Warmth Book Quotes

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I will remember the kisses our lips raw with love and how you gave me everything you had and how I offered you what was left of me, and I will remember your small room the feel of you the light in the window your records your books our morning coffee our noons our nights our bodies spilled together sleeping the tiny flowing currents immediate and forever your leg my leg your arm my arm your smile and the warmth of you who made me laugh again.
Charles Bukowski
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
Diane Setterfield (The Thirteenth Tale)
I will remember your small room, the feel of you, the light in the window, your records, your books, our morning coffee, our noons, our nights, our bodies spilled together, sleeping, the tiny flowing currents, immediate and forever. Your leg, my leg, your arm, my arm, your smile and the warmth of you who made me laugh again.
Charles Bukowski
I read once that sunflowers always orient themselves to face the sun. That’s what being near Charlie Lastra is like for me. There could be a raging wildfire racing toward me from the west and I’d still be straining eastward toward his warmth.
Emily Henry (Book Lovers)
Winston, how’s she going b’y?” asked Herb in the familiar Newfoundland greeting. Windflower gave the appropriate response. “She’s going good, b’y.
Mike Martin (Too Close For Comfort: The Sgt. Windflower Mystery Series Book 15)
Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.
Anaïs Nin (A Cafe in Space: The Anais Nin Literary Journal, Volume 3)
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
I will remember your small room, the feel of you, the light in the window, your records, your books, our morning coffee, our noons, our nights, our bodies spilled together, sleeping, the tiny flowing currents, immediate and forever. Your leg, my leg, your arm, my arm, your smile and the warmth of you who made me laugh again.
Chales Bukowski
Now these ashes have grown cold, we open the old book. These oil-stained pages recount the tales of the Fallen, a frayed empire, words without warmth. The hearth has ebbed, its gleam and life's sparks are but memories against dimming eyes - what cast my mind, what hue my thoughts as I open the Book of the Fallen and breathe deep the scent of history? Listen, then, to these words carried on that breath. These tales are the tales of us all, again yet again. We are history relived and that is all, without end that is all.
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
What they had was the real stuff. Honest, devoted, palpable love. The one that transcended distance, differences, and obstacles. The kind that was meant to be written about in books. Thinking of it filled my chest with warmth and longing for something I didn’t know I’d ever be able to find.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
His hand lay across my stomach as he slept soundly. I entwined my fingers with his and breathed through the warmth that seeped through my chest. Such a simple, sweet thing to do, yet holding hands in bed was incredibly intimate.
N.R. Walker (Spencer Cohen, Book Three (Spencer Cohen, #3))
Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia." Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so." His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
It was a style not of perfection, but warmth. Even mistakes had a good feeling about them
Markus Zusak (The Book Thief)
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
J. Ruth Gendler (The Book of Qualities)
Leaving any bookstore is hard, especially on a day in August, when the street outside burns and glares, and the books inside are cool and crisp to the touch; especially on a day in January, when the wind is blowing, the ice is treacherous, and the books inside seem to gather together in colorful warmth. It's hard to leave a bookstore any day of the year, though, because a bookstore is one of the few places where all the cantankerous, conflicting, alluring voices of the world co-exist in peace and order and the avid reader is as free as a person can possibly be, because she is free to choose among them.
Jane Smiley
Taking pity on me, Carissa kept her voice low. “You were calling out for Daemon.”I dropped my face in my hands and moaned. “Oh, God.” Lesa giggled. “It was kind of cute.” A minute before the tardy bell rang, I felt an all-too-familiar warmth on my neck and glanced up. Daemon swaggered into class. Textbook-less as usual. He had a notebook, but I don’t think he ever wrote anything in it. I was beginning to suspect our math teacher was an alien, because how else would Daemon get away with not doing a damn thing in class? He passed by without so much as a look. I twisted around in my chair. “I need to talk to you.” He slid into his desk chair. “Okay.” “In private,” I whispered. His expression didn’t change as he leaned back in his chair. “Meet me in the library at lunch. No one really goes in there. You know, with all those books and stuff.
Jennifer L. Armentrout (Onyx (Lux, #2))
And Yet the Books And yet the books will be there on the shelves, separate beings, That appeared once, still wet As shining chestnuts under a tree in autumn, And, touched, coddled, began to live In spite of fires on the horizon, castles blown up, Tribes on the march, planets in motion. “We are,” they said, even as their pages Were being torn out, or a buzzing flame Licked away their letters. So much more durable Than we are, whose frail warmth Cools down with memory, disperses, perishes. I imagine the earth when I am no more: Nothing happens, no loss, it's still a strange pageant, Women's dresses, dewy lilacs, a song in the valley. Yet the books will be there on the shelves, well born, Derived from people, but also from radiance, heights.
Czesław Miłosz
What brings you onto my property?” Rhev said, cradling his mug with both hands and trying to absorb its warmth. “Got a problem.” “I can’t fix your personality, sorry.” Lassiter laughed, the sound ringing through the house like church bells. “No.. I like myself just as I am, thank you.” “Can’t help your delusional nature, either.” “I need to find an address.” “Do I look like the phone book?” “You look like shit, as a matter of fact.” “And you with the compliments.” Rhev finished his coffee. “What makes you think I’d help you?” “Because.” “You want to toss in a couple of nouns and verbs there? I’m lost.” Lassiter grew serious, his ethereal beauty losing its SOP fuck-yourself smirk. “I’m here on official business.” Rhev frowned. “No offense, but I thought your boss pink-slipped your ass.” “I’ve got one last shot at being a good boy.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
It took my breath away, that evening. If you've ever dreamed that you walked into your best-loved book or film or TV program, then maybe you've got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you've been watching for so long, from so far away, open their circle and sweep you into it.
Tana French (The Likeness (Dublin Murder Squad, #2))
When a client is driven to the utmost extremity, it is warmth and food and ease from pain he wants. Peace and justice come afterward. Rain symbolizes mercy and sunlight charity, but rain and sunlight are better than mercy and charity. Otherwise they would degrade the things they symbolize.
Gene Wolfe (The Citadel of the Autarch (The Book of the New Sun, #4))
Look at the four-spaced year That imitates four seasons of our lives; First Spring, that delicate season, bright with flowers, Quickening, yet shy, and like a milk-fed child, Its way unsteady while the countryman Delights in promise of another year. Green meadows wake to bloom, frail shoots and grasses, And then Spring turns to Summer's hardiness, The boy to manhood. There's no time of year Of greater richness, warmth, and love of living, New strength untried. And after Summer, Autumn, First flushes gone, the temperate season here Midway between quick youth and growing age, And grey hair glinting when the head turns toward us, Then senile Winter, bald or with white hair, Terror in palsy as he walks alone.
Ovid (Ovid's Metamorphoses: Books 1-5)
They lifted their faces to the astonishing warmth. The sky arched over them, a pale, clear blue. Lina felt as though a lid that had been on her all her life had been lifted off. Light and air rushed though her, making a song, like the songs of Ember, only it was a song of joy. She looked at Doon and saw that he was smiling and crying at the same time, and she realized that she was, too.
Jeanne DuPrau (The City of Ember (Book of Ember, #1))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
And then, There was a love Shining so bright, That even the darkest part Of our hearts Felt the warmth
Bryonie Wise (HEART ROAR: A Book of Tiny Prayers)
Certain living things prefer the dark, thriving in the shadows of tombstones and crypts, flowering admist the dead. Others tend toward the sun, blooming in the light, embracing the warmth.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I hate Christmas. Everything is designed for families, romance, warmth, emotion and presents, and if you have no boyfriend, no money, your mother is going out with a missing Portuguese criminal and your friends don't want to be your friend anymore, it makes you want to emigrate to a vicious Muslim regime, where at least all the women are treated like social outcasts. Anyway, I don't care. I am going to quietly read a book all weekend and listen to classical music.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
But there is another realm where we can always find something true, the fireside of a friend, where we shed our little conceits and find warmth and understanding, where small selfishnesses are impossible and where wine and books and talk give a different meaning to existence. There we have made something that no falseness can touch. We are at home.
Kathrine Kressmann Taylor (Address Unknown)
All of you do this. Every organic sapient I’ve ever talked to, every book I’ve read, every piece of art I’ve studied. You are all desperate for purpose, even though you don’t have one. You’re animals, and animals don’t have a purpose. Animals just are. And there are a lot of intelligent – sentient, maybe – animals out there who don’t have a problem with that. They just go on breathing and mating and eating each other without a second thought. But the animals like you – the ones who make tools and build cities and itch to explore, you all share a need for purpose. For reason. That thinking worked well for you, once. When you climbed down out of the trees, up out of the ocean – knowing what things were for was what kept you alive. Fruit is for eating. Fire is for warmth. Water is for drinking. And then you made tools, which were for certain kinds of fruit, for making fire, cleaning water. Everything was for something, so obviously, you had to be for something too, right? All of your histories are the same, in essence. They’re all stories of animals warring and clashing because you can’t agree on what you’re for, or why you exist.
Becky Chambers (A Closed and Common Orbit (Wayfarers, #2))
Breath-cloud. On cold mornings, that first white cloud of escaping breath is proof that we are living. Proof of our bodies’ warmth. Cold air rushes into dark lungs, soaks up the heat of our body and is exhaled as perceptible form, white flecked with grey. Our lives’ miraculous diffusion, out into the empty air.
Han Kang (The White Book)
Out of worship and out of love he would let no one light the stove for her either, as if he would be the warmth and the fire to dry and warm her feet.
Anaïs Nin
Serious readers know the singular pleasure of handling a well-made book - the heft and texture of the case, the rasp of the spine as you lift the cover, the sweet, dusty aroma of yellowed pages as they pass between your fingers. A book is more than a vessel for ideas; It is a living thing in need of love, warmth, and protection.
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
She’s not supposed to be my calm. And yet, when her head falls on my back and her warmth mingles with mine, I realise she’s the only calm I’ve ever had in my life. Even books don’t compare — and that says something.
Rina Kent (Ruthless Empire (Royal Elite, #6))
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist.
Diane Setterfield (The Thirteenth Tale)
The constant, gnawing ache inside him---this pitiful need that grew only more fraught in the wake of every darkness that devoured him---he longed for her warmth, for her radiance.
Tahereh Mafi (All This Twisted Glory (This Woven Kingdom, #3))
It is one thing to have a lot of information about God, but it is another thing to bask in the warmth and reality of His presence.
A.W. Tozer (Delighting in God (AW Tozer Series Book 1))
How do you like to be remembered? Me, I would like to be remembered like an elusive good book that does not appear lovable to everyone, gets underrated at times, yet never loses its rarity to inspire, whenever one comes down to the verge of despair, and that functions like ember, forgotten, but when the weather goes cold, one suddenly remembers to reignite it for warmth and comfort.
Aishah Madadiy (Bits of Heaven)
The festival of the spring equinox speaks of freshness and youth, of excitement and endless possibilities. Nature begins to quicken and early flowers open to the warmth of the strengthening sun, bringing the colours of lemon and yellow into our lives on the wings of a March wind.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
My job is not to sell the books - my father does that - but to look after them. Every so often I take out a volume and read a page or two. After all, reading is looking after in a manner of speaking. Though they're not old enough to be valuable for their age alone, nor improtant enough to be sought after by collectors, my charges are dear to me, even as often as not, they are as dull on the inside as on the outside. No matter how banal the contents, there is always something that touches me. For someone now dead once thought these words significant enough to write them down. People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the boooks they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so. For it must be very lonely being dead.
Diane Setterfield (The Thirteenth Tale)
What did a person need to survive? Food. Water. Shelter. Warmth in cold weather. And something else... books.
Nancy Horan
She closed her eyes and felt everyhting: the warmth of the café, the taste of the muffin, the by now familiar smell of coffee and secondhand books.
Liane Moriarty (Big Little Lies)
I wanted you to look at me the way you look at your fantasy book—with a mixture of awe, anticipation and warmth.
L.J. Shen (Angry God (All Saints High, #3))
Like the warmth of winter candlelight cast across a beloved, worn book, he was.
Kim Michele Richardson (The Book Woman of Troublesome Creek)
Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller, and commonplaces are suddenly delightful. You become your best optimistic self. Like romantic love, book love fills you with a certain warmth and completeness. The world holds promise.
Steve Leveen (The Little Guide to Your Well-Read Life: How to Get More Books in Your Life and More Life from Your Books)
I have now and again tried to imagine the perfect environment, the ideal conditions for reading: A worn leather armchair on a rainy night? A hammock in a freshly mown backyard? A verandah overlooking the summer sea? Good choices, every one. But I have no doubt that they are all merely displacements, sentimental attempts to replicate the warmth and snugness of my mother's lap.
Michael Dirda (An Open Book: Coming of Age in the Heartland)
The warmth of having Red nearby seems so real that I lean into it, letting myself believe that if I wanted to, I could youch his hand, touch his face, pull him to me, feel his whisper on my skin
Marie Lu (Steelstriker (Skyhunter, #2))
She gently placed her palm on my wounded shoulder and the warmth of her hand did nearly as much to soothe the ache as did the ointment. If only she would continue touching me, allow us to forge something new together from the broken pieces of our past. Her willing presence in my life would be far more healing than any balm
Connilyn Cossette (Until the Mountains Fall (Cities of Refuge, #3))
I still have your handkerchief, from the Yuletide." "Raspberries, do you really?" He produced a crumpled, clean handkerchief, and gave it to Azalea. She tried to hand him the watch, but he wouldn't take it. "It's still for ransom, is it not?" he said. "I'll collect it when I set the tower again." Azalea smiled, warmth rising to her cheeks. "Well, it has been awfully useful. Thank you, Lord Bradford." He mounted with ease, even with the books, and smiled a crooked smile. "Mr. Bradford," he said sheepishly. "Mr. Bradford," said Azalea. And now, her cheeks burned. It wasn't unpleasant. "Thank you," he said, tipping his hat. "For the pleasant evening.
Heather Dixon Wallwork (Entwined)
Merry Christmas!' someone shouted. He wiped his eyes with the back of his hand. 'Merry Christmas!' 'Merry Christmas!' 'C-cookies for ever'body!' Sammy hollered. And looking both ways, they all fled across to the light, and the warmth, and the books, and the mystery.
Jan Karon (Somewhere Safe with Somebody Good (Mitford Years, #12))
In a sense, this book is not an autobiography but a biography, because I am writing about someone I used to know. Yes, these events are true, yet sometimes they seemed to have happened to someone else, and I often felt like a curious onlooker or someone trying to remember a dream. I ignored my stand-up career for twenty-five years, but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years.
Steve Martin (Born Standing Up: A Comic's Life)
And yet she didn't want to kill herself. She loved the world too much, and people. She loved taking long walks in the late afternoon, and observing her surroundings. She loved the green of the sea, the light of dusk, the rocks scattered on the sand. She loved the taste of a red pear in autumn, the full, heavy winter moon that shone amid the clouds. She loved the warmth of her bed, a good book to read without being interrupted. To enjoy that, she would have lived forever.
Jhumpa Lahiri (In Other Words)
I started picturing Rens smiling face, the warmth of his touch, the slight curl of his lip before he kissed me. Every happy memory came rushing back through the blackness illuminating it in brilliant color.
S.G. Holster (Terrible Lies (Thirty Seconds To Die, book 2))
The Emperor is dead! So too his right hand - now cold, now severed! But mark these dying shadows, twinned and flowing bloody and beaten, down and away from mortal sight... From sceptre's rule dismissed, from gild candelabra the light now fled, from a hearth ringed in hard jewels seven years this warmth has bled... The Emperor is dead. So too his master'd companion, the rope cut clean. But mark this burgeoning return - faltering dark, the tattered shroud - embracing children in Empire's dying light. Hear now the dirge faint reprised, before the sun's fall, this day spills red on buckled earth, and in obsidian eyes vengeance chimes seven times..." ―Call to Shadow, Felisin (I.i. 1-18)
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
To bring the human race, family by family, child by child, out of the savage and inhuman desolation where He is not, into the light and warmth and comfort of the presence of God, is, no doubt, the chief thing we have to do in the world.
Charlotte M. Mason (Parents and Children [Illustrated] (The Original Homeschooling Series Book 2))
I closed my eyes for a moment and focused on the sun’s warmth. It was a good day. There were many things to think about, but in this moment, I wanted to embrace my surroundings and enjoy them. Sometimes the little things were the best parts of life, and they were always there in front of us, waiting to be noticed.
J. Aleong (A Most Important Year)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
Tea was the order of the day, neat for the hardened drinker or containing a tot of whiskey for those who liked it watered down! Throughout the afternoon, the wonderful aroma of rosemary wafted throughout the cottage and I later discovered that Mrs Darley sprinkled the dried herb on her grill pan and, with the grill on a low heat, it scented the whole cottage, bringing a feeling of warmth and security to us all.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
The great thing about you is that you’re still here. You made it through many stormy seas and you’re still ready to get back in the boat. You’re still brave enough to hope. You’re still courageous enough to love. You still give of yourself with the same warmth you did before others tried to extinguish your flame. You’re still filled with kindness even though the world hasn’t given you much to be kind about. You’re still open to great adventures and deep emotions. You’re still here. You’re still living. You’re still you. How great it is that you’re still you.
Emily Maroutian (The Book of Relief: Passages and Exercises to Relieve Negative Emotion and Create More Ease in The Body)
From your hand, creating God, come the shape of the land, the warmth of fire, the mystery of shadows, the feel of skin. From your mouth, mighty Spirit, flow the sound of thunder, the whisper of rain, the stillness of dawn, the humming of night. May I touch, O God; O Spirit, may I hear.
Jan L. Richardson (Sacred Journeys: A Woman's Book of Daily Prayer)
We’re socialized to believe that warmth and strictness are opposites,” Doug Lemov writes in his book Teach Like a Champion. “The fact is, the degree to which you are warm has no bearing on the degree to which you are strict, and vice versa.” Parents and teachers who manage to be both warm and strict seem to strike a resonance with children, gaining their trust along with their respect.
Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
Attraction is possessed by all things here: Warmth draws warm things, the cold pulls cold things near; Eternal ones attract each other, while The worthless just attract the vain and vile; Those made of fire attract just the same kind; Those filled with light draw their own sort, you’ll find...
Jawid Mojaddedi (The Masnavi, Book Two)
The minister read, quoting the Benediction of the Apaches.   “Now you will feel no rain, For each of you will be shelter to the other. Now you will feel no cold, For each of you will be warmth to the other. Now there is no more loneliness for you. For each of you will be companion to the other. Now you are two bodies,  But there is only one life before you.” Excerpt From: R. K. Lilley. “Grounded.” R.K. Lilley, 2013-02-10T00:00:00+00:00. iBooks. This material may be protected by copyright.
R.K. Lilley (Grounded (Up in the Air, #3))
Look at me Ethan. Am I Dark, or am I Light?' I looked at her, and I knew what she was. The girl I loved. The girl I would always love. Instinctively, I grabbed the gold book in my pocket. It was warm, as if some part of my mother was alive within it. I pressed the book into Lena's hand, feeling the warmth spread into her body, I willed her to feel it- the kind of love within the book, the kind of love that never died. 'I know what you are, Lena. I know your heart. You can trust me. You can trust yourself.
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
It doesn’t begin inside my head like I expected. Instead a delicious warmth spreads through my body, expanding from my heart outward, and my bones and muscles and skin dissolve in the warmth that spreads out from me, until the warmth overcomes the Earth and the boundaries of the universe. The warmth is everywhere and everything. My body and everything outside my body belongs to it. Then I feel him; he is in the warmth, too, and there’s no separation between us, no spot where I end and he begins, and I open up like a flower to the rain, achingly slow and dizzyingly fast, dissolving in the warmth, dissolving in him and there’s nothing to see, that’s just the convenient word he used because there is no word to describe him, he just is. And I open to him, a flower to the rain.
Rick Yancey
This distinction between empathy and compassion is critical for the argument I’ve been making throughout this book. And it is supported by neuroscience research. In a review article, Tania Singer and Olga Klimecki describe how they make sense of this distinction: “In contrast to empathy, compassion does not mean sharing the suffering of the other: rather, it is characterized by feelings of warmth, concern and care for the other, as well as a strong motivation to improve the other’s well-being. Compassion is feeling for and not feeling with the other.” The
Paul Bloom (Against Empathy: The Case for Rational Compassion)
I want to wake up every day I have left to the warmth of your lips on mine, the sound of your voice singing next to me, the feel of your fingers on my skin and your heart beating music with mine.” Excerpt From: Zolendz, Christine. “Saving Grace.” DarkRoadDesigns, 2012-10-05T03:00:00+00:00. iBooks. This material may be protected by copyright.
Christine Zolendz (Saving Grace (Mad World, #2))
Keating leaned back with a sense of warmth and well-being. He liked this book. It had made the routine of his Sunday morning breakfast a profound spiritual experience; he was certain that it was profound, because he didn’t understand it.
Ayn Rand (The Fountainhead)
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
Diane Setterfield (The Thirteenth Tale)
I will remember the perfect oval of your face, the warmth of your throat, the way you hold a pen when you write. Most of all . . .” He cupped my chin, his eyes roving over my upturned face. “I will remember a strange, beautiful girl who liked the feel of old books and drank her coffee sweet. She snuck onto my porch on a gray day and taught me to see in color. She was a thief, my rainbow-haloed girl. When she left, she took my heart. And if I had another, I would give her that too
Leylah Attar (Mists of the Serengeti)
But this, I realize, is what they mean, all those thousands of writers who’ve tried to describe the sensation of following the trail of your life for years, only to smack into something that changes it forever. The way the sensation jars through you, from the center out. How you feel it in your mouth and toes all at once, a dozen tiny explosions. And then an unfurling of warmth from your collarbone to your ribs, to thighs, to palms, like just seeing him has triggered some kind of chrysalis. My body has moved from winter into spring, all those scraggly little sprouts pushing up through a crush of snow. Spring, alive and awake in my bloodstream. “Stephens,” Charlie says softly, like a swear, or a prayer, or a mantra.
Emily Henry (Book Lovers)
I see again my schoolroom in Vyra, the blue roses of the wallpaper, the open window. Its reflection fills the oval mirror above the leathern couch where my uncle sits, gloating over a tattered book. A sense of security, of well-being, of summer warmth pervades my memory. That robust reality makes a ghost of the present. The mirror brims with brightness; a bumblebee has entered the room and bumps against the ceiling. Everything is as it should be, nothing will ever change, nobody will ever die.
Vladimir Nabokov (Speak, Memory)
I had never before spent a night with a woman, had someone lying by my side in the quietness of the dark, hearing her breath and feeling her warmth beside me. It is a sin, and it is a crime. I say it frankly, for I have been taught so all my life, and only madmen have said otherwise. The Bible says it, the fathers of the church have said it, the prelates now repeat it without end, and all the statues of the land prescribe punishment for what we did that night. Abstain from fleshly lusts, which war against the soul. It must be so, for the Bible speaks only God’s truth. I sinned against the law, against God’s word reported, I abused my family and exposed them even more to risk of public shame, I again risked permanent exclusion from those rooms and books which were my delight and my whole occupation; yet in all the years that have passed since I have regretted only one thing: that it was but a passing moment, never repeated, for I have never been closer to God, nor felt His love and goodness more.
Iain Pears (An Instance of the Fingerpost)
Many, many millions in the world today are hungry. It’s not your fault, but you woke up from a warm bed, you were able to have a shower, you put on clean clothes, and you were in a home that is warm in the winter. Now just think of the many who are refugees who wake up in the morning, and there’s not very much protection for them against the rain that is pelting down. Perhaps there is no warmth or food or even just water. It is to say in a way, yes, it is to say really, you do want to count your blessings.
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.” My ears burned. Oh great, am I the color of a tomato now? “Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was. “Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject. “I got you Moby-Dick,” I blurted out. He gave me a sly smile. “Mmmm, did you? How... interesting.” “And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner. “Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?” I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.” Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.” “Was?” I squeaked. Then I cleared my throat and tried again. “I mean—” “Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.” His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me. “It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain. I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.” “I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
Jessica Verday (The Haunted (The Hollow, #2))
The English were unpleasant in their own very English way. It was as if they lived at the top of the world, and naturally looked down on everyone else; 'looked down' in the sense that everyone was clearly beneath them so what else could they do? No spite or guilt, just... 'Why doesn't everyone else try harder?' There was a hint of warmth to their contempt that I found especially deplorable.
Otaro Maijo (JORGE JOESTAR [ジョージ・ジョースター])
for a week she has been tormented, she burns to write something, gentle warmth emanates from her whole body, but still nothing comes of it. Besides, at the same time she is also busy burning old books, manuals, professional papers, theoretical volumes--because they keep her from doing the one thing that now seems urgent and right to her: shouting her loud hymn of ecstatic pleasure, breaching the tide of the old tongue's hard blare.
Hélène Cixous (The Book of Promethea)
Have you ever sailed across an ocean...on a sailboat, surrounded by sea with no land in sight, without even the possibility of sighting land for days to come? To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza del Campo in Siena. To feel the surge as 10 racehorses go thundering by. I want another meal in Paris, at L'Ambroisie, at the Place des Vosges. I want another bottle of wine. And then another. I want the warmth of a woman and a cool set of sheets. One more night of jazz at the Vanguard. I want to stand on the summits and smoke Cubans and feel the sun on my face for as long as I can. Walk on the Wall again. Climb the Tower. Ride the River. Stare at the Frescos. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that, just one time.
Raymond Reddington (fictional), The Blacklist
Really, I don't know which is the true me. What ever will I do when there aren't any more books to read, or when I can't find another role model to imitate? Probably just wither away, helpless and sniveling profusely. Anyhow, these aimless thoughts I have on the train every day don't do me much good. The unpleasant warmth I still felt in my body was unbearable. I felt I had to do something, somehow, but would I be able to fully grasp what that was? My self-criticisms seem basically pointless to me. I would start to judge, and when I'd get to my negative or weak traits, I'd immediately begin to indulge or wallow in self-pity, and then decide it's no good, why not just leave well enough alone, so I've given up on criticism. It would be best if I just didn't think of anything at all.
Osamu Dazai (Schoolgirl)
Now these ashes have grown cold, we open the old book. These oil-stained pages recount the tales of the Fallen, a frayed empire, words without warmth. The hearth has ebbed, its gleam and life’s sparks are but memories against dimming eyes – what cast my mind, what hue my thoughts as I open the Book of the Fallen and breathe deep the scent of history? Listen, then, to these words carried on that breath. These tales are the tales of us all, again yet again. We are history relived and that is all, without end that is all.
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
In the early summer of 1846 he moved his family to a cottage in Fordham, which was then far out in the country. He was ill and Virginia was dying, so that he was in no condition to do much work. As a result, their meagre income vanished; when winter game they even lacked money to buy fuel. A friend who visited the cottage wrote a description of Virginia's plight: There was no clothing on the bed... but a snow white spread and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed, wrapped in her husband's great-coat, with a large tortoise-shell cat on her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth... A public appeal for funds was made in the newspapers -- an act which Poe, of course, resented. But Virginia was beyond all human aid. She died on January 30, 1847, and her death marked the end of the sanest period in her husband's life. He plunged into the writing of a book-length mystical and pseudo-scientific work entitled Eureka, in which he set forth his theories of the universe. He intended it as a prose poem, and as such is should be judged, rather than as a scientific explanation of matters beyond it's author's ken.
Philip van Doren Stern (The Portable Poe)
The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
I know you want it back,” he says, “but I’m afraid I’m going to have to keep it forever.” He holds it up, shows it to me. Grins. And then puts it in his pocket. The one place I’d never dare to reach. “Why?” I can’t help but ask. “Why do you want it so much?” He spends far too long just looking at me. Not answering my question. And then he says “On the darkest days you have to search for a spot of brightness, on the coldest days you have to seek out a spot of warmth; on the bleakest days you have to keep your eyes onward and upward and on the saddest days you have to leave them open to let them cry. To then let them dry. To give them a chance to wash out the pain in order to see fresh and clear once again.” “I can’t believe you have that memorized,” I whisper. He leans back again. Closes his eyes again. Says, “Nothing in this life will ever make sense to me but I can’t help but try to collect the change and hope it’s enough to pay for our mistakes.
Tahereh Mafi (Shatter Me Series 6-Book Box Set: Shatter Me, Unravel Me, Ignite Me, Restore Me, Defy Me, Imagine Me)
That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
Birth control?” he asks. “Obviously, but—” “Got it,” he says. Of course he does. He’s just like me: even when we’re both out-of-control obsessed with each other there are still a few (dozen) threads holding reason in place. Charlie moves off me, finds his wallet, and comes back with a condom, no further questions asked, no huffing, no hint at frustration, no implied uptight, nag, or bore. He tucks his hand against my jaw and kisses me with a tenderness I feel all through my body, all these little pockets of warmth nestled between bones and muscle and cartilage: Charlie, diffused into my bloodstream
Emily Henry (Book Lovers)
In your madness you said you loved me," she murmured shyly. His humor fled, and the smile left her lips as she continued, "You said it before, too. When the storm struck, I asked you to love me, and you said you did." Her voice was the barest of whispers. Ruark's gaze turned away from her, and he rubbed the bandage on his leg before he spoke. "Strange that madness should speak the truth, but truth it is." He met her questioning eyes directly. "Aye, I love you." The pain of longing marked his face with a momentary sadness. "And that is madness, in all truth." Shanna raised herself form his side and sat on her heels, staring down at him. "Why do you love me?" Her tone was wondrous. "I beset you at every turn. I deny you as a fit mate. I have betrayed you into slavery and worse. There is no sanity in your plea at all. How can you love me?" "Shanna! Shanna! Shanna!" he sighed, placing his fingers on her hand and gently tracing the lines of her finely boned fingers. "What man would boast the wisdom of his love? How many time has this world heard, 'I don't care, I love.' Do I count your faults and sins to tote them in a book?" ... "I dream of unbelievable softness. I remember warmth at my side the likes of which can set my heart afire. I see in the dark before me softly glowing eyes of aqua, once tender in a moment of love, then flashing with defiance and anger, now dark and blue with some stirring I know I have caused, now green and gay with laughter spilling from them. There is a form within my arms that I tenderly held and touched. There is that one who has met my passion with her own and left me gasping." Ruark caressed Shanna's arm and turned her face to him, making her look into his eyes and willing her to see the truth in them as he spoke. "My beloved Shanna. I cannot think of betrayal when I think of love. I can count no denials when I hold you close. I only wait for that day when you will say, 'I love." Shanna raised her hands as if to plead her case then let them fall dejectedly on her knees. Tears coursed down her cheeks, and she begged helplessly, "But I do not want to love you." She began to sob. "You are a colonial. You are untitled, a murderer condemned, a rogue, a slave. I want a name for my children. I want so much more of my husband." She rolled her eyes in sudden confusion. "And I do not want to hurt you more." Ruark sighed and gave up for the moment. He reached out and gently wiped away the tears as they fell. "Shanna, love," he whispered tenderly, "I cannot bear to see you cry. I will not press the matter for a while. I only beg you remember the longest journey is taken a step at a time. My love can wait, but it will neither yield nor change.
Kathleen E. Woodiwiss (Shanna)
I am political in spite of myself. I don't want to do the things I know I have to do, don't want to expose myself to disapproval, to retribution, don't want to go to meetings and demonstrations, distribute leaflets, don't want to ask people for signatures, for money. I don't do these things as naturally as I breathe, the way I imagine real political people do, real communists, real socialists and feminists, real radicals, real troublemakers, real champions of the people. I do them because I know I've got to, because I am convinced it's the only way to make changes, to stop abuses. I do them almost as a last resort. I do them because I've been putting off doing them, avoiding them for months, because finally the necessity has gripped me and overcome my reluctance, my desire for the warmth of my room, for my books, for my people, for the reassurance of my homely habits.
Rosario Morales (Getting Home Alive)
A Friendship Blessing May you be blessed with good friends. May you learn to be a good friend to yourself. May you be able to journey to that place in your soul where there is great love, warmth, feeling, and forgiveness. May this change you. May it transfigure that which is negative, distant, or cold in you. May you be brought in to the real passion, kinship, and affinity of belonging. May you treasure your friends. May you be good to them and may you be there for them; may they bring you all the blessings, challenges, truth, and light that you need for your journey. May you never be isolated. May you always be in the gentle nest of belonging with your anam ċara.
John O'Donohue (Anam Cara: A Book of Celtic Wisdom)
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
What happened in that cold dark, when frost formed a halo in the child's straw hair and snowflake turned to flesh and bone? Was it the way the children's book showed, warmth spreading down through the cold, brow then cheeks, throat then lungs, warm flesh separating from snow and frozen earth? The exact science of one molecule transformed into another-that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul.
Eowyn Ivey (The Snow Child)
Community, a place of healing and growth . . . When people enter community, especially from a place of loneliness in a big city or from a place of aggression and rejection, they find the warmth and the love exhilarating. This permits them to start lifting their masks and barriers and to become vulnerable. They may enter into a time of communion and great joy. But then too, as they lift their masks and become vulnerable, they discover that community can be a terrible place, because it is a place of relationship; it is the revelation of our wounded emotions and of how painful it can be to live with others, especially with some people. It is so much easier to live with books and objects, television, or dogs and cats! It is so much easier to live alone and just do things for others, when one feels like it.
Jean Vanier (Community and Growth)
Always – but especially when suffering - surround yourself with those who inspire you to lose yourself more honestly, to love others more thoroughly, to live life more fully, and to trust God more wholly. Huddle with those who care for you and those who are exemplary in their encouragement, patience and understanding of others. Hang out with those who strive to put God and faith at their center. Pray for peers, friends and mentors who will not only encourage you to be your best independent, strong, and vulnerable self all at the same time – but also sincerely humble. Pray that their angel dust will transcend you when even the smallest flecks of their contagious warmth and permeating beauty fall upon you. Then ever pray that you may have the opportunity to likewise ease and nurture others in such authentic ways; thus honing such a charitable, other-oriented nature of your own, – a miraculous healing balm – a buffer of pain if there ever was one. Know this is the most powerful antidote for fear and sorrow; the most effective – and addictive – cure-all known in all of creation; an elixir for that otherwise, elusive kind of happiness – the kind that weathers, endures and remains in all seasons and conditions.
Connie Kerbs (Paths of Fear: An Anthology of Overcoming Through Courage, Inspiration, and the Miracle of Love (Pebbled Lane Books Book 1))
She dances through the night air. With each step, lightning flashes from her eyes like diamonds, and thunder rages like a heart beating in love. Her feet move with an agility and grace that can never be replicated. All things good and beautiful want to feel the warmth of her aura. She's beautiful and I sit back and watch her dance. She's a light I can't touch. Her brilliance blinds my eyes, but I still can't look away. She's a song that I can't remember. The melody slips past my ears before I can memorize the progressions. She's the ending of a book I lost before reaching the final pages. She's everything good that can never be replaced, and I don't think I can stand the feeling that makes me want to love her more and more with each passing moment. She is a goddess. She can't cure me. I dream of her but my dreams are dark and she's always one step out of reach. I want to find her but there are too many trees and I get lost easily. I'm left standing out in the rain, water pooling in my sneakers, as she dances away in a sunlight that shines only over her beautiful hair and face. She is not and can never be mine. My darkness can't ever break through her charms. I must be strong and keep away. I don't want to make her wilt. She is a song written for someone else.
Jeyn Roberts (Rage Within (Dark Inside, #2))
Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.
Salena Godden
If it is written in the books of providence", the sorceress said after a while, “that Geralt will find Ciri, then it will happen. Regardless of whether the witcher sets off into the mountains or sits in Toussaint. Predestination overtakes humans. Not vice versa. Do you understand that? Do you understand, Mr. Regis Terzieff-Godefroy?" "Better than you think, Miss Vigo.” The vampire turned the sausage link in his fingers. "However, you must excuse me, I do not accept that predestination is in some book, written by the hand of a great Demiurge, or the will of heaven, or the unalterable judgment of any providence. Rather, it is the result of many seemingly unconnected facts, events, and actions. I tend to agree with you that the predestination overtakes humans...and not only humans. However, I accept much less the view that it could not also be reversed. Because this view is a convenient fatalism. It is a paean to apathy and baseness on a feather bed and the charming warmth of a woman’s womb. In short, to live in a dream. Life, Miss Vigo may be a dream, may end in a dream ... But it's a dream that you must actively dream. Therefore, Miss Vigo, the road awaits us." "Go ahead." Fringilla stood up, almost as violent as Milva had recently. "As you wish! Snow, cold, and predetermination await you on the passes. And the atonement that you so urgently seem to need. Go ahead! But the witcher is staying here. In Toussaint! With me!" "I believe," the vampire replied calmly, "You are mistaken, Miss Vigo. The dream you dream with the witcher is, I confess with a bow, magical and beautiful. However, any dream that we dream for too long becomes a nightmare. And from it we awake with a scream.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Sugar,” Jake said, “I’ve wanted you since the first time you sassed me.” “I wanted to punch you in the nose.” He laughed and kissed her forehead. “My advertising skills left something to be desired.” “You rooked three unsuspecting women.” “I know.” He kissed her lips, taking his time. “I’m offering you a chance for payback.” “And that payback is sex?” He smelled awesome, like a hot, sexy man who’d been in a kitchen trying to please her. Or maybe please himself. With Jake, you never knew. He pulled her tighter against him, kissing her slowly, thoroughly. “I’d do my damnedest to make you a happy woman the second time I sold you something.” Sugar looked into Jake’s eyes. He was too hot, too sexy, almost taking her breath away. “I think your gravy’s burning.” “Nice try. I turned it off.” He tugged her hips against him, kissing her as if he’d never tasted anything as good as her mouth. Sugar moaned and let Jake hike her up on his waist. “If I’m moving too fast, say so. I’ll back off and feed you the best shrimp and steak dinner you’ve ever had. Just good friends breaking bread together.” Sugar gasped as Jake sank his teeth gently into her lower lip. Heat and warmth filled her, stealing her desire to tell him no about anything. “I’m not really that hungry.” His smile turned dangerous. “I am.
Tina Leonard (Hotter than Texas (Pecan Creek, #1))
When the wind stops, the trees still move, the way my heart creaks long after it bends. Iam always surprised at the aftereffect of being moved deeply by something. I can be hurt or disappointed or feel the warmth of being loved or the gentle sway of being temporarily left, and then I'm ready to chew on something else, seldom allowing for the feelings to digest completely. In fact, I've come to see that much of my confusion in life comes from giving my attention to the next thing too soon, and then wrapping new experience in the remnants of feeling that are not finished with me. For example, the other day I felt sad because an old friend is ill. I addressed my sadness directly and thought I'd been with this mood enough, so I continued on my way. The next day I found myself in the usual frustration of traffic and shopping, and the indifferent reactions of waitresses and clerks were suddenly making me sad. Or so I thought. Though it seems obvious here in the telling, it wasn't in the happening, and I spent a good deal of misguided energy wondering if it was time to change my lifestyle. But really I was feeling ripples of sadness about my friend's illness. The deeper lesson involves nature's sway: its approach, its impact, and, especially, its echo. Everything living encounters it, especially us in the unseeable ripples of what we think and feel. Being alive takes time.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Mr. Ram was a dedicated person—that means he didn’t let go of the things that were important to him. He was dedicated to Seniors Games Club every week. He got dressed up to go. Everyone knew he was serious about spending time with his friends, that’s how dressed up he was. He was dedicated to people. Even though he was a serious person, with a lot on his mind, he made sure to let you know he remembered you. Always. He smiled at jokes even if they were only sort of funny. He remembered that it was a person who was telling the joke, so he smiled for that person. He was dedicated to reading good books, even if they were from another generation or didn’t make complete sense to him. He read the first Harry Potter when he was ninety years old because someone told him it was good. He would have read the rest of the series if that someone had been able to find the large-type versions in the library for him.* He smiled one of his loudest smiles ever at the Shel Silverstein poem about a pet snowball. But his favorite Shel Silverstein poem was “The Little Boy and the Old Man.” Like the old man in the poem, he was dedicated to someone too, dedicated to helping her find out what the really important things for her were. What she should be dedicated to. She misses him but was happy to have had someone like him in her life. Thank you, Mr. Ram, for the warmth of your hand. *Someone still regrets that they didn’t find the rest of the HP books for him.
S.K. Ali (Saints and Misfits)
I resolved to come right to the point. "Hello," I said as coldly as possible, "we've got to talk." "Yes, Bob," he said quietly, "what's on your mind?" I shut my eyes for a moment, letting the raging frustration well up inside, then stared angrily at the psychiatrist. "Look, I've been religious about this recovery business. I go to AA meetings daily and to your sessions twice a week. I know it's good that I've stopped drinking. But every other aspect of my life feels the same as it did before. No, it's worse. I hate my life. I hate myself." Suddenly I felt a slight warmth in my face, blinked my eyes a bit, and then stared at him. "Bob, I'm afraid our time's up," Smith said in a matter-of-fact style. "Time's up?" I exclaimed. "I just got here." "No." He shook his head, glancing at his clock. "It's been fifty minutes. You don't remember anything?" "I remember everything. I was just telling you that these sessions don't seem to be working for me." Smith paused to choose his words very carefully. "Do you know a very angry boy named 'Tommy'?" "No," I said in bewilderment, "except for my cousin Tommy whom I haven't seen in twenty years..." "No." He stopped me short. "This Tommy's not your cousin. I spent this last fifty minutes talking with another Tommy. He's full of anger. And he's inside of you." "You're kidding?" "No, I'm not. Look. I want to take a little time to think over what happened today. And don't worry about this. I'll set up an emergency session with you tomorrow. We'll deal with it then." Robert This is Robert speaking. Today I'm the only personality who is strongly visible inside and outside. My own term for such an MPD role is dominant personality. Fifteen years ago, I rarely appeared on the outside, though I had considerable influence on the inside; back then, I was what one might call a "recessive personality." My passage from "recessive" to "dominant" is a key part of our story; be patient, you'll learn lots more about me later on. Indeed, since you will meet all eleven personalities who once roamed about, it gets a bit complex in the first half of this book; but don't worry, you don't have to remember them all, and it gets sorted out in the last half of the book. You may be wondering -- if not "Robert," who, then, was the dominant MPD personality back in the 1980s and earlier? His name was "Bob," and his dominance amounted to a long reign, from the early 1960s to the early 1990s. Since "Robert B. Oxnam" was born in 1942, you can see that "Bob" was in command from early to middle adulthood. Although he was the dominant MPD personality for thirty years, Bob did not have a clue that he was afflicted by multiple personality disorder until 1990, the very last year of his dominance. That was the fateful moment when Bob first heard that he had an "angry boy named Tommy" inside of him. How, you might ask, can someone have MPD for half a lifetime without knowing it? And even if he didn't know it, didn't others around him spot it? To outsiders, this is one of the most perplexing aspects of MPD. Multiple personality is an extreme disorder, and yet it can go undetected for decades, by the patient, by family and close friends, even by trained therapists. Part of the explanation is the very nature of the disorder itself: MPD thrives on secrecy because the dissociative individual is repressing a terrible inner secret. The MPD individual becomes so skilled in hiding from himself that he becomes a specialist, often unknowingly, in hiding from others. Part of the explanation is rooted in outside observers: MPD often manifests itself in other behaviors, frequently addiction and emotional outbursts, which are wrongly seen as the "real problem." The fact of the matter is that Bob did not see himself as the dominant personality inside Robert B. Oxnam. Instead, he saw himself as a whole person. In his mind, Bob was merely a nickname for Bob Oxnam, Robert Oxnam, Dr. Robert B. Oxnam, PhD.
Robert B. Oxnam (A Fractured Mind: My Life with Multiple Personality Disorder)
If, uh, Luce wants to get out, someone's gonna have to help her down from the window." She drummed her fingers on the table, looking sheepish. "I made a library book barricade near the entrance in case any of the Sword & Cross-eyeds felt inclined to disrupt us." "Dibs." Cam already had his arm slipped through the crook of Luce's elbow. She started to argue, but none of the other angels seemed to think it was a bad idea. Daniel didn't even notice. Near the back exit, Shelby and Miles both mouthed Be careful to Luce with varying degrees of fierceness. Cam walked her to the window, radiating warmth with his smile. He slid the glass pane up and together they looked out at the campus where they'd met, where they'd grown close, where he'd tricked her into kissing him. They weren't all bad memories... He hopped through the window first, landing smoothly on the ledge, and he held out a hand for hers. "Milady." His grip was strong and it made her feel tiny and weightless as Cam drifted down from the ledge, two stories in two seconds. His wings were concealed, but he still moved as gracefully as if he were flying. They landed softly on the dewy grass. "I take it you don't want my company," he said. "At the cemetery-not, you know, in general." "Right. No, thanks." He looked away and reached into his pocket, pulled out a tiny silver bell. It looked ancient, with Hebrew writing on it. He handed it to her. "Just ring when you want a lift back up." "Cam," Luce said. "What is my role in all of this?" Cam reached out to touch her cheek, then seemed to think better of it. His hand hovered in the air. "Daniel's right. It isn't our place to tell you." He didn't wait for her response-just bent his knees and soared off the ground. He didn't even look back.
Lauren Kate (Rapture (Fallen, #4))
I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
Isn't that a beautiful tale, grandfather," said Heidi, as the latter continued to sit without speaking, for she had expected him to express pleasure and astonishment. "You are right, Heidi; it is a beautiful tale," he replied, but he looked so grave as he said it that Heidi grew silent herself and sat looking quietly at her pictures. Presently she pushed her book gently in front of him and said, "See how happy he is there," and she pointed with her finger to the figure of the returned prodigal, who was standing by his father clad in fresh raiment as one of his own sons again. A few hours later, as Heidi lay fast asleep in her bed, the grandfather went up the ladder and put his lamp down near her bed so that the light fell on the sleeping child. Her hands were still folded as if she had fallen asleep saying her prayers, an expression of peace and trust lay on the little face, and something in it seemed to appeal to the grandfather, for he stood a long time gazing down at her without speaking. At last he too folded his hands, and with bowed head said in a low voice, "Father, I have sinned against heaven and before thee and am not worthy to be called thy son." And two large tears rolled down the old man's cheeks. Early the next morning he stood in front of his hut and gazed quietly around him. The fresh bright morning sun lay on mountain and valley. The sound of a few early bells rang up from the valley, and the birds were singing their morning song in the fir trees. He stepped back into the hut and called up, "Come along, Heidi! the sun is up! Put on your best frock, for we are going to church together!" Heidi was not long getting ready; it was such an unusual summons from her grandfather that she must make haste. She put on her smart Frankfurt dress and soon went down, but when she saw her grandfather she stood still, gazing at him in astonishment. "Why, grandfather!" she exclaimed, "I never saw you look like that before! and the coat with the silver buttons! Oh, you do look nice in your Sunday coat!" The old man smiled and replied, "And you too; now come along!" He took Heidi's hand in his and together they walked down the mountain side. The bells were ringing in every direction now, sounding louder and fuller as they neared the valley, and Heidi listened to them with delight. "Hark at them, grandfather! it's like a great festival!" The congregation had already assembled and the singing had begun when Heidi and her grandfather entered the church at Dorfli and sat down at the back. But before the hymn was over every one was nudging his neighbor and whispering, "Do you see? Alm-Uncle is in church!" Soon everybody in the church knew of Alm-Uncle's presence, and the women kept on turning round to look and quite lost their place in the singing. But everybody became more attentive when the sermon began, for the preacher spoke with such warmth and thankfulness that those present felt the effect of his words, as if some great joy had come to them all.
Johanna Spyri (Heidi (Heidi, #1-2))