Warming Her Pearls Quotes

We've searched our database for all the quotes and captions related to Warming Her Pearls. Here they are! All 32 of them:

Later she sat on the ground in the forest between school and home, and spring was so bright and beautiful, the warm air touched her so tenderly, she could almost feel herself changing into a flower. Her light dress felt like petals. "I love everything," she heard herself say. "So do I," a voice answered. Pearl straightened up and looked around. No one was there.
William Steig (The Amazing Bone)
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
May yours be the sparkle of light on the ocean, The whisper of foam on the sea, The warm sand guiding your feet safely home, A pebble in your pocket from me. Some sea glass, a starfish, some driftwood, a whelk, Treasures washed up on the shore. A flower, a feather, an urchin, a pearl, Keep your eyes open for more. May you know yourself held in the palm of Her hand, Blessed by the waves wild and free, Blown by the wind, anointed with salt, Beloved of She of the Sea.
Lucy H. Pearce (She of the Sea)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
They had paused before the table on which the bride’s jewel were displayed, and Lily’s heart gave an envious throb as she caught the refraction of light from their surfaces – the milky gleam of perfectly matched pearls, the flash of rubies relieved against contrasting velvet, the intense blue rays of sapphires kindled into light by surrounding diamonds: all these precious tints enhanced and deepened by the varied art of their setting. The glow of the stones warmed Lily’s veins like wine. More completely than any other expression of wealth they symbolized the life she longed to lead, the life of fastidious aloofness and refinement in which every detail should have the finish of a jewel, and the whole form a harmonious setting to her own jewel-like rareness.
Edith Wharton (The House of Mirth)
Her thoughts pulsated through him, frantic, desperate, pleading for him to stay behind. “I won’t—can’t,” he murmured. “If you’re going, so am I.” She exhaled a laborious sigh and flung her arms around his neck; her warm breath fanned over his skin as she tightened her grip. “If you die, Andrew, I’ll track you across multiple dimensions just to say I warned you,” she cautioned, voice tender.
Laura Kreitzer (Key of Pearl (Timeless, #4.5))
Certain stories are recounted so many times that they become parched of meaning, stories like those concerning the girl and her wolf in the woods, the cinder-smudged princess, the monstrous beauty who vomits pearls with every sob. Others, however, are kept from taverns and wine-warmed conversations, catalogued but rarely recited. Complicated stories with no easy ending, stories that remind us karmic debt is a contrivance of despair, that there is nothing fair or sweet about this world.
Cassandra Khaw (The Salt Grows Heavy)
Anon his heart revives: her vespers done, Of all its wreathed pearls her hair she frees; Unclasps her warmed jewels one by one; Loosens her fragrant boddice; by degrees Her rich attire creeps rustling to her knees: Half-hidden, like a mermaid in sea-weed, Pensive awhile she dreams awake, and sees, In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.
John Keats
She was still on the stairs, now she reached the landing, and the ragbag colors of her boy’s hair, tawny streaks, strands of albino-blond and yellow, caught the hall light. It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks.
Truman Capote (Breakfast at Tiffany's and Three Stories)
I put my hand over Matilda's, caressing the little blue veins that swam just below the skin and squeezing the chunky black pearl-and-diamond ring that adorned her middle finger. Happiness washed over me. We were in a magical place between warm sky and cool grass, between a soft cashmere blanket and a glittering sky. There were so many stars they seemed to rain like confetti at a celebration, and I felt as if Matilda and I were its guests of honor.
Alex Brunkhorst (The Gilded Life of Matilda Duplaine)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I'll brush her hair. At six, I place them round her cool, white throat. All day I think of her, resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope. She's beautiful. I dream about her in my attic bed; picture her dancing with tall men, puzzled by my faint, persistent scent beneath her French perfume, her milky stones. I dust her shoulders with a rabbit's foot, watch the soft blush seep through her skin like an indolent sigh. In her looking-glass my red lips part as though I want to speak. Full moon. Her carriage brings her home. I see her every movement in my head.... Undressing, taking off her jewels, her slim hand reaching for the case, slipping naked into bed, the way she always does.... And I lie here awake, knowing the pearls are cooling even now in the room where my mistress sleeps. All night I feel their absence and I burn.
Carol Ann Duffy
Eleanor unpacked the picnic basket and spread Mrs. Stevenson's goodies across it. As the sun rose higher in the sky, the four of them ate ham sandwiches and Cox's Orange Pippins and far too much cake, washing it all down with fresh ginger beer. Edwina watched the proceedings imploringly, snaffling up each small tidbit as it came her way. But really, the heat for October was uncanny! Eleanor undid the small pearl buttons at her wrist, rolling her sleeves back once, and then twice, so they sat in neat pleats. A somnolence had come over her after lunch, and she lay back on the blanket. Closing her eyes, she could hear the girls bickering lazily over the last slice of cake, but her attention drifted, sailing beyond them to pick out the 'plink' of water as gleaming trout leapt in the stream, the thrum of hidden crickets on the rim of the woods, the warm rustling of leaves in the nearby orchard. Each sound was an exaggeration, as if a bewitching spell had been cast over this small patch of land, like something from a fairy tale, one of Mr. Llewellyn's stories from her childhood.
Kate Morton (The Lake House)
Her room was darkened with the curtains drawn, but he could sense her inside, moving around quietly. Her heartbeat had turned languid; she must be preparing for bed. He cocked his head, listening intently. The closet door opened and shut, and there was the sound of running water. He held the goblet with such tense care his fingers began to ache. When she had turned the faucet off, he said telepathically, "Tess, come to your window." Startled, frozen silence. Then the languid pace of her heart exploded into a furious rhythm. For a moment, when she didn't move, he thought she might disobey and end their tenuous relationship. Then he heard the soft rustle of cloth, and the creak of floorboards. When she appeared in the darkened window, she looked shadowy, like the half-hidden, opaque moon, her skin pale like pearls and hair lustrous with darkness. She looked down at him but said nothing. He held the goblet up to show it to her. "Are you sure you want to give this to me?" Because it mattered. It mattered what she said. While the struggle made the offering sweet, it was the act of the gift itself that was the vital part of the covenant. She didn't respond for long moments. He stood motionless as he waited, until finally she moved to put her hand to the windowpane. "Yes." He inclined his head to her, brought the goblet to his lips and drank. Pure, undiluted power slid down his throat. Like the delicate skin at her wrist, it was warm and perfumed with her scent. Such precious, beautiful life.
Thea Harrison (Night's Honor (Elder Races, #7))
Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they'd moved to Miami they'd left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence. She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night's rise, an immense black curtain from the ocean. Up and down the beach they hear the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument- quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.
Diana Abu-Jaber (Birds of Paradise)
After sentencing, the wife was told to bring warm clothes, as he would be sent away, to serve his five year prison term. She understood that he was going to "the white bears," to Siberia. When she brought a suit, a coat, shirts and shoes, the prison official gave her instructions to cut off all buttons, no suspenders, no shoe laces. These precautions were supposed to protect the prisoner, to prevent him from committing suicide: not to swallow the buttons and not to hang himself on the shoe laces or the suspenders. That happened in August, 1940, less than two months after the Soviet takeover. It needs little imagination to understand how a person could shield himself from the frosts of Siberia, when he could not button the shirt or coat or lace his shoes. Instances of this nature filled our first months under Stalin's regime.
Pearl Fichman (Before Memories Fade)
The Everland night possessed a beauty unmatched in the lands of Men. In daylight, the sister suns warmed the world: Goldmantle, the elder sister, was the largest and most beautiful, her hue that of gilded bronze; Bright-Eye, the younger, was smaller, and she burned white-hot. They traveled across the sky-vault together, Bright-Eye’s heat tempered behind Goldmantle’s ample sphere, both looking down upon the Thresholds of the long-shattered Eld Green, ever-faithful sentinels over their fragmented kindred. It was the night, however, that truly revealed the Eld Green’s beauty. The Greatmoon, Pearl-in-Darkness, loomed large in the heavens. Even in the daytime the Greatmoon was an impressive sight, although only a milky shadow of his luminous radiance in the night. He
Daniel Heath Justice (The Way of Thorn and Thunder)
When Tina walks closer, as if smelling her scent––the creature's long neck juts up from lapping at Adam's ale. It has a face that is too wide for a human being's and its eyes are like perfectly round fish-eyes! Its gaze is so terrifying that Juniper arches her back instinctively, but is so scared that she is essentially paralyzed by its wide-eyed stare. Those empty crystalline eyes looking unwaveringly forward!   The creature that had once been perceivably angelic is now a walking horror show. Its nose is melded into its face, like a replica of the tender pink nose of a rabbit, and its lips are petite and taut. Drops of dew solidify on its mane, like a fleece of pearls. Juniper feels warm liquid running down her leg. This is the first time, since her dance with near-death, during her early childhood––that she has felt true fear. It looks straight at her, unblinking, like a deer in headlights would. But––the look isn't comparable to the livelihood of a stag or deer or anything resembling an animal or human! The vacant stare is beyond stomach churning. Even when the daylight's reflection on the water casts a shimmer upon its face: the eyes are endlessly deep and abyssal. Feeling as though they completely consume whoever they cast a glance upon. Consuming all of a person's essence, in a single gaze!
H.E. Rodgers (Juniper's Tree, Pt. 1: Apotheosis)
When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.
Kate Morton (The Lake House)
The girl put her hand in Nora’s. It felt so small and warm and it made her feel sad, the way it relaxed into her, as natural as a pearl in a shell.
Matt Haig (The Midnight Library)
Jackie Kennedy came into the ballroom in an exquisite gown of ivory satin embroidered with pearls. “I’m so sorry to hear you aren’t feelingwell,” she said, hurrying to Rosemary’s side. Rosemary explained about the mouse-bite, minimizing it so Jackie wouldn’t worry. “You’d better have your legs tied down,” Jackie said, “in case of convulsions.” “Yes, I suppose so,” Rosemary said. “There’s always a chance it was rabid.” She watched with interest as white-smocked interns tied her legs, and her arms too, to the four bedposts. “If the music bothers you,” Jackie said, “let me know and I’ll have it stopped.” “Oh, no,” Rosemary said. “Please don’t change the program on my account. It doesn’t bother me at all, really it doesn’t.” Jackie smiled warmly at her. “Try to sleep,” she said. “We’ll be waiting up on deck.” She withdrew, her satin gown whispering. Rosemary slept a while, and then Guy came in and began making love to her. He stroked her with both hands—a long, relishing stroke that began at her bound wrists, slid down over her arms, breasts, and loins, and became a voluptuous tickling between her legs. He repeated the exciting stroke again and again, his hands hot and sharp-nailed, and then, when she was ready-ready-more-than-ready, he slipped a hand in under her buttocks, raised them, lodged his hardness against her, and pushed it powerfully in.Bigger he was than always; painfully, wonderfully big. He lay forward upon her, his other arm sliding under her back to hold her, his broad chest crushing her breasts. (He was wearing, because it was to be a costume party, a suit of coarse leathery armor.) Brutally, rhythmically, he drove his new hugeness. She opened her eyes and looked into yellow furnace-eyes, smelled sulphur and tannis root, felt wet breath on her mouth, heard lust-grunts and the breathing of onlookers. This is no dream, she thought. This is real, this is happening. Protest woke in her eyes and throat, but something covered her face, smothering her in a sweet stench. The hugeness kept driving in her, the leathery body banging itself against her again and again and again. The Pope came in with a suitcase in his hand and a coat over his arm. “Jackie tells me you’ve been bitten by a mouse,” he said. “Yes,” Rosemary said. “That’s why I didn’t come see you.” She spoke sadly, so he wouldn’t suspect she had just had an orgasm. “That’s all right,” he said. “We wouldn’t want you to jeopardize your health.” “Am I forgiven, Father?” she asked. “Absolutely,” he said. He held out his hand for her to kiss the ring. Its stone was a silver filigree ball less than an inch in diameter; inside it, very tiny, Anna Maria Alberghetti sat waiting. Rosemary kissed it and the Pope hurried out to catch his plane.
Ira Levin (Rosemary’s Baby)
Endless Love! A beautiful, young, mountain girl who loved the sea, There she always longed to be, She dreamt of someday marrying a mariner, Then there would be just the sea and her sea smelling mariner, Years passed by and she grew prettier, And with every passing year her fondness for the sea grew deeper and deeper, On one sunny summer day, she found her mariner, She loved his smile, his curly hair, she loved him because he was just a mariner, They hugged, they kissed and they smiled, Life seemed perfect, as if exclusively for the two of them styled, They got married in the midst of summer flowers, she and the sea smelling mariner, Then both moved to live their lives together at the sea, the mountain girl and the mariner, In the evening the mariner’s return from work brought with him the sweet smelling sea, It was exactly the way the mountain girl always wanted it to be, The sea, the open skies, the ever moving waves and the lap of the mariner, Where she rested her head and smelled sea on the skin of the weary mariner, Who was never tired of the sea but only sometimes tired at the sea, For everyday it stared at him in million different ways and how he loved to see, The sunset, the sprightly fish and the winding shadows of the toiling mariner, Alas the mountain girl only fancied the sea and its traces in the mariner, And gradually she grew tired of the sea and its every memory, Of the mariner too, because he smelled of the sea and that left the mountain girl less merrier, The mountain girl only fancied what she ought to have loved- the sea and the mariner, For fascinations fade away, but the sea always stayed with the mariner, Now the girl loved to hate the sea, and how she despised it! And with it, the mariner too died at the sea, bit by bit. Everyday bit by bit, For the mariner loved the mountain girl just like the sea - the poor mariner, When he saw her love for the sea and him fading away it silently killed the mariner, The vast sea is still there and so is the majestic mountain, The girl has aged now and brimming with mariner’s love just like a perennial fountain, So every night when the tide is high, the sea silently welcomes the still young but long dead mariner, And his shadow gently descends upon the naked body of the time weary woman - the warm skin kissed by the cold shadow of the mariner, Now she smells just the mariner who infact was the sea and he always wanted to be her vast and beautiful sea, For this is who the mariner was and always wanted to be- the open and the endless sea, Sea of endless love and hope for the mountain girl, Where he would dive deep and retrieve only for her the rarest pearl, For he loved her true and endlessly under the vast sky, Alas the mountain girl took a while to realise that both the sea and the mountain shall always lie under the blue and sometimes dark sky, The dead mariner still loves to spread his shadow over her skin by and by, And silently whisper to her, “I love you more than the sea, the mountains and the never ending sky!
Javid Ahmad Tak (They Loved in 2075!)
Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.
Elizabeth Lim (When You Wish Upon a Star)
Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
Javid Ahmad Tak (They Loved in 2075!)
So, he was just making sure you're still alive and-' 'Breathing?' Hawke suggested, startling both of us. He stood a mere foot from where we sat, having moved with the stealth of a trained guard and the quiet of a ghost. 'Since I am responsible for keeping her alive, making sure she's breathing would be a priority.' My shoulders stiffened. How much had he overheard? Tawny made a poor attempt to smother her giggle with a napkin. 'I'm relieved to hear that.' 'If not, I'd be remiss in my duty, would I not?' 'Ah, yes, your duty.' She lowered her napkin. 'Between protecting Poppy with your life and limb and gathering spilled crystals, you're pretty busy.' 'Don't forget assisting weak Ladies in Wait to the nearest chair before they faint,' he suggested. Those strange, mesmerising eyes glinted with a hint of mischief, and I was... as transfixed with him as I'd been with the Ladies in Wait. This was the Hawke I'd met in the Red Pearl. A well of pain hidden behind a teasing and charming personality. 'I am a man of many talents.' 'I'm sure you are,' Tawny replied with a grin while I fought the urge to reach out with my senses. His gaze flicked to her, and the dimple in his right cheek appeared. 'Your faith in me warms my heart,' ...
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Certain stories are recounted so many times that they become parched of meaning, stories like those concerning the girl and her wolf in the woods, the cinder-smudged princess, the monstrous beauty who vomits pearls with every sob. Others, however, are kept from taverns and wine-warmed conversations, catalogued but rarely recited. Complicated stories with no easy ending, stories that remind us karmic debt is a contrivance of despair, that there is nothing fair or sweet about this world.
Cassandra Khaw (The Salt Grows Heavy)
She was a vision, there was no doubt of it, her face warm and pretty for all its years. It wasn’t gaunt so much as naturally angular, and her thinning lips were nearly brightened with rose lipstick, and her eyes, in spite of the fine wrinkles around them, were still vividly blue. The diamonds and pearls on her breast were stunning, and she wore several rich diamond rings on her long hands.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
What’s the matter,’ she asks, shakes you and the numbness from your limbs, pulls the towel away and bows. Once upon a time the child would clap at the end of the pantomime, now you stare into the trees, wish you could go back under the umbrella with her again, into the warm towel-cover where the world would shrink back into a trusty, old feeling. There you would tell her everything you’ve learnt about the lifecycle of dragonflies from books and observations in the moor over the last few years. With the rhythm of the drumming and dripping rain and in long sentences that would pearl out of your mouth like the beads of water from the umbrella, you would initiate her into the secret of the insect which lives a long and boring childhood on the bottom of the pond until the strange and the most dangerous moment of its life when in the early morning hours it has climbed up a reed, shed its old skin and stands defenceless before its enemies. The act of metamorphosis can go wrong if the young dragonfly’s still-awkward wings get caught in its skin or hung up on a thorn. Its first attempt at flight, the maiden flight, is clumsy, the insect a new-found snack for birds, for in this phase the adolescent dragonfly, called an imago, is completely concentrated on trying out its new body which is still somewhat familiar to it. But the higher it rises into the air, the more confident and elegant its circles become and soon enough it is able to get around the birds’ beaks and fly off into the moor from where, you say in the final line of your presentation, it comes and where it belongs.
Gunther Geltinger (Moor)
You won’t be needing that,” a low voice said just as she was about to put it around my neck. “What?” I turned to see Victor standing there, dressed in a pair of dark slacks and a maroon shirt with a black tie. The outfit looked oddly formal on him—probably because I’d never seen him in anything but jeans before. “I said you won’t be needing that.” He stepped into the room and motioned to the necklace that Addison was still holding. “Hello, Victor,” she said, nodding at him but standing her ground by my side. “Is wearing jewelry against were customs or something?” “No. I just have something else I want… I need Taylor to wear.” He held out one large hand and I saw a single strand of elegant pearls lying across his palm. “They’re beautiful,” I breathed, looking up at him. “Where did you get them?” “They were my mother’s,” he said roughly. “She… gave them to me when I was banished from my home pack.” He cleared his throat. “They’re supposed to be for my wife to wear on formal occasions. I understand if you don’t want to—” “Of course I’ll wear them,” I said quietly. I went to stand in front of him. “Would you put them on me?” He fastened them around my neck, and I shivered at the feel of his big, warm hands brushing my nape.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
Matthew emerged from sleep slowly, luxuriously. It must be nearly noon. He swam up from the depths of a calm warm sea. The glittering sea of the far south that he'd read about. A blue sea under a glorious sun. A sea full of pearls and exotic creatures and soft silky water. And mermaids. Indubitably there were mermaids in this sea. His particular mermaid slept naked in his arms. When he was inside her, she undulated in endless waves like a sea of pleasure.
Anna Campbell (Untouched)
She was distracted from her thoughts as he pulled something from one of his coat pockets, a flat rectangular leather case. "A present," Harry said, giving it to her. Her eyes rounded with surprise. "You didn't need to give me anything. Thank you. I didn't expect.. oh." This last as she opened the case and beheld a diamond necklace arranged on the velvet lining like a pool of glittering fire. It was a heavy garland of sparkling flowers and quatrefoil links. "Do you like it?" Harry asked casually. "Yes, of course, it's... breathtaking." Poppy had never imagined owning such jewelry. The only necklace she possessed was a single pearl on a chain. "Shall I... shall I wear it tonight?" "I think it would be appropriate with that gown." Harry took the necklace from the case, stood behind Poppy, and fastened it gently around her neck. The cold weight of the diamonds and the warm brush of his fingers at her nape elicited a shiver. He remained behind her, his hands settling lightly on the curves of her neck, moving in a warm stroke to the tops of her shoulders. "Lovely," he murmured. "Although nothing is as beautiful as your bare skin.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))