War Of The Arrows Quotes

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War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Channel the anger swelling inside you Fighting the boundary 'till you break through Deep in your soul there's no hesitation So make yourself the one they all fear There is a wild fire inside you Burning desire you can't extinguish Your crimson arrow Rips through the twilight This is the moment for war!
Hajime Isayama (Attack on Titan, Vol. 1)
Puck rushed into the kitchen. He looked as if he had just gotten off a roller coaster. "That was awesome!" he cried. "The arrow coming out is totally more fun to watch going in.
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
He now knew that war was not at all like culling deer, and the last one, with the man so close, had been the worst. The shock on the enemy’s face as the arrow halted his run would haunt him always. Robert Reid – White Light Red Fire
Robert Reid (White Light Red Fire)
Wars could wage and swords could cut and arrows could pierce. None of them compared to the pain of a well-poised word.
Hafsah Faizal (We Free the Stars (Sands of Arawiya, #2))
War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Númenor, and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom. Not feared, save as men may fear the dignity of a man, old and wise.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
Surely--But I am very off from that. From surely. From indeed. From the decent arrow that was my clean naivete and my faith. This morning, men deliver wounds and death. They will deliver death and wounds tomorrow. And I doubt all. You. Or a violet.
Gwendolyn Brooks (The Essential Gwendolyn Brooks: (American Poets Project #19))
I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's supposed to be symbolic. You firing the last shot of the war." "What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?" "You won't miss." Gale adjusts the sheath on my shoulder. We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?" "I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it." He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer. "That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
And it really doesn't matter if we're under our desks with our hands over our heads or not, does it? No, said Mrs. Baker. It doesn't really matter. So, why are we practicing? She thought for a minute. Because it gives comfort, she said. People like to think that if they're prepared then nothing bad can really happen. And perhaps we practice because we feel as if there's nothing else we can do because sometimes it feels as if life is governed by the slings and arrows of outrageous fortune.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
I have heard that the ancients used bows and arrows to their advantage.
Sun Tzu (The Art of War)
The poets, when they speak of war, talk of the shield wall, they talk of the spears and arrows flying, of the blade beating on the shield, of the heroes who fall and the spoils of the victors, but I was to discover that war was really about food. About feeding men and horses. About finding food. The army that eats wins.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
From the first time I saw you nock an arrow and fire without hesitation? Handle a dagger and fight beside another? Fight me? I was in awe. I’m never not in awe of you. I’m always utterly mesmerized. I’ll never stop being that. Always and forever.
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]
Eleanor of Aquitaine
And why did they choose to follow me? Why did you?" I asked.... "I follow you because I'm tired of war. I would see it stopped. One empire. One law. It doesn't matter so much how or who, just being united would stop the madness," Makin said. "Heh, I can feel the loyalty!" I pushed up and stood, stretching. "Wouldn't the Prince of Arrow make a better emperor?" "I don't think he'll win," said Makin.
Mark Lawrence (King of Thorns (The Broken Empire, #2))
Is it a war we are fighting, a war against health, against life and love? My condition is a torn condition. Every day, the dispensing of existence. I see the face of suffering. Its face is fierce and distant and ancient. There's probably a straightforward explanation for the impossible weariness I feel. A perfectly straightforward explanation. It is a mortal weariness. Maybe I'm tired of being human, if human is what I am. I'm tired of being human.
Martin Amis (Time's Arrow)
Sometimes, war being the unjust and drastic creature it is, those in whom he invested hopes took an arrow in the chest, the useless, by chance, thrived to irritate him another day.
Paul Hoffman (The Last Four Things (The Left Hand of God, #2))
When the fight ends you can afford to relax. That’s the worst part. Winner or loser you have again eyes to see around you. Blood, butchered bodies, bodies pierced by arrows. You stir inside, your heart tightens, the feeling of loss wells up. The sense of smell is the next thing to revive, adding a new dimension of pain. I closed the eyes of the last cadet, blue eyes, unseeing, his body, so small, almost a child, the youngest cadets were all gone, their faces surprised in death. Cold lips never able again to kiss a girl. It’s then that the emptiness swallows you and you mourn inside. Damn you, Scharon. No! Damn you, Travellers.
Florian Armas (Io Deceneus: Journal of a Time Traveler (The Living Universe, #1))
I will give you a few guarantees of my own, Mukthar. I guarantee that before the sun sets, even if you win, even if my cold, dead body is lying on the field, you will rue the day you ever set foot in the Plains. For every inch you advance I'll exact gallons of Mukthar blood. I guarantee that there will be not one family of the Bear Mukthars or they will mourn at least one of theirs. I guarantee that even if you are triumphant the fruits of victory will taste like dust in your mouth. I guarantee that if you fail to kill me today, you will meet me again. You will meet me at the Ximerionian border. You will meet me at every city, town, village, and hamlet. You will meet me on every Amirathan crossroad, on every hill. I will fight you with every sword at my command, with every arrow, with every dagger. I will fight you with pitchforks. I will fight you with the very rocks of the land you try to conquer. I will never, never, never give up. ~Anaxantis, before the Battle of the Zinchara (May 29th, 1453 aed)
Andrew Ashling (The Invisible Chains - Part 3: Bonds of Blood (Dark Tales of Randamor the Recluse, #3))
My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.
Shirley Marr (Fury)
What is a bow and arrow? It is the beginning of the end. It is the winding path that grows to the roaring road of war. It is a plaything and a weapon and a triumph in human engineering. It is the first faint stirring of an atom bomb.
Clifford D. Simak (City)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
This was the wooing of Keawe; things had gone quickly; but so an arrow goes, and the ball of a rifle swifter still, and yet both may strike the target.
Robert Louis Stevenson
I want my life to be a battle cry, a war zone, an arrow pointed and loosed into the heart of domination: patriarchy, imperialism, industrialization, every system of power and sadism.
Lierre Keith
We call this a “bow”, Cap’n, and the thing that’s sticking out of that fellow’s head over on the other side of the trench is called an “arrow”. If you put them together just right, they’ll do all sorts of nice things to people who aren’t nice.
David Eddings (The Treasured One (The Dreamers, #2))
A writer’s brush is a warrior’s bow, the letters it shapes are arrows that must hit the mark on the page. The calligrapher is an archer, or a general on a battlefield. Someone wrote that long ago. She feels that way this morning. She is at war.
Guy Gavriel Kay (River of Stars (Under Heaven, #2))
Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.
Hans Zinsser (Rats, Lice and History (Social Science Classics Series))
Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day, Gentle Mother, strength of women, help our daughters through this fray, soothe the wrath and tame the fury, teach us all a kinder way.<\I>
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day. Gentle Mother, strength of women, help our daughters through this fray, soothe the wrath and tame the fury, teach us all a kinder way.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
If the barons live at war, ploughfolk must eat roots.” “Nay,
Robert Louis Stevenson (The Black Arrow)
Sir knight,’ observed the messenger, with bitterness, ‘while that ye are here, roaring for five hundred pounds, the realm of England is elsewhere being lost and won.
Robert Louis Stevenson (The Black Arrow)
He is one that goes to bed Lancaster and gets up York.
Robert Louis Stevenson (The Black Arrow)
If I have a bow and arrow, Commander, I don't shoot a padded shaft to my target's left in order to express my annoyance. I fire a steel-tipped arrow into his leg.
Peter David (The Two-Front War (Star Trek: New Frontier, #3))
Unlike war or famine or natural disasters such as hurricanes or earthquakes during which people can gather together, an epidemic is a collective catastrophe that must be experienced separately.
Nicholas A. Christakis (Apollo's Arrow: The Profound and Enduring Impact of Coronavirus on the Way We Live)
Wild roved an Indian maid, Bright Alfarata, Where flow the waters Of the blue Juniata. Strong and true my arrows are In my painted quiver, Swift goes my light canoe Adown the rapid river. “Bold is my warrior good, The love of Alfarata, Proud wave his sunny plumes Along the Juniata. Soft and low he speaks to me, And then his war-cry sounding Rings his voice in thunder loud From height to height resounding. “So sang the Indian maid, Bright Alfarata, Where sweep the waters Of the blue Juniata. Fleeting years have borne away The voice of Alfarata, Still flow the waters Of the blue Juniata.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
When trying to fathom an immense, intricate system, drawing direct arrows of causality between micro and macro-components is perilous. Which stock caused the crash of ’29? Which person triggered the outbreak of World War I? Which word of Poe’s “The Rave” suffuses it with an atmosphere of brooding melancholy?
Thomas Lewis (A General Theory of Love)
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?
Leigh Bardugo (Six of Crows (Six of Crows, #1))
But other hordes would come, and other false prophets. Our feeble efforts to ameliorate man’s lot would be but vaguely continued by our successors; the seeds of error and of ruin contained even in what is good would, on the contrary, increase to monstrous proportions in the course of centuries. A world wearied of us would seek other masters; what had seemed to us wise would be pointless for them, what we had found beautiful they would abominate. Like the initiate to Mithraism the human race has need, perhaps, of a periodical bloodbath and descent into the grave. I could see the return of barbaric codes, of implacable gods, of unquestioned despotism of savage chieftains, a world broken up into enemy states and eternally prey to insecurity. Other sentinels menaced by arrows would patrol the walls of future cities; the stupid, cruel, and obscene game would go on, and the human species in growing older would doubtless add new refinements of horror. Our epoch, the faults and limitations of which I knew better than anyone else would perhaps be considered one day, by contrast, as one of the golden ages of man.
Marguerite Yourcenar (Memoirs of Hadrian)
Wagons rattling and banging, horses neighing and snorting, conscripts marching, each with bow and arrows at his hip, fathers and mothers, wives and children, running to see them off-- so much dust kicked up you can't see Xian-yang Bridge! And the families pulling at their clothes, stamping feet in anger, blocking the way and weeping-- ah, the sound of their wailing rises straight up to assault heaven. And a passerby asks, "What's going on?" The soldier says simply, "This happens all the time. From age fifteen some are sent to guard the north, and even at forty some work the army farms in the west. When they leave home, the village headman has to wrap their turbans for them; when they come back, white-haired, they're still guarding the frontier. The frontier posts run with blood enough to fill an ocean, and the war-loving Emperor's dreams of conquest have still not ended.
Du Fu
This was a world unto itself that lay between the Canadian River and the Rio Grande as if it had been designated on the day that God made it as the place where men would come to fight and kill one another. The Texans had brought their women and their children and their slaves right into the middle of the war land and expected to set up houses and fields and herds and live as if they were in Maryland, and were surprised on moonlit nights like this when Comanche arrows sang through the air in the dark.
Paulette Jiles (The Color of Lightning)
I think Pecker will be able to sit on my lap, once in the saddle," Gleave said in all seriousness. Correia sighed and moved back through the tavern's rear door. "You're making it too easy for me", Sav said, before following her. "What's wrong with holding Pecker in my lap?" Even Errolas smirked as he limped after the other two, another limper close behind, Pecker at their feet.
J.P. Ashman (Black Arrow (Black Powder Wars, #3))
The M16 has a scope with a small red arrow in the center of the sight. You align the arrow with what or (jeez) whom you wish to shoot and squeeze the trigger. Both “squeeze” and “pull” are exaggerations of the motion applied to this trigger. It’s a trivial, tiny movement, the twitch of a dreaming child. So quick and so effortless is it that it’s hard for me to associate it with any but the most inconsequential of acts. Flipping a page. Typing an M. Scratching an itch. Ending a life wants a little more muscle.
Mary Roach (Grunt: The Curious Science of Humans at War)
Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day. Gentle Mother, strength of women, help our daughters through this fray, soothe the wrath and tame the fury, teach us all a kinder way.
George R.R. Martin (A Game of Thrones / A Clash of Kings / A Storm of Swords / A Feast for Crows (A Song of Ice and Fire #1-4))
Thought Experiment: You are a native of New York City, you live in New York, work in New York, travel about the city with no particular emotion except a mild boredom, unease, exasperation, and dislike especially for, say, Times Square and Brooklyn, and a longing for a Connecticut farmhouse. Later you become an astronaut and wander in space for years. You land on a strange, unexplored (you think) planet. There you find a road sign with an arrow, erected by a previous astronaut in the manner of GIs in World War II: 'Brooklyn 9.6 light-years.' Explain your emotion.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbowmen are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.
Hilary Mantel
An explosion groans to the west of them, and Arrow involuntarily looks in the direction of the sound. Nermin, who hasn't looked, smiles. 'I think they're trying to send us a message.' 'What is the message?' she asks as another shell lands in the same area. Nermin shrugs. 'I don't know. I'm making a special effort not to listen.
Steven Galloway (The Cellist of Sarajevo)
The war had made him into a lone wolf, an introverted arrow that shot silent and solitary to his target for the moment. He'd become an opportunist of sensation and aesthetic.
John Horne Burns (Lucifer with a Book)
Sometimes you must loose the string to let the arrow fly.
R.F. Kuang (The Poppy War (The Poppy War, #1))
The bow was in my hands and an arrow notched before I could blink. I took aim and fired, as if Artemis herself had taken over my limbs and guided my shot.
A.A. Chamberlynn (Huntress Found (The Timekeeper's War, #1))
Bows and arrows were sufficient for centuries to stain the earth with blood. Powder is but a thing of yesterday, and war is as old as the human race—unhappily.
Jules Verne (The Mysterious Island)
Gleave roared. Sav cursed. Hen ran in circles and elf charged.
J.P. Ashman (Black Arrow (Black Powder Wars, #3))
They were bonded. He rose smoothly, sheathing his sword, studying her. “Men who weren’t there call it the Battle of the Shining Walls,” he said abruptly. “Men who were, call it the Blood Snow. No more. They know it was a battle. On the morning of the first day, I led nearly five hundred men. Kandori, Saldaeans, Domani. By evening on the third day, half were dead or wounded. Had I made different choices, some of those dead would be alive. And others would be dead in their places. In war, you say a prayer for your dead and ride on, because there is always another fight over the next horizon. Say a prayer for the dead, Moiraine Sedai, and ride on.” Startled, she came close to gaping. She had forgotten that the bond’s flow worked both ways. He knew her emotions, too, and apparently could make out hers far better than she could his. After a moment, she nodded, though she did not know how many prayers it would take to clear her mind. Handing her Arrow’s reins, he said, “Where do we ride first?” “Back to Chachin,” she admitted. “And then Arafel, and….” So few names remained that were easy to find. “The world, if need be. We win this battle, or the world dies.” Side by side they rode down the hill and turned south. Behind them the sky rumbled and turned black, another late storm rolling down from the Blight.
Robert Jordan (New Spring (The Wheel of Time, #0))
Either way, the anger will come out onto us because we are his safety net, and therefore his target. We are the ones who will never leave. We are the ones who can take the arrows because we love our sons when no one else will, and they know it. And we will always be there when they return, regardless of how volatile the wars have been. How blessed we are to be the mothers of sons.
Meg Meeker (Strong Mothers, Strong Sons: Lessons Mothers Need to Raise Extraordinary Men)
It will be a battle, then. A siege. A hundred-thousand Ink-borne arrows, flying forth from my flaming pen to assault the walls of tyrannical Cold that hold this man in awful rapture. It will be campaign for my friend’s very soul. A war of Ice, Ink, and Ember. So be it. My pen scratches the icy parchment once more. A second Ember joins the first. The War begins. -The Penitent God
S.G. Night
Don't be proud, friend Pencroft," replied the reporter. "Bows and arrows were sufficient for centuries to stain the earth with blood. Powder is but a thing of yesterday, and war is as old as the human race—unhappily.
Jules Verne (The Mysterious Island [with Biographical Introduction])
War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend:
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
William Faulkner (Go Down, Moses)
A thousand years ago, they waged a war against humans and nearly destroyed us completely. We still didn’t know why they’d called a truce and relented. We only knew that we were bound by some old treaty to allow them into our mortal courts if they asked it and to provide a tithe to them if requested. And apparently, there was this Law of First Greeting no one had told me about and now a Law of Marriage no one had seen fit to mention. Because obviously, you wouldn’t mention it to the one person who likely should have been told. Where would the fun be in that?
Sarah K.L. Wilson (Fly with the Arrow (Bluebeard's Secret, #1))
I am the Penitent God. And tonight, I have begun my battle. My siege. The hundred-thousand Ink-borne arrows, flying forth from my flaming pen, to assault the walls of tyrannical Cold that hold this man in awful rapture. My campaign for my friend’s very soul. My war of Ice, Ink, and Ember.
S.G. Night
Indians were made for film. Indians were exotic and erotic. All those feathers, all that face paint, the breast plates, the bone chokers, the skimpy loincloths, not to mention the bows and arrows and spears, the war cries, the galloping horses, the stern stares, and the threatening grunts. We hunted buffalo, fought the cavalry, circled wagon trains, fought the cavalry, captured White women, fought the cavalry, scalped homesteaders, fought the cavalry. And don't forget the drums and the wild dances where we got all sweaty and lathered up, before we rode off to fight the cavalry.
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
But vain the Sword and vain the Bow, They never can work War's overthrow. The Hermit's prayer and the Widow's tear Alone can free the World from fear. For a Tear is an intellectual thing, And a Sigh is the sword of an Angel King, And the bitter groan of the Martyr's woe Is an arrow from the Almighty's bow.
William Blake (The Complete Poems)
War is the ultimate realization of modern technology. For centuries men have tested themselves in war. War was the final test, the great experience, the privilege, the honor, the selfsacrifice or what have you, the absolutely ultimate determination of what kind of man you were. War was the great challenge and the great evaluator. It told you how much you were worth. But it’s different today. Few men want to go off and fight. We prove ourselves, our manhood, in other ways, in making money, in skydiving, in hunting mountain lions with bow and arrow, in acquiring power of one kind or another. And I think we can forget ideology
Don DeLillo (End Zone)
Each one of us is hard at war - within. We must face this battlefield; withdraw, as the psychologist would say, our habitual projections of that strife from the world around us, and realize that we should be so busy killing the selfishness within that we really have not the time, much less the will to blow up our neighbour. And when a few more individuals recognize that the war within implies a friendly tolerance of those about one, and of their ways of living and internal fighting, the Hitlers and Stalins and even the unpleasant fellow next door may provoke in everyman a smile, rather than an H-bomb, or even a bow and arrow.
Christmas Humphreys (The Buddhist way of life)
When they kissed, it was sure and deep, and the more she had, the more Tunuva wanted. Esbar drew her nails all the way down her spine. Tunuva groaned at the flare of smarting pleasure, the fire-tipped arrow it sent to her depths. While Esbar nipped at her ear, her jaw, Tunuva grasped her hair in answer, needing to hold all of her, draw this woman close enough to knit the sinew of their souls. She wanted to make love, slow and tender, and she wanted to be seized in passion - two sacred wants, as pressing as thirst, as radiant as the fruit. Though the war had come for them at last, there was still this. There would always be this.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
We’re nowhere near young enough for the present war, but when the world war comes—we’ll be just right to fight it. We are, after all, a superb physical specimen. Our feet aren’t flat. Our vision is clear. We’re not clubfooted or Marxist or nuts. We have no conscientious objections or anything of that kind. We’re perfect.
Martin Amis (Time's Arrow)
It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
We are told how Washington carried this little book in his pocket through the Indian wars and how his life was saved by it receiving bullets or arrows aimed at the great chieftain.”23 (It apparently never occurred to Rev. Robinson to wonder why there were no bullet or arrow holes in the book’s pages in Henkels’s facsimile reproduction.) Naturally,
Chris Rodda (Liars For Jesus: The Religious Right's Alternate Version of American History, Vol. 2)
The original settlers of Massachusetts Bay Colony, founded in 1630, adopted an official seal designed in England before their journey. The central image depicts a near-naked native holding a harmless, flimsy-looking bow and arrow and inscribed with the plea, "Come over and help us." Nearly three hundred years later, the official seal of the US military veterans of the "Spanish-American War" (the invasion and occupation of Puerto Rico, Cuba, and the Philippines) showed a naked woman kneeling before an armed US soldier and a sailor, with a US battleship in the background. One may trace this recurrent altruistic theme into the early twenty-first century, when the United States still invades countries under the guise of rescue.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Scattered about were nude, scalped, and beheaded bodies bristling with arrows. Brains had been scooped out, and penises severed and shoved in the victims’ mouths. The evidence of torture was unmistakable. Bowels had been opened while the victims were still alive and live coals placed upon them, and a scorched corpse, chained between two wagons, slumped over a smoldering fire.
Peter Cozzens (The Earth Is Weeping: The Epic Story of the Indian Wars for the American West)
There arose in the aftermath of this battle the strangest and most beautiful legend of the war. It was said that, when the British peril was at its height, a majestic figure had appeared high in the sky with arm upraised. Some said it had been pointing to victory, others that it held back the Germans as the Tommies got away. It came to be known as the Angel of Mons. Even more colorful was the simultaneous legend of the Archers of Agincourt. In the late Middle Ages at Agincourt—not a great distance from Mons—English yeomen armed with longbows had won a great victory over a much bigger force of mounted and armored French knights. Four hundred and ninety-nine years later there were stories of German soldiers found dead at Mons with arrows through their bodies.
G.J. Meyer (A World Undone: The Story of the Great War, 1914 to 1918)
I read love stories and love poems. But I preferred books written about rulers. I read about a ruler whose female servants and concubines were as numerous as his army, and about another whose only interests in life were wine, women, and whipping his slaves. A third cared little for women, but enjoyed wars, killing, and torturing men. Another of these rulers loved food, money and hoarding riches without end. Still another was possessed with such an admiration for himself and his greatness that for him no one else in the land existed. There was also a ruler so obsessed with plots and conspiracies that he spent all his time distorting the facts of history and trying to fool his people.I discovered that all these rulers were men. What they had in common was an avaricious and distorted personality, a never-ending appetite for money, sex and unlimited power. They were men who sowed corruption on the earth, and plundered their peoples, men endowed with loud voices, a capacity for persuasion, for choosing sweet words and shooting poisoned arrows. Thus, the truth about them was revealed only after their deaths, and as a result I discovered that history tended to repeat itself with a foolish obstinacy.
Nawal El Saadawi (Woman at Point Zero)
My father, father!' - she might pray to the winds; no innocence moves her judges mad for war. Her father called his henchmen on, on with a prayer, 'Host her over the alter like a yearling, give it all your strength! She's fainting - lift her, sweep her robes around her, but slip this strap in her gentle curving lips... here, gag her hard, a sound will curse the house'- and the bridle chokes her voice... her saffron robes pouring over the sand her glance like arrows showering wounding every murderer through with pity clear as a picture, live, she strains to call their names... I remember often the days with father's guests when over the feast her voice unbroken, purees the home her loving father bearing third libations, sang to Saving Zeus - transfixed with joy, Atreus' offspring throbbing out their love.
Aeschylus
Such perfection endures. For more than two millennia after horse-riding was invented, the warhorse remained the most important military technology bar none. A plentiful supply of horses was critical even in the 19th century, well after firearms had replaced the bows and arrows. Have you ever wondered why Napoleon, who won all of his battles until 1812, lost one battle after another in 1813 and 1814, leading to defeat and abdication? The surprising answer is: horses.
Peter Turchin (Ultrasociety: How 10,000 Years of War Made Humans the Greatest Cooperators on Earth)
Beneath my wings was night—I was alone, 30,000 feet up in the daylight. I was the first to breathe in the warm life of the sun’s rays, which pierce the eyeball like arrows. In France, in England, in Belgium, in Holland, in Germany, men were suffering in the night, while I, alone in the sky, was the sole possessor of the dawning day—all was mine, the light, the sun; and I thought with calm pride all this is shining only for me! Moments such as these compensate for many a sacrifice and many a danger. *
Pierre Clostermann (The Big Show: The Classic Account of WWII Aerial Combat (Pierre Clostermann's Air War Collection Book 1))
I spoke to Massasoit, the sachem of the Pokanoket, as a pniese should, with respect and honor. “Befriend the English,” I said. “Make them come to understand and support our people.” Massasoit did not listen at first. He watched silently through that winter. Then Samoset came to visit. He was a sachem of the Pemaquid people, who lived farther up the coast. He had done much trading with the English. He knew some of their language. “Let me talk with the Songlismoniak,” he said to Massasoit, nodding to me as he spoke. Massasoit agreed. The next day, March 16th of 1621, Samoset strode into the English settlement. “Welcome, English,” he said in their tongue. He showed them the two arrows in his hand. One had a flint arrowhead, the other had the arrowhead removed. The arrows symbolized what we offered them, either war or peace. The English placed a coat about his shoulders to warm him. They invited him into one of their houses. They gave him small water, biscuits and butter, pudding and cheese. “The food was so good,” Samoset said to me later, laughing as he spoke, “I decided to spend the night.” When he left the next day, he promised to return with a friend who spoke their language well. So it was that five days later, on the 22nd of March, I walked with Samoset back into my own village. Once Patuxet, now it was Plymouth. I looked around me. Though much was changed, I knew that I at last had returned to the land of my home. “Perhaps these men can share our land as friends,” I told my brother, at my side.
Joseph Bruchac (Squanto's Journey: The Story of the First Thanksgiving)
The more I know you, the more I wonder who you are.” He counted off her qualities on his fingers. “You have the accent of a lady. You dress like a peasant. You shoot like a marksman. You view the world cynically, yet you venerate Miss Victorine. Your face and body would be the envy of a young goddess, yet you sport an air of innocence. And that innocence hides a criminal mind and the cheek to pull off the most outrageous of felonies.” “So I’m Athena, the goddess of war.” “Definitely not Diana, the goddess of virginity.” As the last shot hit home, he saw Amy’s mask slip. Blood rushed to her face. She bit her lip and looked toward the stairs as if only now realizing she could have—should have—left this whole discussion behind. He laughed softly, triumphantly. “Or perhaps I’m mistaken. Perhaps you have more in common with Diana than I thought.” “Pray remember, sir, that Diana was also the goddess of the hunt.” Amy leaned across the table, intent on making her point—but the blush still played across her cheeks. “She carried a bow and arrow, and she always bagged her quarry. Have a look at the bullet hole in the rock behind you and remember my skill and my cynicism. For we do know things about each other. I know that if you escape, you’ll make sure I’m hung from a gibbet. You know that if I catch you escaping, I’ll shoot you through the heart. Remember that as you cast longing glances toward the window.” With a flourish, she picked up the breakfast tray and walked up the stairs. Jermyn had learned something else about Amy. She liked to have the last word.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
all by its nearness to the earth, its white light, and its long uplifted tail, shone the enormous and brilliant comet of 1812—the comet which was said to portend all kinds of woes and the end of the world. In Pierre, however, that comet with its long luminous tail aroused no feeling of fear. On the contrary he gazed joyfully, his eyes moist with tears, at this bright comet which, having traveled in its orbit with inconceivable velocity through immeasurable space, seemed suddenly—like an arrow piercing the earth—to remain fixed in a chosen spot, vigorously holding
Leo Tolstoy (War and Peace)
After World War II, the United States, triumphant abroad and undamaged at home, saw a door wide open for world supremacy. Only the thing called ‘communism’ stood in the way, politically, militarily, economically, and ideologically. Thus it was that the entire US foreign policy establishment was mobilized to confront this ‘enemy’, and the Marshall Plan was an integral part of this campaign. How could it be otherwise? Anti-communism had been the principal pillar of US foreign policy from the Russian Revolution up to World War II, pausing for the war until the closing months of the Pacific campaign when Washington put challenging communism ahead of fighting the Japanese. Even the dropping of the atom bomb on Japan – when the Japanese had already been defeated – can be seen as more a warning to the Soviets than a military action against the Japanese.19 After the war, anti-communism continued as the leitmotif of American foreign policy as naturally as if World War II and the alliance with the Soviet Union had not happened. Along with the CIA, the Rockefeller and Ford Foundations, the Council on Foreign Relations, certain corporations, and a few other private institutions, the Marshall Plan was one more arrow in the quiver of those striving to remake Europe to suit Washington’s desires: 1.    Spreading the capitalist gospel – to counter strong postwar tendencies toward socialism. 2.    Opening markets to provide new customers for US corporations – a major reason for helping to rebuild the European economies; e.g. a billion dollars (at twenty-first-century prices) of tobacco, spurred by US tobacco interests. 3.    Pushing for the creation of the Common Market (the future European Union) and NATO as integral parts of the West European bulwark against the alleged Soviet threat. 4.    Suppressing the left all over Western Europe, most notably sabotaging the Communist parties in France and Italy in their bids for legal, non-violent, electoral victory. Marshall Plan funds were secretly siphoned off to finance this endeavor, and the promise of aid to a country, or the threat of its cutoff, was used as a bullying club; indeed, France and Italy would certainly have been exempted from receiving aid if they had not gone along with the plots to exclude the Communists from any kind of influential role.
William Blum (America's Deadliest Export: Democracy The Truth about US Foreign Policy and Everything Else)
The wolf was not far away. After only a short time, he crested a nearby hill. His eyes blazing yellow fire. Fierce. For his mistress called. There she knelt. Queenly and yet so wild. Arrow set to bow - spilling out a bloody light. At the sight of her, passion filled him. It rose in his gut, swelled his chest, then burst out of his throat. It overwhelmed the air and beat against the starry roof. The howl filled the mounds, rang out through the Vale and then rolled into Minonowe. She had called him and here was his answer. The spiders were out there. Running. With Luthiel, he would hunt them.
Robert Fanney (The War of Mists (Luthiel's Song, #2))
Once I made weapons carved from stone, I tied the weight to a wooden handle, a club to break the bones of my enemy. Then I became wiser... and sharpened the stone to a point and then fastened it to a stick; my arrow. I bent wood and hitched string to it; my bow. I kill my enemy with skill Then I became wiser... and made weapons forged from steel and took care to sharpen the blade of my sword. I kill my enemy with a stroke. Then I became wiser... and made the rifle that would, by exploding gunpowder, shoot balls of lead faster than the eye could see. I kill my enemy with but the pull of a trigger. Then I became wiser... and I built flying machine that could transport bombs to drop over the homes of my enemy. I kill my enemy from the sky. Then I became wiser... and created the drone, now I can guide a plane by remote control from one country and kill my enemy in another. I am a proficient killer Then I became wiser...  and I found a way to split the atom and found the power of God hidden within. I kill the ground, scorch the sky, pollute the wind and kill my enemy with the push of a button. Then I became wiser... And I found that there is nothing more foolish than a "Wise Man of War
Tonny K. Brown
Weary was as new to war as Billy. He was a replacement, too. As a part of a gun crew, he had helped to fire one shot in anger—from a 57-millimeter antitank gun. The gun made a ripping sound like the opening of the zipper on the fly of God Almighty. The gun lapped up snow and vegetation with a blowtorch thirty feet long. The flame left a black arrow on the ground, showing the Germans exactly where the gun was hidden. The shot was a miss. What had been missed was a Tiger tank. It swiveled its 88-millimeter snout around sniffingly, saw the arrow on the ground. It fired. It killed everybody on the gun crew but Weary. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Shut up, fool, and stop talking ransom. Before Patroclus met his destiny It was more to my taste to spare Trojan lives, Capture them, and sell them overseas. But now they all die, every last Trojan God puts into my hands before Ilion's walls, All of them, and especially Priam's children. You die too, friend. Don't take it hard. Patroclus died, and he was far better than you. Take a look at me. Do you see how huge I am, How beautiful? I have a noble father, My mother was a goddess, but I too Am in death's shadow. There will come a time, Some dawn or evening or noon in this war, When someone will take my life from me With a spear thrust or an arrow from a string.
Homer (The Iliad)
He smelled like black coffee and menthols; the leather of his jacket was worn, much like his eyes. His hands were cracked glass, full of red riverbeds, and his pupils were like bullseyes anticipating arrows – as though he’d been battling sleep and himself for some time, but couldn’t make a conscious effort to win the war. There was a break in conversation, and he stared at me like I could solve the terror and turmoil he felt on the inside – but that wasn’t my job and I sure as hell wasn’t qualified. “The world is a scary place,” I told him. “You can’t run forever.” He bit his peeling bottom lip and spat out a gruff “I can try.” I will not chase after someone who ran of his own accord.
JTM
I would see the White Tree in flower again in the courts of the kings, and the Silver Crown return, and Minas Tirith in peace: Minas Anor again as of old, full of light, high and fair, beautiful as a queen among other queens: not a mistress of many slaves, nay, not even a kind mistress of willing slaves. War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Númenor; and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom. Not feared, save as men may fear the dignity of a man, old and wise.
J.R.R. Tolkien
Instead of pulling back, he leans in closer, searching my face. "You think I'm heartless." "I know you're not. But I won't tell you it's okay," I say. Now he draws back, almost impatiently. "Katniss, what difference is there, really, between crushing our enemy in a mine or blowing them out of the sky with one of Beetee's arrows? The result is the same." "I don't know. We were under attack in Eight, for one thing. The hospital was under attack," I say. "Yes, and those hoverplanes came from District Two," he says. "So, by taking them out, we prevented further attacks." "But that kind of thinking...you could turn it into an argument for killing anyone at any time. You could justify sending kids into the Hunger Games to prevent the districts from getting out of line," I say.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor: “Wishing to crush the Hsiung-nu, he sent out spies to report on their condition. But the Hsiung-nu, forewarned, carefully concealed all their able-bodied men and well-fed horses, and only allowed infirm soldiers and emaciated cattle to be seen. The result was that spies one and all recommended the Emperor to deliver his attack. Lou Ching alone opposed them, saying: “When two countries go to war, they are naturally inclined to make an ostentatious display of their strength. Yet our spies have seen nothing but old age and infirmity. This is surely some ruse on the part of the enemy, and it would be unwise for us to attack.” The Emperor, however, disregarding this advice, fell into the trap and found himself surrounded at Po-teng.”] 19.  Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. [Ts’ao Kung’s note is “Make a display of weakness and want.” Tu Mu says: “If our force happens to be superior to the enemy’s, weakness may be simulated in order to lure him on; but if inferior, he must be led to believe that we are strong, in order that he may keep off. In fact, all the enemy’s movements should be determined by the signs that we choose to give him.” Note the following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin against the general P’ang Chuan, who happened to be a deadly personal enemy of the later. Sun Pin said: “The Ch’i State has a reputation for cowardice, and therefore our adversary despises us. Let us turn this circumstance to account.” Accordingly, when the army had crossed the border into Wei territory, he gave orders to show 100,000 fires on the first night, 50,000 on the next, and the night after only 20,000. P’ang Chuan pursued them hotly, saying to himself: “I knew these men of Ch’i were cowards: their numbers have already fallen away by more than half.” In his retreat, Sun Pin came to a narrow defile, with he calculated that his pursuers would reach after dark. Here he had a tree stripped of its bark, and inscribed upon it the words: “Under this tree shall P’ang Chuan die.” Then, as night began to fall, he placed a strong body of archers in ambush near by, with orders to shoot directly they saw a light. Later on, P’ang Chuan arrived at the spot, and noticing the tree, struck a light in order to read what was written on it. His body was immediately riddled by a volley of arrows, and his whole army thrown into confusion. [The above is Tu Mu’s version of the story; the SHIH CHI, less dramatically but probably with more historical truth, makes P’ang Chuan cut his own throat with an exclamation of despair, after the rout of his army.] ] He sacrifices something, that the enemy may snatch at it. 20.  By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. [With an emendation suggested by Li Ching, this then reads, “He lies in wait with the main body of his troops.”] 21.  The clever combatant looks to the effect of combined energy, and does not require too much from individuals.
Sun Tzu (The Art of War)
Eric Steele utilized the Mark XI’s voice command function by saying, “Nav,” and a map appeared in the upper-right quadrant of the visor. The yellow blinking arrow told him that he needed to come left, so he lowered his shoulder and banked gently until he was locked on the correct glide path. This thing is legit. Steele had grown up on James Bond and thought being a spy was all about the gadgets. But in the real world batteries failed and an operator lived and died by making a plan and sticking to it. One of the main reasons Steele was still alive while so many of his friends were dead was because he didn’t leave anything to chance. He carefully brought his left arm up to eye level and double-checked the Mark XI’s readings with the GPS/altimeter combo strapped to his forearm. Once he was sure that he knew exactly where he was, he snapped his arms tight and accelerated to 200 miles per hour.
Sean Parnell (Man of War (Eric Steele #1))
Do you remember Zhitomir, Vasily? Do you remember the Teterev, Vasily, and that evening when the Sabbath, the young Sabbath tripped stealthily along the sunset, her little red heel treading on the stars? THe slender horn of the moon bathed its arrows in the black waters of the Teterev. Funny little Gedali, founder of the Fourth International, was taking us to Rabbi Motele Bratzlavsky’s for evening service. Funny little Gedali swayed the cock’s feathers on his high hat in the red haze of the evening. The candes in the Rabbi’s room blinked their predatory eyes. Bent over prayer books, brawny Jews were moaning in muffled voices, and the old buffoon of the zaddiks of Chernobyl jingled coppers in his torn pocket... ...Do you remember that night, Vasily? Beyond the windows horses were neighing and Cossacks were shouting. The wilderness of war was yawning beyong the windows, and Robbi Motele Bratzslavsky was praying at the eastern wall, his decayed fingers clinging to his tales. (...)
Isaac Babel (Benya Krik, the Gangster and Other Stories)
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
When He Returns The iron hand it ain’t no match for the iron rod The strongest wall will crumble and fall to a mighty God For all those who have eyes and all those who have ears It is only He who can reduce me to tears Don’t you cry and don’t you die and don’t you burn For like a thief in the night, He’ll replace wrong with right When He returns Truth is an arrow and the gate is narrow that it passes through He unleashed His power at an unknown hour that no one knew How long can I listen to the lies of prejudice? How long can I stay drunk on fear out in the wilderness? Can I cast it aside, all this loyalty and this pride? Will I ever learn that there’ll be no peace, that the war won’t cease Until He returns? Surrender your crown on this blood-stained ground, take off your mask He sees your deeds, He knows your needs even before you ask How long can you falsify and deny what is real? How long can you hate yourself for the weakness you conceal? Of every earthly plan that be known to man, He is unconcerned He’s got plans of His own to set up His throne When He returns
Bob Dylan (Lyrics:1962-2012: 1961-2012)
The deadly arrows do not strike the hero from without; it is himself who hunts, fights, and tortures himself. In him, instinct wars with instinct; therefore the poet says, “Thyself pierced through,” which means that he is wounded by his own arrow. As we know that the arrow is a libido-symbol, the meaning of this “piercing” is clear: it is the act of union with oneself, a sort of self-fertilization, and also a self-violation, a self-murder, so that Zarathustra can justly call himself his own hangman (like Odin, who sacrifices himself to Odin). One should not of course take this psychologem in too voluntaristic a sense: nobody deliberately inflicts such tortures on himself, they just happen to him. If a man reckons the unconscious as part of his personality, then one must admit that he is in fact raging against himself. But, in so far as the symbolism thrown up by his suffering is archetypal and collective, it can be taken as a sign that he is no longer suffering from himself, but rather from the spirit of the age. He is suffering from an objective, impersonal cause, from his collective unconscious which he has in common with all men.
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
The Hamians!' The centurion‟s voice was little better than a squeak. Julius snorted his disdain. 'What about the Hamians? Useless bow-waving women. All they‟re good for is hunting game. There‟s a war on, in case you hadn‟t noticed. We need infantrymen, big lads with spears and shields to strengthen our line. Archers are no bloody use in an infantry cohort.' He raised his meaty fist. 'No, mate, you‟re going to get what‟s coming your way.' The other man gabbled desperately, staring helplessly at the poised fist. 'There‟s two centuries of them, two centuries. Take them and the Tungrians and that‟s two hundred and fifty men.' Marcus spoke, having stood quietly in the background so far. 'So we could make a century of the best of them, dump the rest on the Second Cohort when we catch up with them and take back the century he sold them in return.' Julius turned his head to look at the younger man, keeping the transit officer clamped in place with seemingly effortless strength. 'Are you mad? There won‟t be a decent man among them. They‟ll be arse-poking, make-up-wearing faggots, the lot of them. All those easterners are, it‟s in the blood. They‟ll mince round the camp holding hands and tossing each other off in the bathhouse.
Anthony Riches (Arrows of Fury (Empire, #2))
She sighed “Can’t you just think about sex like a normal guy?” He blinked. “Excuse me?” “How are you not thinking about sex right now?” “You don’t know what I’m thinking about.” “Yeah, but I know what you’re feeling. And you’re feeling…happy. Where’s all the desire and want?” He picked up another arrow. “Are you seriously mad at me right now because I’m not having lustful thoughts?” “No. I’m just confused. I mean, I’m thinking about sex. But you’re over there coating arrows in blood and thinking about God knows what—“ “Star Wars figurines.” “What?” “That’s what I was thinking about.” She blinked in confusion. “Star Wars figurines make you happy?” He smiled and went back to the arrows on the table. “No. You make me happy. My happy feelings are because of you. My desire and want feelings—which I have plenty of—are also because of you, but I have those contained right now because I’m trying not to overwhelm you with emotions.” “Oh.” “Trust me,” he grabbed another arrow. “You don’t want me to think about sex when you can feel my emotions. It’s very intense. I could barely handle it with you and I had five hundred years of practice.” She shot her eyes to him. “What are you trying to say? That I’m some kind of baby? I can handle it.” He shook his head and smiled. “You have no idea what you’re talking about.” “Try me.” This was a dangerous game, but since only his life was at stake… “Okay.” He shrugged and started thinking about sex. With Scarlet. He watched as she stood frozen and the color drained from her face as everything he felt rolled into her. Then bright red color returned to her face and she looked like she might catch fire. He kept his eyes on her as his feelings stayed in the hottest parts of his being. She looked at him with hungry eyes and moved her mouth to speak but no sound came out. He watched her breathing grow heavier. She dropped the arrows she held and stared at him. He changed his pattern of thought and tried to calm his emotions so she wouldn’t do anything she regretted. Once his thoughts were back on happy non-sexual things, he glanced at Scarlet, who was still frozen in place with red cheeks and parted lips. “Scar?” He leaned to the side to look in her far away eyes. “You okay?” She mouthed something and nodded, then tried again. “Yeah.” Her voice cracked. She was staring at the wall with big eyes. “I’m, uh…I’m good. I’m great.” He went back to the arrows and smiled. “Told you.” Scarlet blinked a few times and looked at Tristan. “We definitely need a chaperone.
Chelsea Fine (Avow (The Archers of Avalon, #3))
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
1. Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you. 2. The man who passes the sentence should swing the sword. 3. A wise man does not make demands of kings. 4. A mind needs a book as a sword needs a whetstone, if it is to keep it's edge. 5. People often claim to hunger for truth, but seldom like the taste when it's served up. 6. A reader lives a thousand lives before he dies. The man who never reads lives only one. 7. I swear to you, sitting a throne is a thousand times harder than winning one. 8. In the world as I have seen it, no man grows rich by kindness. 9. If a man paints a target on his chest, he should expect that sooner or later someone will loose an arrow on him. 10. Crowns do queer things to the heads beneath them. 11. In battle a Captain's lungs are as important as his sword arm. I does not matter how brave or brilliant the man is if his commands can't be heard. 12. A man is never so vulnerable in battle as when he flees. 13. Gold has it's uses, but wars are won with iron. 14. The man who fears losing has already lost. 15. Words are wind. 16. The unseen enemy is always the most fearsome. 17. Sharp steel and strong arms rule this world, don't ever believe any different. 18. Give gold to a foe and he will just come back for more. 19. In this world only winter is certain. 20. The gods have no mercy. That's why they're gods. 21. I have learned that the contents of a man's letters are more valuable than the contents of his wallet
George R.R. Martin
One of the Pima warriors on seeing the fire-arms used by the white soldiers, thought that the next time he went over to the [Maricopa] Wells, he would take his war weapons along and show them to the white soldiers. So the next time he went, he took along his war-club and shield. The soldiers on seeing his weapons, laughed and made all sorts of remarks as to the effective use of such weapons. The joking went on until the Pima made a challenge to the white man. He said: 'You, white warrior Take shooting iron. Stand here ready. I take war club and shield, Step off ten paces, Turn around, come back. If you see any part of me, Shoot!' The White soldier stood there with gun in hand while the Pima walked away ten paces, turned around and came back hiding behind the shield so well that no part of his body could be seen. The white soldier did not shoot as the Pima came up to him. With the edge of his shield the Pima knocked the gun out of the soldier's hand. He lifted his war club as if he was about to use it. But the soldier took to his heels and ran into a nearby house, closing the door after him. The people who saw this had a good laugh and no such challenge was ever made again. Sometimes there would be shooting contests between Pimas and whites, Pimas with their bows and arrows and the whites with their firearms. They would place a target at different distances and see who could hit the bull's eye. The Pimas often won the match. They often won prizes of a pair of Army pants or a coat. At other times, foot races were held at the Post. The Pimas always won the long distance races, but lost the short dashes. [page 40, Early Days]
George Webb (A Pima Remembers)