β
All that is gold does not glitter,
Not all those who wander are lost.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
because he had no place he could stay in without getting tired of it and because there was nowhere to go but everywhere, keep rolling under the stars...
β
β
Jack Kerouac (On the Road)
β
Thereβs something about arriving in new cities, wandering empty streets with no destination. I will never lose the love for the arriving, but I'm born to leave.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
Nostalgia in reverse, the longing for yet another strange land, grew especially strong in spring.
β
β
Vladimir Nabokov (Mary)
β
You're not sorry to go, of course. With people like us our home is where we are not... No one person in the world is necessary to you or to me.
β
β
F. Scott Fitzgerald (This Side of Paradise)
β
He found himself wondering at times, especially in the autumn, about the wild lands, and strange visions of mountains that he had never seen came into his dreams.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
The Wanderlust has got me... by the belly-aching fire
β
β
Robert W. Service (Rhymes of a Rolling Stone)
β
She's an old soul with young eyes, a vintage heart, and a beautiful mind.
β
β
Nicole Lyons
β
There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
In the first few seconds an aching sadness wrenched his heart, but it soon gave way to a feeling of sweet disquiet, the excitement of gypsy wanderlust
β
β
Mikhail Bulgakov
β
A person susceptible to "wanderlust" is not so much addicted to movement as committed to transformation.
β
β
Pico Iyer
β
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
A person does not grow from the ground like a vine or a tree, one is not part of a plot of land. Mankind has legs so it can wander.
β
β
Roman Payne (The Wanderess)
β
Wanderlust is like itchy feet. Itβs when you canβt settle down. But Wanderlove is much deeper than that . . . itβs a compulsion. Itβs the difference between lust and love.
β
β
Kirsten Hubbard (Wanderlove)
β
There's a race of men that don't fit in,
A race that can't sit still;
So they break the hearts of kith and kin, And they roam the world at will.
They range the field and rove the flood,
And they climb the mountain's crest; Their's is the curse of the gypsy blood,
And they don't know how to rest.
β
β
Robert W. Service
β
The struggles we endure today will be the βgood old daysβ we laugh about tomorrow.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
What is a Wanderess? Bound by no boundaries, contained by no countries, tamed by no time, she is the force of natureβs course.
β
β
Roman Payne (The Wanderess)
β
What if it's the there
and not the here
that I long for?
The wander
and not the wait,
the magic
in the lost feet
stumbling down
the faraway street
and the way the moon
never hangs
quite the same.
β
β
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
β
Γ, Wanderess, Wanderess
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?
β
β
Roman Payne
β
Thatβs the place to get toβnowhere. One wants to wander away from the worldβs somewheres, into our own nowhere.
β
β
D.H. Lawrence (Women in Love)
β
The best traveler is one without a camera.
β
β
Kamand Kojouri
β
The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.
β
β
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
β
You don't even know where I'm going."
"I don't care. I'd like to go anywhere.
β
β
John Steinbeck (Travels with Charley: In Search of America)
β
To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjaminβs terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.
β
β
Rebecca Solnit (A Field Guide to Getting Lost)
β
she was completely whole
and yet never fully complete
β
β
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
β
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
Paradise was always over there, a dayβs sail away. But itβs a funny thing, escapism. You can go far and wide and you can keep moving on and on through places and years, but you never escape your own life. I, finally, knew where my life belonged. Home.
β
β
J. Maarten Troost (Getting Stoned with Savages: A Trip Through the Islands of Fiji and Vanuatu)
β
Walking . . . is how the body measures itself against the earth.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
i was lieing to myself when I thought I was lost, I have never been lost - I just wasn't ready to be found.
β
β
Nikki Rowe
β
Beyond the East the sunrise, beyond the West the sea,
And East and West the wanderlust that will not let me be;
It works in me like madness, dear, to bid me say good-by!
For the seas call and the stars call, and oh, the call of the sky!
I know not where the white road runs, nor what the blue hills are,
But man can have the sun for friend, and for his guide a star;
And there's no end of voyaging when once the voice is heard,
For the river calls and the road calls, and oh, the call of a bird!
Yonder the long horizon lies, and there by night and day
The old ships draw to home again, the young ships sail away;
And come I may, but go I must, and if men ask you why,
You may put the blame on the stars and the sun and the white road and the sky!
β
β
Gerald Gould
β
all my life i have lived and behaved very much like the sandpiper just running down the edges of different countries and continents, looking for something.
β
β
Elizabeth Bishop
β
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
The magic of the street is the mingling of the errand and the epiphany.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Life's trials will test you, and shape you, but donβt let them change who you are.β
~ Aaron Lauritsen, β100 Days Drive
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
β
β
Rebecca Solnit (A Field Guide to Getting Lost)
β
Wanderlust is incurable.
β
β
Mark Jenkins (The Hard Way: Stories of Danger, Survival, and the Soul of Adventure)
β
True friends don't come with conditions.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
A lone walker is both present and detached, more than an audience but less than a participant. Walking assuages or legitimizes this alienation.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Without struggle, success has no value.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
and we laugh and laugh and
all I know is
at this moment I feel like
I can do anything I want
and be anyone I want
and go anywhere on the globe
and still call it home
β
β
Kirsten "Kiwi" Smith (The Geography of Girlhood)
β
She is like a butterfly,
Beautiful to look at
But hard to catch.
β
β
Nikki Rowe
β
...but I preferred reading the American landscape as we went along. Every bump, rise, and stretch in it mystified my longing.
β
β
Jack Kerouac (On the Road)
β
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
A path is a prior interpretation of the best way to traverse a landscape.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
β
β
Roman Payne (Hope and Despair)
β
Let there be room left in your heart for the unimaginable ~ serendipity has a way of showing itself just when you feel like giving up.
β
β
Nikki Rowe
β
I am an artist, my hair is rarely tamed & sometimes I sleep till noon,
My house is messy and I speak to the moon.
I care less about the materials that I share with my world and more about the passion inside myself.
Im an artist, what more can you expect?
i am full of soul, love and all the rest.
β
β
Nikki Rowe
β
From this point forward, you donβt even know how to quit in life.β
~ Aaron Lauritsen, β100 Days Drive
β
β
Aaron Lauritsen
β
Adventure is allowing the unexpected to happen to you. Exploration is experiencing what you have not experienced before. How can there be any adventure, any exploration, if you let somebody else - above all, a travel bureau - arrange everything before-hand?
β
β
Richard Aldington (Death Of Hero)
β
A labyrinth is a symbolic journey . . . but it is a map we can really walk on, blurring the difference between map and world.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
If we were meant to stay in one place, we would have roots instead of feet.
β
β
Rachel Wolchin
β
This was what my spirit longed to do, to wander in strange lands. It couldn't stand being trapped in one body all the time. It had wanderlust.
β
β
Samantha Shannon (The Bone Season (The Bone Season, #1))
β
The old wanderlust had gotten into his blood, the joy of the unbound life, the joy of seeking, of hoping without limit.
β
β
Upton Sinclair (The Jungle)
β
I will never lose the love for the arriving, but I'm born to leave.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
I was forced to wander, having no one, forced by my nature to keep wandering because wandering was the only thing that I believed in, and the only thing that believed in me.
β
β
Roman Payne
β
And if travel is like love, it is, in the end, mostly because itβs a heightened state of awareness, in which we are mindful, receptive, in dimmed by familiarity and ready to be transformed. That is why the best trips, like the best love affairs, never really end.
β
β
Pico Iyer
β
A woman must prefer her liberty over a man. To be happy, she must.
A man to be happy, however, must yearn for his woman more than his liberty.
This is the rightful order.
β
β
Roman Payne (Hope and Despair)
β
Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
At some point, you just gotta forgive the past, your happiness hinges on it.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
How can you miss someone whoβs right beside you?
β
β
Ann Aguirre (Wanderlust (Sirantha Jax, #2))
β
I love the Autumn,
And yet I cannot say
All the thoughts and things
That make me feel this way.
I love walking on the angry shore,
To watch the angry sea;
Where summer people were before,
But now there's only me.
I love wood fires at night
That have a ruddy glow.
I stare at the flames
And think of long ago.
I love the feeling down inside me
That says to run away
To come and be a gypsy
And laugh the gypsy way.
The tangy taste of apples,
The snowy mist at morn,
The wanderlust inside you
When you hear the huntsman's horn.
Nostalgia - that's the Autumn,
Dreaming through September
Just a million lovely things
I always will remember.
β
β
Jacqueline Kennedy Onassis
β
I keep going back
as if Im looking for something I have lost
back to the motherland, sisterland, fatherland
back to the beacon, the breast
the smell and taste of the breeze,
and the singing of the rain.
β
β
Heather Nova (The Sorrowjoy)
β
Wandering flushes a glory that fades with arrival.
β
β
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: the Complete Works of J. A. Baker)
β
I like old bookstores, the smell of coffee brewing, rainy day naps, farmhouse porches, and sunsets. I like the sweet, simple things that remind me that life doesnβt have to be complicated to be beautiful.
β
β
Brooke Hampton
β
There was something much greater she needed to feed her soul, and perhaps one day soon she would go...
β
β
Danielle Steel (Wanderlust)
β
Time is fluid, so the moments where everything feels perfect pass in a wink, and those where you're on your knees in despair drag on like the death of a thousand cuts.
β
β
Ann Aguirre (Wanderlust (Sirantha Jax, #2))
β
It sounds so far away and different. I like different places. I like any places that isn't here.
β
β
Edna Ferber (Gigolo)
β
How you live your life is up to you. You have to go out and grab the world by the horns. Rope it before it ties you down and decides for you.
β
β
Sarah Reijonen (Country Girl: Letting Love & Wanderlust Take the Reins)
β
You thought too hard. Same with travel. You can't work too much at it, or it feels like work. You have to surrender yourself to the chaos. To the accidents.
β
β
Gayle Forman (Just One Day (Just One Day, #1))
β
Iβm not a woman you bring home to Mother, pick out china patterns with, or Mary forefend, breed. Iβve seen a chunk of the universe, true, but thereβs still so much more to see. I doubt Iβll ever cure this wanderlust, and Iβm content with dedicating my life to failing to sate it... Heβs never going to sit at my feet and write me poems, which is good because I hate poetry, except dirty ones that rhyme.
β
β
Ann Aguirre (Grimspace (Sirantha Jax, #1))
β
Explore, Experience, Then Push Beyond.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
He has to take me as I am, broken bits and all.
β
β
Ann Aguirre (Wanderlust (Sirantha Jax, #2))
β
Roads are a record of those who have gone before.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Sometimes I think a man could wander across the disc all his life and not see everything there is to see,' said Twoflower. 'And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,' he paused, then added, 'well, humble, I suppose. And very angry, of course.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
When a Wanderess has been caged,
or perched with her wings clipped,
She lives like a Stoic,
She lives most heroic,
smiling with ruby, moistened lips
once her cup of Death is welcome sipped.
β
β
Roman Payne
β
I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the mapβ¦nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjaminβs terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.
β
β
Rebecca Solnit (A Field Guide to Getting Lost)
β
The freedom of the open road is seductive, serendipitous and absolutely liberating.
β
β
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
β
The depths of her thoughts will have you never wanting to surface for air...
β
β
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
β
The paradox of love is that to have it is to want to preserve it because it's perfect in the moment but that preservation is impossible because the perfection is only ever an instant passed through. Love like travel is a series of moments that we immediately leave behind. Still we try to hold on and embalm against all evidence and common sense proclaiming our promises and plans. The more I loved him the more I felt hope. But hope acknowledges uncertainty and so I also felt my first premonitions of loss.
β
β
Elisabeth Eaves (Wanderlust: A Love Affair with Five Continents)
β
There is always an adventure waiting in the woods.
β
β
Katelyn S. Bolds
β
I am a world of uncertainties disguised as a girl.
β
β
Nicole Lyons
β
There's more to a person than flesh. Judge others by the sum of their soul and you'll see that beauty is a force of light that radiates from the inside out.
β
β
Aaron Lauritsen
β
Itβs hard to go. Itβs scary and lonelyβ¦and half the time youβll be wondering why the hell youβre in Cincinnati or Austin or North Dakota or Mongolia or wherever your melodious little finger-plucking heinie takes you. There will be boondoggles and discombobulated days, freaked-out nights and metaphorical flat tires.
But it will be soul-smashingly beautiful⦠It will open up your life.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
β
It all takes time and lessons and places, but Iβm learning to listen to my restless heart, telling me to βgo, go, go!
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Many people nowadays live in a series of interiors...disconnected from each other. On foot everything stays connected, for while walking one occupies the spaces between those interiors in the same way one occupies those interiors. One lives in the whole world rather than in interiors built up against it.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Thinking is generally thought of as doing nothing in a production-oriented society, and doing nothing is hard to do. It's best done by disguising it as doing something, and the something closest to doing nothing is walking.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
The geographical pilgrimage is the symbolic acting out of an inner journey. The inner journey is the interpolation of the meanings and signs of the outer pilgrimage. One can have one without the other. It is best to have both.
β
β
Thomas Merton
β
Without knowing why or how, I found myself in love with this strange Wanderess. Maybe I was just in love with the dream she was selling me: a life of destiny and fate; as my own life up until we met had been so void of enchantment. Those things: mystery, fate, enchantment... they are things that young people offer us as soon as we get close to them. And if we're not careful, we can be seduced by, and drawn back into, the youthful world they preside over.
β
β
Roman Payne (The Wanderess)
β
I am running and singing and when itβs raining Iβm the only one left on the open street, smiling with my eyes fixed on the sky because itβs cleaning me. Iβm the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. Iβm the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever Iβve made of myself.
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
Perhaps walking is best imagined as an 'indicator species,' to use an ecologist's term. An indicator species signifies the health of an ecosystem, and its endangerment or diminishment can be an early warning sign of systemic trouble. Walking is an indicator species for various kinds of freedom and pleasures: free time, free and alluring space, and unhindered bodies.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use. [--] [T]ime spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free spaceβfor wilderness and for public spaceβmust be accompanied by a fight for free time to spend wandering in that space.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word βlostβ comes from the old Norse βlosβ meaning the disbanding of an armyβ¦I worry now that people never disband their armies, never go beyond what they know.
Advertising, alarmist news, technology, incessant busyness, and the design of public and private life conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. Children seldom roam, even in the safest places⦠I wonder what will come of placing this generation under house arrest.
β
β
Rebecca Solnit (A Field Guide to Getting Lost)
β
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
β
β
Elisabeth Eaves (Wanderlust: A Love Affair with Five Continents)
β
..luxury is the enemy of observation, a costly indulgence that induces such a good feeling that you notice nothing. Luxury spoils and infantilizes you and prevents you from knowing the world. That is its purpose, the reason why luxury cruises and great hotels are full of fatheads who, when they express an opinion, seem as though they are from another planet. It was also my experience that one of the worst aspects of travelling with wealthy people, apart from the fact that the rich never listen, is that they constantly groused about the high cost of living β indeed, the rich usually complained of being poor.
β
β
Paul Theroux (Ghost Train to the Eastern Star)
β
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains.
βLonging,β says the poet Robert Hass, βbecause desire is full of endless distances.β Blue is the color of longing for the distances you never arrive in, for the blue world.
β
β
Rebecca Solnit (A Field Guide to Getting Lost)
β
The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in betweenβ¦Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-pacedβ¦I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.
β
β
Rebecca Solnit (Wanderlust: A History of Walking)
β
I begin to wonder how different "real" love is from my imaginary affair. In any relationship there's both reality and the perception of reality. As long as I see the other person as smart or sexy or handsome or good and as long as I can hang on to the feeling of loving and being loved then it's real. But somehow we're able to hang on to those feelings and beliefs even when objective reality diverges. Actions don't necessarily alter beliefs and beliefs matter more. Before you fall in love you begin to imagine the other person. You create your lover extrapolating on reality dusting him or her with gold. You embellish to the point of perfection and then fall hard for the image you've made. With all my traveling I may have spent more time imagining than others. But a huge amount of all love takes place in the head. In the middle of any relationship we can spend more time hour for hour thinking about the other person than we spend in his presence. And after any breakup there's no telling how long we might pine for someone. Love itself is in the mind's eye.
β
β
Elisabeth Eaves (Wanderlust: A Love Affair with Five Continents)