Walter's Dream Quotes

Reading is an intelligent way of not having to think.

Stealing from one author is plagiarism; from many authors, research.

This is what happens when you live in dreams, he thought: you dream this and you dream that and you sleep right through your life.

Von den Sternen kommen wir, zu den Sternen gehen wir. Das Leben ist nur eine Reise in die Fremde.

Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.

I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember--horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them.

No one who writes a good book is really dead.

Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away.

Writers are there to write, not experience things. If you want to experience things, become a pirate or a Bookhunter. If you want to write, write. If you can't find the makings of a story inside yourself, you won't find them anywhere.

Lesen ist eine intelligente Methode, sich selber das Denken zu ersparen.

Where shadows dim with shadows mate, in caverns deep and dark. Where old books dream of bygone days, when they were wood and bark...

A man's bookcase will tell you everything you'll ever need to know about him," my father had told me more than once. "A businessman has business books and a dream has novels and books of poetry. Most women like reading about love, and a true revolutionary will have books about the minutiae of overthrowing the oppressor. A person with no books is inconsequential in a modern setting, but a peasant that reads is a prince in waiting.

Someone with an obsession for arranging things in alphabetical order was an abcedist, whereas someone with an obsession for arranging them in reverse alphabetical order was a zyxedist.

Die Neugier ist die mächtigste Antriebskraft im Universum, weil sie die beiden größten Bremskräfte im Universum überwinden kann: die Vernunft und die Angst.

In tiefen, kalten, hohlen Räumen, Wo Schatten sich mit Schatten paaren, Wo alte Bücher Träume träumen, Von Zeiten, als sie Bäume waren, Wo Kohle Diamant gebiert, Man weder Licht noch Gnade kennt, Dort ist's, wo jener Geist regiert, Den man den Schattenkönig nennt.

There is no such thing as a moral or an immoral book. Books are well written or badly written, that's all.

the beast is the monster that destroys your dream

Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.

On his office wall he had a note to himself: 'Money is necessary--but it isn't too important.' Money meant for him to keep on writing and to go his own way.

so wondrous wild, the whole might seem the scenery of a fairy dream

Ist es nicht absurd, daß einem die Erinnerung an gute zeiten viel eher die Tränen in die Augen treibt als die an schlechte?

Words and emotions are simple currencies. If we inflate them, they lose their value, just like money. They begin to mean nothing. Use 'beautiful' to describe a sandwich and the word means nothing. Since the war, there is no more room for inflated language. Words and feelings are small now - clear and precise. Humble like dreams.

To all, to each, a fair good-night, And pleasing dreams, and slumbers light.

I now understood the secret of music and knew what makes it so infinitely superior to all the other arts: its incorporeality. Once it has left an instrument it becomes its own master, a free and independent creature of sound, weightless, incorporeal and perfectly in tune with the universe.

In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.

The problem is this: in order to make money- lots of money- we don't need flawless literary masterpieces. What we need is mediocre rubbish, trash suitable for mass consumption. More and more, bigger and bigger blockbusters of less and less significance. What counts is the paper we sell, not the words that are printed on it.

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer’s block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn’t the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: ‘This is where my story begins.’

Why not ask yourself whether your other dreams are real? You go on trips and undergo the strangest experiences every night. How do you know they only take place in your mind?

Bücher erschaffen kannst du noch nicht", sagte der Schattenkönig, "aber umbringen kannst du sie schon. Bist du sicher, daß du nicht lieber Kritiker werden möchtest?

Walter and I had shared a mind, of course. Couples get that way. I think it has something to do with sharing a bed. The mind, untethered during sleep, travels up and away, dancing, sometimes in partners. Things pass back and forth in dreams.

Es war sogar etwas Tröstliches in dieser toten Welt, denn die Abwesenheit von Leben bedeutet auch die Abwesenheit von Gefahr. Alles Böse geht von den Lebenden aus.

An author owes a duty to the truth.

This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activities that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the community of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained.

There's a reason for every journey, and mine was prompted by boredom and the recklessness of youth, by a wish to break the bounds of my normal existence and familiarise myself with life and the world at large.

Yes, what is it like? Certainly not like she dreamed. But maybe that's okay. We want what we want. At home, she works herself into a frenzy worrying about what she isn't--and perhaps loses track of just where she is.

My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.

Warum tötest du mich nicht?" fragte der Bücherjäger. "Du solltest eigentlich wissen", antwortete Homunkoloss, "daß es immer einen geben muß, der überlebt, damit er die Geschichte erzählen kann. Denn sonst gäbe es bald keine Geschichten mehr, um die Bücher zu füllen.

I will have a stern man in anything I ever write; I just love a gruff guy with a heart of gold. I guess what I’m saying is Walter Matthau is the man of my dreams.

But if I can’t have that dream with you, will you live it anyway?

Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money - it's always been like that.

We are *all* we are, and all in a sense we care to dream we are. And for that matter, anything outlandish, bizarre, is a godsend in this rather stodgy life. It is after all just what the old boy said – it's only the impossible that's credible; whatever credible may mean...

Wenn es tatsächlich das Orm war, das diese Bücher so besonders machte, dann war ich süchtig nach diesem Stoff, süchtig nach jeder von ihm gesättigten Zeile. Essen? Nebensache. Waschen? Zeitverschwendung. Nur Lesen, Lesen, Lesen war wichtig.

Science, I am told, is making great strides, experimenting, groping after things which no sane man has ever dreamed of before – without being burned alive for it.

I'm not out here looking for no garbage cans to curl up in. I'm looking for the same good dreams everybody else is hoping for, but I don't see where they are. Or maybe I see where they are, but I don't see how to get there.

I just wanted to show you that every moment has mattered. That every tiny second has changed me. You have changed me, Maggie. You’ve given me something I had never dared to dream for myself. A future. Hope. Love. I can’t even begin to put into words what your gifts have done for me. All I can do is cherish and adore you every day for the rest of my life.

..als würde man die Tür zu einem alten Antiquariat aufreißen, als würde sich ein Sturm aus purem Bücherstaub erheben und einem der Moder von Millionen verrottender Folianten mitten ins Gesicht wehen.

In the world's structure dream loosens individuality like a bad tooth.

My dreams tend to be either so obscure as to seem random, or so obviously connected to my subconscious that it's embarrassing- as if even my hidden depths lack depth.

I was in a bibliophile's Eylsium.

Not architecture alone but all technology is, at certain stages, evidence of a collective dream.

Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change. Dozens of the colleagues whom Jobs most abused ended their litany of horror stories by saying that he got them to do things they never dreamed possible. And he created a corporation crammed with A players.

We have no authoritative figure, no Walter Cronkite or Edward R. Murrow whom we all listen to and trust to sort out contradictory claims. Instead, the media is splintered into a thousand fragments, each with its own version of reality, each claiming the loyalty of a splintered nation.

There were adventure stories supplied with cloths for mopping your brow, thrillers containing pressed leaves of soothing valerian to be sniffed when the suspense became too great, and books with stout locks sealed by the Atlantean censorship authorities ("Sale permitted, reading prohibited!"). One shop sold nothing but 'half' works that broke off in the middle because their author had died while writing them; another specialised in novels whose protagonists were insects. I also saw a Wolperting shop that sold nothing but books on chess and another patronised exclusively by dwarfs with blond beards, all of whom wore eye-shades.

Theologian and scholar Walter Brueggemann writes beautifully in 'The Prophetic Imagination' that real hope comes only after despair. Only if we have tasted despair, only if we have known the deep sadness of unfulfilled dreams and promises, only if we can dare to look reality in the face and name it for what it is, can we dare to begin to imagine a better way. Hope is subversive precisely because it dares to admit that all is not as it should be. And so we are holding out for, working for, creating, prophesying, and living into something better---for the kingdom to come, for oaks of righteousness to tower, for leaves to blossom for the healing of the nations, for swords to be beaten into plowshares, for joy to come in the morning, and for redemption and justice.

The woods were made for the hunter of dreams, The brooks for the fishers of song; To the hunters who hunt for the gunless game The streams and the woods belong. There are thoughts that moan from the soul of pine And thoughts in a flower bell curled; And the thoughts that are blown with scent of the fern Are as new and as old as the world.

Die Hitze entschlackt den Körper. Wenn du eine Weile in die Lava gestarrt hast, verwandelt sich dein gehirn in eine breiige Masse. Und du denkst an gar nichts mehr. Das empfinden wir als Erholung von unseren geistigen Aktivitäten.

Walter Mittys with Everest dreams need to bear in mind that when things go wrong up in the Death Zone--and sooner or later they always do--the strongest guides in the world may be powerless to save a client's life; indeed, as the events of 1996 demonstrated, the strongest guides in the world are sometimes powerless to save even their own lives. Four of my teammates died not so much because Rob Hall's systems were faulty--indeed, nobody's were better--but because on Everest it is the nature of systems to break down with a vengeance.

Nothing is what one thinks it is. Cloth is stone and circus is an art. There are no certainties.

Er dachte bereits daran, in sein Gasthaus der Tränen zu gehen und sich dort aufzuhängen, an einem Strick aus Traumfäden.

-Otra cosa más, chico, que tienes que recordar: lo que importa no es cómo empieza una historia. Ni cómo termina. -¿Entonces qué? -Lo que pasa en medio.

If what I reading has the power to grip me, I can read under the most difficult circumstances.

We dreamed a lot of good stuff. Marriage and forever and ever and that kind of thing. It meant everything to me. Not just a lot. Everything.

The stink of rot and ruin, of old dreams, broken screams, and wicked, dirty little things.

People told me to give up trying to be special and settle down to a regular life. There ain't nothing wrong with a regular life, and that's the Lord's truth...But it wasn't for me, because I wanted to be something special...I knew how easy it was for a dream to die. I seen that all around me. You could let it die by just looking the other way—you know, some of those Asian people say they don't kill nothing, but they'll take a fish out of water and lay it on the ground and then say it just died on its own—you can do that with a dream, too. And sometimes you can get so frustrated, you feel so bad about your dream, that you go on and kill it yourself. When you do that, you're killing a piece of yourself, too." —Mr. Cephus

These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.

Stop thinking about your life in increments. Seconds. Minutes. Days. Look at the bigger picture and embrace whatever time you have. Don’t look constantly toward the end. Enjoy the right now.

That which is neither ill nor well. That which belongs not to Heaven nor to hell, A wreath of the mist, a bubble of the stream, 'Twixt a waking thought and a sleeping dream; A form that men spy With the half-shut eye. In the beams of the setting sun, am I.

Auch er stieg funkelnd empor im größten und schrecklichsten Feuer, das Buchheim je heimgesucht hatte. Er, der Brandstifter und Zündfunke, flog hinauf, um dort oben ein Stern zu werden und für alle Zeit hinabzustrahlen auf eine Welt, die zu eng war für einen so großen Geist wie ihn.

There’s nothing scary in realizing who you want to be with. It’s exciting. Exhilarating.

But at night we began dreaming of Man's perfect world without humanity (57)

Sie schufen ein Elixier, mit dem man Buchpapier parfümieren konnte, welches all diese beschriebenen Angstsymptome erzeugte, von der Gänsehaut bis hin zum Herzstillstand.

I've never thought much of strictly organised and methodical study. You can't arrange a library in alphabetical order until you've collected one.

Zo gaat het wanneer je je verliest in dromen, dacht hij: je droomt van het een, je droomt van het ander en voor je het weet heb je je hele leven verslapen.

Walt’s grandson, Walter Disney Miller, told me, “EPCOT was my grandfather’s biggest dream—the city of the future that would point the way to a better world. His dream remains unbuilt.

What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.

nowadays sound embarrassing. Jobs wanted Apple “to become a wonderful consumer products company,” Sculley wrote. “This was a lunatic plan. . . . Apple would never be a consumer products company. . . . We couldn’t bend reality to all our dreams of changing the world. . . . High tech could not be designed and sold

Renouncing false beliefs will not usher in the millennium. Few things about the strategy of contemporary apologists are more repellent than their frequent recourse to spurious alternatives. The lesser lights inform us that the alternative to Christianity is materialism, thus showing how little they have read, while the greater lights talk as if the alternative were bound to be a shallow and inane optimism. I don't believe that man will turn this earth into a bed of roses either with the aid of God or without it. Nor does life among the roses strike me as a dream from which one would not care to wake up after a very short time.

Life laughs at me now, Sad, forsaken clown. Dreams crumble and fall. They die silently. Where is there to turn to? Where can I find mercy? Love is what I needed, All I wanted from this life. ―Carmen, singing "Destiny Theme

Earth - it was a place where you could stop being afraid, a place where fear of suffocation was not, where fear of blowout was not, where nobody went berserk with the chokers or dreamed of poisoned air or worried about shorthorn cancer or burn blindness or meteoric dust or low-gravity muscular atrophy. A place where there was wind to blow your sweat away.

Sometimes, in the course of my hopeless quest, I would pick up and dip into one of the ordinary books that lay strewn around the castle. Whenever I did, it seemed so insipid and insubstantial that I flew into a rage and hurled it at the wall after reading the first few sentences. I was spoilt for any other form of literature, and the mental torment I endured was comparable to the agony of unrequited love compounded by the withdrawal symptoms associated with a severe addiction.

There's no way out," he announced with satisfaction, "and no amount of wishful dreaming will produce one. The demon won't go back in its bottle, the face-off is for ever, the embrace gets tighter and the toys cleverer with every generation, and there's no such thing for either side as enough security. Not for the main players, not for the nasty little newcomers who each year run themselves up a suitcase bomb and join the club. We get tired of believing that, because we're human. We may even con ourselves into believing the threat has gone away. It never will. Never, never, never." "So, who'll save us then, Walt?" Barley asked. "You and Nedsky?" "Vanity, if anything will, which I doubt," Walter retorted. "No leader wants to go down in history as the ass who destroyed his country in an afternoon. And funk, I suppose. Most of our gallant politicians do have a narcissistic objection to suicide, thank God.

Pausing on the threshold, he looked in, conscious not so much of the few familiar sticks of furniture - the trucklebed, the worn strip of Brussels carpet, the chipped blue-banded ewer and basin, the framed illuminated texts on the walls - as of a perfect hive of abhorrent memories. That high cupboard in the corner, from which certain bodiless shapes had been wont to issue and stoop at him cowering out of his dreams; the crab-patterned paper that came alive as you stared; the window cold with menacing stars; the mouseholes, the rusty grate - trumpet of every wind that blows - these objects at once lustily shouted at him in their own original tongues. ("Out Of The Deep")

Don't you waste another moment being something that you're not. Don't you dare forget that shining star that lights your sky. You hold on to what you dreamed of and let no one tear them down for that's all this life is ever all about...DARE TO STAND YOUR GROUND" (quote taken from the book "Suicide Kills")

The truth of the matter I believe to be this. There is, as I stated at first, no absolute right or wrong in love, but everything depends upon the circumstances, to yield to a bad man in a bad way is wrong, but to yield to a worthy man in a right way is right. The bad man is a common or a vulgar lover, who is in love with the body rather than the soul; he is not constant because what he loves is not constant; as soon as the flower of physical beauty, which is what he loves, begins to fade, he is gone "even as a dream", and all his professions and promises are as nothing. But the lover of a noble nature remains its lover for life, because the thing to which he cleaves is constant. The object of our custom then is to subject lovers to a thorough test; it encourages the lover to pursue and the bloved to flee, in order that the right kind of lover may in the end be gratified and the wrong kind be eluded; it sets up a kind of competition to determine which kind of lover and beloved respectively belong.

For if there are no waving flags and marching songs at the barricades as Walter marches out with his little battalion, it is not because the battle lacks nobility. On the contrary, he has picked up in his way, still imperfect and wobbly in his small view of human destiny, what I believe Arthur Miller once called "the golden threat of history." He becomes, in spite of those who are too intrigued with despair and hatred of man to see it, King Oedipus refusing to tear out his eyes, but attacking the Oracle instead. He is that last Jewish patriot manning his rifle at Warsaw; he is that young girl who swam into sharks to save a friend a few weeks ago; he is Anne Frank, still believing in people; he is the nine small heroes of Little Rock; he is Michelangelo creating David and Beethoven bursting forth with the Ninth Symphony. He is all those things because he has finally reached out in his tiny moment and caught that sweet essence which is human dignity, and it shines like the old star-touched dream that it is in his eyes.

At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.

What if one were to want to hunt for these hidden presences? You can’t just rummage around like you’re at a yard sale. You have to listen. You have to pay attention. There are certain things you can’t look at directly. You need to trick them into revealing themselves. That’s what we’re doing with Walter, Jaz. We’re juxtaposing things, listening for echoes. It’s not some silly cybernetic dream of command and control, modeling the whole world so you can predict the outcome. It’s certainly not a theory of everything. I don’t have a theory of any kind. What I have is far more profound.’ ‘What’s that?’ ‘A sense of humor.’ Jaz looked at him, trying to find a clue in his gaunt face, in the clear gray eyes watching him with such - what? Amusement? Condescension? There was something about the man which brought on a sort of hermeneutic despair. He was a forest of signs. ‘We’re hunting for jokes.’ Bachman spoke slowly, as if to a child. ‘Parapraxes. Cosmic slips of the tongue. They’re the key to the locked door. They’ll help us discover it.’ ‘Discover what?’ ‘The face of God. What else would we be looking for?

A fin-de-siècle philosopher had once remarked—and been roundly denounced for his pains—that Walter Elias Disney had contributed more to genuine human happiness than all the religious teachers in history. Now, half a century after the artist’s death, his dreams were still proliferating across the Florida landscape.

An alpinist, I already know, is a climber of mountains by difficult routes, by technical routes: real climbing to summits like this one. The ice hammer itself is a key to the world of legends that I’ve dreamed of in my fading boyhood: the world of climbers like Reinhold Messner, Hermann Buhl, Riccardo Cassin, Walter Bonatti, and Yvon Chouinard.

him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving

Sixsmith, Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart. Sincerely, R.F.

Before they entered the slave market or inspected a slave, many slaveholders had well-developed ideas about what they would find there. these ideas had less to do with the real people they would meet in the market, however, than they did with the slaveholder’s themselves, about the type of people they would become by buying slaves. As they talked about and wrote about buying slaves, slaveholders mapped a world made of slavery. They dreamed of people arrayed in meaningful order by their value as property, of fields full of productive hands and a slave quarter that reproduced itself, of well ordered households and of mansions where services were swift and polished. They dreamed of beating and healing and sleeping with slaves; sometimes they even dreamed that their slaves would love them. They imagined who they could be by thinking about whom they could buy.

THERE ARE FEW THINGS as beautiful as a glass bottle filled with deep amber whiskey. Liquor shines when the light hits it, reminiscent of precious things like jewels and gold. But whiskey is better than some lifeless bracelet or coronet. Whiskey is a living thing capable of any emotion that you are. It’s love and deep laughter and brotherhood of the type that bonds nations together. Whiskey is your friend when nobody else comes around. And whiskey is solace that holds you tighter than most lovers can. I thought all that while looking at my sealed bottle. And I knew for a fact that it was all true. True the way a lover’s pillow talk is true. True the way a mother’s dreams for her napping infant are true. But the whiskey mind couldn’t think its way out of the problems I had. So I took Mr. Seagram’s, put him in his box, and placed him up on the shelf where he belonged.

REINHOLD JOBS. Wisconsin-born Coast Guard seaman who, with his wife, Clara, adopted Steve in 1955. REED JOBS. Oldest child of Steve Jobs and Laurene Powell. RON JOHNSON. Hired by Jobs in 2000 to develop Apple’s stores. JEFFREY KATZENBERG. Head of Disney Studios, clashed with Eisner and resigned in 1994 to cofound DreamWorks SKG. ALAN KAY. Creative and colorful computer pioneer who envisioned early personal computers, helped arrange Jobs’s Xerox PARC visit and his purchase of Pixar. DANIEL KOTTKE. Jobs’s closest friend at Reed, fellow pilgrim to India, early Apple employee. JOHN LASSETER. Cofounder and creative force at Pixar. DAN’L LEWIN. Marketing exec with Jobs at Apple and then NeXT. MIKE MARKKULA. First big Apple investor and chairman, a father figure to Jobs. REGIS MCKENNA. Publicity whiz who guided Jobs early on and remained a trusted advisor. MIKE MURRAY. Early Macintosh marketing director. PAUL OTELLINI. CEO of Intel who helped switch the Macintosh to Intel chips but did not get the iPhone business. LAURENE POWELL. Savvy and good-humored Penn graduate, went to Goldman Sachs and then Stanford Business School, married Steve Jobs in 1991. GEORGE RILEY. Jobs’s Memphis-born friend and lawyer. ARTHUR ROCK. Legendary tech investor, early Apple board member, Jobs’s father figure. JONATHAN “RUBY” RUBINSTEIN. Worked with Jobs at NeXT, became chief hardware engineer at Apple in 1997. MIKE SCOTT. Brought in by Markkula to be Apple’s president in 1977 to try to manage Jobs.

Samuel Smiles ends his book with the following moving story of the “gentleman” general: The gentleman is characterized by his sacrifice of self, and preference of others, in the little daily occurrences of life…we may cite the anecdote of the gallant Sir Ralph Abercromby, of whom it is related, that, when mortally wounded in the battle of Aboukir, and, to ease his pain, a soldier’s blanket was placed under his head, from which he experienced considerable relief. He asked what it was. “It’s only a soldier’s blanket,” was the reply. “Whose blanket is it?” said he, half lifting himself up. “Only one of the men’s.” “I wish to know the name of the man whose blanket this is.” “It is Duncan Roy’s, of the 42nd, Sir Ralph.” “Then see that Duncan Roy gets his blanket this very night.” Even to ease his dying agony the general would not deprive the private soldier of his blanket for one night. As Samuel wrote: “True courage and gentleness go hand in hand.” It was in this family, belief system, and heritage that Walter, my great-grandfather, grew up and dared to dream.

What’s that?” “I’ll tell you after you guess what I am.” I kept a straight face. “Rumpelstiltskin?” He rolled his eyes. “Be serious.” “Werewolf? No, that might have explained the superhuman strength if I didn’t know about the runes. Vampire crossed my mind, but you don’t sparkle.” His eyebrows shot up. “Sparkle?” “Yeah, like Edward. He’s superhot and perfect.” Torin scowled. “You have seen vampires?” “Of course. On the screen, in my dreams. What are you doing?” “Climbing your tree.” I swallowed. “Why?” “I like getting close and personal when talking to a beautiful woman.” My cheeks grew warm, and I looked behind me. “Who?” “You, Freckles.” He stopped at one of the top, sturdy branches, leaned against it, and studied me. “You should see yourself through my eyes, Raine Cooper. Gorgeous, fascinating, stubborn, funny, but I wouldn’t have you anyway.” Oh, wow. No guy had ever complimented me with such conviction. My cheeks shot past warm to hot, which meant my face was red as beets. “You’re kidding, right?” “No, I’m not. Don’t you think you’re beautiful?” “I meant does that old line really work anymore. I like getting close and personal when talking to a beautiful woman,” I repeated, imitating his deep voice and wiggling my brow.

A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture. Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood. But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge. And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

Torin, I didn’t know it was possible to find someone like you. You love me for who I am, not what I am. You’ve taught me that it’s okay to walk on my own, yet you’re always there to carry me when I can’t. You’ve taught me it’s okay to run, stumble, and fall, and pick myself up because a fall is nothing to be ashamed of. You’ve taught me it’s okay to fly because the sky is the limit and you’ll catch me if I fall. You inspire me, challenge me, and celebrate me. You are the first man I’ve ever loved and you will be the last man I’ll ever love. You are my one and only true love, and I promise I will love you for eternity.” Hawk draped the silk rope around our wrists and picked up the second one. Torin looked into my eyes as he started to speak, his voice sure, his words sincere. “Raine Cooper, from the moment you opened your door and our eyes met for the first time, I knew I had reached the end of my quest, yet I didn’t even know what I was searching for. I just knew you were the one, my omega. Where there was cold, you’ve brought warmth. Where there was sadness, you’ve brought happiness. Where there was pain, you’ve brought relief. Where there was darkness, you’ve brought light. You know me better than anyone, my fears, my shortcomings, my habits, yet you still love me. My vows to you are a privilege because I get to laugh with you, cry with you, walk with you, run with you, and fight with you for the rest of our lives. I promise to be patient. Most of the time,” he added, smiling. “I promise to be faithful, respectful, attentive, and to become even a better man for you. I promise to celebrate your triumphs and step back so you can shine like the star you are, but I’ll always be there when you need me. My shoulders are yours to cry on and to carry your burdens. My body is the shield that blocks the blows that might harm you and yours to do with as you wish. My hopes and dreams will always start and end with you. Yours will be the name I cry when I’m in need. Your eyes are the balm I seek when I’m in pain. And your soul is the beacon that my soul searches for when I’m lost. I will love you fiercely, tenderly, and passionately. And when we have children, I promise to be the best father a child could ever want. For you, Raine Cooper, deserve the best and I plan to give it you. You are my one and only true love, and I promise I will love you for eternity.

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.