Waltz Your Life Quotes

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I'd rather waltz than just walk through the forest The trees keep the tempo and they sway in time Quartet of crickets chime in for the chorus If I were to pluck on your heartstrings, would you strum on mine?
Owl City
You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt.
Oprah Winfrey (What I Know For Sure)
Let me sing you a waltz / Out of nowhere, out of my thoughts / Let me sing you a waltz / About this one night stand / You were, for me, that night / Everything I always dreamt of in life / But now you're gone / You are far gone / All the way to your island of rain / It was for you just a one night thing / But you were much more to me, just so you know / I don't care what they say / I know what you meant for me that day / I just want another try, I just want another night / Even if it doesn't seem quite right / You meant for me much more than anyone I've met before / One single night with you, little Jesse, is worth a thousand with anybody / I have no bitterness, my sweet / I'll never forget this one night thing / Even tomorrow in other arms, my heart will stay yours until I die / Let me sing you a waltz / Out of nowhere, out of my blues / Let me sing you a waltz / About this lovely one night stand
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
What I know for sure is that every day brings a chance for you to draw in a breath, kick off your shoes, and step out and dance—to live free of regret and filled with as much joy, fun, and laughter as you can stand. You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt.
Oprah Winfrey (What I Know For Sure)
....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book.
Jean Rhys (Tigers are Better-Looking: With a Selection from The Left Bank (Penguin Twentieth-Century Classics))
So, kid, you’ve got to live, and not just that stoic existence you’ve been stomping trough all this time. You’ve got to be kind, you’ve got to fall in love, fall out of love, no matter how much it hurts because my god, it’s worth it. Don’t let the world turn you to stone; you’ve got to feel. And sometimes, your heart will threaten to march right out of your chest because you’re so fucking full of it all- of the people, the places, the endless days, the eternal nights- and kid, that’s fine. Be brave. Courage isn’t measured by the number of people you’ve turned away or by the counts of the nights you’ve spent alone because you refuse to give someone the chance to love you. Being alone is not poetic; you’ve got to let them in. Let them peel back your skin and waltz into your bloodstream and love them, love them, love them. And finally, kid, your life has already begun. Stop waiting. Chaos is already underway.
E.P. .
You'll marry me, my dragon, and you'll bear my children, and you'll drive me mad and live in that ramshackle old house with me and I'll even put up with the occasional visit from your sister if I must. But you'll marry me. Not because you have to. But because I won't let you go." "Why?" she demanded. And he answered the only way he could, in French. "Je't'aime," he said. "I love you." "Je't'aime aussi," she said. "And I will make your life a living hell," she added in the same language. He smiled down at her. "I'm counting on it.
Anne Stuart (The Devil's Waltz)
Like sometimes when you go to a movie and you get so lost in the story that when you’re walking out of the theater you can’t remember anything at all about your own life.
Pam Houston (Waltzing the Cat)
When you get the choice to sit it out or dance, I hope you dance. What I know for sure is that every day brings a chance for you to draw in a breath, kick off your shoes, and step out and dance—to live free of regret and filled with as much joy, fun, and laughter as you can stand. You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt.
Oprah Winfrey (What I Know For Sure)
Demons... they don't just waltz into your life and take over for no reason," she said, her voice going soft again. "They might knock on the door, but ultimately, you have to be the one to invite them in.
Kelly Creagh
Life is a dance, You waltz or you Rumba, ChaCha or Salsa, But whatever you do, Make sure you know the steps Even if you have to make up your own.
Michelle Geaney
You can’t battle life,’ she said. ‘You have to learn to treat it like a waltz and your problems are your partner. Step lightly, try to keep time with the music and smile.
Jeffrey Lang (Immortal Coil (Star Trek: The Next Generation, #64))
Kate lost a mother," I said, "but I lost a nothing." Kate doesn't feel that way," Jack assured me. But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness." He wiped my cheeks, saying Ssshh. I buried my face in his shoulder. True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz." You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95)
Hilary Thayer Hamann (Anthropology of an American Girl)
Within a couple of weeks of starting the Ph.D. program, though, she discovered that she'd booked passage on a sinking ship. There aren't any jobs, the other students informed her; the profession's glutted with tenured old men who won't step aside for the next generation. While the university's busy exploiting you for cheap labor, you somehow have to produce a boring thesis that no one will read, and find someone willing to publish it as a book. And then, if you're unsually talented and extraordinarily lucky, you just might be able to secure a one-year, nonrenewable appointment teaching remedial composition to football players in Oklahoma. Meanwhile, the Internet's booming, and the kids we gave C pluses to are waltzing out of college and getting rich on stock options while we bust our asses for a pathetic stipend that doesn't even cover the rent.
Tom Perrotta (Little Children)
Why are you so angry at me?” she asked. The question ratcheted him even closer to the boiling point. “Because for some insane reason, I adore you. For three solid years I have thought you were the closest thing to perfection on this earth, and I can’t watch you risk your life crossing that bridge!” Had she understood correctly? After all these years of cold decorum, Zack’s eyes glittered in a face streaked with soot and sweat as he stepped closer, shouting over the roar of wind and fire. “I’ve been insane about you since the moment you waltzed into my office three years ago in that ridiculous suit and your hair as prim as a schoolmarm,” he shouted. “Don’t you dare get yourself killed on me now!
Elizabeth Camden (Into the Whirlwind)
What I know for sure is that every day brings a chance for you to draw in a breath, kick off your shoes, and step out and dance—to live free of regret and filled with as much joy, fun, and laughter as you can stand. You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt. You
Oprah Winfrey (What I Know for Sure)
Nurture the inside burn, for that is the key to your bliss, Bestow ecstasy to the neighbouring, get drunk in your freedom. Waltz away to life’s symphony, Breathe Free.
Kitty Jose
Sometimes it’s great, and sometimes it’s shit. These are the things all the great philosophers just won’t tell you flat out about life. You keep moving, keep living, keep breathing And you keep writing-creating because that’s what you do And that’s who you are. There are no magical voices to guide You except your own. Make it count. ~ R.M. ENGELHARDT
R.M. Engelhardt (The Resurrection Waltz Poems R.M. Engelhardt)
Healing is not linear. It's a like a waltz between you and the Divine weaving through time. When you join hands through the healing process, you transition to a beautiful rhythm for yourself and your life.
Jaclyn Johnston
Can two walk together, unless they are agreed?’ Amos 3:3 ‘Does This Person Belong in your Life?’ A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
Patience Johnson
Be like Sindbad. Venture forth! Embosom the waves, let your shoes be sucked from your feet and your very trousers enticed by the frothing deep. The ambiguous sea awaits, I told them, marry it! There’s nothing out there, they said. Wrong, I said, absolutely wrong. There are waltzes, sword canes, and sea wrack dazzling to the eyes.
Donald Barthelme (Forty Stories)
You can be an anonymous observer all your life, but then you never get the platform to transform those observations into art, or whatever it is you want to transform it into. And that’s a lamentable paradox, because it’s the reason the entertainment industry is so hermetic. It closes itself off from the world it wants to talk about.
Christoph Waltz
He lowers his head and peers at me, meeting my eyes. “No. I can see the life you’ve lived in the depths of your eyes. You are no fool, and you are not ignorant. Perhaps you didn’t learn how to waltz or play the piano, but those are things the rich do merely to fill their time. They aren’t important and they mean nothing. You’ve lived, Lor. You must have experienced so many terrible things in that prison.
Nisha J. Tuli (Trial of the Sun Queen (Artefacts of Ouranos, #1))
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
Julien Duvivier
From the perspective of my old laptop, I am a numbers man, something like that every instruction he gives me is a one or a zero I remember well I have information about him before he left for his new toy thinner, younger, able to keep up with him, I have information about him may 15th 2008, he listened to a song five times in succession it was titled Everybody, open parenthesis, Backstreet's Back, close parenthesis it included the lyric 'Am I sexual, yeaaaaah' He said once, computers like a sense of finality to them when I write something I don't want to be able to run from it this was a lie he was addicted to my ability to keep his secrets I am a numbers man, every instruction he gives me is a one, or a zero I remember well January, 7th 2007 I was young just two week awake he gave me, a new series of one's and zeros the most sublime sequence I have ever seen it had curves, and shadow, it was him he gave his face in numbers and trusted me to be the artist, and I was do not laugh I have read about your God you kill each other over your grand fathers memory of him I still remember the fingertips of my God dancing across my body After I learnt to draw him he trusted with more art rubric jpeg 1063 was his favourite Him, and that woman, resting her head in the curve of his nick I read his correspondence she hasn't written him back in years but he asks for it, constantly, jpeg 1063, jpeg 1063, jpeg 1063 it was my master piece it looked so, .., life like I wanted to tell him That's not her that is me that is not her face those are my ones and zeros waltzing in space for you she is nothing more than my shadow puppet you do not miss her, you miss me, I am a numbers man, every instruction he gives is a one or a zero I remember well but he taught me to be a Da Vinci and I sit here, with his portraits waiting for him to return I do not think he will Is that what it means to be human to be all powerful, to build a temple to yourself and leave only the walls to pray
Phil Kaye
But I can cite ten other reasons for not being a father." "First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it." "Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag." "The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile." "And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?" "And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence. "The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated." "And you have not found life to be good?" asked Bertlef. Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.
Milan Kundera (Farewell Waltz)
As they walked toward the dance floor, Pamela barely felt the bruises on her feet from Henry. The thrill of waltzing with Mr. Carter practically banished the ache. On the floor, he took her into his arms. She liked the feel of his hand on her waist, the press of their gloved palms together. For the first time, the intimate posture, which had always made her feel uncomfortable and stiff, seemed right, and she wished he would pull her closer. Throughout the beginning of the waltz, they remained silent. She had the sense that Mr. Carter was concentrating on his steps, and she didn't want to distract him. He frowned. "I'm sorry I'm not a very good dancer." "Not at all." Pamela thought of Henry and had to restrain a laugh. She didn't want Mr. Carter to think she was making fun of him. "You couldn't possibly be worse than my previous partner, who led me in the wrong direction and trod on my toes!" His troubled expression cleared. "Well, then, I'm grateful you decided to risk your toes again with me. I promise, I'll try to keep my boots on the floor where they belong." He wiggled his eyebrows. Pamela laughed at his playful act. "I watched you with Elizabeth, and you were fine. So accepting your invitation to dance was not such a risk as you're making it out to be." As they bantered, Pamela found herself relaxing. Conversing with this stranger she'd only met twenty minutes ago was far easier than talking with some men she'd known all her life. Mr. Carter also seemed to become comfortable. His lead became more expert, and he picked up their speed. As they became in tune with each other, they flowed in perfect step to the music. Exhilaration welled up in Pamela. She'd never known dancing could feel like this. She glanced up at him, feeling a smile as wide as the moon stretch across her face. "We're flying!
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Do you wish I’d given you to some rich people to raise like that Falcon girl?” Margie thought about the fancy house and swimming pool and gardens and horses. Then she thought about the single-wide at the Arroyo where she and her mom lived, and the kitchen where Mama went to make sandwiches every morning. She thought about giggles and snuggles at bedtime, dancing to “Waltz Across Texas” and jumping into the chilly clear water at Barton Springs on a hot day, and how she loved the sound of her mother’s laughter, and she couldn’t imagine any other life. “Nah,” she said, thinking of the girls in the mansion. “I reckon those two sisters didn’t seem any happier or sadder than any other kid. And their mom was scary.” “You’re an old soul, Seesaw Marjorie Daw. I’m glad you’re mine.
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
Everything that mattered in Hank Reed’s life, outside of his family, revolved around horses. Starting with his days as a cadet, he had lived in a world that could measure everything—honor, kindliness, discipline, sporting spirit, diligence, and, most of all, courage—in equestrian terms. His brain was crammed with the nomenclature of horses: cantle, withers, curb chain, bran mash, fetlock, stock tie, near side, picket line. He knew the aids for a flying lead change, the correct attire for a foxhunt, the thunder of charging by platoon, and the serenity of riding alone on a quiet path, with only his mount’s breaths and cadenced footsteps for company. The rhythm of a horse’s strides was like music to him—the walk a ballad in four/four time, the trot a rousing two-beat march, the canter a smooth three-beat waltz. Reed knew the scent of fresh straw in the stable, the tickle of a horse’s whiskers as it nuzzled up a carrot. He knew that endless moment when a fall was inevitable and then the sudden breathless smack of landing hard on packed dirt. He knew what the end of a day on horseback felt like, salty with sweat, dirt under his fingernails, and a mind whitewashed from all worry. More than anything, Hank Reed understood what was unspoken among all of these horse soldiers. Sunburned, brusque, tough, accustomed to giving and taking orders, they knew that if you live, eat, sleep, and breathe horses for long enough, they become part of you, and your soul is forever altered.
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
Some people come into your life to deliver hardcore life lessons. Take the lesson, learn it well, cry hard, and then move on. Life’s too short to get stuck in a rerun of the tough stuff. Absorb the wisdom, grow stronger, and keep strutting forward. Remember, every encounter is just a plot twist in your epic saga. So, thank them for the crash course, and then waltz into your next chapter with confidence. You’re the star of your own show. Negative people don't deserve your energy.
Life is Positive
What I know for sure is that every day brings a chance for you to draw in a breath, kick off your shoes, and step out and dance—to live free of regret and filled with as much joy, fun, and laughter as you can stand. You can either waltz boldly onto the stage of life and live the way you know your spirit is nudging you to, or you can sit quietly by the wall, receding into the shadows of fear and self-doubt. You have the choice this very moment—the only moment you have for certain. I hope you aren’t so wrapped up in nonessential stuff that you forget to really enjoy yourself—because this moment is about to be over. I hope you’ll look back and remember today as the day you decided to make every one count, to relish each hour as if there would never be another. And when you get the choice to sit it out or dance, I hope you dance.
Oprah Winfrey (What I Know For Sure)
Would you grant me the honor of your first dance, Lady Rose?” Can you manage it? he seemed to be asking. She looked around the ballroom once more, trying to decide what was best. She supposed she could either dance with Lord Ashton and show everyone that she was no longer an invalid . . . or she could remain in a chair beside the wall. “Only if you dance with Miss Sinclair next,” she countered with a smile of her own. It was a reasonable enough request. “If Miss Sinclair is willing, I should be very glad of her company.” He sent her a charming smile, which made Evangeline’s fan flutter faster. “Of course, I would be happy to dance with you, Lord Ashton,” the young woman agreed. Her expression turned worried, and she continued, “But as for Lady Rose, I fear that—” She stopped abruptly, and looked perplexed, as if to remind them both, She cannot walk. But the moment Iain extended his hand, Rose took it and stood slowly. He gave her a moment to steady her balance, and then she leaned against him when she took her first step. Her eyes fixed upon his with a silent plea, Keep it slow. At least then she could hide her heavy limp. She heard Evangeline give a soft gasp, and there were murmurs all around them. It took all her concentration to walk, but Rose leaned against Iain, determined to keep her balance. “There’s a lass.” He smiled at her, allowing her to set the pace. Her heart hammered faster, and she felt the eyes of every guest staring at her. Never in her life had she felt so self-conscious. Though she had longed to take her first steps with Lord Burkham at her side, now she was beginning to reconsider. Iain was the man who had helped her to walk again, and of anyone here, she trusted him not to let her stumble. He knew the limits of her endurance, and she could confess when she needed to stop and rest. “You look grand this night.” He gave her hand a gentle squeeze as they moved closer to the dancing. “Thank you.” She had worn a sky-blue gown with a full skirt and a lace shawl to cover her bare shoulders. It wasn’t the most fashionable gown, but her grandmother had deemed it quite appropriate for the evening. Because she expected me to remain in a chair, Rose thought. No one expected me to dance. “Do you think you can manage this?” Iain asked. His expression revealed the sincerity of a man who didn’t want her to be embarrassed. “Only if it’s a waltz.” A quick-paced dance would be quite beyond her balance. But right now, this was about proving herself to others. She wanted everyone to see that she had overcome her illness and could walk again. She took one step that was too heavy, and stumbled forward. Iain caught her immediately and halted, waiting for her to regain her balance. Her cheeks burned, and she blurted out, “I am sorry.” “Don’t be.” He brought her to the edge of the dancers, nearest to the wall. They would be away from the others, and yet, she could join in. The music shifted into a lilting waltz, and he rested his hand against her waist. “If you begin to tire, step on my feet. Your skirts will hide it, and no one will notice,” he advised. He’d
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Waltz across lifetimes with me Spin through the stars in my arms When I look in your eyes I know love never dies Please waltz through these lifetimes with me. Drift down life's river with me Inhale the moon's secret charms We know love never dies as we say our good-byes Please waltz beyond heartbreak with me.
Sheila Turnage (The Ghosts of Tupelo Landing (Mo & Dale Mysteries, #2))
We have no business being together. I’m too old for you and we’re going to keep butting heads at work, creating all kinds of drama. But you know what? I’m selfish when it comes to you, and I don’t care. I already lost everything that ever mattered to me in an instant, and then you waltzed into my life with your sexy smile and atrocious singing, and I felt something again. I was dead inside for so long, but you made me come alive. I don’t want to live without you, Bristol. Please tell me I’m not too late to make things right between us.” “You still want me?” “Of course I still want you,” Maddox breathed out, reaching a hand up to caress my cheek. “I love you. You are my heart. Even if you tell me to walk back out that door, that will never change. There’s no one else for me. Only you.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
We have no business being together. I’m too old for you and we’re going to keep butting heads at work, creating all kinds of drama. But you know what? I’m selfish when it comes to you, and I don’t care. I already lost everything that ever mattered to me in an instant, and then you waltzed into my life with your sexy smile and atrocious singing, and I felt something again. I was dead inside for so long, but you made me come alive. I don’t want to live without you, Bristol. Please tell me I’m not too late to make things right between us.
Siena Trap (A Bunny for the Bench Boss (Indy Speed Hockey, #1))
Each night my father counts backward from 100 like a shepherd climbing down meadow by meadow the Alps. Since his stroke he does this, he says, so his mind holds still, so it freezes, a suspect, hands on the wallpaper. That way it is there with his cane the next morning. When your mind runs away, well, it stashes parts of your real life forever, the names of lakes, the pretty faces of girls. When that happens, you count on nothing, a patch of sun on a green carpet, new snow on a roof framed by curtains. You call the woman “Nurse” and wonder why she cries. It is still a life, that chair between the cashews and windows. Then one day Bang! Doesn’t your mind come waltzing home, made up clown-style, sloshing memories like confetti in a pail? And don’t you take your life in your hands, counting out good times, counting out bad, marking time backward so it’s understood? Whatever you’re missing, he says, it’s what you don’t miss. Listen, he says, that sound in the old high ceilings of the house, not ice in the eaves, no man’s voice, no echo either... Only the wind, counting toward zero.
Richard Blessing
Ms. Stewart, wait,” he said quietly, even though the old Marston building was empty. I turned around to face him. His eyes stared straight into mine. “You don’t have to do this,” he said gently as he reached out and took hold of my arm. “You can say no. Golkov trusts you. He would let you just walk away. You can have a normal life, graduate from Brown, have a career and a family. If you join us, things will become more complicated. You’ll have to keep this, what we do, from everyone around you, even the people you care about. Yes, there will be intrigue and excitement, but you need to understand that in committing to this cause, the good may not outweigh the dangers placed in your path.” Who does he think he is? He doesn’t even know me and what I want or need. I don’t need someone to just waltz into my life and start giving me advice like he knows what is best for me. My anger toward him returned to a boil. “Thanks for your concern, Mr. Daly,” I couldn’t help the acrid timbre that fell from my lips, “but I can take care of myself.” I shook my arm free and abruptly turned around to walk home. Deep down I knew that I had already made my decision. I didn’t need the time to think about my choice. Mr. Daly’s unsolicited advice would not sway me. I was going to become a part of an organization whose mission was secretly protecting mankind. I was going to become part of The Company.
Robin M. King (Remembrandt (Remembrandt, #1))
ECHOES OF LOVE: A DANCE BENEATH THE ARCHWAYS Beneath the archways, where shadows play, As the world gives way, begin the odyssey. Uncertainty weaves into the grand scheme of life, A mystical altar, where destinies are intertwined. I walk the path, seeking the balm of solace, Enduring burden, sweet hymn of love. With hopes gone, a peace is about to descend, Still the echoes remain, they dissolve in silence. The flawed script in the story I wrote, Whispers of well-being, truths worth absorbing. "I'm fine," I say, a deceptive glare, Exposing the lies, an invisible love. A waltz with shadows on your street, Cynic's steps, very judicious dance. Terrible notions, a conspiracy unfolds, Regret is echoing at the threshold of love. Rumors of happiness, far-fetched, As I stumble in the field of love. In excess, I stumble and strain, Hope of solace, of regaining love. Did I stumble in that fleeting call? Huge weakening of pride, slow decline of strength. A gift given, deemed inadequate, In closeness, bonds become inadequate. A crazy search for a cure for love, Wandering aimlessly, purpose uncertain. Your realm echoes with such blasphemous footsteps, In the despair of the night, capricious dreams. Happiness, heard a rumor softly, As I wrestle with love like a flightless bird. Juggling too much reduces the weight of love, In the noise of love, a desperate clown. The desire to turn back, the love to amend, Unraveling habits, unraveling at every turn. A desperate attempt, from the quagmire of love, Hope you find love worth savoring. GUIDE ME, LET SALVATION BEGIN, A CHANCE TO IMPROVE, A REVENGE FOR LOVE. TO IMPROVE, HABITS HAVE TO BE BROKEN, A SELF-CALCULATING, STRIVING SOUL. THOUGHTS ENTANGLED IN THE HOPEFUL VISION OF LOVE, A CHANCE TO IMPROVE, A DECISION OF LOVE. WITNESS THE TRANSFORMATION, LET IT HAPPEN, INSPIRE IT, IN THE DANCE OF LOVE'S LIBERATION. LET ME ENTER AGAIN, A DOOR A LITTLE AJAR, A LOVE REBUILT, A HEALING STAR. WATCH AS LOVE APPEARS, WATCH, IN THE RELAXATION OF LOVE, A STORY RETOLD. I KEEP DREAMING, MAYBE, JUST MAYBE, LOVE'S EMBRACE, WAVING DESTINY. WITH EVERY STEP FORWARD, LOVE IS BECOMING FREE, SELF-MADE AGREEMENT, THE DEGREE OF LOVE.
Manmohan Mishra
Beneath the archways, where shadows play, As the world gives way, begin the odyssey. Uncertainty weaves into the grand scheme of life, A mystical altar, where destinies are intertwined. I walk the path, seeking the balm of solace, Enduring burden, sweet hymn of love. With hopes gone, a peace is about to descend, Still the echoes remain, they dissolve in silence. The flawed script in the story I wrote, Whispers of well-being, truths worth absorbing. "I'm fine," I say, a deceptive glare, Exposing the lies, an invisible love. A waltz with shadows on your street, Cynic's steps, very judicious dance. Terrible notions, a conspiracy unfolds, Regret is echoing at the threshold of love. Rumors of happiness, far-fetched, As I stumble in the field of love. In excess, I stumble and strain, Hope of solace, of regaining love. Did I stumble in that fleeting call? Huge weakening of pride, slow decline of strength. A gift given, deemed inadequate, In closeness, bonds become inadequate. A crazy search for a cure for love, Wandering aimlessly, purpose uncertain. Your realm echoes with such blasphemous footsteps, In the despair of the night, capricious dreams. Happiness, heard a rumor softly, As I wrestle with love like a flightless bird. Juggling too much reduces the weight of love, In the noise of love, a desperate clown. The desire to turn back, the love to amend, Unraveling habits, unraveling at every turn. A desperate attempt, from the quagmire of love, Hope you find love worth savoring. Guide me, let salvation begin, A chance to improve, a revenge for love. To improve, habits have to be broken, A self-calculating, striving soul. Thoughts entangled in the hopeful vision of love, A chance to improve, a decision of love. Witness the transformation, let it happen, Inspire it, in the dance of love's liberation. Let me enter again, a door a little ajar, A love rebuilt, a healing star. Watch as love appears, watch, In the relaxation of love, a story retold. I keep dreaming, maybe, just maybe, Love's embrace, waving destiny. With every step forward, love is becoming free, Self-made agreement, the decree of love.
Manmohan Mishra
The Codex of Seeds Serpent_120 Dragon woke up. He did his daily routine, and went out into the city. The quickly growing city of GemFall was where this assassin lived. Of course, no one knew he was an assassin. Except for, ya know, the city's sworn enemies, and his partner in crime, Cyber. Their mission was to just get to know the civilians, maybe make some friends, and maybe just, sneak their way up through the military ranks, and maybe detonate all of the city's explosives so they could steal a high-tech blueprint? But that’s just a maybe of course. He met up with Cyber where every highly trained assassin goes to meet up. It was discreet. It was luxurious. It was MCDONALDS. No, seriously. Surly no one would suspect a person at McDonalds. Dragon quickly took a seat and waited for Cyber to arrive. After a while, Cyber arrived. "Wonderful news," Cyber said "You talk like a child, not a professional." "Wow, going after the way I talk now, that’s so mature. Either way, while you were up there lazing in your high-rise apartment, I have been doing work, and now, I have control over the shed." "Wonderful, so now I will be doing the actual important work and completing this mission," said Dragon Cyber sneered at him, gave him the shed pass, and they left. Dragon walked over to the military district in the city. He found the shed, and was about to walk in the door, when he was stopped. "Heya chump, you don't look like Commander Cyber. You can't go in there." A guard stopped him. "Oh really, I seem to have the shed pass, giving me authorization to come in there. If you refuse my entry, that would put your job in jeopardy, and we wouldn't want that, would we?" Dragon liked to be as condescending as possible. He liked when people hated him. He strolled in, grabbed a couple explosives, and headed back out. Then he began he trek towards the vault. It was very uneventful. Then, he got to the vault. He began planting explosives around, in strategic locations. He, well, obviously, then ran away. And waited. \ / - BOOM - / \ Dragon smiled. He saw the small, scorched piece of paper on the ground. He smiled. He snuck over and picked it up. He then felt a tap on his shoulder. "Hello good friend," Cyber said as he plucked the paper out of Dragon's hand. "I believe this belongs to me now." Cyber smirked. He waltzed away as Dragon stared in shock as the military surrounded him, and took him away... It was a long trek from GemFall to the DarkStalk's secret base. But Cyber could handle it. He was happy knowing that his annoying little "teammate" was locked up somewhere far away. Somewhere where he could never tell Cyber's superiors what happened. The real truth of what happened that afternoon... EGamer7201 As I looked upon the enemy that towered above me, I took a step back. This was the worst enemy I had ever seen, and to be honest, I was scared. I took my Nexus Orbs, 3 of them, and got ready to fight. I put the orbs that I had protected with my life on my belt. I took out my glowing blade, with the mystical rune, quintuple darkness stab. This enemy was called Ending. It had Glowing red eyes, and was pure black, and had white spots. I looked at it, scanned it, and the stats were: HP: 13000001 AP (Attack points) : 9999 DP (Defense points) :2000000 Few, this is gonna be hard. I screamed, "FOR THE NEXUS!!!" and teleported toward Ending. TO BE CONTINUED... (Hopefully!) Q & A Blox Is the series almost over?
Pixel Ate (The Accidental Minecraft Family: Book 32: Search & Rescue: First Mission)
In the German and French pensions, which twenty-five years ago were crowded with American mothers and their daughters who had crossed the seas in search of culture, one often found the mother making real connection with the life about her, using her inadequate German with great fluency, gaily measuring the enormous sheets or exchanging recipes with the German Hausfrau, visiting impartially the nearest kindergarten and market, making an atmosphere of her own, hearty and genuine as far as it went, in the house and on the street. On the other hand, her daughter was critical and uncertain of her linguistic acquirements, and only at ease when in the familiar receptive attitude afforded by the art gallery and opera house. In the latter she was swayed and moved, appreciative of the power and charm of the music, intelligent as to the legend and poetry of the plot, finding use for her trained and developed powers as she sat "being cultivated" in the familiar atmosphere of the classroom which had, as it were, become sublimated and romanticized. I remember a happy busy mother who, complacent with the knowledge that her daughter daily devoted four hours to her music, looked up from her knitting to say, "If I had had your opportunities when I was young, my dear, I should have been a very happy girl. I always had musical talent, but such training as I had, foolish little songs and waltzes and not time for half an hour's practice a day." The mother did not dream of the sting her words left and that the sensitive girl appreciated only too well that her opportunities were fine and unusual, but she also knew that in spite of some facility and much good teaching she had no genuine talent and never would fulfill the expectations of her friends. She looked back upon her mother's girlhood with positive envy because it was so full of happy industry and extenuating obstacles, with undisturbed opportunity to believe that her talents were unusual. The girl looked wistfully at her mother, but had not the courage to cry out what was in her heart: "I might believe I had unusual talent if I did not know what good music was; I might enjoy half an hour's practice a day if I were busy and happy the rest of the time. You do not know what life means when all the difficulties are removed! I am simply smothered and sickened with advantages. It is like eating a sweet dessert the first thing in the morning.
Jane Addams (Twenty Years at Hull House)
You got some synchronicity happening in your life right now?
Pam Houston (Waltzing the Cat)
You would end up unhappy and bound for life to your unhappiness.
Mary Balogh (The Last Waltz (Signet Regency Romance))
This is a good place for thinking about your life, a few days in this place.
Philip Hensher (The Emperor Waltz)
That's because you've only known life in its worst aspect," said Dr. Skreta. "You've never known how to live. You've always thought that it was your duty to be, as they say, in the thick of things. In the core of reality. But what was that reality for you?
Milan Kundera (Farewell Waltz)
Selena,” he whispered. “Listen to what I’m about to tell you, because I may not be able to say these words again. Remember that night I told you about the stars and the constellations? How some species within our galaxy have a belief—a theory, if you will—that the stars are lost souls, waiting to be reborn. They believe that constellations are collections of the stars’ loved ones, connected in the afterlife.” Kaede shuddered, licking his lips to prepare for what he had to get off his chest. “I have a confession. I’ve secretly wanted you ever since I laid my eyes upon your file. You became an obsession, a craving, an addiction. I wanted to know everything about you, for reasons I didn’t understand. Once we met, it dawned on me: We are stars within the same constellation, just trying to figure out where and how we belong. The connection we felt to one another from the beginning proves we were meant to be together all this time.” He looked away as he tried to voice the words that were coursing through him. Grabbing her hand, he returned his gaze. “Selena, I love you. There are so many things I want to say to you, but delaying you any further will only reduce your chance of survival. However, know this, I will find you again. It may take another life, but I will find you, and when I do, I won’t make this mistake again. I will love you freely, together with whoever else is in our constellation, because you are worth waiting for another lifetime.
Jade Waltz (Develop (Project: Adapt, #3))
What’s life to us poor folks? The moment you land in this life the old man starts cussing that there’s another mouth to feed. You go off hungry to school in the morning, and when you got to bed at night the hunger’s still gnawing at your gut. And then you join the work force. Sell your strength like you’d sell a gallon o’ gas. And you belong to the boss, the man with the money. And you become…in a manner of speaking…a hammer or a chair or a steam shovel or a fountain pen, or else you turn into a laundry iron. That’s the way it is. What’s the one joy you have left? Love! Where nobody can tell you what to do? Love! Where you’re free on home ground and you can tell the boss and his flunkies: Private Property! No trespassing! Love! The rich, see, they’ve got so many things to amuse themselves with…seaside vacations and music and books…but us? Yeah, sure we pick up a book once in a while, but not every day. Who’s got the know-how? Who’s got the time? And music? Well, opera’s alright, but gimme a good variety show or an operetta…“Marquis of Luxembourg”…or “Waltzing Dream” or “The Merry Widow,”…you know the… "Vilja, o Vilja, sweet maid o’ the woods”…or lemme drop a dime in the juke box, play a waltz and grab my girl…that’s my idea of fun… To us, love ain’t what it is to the rich. It’s our…in a manner of speaking…it’s our reason for living. If that goes, you can just as well can it all. Ain’t it the truth, Eugene?
Ernst Toller (Hinkemann)