Oprah. All in all, it was a complete waste of a day. At least until school got out. Jay showed up after school with a bouquet of flowers and an armful of DVDs, although Violet couldn't have card less about either...he was all she wanted. She couldn't help the electric thrill of excitement she felt when he came strolling in, grinning at her foolishly as if he hadn't seen her in weeks rather than hours. He scooped her up from the couch and dropped her onto his lap as he sat down where she had been just a moment before. He was careful to arrange her ankle on a neatly stacked pile of pillows beside him. He stubbornly refused to hide his affection for her, and if Violet hadn't known better she would have sworn that he was going out of his way to make her self-conscious in her own home. Fortunately her parents were giving them some space for the time being, and they were left by themselves most of the time. "Did you miss me?" he asked arrogantly as he gently brushed his lips over hers, not bothering to wait for an answer. She smiled while she kissed him back, loving the topsy-turvy feeling that her stomach always got when he was so close to her. She wound her arms around his neck, forgetting that she was in the middle of the family room and not hidden away in the privacy of her bedroom. He pulled away from her, suddenly serious. "You know, we didn't get much time alone yesterday. And I didn't get a chance to tell you..." Violet was mesmerized by the thick timbre of his deep voice. She barely heard his words but rather concentrated on the fluid masculinity of his tone. "I feel like I've waited too long to finally have you, and then yesterday...when..." He stopped, seemingly at a loss, and then he tried another approach. His hand stroked her cheek, igniting a response from deep within her. "I can't imagine living without you," he said, tenderly kissing her forehead, his warm breath fanning her brow. He paused thoughtfully for a moment before speaking again. "I love you, Violet. More than I ever could have imagined. And I don't want to lose you...I can't lose you." It was her turn to look arrogant as she glanced up at him. "I know," she stated smugly, shrugging her shoulder. He shoved her playfully but held on to her tightly so that she never really went anywhere. "What do you mean, 'I know'? What kind of response is that?" His righteous indignation bordered on comical. He pulled her down into his arms so that his face was directly above hers. "Say it!" he commanded. She shook her head, pretending not to understand him. "What? What do you want me to say?" But then she giggled and ruined her baffled façade. He teased her with his mouth, leaning down to kiss her and then pulling away before his lips ever reached hers. He nuzzled her neck tantalizingly, only to stop once she responded. She wrapped her arms around his neck, trying to pull him closer, frustrated by his mocking ambush of her senses. "Say it," he whispered, his breath warm against her neck. She groaned, wanting him to put her out of her misery. "I love you too," she rasped as she clung to him. "I love you so much..." His mouth moved to cover hers in an exhausting kiss that left them broth breathless and craving more than they could have. Violet collapsed into his arms, gathering her wits and hoping that no one walked in on them anytime soon.