War Of The Arrows Quotes

War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.

He now knew that war was not at all like culling deer, and the last one, with the man so close, had been the worst. The shock on the enemy’s face as the arrow halted his run would haunt him always. Robert Reid – White Light Red Fire

Channel the anger swelling inside you Fighting the boundary 'till you break through Deep in your soul there's no hesitation So make yourself the one they all fear There is a wild fire inside you Burning desire you can't extinguish Your crimson arrow Rips through the twilight This is the moment for war!

Puck rushed into the kitchen. He looked as if he had just gotten off a roller coaster. "That was awesome!" he cried. "The arrow coming out is totally more fun to watch going in.

Wars could wage and swords could cut and arrows could pierce. None of them compared to the pain of a well-poised word.

War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Númenor, and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom. Not feared, save as men may fear the dignity of a man, old and wise.

And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.

I have heard that the ancients used bows and arrows to their advantage.

Surely--But I am very off from that. From surely. From indeed. From the decent arrow that was my clean naivete and my faith. This morning, men deliver wounds and death. They will deliver death and wounds tomorrow. And I doubt all. You. Or a violet.

I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's supposed to be symbolic. You firing the last shot of the war." "What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?" "You won't miss." Gale adjusts the sheath on my shoulder. We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?" "I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it." He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer. "That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.

And it really doesn't matter if we're under our desks with our hands over our heads or not, does it? No, said Mrs. Baker. It doesn't really matter. So, why are we practicing? She thought for a minute. Because it gives comfort, she said. People like to think that if they're prepared then nothing bad can really happen. And perhaps we practice because we feel as if there's nothing else we can do because sometimes it feels as if life is governed by the slings and arrows of outrageous fortune.

The poets, when they speak of war, talk of the shield wall, they talk of the spears and arrows flying, of the blade beating on the shield, of the heroes who fall and the spoils of the victors, but I was to discover that war was really about food. About feeding men and horses. About finding food. The army that eats wins.

From the first time I saw you nock an arrow and fire without hesitation? Handle a dagger and fight beside another? Fight me? I was in awe. I’m never not in awe of you. I’m always utterly mesmerized. I’ll never stop being that. Always and forever.

Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]

And why did they choose to follow me? Why did you?" I asked.... "I follow you because I'm tired of war. I would see it stopped. One empire. One law. It doesn't matter so much how or who, just being united would stop the madness," Makin said. "Heh, I can feel the loyalty!" I pushed up and stood, stretching. "Wouldn't the Prince of Arrow make a better emperor?" "I don't think he'll win," said Makin.

Is it a war we are fighting, a war against health, against life and love? My condition is a torn condition. Every day, the dispensing of existence. I see the face of suffering. Its face is fierce and distant and ancient. There's probably a straightforward explanation for the impossible weariness I feel. A perfectly straightforward explanation. It is a mortal weariness. Maybe I'm tired of being human, if human is what I am. I'm tired of being human.

Sometimes, war being the unjust and drastic creature it is, those in whom he invested hopes took an arrow in the chest, the useless, by chance, thrived to irritate him another day.

We call this a “bow”, Cap’n, and the thing that’s sticking out of that fellow’s head over on the other side of the trench is called an “arrow”. If you put them together just right, they’ll do all sorts of nice things to people who aren’t nice.

When the fight ends you can afford to relax. That’s the worst part. Winner or loser you have again eyes to see around you. Blood, butchered bodies, bodies pierced by arrows. You stir inside, your heart tightens, the feeling of loss wells up. The sense of smell is the next thing to revive, adding a new dimension of pain. I closed the eyes of the last cadet, blue eyes, unseeing, his body, so small, almost a child, the youngest cadets were all gone, their faces surprised in death. Cold lips never able again to kiss a girl. It’s then that the emptiness swallows you and you mourn inside. Damn you, Scharon. No! Damn you, Travellers.

I will give you a few guarantees of my own, Mukthar. I guarantee that before the sun sets, even if you win, even if my cold, dead body is lying on the field, you will rue the day you ever set foot in the Plains. For every inch you advance I'll exact gallons of Mukthar blood. I guarantee that there will be not one family of the Bear Mukthars or they will mourn at least one of theirs. I guarantee that even if you are triumphant the fruits of victory will taste like dust in your mouth. I guarantee that if you fail to kill me today, you will meet me again. You will meet me at the Ximerionian border. You will meet me at every city, town, village, and hamlet. You will meet me on every Amirathan crossroad, on every hill. I will fight you with every sword at my command, with every arrow, with every dagger. I will fight you with pitchforks. I will fight you with the very rocks of the land you try to conquer. I will never, never, never give up. ~Anaxantis, before the Battle of the Zinchara (May 29th, 1453 aed)

My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.

Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.

What is a bow and arrow? It is the beginning of the end. It is the winding path that grows to the roaring road of war. It is a plaything and a weapon and a triumph in human engineering. It is the first faint stirring of an atom bomb.

[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.

A writer’s brush is a warrior’s bow, the letters it shapes are arrows that must hit the mark on the page. The calligrapher is an archer, or a general on a battlefield. Someone wrote that long ago. She feels that way this morning. She is at war.

Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.

Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day, Gentle Mother, strength of women, help our daughters through this fray, soothe the wrath and tame the fury, teach us all a kinder way.<\I>

Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.

But other hordes would come, and other false prophets. Our feeble efforts to ameliorate man’s lot would be but vaguely continued by our successors; the seeds of error and of ruin contained even in what is good would, on the contrary, increase to monstrous proportions in the course of centuries. A world wearied of us would seek other masters; what had seemed to us wise would be pointless for them, what we had found beautiful they would abominate. Like the initiate to Mithraism the human race has need, perhaps, of a periodical bloodbath and descent into the grave. I could see the return of barbaric codes, of implacable gods, of unquestioned despotism of savage chieftains, a world broken up into enemy states and eternally prey to insecurity. Other sentinels menaced by arrows would patrol the walls of future cities; the stupid, cruel, and obscene game would go on, and the human species in growing older would doubtless add new refinements of horror. Our epoch, the faults and limitations of which I knew better than anyone else would perhaps be considered one day, by contrast, as one of the golden ages of man.

Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?

Wild roved an Indian maid, Bright Alfarata, Where flow the waters Of the blue Juniata. Strong and true my arrows are In my painted quiver, Swift goes my light canoe Adown the rapid river. “Bold is my warrior good, The love of Alfarata, Proud wave his sunny plumes Along the Juniata. Soft and low he speaks to me, And then his war-cry sounding Rings his voice in thunder loud From height to height resounding. “So sang the Indian maid, Bright Alfarata, Where sweep the waters Of the blue Juniata. Fleeting years have borne away The voice of Alfarata, Still flow the waters Of the blue Juniata.

This was a world unto itself that lay between the Canadian River and the Rio Grande as if it had been designated on the day that God made it as the place where men would come to fight and kill one another. The Texans had brought their women and their children and their slaves right into the middle of the war land and expected to set up houses and fields and herds and live as if they were in Maryland, and were surprised on moonlit nights like this when Comanche arrows sang through the air in the dark.

The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbowmen are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.

Wagons rattling and banging, horses neighing and snorting, conscripts marching, each with bow and arrows at his hip, fathers and mothers, wives and children, running to see them off-- so much dust kicked up you can't see Xian-yang Bridge! And the families pulling at their clothes, stamping feet in anger, blocking the way and weeping-- ah, the sound of their wailing rises straight up to assault heaven. And a passerby asks, "What's going on?" The soldier says simply, "This happens all the time. From age fifteen some are sent to guard the north, and even at forty some work the army farms in the west. When they leave home, the village headman has to wrap their turbans for them; when they come back, white-haired, they're still guarding the frontier. The frontier posts run with blood enough to fill an ocean, and the war-loving Emperor's dreams of conquest have still not ended.

Thought Experiment: You are a native of New York City, you live in New York, work in New York, travel about the city with no particular emotion except a mild boredom, unease, exasperation, and dislike especially for, say, Times Square and Brooklyn, and a longing for a Connecticut farmhouse. Later you become an astronaut and wander in space for years. You land on a strange, unexplored (you think) planet. There you find a road sign with an arrow, erected by a previous astronaut in the manner of GIs in World War II: 'Brooklyn 9.6 light-years.' Explain your emotion.

They were bonded. He rose smoothly, sheathing his sword, studying her. “Men who weren’t there call it the Battle of the Shining Walls,” he said abruptly. “Men who were, call it the Blood Snow. No more. They know it was a battle. On the morning of the first day, I led nearly five hundred men. Kandori, Saldaeans, Domani. By evening on the third day, half were dead or wounded. Had I made different choices, some of those dead would be alive. And others would be dead in their places. In war, you say a prayer for your dead and ride on, because there is always another fight over the next horizon. Say a prayer for the dead, Moiraine Sedai, and ride on.” Startled, she came close to gaping. She had forgotten that the bond’s flow worked both ways. He knew her emotions, too, and apparently could make out hers far better than she could his. After a moment, she nodded, though she did not know how many prayers it would take to clear her mind. Handing her Arrow’s reins, he said, “Where do we ride first?” “Back to Chachin,” she admitted. “And then Arafel, and….” So few names remained that were easy to find. “The world, if need be. We win this battle, or the world dies.” Side by side they rode down the hill and turned south. Behind them the sky rumbled and turned black, another late storm rolling down from the Blight.

With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.

I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.

It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.

[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor: “Wishing to crush the Hsiung-nu, he sent out spies to report on their condition. But the Hsiung-nu, forewarned, carefully concealed all their able-bodied men and well-fed horses, and only allowed infirm soldiers and emaciated cattle to be seen. The result was that spies one and all recommended the Emperor to deliver his attack. Lou Ching alone opposed them, saying: “When two countries go to war, they are naturally inclined to make an ostentatious display of their strength. Yet our spies have seen nothing but old age and infirmity. This is surely some ruse on the part of the enemy, and it would be unwise for us to attack.” The Emperor, however, disregarding this advice, fell into the trap and found himself surrounded at Po-teng.”] 19.  Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. [Ts’ao Kung’s note is “Make a display of weakness and want.” Tu Mu says: “If our force happens to be superior to the enemy’s, weakness may be simulated in order to lure him on; but if inferior, he must be led to believe that we are strong, in order that he may keep off. In fact, all the enemy’s movements should be determined by the signs that we choose to give him.” Note the following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin against the general P’ang Chuan, who happened to be a deadly personal enemy of the later. Sun Pin said: “The Ch’i State has a reputation for cowardice, and therefore our adversary despises us. Let us turn this circumstance to account.” Accordingly, when the army had crossed the border into Wei territory, he gave orders to show 100,000 fires on the first night, 50,000 on the next, and the night after only 20,000. P’ang Chuan pursued them hotly, saying to himself: “I knew these men of Ch’i were cowards: their numbers have already fallen away by more than half.” In his retreat, Sun Pin came to a narrow defile, with he calculated that his pursuers would reach after dark. Here he had a tree stripped of its bark, and inscribed upon it the words: “Under this tree shall P’ang Chuan die.” Then, as night began to fall, he placed a strong body of archers in ambush near by, with orders to shoot directly they saw a light. Later on, P’ang Chuan arrived at the spot, and noticing the tree, struck a light in order to read what was written on it. His body was immediately riddled by a volley of arrows, and his whole army thrown into confusion. [The above is Tu Mu’s version of the story; the SHIH CHI, less dramatically but probably with more historical truth, makes P’ang Chuan cut his own throat with an exclamation of despair, after the rout of his army.] ] He sacrifices something, that the enemy may snatch at it. 20.  By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. [With an emendation suggested by Li Ching, this then reads, “He lies in wait with the main body of his troops.”] 21.  The clever combatant looks to the effect of combined energy, and does not require too much from individuals.