β
Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.
β
β
James Baldwin
β
Love conquers all," Aphrodite promised. "Look at Helen and Paris. Did they let anything come between them?"
"Didn't they start the Trojan War and get thousands of people killed?"
"Pfft. That's not the point. Follow your heart.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
Any fool can be happy. It takes a man with real heart to make beauty out of the stuff that makes us weep.
β
β
Clive Barker (Abarat: Days of Magic, Nights of War)
β
War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.
β
β
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
β
For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.
β
β
Charles Bukowski
β
That is β your friend?"
"Philtatos," Achilles replied, sharply. Most beloved.
β
β
Madeline Miller (The Song of Achilles)
β
If I have learned anything in this long life of mine, it is this: in love we find out who we want to be; in war we find out who we are.
β
β
Kristin Hannah (The Nightingale)
β
Demons run when a good man goes to war
Night will fall and drown the sun
When a good man goes to war
Friendship dies and true love lies
Night will fall and the dark will rise
When a good man goes to war
Demons run, but count the cost
The battle's won, but the child is lost
β
β
Steven Moffat
β
When I say it's you I like, I'm talking about that part of you that knows that life is far more than anything you can ever see or hear or touch. That deep part of you that allows you to stand for those things without which humankind cannot survive. Love that conquers hate, peace that rises triumphant over war, and justice that proves more powerful than greed.
β
β
Fred Rogers
β
some moments are nice, some are
nicer, some are even worth
writing
about.
β
β
Charles Bukowski (War All the Time: Poems 1981 - 1984)
β
Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
They're in love. Fuck the war.
β
β
Thomas Pynchon (Gravity's Rainbow)
β
I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Fire and water looked so lovely together. It was a pity they destroyed each other by nature.
β
β
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
β
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
and when all the wars are over, a butterfly will still be beautiful.
β
β
Ruskin Bond (Scenes from a Writer's Life)
β
The whole world is divided for me into two parts: one is she, and there is all happiness, hope, light; the other is where she is not, and there is dejection and darkness...
β
β
Leo Tolstoy (War and Peace)
β
I want to meet you in every place I ever loved. Listen to me. I am your echo. I would rather break the world than lose you.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
You can love a person dear to you with a human love, but an enemy can only be loved with divine love.
β
β
Leo Tolstoy (War and Peace)
β
Men build too many walls and not enough bridges.
β
β
Joseph Fort Newton
β
Depression isn't a war you win. It's a battle you fight every day. You never stop, never get to rest. It's one bloody fray after another.
β
β
Shaun David Hutchinson (We Are the Ants)
β
I dreamed I spoke in another's language,
I dreamed I lived in another's skin,
I dreamed I was my own beloved,
I dreamed I was a tiger's kin.
I dreamed that Eden lived inside me,
And when I breathed a garden came,
I dreamed I knew all of Creation,
I dreamed I knew the Creator's name.
I dreamed--and this dream was the finest--
That all I dreamed was real and true,
And we would live in joy forever,
You in me, and me in you.
β
β
Clive Barker (Abarat: Days of Magic, Nights of War)
β
The words βI Love Youβ kill, and resurrect millions, in less than a second.
β
β
Aberjhani (Elemental: The Power of Illuminated Love)
β
We are asleep until we fall in Love!
β
β
Leo Tolstoy (War and Peace)
β
Seize the moments of happiness, love and be loved! That is the only reality in the world, all else is folly. It is the one thing we are interested in here.
β
β
Leo Tolstoy (War and Peace)
β
Take what you want. Iβll hate you for it. But Iβll love you forever. I canβt help but love you.
β
β
R.F. Kuang (The Burning God (The Poppy War, #3))
β
Legion, cuneum formate!β Reyna yelled. βAdvance!β Another cheer on Jasonβs right as Percy and Annabeth reunited with the forces of Camp Half-Blood.
βGreeks!β Percy yelled. βLetβs, um, fight stuff!β They yelled like banshees and charged.
Jason grinned. He loved the Greeks. They had no organization whatsoever, but they made up for it with enthusiasm.
β
β
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
β
I want to meet you in every place I have loved.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
We are not youth any longer. We donβt want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces.
β
β
Erich Maria Remarque (All Quiet on the Western Front)
β
I wish someone had told me that love isnβt torture. Because I thought love was this thing that was supposed to tear you in two and leave you heartbroken and make your heart race in the worst way. I thought love was bombs and tears and blood. I did not know that it was supposed to make you lighter, not heavier. I didnβt know it was supposed to take only the kind of work that makes you softer. I thought love was war. I didnβt know it was supposed toβ¦ I didnβt know it was supposed to be peace.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-war day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that's all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I've discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
β
β
Kiera Cass (The One (The Selection, #3))
β
Everything I know, I know because of love.
β
β
Leo Tolstoy (War and Peace)
β
I'm so proud of you I could burst, but in the interest of saving the poor cleaning staff the hassle, I would, instead, like to take you to our room and lick you from stem to stern until you beg me to stop.
β
β
Therisa Peimer (Taming Flame)
β
Why do you have such faith in me, Aurelia?"Β
"I've told you a million times that I love you, you make me feel safe and cherished, and you care deeply for our people. Why wouldn't I have faith in you?
β
β
Therisa Peimer (Taming Flame)
β
Words can never fully say what we want them to say, for they fumble, stammer, and break the best porcelain. The best one can hope for is to find along the way someone to share the path, content to walk in silence, for the heart communes best when it does not try to speak.
β
β
Margaret Weis (Dragons of a Lost Star (Dragonlance: The War of Souls, #2))
β
If it weren't for music, I would think that love is mortal.
β
β
Mark Helprin (A Soldier of the Great War)
β
Love and war are two different battlefields.
β
β
Pierce Brown (Red Rising (Red Rising Saga, #1))
β
At the end as at the start, and through all the in-betweens, I love you.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
The whole world can become the enemy when you lose what you love.
β
β
Kristina McMorris (Bridge of Scarlet Leaves)
β
I loved when Bush came out and said, 'We are losing the war against drugs.'
You know what that implies? There's a war being fought, and the people on drugs are winning it.
β
β
Bill Hicks
β
Her unexpected outburst rocked Flaminius to his core. Suddenly, she didn't seem so angelic. Her face twisted with rage; veins in her neck throbbed with fury in a scene all too familiar. Her reaction switched him off to her instantly as all his worst fears came to life.
β
β
Therisa Peimer (Taming Flame)
β
Fear canβt be reasoned with. Neither can hate. Theyβre like love. Theyβre almost identical emotions. Thatβs why Ares and Aphrodite like each other. Their twin sons β Fear and Panic β were spawned from both war and love.
β
β
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
β
Make love, not war. Unless youβre Loki, in which case: do what you want.
β
β
Tom Hiddleston
β
Loving you was like going to war; I never came back the same.
β
β
Warsan Shire
β
But when I think of you, I want to be alone together. I want to strive against and for. I want to live in contact. I want to be a context for you, and you for me.
I love you, and I love you, and I want to find out what that means together.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Choosing love or war: both are brave choices, in their own ways.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
I don't love you. And I can kill anything.
β
β
R.F. Kuang (The Poppy War (The Poppy War, #1))
β
I love the words I write until I soon realize how much I hate them, as if I am destined to always be at war within myself.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
There is a time for everything, and a season for every activity under heaven:
a time to be born and a time to die,
a time to plant and a time to uproot,
a time to kill and a time to heal,
a time to tear down and a time to build,
a time to weep and a time to laugh,
a time to mourn and a time to dance,
a time to scatter stones and a time to gather them,
a time to embrace and a time to refrain,
a time to search and a time to give up,
a time to keep and a time to throw away,
a time to tear and a time to mend,
a time to be silent and a time to speak,
a time to love and a time to hate,
a time for war and a time for peace.
(Ecclesiastes 3:1-8, NIV)
β
β
Anonymous (Study Bible: NIV)
β
Instead of hating the people you think are war-makers, hate the appetites and disorder in your own soul, which are the causes of war. If you love peace, then hate injustice, hate tyranny, hate greed - but hate these things in yourself, not in another.
β
β
Thomas Merton (New Seeds of Contemplation)
β
Those who love peace must learn to organize as effectively as those who love war.
β
β
Martin Luther King Jr.
β
Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. Weβre so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.
β
β
Haruki Murakami (Kafka on the Shore)
β
I will fight this war to love you, Juliette Cai. I will fight this feud to have you, because it was this feud that gave you to me, twisted as it is, and now I will take you away from it.
β
β
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
β
A love for tradition has never weakened a nation, indeed it has strengthened nations in their hour of peril.
β
β
Winston S. Churchill
β
Tell me something true, or tell me nothing at all.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from from ordinary hypocrisy: they are deliberate exercises in doublethink
β
β
George Orwell (1984)
β
Unless one lives and loves in the trenches, it is difficult to remember that the war against dehumanization is ceaseless.
β
β
Audre Lorde
β
She terrifies him, and he loves her so much it hurts.
β
β
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
β
The dark is generous and it is patient and it always wins β but in the heart of its strength lies its weakness: one lone candle is enough to hold it back.
Love is more than a candle.
Love can ignite the stars.
β
β
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
β
I can hate you more, but I'll never love you less.
β
β
Michael Morpurgo (War Horse (War Horse, #1))
β
If music stops, and art ceases, and beauty fades, what have we then?
β
β
Julie Berry (Lovely War)
β
I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.
β
β
Catherynne M. Valente (Deathless)
β
If you can walk with the crowd and keep your virtue, or walk with Kings-nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.
β
β
Rudyard Kipling (If: A Father's Advice to His Son)
β
I don't care a damn about men who are loyal to the people who pay them, to organizations...I don't think even my country means all that much. There are many countries in our blood, aren't there, but only one person. Would the world be in the mess it is if we were loyal to love and not to countries?
β
β
Graham Greene (Our Man in Havana)
β
Love is what we have, against time and death, against all the powers ranged to crush us down.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Juliette, love,β he says to me, still holding my eyes. βYou have just started a war.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
Just when you think this war has taken everything you loved, you meet someone and realize that somehow you still have more to give.
β
β
Ruta Sepetys (Salt to the Sea)
β
A ray of sunlight poked through the mass of angry clouds.
β
β
Gabriel F.W. Koch (Steel Blood)
β
I want to make love, but my hair smells of war and running and running.
β
β
Warsan Shire (Teaching My Mother How to Give Birth)
β
I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victoriousβI want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand. Flowers grow far away on a planet theyβll call Cephalus, and these flowers bloom once a century, when the living star and its black-hole binary enter conjunction.I want to fix you a bouquet of them, gathered across eight hundred thousand years, so you can draw our whole engagement in a single breath, all the ages weβve shaped together.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
β
β
Michael Ondaatje (The English Patient)
β
He who joyfully marches to music rank and file has already earned my contempt. He has been given a large brain by mistake, since for him the spinal cord would surely suffice. This disgrace to civilization should be done away with at once. Heroism at command, senseless brutality, deplorable love-of-country stance and all the loathsome nonsense that goes by the name of patriotism, how violently I hate all this, how despicable and ignoble war is; I would rather be torn to shreds than be part of so base an action! It is my conviction that killing under the cloak of war is nothing but an act of murder.
β
β
Albert Einstein
β
The truth has a way of coming out of the closet.
β
β
March Lions (The Last Sunset)
β
He would carry her through more than just freezing waters. He would pull her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worldsΒ .Β .Β .
β
β
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
β
Do you know what love is? I'll tell you: it is whatever you can still betray.
β
β
John le CarrΓ© (The Looking Glass War (George Smiley, #4))
β
We are humiliated and disillusioned once again by our own countrymen because they attempt to trample on us, which increases our isolation and unimportance.
β
β
Dorlies von Kaphengst Meissner Rasmussen (Escaping the Russian Onslaught: A Familyβs Story of Fleeing the Russian Army after Hitlerβs Nazi Regime)
β
I feel the greatest destroyer of peace today is 'Abortion', because it is a war against the child... A direct killing of the innocent child, 'Murder' by the mother herself... And if we can accept that a mother can kill even her own child, how can we tell other people not to kill one another? How do we persuade a woman not to have an abortion? As always, we must persuade her with love... And we remind ourselves that love means to be willing to give until it hurts...
β
β
Mother Teresa
β
I urge you all today, especially today during these times of chaos and war, to love yourself without reservations and to love each other without restraint. Unless you're into leather.
β
β
Margaret Cho
β
War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
β
β
Tim O'Brien (The Things They Carried)
β
I said to Hun Sen, βThank you, Hun! You have also told me that there was a kidnapping incident which almost bankrupted your family! Can you please elaborate upon that?β
(A Gracious Enemy & After the War Volume Two)
β
β
Michael G. Kramer
β
If life transcends death, then I will seek for you there. If not, then there too.
β
β
James S.A. Corey (Calibanβs War (The Expanse, #2))
β
Love can be exploited, I guess, used to manipulate. It's leverage. But I would never call loving someone else a weakness. I think living without love at all, any kind of love, is weakness. And the worst kind of darkness.
β
β
Victoria Aveyard (War Storm (Red Queen, #4))
β
In love we find out who we want to be, in war we find out who we are.
β
β
Kristin Hannah (The Nightingale)
β
Itβs odd, isnβt it? People die every day and the world goes on like nothing happened. But when itβs a person you love, you think everyone should stop and take notice. That they ought to cry and light candles and tell you that youβre not alone.
β
β
Kristina McMorris (Letters from Home)
β
He loves her.
Of this heβs certain.
β
β
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
β
She lowers the volume of this Safe and Top-Trending song titled... "Love Ainβt No Thang But a Chicken Wang.βΒ
β
β
Adam Scott Huerta (Motive Black (Motive Black Series, #1))
β
Sartaq chuckled. βI did. But I also told him that the woman I love now plans to head into war. And I intend to follow her.
β
β
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
β
I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who make things beautiful. Amor fati: let that be my love henceforth! I do not want to wage war against what is ugly. I do not want to accuse; I do not even want to accuse those who accuse. Looking away shall be my only negation. And all in all and on the whole: some day I wish to be only a Yes-sayer.
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
The most ordinary mortal bodies are housed by spectacular souls.
β
β
Julie Berry (Lovely War)
β
Mom, please don't use 'the happy voice.' It reminds me of the day Tinkles died."
"Who was Tinkles?" Sue asked around a mouthful of pancake.
"My cat. When I was five, Tinkles died choking on a mouse that was a bit ambitious for a kitten to eat."
"It was terribly traumatic for Aurelia because it was the first time she'd experienced loss."Β
"What did you do to help her get through it?"Β
Rosalind smiled at Mother Guardian. "Well, after a good cry, we performed an autopsy."
Aurelia reached for her mother's hand. "I never thanked you for that.
β
β
Therisa Peimer (Taming Flame)
β
As long as you have life and breath, believe. Believe for those who cannot. Believe even if you have stopped believing. Believe for the sake of the dead, for love, to keep your heart beating, believe. Never give up, never despair, let no mystery confound you into the conclusion that mystery cannot be yours.
β
β
Mark Helprin (A Soldier of the Great War)
β
If life transcends death
Then I will seek for you there
If not, then there too
β
β
James S.A. Corey (Calibanβs War (The Expanse, #2))
β
Whoever said that love hurts was wrong. Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that
β
β
Julie Hockley (Crow's Row (Crow's Row, #1))
β
In this world, whenever there is light, there are also shadows. As long as the concept of winners exist, there must also be losers. The selfish desire of wanting to maintain peace causes wars and hatred is born to protect love.
β
β
Masashi Kishimoto
β
Let them start their dreadful wars, let destruction rain down, and let plague sweep through, but I will still be here, doing my work, holding humankind together with love like this.
β
β
Julie Berry (Lovely War)
β
We love people not so much for the good they've done us, as for the good we've done them.
β
β
Leo Tolstoy (War and Peace)
β
Here's my advice to you: don't marry until you can tell yourself that you've done all you could, and until you've stopped loving the women you've chosen, until you see her clearly, otherwise you'll be cruelly and irremediably mistaken. Marry when you're old and good for nothing...Otherwise all that's good and lofty in you will be lost.
β
β
Leo Tolstoy (War and Peace)
β
Love is a conquest! Love is war!
β
β
Marissa Meyer (Fairest (The Lunar Chronicles, #3.5))
β
I love you and I love you and I love you, on battlefields, in shadows, in fading ink, on cold ice splashed with the blood of seals. In the rings of trees. In the wreckage of a planet crumbling to space. In bubbling water. In bee stings and dragonfly wings, in stars. In the deapths of lonely woods where I wandered in my youth, staring up - and even then you watched me. You slid back through my life, and I have known you since before I knew you.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
Love without risk is an impossibility, like war without death.
β
β
Alain Badiou (In Praise of Love)
β
It is easy to love your friend, but sometimes the hardest lesson to learn is to love your enemy.
β
β
Sun Tzu (The Art of War)
β
All is fair in love and war
β
β
John Lyly
β
I've learned two things in my life. One that love is the beginning and end of all meaning. And two that it is the same thing whatever shape our souls have taken on this journey. Love is love. Is love.
β
β
Clive Barker
β
I donβt care if itβs Twilight or Fifty Shades or War and Peace - Never let someone make you ashamed of what you love to read!
β
β
Rae Carson
β
The opposite of war isn't peace, it's creation.
β
β
Jonathan Larson
β
Grief's only ever as deep as the love it's replaced.
β
β
Pat Barker (The Silence of the Girls (Women of Troy, #1))
β
There can be no progress without head-on confrontation.
β
β
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
β
All this time.
This was what was wrong with me. All this time I had been trying to figure out the secrets of the universe, the secrets of my own body, of my own heart. All of the answers had always been so close and yet I'd always fought them without even knowing it. From the minute I'd met Dante, I had fallen in love with him. I just didn't let myself know it, think it, feel it. My father was right. And it was true what my mother said. We all fight our own private wars.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
The first casualty of war is the truth.
β
β
Julie Berry (Lovely War)
β
There are only two questions that human beings have ever fought over, all through history. 'How much do you love me?' And, 'Who's in charge?' Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
She used to think love was like a house. Once it was built, a person got to live in it forever. But now she wondered if love was more like a war with new foes constantly appearing and battles creeping up.
β
β
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
β
Seventeen's not so young. A hundred years ago people got married when they were practically our age."
"Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
β
β
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
β
She should have remembered her past experiences in the relationship wars and not let herself get so excited. Evidently her hormones had overruled her common sense and she had become drunk on ovarian wine, the most potent, sanity- destroying substance in the universe.
β
β
Linda Howard (Mr. Perfect)
β
1. Iβm lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. Youβre a ghost town Iβm too patriotic to leave.
6. I stay because youβre the beginning of the dream I want to remember.
7. I didnβt call him back because he likes his girls voiceless.
8. Itβs not that he wants to be a liar; itβs just that he doesnβt know the truth.
9. I couldnβt love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didnβt want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. Iβm not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, Iβm insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didnβt work out.
21. My dad walked out one afternoon and never came back.
22. I canβt sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didnβt want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. Youβre the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said βI love you so bad.β
29. His heart wasnβt as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. Iβm a lover without a lover.
33. Iβm lovely and lonely.
34. I belong deeply to myself .
β
β
Warsan Shire
β
Music is storming, driving, relentless, devotional, slinky, subtle, heartbreakingly-beautiful sounds that, lyrically, switch from the cynical to the sanguine, the defeated to the defiant, dealing in love, war, beauty, children, romance, rejection, Pethedine, poetry, panties, God, Auden, Johnny Cash, cold potatoes, too-much-money, not enough money, writerβs block, flowers, animals and more flowers. But maybe Iβm projecting here.
β
β
Nick Cave
β
Unusual financial activity: none, unless you count the fact that someone in the family is way too into Civil War biographies. (Can this be a possible indication of Confederate insurgents still living and working in Virginia? Must research further.)
β
β
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
β
Love is our most unifying and empowering common spiritual denominator. The more we ignore its potential to bring greater balance and deeper meaning to human existence, the more likely we are to continue to define history as one long inglorious record of manβs inhumanity to man.
β
β
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
β
He loves her laugh; that sharp, sudden sound; the cynical laugh that always comes too quick, like itβs ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness. Sheβs everything heβs not: unbound, reckless, free. Heβs never known anyone like her. She terrifies him, and he loves her so much it hurts.
β
β
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
β
Here was a new generation, shouting the old cries, learning the old creeds, through a revery of long days and nights; destined finally to go out into that dirty gray turmoil to follow love and pride; a new generation dedicated more than the last to the fear of poverty and the worship of success; grown up to find all Gods dead, all wars fought, all faiths in man shaken...
β
β
F. Scott Fitzgerald
β
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day and the best at murder are those who preach against it
and the best at hate are those who preach love and the best at war finally are those who preach peace
β
β
Charles Bukowski
β
And in the end, of course, a true war story is never about war. It's about sunlight. It's about the special way that dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow. It's about sisters who never write back and people who never listen.
β
β
Tim O'Brien
β
There are many different types of kisses. Thereβs a passionate kiss of farewellβlike the kind Rhett gave Scarlett when he went off to war. The kiss of I-canβt-really-be-with-you-but-I-want-to-beβlike with Superman and Lois Lane. Thereβs the first kissβone that is gentle and hesitant, warm and vulnerable. And then thereβs the kiss of possessionβwhich was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didnβt want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything Iβd ever felt before that we belonged together.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war."
- All Quiet On The Western Front, Ch. 5
β
β
Erich Maria Remarque
β
The search for Nirvana, like the search for Utopia or the end of history or the classless society, is ultimately a futile and dangerous one. It involves, if it does not necessitate, the sleep of reason. There is no escape from anxiety and struggle.
β
β
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
β
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
β
β
Antoine de Saint-ExupΓ©ry (The Little Prince)
β
Ngo Diem was heard to say, βI want a repressive machine controlling the whole of the country of South Vietnam from Saigon to the remotest villages. You shall apply massacres, torture, deportations, and mass imprisonment while conducting constant raids. You shall make the population so fearful of this government that no-one shall ever dare to become a revolutionary or any other kind of outlaw!β
(A Gracious Enemy & After the War Volume Two)
β
β
Michael G. Kramer
β
The Genius Of The Crowd
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art
β
β
Charles Bukowski
β
She recognized the way he was looking at her. It was how sheβd once looked at Altan. It was the way sheβd seen Daji look at Rigaβthat look of wretched, desperate, and reproachful loyalty. It said, Do it. Take what you want, it said. Iβll hate you for it. But Iβll love you forever. I canβt help but love you. Ruin me, ruin us, and Iβll let you.
β
β
R.F. Kuang (The Burning God (The Poppy War, #3))
β
Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. βWhat was that for? I didnβt say toss it! That couldβve been evidence. Or spoils of war!β
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
βYou other twoβ¦β He pointed his blade at Hazel and Piper. βPut your weapons on the dock. No funny busββ
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabethβs dagger.
βYou dropped this,β he said, totally poker-faced.
Annabeth threw her arms around him. βI love you!β
βGuys,β Hazel interrupted. She had a little smile on her face. βWe need to hurry.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
β
β
Neil Gaiman (Stardust)
β
Yes, love, ...but not the love that loves for something, to gain something, or because of something, but that love that I felt for the first time, when dying, I saw my enemy and yet loved him. I knew that feeling of love which is the essence of the soul, for which no object is needed. And I know that blissful feeling now too. To love one's neighbours; to love one's enemies. To love everything - to Love God in all His manifestations. Some one dear to one can be loved with human love; but an enemy can only be loved with divine love. And that was why I felt such joy when I felt that I loved that man. What happened to him? Is he alive? ...Loving with human love, one may pass from love to hatred; but divine love cannot change. Nothing, not even death, can shatter it. It is the very nature of the soul. And how many people I have hated in my life. And of all people none I have loved and hated more than her.... If it were only possible for me to see her once more... once, looking into those eyes to say...
β
β
Leo Tolstoy (War and Peace)
β
Your daughter is ugly.
She knows loss intimately,
carries whole cities in her belly.
As a child, relatives wouldnβt hold her.
She was splintered wood and sea water.
They said she reminded them of the war.
On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.
You made her gargle rosewater
and while she coughed, said
macaanto girls like you shouldnβt smell
of lonely or empty.
You are her mother.
Why did you not warn her,
hold her like a rotting boat
and tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island
if her thighs are borders?
What man wants to lay down
and watch the world burn
in his bedroom?
Your daughterβs face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things
but God,
doesnβt she wear
the world well.
β
β
Warsan Shire
β
You still love me. It's possible." Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. "I'm not afraid of hard work, especially not when I know just how sweet the rewards are. I would rather loose this entire war than live without you, and if that means I have to prove myself over and over, then I'll do it. You gave me your heart, and I'm keeping it." She already owns mine, even if she doesn't realize it.
β
β
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
β
That was when it was all made painfully clear to me. When you are a child, there is joy. There is laughter. And most of all, there is trust. Trust in your fellows. When you are an adult...then comes suspicion, hatred, and fear. If children ran the world, it would be a place of eternal bliss and cheer. Adults run the world; and there is war, and enmity, and destruction unending. Adults who take charge of things muck them up, and then produce a new generation of children and say, "The children are the hope of the future." And they are right. Children are the hope of the future. But adults are the damnation of the present, and children become adults as surely as adults become worm food.
Adults are the death of hope.
β
β
Peter David (Tigerheart)
β
Life is everything. Life is God. Everything shifts and moves, and this movement is God. And while there is life, there is delight in the self-awareness of the divinity. To love life is to love God. The hardest and most blissful thing is to love this life in one's suffering, in the guiltlessness of suffering.
β
β
Leo Tolstoy (War and Peace)
β
When you open yourself to the continually changing, impermanent, dynamic nature of your own being and of reality, you increase your capacity to love and care about other people and your capacity to not be afraid. You're able to keep your eyes open, your heart open, and your mind open. And you notice when you get caught up in prejudice, bias, and aggression. You develop an enthusiasm for no longer watering those negative seeds, from now until the day you die. And, you begin to think of your life as offering endless opportunities to start to do things differently.
β
β
Pema ChΓΆdrΓΆn (Practicing Peace in Times of War)
β
He knew Alec enough by now to know the conflicting impulses that warred in him. He was conscientious, the kind of person who believed that the others around him were so much more important than he was, who already believed he was letting everybody down. And he was honest, the kind of person that was naturally open about all he felt and wanted. Alec's virtues had made a trap for him; these two good qualities had collided painfully. He felt he could not be honest without disappointing everyone he loved. It was a hideous conundrum for him. It was as if the world had been designed to make him unhappy.
β
β
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
β
I knew a man who gave twenty years of his life to a scatterbrained woman, sacrificing everything to her, his friendships, his work, the very respectability of his life and who one evening recognized that he had never loved her. He had been bored, thats all, bored like most people. Hence he had made himself out of whole cloth a life full of complications and drama. Something must happen and that explains most human commitments. Something must happen even loveless slavery, even war or death.
β
β
Albert Camus
β
The way the world is made. The truth is all around you, plain to behold. The night is dark and full of terrors, the day bright and beautiful and full of hope. One is black, the other white. There is ice and there is fire. Hate and love. Bitter and sweet. Male and female. Pain and pleasure. Winter and summer. Evil and good.β She took a step toward him. βDeath and life. Everywhere, opposites. Everywhere, the war.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
There is only war in love,β he says. βIf anyone tells you otherwise, theyβre lying. The constant fight to keep love relevant, while growing and changing as a human, is the battle. You fight for them, fight to keep them, fight to love them. Do you fight for yourself, or do you fight for the relationship? What canβt you live without? Thereβs your answer.
β
β
Tarryn Fisher (F*ck Love)
β
When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since. The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War have yet to learn. You can only win the game when you understand that it IS a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him loose them all.
β
β
Mark Lawrence (Prince of Thorns (Broken Empire, #1))
β
Itβs in our nature to want to watch our human frailties played out on a huge, epic canvas. Ancient societies had anthropomorphic gods: a huge pantheon expanding into centuries of dynastic drama: fathers and sons, star-crossed lovers, warring brothers, martyred heroes. Tales that taught us the danger of hubris and the primacy of humility. Itβs the everyday stuff of everymanβs life, but itβs writ large, and we love it.
β
β
Tom Hiddleston
β
His mouth went dry and for a split second he had a metallic taste on the sides of his tongue. He stood, turned, and gulped. A vision had appeared from somewhere. Was she real? She was tall, with long, glossy light-gold hair surrounding a perfectly shaped face. The front of her silk white robe was open down to a delightful cleavage where a long silver cross hung. As she walked slowly past Alec to sit at the desk, the robe parted for a fleeting glimpse of her leg. A scent of lily of the valley meandered over him. A hand with long graceful fingers indicated for him to sit again in his chair. She was real!
She was, without doubt, the most beautiful woman Alec had ever seen.
β
β
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
β
She was tired of being told how it was by this generation, whoβd botched things so badly. Theyβd sold their children a pack of lies: God and country. Love your parents. All is fair. And then theyβd sent those boys, her brother, off to fight a great monster of a war that maimed and killed and destroyed whatever was inside them. Still they lied, expecting her to mouth the words and play along. Well, she wouldnβt. She knew now that the world was a long way from fair. She knew the monsters were real.
β
β
Libba Bray (The Diviners (The Diviners, #1))
β
We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.
β
β
Erich Maria Remarque (All Quiet on the Western Front)
β
Years after the war, after marriages, children, divorces, books, he came to Paris with his wife. He phoned her. It's me. She recognized him at once from the voice. He said, I just wanted to hear your voice. She said, it's me, hello. He was nervous, afraid, as before. His voice suddenly trembled. And with the trembling, suddenly, she heard again the voice of China. He knew she'd begun writing books, he'd heard about it through her mother whom he'd met again in Saigon. And about her younger brother, and he'd been grieved for her. Then he didn't know what to say. And then he told her. Told her that it was as before, that he still loved her, he could never stop loving her, that he'd love her until death.
β
β
Marguerite Duras (The Lover)
β
They want us to be afraid.
They want us to be afraid of leaving our homes.
They want us to barricade our doors
and hide our children.
Their aim is to make us fear life itself!
They want us to hate.
They want us to hate 'the other'.
They want us to practice aggression
and perfect antagonism.
Their aim is to divide us all!
They want us to be inhuman.
They want us to throw out our kindness.
They want us to bury our love
and burn our hope.
Their aim is to take all our light!
They think their bricked walls
will separate us.
They think their damned bombs
will defeat us.
They are so ignorant they donβt understand
that my soul and your soul are old friends.
They are so ignorant they donβt understand
that when they cut you I bleed.
They are so ignorant they donβt understand
that we will never be afraid,
we will never hate
and we will never be silent
for life is ours!
β
β
Kamand Kojouri
β
We are focusing on the small details and hiding the misery in the world. Look at the smoker and we miss global warming, war, and the crap we eat--not the bad guys but smoking. I smoke and they talk about cancer, I eat and they talk about cholesterol, I make love, it's AIDS. Before AIDS and cholesterol and cancer there's the pleasure of making love and eating and smoking. I have to die someday, so if the thing that gave me pleasure all of my life kills me instead of me going under a truck, that's fine. Besides, why should I live so that when I die I give fresh meat to the worms? I hope that I am rotted and they don't want to eat me. F@#$ck the worms.
β
β
Marjane Satrapi
β
Auschwitz is outside of us, but it is all around us, in the air. The plague has died away, but the infection still lingers and it would be foolish to deny it. Rejection of human solidarity, obtuse and cynical indifference to the suffering of others, abdication of the intellect and of moral sense to the principle of authority, and above all, at the root of everything, a sweeping tide of cowardice, a colossal cowardice which masks itself as warring virtue, love of country and faith in an idea.
β
β
Primo Levi (The Black Hole of Auschwitz)
β
Aware of every breath, every movement, I sat in his lap. His hands gently braced my hips as I studied his face. βAnd now I want you to know, Rhysand, that I love you. I want you to know β¦ β His lips trembled, and I brushed away the tear that escaped down his cheek. βI want you to know,β I whispered, βthat I am broken and healing, but every piece of my heart belongs to you. And I am honoredβhonored to be your mate.β
His arms wrapped around me and he pressed his forehead to my shoulder, his body shaking. I stroked a hand through his silken hair.
βI love you,β I said again. I hadnβt dared say the words in my head. βAnd Iβd endure every second of it over again so I could find you. And if war comes, weβll face it. Together. I wonβt let them take me from you. And I wonβt let them take you from me, either.β
Rhys looked up, his face gleaming with tears. He went still as I leaned in, kissing away one tear. Then the other. As he had once kissed away mine.
When my lips were wet and salty with them, I pulled back far enough to see his eyes. βYouβre mine,β I breathed.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
But one thing I beg of you, look on me as your friend; and if you want some help, advice, or simply want to open your heart to someone- not now, but when things are clearer in your heart- think of me.' He took her hand and kissed it. 'I shall be happy, if I am able...' Pierre was confused.
'Don't speak to me like that; I'm not worth it!' cried Natasha...
'Hush, hush your whole life lies before you,' he said to her.
'Before me! No! All is over for me,' she said, with shame and humiliation.
'All over?' he repeated. 'If I were not myself, but the handsomest, cleverest, best man in the world, and if I were free I would be on my knees this minute to beg for your hand and your love.
β
β
Leo Tolstoy (War and Peace)
β
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
β
β
Miranda July (No One Belongs Here More Than You)
β
All other trades are contained in that of war.
Is that why war endures?
No. It endures because young men love it and old men love it in them. Those that fought, those that did not.
That's your notion.
The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark.
β
β
Pablo Neruda
β
One of the great tragedies of life is that men seldom bridge the gulf between practice and profession, between doing and saying. A persistent schizophrenia leaves so many of us tragically divided against ourselves. On the one hand, we proudly profess certain sublime and noble principles, but on the other hand, we sadly practise the very antithesis of these principles. How often are our lives characterised by a high blood pressure of creeds and an anaemia of deeds! We talk eloquently about our commitment to the principles of Christianity, and yet our lives are saturated with the practices of paganism. We proclaim our devotion to democracy, but we sadly practise the very opposite of the democratic creed. We talk passionately about peace, and at the same time we assiduously prepare for war. We make our fervent pleas for the high road of justice, and then we tread unflinchingly the low road of injustice. This strange dichotomy, this agonising gulf between the ought and the is, represents the tragic theme of man's earthly pilgrimage.
β
β
Martin Luther King Jr. (Strength to Love)
β
Adieu," he said, "this is goodbye. I'll never forget you, never."
She stood silent. He looked at her and saw her eyes full of tears. He turned away.
At this moment she wasn't ashamed of loving him, because her physical desire had gone and all she felt towards him now was pity and a profound, almost maternal tenderness. She forced herself to smile. "Like the Chinese mother who sent her son off to war telling him to be careful 'because war has its dangers,' I'm asking you, if you have any feelings for me, to be as careful as possible with your life."
Because it is precious to you?" he asked nervously.
Yes. Because it is precious to me.
β
β
Irène Némirovsky (Suite Francaise)
β
God created things which had free will. That means creatures which can go wrong or right. Some people think they can imagine a creature which was free but had no possibility of going wrong, but I can't. If a thing is free to be good it's also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having. A world of automata -of creatures that worked like machines- would hardly be worth creating. The happiness which God designs for His higher creatures is the happiness of being freely, voluntarily united to Him and to each other in an ecstasy of love and delight compared with which the most rapturous love between a man and a woman on this earth is mere milk and water. And for that they've got to be free.
Of course God knew what would happen if they used their freedom the wrong way: apparently, He thought it worth the risk. (...) If God thinks this state of war in the universe a price worth paying for free will -that is, for making a real world in which creatures can do real good or harm and something of real importance can happen, instead of a toy world which only moves when He pulls the strings- then we may take it it is worth paying.
β
β
C.S. Lewis (The Case for Christianity)
β
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctorβs clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
β
β
John Richard Spencer
β
No one can ever make you feel inferior without your permission, Tory. Donβt give it to them. Realize that itβs their own insecurities that make them attack you and others. Theyβre so unhappy with themselves that the only way they can feel better is by making everyone as unhappy as they are. Donβt let those people steal your day, baby. You hold your head high and know that you have the one thing they can never take away from you. (Theo)
What's that, Papa? (Tory)
My love. Your motherβs love and the love of your family and true friends. Your own self-respect and sense of purpose. Look at me, Torimou, people laugh at me all the time and say that Iβm chasing rainbows. They told George Lucas that he was a fool for making Star Wars β they used to even call it Lucasβs Folly. Did he listen? No. And if heβd listened to them you wouldnβt have had your favorite movie made and think of how many people would never have heard the phrase 'May the Force be With You.' (Theo)
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
she, with her affection and her gaiety, had been largely responsible for him having rediscovered the meaning of life, her love had driven him to the far corners of the Earth, because he needed to be rich enough to buy some land and live in peace with her for the rest of their days. It was his utter confidence in this fragile creature, that had made him fight with honor, because he knew that after a battle he could forget all the horrors of war in her arms, and that, despite all the women he had known, only there in her arms could he close his eyes and sleep like a child.
β
β
Paulo Coelho (Brida)
β
A time to be born, and a time to die;
A time to plant, and a time to pluck up that which is planted;
A time to kill, and a time to heal;
A time to break down, and a time to build up;
A time to weep, and a time to laugh;
A time to mourn, and a time to dance;
a time to cast away stones, and a time to gather stones together;
A time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose;
A time to lose; A time to keep, and a time to cast away;
A time to rend, and a time to sew;
A time to keep silence, and a time to speak;
A time to love, and a time to hate;
A time of war, and a time of peace
β
β
Paulo Coelho (Eleven Minutes)
β
Bet you can't even name one romantic movie you like," she teased.
She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy.
The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line.
The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls.
Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?"
Schuyler mmm-hmmmed.
And Leia leans over the ledge and says, 'I love you.'"
That's cheesy, not romatic," Schuyler argued, although she did like that part.
Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?"
Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'"
Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic.
β
β
Melissa de la Cruz (Revelations (Blue Bloods, #3))
β
I am wired by nature to love the same toys that the world loves. I start to fit in. I start to love what others love. I start to call earth "home." Before you know it, I am calling luxeries "needs" and using my money just the way unbelievers do. I begin to forget the war. I don't think much about people perishing. Missions and unreached people drop out of my mind. I stop dreaming about the triumphs of grace. I sink into a secular mind-set that looks first to what man can do, not what God can do. It is a terrible sickness. And I thank God for those who have forced me again and again toward a wartime mind-set.
β
β
John Piper (Don't Waste Your Life)
β
Sir?β Kitay asked. The magistrate turned to look at him. βWhat?β With a grunt, Kitay raised the crate over his head and flung it to the ground. It landed on the dirt with a hard thud, not the tremendous crash Rin had rather been hoping for. The wooden lid of the crate popped off. Out rolled several very nice porcelain teapots, glazed with a lovely flower pattern. Despite their tumble, they looked unbroken. Then Kitay took to them with a slab of wood. When he was done smashing them, he pushed his wiry curls out of his face and whirled on the sweating magistrate, who cringed in his seat as if afraid Kitay might start smashing at him, too. βWe are at war,β Kitay said. βAnd you are being evacuated because for gods know what reason, youβve been deemed important to this countryβs survival. So do your job. Reassure your people. Help us maintain order. Do not pack your fucking teapots.
β
β
R.F. Kuang (The Poppy War (The Poppy War, #1))
β
When I found you, I didnβt know what I was finding,β Alec said. βWords about things that are beautiful and precious to me donβt come easily. You know that. You know me better than anyone.β He licked his dry lips. βAnd when one day people look back on me and what my life meant, I donβt want them to say, βAlec Lightwood fought in the Dark Warβ or even βAlec Lightwood was Consul once.β I want them to think, βAlec Lightwood loved one man so much he changed the world for him.βββ
Magnusβs eyes shone bright as stars. He gazed at Alec with eyes full of joy, of a feeling so profound Alec felt humbled to be a part of it. βYou know youβve already changed the world for me.β
βWill you marry me?β Alec whispered. His heart was beating like a frantic birdβs wings. βRight now? Tonight?β
Magnus nodded wordlessly and pulled Alec to his feet. They wrapped their arms around each other, and Alec leaned up just that little bit, since Magnus was just that little bit taller, which he had always loved.
And they kissed for a long time.
β
β
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
β
People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
β
β
Zadie Smith (On Beauty)
β
Maybe we should develop a Crayola bomb as our next secret weapon. A happiness weapon. A beauty bomb. And every time a crisis developed, we would launch one. It would explode high in the air - explode softly - and send thousands, millions, of little parachutes into the air. Floating down to earth - boxes of Crayolas. And we wouldn't go cheap, either - not little boxes of eight. Boxes of sixty-four, with the sharpener built right in. With silver and gold and copper, magenta and peach and lime, amber and umber and all the rest. And people would smile and get a little funny look on their faces and cover the world with imagination.
β
β
Robert Fulghum
β
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
β
β
Alan Moore (V for Vendetta)
β
Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did. There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning. Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.
β
β
Bret Easton Ellis (American Psycho)
β
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant.
HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity.
HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long.
HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision.
HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful.
HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees.
HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child.
HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost.
HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war.
HELPED are those whose every act is a prayer for peace; on them depends the future of the world.
HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth.
HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing.
HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous.
HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them.
HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion.
HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid.
HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass.
HELPED are those who love and actively support the diversity of life; they shall be secure in their differences.
HELPED are those who KNOW.
β
β
Alice Walker
β
When Booker first started working for her a few years ago and was living in their home, she saw him cower with apprehension every time she snapped a new order or made him redo tasks more than once, twice, or three times. Now, she knew that he understood her ways better, her need for order, cleanliness, and strict attention to details. She felt he was beginning to realize just what this fifty-seven-year-old Yankee schoolteacher expected of her thirteen-year-old house servant and pupil. He began to appreciate the books from which she taught him after his morning chores were completed. She gave him a few to start his own library and found he stored them in old dry goods boxes in his bedroom.
β
β
Sheridan Brown (The Viola Factor)
β
Van Houten,
Iβm a good person but a shitty writer. Youβre a shitty person but a good writer. Weβd make a good team. I donβt want to ask you any favors, but if you have time β and from what I saw, you have plenty β I was wondering if you could write a eulogy for Hazel. Iβve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Hereβs the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. Thatβs what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, βTheyβll remember me now,β but (a) they donβt remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe Iβm not such a shitty writer. But I canβt pull my ideas together, Van Houten. My thoughts are stars I canβt fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I canβt stop pissing on fire hydrants. I know itβs silly and useless β epically useless in my current state β but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: Weβre as likely to hurt the universe as we are to help it, and weβre not likely to do either.
People will say itβs sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But itβs not sad, Van Houten. Itβs triumphant. Itβs heroic. Isnβt that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway arenβt the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didnβt actually invented anything. He just noticed that people with cowpox didnβt get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors werenβt allowed, and I asked if she was doing okay, and the guy said, βSheβs still taking on water.β A desert blessing, an ocean curse.
What else? She is so beautiful. You donβt get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You donβt get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
β
β
John Green (The Fault in Our Stars)
β
Lieutenant Chatrand: I donβt understand this omnipotent-benevolent thing.
Camerlengo Carlo Ventresca: You are confused because the Bible describes God as an omnipotent and benevolent deity.
Lieutenant Chatrand: Exactly.
Camerlengo Carlo Ventresca: Omnipotent-benevolent simply means that God is all-powerful and well-meaning.
Lieutenant Chatrand: I understand the concept. Itβs just... there seems to be a contradiction.
Camerlengo Carlo Ventresca: Yes. The contradiction is pain. Manβs starvation, war, sickness...
Lieutenant Chatrand: Exactly! Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldnβt he?
Camerlengo Carlo Ventresca: Would He?
Lieutenant Chatrand: Well... if God Loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.
Camerlengo Carlo Ventresca: Do you have children?
Lieutenant Chatrand: No, signore.
Camerlengo Carlo Ventresca: Imagine you had an eight-year-old son... would you love him?
Lieutenant Chatrand: Of course.
Camerlengo Carlo Ventresca: Would you let him skateboard?
Lieutenant Chatrand: Yeah, I guess. Sure Iβd let him skateboard, but Iβd tell him to be careful.
Camerlengo Carlo Ventresca: So as this childβs father, you would give him some basic, good advice and then let him go off and make his own mistakes?
Lieutenant Chatrand: I wouldnβt run behind him and mollycoddle him if thatβs what you mean.
Camerlengo Carlo Ventresca: But what if he fell and skinned his knee?
Lieutenant Chatrand: He would learn to be more careful.
Camerlengo Carlo Ventresca: So although you have the power to interfere and prevent your childβs pain, you would choose to show you love by letting him learn his own lessons?
Lieutenant Chatrand: Of course. Pain is part of growing up. Itβs how we learn.
Camerlengo Carlo Ventresca: Exactly.
β
β
Dan Brown (Angels & Demons (Robert Langdon, #1))
β
this is the 21st century and we need to redefine r/evolution. this planet needs a peopleβs r/evolution. a humanist r/evolution. r/evolution is not about bloodshed or about going to the mountains and fighting. we will fight if we are forced to but the fundamental goal of r/evolution must be peace.
we need a r/evolution of the mind. we need a r/evolution of the heart. we need a r/evolution of the spirit. the power of the people is stronger than any weapon. a peopleβs r/evolution canβt be stopped. we need to be weapons of mass construction. weapons of mass love. itβs not enough just to change the system. we need to change ourselves. we have got to make this world user friendly. user friendly.
are you ready to sacrifice to end world hunger. to sacrifice to end colonialism. to end neo-colonialism. to end racism. to end sexism.
r/evolution means the end of exploitation. r/evolution means respecting people from other cultures. r/evolution is creative.
r/evolution means treating your mate as a friend and an equal. r/evolution is sexy.
r/evolution means respecting and learning from your children. r/evolution is beautiful.
r/evolution means protecting the people. the plants. the animals. the air. the water. r/evolution means saving this planet.
r/evolution is love.
β
β
Assata Shakur
β
SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
β
β
W.H. Auden (Another Time)
β
Well, I know," she said. "You'll pretend you were men instead of babies, and you'll be played in the movies by Frank Sinatra and John Wayne or some of those other glamorous, war-loving, dirty old men. And war will look just wonderful, so we'll have a lot more of them. And they'll be fought by babies like the babies upstairs."
So then I understood. It was war that made her so angry. She didn't want her babies or anybody else's babies killed in wars. And she thought wars were partly encouraged by books and movies.
So I held up my right hand and I made her a promise: "Mary," I said, "I don't think this book of mine will ever be finished. I must have written five thousand pages by now, and thrown them all away. If I ever do finish it, though, I give you my word of honor: there won't be a part for Frank Sinatra or John Wayne.
"I tell you what," I said, "I'll call it 'The Children's Crusade.'"
She was my friend after that.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didnβt know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into peopleβs eyes and became an exasperating expression.
β
β
Arundhati Roy (The God of Small Things)
β
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, βhey daddy could i be a hand modelβ
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you couldβve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
β
β
Sarah Kay
β
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there arenβt any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executionerβs assistant leans almost amorously toward him. βYour turn next, brother. Kindly step this way.β And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a manβs humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we donβt want yet do everything we can to bring about.
β
β
Aldous Huxley (Ape and Essence)
β
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.
United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for?
The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.
How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
β
β
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
β
When people dis fantasyβmainstream readers and SF readers alikeβthey are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagiousβyou can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislikeβhis cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichΓ©sβelves 'n' dwarfs 'n' magic ringsβhave spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulpsβvia Mervyn Peake and Mikhael Bulgakov and Stefan GrabiΕski and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go onβthe best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mineβthat would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in itβMichael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
β
β
China MiΓ©ville
β
eat, baby.
eat.
chew.
please.
I know it hurts. I know it doesnβt feel good.
please.
I know your hunger is different than mine.
I know it doesnβt taste the same as mine.
imagine you could grow up all over again
and pinpoint the millisecond that you started
counting calories like casualties of war,
mourning each one like it had a family.
would you?
sometimes I wonder that.
sometimes I wonder if you would go back
and watch yourself reappear and disappear right in front of your own eyes.
and I love you so much.
I am going to hold your little hand through the night.
just please eat. just a little.
you wrote a poem once,
about a city of walking skeletons.
the teacher called home because you
told her you wished it could be like that
here.
let me tell you something about bones, baby.
they are not warm or soft.
the wind whistles through them like they are
holes in a tree.
and they break, too. they break right in half.
they bruise and splinter like wood.
are you hungry?
I know. I know how much you hate that question.
I will find another way to ask it, someday.
please.
the voices.
I know they are all yelling at you to stretch yourself thinner.
l hear them counting, always counting.
I wish I had been there when the world made you
snap yourself in half.
I would have told you that your body is not a war-zone,
that, sometimes,
it is okay to leave your plate empty.
β
β
Caitlyn Siehl
β
In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. When there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended - there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving anyone too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears - that's what soma is.
β
β
Aldous Huxley (Brave New World)
β
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zoneβ¦
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
β
β
Andrea Gibson
β
In Louisville, at the corner of Fourth and Walnut, in the center of the shopping district, I was suddenly overwhelmed with the realization that I loved all these people, that they were mine and I theirs, that we could not be alien to one another even though we were total strangers. It was like waking from a dream of separateness, of spurious self-isolation in a special world. . . .
This sense of liberation from an illusory difference was such a relief and such a joy to me that I almost laughed out loud. . . . I have the immense joy of being man, a member of a race in which God Himself became incarnate. As if the sorrows and stupidities of the human condition could overwhelm me, now that I realize what we all are. And if only everybody could realize this! But it cannot be explained. There is no way of telling people that they are all walking around shining like the sun.
Then it was as if I suddenly saw the secret beauty of their hearts, the depths of their hearts where neither sin nor desire nor self-knowledge can reach, the core of their reality, the person that each one is in Godβs eyes. If only they could all see themselves as they really are. If only we could see each other that way all the time. There would be no more war, no more hatred, no more cruelty, no more greed. . . . But this cannot be seen, only believed and βunderstoodβ by a peculiar gift.
β
β
Thomas Merton (Conjectures of a Guilty Bystander)
β
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...)
Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
β
β
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
β
A NATION'S GREATNESS DEPENDS ON ITS LEADER
To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level.
Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist.
Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies.
Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader.
And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life. After a firefight, there is always the immense pleasure of aliveness. The trees are alive. The grass, the soilβeverything. All around you things are purely living, and you among them, and the aliveness makes you tremble. You feel an intense, out-of-the-skin awareness of your living selfβyour truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though itβs odd, youβre never more alive than when youβre almost dead. You recognize whatβs valuable. Freshly, as if for the first time, you love whatβs best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
β
β
Tim O'Brien (The Things They Carried)
β
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess β no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity β back of that morning, he had done nothing. They knew that it took him six days to make the earth β all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken β that there is no supernatural power that can answer prayer - no power that worship can persuade or change β no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine β with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
β
β
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
β
A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
β
β
Pablo Neruda
β
We're the unmended, the untended,
cold soldiers of the shoe. We're the neglected,
the never resurrected, agonies of the few.
We're the once kissed, unmissed and always
refused. Because we're the unfinished
and feared and we're never pursued.
And just that easily, on my behalf,
I come around. Because I'm burning.
The beast of War feeds only on the meats of War.
And now I'm for carnage.
Here's how my anguish frees.
Destroy everyone of course. Because I'm unwanted
and unsafe. And I'll take tears away with torments and rape,
killings and fears not even the dead will escape.
Encircling the Guilty, Ashamed, Blameless and
Enslaved. Absolved. Butchering their prejudice.
Patience. Their Value. Because I'm without value.
I'm the coming of every holocaust. Turning no lost.
Rending tissue, sinew and bone. Excepting no suffering.
By me all levees will break. All silos heave.
I will walk heavy.
And I will walk strange.
Because I am too soon.
Because without Her, I am only revolutions
Of ruin.
Because I am too soon.
Because without You, I am only revolutions
Of ruin.
I'm the prophecy prophecies pass.
Why need dies at last.
How oceans dry. Islands drown.
And skies of salt crash to the ground.
I turn the powerful. Defy the weak.
Only grass grows down abandoned streets.
For a greater economy shall follow Us
and it will be undone.
And a greater autonomy shall follow Us
and it too will be undone.
And a greater feeling shall follow Love
and it too we will blow to dust.
For I am longings without trust. The cycloidal haste
freedom from Hailey forever wastes.
Dust cares for only dust.
And time only for Us.
Because I am too soon.
Because without Her, I am only revolutions
Of ruin.
Because I am too soon.
Because without You, I am only revolutions
Of ruin.
We are always sixteen...
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Mark Z. Danielewski (Only Revolutions)
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Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
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John Green (The Fault in Our Stars)
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When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees.
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees.
Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure.
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
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Toni Morrison (Beloved)
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When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
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Jeanette Winterson (Sexing the Cherry)
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Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done.
And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
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John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
β
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right?
[Will nods]
Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
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Robin Williams
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Let's say that the consensus is that our species, being the higher primates, Homo Sapiens, has been on the planet for at least 100,000 years, maybe more. Francis Collins says maybe 100,000. Richard Dawkins thinks maybe a quarter-of-a-million. I'll take 100,000. In order to be a Christian, you have to believe that for 98,000 years, our species suffered and died, most of its children dying in childbirth, most other people having a life expectancy of about 25 years, dying of their teeth. Famine, struggle, bitterness, war, suffering, misery, all of that for 98,000 years.
Heaven watches this with complete indifference. And then 2000 years ago, thinks 'That's enough of that. It's time to intervene,' and the best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate parts of the Middle East. Don't lets appeal to the Chinese, for example, where people can read and study evidence and have a civilization. Let's go to the desert and have another revelation there. This is nonsense. It can't be believed by a thinking person.
Why am I glad this is the case? To get to the point of the wrongness of Christianity, because I think the teachings of Christianity are immoral. The central one is the most immoral of all, and that is the one of vicarious redemption. You can throw your sins onto somebody else, vulgarly known as scapegoating. In fact, originating as scapegoating in the same area, the same desert. I can pay your debt if I love you. I can serve your term in prison if I love you very much. I can volunteer to do that. I can't take your sins away, because I can't abolish your responsibility, and I shouldn't offer to do so. Your responsibility has to stay with you. There's no vicarious redemption. There very probably, in fact, is no redemption at all. It's just a part of wish-thinking, and I don't think wish-thinking is good for people either.
It even manages to pollute the central question, the word I just employed, the most important word of all: the word love, by making love compulsory, by saying you MUST love. You must love your neighbour as yourself, something you can't actually do. You'll always fall short, so you can always be found guilty. By saying you must love someone who you also must fear. That's to say a supreme being, an eternal father, someone of whom you must be afraid, but you must love him, too. If you fail in this duty, you're again a wretched sinner. This is not mentally or morally or intellectually healthy.
And that brings me to the final objection - I'll condense it, Dr. Orlafsky - which is, this is a totalitarian system. If there was a God who could do these things and demand these things of us, and he was eternal and unchanging, we'd be living under a dictatorship from which there is no appeal, and one that can never change and one that knows our thoughts and can convict us of thought crime, and condemn us to eternal punishment for actions that we are condemned in advance to be taking. All this in the round, and I could say more, it's an excellent thing that we have absolutely no reason to believe any of it to be true.
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Christopher Hitchens
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76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
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Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
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James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
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is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
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George R.R. Martin