Ware Quotes

We've searched our database for all the quotes and captions related to Ware. Here they are! All 100 of them:

The sign was spray-painted in Arabic and English, probably from some attempt by the farmer to sell his wares in the market. The English read: Dates-best price. Cold Bebsi. "Bebsi?" I asked. "Pepsi," Walt said. "I read about it on the Internet. There's no 'p' in Arabic. Everyone here calls the soda Bebsi." "So you have to have Bebsi with your bizza?" "Brobably.
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
People don’t change,” Nina said bitterly. “They just get more punctilious about hiding their true selves.
Ruth Ware (In a Dark, Dark Wood)
The so-called consumer society and the politics of corporate capitalism have created a second nature of man which ties him libidinally and aggressively to the commodity form. The need for possessing, consuming, handling and constantly renewing the gadgets, devices, instruments, engines, offered to and imposed upon the people, for using these wares even at the danger of one’s own destruction, has become a “biological” need.
Herbert Marcuse
I peddle my wares as fast as I pedal my bicycle and petal my flowers, and that’s why my sales growth seems so slow. But given time, my brand will be in full bloom.
Jarod Kintz (This Book is Not for Sale)
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
A lie can outlast any truth.
Ruth Ware (The Lying Game)
Cheap grace means grace sold on the market like cheapjacks' wares. The sacraments, the forgiveness of sin, and the consolations of religion are thrown away at cut prices. Grace is represented as the Church's inexhaustible treasury, from which she showers blessings with generous hands, without asking questions or fixing limits. Grace without price; grace without cost! The essence of grace, we suppose, is that the account has been paid in advance; and, because it has been paid, everything can be had for nothing. Since the cost was infinite, the possibilities of using and spending it are infinite. What would grace be if it were not cheap?... Cheap grace is the preaching of forgiveness without requiring repentance, baptism without church discipline, Communion without confession, absolution without personal confession. Cheap grace is grace without discipleship, grace without the cross, grace without Jesus Christ, living and incarnate. Costly grace is the treasure hidden in the field; for the sake of it a man will go and sell all that he has. It is the pearl of great price to buy which the merchant will sell all his goods. It is the kingly rule of Christ, for whose sake a man will pluck out the eye which causes him to stumble; it is the call of Jesus Christ at which the disciple leaves his nets and follows him. Costly grace is the gospel which must be sought again and again, the gift which must be asked for, the door at which a man must knock. Such grace is costly because it calls us to follow, and it is grace because it calls us to follow Jesus Christ. It is costly because it costs a man his life, and it is grace because it gives a man the only true life. It is costly because it condemns sin, and grace because it justifies the sinner. Above all, it is costly because it cost God the life of his Son: "ye were bought at a price," and what has cost God much cannot be cheap for us. Above all, it is grace because God did not reckon his Son too dear a price to pay for our life, but delivered him up for us. Costly grace is the Incarnation of God.
Dietrich Bonhoeffer (The Cost of Discipleship)
In the midst of the lake Arthur was ware of an arm clothed in white samite, that held a fair sword in that hand.
Thomas Malory (Le Morte d'Arthur)
I've dug so deep into his background, I can practically tell you when he stopped waring diapers.
C.C. Hunter (Whispers at Moonrise (Shadow Falls, #4))
My friend Erin says we all have demons inside us, voices that whisper we're no good, that if we don't make this promotion or ace that exam we'll reveal to the world exactly what kind of worthless sacks of skin and sinew we really are Maybe that's true. Maybe mine just have louder voices.
Ruth Ware (The Woman in Cabin 10)
Conversation: A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.
Ambrose Bierce (The Devil's Dictionary and Other Works)
It was growing dark, and somehow the shadows made it feel as if all the trees had taken a collective step towards the house, edging in to shut out the sky.
Ruth Ware (In a Dark, Dark Wood)
It dropped so low in my regard I heard it hit the ground, And go to pieces on the stones At bottom of my mind; Yet blamed the fate that fractured, less Than I reviled myself For entertaining plated wares Upon my silver shelf.
Emily Dickinson (Selected Poems)
There is a fine line between compassion and a victim mentality. Compassion though is a healing force and comes from a place of kindness towards yourself. Playing the victim is a toxic waste of time that not only repels other people, but also robs the victim of ever knowing true happiness.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
I always thought that being self-sufficient was a strength, but now I realize it’s a kind of weakness, too.
Ruth Ware (In a Dark, Dark Wood)
Beware the goblin men and the wares they sell.
S. Jae-Jones (Wintersong (Wintersong, #1))
One of the most valuable things one of my art teachers said to me was, ‘Don’t get upset by criticism. Value the fact that at least someone noticed what you did.
Chris Ware
Let me guess - you're Grumpy?' He let out a humpf. ' And you would be too, if you'd just spent the last hour searching the forest for your wayward charge.' He walked even faster. 'We tell you to stay inside, we tell you not to talk to strangers. But oh no, you must be out singing to the animals as if the birds didn't do a fine enough job of it. And this after Queen Neferia has already tried to kill you thrice. [...] Which is why you are not to go shopping anymore, no matter how pretty the wares, remember?' Oh, right.' [...] when you looked at it that way, Snow White had to be pretty idiotic to keep falling for the same trick.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
You’re never an ex-addict, you’re just an addict who hasn’t had a fix in a while.
Ruth Ware (The Lying Game)
There’s a reason why we keep thoughts inside our heads for the most part—they’re not safe to be let out in public.
Ruth Ware (The Woman in Cabin 10)
Maybe that was closer to the truth--we weren't captor and captive, but two animals in different compartments of the same cage. Hers was just slightly larger.
Ruth Ware (The Woman in Cabin 10)
Some situations have no simple resolution; all we can do is steer the course that causes the least harm.
Ruth Ware (The Death of Mrs. Westaway)
There is always a gift in any challenge.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
All glory comes from daring to begin
Eugene Fitch Ware
We see that it is not the task of Christianity to provide easy answers to every question, but to make us progressively aware of a mystery. God is not so much the object of our knowledge as the cause of our wonder.
Kallistos Ware (The Orthodox Way)
There is absolutely no single aspect of one’s personality that is more important to develop than empathy, which is not a skill at which men typically are asked to excel. I believe empathy is not only the core of art, literature and music, but should also be at the core of society, from ethics to economics.
Chris Ware
Life doesn’t owe us anything. We only owe ourselves, to make the most of the life we are living, of the time we have left, and to live in gratitude.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
If I do not feel a sense of joy in God's creation, if I forget to offer the world back to God with thankfulness, I have advanced very little upon the Way. I have not yet learnt to be truly human. For it is only through thanksgiving that I can become myself.
Kallistos Ware (The Orthodox Way)
People do go mad, you know, if you stop them from sleeping for long enough...
Ruth Ware (The Turn of the Key)
... to be in any sort of relationship where you do not express yourself, simply to keep the peace, is a relationship ruled by one person and will never be balanced or healthy.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
I have heard it called a dance, I have heard it called a battle. Some men speak of it with a knowing laugh, some with a sneer. I have heard the study market women chuckling over it like hens clucking over bread crumbs; I have been approached by bawds who spoke their wares as boldly as peddlers hawking fresh fish. For myself, I think some things are beyond words. The color blue can only be experienced, as can the scent of jasmine or the sound of a flute. The curve of a warm bared shoulder, the uniquely feminine softness of a breast, the startled sound one makes when all barriers suddenly yield, the perfume of her throat, the taste of her skin are all but parts, and sweet as they may be, they do not embody the whole. A thousand such details still would not illustrate it.
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
The economics of industrialized countries would collapse if women didn't do the work they do for free: According to economist Marilyn Waring, throughout the West it generates between 25 and 40 percent of the gross national product.
Naomi Wolf (The Beauty Myth)
In the Christian context, we do not mean by a "mystery" merely that which is baffling and mysterious, an enigma or insoluble problem. A mystery is, on the contrary, something that is revealed for our understanding, but which we never understand exhaustively because it leads into the depth or the darkness of God. The eyes are closed—but they are also opened.
Kallistos Ware (The Orthodox Way)
I have no respect to merchants and preachers; as far as I’m concerned, their only talent is coming up with the right word at the right time. What is a professional preacher, really? He is a kind of middleman who for the wrong reasons tries to make people buy his goods. The more he sells, the more his stock rises. The louder he hawks his wares, the larger his business grows.
Knut Hamsun (Mysteries)
Laughter is a very underrated tool for healing.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
There was something strangely naked about it, like we were on a stage set, playing our parts to an audience of eyes out there in the wood.
Ruth Ware (In a Dark, Dark Wood)
It's not that Nina doesn't feel stuff. She just deals with it differently than most people. Sarcasm is her defense against life.
Ruth Ware (In a Dark, Dark Wood)
I travelled the old road every day, I took my fruits to the market, my cattle to the meadows, I ferried my boat across the stream and all the ways were well known to me. One morning my basket was heavy with wares. Men were busy in the fields, the pastures crowded with cattle; the breast of earth heaved with the mirth of ripening rice. Suddenly there was a tremor in the air, and the sky seemed to kiss me on my forehead. My mind started up like the morning out of mist. I forgot to follow the track. I stepped a few paces from the path, and my familiar world appeared strange to me, like a flower I had only known in bud. My everyday wisdom was ashamed. I went astray in the fairyland of things. It was the best luck of my life that I lost my path that morning, and found my eternal childhood.
Rabindranath Tagore
I jumped to a conclusion that was so wrong, it was almost completely right.
Ruth Ware (The Woman in Cabin 10)
This creature is the Pooka. Pay no mind to the shape he wears, for he’s none of his own, and no soul either. Ware him ever, trust him never, but when the wind’s right he has his uses. Never forget that you will never know him. The Pooka’s mystery even to the Pooka.
Peter S. Beagle (Tamsin)
Numerous are the academic chairs, but rare are wise and noble teachers. Numerous and large are the lecture halls, but far from numerous the young people who genuinely thirst for truth and justice. Numerous are the wares that nature produces by the dozen, but her choice products are few. We all know that, so why complain? Was it not always thus and will it not always thus remain? Certainly, and one must take what nature gives as one finds it. But there is also such a thing as a spirit of the times, an attitude of mind characteristic of a particular generation, which is passed on from individual to individual and gives its distinctive mark to a society. Each of us has to his little bit toward transforming this spirit of the times.
Albert Einstein
To those men who say that women from “good families” must come into the world of cinema, I have this question: What is it that you mean by “good?” A woman, who honestly puts her wares on display, and sells them without an intention to cheat, is such a woman not virtuous?
Saadat Hasan Manto (Why I Write: Essays by Saadat Hasan Manto)
we all have demons inside us, voices that whisper we’re no good, that if we don’t make this promotion or ace that exam we’ll reveal to the world exactly what kind of worthless sacks of skin and sinew we really are.
Ruth Ware (The Woman in Cabin 10)
Because it was the lies that got me here in the first place. And I have to believe that it’s the truth that will get me out.
Ruth Ware (The Turn of the Key)
I sprinted down the alley, not fast enough to avoid the cold water rolling down my back, with a childlike shriek. I caught his arm by the elbow, and we ran together, through the singing crowd, past swaying elders, men and women dancing too close, irritable off-planet visitors trying to cover up their wares in the market. We splashed through bright blue puddles, soaking our clothes. And we were both, for once, laughing.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
By the end of the day, the wooden wares are gone, and Adeline’s father gives her a copper sol and says she may buy anything she likes. She goes from stall to stall, eying the pastries and the cakes, the hats and the dresses and the dolls, but in the end, she settles on a journal, parchment bound with waxy thread. It is the blankness of the paper that excites her, the idea that she might fill the space with anything she likes.
V.E. Schwab (The Invisible Life of Addie LaRue)
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their sussurating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred.
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
I hate being driven—driving is like karaoke—your own is epic, other people’s is just embarrassing or alarming.
Ruth Ware (In a Dark, Dark Wood)
METAPHOR: A tightly fitting suit of metal, generally tin, which entirely encloses the wearer, both impeding free movement and preventing emotional expression and/or social contact.
Chris Ware (Jimmy Corrigan: El Chico más Listo del Mundo)
You can’t influence fate, or change what’s out of your control. But you can choose what you yourself do with the cards you’re dealt.
Ruth Ware (The Death of Mrs. Westaway)
One for sorrow Two for joy Three for a girl Four for a boy Five for silver Six for gold Seven for a secret Never to be told
Ruth Ware (The Death of Mrs. Westaway)
Time healed, they said, but it wasn’t true, or not completely. The first raw wound of loss had closed and silvered over, yes, but the scar it had left would never heal. It would always be there, aching and tender.
Ruth Ware (The Death of Mrs. Westaway)
Then he looked by him, and was ware of a damsel that came riding as fast as her horse might gallop upon a fair palfrey. And when she espied that Sir Lanceor was slain, then she made sorrow out of measure, and said, "O Balin ! two bodies hast thou slain and one heart, and two hearts in one body, and two souls thou hast lost.
Thomas Malory
A wall, after all, isn’t just about keeping others out. It can also be for trapping people inside.
Ruth Ware (The Lying Game)
The night was drawing in, and the house felt more and more like a glass cage, blasting its light blindly out into the dusk, like a lantern in the dark. I imagined a thousand moths circling and shivering, drawn inexorably to its glow, only to perish against the cold inhospitable glass.
Ruth Ware (In a Dark, Dark Wood)
Tradition is not only a protective, conservative principle; it is, primarily, the principle of growth and regeneration… Tradition is the constant abiding of the Spirit and not only the memory of words.
Kallistos Ware (The Orthodox Church: An Introduction to Eastern Christianity)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
The same view you look at every day, the same life, can become something brand new by focusing on its gifts rather than the negative aspects. Perspective is your own choice and the best way to shift that perspective is through gratitude, by acknowledging and appreciating the positives.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
There is nothing wrong with loving your work and wanting to apply yourself to it. But there is so much more to life. Balance is what is important, maintaining balance.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
I know him by heart.
Ruth Ware (In a Dark, Dark Wood)
There are days when I don’t hear a single human voice, apart from the radio, and you know what? I quite like that.
Ruth Ware (In a Dark, Dark Wood)
No one owes us anything. We only owe ourselves to get off our backsides, count our blessings, and face our challenges. When you live from that perspective, the gifts pour forth.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
There was a little spritz of sequined leaves across the right shoulder because you didn’t seem to be able to get away with none. Apparently the majority of ball gowns were designed by five-year-old girls armed with glitter guns, but at least this one didn’t look entirely like an explosion in a Barbie factory.
Ruth Ware (The Woman in Cabin 10)
The people who came to her booth were seeking meaning and control – but they were looking in the wrong place. When they gave themselves over to superstition, they were giving up on shaping their own destiny.
Ruth Ware (The Death of Mrs. Westaway)
The ghosts, she had sobbed. The ghosts wouldn’t like it.
Ruth Ware (The Turn of the Key)
Better to achieve perfect marks on an easy test than flunk a hard one, that was my motto.
Ruth Ware (The Turn of the Key)
Christianity is more than a theory about the universe, more than teachings written down on paper; it is a path along which we journey—in the deepest and richest sense, the way of life.
Kallistos Ware (The Orthodox Way)
Once an Australian nurse named Bronnie Ware, who cared for people in the last twelve weeks of their lives, recorded their most often discussed regrets. At the top of the list: “I wish I’d had the courage to live a life true to myself, not the life others expected of me.”6 This requires, not just haphazardly saying no, but purposefully, deliberately, and strategically eliminating the nonessentials, and not just getting rid of the obvious time wasters, but cutting out some really good opportunities as well.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Men won't easily give up a system in which half the world's population works for next to nothing...[and recognizes that]precisely because that half works for so little, it may have no energy left to fight for anything else.
Marilyn Waring
I guess we all make choices as to how we want to live, right?
Chris Ware (Jimmy Corrigan: The Smartest Kid on Earth)
But then it was over too quickly and they pulled away. She knew they couldn't stand there and kiss like a couple on the run in a thriller.
Joss Ware (Embrace the Night Eternal (Envy Chronicles, #2))
He deserves to have his head on a spike for all to see. Waring: If you are insufferable, do not walk here. We shall eat you down to the marrow.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Such, then, is our God: unknowable in his essence, yet known in his energies; beyond and above all that we can think or express, yet closer to us than our own heart.
Kallistos Ware (The Orthodox Way)
I know what it's like. Don't you see? I know what she must have felt like, when someone came for her in the middle of the night. That's why I have to find out who did this to her.
Ruth Ware (The Woman in Cabin 10)
there’s one thing I dislike more than being hurt, it’s being seen to be hurt. I’ve
Ruth Ware (In a Dark, Dark Wood)
My heart keeps begging me for a reason to keep beating, but I'm running out of lies to tell it
Stephanie Ware
How could it be right that some people had so much, while others had so little?
Ruth Ware (The Death of Mrs. Westaway)
Gwen smiled and asked hopefully, "Is there coffee again this morning?" Silvan put his book down and glanced absently at Gwen. His gaze dropped to her cleavage, and a single white brow shot up. He blinked several times. "There certainly is," Nell said, circling the table. She stopped behind Gwen and draped a linen cloth over her shoulders, so it tumbled from her neck like a bib. "Peel yer eyes off the lass's breasts," Nell said sweetly to Silvan. Gwen turned twenty shades of red, sneaked a hand beneath the bib, and tugged at her bodice, trying to jiggle them back down a little. Mortified, she devoted her attention to eyeing the medieval dining ware-plates and goblets made of heavy silver, a fat spoon and broad knife, and heavy blue bowls. "She's the one who fluffed them up," Silvan protested indignantly. "I didn't mean to look, but they were ... so ... there. Like trying not to see the sun in the sky." Nell arched a brow and circled round the table again. "I hardly think 'twas ye she fluffed 'em for, was it lass?" Gwen glanced up and gave an embarrassed shake of her head.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
You’d think people would be wary of spilling to a writer. You’d think they’d know that we’re essentially birds of carrion, picking over the corpses of dead affairs and forgotten arguments to recycle them in our work—zombie reincarnations of their former selves, stitched into a macabre new patchwork of our own devising. Tom,
Ruth Ware (In a Dark, Dark Wood)
What discordant vespers do the tinker's goods chime through the long twilight and over the brindled forest road, him stooped and hounded through the windy recrements of day like those old exiles who divorced of corporeality and enjoined ingress of heaven or hell wander forever the middle warrens spoorless increate and anathema. Hounded by grief, by guilt, or like this cheerless vendor clamored at heel through wood and fen by his own querulous and inconsolable wares in perennial tin malediction.
Cormac McCarthy (Outer Dark)
They say though that we do more to avoid pain than we do to gain pleasure. So it is when the pain becomes too much that we finally find the courage to make changes.
Bronnie Ware (The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
Faith is not the supposition that something might be true, but the assurance that someone is there.
Kallistos Ware (The Orthodox Way)
In books, a bad thing might happen on page 207, that was true. But it would always happen on page 207, no matter what. And when you reread, you could see it coming, watch out for the signs, prepare yourself.
Ruth Ware (The It Girl)
The cards do not predict the future. All thy can do is show us how a given situation may turn out, based on the energies we bring to the reading. Another day, another mood, a different set of energies, and the same question could have a completely different answer....We have free will. The answer the cards give can turn us in our path.
Ruth Ware (The Death of Mrs. Westaway)
It didn’t help that, unlike a ferry, there were no floor plans or maps, and minimal signage – supposed to help the impression that this was a private home that you just happened to share with a load of rich people.
Ruth Ware (The Woman in Cabin 10)
I wanted to write in my diary—to do as I always do when things get too much—let it out onto the page, like a kind of bloodletting, letting the ink and paper soak up all the grief and anger and fear until I can cope again.
Ruth Ware (The Death of Mrs. Westaway)
You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
Love and hatred are not merely subjective feelings, affecting the inward universe of those who experience them, but they are also objective forces, altering the world outside ourselves...if this is true of my love, it is true to an incomparably greater extent of Christ's love. The victory of his suffering love upon the Cross does not merely set me an example, showing me what I myself may achieve if by my own efforts I imitate him. Much more than this, his suffering love has a creative effect upon me, transforming my own heart and will, releasing me from bondage, making me whole, rendering it possible for me to love in a way that would lie altogether beyond my powers, had I not first been loved by him.
Kallistos Ware (The Orthodox Way)
Never believe it, Hal. Never believe your own lies. Because superstition was a trap – that was what she had learned, in the years of plying her trade on the pier. Touching wood, crossing fingers, counting magpies – they were all lies, all of them. False promises designed to give the illusion of control and meaning in a world in which the only destiny came from yourself. You can't predict the future, Hal knew.
Ruth Ware (The Death of Mrs. Westaway)
I love ports. I love the smell of tar and sea air, and the scream of the gulls. Maybe it's years of taking the ferry to France for summer holidays, but a harbor gives me a feeling of freedom in a way that an airport never does. Airports say work and security checks and delays. Ports say... I don't know. Something completely different. Escape, maybe.
Ruth Ware (The Woman in Cabin 10)
Yea, she hath passed hereby, and blessed the sheaves, And the great garths, and stacks, and quiet farms, And all the tawny, and the crimson leaves. Yea, she hath passed with poppies in her arms, Under the star of dusk, through stealing mist, And blessed the earth, and gone, while no man wist. With slow, reluctant feet, and weary eyes, And eye-lids heavy with the coming sleep, With small breasts lifted up in stress of sighs, She passed, as shadows pass, among the sheep; While the earth dreamed, and only I was ware Of that faint fragrance blown from her soft hair. The land lay steeped in peace of silent dreams; There was no sound amid the sacred boughs. Nor any mournful music in her streams: Only I saw the shadow on her brows, Only I knew her for the yearly slain, And wept, and weep until she come again.
Frederic Manning
Postfeminism, as a term, suggests that women have made plenty of progress because of feminism, but that feminism is now irrelevant and even undesirable because it supposedly made millions of women unhappy, unfeminine, childless, hairy, lonely, bitter and prompted them to fill their closets with combat boots and really bad India print skirts. Supposedly women have gotten all they could out of feminism, are now "equal," and so can, by choice, embrace things we used to see as sexist, like a TV show in which some self-satisfied lunk samples the wares of twenty-five women before rejecting twenty-four and keeping the one he likes best, or like the notion that mothers should have primary responsibility for raising the kids. Postfeminism means that you can now work outside the home even in jobs previously restricted to men, go to graduate school, pump iron, and pump your own gas, as long as you remain fashion conscious, slim, nurturing, deferential to men, and become a doting, selfless mother.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
I thought once how Theocritus had sung Of the sweet years, the dear and wished-for years, Who each one in a gracious hand appears To bear a gift for mortals, old or young; And, as I mused it in his antique tongue, I saw, in gradual vision through my tears, The sweet, sad years, the melancholy years, Those of my own life, who by turns had flung A shadow across me. Straightaway I was 'ware, So weeping, how a mystic Shape did move Behind me, and drew me backward by the hair; And a voice said in mastery, while I strove,-- Guess now who holds thee?--Death, I said, But, there, The silver answer rang,--Not Death, but Love.
Elizabeth Barrett Browning (Sonnets from the Portuguese)
There’s no reason, on paper at least, why I need these pills to get through life. I had a great childhood, loving parents, the whole package. I wasn’t beaten, abused, or expected to get nothing but As. I had nothing but love and support, but that wasn’t enough somehow. My friend Erin says we all have demons inside us, voices that whisper we’re no good, that if we don’t make this promotion or ace that exam we’ll reveal to the world exactly what kind of worthless sacks of skin and sinew we really are. Maybe that’s true. Maybe mine just have louder voices. But I don’t think it’s as simple as that. The depression I fell into after university wasn’t about exams and self-worth, it was something stranger, more chemical, something that no talking cure was going to fix. Cognitive behavioral therapy, counseling, psychotherapy—none of it really worked in the way that the pills did. Lissie says she finds the notion of chemically rebalancing your mood scary, she says it’s the idea of taking something that could alter how she really is. But I don’t see it that way; for me it’s like wearing makeup—not a disguise, but a way of making myself more how I really am, less raw. The best me I can be.
Ruth Ware (The Woman in Cabin 10)
Housework’s modern status,” writes Ann Oakley, “is nonwork.” A recent study shows that if housework done by married women were paid, family income would rise by 60 percent. Housework totals forty billion hours of France’s labor power. Women’s volunteer work in the United States amounts to $18 billion a year. The economics of industrialized countries would collapse if women didn’t do the work they do for free: According to economist Marilyn Waring, throughout the West it generates between 25 and 40 percent of the gross national product.
Naomi Wolf (The Beauty Myth: How Images of Beauty Are Used Against Women)
To tell the truth we had a bit of a . . . disagreement, let’s call it. Before I left.” “Oh, right.” I kept my voice neutral. I never know what to say in these situations. I hate people prying into my business, so I assume others will feel the same way. But sometimes they want to spill, it seems, and then you look cold and odd, backing away from their confidences. I try to be completely nonjudgmental—not pushing for secrets, not repelling confessions. And in truth, although part of me really doesn’t want to hear their petty jealousies and weird obsessions, there’s another part of me that wants to egg them on. It’s that part of me that stands there nodding, taking notes, filing it all away.
Ruth Ware (In a Dark, Dark Wood)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
Up there in my little room I was reading revolutionary works and had the feeling that the whole world might explode at any moment; then when I went out, I found life going on as usual, peacefully and calmly: office workers were going off to their jobs, tradesmen were selling their wares in their shops, and one could even see people lazing on benches in the squares, just sitting there watching the hours go by: all of them equally dull and monotonous. Once again, and this would not be the last time, I felt more or less as though I were a stranger in the world, as though I had awakened in it all of a sudden and had no notion of its laws and meaning. I wandered aimlessly about the streets of Buenos Aires, I watched its people, I sat down on a bench in the Plaza Constitucion and meditated. Then I would return to my little room, feeling lonelier than ever. And it was only when I buried myself in books that I seemed to be in touch with reality again, as though that existence out in the streets were, by contrast, a sort of vast dream unfolding in the minds of hypnotized people. It took me many years to realize that in those streets, those public sqaures, and even in those business establishments and offices of Buenos Aires there were thousands who thought or felt more or less as I did at that moment: lonely anguished people, people pondering the sense and nonsense of life, people who had the feeling that they were seeing a world that had gone to sleep round about them, a world made up of men and women who had been hypnotized or turned into robots.
Ernesto Sabato
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
For the Orthodox tradition, then, Adam's original sin affects the human race in its entirety, and it has consequences both on the physical and the moral level: it, results not only in sickness and physical death, but in moral weakness and paralysis. But does it also imply an inherited guilt? Here Orthodoxy is more guarded. Original sin is not to be interpreted in juridical or quasi-biological terms, as if it were some physical 'taint' of guilt, transmitted through sexual intercourse. This picture, which normally passes for the Augustinian view, is unacceptable to Orthodoxy. The doctrine of original sin means rather that we are born into an environment where it is easy to do evil and hard to do good; easy to hurt others, and hard to heal their wounds; easy to arouse men's suspicions, and hard to win their trust. It means that we are each of us conditioned by the solidarity of the human race in its accumulated wrong-doing and wrong-thinking, and hence wrong-being. And to this accumulation of wrong we have ourselves added by our own deliberate acts of sin. The gulf grows wider and wider. It is here, in the solidarity of the human race, that we find an explanation for the apparent unjustness of the doctrine of original sin. Why, we ask, should the entire human race suffer because of Adam's fall? Why should all be punished because of one man's sin? The answer is that human beings, made in the image of the Trinitarian God, are interdependent and coinherent. No man is an island. We are 'members one of another'(Eph. 4:25), and so any action, performed by any member of the human race, inevitably affects all the other members. Even though we are not, in the strict sense, guilty of the sins of others, yet we are somehow always involved.
Kallistos Ware (The Orthodox Way)