Sap Innovation Quotes

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He joined SAP in 2002. Industry observers say that Mr Sikka quickly developed a reputation for introducing innovative products to the German group, especially in fast›growing areas such as cloud computing and data analytics. He became chief technology officer in 2007, and also took a position on the group’s executive board before leaving this May. “He is seen as the brain behind SAP’s cloud›based developments, a guy who is ahead of his time,
Anonymous
Few people have physically and emotionally survived more than one SAP implementation project.42
Clayton M. Christensen (The Innovator's Prescription: A Disruptive Solution for Health Care)
There’s an obvious limit to stress-induced innovation. There’s a delicate balance between helpful stress and crippling disaster. The latter prevents innovation as resources are sapped and people turn their attention from getting out of a crisis to merely surviving it.
Morgan Housel (Same as Ever: A Guide to What Never Changes)
In today's rapidly changing business landscape, organizations are under constant pressure to adapt, innovate, and make data-driven decisions. To meet these challenges head-on, many companies turn to SAP (Systems, Applications, and Products) software, a leading enterprise resource planning (ERP) solution. At the heart of SAP real-time projects lies the fundamental premise of leveraging technology to address complex business challenges. These projects aim to harness the capabilities of SAP software to optimize processes, streamline operations, and enhance decision-making. They are not mere simulations but practical, hands-on applications within live business environments. Each real-time project revolves around a specific business goal, and its success is often gauged by the extent to which these objectives are achieved. SAP real-time projects are as diverse as the organizations that undertake them. They encompass a variety of initiatives, each tailored to meet specific business needs.
chicknandu
I WOULD OFTEN think back to that Santelli clip, which foreshadowed so many of the political battles I’d face during my presidency. For there was at least one sideways truth in what he’d said: Our demands on the government had changed over the past two centuries, since the time the Founders had chartered it. Beyond the fundamentals of repelling enemies and conquering territory, enforcing property rights and policing issues that property-holding white men deemed necessary to maintain order, our early democracy had largely left each of us to our own devices. Then a bloody war was fought to decide whether property rights extended to treating Blacks as chattel. Movements were launched by workers, farmers, and women who had experienced firsthand how one man’s liberty too often involved their own subjugation. A depression came, and people learned that being left to your own devices could mean penury and shame. Which is how the United States and other advanced democracies came to create the modern social contract. As our society grew more complex, more and more of the government’s function took the form of social insurance, with each of us chipping in through our tax dollars to protect ourselves collectively—for disaster relief if our house was destroyed in a hurricane; unemployment insurance if we lost a job; Social Security and Medicare to lessen the indignities of old age; reliable electricity and phone service for those who lived in rural areas where utility companies wouldn’t otherwise make a profit; public schools and universities to make education more egalitarian. It worked, more or less. In the span of a generation and for a majority of Americans, life got better, safer, more prosperous, and more just. A broad middle class flourished. The rich remained rich, if maybe not quite as rich as they would have liked, and the poor were fewer in number, and not as poor as they’d otherwise have been. And if we sometimes debated whether taxes were too high or certain regulations were discouraging innovation, whether the “nanny state” was sapping individual initiative or this or that program was wasteful, we generally understood the advantages of a society that at least tried to offer a fair shake to everyone and built a floor beneath which nobody could sink.
Barack Obama (A Promised Land)
IT has been said that pottery is not a medium that can express any very significant concept; that the technical processes which necessarily follow the artist’s work blur his line and color, destroying fine differences and taking away from the immediacy of his touch; that it is at its best when it is anonymous form and color; that in “personal” ceramics gaiety, decorativeness, and fantasy can survive but not much else; and that quite apart from the limitations of size and surface the ceramic equivalent of a “Guernica” is unthinkable. And in this particular case it has also been said that in the course of years the dispersion of Picasso’s energy over some thousands of minor objects encouraged his facility and, by sapping his concentration, did lasting damage to his creative power. This seems to me to overstate the case: but although I love many of the Picasso vases, figurines, and dishes I have seen I think few people would place his ceramics on the same level as his drawing, painting, or sculpture. It may be that he did not intend to express more than in fact he did express: or it may be that Picasso was no more able to perform the impossible than another man—that neither he nor anyone else could do away with the inherent nature of baked clay. Yet even if one were to admit that pottery cannot rise much above gaiety, fantasy, and decoration (and there are Sung bottles by the thousand as evidence to the contrary, to say nothing of the Greek vases), what a range is there! Picasso certainly thought it wide enough, and he worked on and on, learning and innovating among the wheels, the various kilns, and the damp mounds of clay in the Ramiés’ Madoura pottery, taking little time off for anything except some studies of young Claude, a certain number of lithographs and illustrations, particularly for Reverdy’s Le Chant des Morts, and for Góngora. He had always valued Góngora and this selection
Patrick O'Brian (Picasso: A Biography)
Post-independence, economic challenges have deepened a sense of dependency in many African nations. A significant number of these economies still rely heavily on foreign aid, multinational corporations, and international financial institutions. While external support and investment contribute to development, they have also fostered a mindset where economic progress is often seen as something driven by outside forces, rather than through local innovation and self-reliance. For years, structural adjustment programs (SAPs) imposed by institutions like the International Monetary Fund (IMF) and the World Bank have shaped economic policies across the continent, often with harmful consequences. These programs frequently resulted in a loss of economic autonomy, reinforcing the belief that financial solutions must come from external sources. This has profoundly influenced how both leaders and citizens perceive their ability to take control of their economic futures.
George K'Opiyo