β
Memories warm you up from the inside. But they also tear you apart.
β
β
Haruki Murakami (Kafka on the Shore)
β
Give a man a fire and he's warm for a day, but set fire to him and he's warm for the rest of his life.
β
β
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
β
Happiness is a warm puppy.
β
β
Charles M. Schulz
β
Love is a fire. But whether it is going to warm your hearth or burn down your house, you can never tell.
β
β
Joan Crawford
β
When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares.
β
β
Henri J.M. Nouwen (Out of Solitude: Three Meditations on the Christian Life)
β
Deep in the meadow, hidden far away
A cloak of leaves, a moonbeam ray
Forget your woes and let your troubles lay
And when it's morning again, they'll wash away
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet and tomorrow brings them true
Here is the place where I love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I get a warm feeling among my books.
β
β
Anthony Powell
β
If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry.
β
β
Emily Dickinson
β
A great fire burns within me, but no one stops to warm themselves at it, and passers-by only see a wisp of smoke
β
β
Vincent van Gogh
β
Thereβs something disturbing about recalling a warm memory and feeling utterly cold.
β
β
Gillian Flynn (Gone Girl)
β
In times of storm and tempest, of indecision and desolation, a book already known and loved makes better reading than something new and untried ... nothing is so warming and companionable.
β
β
Elizabeth Goudge
β
They spoke very little of their mutual feeling; pretty phrases and warm expressions being probably unnecessary between such tried friends.
β
β
Thomas Hardy (Far From the Madding Crowd)
β
My heart is warm with the friends I make,
And better friends I'll not be knowing,
Yet there isn't a train I wouldn't take,
No matter where it's going.
β
β
Edna St. Vincent Millay (The Selected Poetry)
β
You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.
β
β
Anne Lamott (Bird by Bird)
β
Taking oneβs chances is like taking a bath, because sometimes you end up feeling comfortable and warm, and sometimes there is something terrible lurking around that you cannot see until it is too late and you can do nothing else but scream and cling to a plastic duck.
β
β
Lemony Snicket
β
How we need another soul to cling to, another body to keep us warm. To rest and trust; to give your soul in confidence: I need this, I need someone to pour myself into.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
If I read a book and it makes my whole body so cold no fire can warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only ways I know it. Is there any other way?
β
β
Emily Dickinson (Selected Letters)
β
Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives... and to the "good life", whatever it is and wherever it happens to be.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman (Fear & Loathing Letters, #1))
β
After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.
β
β
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
β
we would be together and have our books and at night be warm in bed together with the windows open and the stars bright.
β
β
Ernest Hemingway (A Moveable Feast)
β
Homework is not an option. My bed is sending out serious nap rays. I can't help myself. The fluffy pillows and warm comforter are more powerful than I am. I have no choice but to snuggle under the covers.
β
β
Laurie Halse Anderson (Speak)
β
Dear God," she prayed, "let me be something every minute of every hour of my life. Let me be gay; let me be sad. Let me be cold; let me be warm. Let me be hungry...have too much to eat. Let me be ragged or well dressed. Let me be sincere - be deceitful. Let me be truthful; let me be a liar. Let me be honorable and let me sin. Only let me be something every blessed minute. And when I sleep, let me dream all the time so that not one little piece of living is ever lost.
β
β
Betty Smith (A Tree Grows in Brooklyn)
β
The winds were warm about us, the whole earth seemed the wealthier for our love.
β
β
Harriet Prescott Spofford (The Amber Gods and Other Stories)
β
Of all the preposterous assumptions of humanity over humanity, nothing exceeds most of the criticisms made on the habits of the poor by the well-housed, well- warmed, and well-fed.
β
β
Herman Melville
β
You know,β he said, βthis is why I love you so much.β
Her tone was heartbreakingly warm. βWhat do you mean?β
You donβt ask me to go inside because itβs cold. You just want to make it easier for me to be where I want to stand.
β
β
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
β
I've got a bad case of the 3:00 am guilts - you know, when you lie in bed awake and replay all those things you didn't do right? Because, as we all know, nothing solves insomnia like a nice warm glass of regret, depression and self-loathing.
β
β
D.D. Barant (Dying Bites (The Bloodhound Files, #1))
β
The animal merely makes a bed, which he warms with his body in a sheltered place; but man, having discovered fire, boxes up some air in a spacious apartment, and warms that, instead of robbing himself, makes that his bed, in which he can move about divested of more cumbrous clothing, maintain a kind of summer in the midst of winter, and by means of windows even admit the light and with a lamp lengthen out the day.
β
β
Henry David Thoreau
β
We ate well and cheaply and drank well and cheaply and slept well and warm together and loved each other.
β
β
Ernest Hemingway (A Moveable Feast)
β
When her body first hit the net, all I registered was a gray blur. I pulled her across it and her hand was small, but warm, and then she stood before me, short and thin and plain and in all ways unremarkable- except that she had jumped first. The stiff had jumped first.
Even I didn't jump first.
Her eyes were so stern, so insistent.
Beautiful.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselves and warmed the paper and ink inside the covers so that the smell of unread words hung in the air.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Do you want me to call you Celery Stick instead of Cupcake or Honey-Pie? It just doesnβt inspire the same warm and fuzzy feelings.
β
β
Richelle Mead (The Indigo Spell (Bloodlines, #3))
β
I fell for her in summer, my lovely summer girl,
From summer she is made, my lovely summer girl,
Iβd love to spend a winter with my lovely summer girl,
But Iβm never warm enough for my lovely summer girl,
Itβs summer when she smiles, Iβm laughing like a child,
Itβs the summer of our lives; weβll contain it for a while
She holds the heat, the breeze of summer in the circle of her hand
Iβd be happy with this summer if itβs all we ever had.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I want to change my punctuation. I long for exclamation marks, but I'm drowning in ellipses.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
You smell good," he whispered into my neck. He was warm against me. Instinctively, I arched back into him and smiled.
"Really?"
"Mmm-hmm. Delicious. Like bacon.
β
β
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
β
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
It is because I think so much of warm and sensitive hearts, that I would spare them from being wounded.
β
β
Charles Dickens (Oliver Twist)
β
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
β
β
John Green (Paper Towns)
β
You once said you loved me. Do you still?"
My sister is watching this exchange between us. She smiles warmly at me, giving me the strength to tell him the truth. "I never stopped loving you. Even when I tried desperately to forget you. I couldn't.
β
β
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
β
In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, everything collapses.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
Elegant, feminine, and utterly wild. Warm, and steadfastβunbreakable, his queen.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
You know what?β His breath was warm against my cheek. βThere are a lot of stupid things to do, but I really want to do the stupidest thing possible.β
βWhatβs that?β
βI want to kiss you.
β
β
Jennifer L. Armentrout (Pure (Covenant, #2))
β
He felt warm and familiar. He felt solid and safe. I wanted to cling to his shirt, bury my face into the warm curve of his neck, and never let go.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Lies are neither bad nor good. Like a fire they can either keep you warm or burn you to death, depending on how they're used.
β
β
Max Brooks (World War Z: An Oral History of the Zombie War)
β
There may be a great fire in our soul, yet no one ever comes to warm himself at it, and the passers-by see only a wisp of smoke.
β
β
Vincent van Gogh
β
Yelena, you've driven me crazy. You've caused me considerable trouble and I've contemplated ending your life twice since I've known you." Valek's warm breath in my ear sent a shiver down my spine.
"But youβve slipped under my skin, invaded my blood and seized my heart.β
βThat sounds more like a poison than a person,β was all I could say. His confession had both shocked and thrilled me.
βExactly,β Valek replied. βYou have poisoned me.
β
β
Maria V. Snyder (Poison Study (Study, #1))
β
Emilia," he says, and when he does, it warms me to my soul. "Every day you save me.
β
β
Katja Millay (The Sea of Tranquility)
β
When we get our money, you can burn kruge to keep you warm."
"I'm going to pay someone to burn my kruge for me."
"Why don't you pay someone else to pay someone to burn your kruge for you? That's what the big players do.
β
β
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β
Sometimes I have loved the peacefulness of an ordinary Sunday. It is like standing in a newly planted garden after a warm rain. You can feel the silent and invisible life.
β
β
Marilynne Robinson (Gilead (Gilead, #1))
β
If I had any choice in the matter, I'd stay in my comfy bed and eat warm chocolate chip cookies all day.
β
β
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
β
When I turn around, he cups my face in his hands and he kisses me so deeply that I don't know who is breathing for who, but his mouth and tongue taste like warm honey. I don't know how long it lasts, but when I let go of him, I miss it already.
β
β
Melina Marchetta (On the Jellicoe Road)
β
If nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of thatβwarm things, kind things, sweet thingsβhelp and comfort and laughterβand sometimes gay, kind laughter is the best help of all.
β
β
Frances Hodgson Burnett (A Little Princess)
β
You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
When you know my love, my love will warm you.
β
β
Ruby Dee
β
It is so rare in this world to meet a trustworthy person who truly wants to help you, and finding such a person can make you feel warm and safe, even if you are in the middle of a windy valley high up in the mountains.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
Of course, youβd warm up faster if you took your clothes off.
β
β
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
β
How we need that security. How we need another soul to cling to, another body to keep us warm. To rest and trust; to give your soul in confidence: I need this, I need someone to pour myself into.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
β
β
Bob Moorehead (Words Aptly Spoken)
β
She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
β
β
John Green (The Fault in Our Stars)
β
But this Scroll too has magical properties. From the moment I first saw it, the paper warmed to my touch. I know it came alive as I held it. Did you know thereβs a serpent on the back? Some say itβs a dragon. It winked at me. Its lashes are gold.
β
β
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
β
Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.
I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.
β
β
Jack Gilbert
β
There is no ideal world for you to wait around for. The world is always just what it is now, and it's up to you how you respond to it.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
Achilles was looking at me. βYour hair never quite lies flat, here.β He touched my head, just behind my ear. βI donβt think Iβve ever told you how I like it.β
My scalp prickled where his fingers had been. βYou havenβt,β I said.
βI should have.β His hand drifted down to the vee at the base of my throat, drew softly across the pulse. βWhat about this? Have I told you what I think of this, just here?β
βNo,β I said.
βThis surely then.β His hand moved across the muscles of my chest; my skin warmed beneath it. βHave I told you of this?β
βThat you have told me.β My breath caught a little as I spoke.
βAnd what of this?β His hand lingered over my hips, drew down the line of my thigh. βHave I spoken of it?β
βYou have.β
βAnd this? Surely I would not have forgotten this.β His catβs smile. βTell me I did not.β
βYou did not.β
βThere is this too.β His hand was ceaseless now. βI know I have told you of this.β
I closed my eyes. βTell me again,β I said.
β
β
Madeline Miller (The Song of Achilles)
β
This is my wish for you: Comfort on difficult days, smiles when sadness intrudes, rainbows to follow the clouds, laughter to kiss your lips, sunsets to warm your heart, hugs when spirits sag, beauty for your eyes to see, friendships to brighten your being, faith so that you can believe, confidence for when you doubt, courage to know yourself, patience to accept the truth, Love to complete your life.
β
β
Ralph Waldo Emerson
β
Deep in the meadow, under the willow
a bed of grass, a soft green pillow
lay down your head, and close your sleepy eyes
and when again they open, the sun will rise.
Hear it's safe, here it's warm
hear the daisies guard you from every harm
hear your dreams are sweet and tomorrow brings them true
hear is the place where i love you.
Deep in the meadow, hidden far away
a clock of leaves, a moonbeam ray
forget your woes and let your troubles lay
and when again it's morning, they'll wash away.
Hear it's safe, hears its' warm
hear the daises guard you from every harm
Hear your dreams are sweet and tomorrow bring them true
hear is the place where i love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
What wonderful thing didn't start out scary?
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
This is the first kiss that we're both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chilliest land
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.
β
β
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
β
Writing isn't letters on paper. It's communication. It's memory.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
I am a Jew. Hath
not a Jew eyes? hath not a Jew hands, organs,
dimensions, senses, affections, passions? fed with
the same food, hurt with the same weapons, subject
to the same diseases, healed by the same means,
warmed and cooled by the same winter and summer, as
a Christian is? If you prick us, do we not bleed?
if you tickle us, do we not laugh? if you poison
us, do we not die? and if you wrong us, shall we not
revenge? If we are like you in the rest, we will
resemble you in that. If a Jew wrong a Christian,
what is his humility? Revenge. If a Christian
wrong a Jew, what should his sufferance be by
Christian example? Why, revenge. The villany you
teach me, I will execute, and it shall go hard but I
will better the instruction.
β
β
William Shakespeare
β
His breath was warm on her neck as he bent his head, resting his cheek against her hair. Her heart beat so quickly, and yet she felt utterly calmβas if she could have stayed there forever and not minded, stayed there forever and let the world fall apart around them. She pictured his fingers, pushing against that line of chalk, reaching for her despite the barrier between them.
β
β
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
β
I am Dead, but it's not so bad. I've learned to live with it.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, runningβthat's the way to live. All alone and free in the soft sands of the beach by the sigh of the sea out there, with the Ma-Wink fallopian virgin warm stars reflecting on the outer channel fluid belly waters. And if your cans are redhot and you can't hold them in your hands, just use good old railroad gloves, that's all.
β
β
Jack Kerouac (The Dharma Bums)
β
Sleep would be so welcome. A warm blanket of black to erase everything else. Sleep without dreams. I've heard people talk about the sleep of the dead. Is that what death would feel like? The nicest, warmest, heaviest never-ending nap? If that's what it's like, I wouldn't mind. If that's what dying is like, I wouldn't mind that at all.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
This evening I spied her in the back orchard. I decided to sacrifice one of my better old shirts and carried it out to her. The weatherβs been warm of late. Buds on the apple trees are ready to burst. Usually by this time of the year, at that time of day, the back orchard is full of screaming children. Damutβs boys were the only two. They were on the terrace below her, running through the slanted sunlight, chasing each other around tree trunks. She stood above them, like a merlin watching rabbits play.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about...like that ashen, fantastic figure gliding toward him through the amorphous trees.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
These are the things I learned (in Kindergarten):
1. Share everything.
2. Play fair.
3. Don't hit people.
4. Put things back where you found them.
5. CLEAN UP YOUR OWN MESS.
6. Don't take things that aren't yours.
7. Say you're SORRY when you HURT somebody.
8. Wash your hands before you eat.
9. Flush.
10. Warm cookies and cold milk are good for you.
11. Live a balanced life - learn some and drink some and draw some and paint some and sing and dance and play and work everyday some.
12. Take a nap every afternoon.
13. When you go out into the world, watch out for traffic, hold hands, and stick together.
14. Be aware of wonder. Remember the little seed in the Styrofoam cup: The roots go down and the plant goes up and nobody really knows how or why, but we are all like that.
15. Goldfish and hamster and white mice and even the little seed in the Styrofoam cup - they all die. So do we.
16. And then remember the Dick-and-Jane books and the first word you learned - the biggest word of all - LOOK.
β
β
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
β
CHORONZON: I am a dire wolf, prey-stalking, lethal prowler.
MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing.
CHORONZON: I am a horsefly, horse-stinging, hunter-throwing.
MORPHEUS: I am a spider, fly-consuming, eight legged.
CHORONZON: I am a snake, spider-devouring, posion-toothed.
MORPHEUS: I am an ox, snake-crushing, heavy-footed.
CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying.
MORPHEUS: I am a world, space-floating, life-nurturing.
CHORONZON: I am a nova, all-exploding... planet-cremating.
MORPHEUS: I am the Universe -- all things encompassing, all life embracing.
CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord?
MORPHEUS: I am hope.
β
β
Neil Gaiman (Preludes & Nocturnes (The Sandman, #1))
β
Just how destructive does a culinary preference have to be before we decide to eat something else? If contributing to the suffering of billions of animals that live miserable lives and (quite often) die in horrific ways isn't motivating, what would be? If being the number one contributor to the most serious threat facing the planet (global warming) isn't enough, what is? And if you are tempted to put off these questions of conscience, to say not now, then when?
β
β
Jonathan Safran Foer (Eating Animals)
β
For, after all, you do grow up, you do outgrow your ideals, which turn to dust and ashes, which are shattered into fragments; and if you have no other life, you just have to build one up out of these fragments. And all the time your soul is craving and longing for something else. And in vain does the dreamer rummage about in his old dreams, raking them over as though they were a heap of cinders, looking in these cinders for some spark, however tiny, to fan it into a flame so as to warm his chilled blood by it and revive in it all that he held so dear before, all that touched his heart, that made his blood course through his veins, that drew tears from his eyes, and that so splendidly deceived him!
β
β
Fyodor Dostoevsky (White Nights and Other Stories)
β
Sam came around the side of the car and stopped dead when he saw me. βOh my God, what is THAT?β I used my thumb and middle finger to flick the multicolored pom-pom on top of my head. βIn my language, we call it a HAT. It keeps my ears warm.β βOh my God,β Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. βItβs horribly cute.β He kissed me, looked at the hat, and then he kissed me again. I vowed never to lose the pom-pom hat.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
His chest, heaving harder this time. His words, almost gasping this time. βYou destroy me.β
I am falling to pieces in his arms.
My fists are full of unlucky pennies and my heart is a jukebox demanding a few nickels and my head is flipping quarters heads or tails heads or tails heads or tails heads or tails
βJuliette,β he says, and he mouths the name, barely speaking at all, and heβs pouring molten lava into my limbs and I never even knew I could melt straight to death.
βI want you,β he says. He says βI want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.β He says it like itβs a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says βItβs never been a secret. Iβve never tried to hide that from you. Iβve never pretended I wanted anything less.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
β
β
Stephen Fry
β
I should go," I said thickly. "Let me know when you want to start practice again. And thanks for...talking."
I started to turn; then I heard him say abruptly, "No."
I glanced back. "What?"
He held my gaze, and something warm and wonderful and powerful shot between us.
"No," he repeated. "I told her no."
"I..." I shut my mouth before my jaw hit the floor. "But...why? That was a once-in-a-lifetime thing. You could have had a baby. And she...she was, you know, into you..."
The ghost of a smile flickered on his face. "Yes, she was. Is. And that's why I had to say no. I couldn't return that...couldn't give her what she wanted. Not when..." He took a few steps toward me. "Not when my heart is somewhere else.
β
β
Richelle Mead (Frostbite (Vampire Academy, #2))
β
I walked past Malison, up Lower Main to Main and across the road. I didnβt need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Β
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. βDo you like living in the High Lordβs kitchens?β
He, of course, replied, βNo.β
βWell, weβre going to a better place.β
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calecβs cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. βItβs a graveyard.β
βAre you afraid of ghosts?β I asked.
βMy fatherβs a ghost,β he whispered.
I asked if he wanted to learn how to throw a knife. He said, βYes,β as I knew he would.Β He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. Iβd spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Β
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
βArenβt you going to show me?β Malison prompted, as if to echo my prayer.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
How did I love her?
Let me count the ways.
The freckles on her nose like the shadow of a shadow; the way she chewed on her lower lip when she walked and how when she ran she looked like she was born going fast and how she fit perfectly against my chest; her smell and the touch of her lips and her skin, which was always warm, and how she smiled.
Like she had a secret.
How she always made up words during Scrabble. Hyddym (secret music). Grofp (cafeteria food). Quaw (the sound a baby duck makes). How she burped her way through the alphabet once, and I laughed so hard I spat out soda through my nose.
And how she looked at me like I could save her from everything bad in the world.
This was my secret: she was the one who saved me.
β
β
Lauren Oliver (Requiem (Delirium, #3))
β
At dawn, when you have trouble getting out of bed, tell yourself: βI have to go to work β as a human being. What do I have to complain of, if Iβm going to do what I was born for β the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?β
So you were born to feel βniceβ? Instead of doing things and experiencing them? Donβt you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And youβre not willing to do your job as a human being? Why arenβt you running to do what your nature demands?
You donβt love yourself enough. Or youβd love your nature too, and what it demands of you.
β
β
Marcus Aurelius (Meditations)
β
He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. "I miss you."
This wasn't happening.
"I worry about you." He dipped his head and looked into my eyes. "I worry something stupid will happen and I won't be there and you'll be gone. I worry we won't ever get a chance and it's driving me out of my skull."
No, no, no, no.........
We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral.
Mad gold eyes stared into mine. "Do you miss me, Kate?"
I closed my eyes trying to shut him out. I could lie then we would be back to square one. Nothing would be resolved. I'd still be alone, hating him and wanting him.
He grabbed my shoulders and shook me once. "Do you miss me?"
I took the plunge. "Yes.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
Fang: βLet them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. Weβll come back out when theyβre all gone, done playing their games of world domination."
Max: βThatβs a great plan. Of course, by then we wonβt be able to go outside because weβll get fried by the lack of the ozone layer. Weβll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there wonβt be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there wonβt be amusement parks and museums and zoos and libraries and cute shoes! Weβll be like cavemen, trying to weave clothes out of plant fibers. Weβll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!β
Fang: βSo maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.β
Max: "I HATE YOU!!!"
Fang: "NO YOU DOOOOOON'T!!"
Voice: "You two are crazy about each other.
β
β
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
β
There are many different types of kisses. Thereβs a passionate kiss of farewellβlike the kind Rhett gave Scarlett when he went off to war. The kiss of I-canβt-really-be-with-you-but-I-want-to-beβlike with Superman and Lois Lane. Thereβs the first kissβone that is gentle and hesitant, warm and vulnerable. And then thereβs the kiss of possessionβwhich was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didnβt want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything Iβd ever felt before that we belonged together.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other.
And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs.
Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly.
I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else.
His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me.
I gasped.
Daemon stilled. No one moved. The clock on the wall ticked.
And I cringed.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer
β
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Iβm a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. Iβve been up linked and downloaded, Iβve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. Iβm a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
Iβm new wave, but Iβm old school and my inner child is outward bound. Iβm a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so Iβm interactive, Iβm hyperactive and from time to time Iβm radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. Iβm on-point, on-task, on-message and off drugs. Iβve got no need for coke and speed. I've got no urge to binge and purge. Iβm in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. Iβm a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
Iβve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You canβt shut me up. You canβt dumb me down because Iβm tireless and Iβm wireless, Iβm an alpha male on beta-blockers.
Iβm a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! Iβm a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and Iβve got a love-child that sends me hate mail.
But, Iβm feeling, Iβm caring, Iβm healing, Iβm sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! Iβm gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the βFβ word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. Iβm toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. Iβve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
Iβm a rude dude, but Iβm the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. Iβve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I donβt snooze, so I donβt lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. Iβm hangin in, there ainβt no doubt and Iβm hangin tough, over and out!
β
β
George Carlin
β
Having a Coke with You
is even more fun than going to San Sebastian, IrΓΊn, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when Iβm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 oβclock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway itβs in the Frick
which thank heavens you havenβt gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didnβt pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
β
β
Frank O'Hara
β
Weβre so self-important. Everybodyβs going to save something now. βSave the trees, save the bees, save the whales, save those snails.β And the greatest arrogance of all: save the planet. Save the planet, we donβt even know how to take care of ourselves yet. Iβm tired of this shit. Iβm tired of f-ing Earth Day. Iβm tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there arenβt enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists donβt give a shit about the planet. Not in the abstract they donβt. You know what theyβre interested in? A clean place to live. Their own habitat. Theyβre worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesnβt impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles β¦ hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages β¦ And we think some plastic bags and some aluminum cans are going to make a difference? The planet isnβt going anywhere. WE are!
Weβre going away. Pack your shit, folks. Weβre going away. And we wonβt leave much of a trace, either. Maybe a little Styrofoam β¦ The planetβll be here and weβll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planetβll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after weβre gone, and it will heal itself, it will cleanse itself, βcause thatβs what it does. Itβs a self-correcting system. The air and the water will recover, the earth will be renewed. And if itβs true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesnβt share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didnβt know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, βWhy are we here?β
Plastic⦠asshole.
β
β
George Carlin
β
Van Houten,
Iβm a good person but a shitty writer. Youβre a shitty person but a good writer. Weβd make a good team. I donβt want to ask you any favors, but if you have time β and from what I saw, you have plenty β I was wondering if you could write a eulogy for Hazel. Iβve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Hereβs the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. Thatβs what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, βTheyβll remember me now,β but (a) they donβt remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe Iβm not such a shitty writer. But I canβt pull my ideas together, Van Houten. My thoughts are stars I canβt fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I canβt stop pissing on fire hydrants. I know itβs silly and useless β epically useless in my current state β but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: Weβre as likely to hurt the universe as we are to help it, and weβre not likely to do either.
People will say itβs sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But itβs not sad, Van Houten. Itβs triumphant. Itβs heroic. Isnβt that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway arenβt the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didnβt actually invented anything. He just noticed that people with cowpox didnβt get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors werenβt allowed, and I asked if she was doing okay, and the guy said, βSheβs still taking on water.β A desert blessing, an ocean curse.
What else? She is so beautiful. You donβt get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You donβt get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
β
β
John Green (The Fault in Our Stars)