Wanna Run Away Quotes

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Do you ever feel like breaking down? Do you ever feel out of place? Like somehow you just don't belong And no one understands you Do you ever wanna run away? Do you lock yourself in your room? With the radio on turned up so loud That no one hears you screaming No you don't know what it's like When nothing feels all right You don't know what it's like To be like me To be hurt To feel lost To be left out in the dark To be kicked when you're down To feel like you've been pushed around To be on the edge of breaking down And no one's there to save you No you don't know what it's like Welcome to my life
Simple Plan
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Simmer down, simmer down They say we're too young now to amount to anything else But look around We work too damn hard for this just to give it up now If you don't swim, you'll drown But don't move, honey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down (hey!) Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Let's get out, let's get out 'Cause this deadbeat town's only here just to keep us down While I was out, I found myself alone just thinking If I showed up with a plane ticket And a shiny diamond ring with your name on it Would you wanna run away too? 'Cause all I really want is you You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down I made a mixtape straight out of '94 I've got your ripped skinny jeans lying on the floor And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down Your lipstick stain is a work of art I got your name tattooed in an arrow heart And I know now, that I'm so down Hey, hey! Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey Hey, hey, hey, hey You look so perfect standing there In my American Apparel underwear And I know now, that I'm so down (hey) Your lipstick stain is a work of art (hey, hey) I got your name tattooed in an arrow heart (hey, hey) And I know now, that I'm so down (hey, hey) Hey
5 Seconds of Summer
Give Your Heart A Break lyrics The day I first met you You told me you'd never fall in love But now that I get you I know fear is what it really was Now here we are, so close Yet so far, haven't I passed the test? When will you realize Baby, I'm not like the rest Don't wanna break your heart I wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah On Sunday, you went home alone There were tears in your eyes I called your cell phone, my love But you did not reply The world is ours, if you want it We can take it, if you just take my hand There's no turning back now Baby, try to understand Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break There's just so much you can take Give your heart a break Let me give your heart a break Your heart a break Oh, yeah yeah When your lips are on my lips And our hearts beat as one But you slip right out of my fingertips Every time you run, whoa Don't wanna break your heart Wanna give your heart a break I know you're scared it's wrong Like you might make a mistake There's just one life to live And there's no time to waste, to waste So let me give your heart a break Cuz you've been hurt before I can see it in your eyes You try to smile it away Some things, you can't disguise Don't wanna break your heart Baby, I can ease the ache, the ache So, let me give your heart a break Give your heart a break Let me give your heart a break Your heart a break There's just so much you can take Give your heart a break Let me give your heart a break Your heart a break Oh yeah,yeah The day I first met you You told me you'd never fall in love
Demi Lovato
My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away My blood, sweat and tears Even my blood, sweat and tears Even my body, heart and soul I know that it’s all yours This is a spell that’ll punish me Peaches and cream Sweeter than sweet Chocolate cheeks And chocolate wings But your wings are wings of the devil In front of your sweet is bitter bitter Kiss me, I don’t care if it hurts, Hurry and choke me So I can’t hurt any more Baby, I don’t care if I get drunk, I’ll drink you in now Your whiskey, deep into my throat My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I don’t care if it hurts, tie me up So I can’t run away Grab me tightly and shake me So I can’t snap out of it Kiss me on the lips lips, Our own little secret I wanna be addicted to your prison So I can’t serve anyone that’s not you Even though I know, I drink the poisonous Holy Grail My blood, sweat and tears My last dance Take it away My blood, sweat and tears My cold breath Take it away I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot I want you a lot, a lot, a lot Kill me softly Close my eyes with your touch I can’t even reject you anyway I can’t run away anymore You’re too sweet, too sweet Because you’re too sweet My blood, sweat and tears My blood, sweat and tears
BTS
You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away." "What if it doesn't work out? What if it ends up like you and Javier?" "Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call." "I just don't wanna lose what we have, you know?" "Girl please! What exactly do you have, really?" "A friendship." "No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out?
Richard Castle
(fairy tale). i wanna tell you a joke but it will be like the frog finds the princess says she's not enough then jumps out of window i wanna show you a bit of snow on fingertips so it will speak why the beauty is not for the ugly and dwarves cannot run after white horse i wanna tell you how much a kiss costs that sways both lives away so that you may remain us. but you see, fairy tales start with curses and so do we.
Zelda Gin
Don't run away, It only fuels the flames. Don't pull away, It only makes me wanna stay.
Tegan Quin
I'm kind of a coward about love", she continued, "I said i wished boys would show me some secret side of themselves, but you did, and now all i wanna do is run away.
Holly Black (The Darkest Part of the Forest)
Yeah, they told us that time flies, didn't know what it means Now I feel like we just running around tryna Catch it and hoping to cut up its wings But that ain't gon' happen Joy, when was the last time we had it? I don't remember 'cause all that we do Is go backwards but that's what you get When you live in the past And I know we breathing but we not alive Really, is this the way we wanna die? 'Til you got everything bottled inside If only they knew what goes on in our minds I know what you thinking so don't try to hide Why do you look at me like you surprised? If you really mean what you write in these lines Why don't you fix it? 'Cause I'm getting tired Yeah, I can no longer do this Ever since you fell in love with the music See, you find a way to express what you feel But the moment that you get away from the mic You don't know what you doing Is it clear to you yet? I don't know what's going on in your head But eventually, you'll have to deal with the things That you talk about yeah, but I guess until then, we're lost
Nathan Feuerstein (NF)
Walk Million miles away Your signal in the distance To whom it may concern I think I lost my way Gettin good at starting over Every time that I return Learning to walk again I believe I've waited long enough Where do I begin Learning to talk again Can't you see I've waited long enough Where do I begin Do you remember the days We built these paper mountains And sat and watched them burn I think I found my place Can't you feel it growing stronger Little conquerors Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again I believe I've waited long enough Where do I begin? Now For the very first time Don't you pay no mind Set me free, again You keep alive a moment at a time But still inside a whisper to a liar To sacrifice but knowing to survive The first to find another state of mind I'm on my knees, I'm praying for a sign Forever, whenever I never wanna die I never wanna die I never wanna die I'm on my knees I never wanna die I'm Dancing on my grave I'm Running through the fire Forever, whenever I Never wanna die I Never wanna leave I'll Never say goodbye Forever, whenever Forever, whenever Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again Can't you see I've waited long enough Where do I begin? Learning to walk again I believe I've waited long enough Learning to talk again Can't you see I've waited long enough
Foo Fighters
But maybe it takes a slightly unhinged person to reverse our decades of mindless consumption. Who else would dare suggest, “The basic rule for papers: Discard everything”? (Are they not required to keep tax records in Japan?) Who else would name a section of her book “Photos: Cherish who you are now”? Imagine Southwest Airlines changing their slogan from “Wanna get away?” to “What are you running from?
Heather Havrilesky (What If This Were Enough?: Essays)
All That You Have Is Your Soul Oh my mama told me 'Cause she say she learned the hard way Say she wanna spare the children She say don't give or sell your soul away 'Cause all that you have is your soul Don't be tempted by the shiny apple Don't you eat of a bitter fruit Hunger only for a taste of justice Hunger only for a world of truth 'Cause all that you have is your soul I was a pretty young girl once I had dreams I had high hopes I married a man he stole my heart away He gave his love but what a high price I paid And all that you have is your soul Why was I such a young fool Thought I'd make history Making babies was the best I could do Thought I'd made something that could be mine forever Found out the hard way one can't possess another And all that you have is your soul I thought thought that I could find a way To beat the system To make a deal and have no debts to pay I'd take it all take it all I'd run away Me for myself first class and first rate But all that you have is your soul Here I am waiting for a better day A second chance A little luck to come my way A hope to dream a hope that I can sleep again And wake in the world with a clear conscience and clean hands 'Cause all that you have is your soul All that you have All that you have All that you have Is your soul
Tracy Chapman
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
Wanna play in the snow? I text back right away: YES! It’s really hot in here. Meet me in the hallway in two min? K. I stand up so fast in my sleeping bag I nearly trip. I use my phone to find my coat, my boots. Stormy is snoring away. I can’t find my scarf, but I don’t want to keep John waiting, so I run out without it. He’s already in the hallway waiting for me. His hair is sticking up in the back, and on that basis alone I think I could fall in love with him if I let myself. When he sees me, he holds his arms out and sings, “Do you want to build a snowman?” and I burst out laughing so hard John says, “Shh, you’re going to wake up the residents!” which only makes me laugh harder. “It’s only ten thirty!” We run down the long carpeted hallway, both of us laughing as quietly as we can. But the more you try to laugh quietly, the harder it is to stop. “I can’t stop laughing,” I gasp as we run through the sliding doors and to the courtyard. We’re both out of breath; we both stop short. The ground is blanketed in thick white snow, thick as sheep’s wool. It’s so beautiful and hushed, my heart almost hurts with the pleasure of it. I’m so happy in this moment, and I realize it’s because I haven’t thought of Peter once. I turn to look at John, and he’s already looking at me with a half smile on his face. It gives me a nervous flutter in my chest. I spin around in a circle and sing, “Do you want to build a snowman?” And then we’re both giggling again. “You’re going to get us kicked out of here,” he warns. I grab his hands and make him spin around with me as fast as I can. “Quit acting like you really belong in a nursing home, old man!” I yell.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Wanna hear something funny?” “What?” “I think I started liking you.” I go completely still. Then I pull my hand away from his, and I start to gather my hair into a ponytail, and then I remember I don’t have a hair tie. My heart is thudding in my chest and it’s hard to think all of a sudden. “Stop teasing.” “I’m not teasing. Why do you think I kissed you that day at McClaren’s house back in seventh grade? It’s why I went along with this thing in the first place. I’ve always thought you were cute.” My face feels hot. “In a quirky way.” Peter grins his perfect grin. “So? I guess I must like quirky, then.” Then he leads his head closer to mine, and I blurt out, “But aren’t you still in love with Genevieve?” Peter frowns. “Why are you always bringing up Gen? I’m trying to talk about us, and all you want to do is talk about her. Yeah, Gen and I have history. I’m always going to care about her.” He shrugs. “But now…I like you.” People are walking in and out of the lodge; a guy from school walks by and claps Peter on the shoulder. “What up,” Peter says. When he’s gone, Peter says to me, “So what do you say?” He’s looking at me expectantly. He’s expecting me to say yes. I want to say yes, but I don’t want to be with a boy whose heart belongs to somebody else. Just once, I want to be somebody’s first choice. “You might think you like me, but you don’t. If you did, you wouldn’t still like her.” Peter shakes his head. “What Gen and I have is completely separate from you and me,” he says. “How can that be true when from the very first minute, this has been about Genevieve?” “That’s not fair,” he objects. “When we started this thing, you liked Sanderson.” “Not anymore.” I swallow hard. “But you still love Genevieve.” Frustrated, Peter backs away from me and runs his hands through his hair. “God, what makes you such an expert on love? You’ve liked five guys in your life. One was gay, one lives in Indiana or Montana or some place, McClaren moved away before anything could actually happen, one was dating your sister. And then there’s me. Hmm, what do we all have in common? What’s the common denominator?” I feel all the blood rush to my face. “That’s not fair.” Peter leans in close and says, “You only like guys you don’t have a shot with, because you’re scared. What are you so scared of?
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
All The Things She Said" All the things she said All the things she said Running through my head Running through my head Running through my head (Running through my head) All the things she said All the things she said Running through my head Running through my head (Running through my head) This is not enough I'm in serious shit, I feel totally lost If I'm asking for help it's only because Being with you has opened my eyes Could I ever believe such a perfect surprise? I keep asking myself, wondering how I keep closing my eyes but I can't block you out Wanna fly to a place where it's just you and me Nobody else so we can be free Nobody else so we can be free All the things she said All the things she said Running through my head Running through my head Running through my head (Running through my head) All the things she said All the things she said Running through my head Running through my head All the things she said All the things she said (All the things she said) This is not enough Ya Soshla S Uma - Ma! This is not enough All the things she said All the things she said And I'm all mixed up, feeling cornered and rushed They say it's my fault but I want her so much Wanna fly her away where the sun and rain Come in over my face, wash away all the shame When they stop and stare - don't worry me 'Cause I'm feeling for her what she's feeling for me I can try to pretend, I can try to forget But it's driving me mad, going out of my head All the things she said All the things she said Running through my head Running through my head Running through my head All the things she said All the things she said Running through my head Running through my head All the things she said All the things she said This is not enough This is not enough All the things she said All the things she said All the things she said All the things she said All the things she said All the things she said All the things she said All the things she said, she said All the things she said All the things she said Mother looking at me Tell me what do you see? Yes, I've lost my mind Daddy looking at me Will I ever be free? Have I crossed the line? All the things she said All the things she said Running through my head Running through my head Running through my head All the things she said All the things she said Running through my head Running through my head All the things she said All the things she said This is not enough This is not enough All the things she said All the things she said All the things she said All the things she said All the things she said All the things she said.
T.A.T.U
Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)
Baz Luhrmann (Romeo & Juliet: The Contemporary Film, The Classic Play)
All My Friends That's how it starts We go back to your house We check the charts And start to figure it out And if it's crowded, all the better Because we know we're gonna be up late But if you're worried about the weather Then you picked the wrong place to stay That's how it starts And so it starts You switch the engine on We set controls for the heart of the sun One of the ways we show our age And if the sun comes up, if the sun comes up, if the sun comes up And I still don't wanna stagger home Then it's the memory of our betters That are keeping us on our feet You spent the first five years trying to get with the plan And the next five years trying to be with your friends again You're talking 45 turns just as fast as you can Teah, I know it gets tired, but it's better when we pretend It comes apart The way it does in bad films Except in parts When the moral kicks in Though when we're running out of the drugs And the conversation's winding away I wouldn't trade one stupid decision For another five years of life You drop the first ten years just as fast as you can And the next ten people who are trying to be polite When you're blowing eighty-five days in the middle of France Yeah, I know it gets tired only where are your friends tonight? And to tell the truth Oh, this could be the last time So here we go Like a sales force into the night And if I made a fool, if I made a fool, if I made a fool On the road, there's always this And if I'm sewn into submission I can still come home to this And with a face like a dad and a laughable stand You can sleep on the plane or review what you said When you're drunk and the kids leave impossible tasks You think over and over, "hey, I'm finally dead." Oh, if the trip and the plan come apart in your hand Tou look contorted on yourself your ridiculous prop You forgot what you meant when you read what you said And you always knew you were tired, but then Where are your friends tonight? Where are your friends tonight? Where are your friends tonight? If I could see all my friends tonight If I could see all my friends tonight If I could see all my friends tonight If I could see all my friends tonight
LCD Soundsystem
Science n’ Shit in a Hip-Hop Style with Stephen Hawking (Kick-snare, kick-kick snare). ‘Let me tell you my plan for the human race, well I would but I can’t, ‘Cos I can’t move me face, So my computerised voice is how I’ll go, I type with me eye to keep the flow We’re all gonna go live in outer space Where zero gravity will stop me dribbling all over the place I’ll tell y’all how I’ll get there: With some rockets built into me special wheel chair The moons of Jupiter, in perfect animation We’ll all live in a huge space station I’ll be able to dance and chase all the fanny And finally get me end away with me nanny.’ Science n’ Shit in a Hip-Hop Style with Stephen Hawking II ‘From the moons of Ganymede, Io & Titan, I’ll tell y’all somethin’ that’s sure to enlighten In space, there are galaxies nebula & stars And dying suns that are going super no-va But no anomalies can compare, To how much I wanna run my fingers through your hair Sir Patrick Moore, a true space oracle, With your knowledge of cheats and gorgeous monocle I’m coming out as gay, and I don’t give a hoot I’m the first fuckin’ vegetable that turned into a fruit Word.
Steven LaVey (Shorts)
Hal—come sit!” Rachel is looking back. She motions toward a sliver of space between Jonah and Madison. “There’s room.” “No. There’s not.” Luke says it without even turning around. “How do you and Hallie know each other, anyway?” “We met in the bathroom. Earlier tonight. She seems cool.” Rachel smiles at Hallelujah. Hallelujah can’t bring herself to smile back. “Sure, if you like the strong, silent type. I don’t. No offense.” Luke laughs, and Brad laughs, and the girls from Knoxville take that as their cue to laugh too. Like it was actually funny. Rachel doesn’t laugh. She’s still smiling, but now it’s like she’s not sure whether she should be. “Come on, Hal,” she says. “We’ll make room.” But Luke’s shaking his head. “Sorry. Guess I’m not being clear. There might be room for someone. But there’s not room for Hallie. Hal. Whatever you wanna call her. Besides. She has to get back. Curfew.” Rachel looks from Luke to Hallelujah, confused. “We’re all breaking curfew.” “Yeah, but it’s Hallie’s fault we have early curfew in the first place. And it’s her fault we have so many chaperones to deal with.” Luke’s counting on his fingers, holding them in the air. “Plus, they’ll probably be checking up on her. So she can’t stay.” “How is all of that her fault?” Rachel asks. “What’d she do?” “Yeah, Luke. What’d she do?” It’s Jonah. Hallelujah is kind of shocked to hear his voice. It’s low, with a dark undercurrent that’s unfamiliar to her. Then again, it’s been months since they talked. And a lot has changed. “If I remember it right,” Jonah goes on, still staring into the fire, “she wasn’t the only one.” Luke looks over at him. “What’s that supposed to mean?” “Nothing,” Jonah says. “Just making an observation.” “An observation,” Luke repeats. “Yeah.” There’s a moment of silence. It’s uncomfortable. Hallelujah feels like the night sounds get louder to compensate. The wind rustling tree branches. The hum of cicadas. Birdcalls. They’re suffocating her. Then Luke shakes his head and laughs. “Whatever. Hallie still has to go.” He swings around to look at her directly. “What are you waiting for?” Hallelujah blinks, wishing that small movement could make her vanish. Everyone in the circle is staring. Waiting for her to leave. Their eyes cut into her. She takes two steps backward, tears clouding her vision. Don’t cry. Don’t cry. She turns and starts walking away. Walking, not running. She doesn’t want to give Luke that satisfaction.
Kathryn Holmes
IF YOU PEOPLE DON’T WANNA GET FLATTENED, YOU’D BETTER MOVE OUT OF THE WAY!” The entire male track team looked behind them to see Eric and…was that Heather Grant? Yes, it was. Their new PE assistant coach was also running down the hallway, and there was a large cloud of what looked like dust chasing after them. Everyone present jumped away, their backs pressing against the wall, just as the two ran past them. “There they are!” “Get them!” “Hurry up! Don’t let them get away!” “Come back here, you stupid perverts!” “I can’t believe we trusted you!” “KILL THEM!!!” Before anyone could even think about relaxing, the track team was forced back against the wall as a horde of outraged teenage girls rushed by. Several drops of sweat rolled down Kevin’s face as he noticed that every girl was carrying some kind of household appliance: a broom, a mop, a rake, a strange pole thing, and… “Holy shit! Is that chick carrying a claymore?!” Kevin nearly did a double take when he saw that one of the girls rushing past them was, indeed, carrying a claymore: a two-handed longsword with a cross hilt of forward-sloping quillons with quatrefoil terminations. The weapon was gigantic, literally a foot or so longer than the girl was tall.
Brandon Varnell (A Fox's Family (American Kitsune #4))
There’s nothing there except for her word, and what good is that when she was the one sending you all those texts. But you wanna know the kicker? You want me to crack an egg of knowledge over your head?” I didn’t answer. Christmas wiggled his fingers in the air, and then sang “Spoiler alert! Regina’s the one who asked me for help. It’s not the other way around this time.” He pounded the butt of his fist against the table. “Man! I hate ruining surprises!” My heart stopped. I patted my chest with my open palm to get it going again. Okay, not really, but that’s what it felt like. Christmas could see the confusion on my face and he continued to floor me with his words. “I’m sure by now you’ve noticed the show choir has been absorbed with the set they’ve been creating all afternoon. It’s quite elaborate, and everyone in the show choir is required to help, but… has Regina been helping at all? Has she been sweating away, moving huge boxes back and forth with the other kids in the show choir?” I paused. “No. She’s been running around the mall taking selfies. But… her parents were here. They came to watch her performance.” Christmas snapped his fingers at me. “Connect those dots, Valentine…” “But if Regina’s not in the show choir, then her parents can only be here because they think she’s in it,” I said, staring at the table. “But why would she lie to them?” “Cha-ching!” Christmas was giving me a hint. “Don’t forget that membership is $200 a month!” “That’s why Regina seems to have so much money all the time,” I said. “She faked being a member of show choir to keep the money for herself. But… why the selfie game? Why send us all over the mall?” “Because I told her to,” Christmas chuckled. “Yeah, that was all me. She came to me, asking for help to cancel the entire trip, which I actually tried to do earlier.” Little light bulbs were switching on in my head. “That’s what the sign was for this morning.” And then I remembered the girl who shouted. “That was Regina in the cafeteria! She tried to start a food fight so the school would cancel the show before we even boarded the buses!” “Didn’t work,” Christmas said. “I knew it wouldn’t, but that didn’t stop her. She came to me again at the mall and asked for my help, so I did. I told her exactly what to do, and she did it perfectly, distracting you like the bugs you are.” “Distracting us?” I asked. Christmas turned around. “She’s planning on sabotaging the show choir performance. If they don’t perform, then her parents will never learn that she’s not in the club.
Marcus Emerson (Selfies Are Forever (Secret Agent 6th Grader, #4))
This time my dear I’ll let my demons take the lead , I wanna welcome the sadness , the confusion, and the darkness with arms so wide open. I’ll finally face the person I have forever been trying to run away from. This time my dear; The greatest battle I have to win is the one I have within..
Samiha Totanji
Mike pulled Brie aside and said, “You’re the only woman on the premises who’s not just a little pissed off at her guy. Wanna run away with me right now? Before I do something stupid?” She grinned at him. “You think you’re my guy, huh?” “Well, that’s what I’m hoping….” *
Robyn Carr (Whispering Rock (Virgin River, #3))
What happened?” Harper swallowed, unsure what to tell his daughter. What had Cat told her? “I was shot a couple of weeks ago.” Her eyes flashed to his as if to see if he were telling the truth. “Seriously?” He nodded. “But I’m okay. No big deal,” he assured her. She shook her head, stepping closer. Her hand lifted as if she wanted to touch the wound but she stopped. “Does it still hurt?” “Not much. I’m kind of used to it.” Crossing her arms, she looked up at him, considering. “Mom told me you had been hurt but she didn’t say how or why. I thought she was lying to me again.” Harper winced. “She wasn’t lying. I was shot in the chest and I was hit by glass when my scope was hit. I lost the vision in my right eye.” He rubbed at the scars on his face a little self-consciously. She blinked. “Isn’t that your shooting eye?” Harper looked at her, considering. Damn, she was sharp. “Yes, it is. I’m going to have to teach myself to shoot again. I don’t really shoot much at work, but it’s a skill I need to keep.” Dillon shook her head again, her expression forlorn. “Where do you work now? Mom didn’t know. And we haven’t heard from you in so long. It was like you disappeared off the earth. And now you’re hurt.” Tears filled her eyes again and one slipped down her cheek. She swiped it away angrily, but more began to follow. “Oh, honey.” Harper dared to take a step toward her, heartened when she didn’t bolt. “I’m okay. I really am. And I’m sorry I haven’t talked to you. Believe it or not I’ve missed you too—I just didn’t feel like I could be at home with you for a while. Not because of anything you did, but because of things that were going on in my head. I had to get them straightened out so that I could be with you guys.” Dillon didn’t look like she believed him, but at least she was listening. “I swear to you I wanted to come home, but I couldn’t risk you guys. In my old job with the SEALs I had to go to war in bad places.” “Afghanistan?” He stopped, surprised. But then, why was he surprised? Dillon was damn smart. “Yes. I was there for a good while. And a bunch of other places. And when you get used to doing something, like fighting in a war, it’s hard to change when you come home. I had problems getting used to not fighting. Do you understand?” She nodded, arms still wrapped around herself. “So rather than run the chance of maybe waking up one night and hurting you guys I moved out. It wasn’t because your mom and I had problems, it wasn’t because I didn’t love you and it definitely wasn’t because of anything you kids did. It was just me. Fighting myself in my head. And I worried that if I talked to you guys I wouldn’t be able to stay away.” Tears were still dripping down her cheeks. Harper dared to reach out and tuck a mussed strand of her dark hair behind her ear. “But I promise you I won’t leave you again. Not like this. And I promise I will always talk to you. Okay?” She nodded and took a step forward, as if seeking reassurance. Harper opened his arms for a hug and she folded into him, sobbing. “Oh, baby girl, I love you so much. I’m sorry I hurt you but I really did think it would be better if I just disappeared.” He ran his hands down her long hair and pressed a kiss to the top of her head. “Do you think you can forgive me? I really miss talking to you.” She nodded her head against him and wrapped her arms around him to squeeze, then pulled back with a gasp. “I didn’t hurt you, did I?” Harper smiled. “Nope. Not enough to notice.” He pulled her back for another hug and another kiss on top of her head. “Wanna grab some breakfast?” Dillon nodded and they headed to the kitchen, his arm around her shoulders.
J.M. Madden (Embattled SEAL (Lost and Found #4))
You’re not running again,” he growled before pouncing up onto the table. I shrieked, stumbling backwards as he leapt towards me. I threw my shoes at him and they bounced off of his chest making him pause in surprise. He barked a laugh then lunged at me, faster than was humanly possible. He caught my waist and I squealed as he pushed me back against a heavy bookcase which stood along the wall. My hands landed on his shoulders like I was going to push him off of me but I didn’t. “Cheat,” I breathed as my heart pounded. “Only a little,” he admitted. Before I could say anything else, he leaned forward and kissed me. My heart leapt, my skin tingled and my traitorous body gave in to his demand. I was supposed to hate him. I was supposed to be shoving him off of me and slapping him and telling him to stay the hell away from me. I definitely shouldn’t have been pulling him closer, my hands fisting in the material of his shirt, my lips parting to admit his tongue. I could still taste blood from where I’d bitten my lip and he obviously could too, a groan of desire escaping him as I felt a soft tug on my magic from the welt on my lip. Why am I always a sucker for the bad guys? And why does it always feel so good? The heat of his kiss lit me up and I gave up on any thoughts of pushing him away. It wasn’t like I was giving him my heart anyway. Just a kiss... or maybe two... Caleb’s hands slid into my hair and I arched my back, pressing my body against his. His grip tightened in my hair and he dragged my head backwards, breaking our kiss as he moved his mouth down my neck, teasing with the idea of biting me, his fangs flirting with my flesh. My body was alight with his proximity and I moaned, urging him on. I didn’t want this to stop even if I really should have. Caleb withdrew just enough to look into my eyes and the heat I saw in his gaze made my toes curl. “You wanna play another game, sweetheart?” he asked, his voice deep. “What do I get if I win?” I breathed. “I think this game will have two winners,” he promised. My gaze roamed over his face hungrily but then I glanced at the open door. This really wasn’t the best place for us to be making out... or doing anything else either. “I can sort that,” he said, taking one hand off of me and casting magic at the door. A long vine curled across the carpet before pushing the door closed and winding itself around the handle to lock it. An orb of orange light flickered into existence overhead as we were plunged into darkness, casting shadows over his stunning features. He aimed his palm at the ceiling next and I felt a wave of magic wash over me. “Silencing bubble, so we don’t have to hold back,” he explained. I looked into his eyes, wondering if I was really going to do this with him. Heat was curling its way through my body, lighting me up with desire for this beast before me and I decided to act on it before I had the chance to question my decision. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
...behavior that constantly jumped the line between girls-just-wanna-have-fun and self-destructive self-medicating... The eggshells weren't on the ground; they were duct-taped to the soles of my shoes. I could never step lightly enough or run fast enough to get away from the cracking, so I made everything around me so loud that it drowned out the sound.
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)