Engraved Name Quotes

Patch reached for my hand and pushed my dad's ring off the tip of his finger and into my palm, curling my fingers around it. He kissed my knuckles. "I was going to give this back earlier, but it wasn't finished." I opened my palm and held the ring up. The same heart was engraved on the underside, but now there were two names carved on either side of it: NORA and JEV. I looked up. "Jev? That's your real name?" "Nobody's called me that in a long time.

You who live safe In your warm houses, You who find warm food And friendly faces when you return home. Consider if this is a man Who works in mud, Who knows no peace, Who fights for a crust of bread, Who dies by a yes or no. Consider if this is a woman Without hair, without name, Without the strength to remember, Empty are her eyes, cold her womb, Like a frog in winter. Never forget that this has happened. Remember these words. Engrave them in your hearts, When at home or in the street, When lying down, when getting up. Repeat them to your children. Or may your houses be destroyed, May illness strike you down, May your offspring turn their faces from you.

Lucifer was engraving Nate’s name on a cage right now.

...stooping very low, He engraves with care His Name, indelible, upon our dust; And from the ashes of our self-despair, Kindles a flame of hope and humble trust. He seeks no second site on which to build, But on the old foundation, stone by stone, Cementing sad experience with grace, Fashions a stronger temple of His own.

The poets and philosophers I once loved had it wrong. Death does not come to us all, nor does the passage of time dim our memories and reduce our bodies to dust. Because while I was considered dead, and a headstone had been engraved with my name, in truth my life was just beginning.

If, to expose the fraud and imposition of monarchy ... to promote universal peace, civilization, and commerce, and to break the chains of political superstition, and raise degraded man to his proper rank; if these things be libellous ... let the name of libeller be engraved on my tomb." [Letter Addressed To The Addressers On The Late Proclamation, 1792 (Paine's response to the charge of "seditious libel" brought against him after the publication of The Rights of Man)]

In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.

This case was too full of skewed, slippery parallels, and I couldn't shake the uneasy sense that they were somehow deliberate. Every coincidence felt like a sea-worn bottle slammed down on the sand at my feet, with my name engraved neatly on the glass and inside a message in some mockingly indecipherable code.

Beneath these was a small silver-edged photo album, and Emma breathed in at the sight of the engraved names: Tommy and Emma. She found herself smiling; she'd known somehow that he would have been a Tommy. And if he'd never had the chance to become any of the other things she'd imagined for him, she was happy that at least he'd had that.

I know Kimberly’s fake smiles. I’ve learnt them. I have them engraved in a dark corner in my heart, the one with her name written all over it.

It's so beautiful. It has our initials," she said, running her fingertip over the engraving. "You know me," I half joked. "Any way I can get my name on you." She looked up. I felt her hazel eyes on my face. "I love you." - Rimmel & Romeo

but I never forget. I've engraved your name on the palms of my hands.

I asked the wind: "Why do you serve Solomon?" It said: "Because Ahmad's name is engraved on his seal!" باد را گفتم: سلیمان را چرا خدمت کنی گفت: از آن کش نام احمد نقش بر خاتم بود

There was a brass plate mounted on the door at eye level, so old that the lettering that had once been engraved there had been reduced to a spidery, unreadable code, the name of some long dead function or functionary, polished into oblivion.

Mrs. Weasley glanced at the grandfather clock in the corner. Harry liked this clock. It was completely useless if you wanted to know the time, but otherwise very informative. It had nine golden hands, and each of them was engraved with one of the Weasley family’s names. There were no numerals around the face, but descriptions of where each family member might be. “Home,” “school,” and “work” were there, but there was also “traveling,” “lost,” “hospital,” “prison,” and, in the position where the number twelve would be on a normal clock, “mortal peril.

Many accepted authors simply do not exist for me. Their names are engraved on empty graves, their books are dummies, they are complete nonentities insofar as my taste in reading is concerned. Brecht, Faulkner, Camus, many others, mean absolutely nothing to me, and I must fight a suspicion of conspiracy against my brain when I see blandly accepted as “great literature” by critics and fellow authors Lady Chatterley's copulations or the pretentious nonsense of Mr. Pound, that total fake. I note he has replaced Dr. Schweitzer in some homes.

All my life my dad felt this need to protect his kids from a war he fought, a war I believed could never reach out and touch us, could never hurt us—and yet he fed us lies with his answers, shielding us from the truth about what he did there, about what he saw, about who he was before the war, and about what he became because of it. He lied to protect us from his memories, from his nightmares. Standing with my dad at The Wall, I knew the truth—no one could know so many names engraved in granite if he 'never was in danger.

What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise

In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.

We forest officers, who acquiesced in the extinguishment of the bear, knew a local rancher who had plowed up a dagger engraved with the name of one of Coronado´s captains. We spoke harshly of the Spaniards, who, in their zeal for gold and converts, had needlessly extinguished the native Indians. It did not occur to us that we, too, were the captains of an invasion too sure of its righteousness.

Once you engrave your name on something, you create history

But that goes for most of us, doesn't it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it's all about? Let's dream on. Yes, that's my Dad and Mum over there on the piano top. My eldest boy is on the mantel piece...I go to work at eight and come home at five-thirty. When I retire they will give me a clock--with my name engraved on the back. Now you know all about me. Go away: I've forgotten you already.

The least fracture now will be like a name engraved with the point of a pin on the tender rind of a young oak; the wound will enlarge with the tree, and posterity read it in full grown characters.

MAULANA'S LAST LETTER TO SHAMS Sometimes I wonder, sweetest love, if you Were a mere dream in along winter night, A dream of spring-days, and of golden light Which sheds its rays upon a frozen heart; A dream of wine that fills the drunken eye. And so I wonder, sweetest love, if I Should drink this ruby wine, or rather weep; Each tear a bezel with your face engraved, A rosary to memorize your name... There are so many ways to call you back- Yes, even if you only were a dream.

It's funny, isn't it, what will make you break? Your lover moves to London and falls in love with a news reader for the BBC and you feel fine and then one day you raise your umbrella slightly to cross Fifty-seventh Street and stare into the Burberry shop and begin to sob. Or your baby dies at birth and five years later, in an antique store, a small battered silver rattle with teeth marks in one end engraved with the name Emily lies on a square of velvet, and the sobs escape from the genie's bottle somewhere deep in your gut where they've lain low until then. Or the garbage bag breaks.

A lot can be changed in a span of a year. A thousand lives can be moulded, a lot many lessons can be learnt and life can show its unpredictability. Even so, one year is enough to prove to yourself that you are worth the struggle that you undertake just to reap a momentary fruit of that labour. If fighting a new fight keeps us motivated each year, so be it. Here is wishing every fighter, struggling to make a break and succeed in life a memorable New Year. Do what you do best and don't trade your passion for fame but rather earn the fame through your passion. May your fight be fruitful this year and your name engraved in hearts of horde in the form of your work. A Happy New Year to all my well wishers, peers, friends, colleagues, acquaintances and readers. May your year be blessed with good fortune and health with added wealth. My message this New Year is that in a world full of possibilities never limit yourself to the sky for what is sky when there is endless darkness beyond to lighten up. Take care.

Ancient Egypt 1300BC Be a scribe! Engrave this in your heart So that your name might live on like theirs! The scroll is better than the carved stone. A man has died: his corpse is dust, And his people have passed from the land. It is a book that makes him be remembered In the mouth of the speaker who reads him.

Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side…

Maharana Pratap Singh, the ‘Lion of Mewar’, is a heroic figure among Indian legends. His name is engraved with gold among the list of valiant kings who fought for the honour of nation. This great Rajput King preferred to sacrifice his life than surrendering against enemies of nation. He struggled like a true valiant for freedom even under adverse

My poetry has been engraved with your name And my heart is by your memory scarred

Happiness is having your name engraved in people's heart for doing something good, and not for hurting them...

Knowing he engraved my name upon his heart engraves his mission upon mine (Isa. 49:15 – 16).

In a thousand years, nobody will remember the naysayers and meek worshippers, but your work will write your name upon the very fabric of time in golden engravings.

I never exchanged a word with the Colonel. He has no significance at all in what happened during my stay in Oxgodby. As far as I’m concerned he might just as well have gone round the corner and died. But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.

IT ALL BEGAN with the High Court case about the madman and the watermelons. The man in question, named Ivan, lived along the River Dell in an eastern section of the city near the merchant docks. To one side of his house resided a cutter and engraver of gravestones, and to the other side was a neighbor’s watermelon patch. Ivan had contrived somehow in the dark of night to replace every watermelon in the watermelon patch with a gravestone, and every gravestone in the engraver’s lot with a watermelon. He’d then shoved cryptic instructions under each neighbor’s door with the intention of setting each on a scavenger hunt to find his missing items, a move useless in one case and unnecessary in the other, as the watermelon-grower could not read and the gravestone-carver could see her gravestones from her doorstep quite plainly, planted in the watermelon patch two lots down. Both had guessed the culprit immediately, for Ivan’s antics were not uncommon. Only a month ago, Ivan had stolen a neighbor’s cow and perched her atop yet another neighbor’s candle shop, where she mooed mournfully until someone climbed the roof to milk her, and where she was compelled to live for several days, the kingdom’s most elevated and probably most mystified cow, while the few literate neighbors on the street worked through Ivan’s cryptic clues for how to build the rope and pulley device to bring her down.

the nurse, who was tired of tending to women who were never at their best—this one had practically engraved her name on her arm during labor—wrote “Mad” on the birth certificate and stalked out. So there it was: the baby’s legal name was Mad. Mad Zott.

The shower invitation—engraved from Crane’s—asked, at the behest of the parents, for donations to the clean-well-water charity Ana-Sofia founded—Gushing.org, the name of which brings to mind a particularly bad menstrual period, but which raises funds for wells in Africa.

When the design was finally locked in, Jobs called the Macintosh team together for a ceremony. “Real artists sign their work,” he said. So he got out a sheet of drafting paper and a Sharpie pen and had all of them sign their names. The signatures were engraved inside each Macintosh. No one would ever see them, but the members of the team knew that their signatures were inside, just as they knew that the circuit board was laid out as elegantly as possible. Jobs called them each up by name, one at a time. Burrell Smith went first. Jobs waited until last, after all forty-five of the others. He found a place right in the center of the sheet and signed his name in lowercase letters with a grand flair. Then he toasted them with champagne. “With moments like this, he got us seeing our work as art,” said Atkinson.

Jolie. That’s her name. Jolie Dubois. I don’t bother writing it down, because it’s already engraved on my brain. There are claws in my chest, rearranging organs and making me new. Making me into whatever she needs me to be. I will worship her. I will find this sweet girl and protect her from any harm. She is mine to guard, to keep, to marry. To fuck. I’ve never had much interest in females. They are merely objects that need to be avoided so I can kill the men I am contracted to execute. They are occasional, faceless tools of comfort. This one is my angel. She was sent for me. My singing blood is telling me so.

Since Troo was in her office at least once a week for doing one bad thing or another, Sister told me she's thinking of having the chair in the corner of her office engraved permanently with Troo's name. (If she bothered to look at the back, she could save a few bucks. Troo stole a penknife out of the Five and Dime last summer.)

Sometimes, in the rue de Seine for instance, I go past little shops. Vendors of second-hand goods, or small-time antiquarian booksellers, or dealers in engravings, all of them with overcrowded windows. No one ever goes inside them, they don’t look as if they do any business. But look inside and you can see them sitting there and reading, completely at ease, with no thought to the morrow, or of making a success of things; they have a dog that sits cheerfully by their feet, or a cat that makes the silence even greater as it brushes along the rows of books as if it were wiping the names off the spines. Ah, if only that would do: sometimes I could wish I could buy myself a crowded shop-window like that and sit down behind it with a dog for twenty years.

This explained why Upper East Side mothers all wore tiny medallions engraved with their children’s initials around their necks. And stacking rings, one for each child, on their fingers. And entered the names of other mothers in their contacts under the names of their children, so that, on so many of my new friends’ phone and email lists, I came up not as “Wednesday Martin” but as “Eliot M/ mother, Wednesday M.” We were our children, utterly merged together.

He even found time on the day of the occupation to worry about the large gold Nobel Prize medals that Max von Laue and James Franck had given him for safekeeping.1290 Exporting gold from Germany was a serious criminal offense and their names were engraved on the medals.1291, 1292 George de Hevesy devised an effective solution—literally: he dissolved the medals separately in acid. As solutions of black liquid in unmarked jars they sat out the war innocently on a laboratory shelf.

He even found time on the day of the occupation to worry about the large gold Nobel Prize medals that Max von Laue and James Franck had given him for safekeeping.1290 Exporting gold from Germany was a serious criminal offense and their names were engraved on the medals.1291, 1292 George de Hevesy devised an effective solution—literally: he dissolved the medals separately in acid. As solutions of black liquid in unmarked jars they sat out the war innocently on a laboratory shelf. Afterward the Nobel Foundation recast them and returned them to their owners.

And all the time boys were being born or growing up in the parish, expecting to follow the plough all their lives or, at most, to do a little mild soldiering or go to work in a town. Gallipoli? Kut? Vimy Ridge? Ypres? What did they know of such places? But they were to know them, and when the time came they did not flinch. Eleven out of that tiny community never came back again. A brass plate on the wall of the church immediately over the old end house seat is engraved with their names. A double column, five names long, then, last and alone, the name of Edmund.

Forget your magic mirror," she decided to say. "If I lived here, I would spend my whole life in here, reading." "They're just... books...." He carefully lit the candelabra at the front and placed Lumière on the floor, dismissing him. "Just books? That's like saying Alexandria is just a library." She ran over to the closest shelf and tilted her head, reading the titles. "You don't understand. I don't understand how you don't understand. Look- here's an ancient text in Greek about astronomy... and next to it is everything Galileo Galilei ever wrote!! This whole section is about the stars and planets and the entire universe!" The Beast stood, looking slightly embarrassed, scratching the back of his neck with his hand. Belle grabbed a book and ran over to him, shoving it in his face. "Up until this man, Copernicus, everyone thought the entire universe rotated around the earth- that we were the center of it all." She flipped open to a page that had an engraving of planets and their paths, little callouts to their names and the length of their orbits. "Thanks to men like him and Tycho Brahe and Kepler, we now know nothing revolves around the earth- except the moon.

….two slate-colored gravestones settled at a slant into the lower corner of the field beside the lane. She could not read the names engraved on them, but she knew what they were. Joseph Watson, 1820-1891, and James Watson, son of Joseph and Hannah Watson, 1844-1863. The grave of Hannah Watson lay beside her husband’s and because she had died last, she had no marker, unless the pine tree growing there might count as one. To-morrow two men would drive up and leave a basket of flowers and a flag for Joseph because he had fought in the Civil War, and for James because he had died on his way home from it, but they would not have anything for Hannah because she had only identified her son James one hot summer day on the platform of North Derwich Station, and raised all the food her husband ate for twenty years as he sat in a chair in her kitchen, and done washings for Mrs. Hale to buy monuments for them at the end. But the flowers would die in the boxes; even if Jen found time to go down and set out the pansy plants in the ground, stray cows were sure to eat them off before the summer was over; and the Forrest children would take the flags to play with. Nothing would interfere with the tree.

Can you take in what you have overheard in the High Priestly Prayer of John 17? It is like a light momentarily switched on in a darkened room and then extinguished. Did you really see such treasures? Has Jesus actually prayed that my faith will not fail (Luke 22:31-32) and that I will be kept by God's power for such glory (1 Peter 1:5-11)? Is even my name engraved on His shoulders and inscribed on His heart? Do you understand how much your High Priest cares for you and loves you? It is almost as though He were saying, "Father, My glory will be incomplete unless You keep this promise-that My beloved disciples can see it and share it.

those that were left—was then calling tube-neck, he had seen the twelve people he loved best in the world pass away while he himself remained healthy and feeling fine. He had joked at school about not being able to remember all his kids’ names, but the order of their passing was engraved on his memory: Jeff on the twenty-second, Marty and Helen on the twenty-third, his wife Harriett and Bill and George, Jr., and Robert and Stan on the twenty-fourth, Richard on the twenty-fifth, Danny on the twenty-seventh, three-year-old Frank on the twenty-eighth, and finally Pat—and Pat had seemed to be getting better, right up to the end. George thought he would go mad.

Well, tell me boy," she said, "what have you been reading?" Craftily he picked his way across the waste land of printery, naming as his favorites those books which he felt would win her approval. As he had read everything, good and bad, that the town library contained, he was able to make an impressive showing. Sometimes she stopped him to question about a book--he rebuilt the story richly with a blazing tenacity of detail that satisfied her wholly. She was excited and eager--she saw at once how abundantly she could feed this ravenous hunger for knowledge, experience, wisdom. And he knew suddenly the joy of obedience: the wild ignorant groping, the blind hunt, the desperate baffled desire was now to be ruddered, guided, controlled. The way through the passage to India, that he had never been able to find, would now be charted for him. Before he went away she had given him a fat volume of nine hundred pages, shot through with spirited engravings of love and battle, of the period he loved best. He was drowned deep at midnight in the destiny of the man who killed the bear, the burner of windmills and the scourge of banditry, in all the life of road and tavern in the Middle Ages, in valiant and beautiful Gerard, the seed of genius, the father of Erasmus. Eugene thought The Cloister and the Hearth the best story he had ever read.

So he got out a sheet of drafting paper and a Sharpie pen and had all of them sign their names. The signatures were engraved inside each Macintosh. No one would ever see them, but the members of the team knew that their signatures were inside, just as they knew that the circuit board was laid out as elegantly as possible. Jobs called them each up by name, one at a time. Burrell Smith went first. Jobs waited until last, after all forty-five of the others. He found a place right in the center of the sheet and signed his name in lowercase letters with a grand flair. Then he toasted them with champagne. “With moments like this, he got us seeing our work as art,” said Atkinson.

But the period I studied -- the rollicking eighteenth century engraved by Hogarth -- was the one that saw the birth of America, of women's rights, and of the novel. The novel started as a low-class form, fit only to be read by serving maids, and it is the only literary form where women have distinguished themselves so early and with such excellence that even the rampant misogyny of literary history cannot erase them. Ever wonder about women and the novel? Women, like any underclass, depend for their survival on self-definition. The novel permitted this -- and pages could still be hidden under the embroidery hoop. From the writer's mind to the reader's there was only the intervention of printing presses. You could stay at home, yet send your book abroad to London -- the perfect situation for women. In a world where women are still the second sex, many still dream of becoming writers so they can work at home, make their own hours, nurse the baby. Writing still seems to fit into the interstices of a woman's life. Through the medium of words, we have hopes of changing our class. Perhaps the pen will not always be equated with the penis. In a world of computers, our swift fingers may yet win us the world. One of these days we'll have class. And so we write as feverishly as only the dispossessed can. We write to come into our own, to build our houses and plant our gardens, to give ourselves names and histories, inventing ourselves as we go along.

Jacques was so impressed with the beauty of the curve known as a logarithmic spiral (Figure 37; the name was derived from the way in which the radius grows as we move around the curve clockwise) that he asked that this shape, and the motto he assigned to it: "Eadem mutato resurgo" (although changed, I rise again the same), be engraved on his tombstone. The motto describes a fundamental property unique to the logarithmic spiral-it does not alter its shape as its size increases. This feature is known as self-similarity. Fascinated by this property, Jacques wrote that the logarithmic spiral "may be used as a symbol, either of fortitude and constancy in adversity, or of the human body, which after all its changes, even after death, will be restored to its exact and perfect self.

Girls and young women are also starving because the women’s movement changed educational institutions and the workplace enough to make them admit women, but not yet enough to change the maleness of power itself. Women in “coeducational” schools and colleges are still isolated from one another, and admitted as men manqué. Women’s studies are kept on the margins of the curriculum, and fewer than 5 percent of professors are women; the worldview taught young women is male. The pressure on them is to conform themselves to the masculine atmosphere. Separated from their mothers, young women on campus have few older role models who are not male; how can they learn how to love their bodies? The main images of women given them to admire and emulate are not of impressive, wise older women, but of girls their own age or younger, who are not respected for their minds. Physically, these universities are ordered for men or unwomaned women. They are overhung with oil portraits of men; engraved with the rolling names of men; designed, like the Yale Club in New York, which for twenty years after women were admitted had no women’s changing room, for men. They are not lit for women who want to escape rape; at Yale, campus police maps showing the most dangerous street corners for rape were allegedly kept from the student body so as not to alarm parents. The colleges are only marginally concerned with the things that happen to women’s bodies that do not happen to the bodies of the men. Women students sense this institutional wish that the problems of their female bodies would just fade away; responding, the bodies themselves fade away.

No name. No memory today of yesterday's name; of today's name tomorrow. If the name is the thing, if a name in us is the concept of everything that is situated without us, if without a name there is no concept, and the thing remains blindly indistinct and undefined within us, very well, then, let men take that name which I once bore and engrave it as an epitaph on the brow of that pictured me that they beheld; let them leave it there in peace, and let them not speak of it again. For a name is no more than that, an epitaph. Something befitting the dead. One who has reached a conclusion. I am alive, and I reach no conclusion. Life knows no conclusion. Nor does it know anything of names. This tree, tremulous breathing of new leaves. I am this tree. Tree, cloud; tomorrow, book or breeze; the book I read, the breeze I drink in. Living wholly without, a vagabond

always has?” “What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.

You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples. Dig a hole deep enough on any world and you’ll find the skulls and bones of adults and children fractured by crude weapons. All of us were fighting long before we were farming and raising livestock.” He held up a hand before anyone could voice an objection. “All of you are exceedingly well educated, and you’re going to start rattling off the names of species and societies where that isn’t the case. And my answer is that those aren’t the beings or the star systems we need to worry about. It’s the rest of them. Violence is hardwired into most of us and there’s no eliminating the impulse—not with an army of stormtroopers or a fleet of Star Destroyers. That’s why we’ve embarked on a path to a different solution. We have a chance to forge a peace that will endure for longer than the Republic was in existence.” “Peace through fear,” Reeva said. “Yes,” Krennic told her, and let it go at that.

A dead world is never really dead. Even when the stars vanish in a great exodus, leaving an inky night that swallows the sky. Even when the sound of silence is a terrible thing to listen to in a city that once groaned with noise. But it’s not quite silence, is it? There are the birds that soar over bare roof rafters, egrets and jackdaws and scruffy brown scraps that go by a multitude of names calling joyfully to each other. There are the nocturnal animals who claw and scrape over cobblestones, lifting their gazes to the two pale moons impressed against a violet sky. There are the trees that stretch upwards, overgrown and languorous, from leaf-strewn courtyards, extending gracefully through balconies and walkways. And below them, the ferns that unfurl in dark, damp corners that might still bear cracked tiles in parched colours, or spongey wooden skates engraved with toothy chisel marks. Life, persistent and predictably stubborn, goes on. Close your eyes and the stars might not sing in this hushed city of dust and dreams, but there’s still singing nonetheless. Even if there’s just one voice left.

Isis is the Egyptian mother goddess of magick, whose worship prevailed in the Greco-Roman world.  Her name means “Throne”, reflected in her headdress which is shaped like a throne.  Her spouse was originally Osiris, but became Serapis in the Greco-Roman myths, and her son became transformed from Horus to Harpocrates. Evidence of her worship in Britain has been found in an inscription on a jug  found in Southwark (London).[369]  The inscription on the jug indicates an Iseum (Isis temple) in London, but the location of this temple has yet to be determined.  An altar found in Blackfriars records the restoration of a temple to Isis in the third century CE, further reinforcing evidence of her worship.[370]  It has been suggested by some modern writers that the river Isis in Oxfordshire was named after this goddess, though this may in fact be a coincidence. The name of the river Isis is most probably a contraction of the name Thamesis. It is likely that "Thamesis" is a Latinisation of the Celtic river names "Taom"(Thames) and"Uis"(is), giving "Taom-Uis"meaning "The pouring out of water". An engraved onyx intaglio found at Wroxeter (Shropshire) dating to the third century CE shows Isis bearing a sistrum in her right hand.[371]  Another gem from Lockleys (Hertfordshire) dating to the fourth century CE shows Isis standing between Bes and a lioness, all surrounded by a serpent ouroboros.[372]

If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.

The only traveler with real soul I've ever met was an office boy who worked in a company where I was at one time employed. This young lad collected brochures on different cities, countries and travel companies; he had maps, some torn out of newspapers, others begged from one place or another; he cut out pictures of landscapes, engravings of exotic costumes, paintings of boats and ships from various journals and magazines. He would visit travel agencies on behalf of some real or hypothetical company, possibly the actual one in which he worked, and ask for brochures on Italy or India, brochures giving details of sailings between Portugal and Australia. He was not only the greatest traveler I've ever known (because he was truest), he was also one of the happiest people I have had the good fortune to meet. I'm sorry not to know what has become of him, though, to be honest, I'm not really sorry, I only feel that I should be. I'm not really sorry because today, ten or more years on from that brief period in which i knew him, he must be a grown man, stolidly, reliably fulfilling his duties, married perhaps, someone's breadwinner - in other words, one of the living dead. By now he may even have traveled in his body, he who knew so well how to travel in his soul. A sudden memory assails me: he knew exactly which trains one had to catch to ho from Paris to Bucharest; which trains one took to cross England; and in his garbled pronunciation of the strange names hung the bright certainty of the greatness of his soul. Now he probably lives like a dead man, but perhaps one day, when he's old, he'll remember that to dream of Bordeaux is not only better, but truer, than actually to arrive in Bordeaux

I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  

Her eyes were closed so tightly that you could see her long-curled eyelashes pointed skyward, in her baby blue coffin. She was an angel to look at even at that moment. I knew that she was looking over all of us! In addition to that, she was most likely looking at him and holding his hands with her spiritual touch, I could just feel it. He said that he felt the breeze of her presents. He was crying hysterically from his hazel almost jade green eyes! I remember he said that he was secretly in love with Jaylynn back to when she was a little girl. That he never got the chance to say that to her in person. I remember him placing one pink daisy in her box on top of her small, yet perky upward-facing breasts next to her motionless heart; with the bloom under her chin and her slight smile. Along with that, then he slid an engraved promise ring on her finger as well; at that moment… one of his teardrops fell from his eyes on her petite hand, as he was holding it… not wanting to ever let go of her. That is love… if I ever did see it. Greg also whispered to me, that he never even got to kiss her as he always hoped to do, and that she was everything that he was looking for in a girl. Furthermore, he would never look for anyone else. That she was the one, and the only! The only thing I could say was; I thank you and follow your heart, and she will be watching over you. Then he walked away… I never saw him again after that. You know I don't even know his last name. Still, I will always remember his face, and the look that was upon it that day, he was devastated. So, someone did care about her, someone truly loved her, and adored her, and it was taken away from him too. Why! Why oh God, why? Why didn’t she see this when she was alive? ‘Why is a question that has no answers, only just more unanswered questions?

Lucifer Sansfoi Varlet Sansfoi Omer Perdiu I.B.Perdie Billy Perdy I'll unwind your guts from Durham to Dover and bury em in Clover-- Your psalms I'll 'ave engraved in your toothbone-- Your victories nilled-- You jailed under under a woman's skirt of stone-- Stone blind woman with no guts and only a scale-- Your thoughts & letters Shandy'd about in Beth (Gaelic for grave) Your philosophies run up your nose again-- Your confidences and essays bandied in ballrooms from switchblade to switchblade --Your final duel with sledge hammers-- Your essential secret twinned to buttercups & dying-- Your guide to 32 European cities scabbed in Isaiah --Your red beard snobbed in Dolmen ruins in the editions of the Bleak-- Your saints and Consolations bereft --Your handy volume rolled into an urn-- And your father And mother besmeared at thought of you th'unspent begotless crop of worms --You lay there, you queen for a day, wait for the "fun- sucked frogs" to carp at you Your sweety beauty discovered by No Name in its hidingplace till burrs Part from you from lack of issue, sinew, all the rest-- Gibbering quiver graveryard Hoo! The hospital that buries you be Baal, the digger Yorick, & the shoveler groom-- My rosy tomatoes pop squirting from your awful rotten grave-- Your profile, erstwhile Garboesque, mistook by earth- eels for some fjord to Sheol-- And your timid voice box strangled by lie-hating earth forever. May the plighted Noah-clouds dissolve in grief of you-- May Red clay be your center, & woven into necks, of hogs, boars, booters & pilferers & burned down with Stalin, Hitler & the rest-- May you bite your lip that you cannot meet with God-- or Beat me to a pub --Amen The Almoner, his cup hat no bottom, nor I a brim. Devil, get thee back to the russet caves.

Notice the granite slab you’re passing under with the lettering engraved by GT’s high-precision explosive forming process. They said nobody could work natural stone explosively so we went ahead and did it, thus bearing out the company motto at the head of the list.” A dropout near Stal moved lips in an audible whisper as he struggled to interpret the obliquely viewed writing. “Underneath are listed prime examples of human shortsightedness, like you’ll see it’s impossible for men to breathe at over thirty miles an hour, and a bumblebee cannot possibly fly, and interplanetary spaces are God’s quarantine regulations. Try telling the folk at Moonbase Zero about that!” A few sycophantic laughs. Several places ahead of Stal the Divine Daughter crossed herself at the Name. “Why is it so sheeting cold in here?” yelled someone up the front near the guide. “If you were wearing GT’s new Polyclime fabrics, like me, you wouldn’t feel it,” the guide responded promptly. Drecky plantees, yet. How much of this crowd are GT staff members hired by government order and kept hanging about on makeweight jobs for want of anything better to do? “But that cues me in to another prime instance of how wrong can you be? Seventy or eighty years back they were saying to build a computer to match a human brain would take a skyscraper to house it and Niagara Falls to cool it. Well, that’s not up on the slab there because they were only half wrong about the cooling bit—in fact Niagara Falls wouldn’t do, it’s not cold enough. We use liquid helium by the ton load. But they were sheeting wrong about the skyscraper. Spread around this balcony and I’ll show you why.” Passive, the hundred and nine filed around a horseshoe gallery overlooking the chill sliced-egg volume of the vault. Below on the main floor identical-looking men and women came and went, occasionally glancing upwards with an air of incuriosity. Resentful, another score or so of the hundred and nine decided they weren’t going to be interested no matter what.

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.

Business leadership is based on two elements: vision and technical competence. Top people in a given industry always embody at least one of those two elements. Sometimes, but rarely, they embody both of them. Simply put, vision is the ability to see what other people don’t. It’s a Ford executive named Lee Iacocca realizing that a market existed for an automobile that was both a racing car and a street vehicle—and coming up with the Mustang. It’s Steven Jobs realizing that computers needed to be sold in a single box, like a television sets, instead of piece by piece. About one hundred years ago, Walter Chrysler was a plant manager for a locomotive company. Then he decided to go into the car business, which was a hot new industry at the time. The trouble was, Walter Chrysler didn’t know a lot about cars, except that they were beginning to outnumber horses on the public roadways. To remedy this problem, Chrysler bought one of the Model T Fords that were becoming so popular. To learn how it worked, he took it apart and put it back together. Then, just to be sure he understood everything, he repeated this. Then, to be absolutely certain he knew what made a car work, he took it apart and put it together forty-eight more times, for a grand total of fifty. By the time he was finished, Chrysler not only had a vision of thousands of cars on American highways, he also had the mechanical details of those cars engraved in his consciousness. Perhaps you’ve seen the play called The Music Man. It’s about a fast-talking man who arrives in a small town with the intention of hugely upgrading a marching band. However, he can’t play any instruments, doesn’t know how to lead a band, and doesn’t really have any musical skills whatsoever. The Music Man is a comedy, but it’s not totally unrealistic. Some managers in the computer industry don’t know how to format a document. Some automobile executives could not change a tire. There was once even a vice president who couldn’t spell potato. It’s not a good idea to lack the fundamental technical skills of your industry, and it’s really not a good idea to get caught lacking them. So let’s see what you can do to avoid those problems.

recalled Stephen Crocker, a graduate student on the UCLA team who had driven up with his best friend and colleague, Vint Cerf. So they decided to meet regularly, rotating among their sites. The polite and deferential Crocker, with his big face and bigger smile, had just the right personality to be the coordinator of what became one of the digital age’s archetypical collaborative processes. Unlike Kleinrock, Crocker rarely used the pronoun I; he was more interested in distributing credit than claiming it. His sensitivity toward others gave him an intuitive feel for how to coordinate a group without trying to centralize control or authority, which was well suited to the network model they were trying to invent. Months passed, and the graduate students kept meeting and sharing ideas while they waited for some Powerful Official to descend upon them and give them marching orders. They assumed that at some point the authorities from the East Coast would appear with the rules and regulations and protocols engraved on tablets to be obeyed by the mere managers of the host computer sites. “We were nothing more than a self-appointed bunch of graduate students, and I was convinced that a corps of authority figures or grownups from Washington or Cambridge would descend at any moment and tell us what the rules were,” Crocker recalled. But this was a new age. The network was supposed to be distributed, and so was the authority over it. Its invention and rules would be user-generated. The process would be open. Though it was funded partly to facilitate military command and control, it would do so by being resistant to centralized command and control. The colonels had ceded authority to the hackers and academics. So after an especially fun gathering in Utah in early April 1967, this gaggle of graduate students, having named itself the Network Working Group, decided that it would be useful to write down some of what they had conjured up.95 And Crocker, who with his polite lack of pretense could charm a herd of hackers into consensus, was tapped for the task. He was anxious to find an approach that did not seem presumptuous. “I realized that the mere act of writing down what we were talking about could be seen as a presumption of authority and someone was going to come and yell at us—presumably some adult out of the east.

Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt

From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)

If the winds of temptation blow, if you stumble when confronted by temptation; look to the star of the sea by calling out to Mary. If the waves of pride, ambition or envy tug at your heart, call on Mary as well. If anger, avarice or impurity imperil the course of your soul’s journey, look to Mary. If you are disturbed by the memory of your sins, confused with the ugliness of your conscience, fearful in the face of judgment, or you begin to sink into the bottomless pit of sadness or into the abyss of despair, think of Mary. In every danger, moment of anguish or doubt, invoke Mary. May her name be ever on your lips and engraved on your heart too. Never stray from the example of her virtue, so that you may always gain her help as an intercessor. You will not soon swerve from the path if you follow her, nor will you soon despair if you beseech her. You will never be lost if you think about her. With her taking you by the hand, you will not stay down in the case of a fall. With her protection, you will have nothing at all to fear. You will not lose strength, for she is your guide. You will reach a safe haven happily, if you count on her as your most intimate helper.[236] In every moment of the day, she will guide us on a sure path... Cor Mariae Dulcissimum, iter para

I want to make of your life a monument For the days you lingered in sadness With high towers and wide gardens With stones engraved and carved marble For our names illustrated as immortal souls For your joy constantly reflected in my joy.

He continued, sombrely, to evoke the more recent memory of the Great War: ‘the four names which have really engraved themselves on the popular memory are Mons, Ypres, Gallipoli and Passchendaele, every time a disaster. The names of the great battles that finally broke the German armies are simply unknown to the general public.

As Amelia stripped away the nightgown and let it drop to the floor, she saw a flash of gold on her left forefinger. Startled, she lifted her hand and examined it. A small gold signet ring with an elaborate engraved initial. It was the one Cam always wore on his smallest finger. He must have put it on her last night, while she was sleeping. Had he meant it as a parting gift? Or did it have some other significance to him? She tried to pull it off, and discovered it was firmly stuck. “Drat,” she muttered, tugging at the thing in vain. She took a cake of soap from the wardrobe and brought it into the bath with her. The hot water soothed a myriad of small aches and stings, easing the soreness between her thighs. Sighing deeply, Amelia soaped her hand and went to work on the ring. But no matter how she tried, it wouldn’t budge. Soon the surface of the bathwater was covered with soap froth, and Amelia was cursing with frustration. She couldn’t let anyone see her wearing one of Cam’s rings. How in God’s name was she supposed to explain how and why she’d gotten it?

What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.

[During this winter the citizens of Jo Davies County, Ill., subscribed for and had a diamond-hilled sword made for General Grant, which was always known as the Chattanooga sword. The scabbard was of gold, and was ornamented with a scroll running nearly its entire length, displaying in engraved letters the names of the battles in which General Grant had participated. Congress also gave him a vote of thanks for the victories at Chattanooga, and voted him a gold medal for Vicksburg and Chattanooga. All such things are now in the possession of the government at Washington.]

In this greenhouse I see how much he loves this collection of bonsai trees. Each one has a name, age and a place of birth engraved on brass plaques. Most of them come from places I've ever heard of before. Mr. Kaye says each bonsai has its own life story and he knows every one of them. When I was a kid, he used to tell me some of the stories, but he was probably just making it all up. He always told me bonsai were balanced, but in a lopsided way.

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.

For Meredith, the blade’s engraving read. May you always kick ass and take names.

But when you’re with someone for as long as we were, your body reacts despite your mind, and mine just dropped my heart to my stomach seeing the two names boldly engraved on the card.

The rooms weren't being 'de-baptized,' a spokeswoman insisted - just updated. But nobody was under any illusions, and overnight all the engraved signage announcing the Aile Sackler des Antiquités Orientales and listing the names of Mortimer's seven surviving children - Ilene, Kathe, Mortimer, Samantha, Marissa, Sophie, Michael - came off the walls, and references to the family were scrubbed from the museum's website. "The Sacklers wanted everything that Nan has in terms of the art world," Goldin's fellow activist Megan Kapler said. "And she stepped in and said, 'No. This is my world. You don't get to be in it.

Muslim cemeteries aren’t like other cemeteries. There are no ornate flower arrangements laid on graves; no gilded tombstones that tower above the others, emblematic of the deceased’s status and wealth in life; and no engraved eulogies – ‘Loving father, husband, son’, for example – symbolising a legacy left behind, a proud heritage continued. Muslim burial plots make no delineation between their occupants. They are mostly plain, a single plaque marking each grave detailing the person’s name, date of birth and date of death. These uniform graves make no distinction between wealth and class; here, a vagrant may spend eternity next to a millionaire. In these cemeteries, the dead are all equal, just as they were intended to be in life.

Bryce halted suddenly between two black obelisks, each engraved with a different array of those odd symbols. The obelisks—and dozens more beyond them—flanked what seemed to be a central walkway stretching into the mist. She drew the Starsword, and Hunt didn’t have time to stop her before she whacked it against the side of the closest obelisk. It clanked, its ringing echoing into the gloom. She did it again. Then a third time. “Ringing the dinner bell?” Hunt asked. “Worth a shot,” Bryce muttered back. And smarter than running around shouting Emile’s and Sofie’s names. Though if they were as survival-savvy as they seemed, Hunt doubted either would come running to investigate. As the noise faded, what remained of the light dimmed. What remained of the warmth turned to ice. Someone—something—had answered. The other being they sought here. Their breath hung in the air, and Hunt angled himself in front of Bryce, monitoring the road ahead. When the Under-King spoke, however, in a voice simultaneously ancient and youthful but cold and dry, the sound came from behind them. “This land is closed to you, Bryce Quinlan.

I asked, “Can’t we at least put Jonathan’s name on a stone?” Jonathan had been part of the village; he had gone to the church. He should be remembered there. Mr. Collins said, “I’m sure we will in time.” He took my hand and led me down the steps, along the path to the center of the graveyard, to a tall stone column engraved with a long list of names. “These are the village boys who perished in the First World War,” he said. “None of their bodies were sent home. The soldiers from the first war were all buried where they died.” Twenty-three names. I counted. And two toward the top: Corydon Collins Jr. and Charles Collins. I touched the names, then looked at Mr. Collins. “Yes,” the vicar said. “Those were my sons. Lovely boys, both of them.” His voice dropped to a whisper. “Lovely, lovely boys.” I hated war. •

Seeking vengeance means you must have two gravestones engraved. One with the name of your enemy and one with your own. It’s rare that anyone wins in a game of revenge.

Sygaldry, simply put, is a set of tools for channeling forces. Like sympathy made solid. For example, if you engraved one brick with the rune ule and another with the rune doch, the two runes would cause the bricks to cling to each other, as if mortared in place. But it’s not as simple as that. What really happens is the two runes tear the bricks apart with the strength of their attraction. To prevent this you have to add the rune aru to each of the bricks. Aru is the rune for clay, and it makes the two pieces of clay cling to each other, solving your problem. Except that aru and doch don’t fit together. They’re the wrong shape. To get them to fit you have to add a few linking runes, gea and teh. Then, for balance, you have to add gea and teh to the other brick, too. Then the bricks cling to each other without breaking. But only if the bricks are made out of clay. Most bricks aren’t. So, generally, it is a better idea to mix iron into the ceramic of the brick before it is fired. Of course, that means you have to use fehr instead of aru. Then you have to switch teh and gea so the ends come together properly. . . . As you can see, mortar is a simpler and more reliable route for holding bricks together.

He opened the velvet box he carried and dropped to one knee. Jasminda’s eyes widened and her lips began to tremble. He presented her with a traditional Elsiran engagement ring of two interlocking bands engraved with her name and his in curling script.

At the customary age of thirteen Blake was apprenticed to an engraver named James Basire in Great Queen Street near Covent Garden, less than a mile from home. The apprenticeship lasted for the usual seven years, during which he lived in Basire's house, usually with one or more other boys. The youths put in thirteen-hour days for a work week of seventy-eight hours, with only Sunday off, and that was usual too.

Celine glanced up as she passed under an arch, at another of the chateau’s decorations, her personal favorite: the entwined letters G and R, carved over every doorway. Family legend had it that one of the original owners of the chateau, a knight by the name of Sir Gaston de Varennes, was responsible for that bit of artwork. Sir Gaston, it seemed, had been quite a ladies’ man—until he had met and married his wife, whom he loved so much, he had had her initial engraved with his in every castle he owned.

Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.

Staring into the deep onyx pools of his wide eyes, she let her hands wander over the contours and valleys of his face. “Regenboog,” she read off the engraved silver plate on the side of his bridle. “Is that your name?

It’s so beautiful. It has our initials,” she said, running her fingertip over the engraving. “You know me,” I half joked. “Any way I can get my name on you.” She looked up. I felt her hazel eyes on my face. “I love you.

Dumbledore reached across to Professor McGonagall’s desk, picked up the blood-stained silver sword, and handed it to Harry. Dully, Harry turned it over, the rubies blazing in the firelight. And then he saw the name engraved just below the hilt. Godric Gryffindor. “Only a true Gryffindor could have pulled that out of the hat, Harry,” said Dumbledore simply.

[Every] believer will receive a reward for his works. The New Testament teaches these rewards are called “crowns.” We will surely be surprised to note who receives the crowns and who doesn’t. The lowliest servant may sparkle with more jewels than the philanthropist who endowed the church and whose name is engraved on the plaque in the narthex.

As soon as Christopher and Albert stepped up to the dais, he was disconcerted to hear a cheer rising from the crowd, spreading and growing until the noise was deafening. It wasn’t right for him to receive more acclamation than the other soldiers--they deserved just as much recognition for their courage and gallantry. And yet the ranks were cheering as well, humbling him utterly. Albert looked up at him uneasily, staying close to his side. “Easy, boy,” he murmured. The queen regarded the pair of them curiously as they stopped before her. “Captain Phelan,” she said. “Our subjects’ enthusiasm does you honor.” Christopher replied carefully. “The honor belongs to all the soldiers who have fought in Your Majesty’s service--and to the families who waited for them to return.” “Well and modestly said, Captain.” There was a slight deepening of the creases at the corners of her eyes. “Come forward.” As he complied, the queen leaned from the horse to pin the bronze cross with its crimson ribbon to his coat. Christopher made to withdraw, but she stopped him with a gesture and a word. “Remain.” Her attention switched to Albert, who sat on the dais and cocked his head as he regarded her curiously. “What is your companion’s name?” “His name is Albert, Your Majesty.” Her lips quirked as if she were tempted to smile. She slid a brief glance to her left, at the prince consort. “We are informed that he campaigned with you at Inkerman and Sebastopol.” “Yes, Your Majesty. He performed many difficult and dangerous duties to keep the men safe. This cross belongs partly to him--he assisted in recovering a wounded officer under enemy fire.” The general charged with handing the orders to the queen approached and gave her a curious object. It looked like…a dog collar? “Come forward, Albert,” she said. Albert obeyed promptly, sitting at the edge of the dais. The queen reached over and fastened the collar around his neck with a deft efficiency that revealed some experience with the procedure. Christopher recalled having heard that she owned several dogs and was partial to collies. “This collar,” she said to Albert, as if he could understand her, “has been engraved with regimental distinctions and battle honors. We have added a silver clasp to commend the valor and devotion you have displayed in our service.” Albert waited patiently until the collar was fastened, and then licked her wrist. “Impertinent,” she scolded in a whisper, and patted his head. And she sent a brief, discreet smile to Christopher as they left to make way for the next recipient.

Tiger bounded out barking and bounding around the yard. “Looks like he’s happy to be home, too,” Sage said. “Yes,” Nic agreed. “I know he missed the freedom to roam he had here at …” Her voice trailed off as she noted an addition to her yard. “Is that a doghouse? With a deck?” Sarah joined Nic and Sage and shook her head. “I told him the deck was overkill.” Nic walked closer and read the sign hanging above the opening. “ ‘Tiger’s Den’? Who built this?” “Gabe.” “Gabe? You’re kidding.” She stared at her friends in disbelief. “That sounds like he’s calling the dog by name.” “Something like that.” Sarah shrugged. “Larry Wilson says he came into the hardware store and bought a dog collar and an engraved tag that said Tiger and listed your address. But he also bought a tag that said Clarence with your address. There’s a sign on the other side of the doghouse that says Clarence’s Castle.” How many times had Nic heard Gabe say that he didn’t name things he didn’t intend to keep? Too many to count, that’s for sure. And now two names? “Why give the boxer two names?” “Larry said Gabe wanted to talk to you first. He didn’t want to change the boxer’s name if it would be a problem for the dog.” Nic took another long look at the elaborate doghouse and shook her head. “Clarence?” She

Syrians reduced to numbers Announced on TV broadcasts Transformed to names, Printed on death announcements Engraved on headstones Cherished by beloved ones alone --from "A Damascene Wedding" (Wild River Review)